{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=3926","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=3925","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=3927","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026facet.sort=index\u0026page=3959"},"meta":{"pages":{"current_page":3926,"next_page":3927,"prev_page":3925,"total_pages":3959,"limit_value":10,"offset_value":39250,"total_count":39582,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_vifgm00036_c01_c01_c274","type":"File","attributes":{"title":"World's most glamorous trash heap,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c01_c01_c274#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWashington, D.C. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c01_c01_c274#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00036_c01_c01_c274","ref_ssm":["vifgm_vifgm00036_c01_c01_c274"],"id":"vifgm_vifgm00036_c01_c01_c274","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036_c01_c01","parent_ssi":"vifgm_vifgm00036_c01_c01","parent_ssim":["vifgm_vifgm00036","vifgm_vifgm00036_c01","vifgm_vifgm00036_c01_c01"],"parent_ids_ssim":["vifgm_vifgm00036","vifgm_vifgm00036_c01","vifgm_vifgm00036_c01_c01"],"parent_unittitles_ssm":["Oliver F. Atkins photograph collection","Series 1: Prints,","Subseries 1.1: Subject,"],"parent_unittitles_tesim":["Oliver F. Atkins photograph collection","Series 1: Prints,","Subseries 1.1: Subject,"],"text":["Oliver F. Atkins photograph collection","Series 1: Prints,","Subseries 1.1: Subject,","World's most glamorous trash heap,","Box 15","Folder 15","Washington, D.C.\n"],"title_filing_ssi":"World's most glamorous trash heap, \n","title_ssm":["World's most glamorous trash heap,"],"title_tesim":["World's most glamorous trash heap,"],"unitdate_other_ssim":["February 1952\n"],"normalized_date_ssm":["1952"],"normalized_title_ssm":["World's most glamorous trash heap,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Oliver F. Atkins photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":276,"date_range_isim":[1952],"containers_ssim":["Box 15","Folder 15"],"scopecontent_html_tesm":["\u003cp\u003eWashington, D.C.\n\u003c/p\u003e"],"scopecontent_tesim":["Washington, D.C.\n"],"_nest_path_":"/components#0/components#0/components#273","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00036","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036","ead_source_url_ssi":"data/gmu/vifgm00036.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975\n"],"unitdate_inclusive_ssm":["1943-1975\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036\n"],"text":["C0036\n","Oliver F. Atkins photograph collection","Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides.","Collection is open to research.\n","Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs .","Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n","Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n","George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs.","English\n"],"unitid_tesim":["C0036\n"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Oliver F. Atkins, 1916-1977\n"],"creator_ssim":["Oliver F. Atkins, 1916-1977\n"],"creator_persname_ssim":["Oliver F. Atkins, 1916-1977\n"],"creators_ssim":["Oliver F. Atkins, 1916-1977\n"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987.\n"],"access_subjects_ssim":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"access_subjects_ssm":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["59.5 linear ft.; 113 boxes"],"extent_tesim":["59.5 linear ft.; 113 boxes"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"altformavail_html_tesm":["\u003cp\u003ePortions of the Atkins collection are available online through the \u003cextref type=\"simple\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003eOliver F. Atkins Photograph Collection\u003c/extref\u003e  and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/767\"\u003e1972 Richard Nixon Campaign Photographs\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n\u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections including the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/scotta.html\"\u003eArthur E. Scott photograph collection\u003c/extref\u003e.\n\u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n\u003c/p\u003e","\u003cp\u003eThis subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t\u003c/p\u003e","\u003cp\u003eStorage and moving trade in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGuinea; Nigeria; South Africa\n\u003c/p\u003e","\u003cp\u003eJapan\n\u003c/p\u003e","\u003cp\u003ePortraits with family\n\u003c/p\u003e","\u003cp\u003eU.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eWinston Churchill, Harry Truman\n\u003c/p\u003e","\u003cp\u003eSchool improvement programs in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eEntomology at Shenandoah National Park, Virginia\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Norman Rockwell\n\u003c/p\u003e","\u003cp\u003eOliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Gerald Ford\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eIncludes negatives\n\u003c/p\u003e","\u003cp\u003eAmerican Machine \u0026amp; Foundry Company, New York City\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry\n\u003c/p\u003e","\u003cp\u003eCarl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRobert Taft in Canton, OH\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; Norfolk, Virginia; United States Navy\n\u003c/p\u003e","\u003cp\u003eHarry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower in Boise, Idaho\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets\n\u003c/p\u003e","\u003cp\u003eJoint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart and family in Falls Church, Virginia\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n\u003c/p\u003e","\u003cp\u003eBathtubs, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress; Luther Evans\n\u003c/p\u003e","\u003cp\u003eBoy reading, taken in Fairfax, Virginia\n\u003c/p\u003e","\u003cp\u003eUnemployment, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAmbassadors in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait of Pat McCarran in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eEzra Taft Benson; Hume, Virginia; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eFederal Maritime Administration; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJulie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eBattle Creek, Michigan; Delaware; New York City; Trinity Church\n\u003c/p\u003e","\u003cp\u003eBetty Goldwater; William Miller; John McClellan\n\u003c/p\u003e","\u003cp\u003eMarriott Hot Shoppe in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n\u003c/p\u003e","\u003cp\u003eAlbert Gore and family in Carthage, Tennessee\n\u003c/p\u003e","\u003cp\u003e\"Five percenters\" investigation in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; Washington, D.C.; New York City; Boston\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n\u003c/p\u003e","\u003cp\u003eportrait\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; McLean; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Fred Vinson; in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eAgriculture in Zirconia, North Carolina\n\u003c/p\u003e","\u003cp\u003eDr. V. Stefan Krajcovic in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGordon W. Rule in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon and family in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eModern movement (architecture); Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eAndrews Air Force Base\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with Lady Bird Johnson\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eHubert Humphrey; Pope Paul VI\n\u003c/p\u003e","\u003cp\u003eHospital care in New York City\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003ePlaying football and sailing\n\u003c/p\u003e","\u003cp\u003eKennedy family\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eOfficial White House portrait and other portraits\n\u003c/p\u003e","\u003cp\u003eCampaigning in Colorado\n\u003c/p\u003e","\u003cp\u003eCampaigning in Wisconsin\n\u003c/p\u003e","\u003cp\u003eDemocratic Convention in California\n\u003c/p\u003e","\u003cp\u003eCampaigning\n\u003c/p\u003e","\u003cp\u003eCampaigning in California\n\u003c/p\u003e","\u003cp\u003eCampaigning in Michigan\n\u003c/p\u003e","\u003cp\u003eCampaigning in Texas\n\u003c/p\u003e","\u003cp\u003eCampaigning in Washington\n\u003c/p\u003e","\u003cp\u003eTelevision debate with Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eCeremonies and gatherings\n\u003c/p\u003e","\u003cp\u003eMeetings with staff and international leaders\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003ePress conferences\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eState of the Union\n\u003c/p\u003e","\u003cp\u003eFuneral\n\u003c/p\u003e","\u003cp\u003eAssassination and related events\n\u003c/p\u003e","\u003cp\u003eLabor racketeering hearings; John McClellan\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eDemocratic convention in California; Kenneth O'Donnell and Pierre Salinger\n\u003c/p\u003e","\u003cp\u003ePresidential campaign announcement\n\u003c/p\u003e","\u003cp\u003ePresidential campaign in California\n\u003c/p\u003e","\u003cp\u003eFuneral service\n\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Knowland\n\u003c/p\u003e","\u003cp\u003eSyngman Rhee\n\u003c/p\u003e","\u003cp\u003eTwo terrible nights with the 23rd\n\u003c/p\u003e","\u003cp\u003eGeneral file\n\u003c/p\u003e","\u003cp\u003eThe fighting French\n\u003c/p\u003e","\u003cp\u003eGreeks know how to die\n\u003c/p\u003e","\u003cp\u003eHow well do Negroes fight\n\u003c/p\u003e","\u003cp\u003eThe worlds worst railroad headache\n\u003c/p\u003e","\u003cp\u003eNurses story; original article manuscript; Far East command press releases\n\u003c/p\u003e","\u003cp\u003eMachine gunners; article manuscript\n\u003c/p\u003e","\u003cp\u003eThe flying poison\n\u003c/p\u003e","\u003cp\u003eThe Chinese telegraph their punch\n\u003c/p\u003e","\u003cp\u003eMarines\n\u003c/p\u003e","\u003cp\u003eHokkaido story\n\u003c/p\u003e","\u003cp\u003eKaesong Conference\n\u003c/p\u003e","\u003cp\u003eRefugees\n\u003c/p\u003e","\u003cp\u003eThe big thaw\n\u003c/p\u003e","\u003cp\u003eThe pious killer of Korea; United States Air Force\n\u003c/p\u003e","\u003cp\u003eCoal miners in White Haven, Pennsylvania and Affinity, West Virginia\n\u003c/p\u003e","\u003cp\u003eActor Irving Fisher in New York City\n\u003c/p\u003e","\u003cp\u003eEverett M. Dirksen\n\u003c/p\u003e","\u003cp\u003eOlney, Maryland\n\u003c/p\u003e","\u003cp\u003eBurned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n\u003c/p\u003e","\u003cp\u003eDetroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n\u003c/p\u003e","\u003cp\u003eSewing machine use in Tokyo, Japan\n\u003c/p\u003e","\u003cp\u003eUnited States Postal Inspection Service in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRockville, Maryland\n\u003c/p\u003e","\u003cp\u003eWoods Hole, Massachusetts\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets and negatives\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Portrait of Clarence Cannon; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eOzark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eChevy Chase and Aberdeen, Maryland; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eHenry C. Lodge\n\u003c/p\u003e","\u003cp\u003eRosenberg execution protest in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJohn I. Williams and Preston C. Williams\n\u003c/p\u003e","\u003cp\u003eTom Connally in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAgnes McCall Parker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eBird dogs in Annapolis, Maryland\n\u003c/p\u003e","\u003cp\u003eCommissioner Bob Christenberry in New York City\n\u003c/p\u003e","\u003cp\u003eTelegraph agents of the USSR in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAberdeen Proving Grounds in Aberdeen, Maryland\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eGovernment Printing Office in Washington, D.C.; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eJoint Chiefs of Staff in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait signed by Truman to Ollie Atkins\n\u003c/p\u003e","\u003cp\u003eSenate subway construction\n\u003c/p\u003e","\u003cp\u003eMarine biology in Milford, Connecticut\n\u003c/p\u003e","\u003cp\u003eLibrarian with full set of volumes\n\u003c/p\u003e","\u003cp\u003eCarlton Hotel; John L. Lewis; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eUnited States Air Force at Patuxent Naval Air Station in Maryland\n\u003c/p\u003e","\u003cp\u003eRoland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eThomas A. Walden in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eSubmarine in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eCold weather clothing tests in Lawrence, Massachusetts\n\u003c/p\u003e","\u003cp\u003eAllen Dulles\n\u003c/p\u003e","\u003cp\u003eCamp Gordon, Georgia; U.S. Army Military Police School\n\u003c/p\u003e","\u003cp\u003eDayton, Ohio; Yellow Springs, Ohio\n\u003c/p\u003e","\u003cp\u003eArthur M. Whitehill and family; Chapel Hill, North Carolina\n\u003c/p\u003e","\u003cp\u003eJoe McCarthy checking a pone for wire tapping\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eThis subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t\u003c/p\u003e","\u003cp\u003eCopy negative\u003c/p\u003e","\u003cp\u003eContact sheets and negatives.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t\u003c/p\u003e","\u003cp\u003e1 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e2 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e3 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e4 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n\u003c/p\u003e","\u003cp\u003eFerry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1955; 34 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Winston Churchill and Harry S. Truman; 36 negatives\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, August 1955; 14 negatives\n\u003c/p\u003e","\u003cp\u003eJamestown, Virginia, May 1956; 17 negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Institute of Dry Cleaning; 19 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, June 1950; 25 negatives\n\u003c/p\u003e","\u003cp\u003eGeorgetown, Washington, D.C.; 23 negatives\n\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker; 5 negatives\n\u003c/p\u003e","\u003cp\u003eHines, Illinois, August 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eJames Bryden; 9 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Woodruff, December 1950; 47 negatives\n\u003c/p\u003e","\u003cp\u003eJuly 1955; 26 negatives\n\u003c/p\u003e","\u003cp\u003e37 negatives\n\u003c/p\u003e","\u003cp\u003eSherman Adams, December 1952; 14 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJames Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; 18 negatives\n\u003c/p\u003e","\u003cp\u003eCharles Potter, November 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry; 13 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Taft; 32 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Whitehall; 13 negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDavid K. Niles\n\u003c/p\u003e","\u003cp\u003eAbraham Ribicoff; 2 negatives\n\u003c/p\u003e","\u003cp\u003eSpirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e9 negatives\n\u003c/p\u003e","\u003cp\u003eMilford, Connecticut, September 1951; 16 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n\u003c/p\u003e","\u003cp\u003eRalph Bunche; 10 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1955; 7 negatives\n\u003c/p\u003e","\u003cp\u003eAtlantic City, New Jersey, 1955; 22 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Cutler; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eStephen Foster, January 1953; 11 negatives\n\u003c/p\u003e","\u003cp\u003eJames Pinkston; 8 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003eMaurice Tobin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eWarren Olney III; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJames Maurice Gavin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1952; 33 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Dean; 13 negatives\n\u003c/p\u003e","\u003cp\u003eJohn J. Williams; 22 negatives\n\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJune 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 32 negatives\n\u003c/p\u003e","\u003cp\u003eEugene Millikin, April 1953; 23 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 4 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eTom Connally, includes Harry S. Truman; 30 negatives\n\u003c/p\u003e","\u003cp\u003e4 negatives\n\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1952; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1949; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam Leahy; 14 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1950; 30 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Archives and Records Administration, June 1948; 30 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge Tetlet, December 1947; 32 negatives\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n\u003c/p\u003e","\u003cp\u003eJack Kroll; 19 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Burns, includes Dwight D. Eisenhower; 10 negatives\n\u003c/p\u003e","\u003cp\u003e23 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Halsey, USS Missouri; 4 color positives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eJames Francis Marion Jones; 59 negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eCarlton hotel, Washington, D.C., August 1949; 3 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1950; 1 negative\n\u003c/p\u003e","\u003cp\u003eWilhelm Munthe. de Morgenstierne; 12 negatives \n\u003c/p\u003e","\u003cp\u003eClifford Garner, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eIrving Fisher; 29 negatives\n\u003c/p\u003e","\u003cp\u003eJoseph Lawton Collins, November 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eH. K. Riggs; 9 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Douglas; 17 negatives\n\u003c/p\u003e","\u003cp\u003e35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, includes Harry F. Byrd; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1954; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eSeptember 1952; 12 negatives\n\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 25 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eMilo Coplan; October and November 1952; 31 negatives\n\u003c/p\u003e","\u003cp\u003eMatthew B. Ridgway; 13 negatives\n\u003c/p\u003e","\u003cp\u003eLeague of Women Voters; 18 negatives\n\u003c/p\u003e","\u003cp\u003eGood Humor Corporation, April 1949; 39 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n\u003c/p\u003e","\u003cp\u003eTomb of the Unknown Soldier, February 1954; 2 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Murphy; 12 negatives\n\u003c/p\u003e","\u003cp\u003eAlbert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e39 negatives\n\u003c/p\u003e","\u003cp\u003eMike Monroney, Charles B. Brownson; 13 negatives\n\u003c/p\u003e","\u003cp\u003eNovember 1952; 21 negatives\n\u003c/p\u003e","\u003cp\u003eAtomic Energy Commission; September 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eFrances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart, November 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 42 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e21 negatives\n\u003c/p\u003e","\u003cp\u003eRay \"Mike\" Dow; 22 negatives\n\u003c/p\u003e","\u003cp\u003eTom Durrance; 15 negatives\n\u003c/p\u003e","\u003cp\u003eSidney W. Souers, includes Dean Acheson; 15 negatives\n\u003c/p\u003e","\u003cp\u003eJosephine Crisler, October 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eClifton Bledsoe Cates; December 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eHoward University, November 1948; 24 negatives\n\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e16 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e38 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003e24 negatives\n\u003c/p\u003e","\u003cp\u003e1 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eB-29s, Tucson Arizona; 41 negatives\n\u003c/p\u003e","\u003cp\u003eWerner Knop, October 1948; 12 negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003e40 negatives\n\u003c/p\u003e","\u003cp\u003e45 negatives\n\u003c/p\u003e","\u003cp\u003eWitton Lawler; 6 negatives\n\u003c/p\u003e","\u003cp\u003eJesse M. Donaldson, December 1947; 21 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eHoward University, December 1948; 26 negatives\n\u003c/p\u003e","\u003cp\u003e1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e22 negatives\n\u003c/p\u003e","\u003cp\u003e15 negatives\n\u003c/p\u003e","\u003cp\u003eLouis B. Meyer, Paul V. McNutt; 5 negatives\n\u003c/p\u003e","\u003cp\u003eNational Airport, Capitol Hill, 1947; 49 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eJohn McCloy, April 1947; 10 negatives\n\u003c/p\u003e","\u003cp\u003e28 negatives\n\u003c/p\u003e","\u003cp\u003eKenilworth garbage dump; 31 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003e33 negatives\n\u003c/p\u003e","\u003cp\u003eF. Edward Herbert; 27 negatives\n\u003c/p\u003e","\u003cp\u003ePhiladelphia, Pennsylvania, Frank Monaghan; 27 negatives\n\u003c/p\u003e","\u003cp\u003eBureau of Indian Affairs; 21 negatives\n\u003c/p\u003e","\u003cp\u003e11 negatives\n\u003c/p\u003e","\u003cp\u003eEmbassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n\u003c/p\u003e","\u003cp\u003eDemolitions Disposal Unit; 21 negatives\n\u003c/p\u003e","\u003cp\u003eStefan Krajcovic; 8 negatives\n\u003c/p\u003e","\u003cp\u003eTrinity Church, Gary Edwards; 16 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003e2 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eincludes Hubert Humphrey, Eugenie Anderson\n\u003c/p\u003e","\u003cp\u003e10 negatives\n\u003c/p\u003e","\u003cp\u003eNational Gallery of Art; 39 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eClarence Cannon, includes Harry S. Truman; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003eWayne Morse; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eRobert Cutler; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eWarren Olney III; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eApril 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eStuart Symington, June, 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFebruary 1954; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eEarl Warren; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlben William Barkley; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n\u003c/p\u003e","\u003cp\u003e\n            \u003cextref type=\"simple\" href=\"http://furbo.gmu.edu/sca/Atkins_oldFA.pdf\"\u003eLegacy Finding Aid for Series 3\u003c/extref\u003e\n          \u003c/p\u003e","\u003cp\u003eThe legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. \u003c/p\u003e","\u003cp\u003eSubseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n\u003c/p\u003e","\u003cp\u003eSubseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n\u003c/p\u003e","\u003cp\u003e(1 of 4)\n\u003c/p\u003e","\u003cp\u003e(2 of 4)\n\u003c/p\u003e","\u003cp\u003e(3 of 4)\n\u003c/p\u003e","\u003cp\u003e(4 of 4)\n\u003c/p\u003e","\u003cp\u003eConnecticut Gubernatorial Campaign\n\u003c/p\u003e","\u003cp\u003eGeorgetown House portraits\n\u003c/p\u003e","\u003cp\u003ePolling\n\u003c/p\u003e","\u003cp\u003eI Flew Supersonic\n\u003c/p\u003e","\u003cp\u003eHow to Speak French\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eStewart Alsop Family\n\u003c/p\u003e","\u003cp\u003eHow to Write a Magazine Article\n\u003c/p\u003e","\u003cp\u003ePolling, Negro poll\n\u003c/p\u003e","\u003cp\u003eAlsop poll \"Mood of America\"\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eAlsop poll \n\u003c/p\u003e","\u003cp\u003eBiplanes\n\u003c/p\u003e","\u003cp\u003eThey Make Flying Fun Again\n\u003c/p\u003e","\u003cp\u003eTrevor Armbristen Family\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eGolf's Banking on Burke\n\u003c/p\u003e","\u003cp\u003eby Sherwood Harris\n\u003c/p\u003e","\u003cp\u003eMercury 6 launch\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eGenerals LeMay and White\n\u003c/p\u003e","\u003cp\u003ecolor slides\n\u003c/p\u003e","\u003cp\u003eIncludes John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eBernard Goldfine\n\u003c/p\u003e","\u003cp\u003e1 of 4\n\u003c/p\u003e","\u003cp\u003e2 of 4\n\u003c/p\u003e","\u003cp\u003e3 of 4\n\u003c/p\u003e","\u003cp\u003e4 of 4\n\u003c/p\u003e","\u003cp\u003eIncludes Jacqueline Kennedy\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with military\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 1\n\u003c/p\u003e","\u003cp\u003ecolor slides 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 3\n\u003c/p\u003e","\u003cp\u003ecolor slides 4\n\u003c/p\u003e","\u003cp\u003ecolor slides 5\n\u003c/p\u003e","\u003cp\u003ecolor slides 6\n\u003c/p\u003e","\u003cp\u003eMeetings, public events\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eElection\n\u003c/p\u003e","\u003cp\u003eChurch near the Lyndon B. Johnson Ranch\n\u003c/p\u003e","\u003cp\u003eOval Office\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eRanch\n\u003c/p\u003e","\u003cp\u003eOmaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post stories about John F. Kennedy; 4x5 negatives\n\u003c/p\u003e","\u003cp\u003eFuneral, Arlington National Cemetery\n\u003c/p\u003e","\u003cp\u003eArlington National Cemetery\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eWhite House and Congressional budget meetings and hearings\n\u003c/p\u003e","\u003cp\u003eRanger, Saturn, Mercury\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003e4x5 negatives\n\u003c/p\u003e","\u003cp\u003eI Can Say He's a Wonderful Guy\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eRose Mary Woode\n\u003c/p\u003e","\u003cp\u003eHospitals\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n\u003c/p\u003e","\u003cp\u003eJohn Foster Dulles, Charles Erwin Wilson, Robert Taft\n\u003c/p\u003e","\u003cp\u003eBlair House\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eSome images may have been created in the 1950s; 1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post writer\n\u003c/p\u003e","\u003cp\u003eMacy's New York City\n\u003c/p\u003e","\u003cp\u003eT. I. Swartz and Sons\n\u003c/p\u003e","\u003cp\u003eIncludes images of construction\n\u003c/p\u003e","\u003cp\u003eIncludes Lyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eNational Mall, Pentagon, United States Supreme Court Building, Pan American Building\n\u003c/p\u003e","\u003cp\u003eAmerican Red Cross, Tunisia, Italy\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n\u003c/p\u003e","\u003cp\u003eJacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n\u003c/p\u003e","\u003cp\u003eIncludes memorabilia\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003eSeries 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 5/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8'\" x 11 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 5/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" by 10 1/4\"\n\u003c/p\u003e","\u003cp\u003ethree copies\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 7/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e11 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e11 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 5 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e7 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n\u003c/p\u003e","\u003cp\u003e7\" x 4 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e20\" x 16\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e10 5/8\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e17\" x 11 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 5 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 6/8\"\n\u003c/p\u003e","\u003cp\u003e12 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 3/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e15\" x 19 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 1/2\" x 15 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 3/4\" x 19 1/4\"\n\u003c/p\u003e","\u003cp\u003e14\" x 17 1/2\"\n\u003c/p\u003e","\u003cp\u003e18\" x 14\"\n\u003c/p\u003e","\u003cp\u003e17 5/8\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 5/8\" x 9 7/8\"\n\u003c/p\u003e","\u003cp\u003e7 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 3/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 3/4 x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 7 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 12 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e11 7/8\" x 18 3/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/8\" x 9 5/8\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e16\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e7 3/8\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 7/8\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 11\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003eadditional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 19 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11 7/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" diameter\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 3/8\"\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n"],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs."],"persname_ssim":["Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c01_c01_c274"}},{"id":"vifgm_vifgm00036_c02_c144","type":"File","attributes":{"title":"World's Most Glamorous Trash Heap,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c02_c144#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eKenilworth garbage dump; 31 negatives \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c02_c144#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_vifgm00036_c02_c144","ref_ssm":["vifgm_vifgm00036_c02_c144"],"id":"vifgm_vifgm00036_c02_c144","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036_c02","parent_ssi":"vifgm_vifgm00036_c02","parent_ssim":["vifgm_vifgm00036","vifgm_vifgm00036_c02"],"parent_ids_ssim":["vifgm_vifgm00036","vifgm_vifgm00036_c02"],"parent_unittitles_ssm":["Oliver F. Atkins photograph collection","Series 2: 4x5\" Negatives,"],"parent_unittitles_tesim":["Oliver F. Atkins photograph collection","Series 2: 4x5\" Negatives,"],"text":["Oliver F. Atkins photograph collection","Series 2: 4x5\" Negatives,","World's Most Glamorous Trash Heap,","Box 56","Folder 165","Kenilworth garbage dump; 31 negatives\n"],"title_filing_ssi":"World's Most Glamorous Trash Heap, \n","title_ssm":["World's Most Glamorous Trash Heap,"],"title_tesim":["World's Most Glamorous Trash Heap,"],"unitdate_other_ssim":["1952\n"],"normalized_date_ssm":["1952"],"normalized_title_ssm":["World's Most Glamorous Trash Heap,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Oliver F. Atkins photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":709,"date_range_isim":[1952],"containers_ssim":["Box 56","Folder 165"],"scopecontent_html_tesm":["\u003cp\u003eKenilworth garbage dump; 31 negatives\n\u003c/p\u003e"],"scopecontent_tesim":["Kenilworth garbage dump; 31 negatives\n"],"_nest_path_":"/components#1/components#143","timestamp":"2026-05-21T06:35:19.913Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_vifgm00036","ead_ssi":"vifgm_vifgm00036","_root_":"vifgm_vifgm00036","_nest_parent_":"vifgm_vifgm00036","ead_source_url_ssi":"data/gmu/vifgm00036.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975\n"],"unitdate_inclusive_ssm":["1943-1975\n"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036\n"],"text":["C0036\n","Oliver F. Atkins photograph collection","Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides.","Collection is open to research.\n","Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs .","Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n","Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n","Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n","George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs.","English\n"],"unitid_tesim":["C0036\n"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Oliver F. Atkins, 1916-1977\n"],"creator_ssim":["Oliver F. Atkins, 1916-1977\n"],"creator_persname_ssim":["Oliver F. Atkins, 1916-1977\n"],"creators_ssim":["Oliver F. Atkins, 1916-1977\n"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987.\n"],"access_subjects_ssim":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"access_subjects_ssm":["Agriculture--Photographs.","Coal miners--Photographs.","Cold weather clothing--Photographs.","Entomology--Photographs.","Fighter planes--Photographs.","Korean War, 1950-1953--Photographs.","Oyster industry--Chesapeake Bay (Md. and Va.)--Photographs.","United States--Politics and government--20th century--Photographs.","Presidents--Election--Photographs.","Sewing machines--Photographs.","Storage and moving trade--Photographs.","Submarines (Ships)--Photographs.","Unemployment--Photographs.","Aerial photographs.","Group portraits.","Legislative hearings.","Negatives.","Photographic prints.","Portraits.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["59.5 linear ft.; 113 boxes"],"extent_tesim":["59.5 linear ft.; 113 boxes"],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\n\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions\n"],"accessrestrict_tesim":["Collection is open to research.\n"],"altformavail_html_tesm":["\u003cp\u003ePortions of the Atkins collection are available online through the \u003cextref type=\"simple\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003eOliver F. Atkins Photograph Collection\u003c/extref\u003e  and the \u003cextref type=\"simple\" href=\"http://digilib.gmu.edu:8080/dspace/handle/1920/767\"\u003e1972 Richard Nixon Campaign Photographs\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Atkins collection are available online through the  Oliver F. Atkins Photograph Collection   and the  1972 Richard Nixon Campaign Photographs ."],"arrangement_html_tesm":["\u003cp\u003eOrganized into five series:\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n        \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement\n"],"arrangement_tesim":["Organized into five series:","Series 1: Prints, 1943-1974 (Boxes 1-48) Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57) Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101) Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-105, Oversize 13) Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information\n"],"bioghist_tesim":["Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n\u003c/p\u003e"],"prefercite_tesim":["Oliver F. Atkins photograph collection, Collection #C0036, Special Collections and Archives, George Mason University.\n"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n\u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information\n"],"processinfo_tesim":["Processed by Special Collections and Archives staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. \n","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement\n","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \n"],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds many other photograph collections including the \u003cextref type=\"simple\" href=\"http://sca.gmu.edu/finding_aids/scotta.html\"\u003eArthur E. Scott photograph collection\u003c/extref\u003e.\n\u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material\n"],"relatedmaterial_tesim":["Special Collections and Archives also holds many other photograph collections including the  Arthur E. Scott photograph collection .\n","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3.\n"],"scopecontent_html_tesm":["\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n\u003c/p\u003e","\u003cp\u003e\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n\u003c/p\u003e","\u003cp\u003e\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n\u003c/p\u003e","\u003cp\u003e\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n\u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n\u003c/p\u003e","\u003cp\u003eThis subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t\u003c/p\u003e","\u003cp\u003eStorage and moving trade in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGuinea; Nigeria; South Africa\n\u003c/p\u003e","\u003cp\u003eJapan\n\u003c/p\u003e","\u003cp\u003ePortraits with family\n\u003c/p\u003e","\u003cp\u003eU.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eWinston Churchill, Harry Truman\n\u003c/p\u003e","\u003cp\u003eSchool improvement programs in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eEntomology at Shenandoah National Park, Virginia\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Norman Rockwell\n\u003c/p\u003e","\u003cp\u003eOliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n\u003c/p\u003e","\u003cp\u003eOliver Atkins and Gerald Ford\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eIncludes negatives\n\u003c/p\u003e","\u003cp\u003eAmerican Machine \u0026amp; Foundry Company, New York City\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry\n\u003c/p\u003e","\u003cp\u003eCarl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRobert Taft in Canton, OH\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; Norfolk, Virginia; United States Navy\n\u003c/p\u003e","\u003cp\u003eHarry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower in Boise, Idaho\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets\n\u003c/p\u003e","\u003cp\u003eJoint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart and family in Falls Church, Virginia\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n\u003c/p\u003e","\u003cp\u003eBathtubs, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress; Luther Evans\n\u003c/p\u003e","\u003cp\u003eBoy reading, taken in Fairfax, Virginia\n\u003c/p\u003e","\u003cp\u003eUnemployment, Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAmbassadors in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait of Pat McCarran in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eEzra Taft Benson; Hume, Virginia; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eFederal Maritime Administration; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJulie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eBattle Creek, Michigan; Delaware; New York City; Trinity Church\n\u003c/p\u003e","\u003cp\u003eBetty Goldwater; William Miller; John McClellan\n\u003c/p\u003e","\u003cp\u003eMarriott Hot Shoppe in Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n\u003c/p\u003e","\u003cp\u003eAlbert Gore and family in Carthage, Tennessee\n\u003c/p\u003e","\u003cp\u003e\"Five percenters\" investigation in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; Washington, D.C.; New York City; Boston\n\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n\u003c/p\u003e","\u003cp\u003eportrait\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; McLean; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Fred Vinson; in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eAgriculture in Zirconia, North Carolina\n\u003c/p\u003e","\u003cp\u003eDr. V. Stefan Krajcovic in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eGordon W. Rule in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRichard M. Nixon and family in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eModern movement (architecture); Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait\n\u003c/p\u003e","\u003cp\u003eAndrews Air Force Base\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with Lady Bird Johnson\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eHubert Humphrey; Pope Paul VI\n\u003c/p\u003e","\u003cp\u003eHospital care in New York City\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003eWorld War II\n\u003c/p\u003e","\u003cp\u003ePlaying football and sailing\n\u003c/p\u003e","\u003cp\u003eKennedy family\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eOfficial White House portrait and other portraits\n\u003c/p\u003e","\u003cp\u003eCampaigning in Colorado\n\u003c/p\u003e","\u003cp\u003eCampaigning in Wisconsin\n\u003c/p\u003e","\u003cp\u003eDemocratic Convention in California\n\u003c/p\u003e","\u003cp\u003eCampaigning\n\u003c/p\u003e","\u003cp\u003eCampaigning in California\n\u003c/p\u003e","\u003cp\u003eCampaigning in Michigan\n\u003c/p\u003e","\u003cp\u003eCampaigning in Texas\n\u003c/p\u003e","\u003cp\u003eCampaigning in Washington\n\u003c/p\u003e","\u003cp\u003eTelevision debate with Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eCeremonies and gatherings\n\u003c/p\u003e","\u003cp\u003eMeetings with staff and international leaders\n\u003c/p\u003e","\u003cp\u003eOval office\n\u003c/p\u003e","\u003cp\u003ePress conferences\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eState of the Union\n\u003c/p\u003e","\u003cp\u003eFuneral\n\u003c/p\u003e","\u003cp\u003eAssassination and related events\n\u003c/p\u003e","\u003cp\u003eLabor racketeering hearings; John McClellan\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy family\n\u003c/p\u003e","\u003cp\u003eDemocratic convention in California; Kenneth O'Donnell and Pierre Salinger\n\u003c/p\u003e","\u003cp\u003ePresidential campaign announcement\n\u003c/p\u003e","\u003cp\u003ePresidential campaign in California\n\u003c/p\u003e","\u003cp\u003eFuneral service\n\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Knowland\n\u003c/p\u003e","\u003cp\u003eSyngman Rhee\n\u003c/p\u003e","\u003cp\u003eTwo terrible nights with the 23rd\n\u003c/p\u003e","\u003cp\u003eGeneral file\n\u003c/p\u003e","\u003cp\u003eThe fighting French\n\u003c/p\u003e","\u003cp\u003eGreeks know how to die\n\u003c/p\u003e","\u003cp\u003eHow well do Negroes fight\n\u003c/p\u003e","\u003cp\u003eThe worlds worst railroad headache\n\u003c/p\u003e","\u003cp\u003eNurses story; original article manuscript; Far East command press releases\n\u003c/p\u003e","\u003cp\u003eMachine gunners; article manuscript\n\u003c/p\u003e","\u003cp\u003eThe flying poison\n\u003c/p\u003e","\u003cp\u003eThe Chinese telegraph their punch\n\u003c/p\u003e","\u003cp\u003eMarines\n\u003c/p\u003e","\u003cp\u003eHokkaido story\n\u003c/p\u003e","\u003cp\u003eKaesong Conference\n\u003c/p\u003e","\u003cp\u003eRefugees\n\u003c/p\u003e","\u003cp\u003eThe big thaw\n\u003c/p\u003e","\u003cp\u003eThe pious killer of Korea; United States Air Force\n\u003c/p\u003e","\u003cp\u003eCoal miners in White Haven, Pennsylvania and Affinity, West Virginia\n\u003c/p\u003e","\u003cp\u003eActor Irving Fisher in New York City\n\u003c/p\u003e","\u003cp\u003eEverett M. Dirksen\n\u003c/p\u003e","\u003cp\u003eOlney, Maryland\n\u003c/p\u003e","\u003cp\u003eBurned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n\u003c/p\u003e","\u003cp\u003eDetroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n\u003c/p\u003e","\u003cp\u003eSewing machine use in Tokyo, Japan\n\u003c/p\u003e","\u003cp\u003eUnited States Postal Inspection Service in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eRockville, Maryland\n\u003c/p\u003e","\u003cp\u003eWoods Hole, Massachusetts\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets and negatives\n\u003c/p\u003e","\u003cp\u003eHarry Truman; Portrait of Clarence Cannon; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eOzark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eChevy Chase and Aberdeen, Maryland; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eHenry C. Lodge\n\u003c/p\u003e","\u003cp\u003eRosenberg execution protest in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eJohn I. Williams and Preston C. Williams\n\u003c/p\u003e","\u003cp\u003eTom Connally in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAgnes McCall Parker in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eBird dogs in Annapolis, Maryland\n\u003c/p\u003e","\u003cp\u003eCommissioner Bob Christenberry in New York City\n\u003c/p\u003e","\u003cp\u003eTelegraph agents of the USSR in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eAberdeen Proving Grounds in Aberdeen, Maryland\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eGovernment Printing Office in Washington, D.C.; Arlington, Virginia\n\u003c/p\u003e","\u003cp\u003eJoint Chiefs of Staff in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003ePortrait signed by Truman to Ollie Atkins\n\u003c/p\u003e","\u003cp\u003eSenate subway construction\n\u003c/p\u003e","\u003cp\u003eMarine biology in Milford, Connecticut\n\u003c/p\u003e","\u003cp\u003eLibrarian with full set of volumes\n\u003c/p\u003e","\u003cp\u003eCarlton Hotel; John L. Lewis; Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eUnited States Air Force at Patuxent Naval Air Station in Maryland\n\u003c/p\u003e","\u003cp\u003eRoland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eThomas A. Walden in Washington, D.C.\n\u003c/p\u003e","\u003cp\u003eSubmarine in Key West, Florida\n\u003c/p\u003e","\u003cp\u003eCold weather clothing tests in Lawrence, Massachusetts\n\u003c/p\u003e","\u003cp\u003eAllen Dulles\n\u003c/p\u003e","\u003cp\u003eCamp Gordon, Georgia; U.S. Army Military Police School\n\u003c/p\u003e","\u003cp\u003eDayton, Ohio; Yellow Springs, Ohio\n\u003c/p\u003e","\u003cp\u003eArthur M. Whitehill and family; Chapel Hill, North Carolina\n\u003c/p\u003e","\u003cp\u003eJoe McCarthy checking a pone for wire tapping\n\u003c/p\u003e","\u003cp\u003eWashington, D.C.\n\u003c/p\u003e","\u003cp\u003eThis subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t\u003c/p\u003e","\u003cp\u003eCopy negative\u003c/p\u003e","\u003cp\u003eContact sheets and negatives.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t\u003c/p\u003e","\u003cp\u003e1 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e2 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e3 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003e4 of 4; 1968 campaign\n\u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n\u003c/p\u003e","\u003cp\u003eFerry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1955; 34 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Winston Churchill and Harry S. Truman; 36 negatives\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, August 1955; 14 negatives\n\u003c/p\u003e","\u003cp\u003eJamestown, Virginia, May 1956; 17 negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Institute of Dry Cleaning; 19 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, June 1950; 25 negatives\n\u003c/p\u003e","\u003cp\u003eGeorgetown, Washington, D.C.; 23 negatives\n\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eErnest P. Walker; 5 negatives\n\u003c/p\u003e","\u003cp\u003eHines, Illinois, August 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eJames Bryden; 9 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Woodruff, December 1950; 47 negatives\n\u003c/p\u003e","\u003cp\u003eJuly 1955; 26 negatives\n\u003c/p\u003e","\u003cp\u003e37 negatives\n\u003c/p\u003e","\u003cp\u003eSherman Adams, December 1952; 14 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJames Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n\u003c/p\u003e","\u003cp\u003eSteven Derounian; 18 negatives\n\u003c/p\u003e","\u003cp\u003eCharles Potter, November 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eKenneth Wherry; 13 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Taft; 32 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Whitehall; 13 negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDavid K. Niles\n\u003c/p\u003e","\u003cp\u003eAbraham Ribicoff; 2 negatives\n\u003c/p\u003e","\u003cp\u003eSpirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e9 negatives\n\u003c/p\u003e","\u003cp\u003eMilford, Connecticut, September 1951; 16 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n\u003c/p\u003e","\u003cp\u003eRalph Bunche; 10 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1955; 7 negatives\n\u003c/p\u003e","\u003cp\u003eAtlantic City, New Jersey, 1955; 22 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Cutler; 13 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eStephen Foster, January 1953; 11 negatives\n\u003c/p\u003e","\u003cp\u003eJames Pinkston; 8 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003eMaurice Tobin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eWarren Olney III; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJames Maurice Gavin; 29 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1952; 33 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Dean; 13 negatives\n\u003c/p\u003e","\u003cp\u003eJohn J. Williams; 22 negatives\n\u003c/p\u003e","\u003cp\u003e12 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJune 1952; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1953; 32 negatives\n\u003c/p\u003e","\u003cp\u003eEugene Millikin, April 1953; 23 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 4 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eTom Connally, includes Harry S. Truman; 30 negatives\n\u003c/p\u003e","\u003cp\u003e4 negatives\n\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1952; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1949; 20 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam Leahy; 14 negatives\n\u003c/p\u003e","\u003cp\u003eApril 1950; 30 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Archives and Records Administration, June 1948; 30 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge Tetlet, December 1947; 32 negatives\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n\u003c/p\u003e","\u003cp\u003eJack Kroll; 19 negatives\n\u003c/p\u003e","\u003cp\u003eArthur Burns, includes Dwight D. Eisenhower; 10 negatives\n\u003c/p\u003e","\u003cp\u003e23 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam F. Halsey, USS Missouri; 4 color positives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003e27 negatives\n\u003c/p\u003e","\u003cp\u003eJames Francis Marion Jones; 59 negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eCarlton hotel, Washington, D.C., August 1949; 3 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1950; 1 negative\n\u003c/p\u003e","\u003cp\u003eWilhelm Munthe. de Morgenstierne; 12 negatives \n\u003c/p\u003e","\u003cp\u003eClifford Garner, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eLibrary of Congress, July 1950; 9 negatives\n\u003c/p\u003e","\u003cp\u003eIrving Fisher; 29 negatives\n\u003c/p\u003e","\u003cp\u003eJoseph Lawton Collins, November 1950; 8 negatives\n\u003c/p\u003e","\u003cp\u003eH. K. Riggs; 9 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Douglas; 17 negatives\n\u003c/p\u003e","\u003cp\u003e35 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, includes Harry F. Byrd; 18 negatives\n\u003c/p\u003e","\u003cp\u003eJune 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003eFebruary 1954; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eSeptember 1952; 12 negatives\n\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 25 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eMilo Coplan; October and November 1952; 31 negatives\n\u003c/p\u003e","\u003cp\u003eMatthew B. Ridgway; 13 negatives\n\u003c/p\u003e","\u003cp\u003eLeague of Women Voters; 18 negatives\n\u003c/p\u003e","\u003cp\u003eGood Humor Corporation, April 1949; 39 negatives\n\u003c/p\u003e","\u003cp\u003eWilliam M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n\u003c/p\u003e","\u003cp\u003eTomb of the Unknown Soldier, February 1954; 2 negatives\n\u003c/p\u003e","\u003cp\u003eRobert Murphy; 12 negatives\n\u003c/p\u003e","\u003cp\u003eAlbert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 9 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e39 negatives\n\u003c/p\u003e","\u003cp\u003eMike Monroney, Charles B. Brownson; 13 negatives\n\u003c/p\u003e","\u003cp\u003eNovember 1952; 21 negatives\n\u003c/p\u003e","\u003cp\u003eAtomic Energy Commission; September 1953; 18 negatives\n\u003c/p\u003e","\u003cp\u003eFrances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart, November 1952; 5 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 42 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e21 negatives\n\u003c/p\u003e","\u003cp\u003eRay \"Mike\" Dow; 22 negatives\n\u003c/p\u003e","\u003cp\u003eTom Durrance; 15 negatives\n\u003c/p\u003e","\u003cp\u003eSidney W. Souers, includes Dean Acheson; 15 negatives\n\u003c/p\u003e","\u003cp\u003eJosephine Crisler, October 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eClifton Bledsoe Cates; December 1948; 10 negatives\n\u003c/p\u003e","\u003cp\u003eHoward University, November 1948; 24 negatives\n\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 5 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e16 negatives\n\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e38 negatives\n\u003c/p\u003e","\u003cp\u003e34 negatives\n\u003c/p\u003e","\u003cp\u003e24 negatives\n\u003c/p\u003e","\u003cp\u003e1 negatives\n\u003c/p\u003e","\u003cp\u003e8 negatives\n\u003c/p\u003e","\u003cp\u003eB-29s, Tucson Arizona; 41 negatives\n\u003c/p\u003e","\u003cp\u003eWerner Knop, October 1948; 12 negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e13 negatives\n\u003c/p\u003e","\u003cp\u003e40 negatives\n\u003c/p\u003e","\u003cp\u003e45 negatives\n\u003c/p\u003e","\u003cp\u003eWitton Lawler; 6 negatives\n\u003c/p\u003e","\u003cp\u003eJesse M. Donaldson, December 1947; 21 negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eHoward University, December 1948; 26 negatives\n\u003c/p\u003e","\u003cp\u003e1 negative\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e22 negatives\n\u003c/p\u003e","\u003cp\u003e15 negatives\n\u003c/p\u003e","\u003cp\u003eLouis B. Meyer, Paul V. McNutt; 5 negatives\n\u003c/p\u003e","\u003cp\u003eNational Airport, Capitol Hill, 1947; 49 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e14 negatives\n\u003c/p\u003e","\u003cp\u003eJohn McCloy, April 1947; 10 negatives\n\u003c/p\u003e","\u003cp\u003e28 negatives\n\u003c/p\u003e","\u003cp\u003eKenilworth garbage dump; 31 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003e33 negatives\n\u003c/p\u003e","\u003cp\u003eF. Edward Herbert; 27 negatives\n\u003c/p\u003e","\u003cp\u003ePhiladelphia, Pennsylvania, Frank Monaghan; 27 negatives\n\u003c/p\u003e","\u003cp\u003eBureau of Indian Affairs; 21 negatives\n\u003c/p\u003e","\u003cp\u003e11 negatives\n\u003c/p\u003e","\u003cp\u003eEmbassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n\u003c/p\u003e","\u003cp\u003eDemolitions Disposal Unit; 21 negatives\n\u003c/p\u003e","\u003cp\u003eStefan Krajcovic; 8 negatives\n\u003c/p\u003e","\u003cp\u003eTrinity Church, Gary Edwards; 16 negatives\n\u003c/p\u003e","\u003cp\u003e5 negatives\n\u003c/p\u003e","\u003cp\u003e2 negatives\n\u003c/p\u003e","\u003cp\u003e17 negatives\n\u003c/p\u003e","\u003cp\u003eincludes Hubert Humphrey, Eugenie Anderson\n\u003c/p\u003e","\u003cp\u003e10 negatives\n\u003c/p\u003e","\u003cp\u003eNational Gallery of Art; 39 negatives\n\u003c/p\u003e","\u003cp\u003e19 negatives\n\u003c/p\u003e","\u003cp\u003eClarence Cannon, includes Harry S. Truman; 17 negatives\n\u003c/p\u003e","\u003cp\u003eMarch 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eDonald Quarles; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003eWayne Morse; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eT. James Tumulty; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eRobert Cutler; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eWarren Olney III; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eMay 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eApril 1950; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eStuart Symington, June, 1956; 35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFebruary 1954; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eEarl Warren; 35mm negatives\n\u003c/p\u003e","\u003cp\u003eAlben William Barkley; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e35mm negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003e2x2\" negatives\n\u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n\u003c/p\u003e","\u003cp\u003e\n            \u003cextref type=\"simple\" href=\"http://furbo.gmu.edu/sca/Atkins_oldFA.pdf\"\u003eLegacy Finding Aid for Series 3\u003c/extref\u003e\n          \u003c/p\u003e","\u003cp\u003eThe legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. \u003c/p\u003e","\u003cp\u003eSubseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n\u003c/p\u003e","\u003cp\u003eSubseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n\u003c/p\u003e","\u003cp\u003e(1 of 4)\n\u003c/p\u003e","\u003cp\u003e(2 of 4)\n\u003c/p\u003e","\u003cp\u003e(3 of 4)\n\u003c/p\u003e","\u003cp\u003e(4 of 4)\n\u003c/p\u003e","\u003cp\u003eConnecticut Gubernatorial Campaign\n\u003c/p\u003e","\u003cp\u003eGeorgetown House portraits\n\u003c/p\u003e","\u003cp\u003ePolling\n\u003c/p\u003e","\u003cp\u003eI Flew Supersonic\n\u003c/p\u003e","\u003cp\u003eHow to Speak French\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eStewart Alsop Family\n\u003c/p\u003e","\u003cp\u003eHow to Write a Magazine Article\n\u003c/p\u003e","\u003cp\u003ePolling, Negro poll\n\u003c/p\u003e","\u003cp\u003eAlsop poll \"Mood of America\"\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eAlsop poll \n\u003c/p\u003e","\u003cp\u003eBiplanes\n\u003c/p\u003e","\u003cp\u003eThey Make Flying Fun Again\n\u003c/p\u003e","\u003cp\u003eTrevor Armbristen Family\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eGolf's Banking on Burke\n\u003c/p\u003e","\u003cp\u003eby Sherwood Harris\n\u003c/p\u003e","\u003cp\u003eMercury 6 launch\n\u003c/p\u003e","\u003cp\u003ePortraits\n\u003c/p\u003e","\u003cp\u003eGenerals LeMay and White\n\u003c/p\u003e","\u003cp\u003ecolor slides\n\u003c/p\u003e","\u003cp\u003eIncludes John F. Kennedy\n\u003c/p\u003e","\u003cp\u003eBernard Goldfine\n\u003c/p\u003e","\u003cp\u003e1 of 4\n\u003c/p\u003e","\u003cp\u003e2 of 4\n\u003c/p\u003e","\u003cp\u003e3 of 4\n\u003c/p\u003e","\u003cp\u003e4 of 4\n\u003c/p\u003e","\u003cp\u003eIncludes Jacqueline Kennedy\n\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with military\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 1\n\u003c/p\u003e","\u003cp\u003ecolor slides 2\n\u003c/p\u003e","\u003cp\u003ecolor slides 3\n\u003c/p\u003e","\u003cp\u003ecolor slides 4\n\u003c/p\u003e","\u003cp\u003ecolor slides 5\n\u003c/p\u003e","\u003cp\u003ecolor slides 6\n\u003c/p\u003e","\u003cp\u003eMeetings, public events\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eElection\n\u003c/p\u003e","\u003cp\u003eChurch near the Lyndon B. Johnson Ranch\n\u003c/p\u003e","\u003cp\u003eOval Office\n\u003c/p\u003e","\u003cp\u003eInauguration\n\u003c/p\u003e","\u003cp\u003eRanch\n\u003c/p\u003e","\u003cp\u003eOmaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\n\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post stories about John F. Kennedy; 4x5 negatives\n\u003c/p\u003e","\u003cp\u003eFuneral, Arlington National Cemetery\n\u003c/p\u003e","\u003cp\u003eArlington National Cemetery\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003ePresidential campaign\n\u003c/p\u003e","\u003cp\u003eWhite House and Congressional budget meetings and hearings\n\u003c/p\u003e","\u003cp\u003eRanger, Saturn, Mercury\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003e4x5 negatives\n\u003c/p\u003e","\u003cp\u003eI Can Say He's a Wonderful Guy\n\u003c/p\u003e","\u003cp\u003e1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eRose Mary Woode\n\u003c/p\u003e","\u003cp\u003eHospitals\n\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n\u003c/p\u003e","\u003cp\u003eJohn Foster Dulles, Charles Erwin Wilson, Robert Taft\n\u003c/p\u003e","\u003cp\u003eBlair House\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\n\u003c/p\u003e","\u003cp\u003eSome images may have been created in the 1950s; 1 of 2\n\u003c/p\u003e","\u003cp\u003e2 of 2\n\u003c/p\u003e","\u003cp\u003eSaturday Evening Post writer\n\u003c/p\u003e","\u003cp\u003eMacy's New York City\n\u003c/p\u003e","\u003cp\u003eT. I. Swartz and Sons\n\u003c/p\u003e","\u003cp\u003eIncludes images of construction\n\u003c/p\u003e","\u003cp\u003eIncludes Lyndon B. Johnson\n\u003c/p\u003e","\u003cp\u003eNational Mall, Pentagon, United States Supreme Court Building, Pan American Building\n\u003c/p\u003e","\u003cp\u003eAmerican Red Cross, Tunisia, Italy\n\u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n\u003c/p\u003e","\u003cp\u003eJacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n\u003c/p\u003e","\u003cp\u003eIncludes memorabilia\n\u003c/p\u003e","\u003cp\u003e1 of 3\n\u003c/p\u003e","\u003cp\u003e2 of 3\n\u003c/p\u003e","\u003cp\u003e3 of 3\n\u003c/p\u003e","\u003cp\u003eSeries 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 5/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8'\" x 11 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 5/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" by 10 1/4\"\n\u003c/p\u003e","\u003cp\u003ethree copies\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 7/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e12 1/2\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e11 3/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e11 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 5 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e7 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n\u003c/p\u003e","\u003cp\u003e7\" x 4 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e20\" x 16\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e5\" x 8\"\n\u003c/p\u003e","\u003cp\u003e10 5/8\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e17\" x 11 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 5 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 6/8\"\n\u003c/p\u003e","\u003cp\u003e12 1/4\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 3/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e15\" x 19 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 1/2\" x 15 3/4\"\n\u003c/p\u003e","\u003cp\u003e14 3/4\" x 19 1/4\"\n\u003c/p\u003e","\u003cp\u003e14\" x 17 1/2\"\n\u003c/p\u003e","\u003cp\u003e18\" x 14\"\n\u003c/p\u003e","\u003cp\u003e17 5/8\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e12 5/8\" x 9 7/8\"\n\u003c/p\u003e","\u003cp\u003e7 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e8 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 3/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e9 3/4 x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 1/4\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e9 3/4\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e8 3/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8 x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 7 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 12 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4 x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e11 7/8\" x 18 3/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/8\" x 9 5/8\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 7 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e16\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/2\"\n\u003c/p\u003e","\u003cp\u003e13\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10 1/2\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 10\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e7 3/8\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 8 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 7/8\" x 9 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 7/8\n\u003c/p\u003e","\u003cp\u003e13\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 12 3/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 11\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003eadditional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 7/8\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/2\" x 19 5/8\"\n\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/8\"\n\u003c/p\u003e","\u003cp\u003e10\" x 13\"\n\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 3/8\"\n\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\n\u003c/p\u003e","\u003cp\u003e12 3/4\" x 9 1/4\"\n\u003c/p\u003e","\u003cp\u003e9\" x 11 7/8\"\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/8\"\n\u003c/p\u003e","\u003cp\u003e13\" x 10 5/8\"\n\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e9 1/4\" diameter\n\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\n\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 3/8\"\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e","\u003cp\u003ecolor\n\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content\n"],"scopecontent_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.  \n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \n","\nSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.    \n","\nSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968.  Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House.  As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.  \n","\nSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia.  Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.  \n","\nSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.\n","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. \n","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C.  There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. \n\t","Storage and moving trade in Washington, D.C.\n","Guinea; Nigeria; South Africa\n","Japan\n","Portraits with family\n","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\n","Winston Churchill, Harry Truman\n","School improvement programs in Arlington, Virginia\n","Entomology at Shenandoah National Park, Virginia\n","Oliver Atkins and Norman Rockwell\n","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\n","Oliver Atkins and Gerald Ford\n","Portrait\n","Ernest P. Walker in Washington, D.C.\n","Includes negatives\n","American Machine \u0026 Foundry Company, New York City\n","Kenneth Wherry\n","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\n","Richard M. Nixon in Washington, D.C.\n","Robert Taft in Canton, OH\n","Washington, D.C.; Norfolk, Virginia; United States Navy\n","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\n","Dwight D. Eisenhower in Boise, Idaho\n","Washington, D.C.; includes contact sheets\n","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\n","Mrs. Winfield Smart and family in Falls Church, Virginia\n","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\n","Bathtubs, Washington, D.C.\n","Library of Congress; Luther Evans\n","Boy reading, taken in Fairfax, Virginia\n","Unemployment, Washington, D.C.\n","Ambassadors in Washington, D.C.\n","Portrait of Pat McCarran in Washington, D.C.\n","Ezra Taft Benson; Hume, Virginia; Washington, D.C.\n","Federal Maritime Administration; Washington, D.C.\n","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\n","Portraits\n","Battle Creek, Michigan; Delaware; New York City; Trinity Church\n","Betty Goldwater; William Miller; John McClellan\n","Marriott Hot Shoppe in Arlington, Virginia\n","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\n","Albert Gore and family in Carthage, Tennessee\n","\"Five percenters\" investigation in Washington, D.C.\n","Statler Hotel; Washington, D.C.; New York City; Boston\n","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\n","portrait\n","Washington, D.C.; McLean; Arlington, Virginia\n","Harry Truman; Fred Vinson; in Key West, Florida\n","Agriculture in Zirconia, North Carolina\n","Dr. V. Stefan Krajcovic in Washington, D.C.\n","Gordon W. Rule in Washington, D.C.\n","Richard M. Nixon and family in Washington, D.C.\n","Modern movement (architecture); Washington, D.C.\n","Portrait\n","Andrews Air Force Base\n","Presidential campaign\n","Inauguration\n","Oval office\n","Lyndon B. Johnson with cabinet members and advisors\n","Lyndon B. Johnson with cabinet members and advisors\n","Portraits\n","Portraits\n","Lyndon B. Johnson with Lady Bird Johnson\n","Lyndon B. Johnson ranch\n","Hubert Humphrey; Pope Paul VI\n","Hospital care in New York City\n","World War II\n","World War II\n","Playing football and sailing\n","Kennedy family\n","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family\n","Official White House portrait and other portraits\n","Campaigning in Colorado\n","Campaigning in Wisconsin\n","Democratic Convention in California\n","Campaigning\n","Campaigning in California\n","Campaigning in Michigan\n","Campaigning in Texas\n","Campaigning in Washington\n","Television debate with Richard M. Nixon\n","Ceremonies and gatherings\n","Meetings with staff and international leaders\n","Oval office\n","Press conferences\n","Inauguration\n","State of the Union\n","Funeral\n","Assassination and related events\n","Labor racketeering hearings; John McClellan\n","Portraits\n","Robert F. Kennedy family\n","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger\n","Presidential campaign announcement\n","Presidential campaign in California\n","Funeral service\n","Mr. and Mrs. Knowland\n","Syngman Rhee\n","Two terrible nights with the 23rd\n","General file\n","The fighting French\n","Greeks know how to die\n","How well do Negroes fight\n","The worlds worst railroad headache\n","Nurses story; original article manuscript; Far East command press releases\n","Machine gunners; article manuscript\n","The flying poison\n","The Chinese telegraph their punch\n","Marines\n","Hokkaido story\n","Kaesong Conference\n","Refugees\n","The big thaw\n","The pious killer of Korea; United States Air Force\n","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia\n","Actor Irving Fisher in New York City\n","Everett M. Dirksen\n","Olney, Maryland\n","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\n","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\n","Sewing machine use in Tokyo, Japan\n","United States Postal Inspection Service in Washington, D.C.\n","Rockville, Maryland\n","Woods Hole, Massachusetts\n","Washington, D.C.; includes contact sheets and negatives\n","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.\n","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\n","Chevy Chase and Aberdeen, Maryland; Washington, D.C.\n","Henry C. Lodge\n","Rosenberg execution protest in Washington, D.C.\n","John I. Williams and Preston C. Williams\n","Tom Connally in Washington, D.C.\n","Agnes McCall Parker in Washington, D.C.\n","Bird dogs in Annapolis, Maryland\n","Commissioner Bob Christenberry in New York City\n","Telegraph agents of the USSR in Washington, D.C.\n","Aberdeen Proving Grounds in Aberdeen, Maryland\n","Washington, D.C.\n","Government Printing Office in Washington, D.C.; Arlington, Virginia\n","Joint Chiefs of Staff in Washington, D.C.\n","Portrait signed by Truman to Ollie Atkins\n","Senate subway construction\n","Marine biology in Milford, Connecticut\n","Librarian with full set of volumes\n","Carlton Hotel; John L. Lewis; Washington, D.C.\n","United States Air Force at Patuxent Naval Air Station in Maryland\n","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\n","Thomas A. Walden in Washington, D.C.\n","Submarine in Key West, Florida\n","Cold weather clothing tests in Lawrence, Massachusetts\n","Allen Dulles\n","Camp Gordon, Georgia; U.S. Army Military Police School\n","Dayton, Ohio; Yellow Springs, Ohio\n","Arthur M. Whitehill and family; Chapel Hill, North Carolina\n","Joe McCarthy checking a pone for wire tapping\n","Washington, D.C.\n","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration.  The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. \n\t","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white. \n\t","1 of 4; 1968 campaign\n","2 of 4; 1968 campaign\n","3 of 4; 1968 campaign\n","4 of 4; 1968 campaign\n","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post.  Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones.  Other subjects include American businessmen, military figures, and average citizens.  Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.    \n","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives\n","Also see Box 58","December 1955; 34 negatives\n","Includes Winston Churchill and Harry S. Truman; 36 negatives\n","Maxwell Taylor, August 1955; 14 negatives\n","Jamestown, Virginia, May 1956; 17 negatives\n","Donald Quarles; 13 negatives\n","Also see Box 58","National Institute of Dry Cleaning; 19 negatives\n","Library of Congress, June 1950; 25 negatives\n","Georgetown, Washington, D.C.; 23 negatives\n","14 negatives\n","T. James Tumulty\n","Also see Box 58","12 negatives\n","Ernest P. Walker; 5 negatives\n","Hines, Illinois, August 1950; 8 negatives\n","James Bryden; 9 negatives\n","Robert Woodruff, December 1950; 47 negatives\n","July 1955; 26 negatives\n","37 negatives\n","Sherman Adams, December 1952; 14 negatives\n","May 1953; 18 negatives\n","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\n","Steven Derounian; 18 negatives\n","Charles Potter, November 1952; 17 negatives\n","Kenneth Wherry; 13 negatives\n","Robert Taft; 32 negatives\n","Arthur Whitehall; 13 negatives\n","Statler Hotel; 35 negatives\n","Also see Box 58","David K. Niles\n","Abraham Ribicoff; 2 negatives\n","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\n","27 negatives\n","Also see Box 58","9 negatives\n","Milford, Connecticut, September 1951; 16 negatives\n","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\n","Ralph Bunche; 10 negatives\n","June 1955; 7 negatives\n","Atlantic City, New Jersey, 1955; 22 negatives\n","Robert Cutler; 13 negatives\n","Also see Box 58","Stephen Foster, January 1953; 11 negatives\n","James Pinkston; 8 negatives\n","5 negatives\n","Maurice Tobin; 29 negatives\n","Warren Olney III; 5 negatives\n","Also see Box 58","17 negatives\n","Also see Box 58","James Maurice Gavin; 29 negatives\n","April 1952; 33 negatives\n","William F. Dean; 13 negatives\n","John J. Williams; 22 negatives\n","12 negatives\n","Also see Box 58","June 1952; 17 negatives\n","May 1953; 32 negatives\n","Eugene Millikin, April 1953; 23 negatives\n","8 negatives\n","May 1950; 4 negatives\n","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives\n","4 negatives\n","13 negatives\n","February 1952; 20 negatives\n","Washington Senators baseball team; 14 negatives\n","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives\n","Also see Box 58","December 1949; 20 negatives\n","William Leahy; 14 negatives\n","April 1950; 30 negatives\n","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives\n","George Tetlet, December 1947; 32 negatives\n","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\n","Jack Kroll; 19 negatives\n","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives\n","23 negatives\n","17 negatives\n","William F. Halsey, USS Missouri; 4 color positives\n","8 negatives\n","27 negatives\n","James Francis Marion Jones; 59 negatives\n","Louis Arthur Johnson, June 1949; 5 negatives\n","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives\n","March 1950; 1 negative\n","Wilhelm Munthe. de Morgenstierne; 12 negatives \n","Clifford Garner, July 1950; 9 negatives\n","Library of Congress, July 1950; 9 negatives\n","Irving Fisher; 29 negatives\n","Joseph Lawton Collins, November 1950; 8 negatives\n","H. K. Riggs; 9 negatives\n","Paul Douglas; 17 negatives\n","35 negatives\n","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives\n","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives\n","June 1952; 5 negatives\n","February 1954; 5 negatives\n","Also see Box 58","September 1952; 12 negatives\n","Jim Perry, Bud Camp; 25 negatives\n","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives\n","Matthew B. Ridgway; 13 negatives\n","League of Women Voters; 18 negatives\n","Good Humor Corporation, April 1949; 39 negatives\n","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\n","Tomb of the Unknown Soldier, February 1954; 2 negatives\n","Robert Murphy; 12 negatives\n","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives\n","Includes Dean Acheson; 9 negatives\n","Also see Box 58","39 negatives\n","Mike Monroney, Charles B. Brownson; 13 negatives\n","November 1952; 21 negatives\n","Atomic Energy Commission; September 1953; 18 negatives\n","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\n","Mrs. Winfield Smart, November 1952; 5 negatives\n","34 negatives\n","Also see Box 58","Dwight D. Eisenhower; 42 negatives\n","Also see Box 58","21 negatives\n","Ray \"Mike\" Dow; 22 negatives\n","Tom Durrance; 15 negatives\n","Sidney W. Souers, includes Dean Acheson; 15 negatives\n","Josephine Crisler, October 1948; 10 negatives\n","Clifton Bledsoe Cates; December 1948; 10 negatives\n","Howard University, November 1948; 24 negatives\n","Robert M. Redmond, August 1949; 5 negatives\n","Also see Box 58","16 negatives\n","George J. Schoeneman; 1 negative\n","Also see Box 58","38 negatives\n","34 negatives\n","24 negatives\n","1 negatives\n","8 negatives\n","B-29s, Tucson Arizona; 41 negatives\n","Werner Knop, October 1948; 12 negatives\n","Lou Boudreau, August 1948; 14 negatives\n","Also see Box 58","13 negatives\n","40 negatives\n","45 negatives\n","Witton Lawler; 6 negatives\n","Jesse M. Donaldson, December 1947; 21 negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives\n","Also see Box 58","Howard University, December 1948; 26 negatives\n","1 negative\n","Also see Box 58","22 negatives\n","15 negatives\n","Louis B. Meyer, Paul V. McNutt; 5 negatives\n","National Airport, Capitol Hill, 1947; 49 negatives\n","19 negatives\n","Also see Box 58","14 negatives\n","John McCloy, April 1947; 10 negatives\n","28 negatives\n","Kenilworth garbage dump; 31 negatives\n","19 negatives\n","33 negatives\n","F. Edward Herbert; 27 negatives\n","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives\n","Bureau of Indian Affairs; 21 negatives\n","11 negatives\n","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\n","Demolitions Disposal Unit; 21 negatives\n","Stefan Krajcovic; 8 negatives\n","Trinity Church, Gary Edwards; 16 negatives\n","5 negatives\n","2 negatives\n","17 negatives\n","includes Hubert Humphrey, Eugenie Anderson\n","10 negatives\n","National Gallery of Art; 39 negatives\n","19 negatives\n","Clarence Cannon, includes Harry S. Truman; 17 negatives\n","March 1956; 35mm negatives\n","Also see Box 49","35mm negatives\n","Donald Quarles; 35mm negatives\n","Also see Box 49","Wayne Morse; 35mm negatives\n","T. James Tumulty; 35mm negatives\n","Also see Box 49","35mm and 2x2\" negatives\n","Statler Hotel; 35mm negatives\n","Also see Box 50\n","35mm negatives\n","Also see Box 50","Robert Cutler; 35mm negatives\n","Also see Box 50","Warren Olney III; 35mm negatives\n","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives\n","35mm negatives\n","Also see Box 51","35mm negatives\n","2x2\" negatives\n","May 1950; 2x2\" negatives\n","Also see Box 51","Washington Senators baseball team; 14 negatives\n","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives\n","Also see Box 52","April 1950; 2x2\" negatives\n","Also see Box 52","35mm negatives\n","Stuart Symington, June, 1956; 35mm negatives\n","35mm negatives\n","35mm negatives\n","Louis Arthur Johnson, June 1949; 2x2\" negatives\n","Also see Box 53","2x2\" negatives\n","2x2\" negatives\n","35mm negatives\n","35mm negatives\n","35mm and 2x2\" negatives\n","35mm negatives\n","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives\n","Also see Box 53","February 1954; 2x2\" negatives\n","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives\n","Also see Box 53","Earl Warren; 35mm negatives\n","Alben William Barkley; 2x2\" negatives\n","Includes Dean Acheson; 2x2\" negatives\n","Also see Box 53","35mm negatives\n","35mm negatives\n","2x2\" negatives\n","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives\n","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives\n","Also see Box 54","George J. Schoeneman; 2x2\" negatives\n","Also see Box 54","2x2\" negatives\n","Lou Boudreau, August 1948; 2x2\" negatives\n","Also see Box 55","2x2\" negatives\n","2x2\" negatives\n","2x2\" negatives\n","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives\n","Also see Box 55","2x2\" negatives\n","Also see Box 56","2x2\" negatives\n","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II.  Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. \n","Legacy Finding Aid for Series 3","The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders. ","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.    \n","Subseries 3.2 is arranged in alphabetical order.  Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families.  Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.    \n","(1 of 4)\n","(2 of 4)\n","(3 of 4)\n","(4 of 4)\n","Connecticut Gubernatorial Campaign\n","Georgetown House portraits\n","Polling\n","I Flew Supersonic\n","How to Speak French\n","Portraits\n","Stewart Alsop Family\n","How to Write a Magazine Article\n","Polling, Negro poll\n","Alsop poll \"Mood of America\"\n","John F. Kennedy\n","Portraits\n","Alsop poll \n","Biplanes\n","They Make Flying Fun Again\n","Trevor Armbristen Family\n","Lyndon B. Johnson\n","Golf's Banking on Burke\n","by Sherwood Harris\n","Mercury 6 launch\n","Portraits\n","Generals LeMay and White\n","color slides\n","Includes John F. Kennedy\n","Bernard Goldfine\n","1 of 4\n","2 of 4\n","3 of 4\n","4 of 4\n","Includes Jacqueline Kennedy\n","Lyndon B. Johnson with military\n","1 of 2\n","2 of 2\n","color slides 1\n","color slides 2\n","color slides 3\n","color slides 4\n","color slides 5\n","color slides 6\n","Meetings, public events\n","Presidential campaign\n","Election\n","Church near the Lyndon B. Johnson Ranch\n","Oval Office\n","Inauguration\n","Ranch\n","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\n","Glassboro, New Jersey; Alexei Kosygin\n","Glassboro, New Jersey; Alexei Kosygin\n","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\n","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives\n","Funeral, Arlington National Cemetery\n","Arlington National Cemetery\n","Presidential campaign\n","Presidential campaign\n","Presidential campaign\n","White House and Congressional budget meetings and hearings\n","Ranger, Saturn, Mercury\n","1 of 3\n","2 of 3\n","3 of 3\n","4x5 negatives\n","I Can Say He's a Wonderful Guy\n","1 of 2\n","2 of 2\n","Rose Mary Woode\n","Hospitals\n","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\n","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\n","John Foster Dulles, Charles Erwin Wilson, Robert Taft\n","Blair House\n","John F. Kennedy, Richard M. Nixon\n","John F. Kennedy, Richard M. Nixon\n","Some images may have been created in the 1950s; 1 of 2\n","2 of 2\n","Saturday Evening Post writer\n","Macy's New York City\n","T. I. Swartz and Sons\n","Includes images of construction\n","Includes Lyndon B. Johnson\n","National Mall, Pentagon, United States Supreme Court Building, Pan American Building\n","American Red Cross, Tunisia, Italy\n","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3. \n","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\n","Includes memorabilia\n","1 of 3\n","2 of 3\n","3 of 3\n","Series 5 contains oversize mat photographs.  Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East.  Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon.  Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.  \n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10 1/8\"\n","13\" x 10\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","9 5/8\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 1/8'\" x 11 1/4\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","10\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","13 1/8\" x 10 1/4\"\n","10 1/4\" x 13 1/8\"\n","two copies; 10 1/4\" x 13\"\n","two copies; 10 1/4\" x 13\"\n","10 1/4\" x 13\"\n","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\n","13 1/8\" x 10 1/4\"\n","8 5/8\" x 13 1/4\"\n","13\" x 10\"\n","13 1/4\" by 10 1/4\"\n","three copies\n","13 3/8\" x 8 5/8\"\n","10 1/4\" x 13\"\n","13 1/4\" x 10\"\n","13 7/8\" x 8 1/2\"\n","10 1/4\" x 13\"\n","10\" x 13\"\n","10 1/8\" x 13\"\n","12 3/4\" x 10\"\n","9\" x 13\"\n","13\" x 10\"\n","13\" x 10\"\n","10\" x 12\"\n","10\" x 13\"\n","10\" x 13\"\n","10\" x 12 1/2\"\n","13\" x 10\"\n","12 1/2\" x 10\"\n","13\" x 10\"\n","13\" x 10\"\n","12 1/2\" x 9 3/4\"\n","11 3/4\" x 10\"\n","11 1/4\" x 13\"\n","8 1/4\" x 5 1/4\"\n","13 1/2\" x 10\"\n","13\" x 10\"\n","7 1/4\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13\" x 9 1/2\"\n","13 1/4\" x 8 1/8\"\n","13 1/4\" x 9 3/4\"\n","13\" x 9 3/4\"\n","13 1/4 x 9 3/4\"\n","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\n","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\n","7\" x 4 3/4\"\n","9 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/4\"\n","8 3/4\" x 13 1/8\"\n","20\" x 16\"\n","5\" x 8\"\n","5\" x 8\"\n","5\" x 8\"\n","10 5/8\" x 13 1/2\"\n","13\" x 10 1/4\"\n","13\" x 10 3/8\"\n","13\" x 10 1/4\"\n","10 1/4\" x 11 3/4\"\n","10 1/4\" 13\"\n","10 3/4\" x 13\"\n","10\" x 13\"\n","13\" x 8 1/2\"\n","9 1/2\" x 13\"\n","9 1/4\" x 13\"\n","9 1/4\" x 13\"\n","9 1/2\" x 13\"\n","13\" x 10 1/4\"\n","13 1/8 x 10 1/8\"\n","17\" x 11 5/8\"\n","13 1/4\" x 10\"\n","13 1/4\" x 5 5/8\"\n","13 1/2\" x 9\"\n","13\" x 8 6/8\"\n","12 1/4\" x 8 1/8\"\n","9 1/2\" x 13 1/4\"\n","10\" x 13 1/4\"\n","9 1/4\" x 13 1/4\"\n","9\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","8 3/8\" x 13 1/4\"\n","8 3/4\" x 13 1/4\"\n","15\" x 19 3/4\"\n","14 1/2\" x 15 3/4\"\n","14 3/4\" x 19 1/4\"\n","14\" x 17 1/2\"\n","18\" x 14\"\n","17 5/8\" x 11 1/2\"\n","13 1/2\" x 10 3/8\"\n","13 1/4\" x 9\"\n","13 1/4\" x 8 1/2\"\n","9 1/8\" x 13 1/4\"\n","10 1/4\" x 13\"\n","12 5/8\" x 9 7/8\"\n","7 1/8\" x 13 1/4\"\n","10 1/4\" x 13 1/2\"\n","10 3/8\" x 12 1/2\"\n","8 1/8\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","9\" x 13 1/4\"\n","13 1/8\" x 9 1/4\"\n","9 1/8\" x 13 3/4\"\n","8 1/2\" x 13 1/2\"\n","9 3/4 x 13 1/4\"\n","9\" x 13 1/8\"\n","9 1/8\" x 13 1/4\"\n","8 1/2\" x 13\"\n","10 1/4\" x 13 1/8\"\n","13 1/2\" x 9 1/4\"\n","10 1/8\" x 10 1/4\"\n","9 3/8\" x 13\"\n","8 1/4\" x 13\"\n","10 1/2\" x 13 1/2\"\n","13 1/4\" x 10 1/2\"\n","13 1/2\" x 9 1/4\"\n","12 7/8\" x 8 1/8\"\n","12 3/4\" x 7 3/4\"\n","9 3/4\" x 9 3/4\"\n","10 1/4\" x 11 1/2\"\n","10 1/4\" x 10 3/8\"\n","9 1/4\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 1/8\" x 13\"\n","8 3/4\" x 12 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 10 1/4\"\n","13 1/8 x 10\"\n","13 1/4\" x 7 7/8\"\n","10 1/2\" x 12 5/8\"\n","10 1/4\" x 12 1/4\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 10 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 3/8\" x 10 1/2\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/8\"\n","13 1/4 x 10 1/4\"\n","10 1/8\" x 13\"\n","9\" x 13 1/4\"\n","9\" x 13 1/4\"\n","11 7/8\" x 18 3/4\"\n","12 3/8\" x 9 5/8\"\n","9\" x 11\"\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/2\" x 9 1/4\"\n","13 1/2\" x 7 3/4\"\n","13 1/4\" x 9 1/2\"\n","13 1/4\" x 9 1/2\"\n","13\" x 9 1/4\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 8 1/2\"\n","16\" x 10 1/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/4\" x 8 1/4\"\n","13 1/4\" x 8 1/4\"\n","13\" x 8 3/4\"\n","13\" x 8 3/4\"\n","13\" x 9\"\n","10\" x 13 1/4\"\n","10 1/2\" x 13 1/2\"\n","13\" x 8 3/4\"\n","13 1/4\" x 10 1/4\"\n","13\" x 9 1/2\"\n","10\" x 13 1/4\"\n","13 1/2\" x 8 1/4\"\n","8 1/2\" x 13 1/4\"\n","13\" x 10\"\n","10 3/8\" x 13 1/8\"\n","12 3/4\" x 10 1/2\"\n","12 7/8\" x 10\"\n","13 1/4\" x 8 1/4\"\n","13 3/8\" x 8 1/8\"\n","13\" x 10 3/8\"\n","13 1/4\" x 10 3/8\"\n","13 1/4\" x 8 1/2\"\n","7 3/8\" x 13 3/8\"\n","13 1/2\" x 8 3/4\"\n","13 1/2\" x 8 3/4\"\n","13 1/4\" x 8 1/2\"\n","13 1/2\" x 10 5/8\"\n","13 1/8\" x 10 1/4\"\n","13 1/8\" x 10 1/4\"\n","9 1/4\" x 13 1/4\"\n","13 1/4\" x 9 1/4\"\n","12 7/8\" x 9 3/4\"\n","13 1/4\" x 9 1/4\"\n","13 3/8\" x 8 7/8\n","13\" x 9 1/4\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 12 3/4\"\n","13 1/4\" x 11\"\n","10 1/4\" x 13 1/4\"\n","10\" x 12 1/2\"\n","10 3/8\" x 13\"\n","10 1/4\" x 13 1/4\"\n","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\n","10 3/8\" x 13\"\n","10 3/8\" x 12 7/8\"\n","10 3/8\" x 13 1/8\"\n","13 1/4\" x 10 1/4\"\n","10 1/4\" x 13 1/4\"\n","10 1/4\" x 13 1/8\"\n","10 1/4\" x 13 1/4\"\n","10 3/8\" x 13 1/8\"\n","10 1/2\" x 13 1/4\"\n","9 1/2\" x 13 1/4\"\n","13 1/4\" x 10 1/4\"\n","13 1/2\" x 19 5/8\"\n","10 1/4\" x 13 1/4\"\n","13\" x 10\"\n","10\" x 13 1/4\"\n","13 1/4\" x 10 1/8\"\n","10\" x 13\"\n","9\" x 13 1/4\"\n","9 1/2\" x 13 3/8\"\n","9 1/2\" x 13 1/4\"\n","12 3/4\" x 9 1/4\"\n","9\" x 11 7/8\"\n","13 1/4\" x 9 1/8\"\n","13\" x 10 5/8\"\n","13 3/8\" x 10 1/4\"\n","9 1/4\" diameter\n","13 1/4\" x 10 1/4\"\n","13 1/8\" x 9 3/8\"\n","color\n","color\n","color\n"],"userestrict_html_tesm":["\u003cp\u003eCopyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions\n"],"userestrict_tesim":["Copyright not held by George Mason University Libraries, and some images may be restricted to personal, non-commercial use only. For permission to publish, contact Special Collections and Archives.\n"],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n\u003c/abstract\u003e"],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.   \n"],"names_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs.","Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"corpname_ssim":["George Mason University.  Special Collections and Archives.\n","Ku Klux Klan (1915- )--Photographs.","Marriott Hot Shoppes--Photographs.","North Carolina (Battleship : BB-55)--Photographs.","Statler Hotel (Washington, D.C.)--Photographs.","Telegrafnoe agentstvo SSSR--Photographs.","Trinity Church (New York, N.Y.)--Photographs.","United States Capitol (Washington, D.C.)--Photographs.","United States. Air Force--Photographs.","United States. Government Printing Office--Photographs.","United States. Navy--Photographs.","United States. Postal Inspection Service--Photographs.","US Army Military Police School--Photographs."],"persname_ssim":["Oliver F. Atkins, 1916-1977\n","Acheson, Dean, 1893-1971--Photographs.","Alsop, Joseph, 1910-1989--Photographs.","Alsop, Stewart--Photographs.","Baker, Robert Gene--Photographs.","Cannon, Clarence, 1879-1964--Photographs.","Churchill, Winston, 1874-1965--Photographs.","Connally, Tom, 1877-1963--Photographs.","Derounian, Steven B. (Steven Boghos), 1918-2007--Photographs.","Douglas, Paul H. (Paul Howard), 1892-1976--Photographs.","Duke, Angier Biddle, 1915-1995--Photographs.","Eisenhower, Dwight D. (Dwight David), 1890-1969--Photographs.","Eisenhower, Julie Nixon--Photographs.","Eisenhower, Mamie Doud, 1896-1979--Photographs.","Ford, Gerald R., 1913-2006--Photographs.","Goldwater, Barry M. (Barry Morris), 1909-1998--Photographs.","Gore, Albert, 1907-1998---Photographs.","Hoffa, James R. (James Riddle), 1913---Photographs.","Johnson, Lady Bird, 1912-2007--Photographs.","Johnson, Lyndon B. (Lyndon Baines), 1908-1973--Photographs.","Kennedy, Edward M. (Edward Moore), 1932-2009--Photographs.","Kennedy, Ethel, 1928---Photographs.","Kennedy, John F. (John Fitzgerald), 1917-1963--Photographs.","Kennedy, Robert F., 1925-1968--Photographs.","Lewis, John L. (John Llewellyn), 1880-1969--Photographs.","Mansfield, Mike, 1903-2001--Photographs.","McCarran, Pat, 1876-1954--Photographs.","McCormack, John W., 1891-1980--Photographs.","McNamara, Robert S., 1916-2009--Photographs.","Meany, George, 1894-1980--Photographs.","Mesta, Perle, ca. 1890-1975--Photographs.","Mink, Patsy T., 1927-2002--Photographs.","Minoso, Minnie, 1922---Photographs.","Moyers, Bill D.--Photographs.","Muskie, Edmund S., 1914-1996--Photographs.","Nixon, Pat, 1912-1993--Photographs.","Nixon, Richard M. (Richard Milhous), 1913-1994--Photographs.","Nixon, Tricia--Photographs.","Olney, Warren, 1904-1978--Photographs.","Onassis, Jacqueline Kennedy, 1929-1994--Photographs.","Percy, Charles H., 1919---Photographs.","Reedy, George E., 1917-1999--Photographs.","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979--Photographs.","Romney, George W., 1907-1995--Photographs.","Rooney, John J., 1903-1975--Photographs.","Rusk, Dean, 1909-1994--Photographs.","Russell, Richard B. (Richard Brevard), 1897-1971--Photographs.","Sayre, Francis Bowes, 1915-2008--Photographs.","Scranton, William W. (William Warren), 1947---Photographs.","Symington, Stuart, 1901-1988--Photographs.","Taft, Robert, 1917-1993--Photographs.","Tree, Marietta, 1917-1991--Photographs.","Truman, Harry S., 1884-1972--Photographs.","Walker, Ernest P. (Ernest Pillsbury), 1891-1969--Photographs.","Whitehill, Arthur M. (Arthur Murray)--Photographs.","Woodruff, Robert Winship--Photographs.","Woods, Rose Mary--Photographs."],"language_ssim":["English\n"],"total_component_count_is":1680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:35:19.913Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_vifgm00036_c02_c144"}},{"id":"vilxv_repositories_3_resources_841_c02_c06_c143","type":"File","attributes":{"title":"World War I","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_841_c02_c06_c143#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_841_c02_c06_c143","ref_ssm":["vilxv_repositories_3_resources_841_c02_c06_c143"],"id":"vilxv_repositories_3_resources_841_c02_c06_c143","ead_ssi":"vilxv_repositories_3_resources_841","_root_":"vilxv_repositories_3_resources_841","_nest_parent_":"vilxv_repositories_3_resources_841_c02_c06","parent_ssi":"vilxv_repositories_3_resources_841_c02_c06","parent_ssim":["vilxv_repositories_3_resources_841","vilxv_repositories_3_resources_841_c02","vilxv_repositories_3_resources_841_c02_c06"],"parent_ids_ssim":["vilxv_repositories_3_resources_841","vilxv_repositories_3_resources_841_c02","vilxv_repositories_3_resources_841_c02_c06"],"parent_unittitles_ssm":["Office of Communications and Marketing subject files","Accession 2, transferred July 2004","VMI history"],"parent_unittitles_tesim":["Office of Communications and Marketing subject files","Accession 2, transferred July 2004","VMI history"],"text":["Office of Communications and Marketing subject files","Accession 2, transferred July 2004","VMI history","World War I","Virginia Military Institute—History—World War, 1914-1918","Virginia Military Institute—History—20th century","box 29","Folder 1"],"title_filing_ssi":"World War I","title_ssm":["World War I"],"title_tesim":["World War I"],"unitdate_inclusive_ssm":["1948-1980"],"normalized_date_ssm":["1948/1980"],"normalized_title_ssm":["World War I"],"component_level_isim":[3],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Office of Communications and Marketing subject files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":757,"date_range_isim":[1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"access_subjects_ssim":["Virginia Military Institute—History—World War, 1914-1918","Virginia Military Institute—History—20th century"],"access_subjects_ssm":["Virginia Military Institute—History—World War, 1914-1918","Virginia Military Institute—History—20th century"],"containers_ssim":["box 29","Folder 1"],"_nest_path_":"/components#1/components#5/components#142","timestamp":"2026-05-21T00:13:02.393Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_841","ead_ssi":"vilxv_repositories_3_resources_841","_root_":"vilxv_repositories_3_resources_841","_nest_parent_":"vilxv_repositories_3_resources_841","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_841.xml","title_ssm":["Office of Communications and Marketing subject files"],"title_tesim":["Office of Communications and Marketing subject files"],"unitdate_ssm":["bulk 1950's - [ongoing]"],"unitdate_inclusive_ssm":["bulk 1950's - [ongoing]"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["RG.05.Subject Files","/repositories/3/resources/841"],"text":["RG.05.Subject Files","/repositories/3/resources/841","Office of Communications and Marketing subject files","Some items in this file are restricted.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public 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include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","This folder is restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","Some items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.","The sub-series in this series are comprised of categories specified by the Office of Communications and Marketing.","The sub-series in this series are comprised of categories specified by the Office of Communications and Marketing.","The IBM Data Processing Center was established at Virginia Military Institute (VMI) in 1962-1963.","The material in this sub-series is related to the Biennial meeting and conference.","Virginia Military Institute Archives","VMI Foundation","Bunting, Josiah, III, 1939-","Irby, Richard L. (Richard Logan), 1918-2002","Knapp, John W. (John Williams), 1932-","Shell, George R. E., 1908-1996","Walker, Sam S., 1925-2015","Couper, Wm. (William), 1884-1964","Crozet, Claudius, 1790-1864","Davis, Alexander J. (Alexander Jackson), 1803-1892","Dillard, Herbert N., Jr. (Herbert Nash), 1913-1976","Ezekiel, Moses J. (Moses Jacob), 1844-1917","Glenn, John H., 1921-2016","Houston, Sam, 1793-1863","Hunter, David, 1802-1886","Jackson, Stonewall, 1824-1863","DiMaggio, Joe, 1914-1999","Bush, George H. W. (George Herbert Walker), 1924-2018","Ford, Gerald R. (Gerald Rudolph), 1913-2006","Milton, William H., Jr. (William Hammond), 1900-1984","Marshall, George C. (George Catlett), 1880-1959","Morrison, Tommy D. (Tommy David), 1969-2013","Powell, Colin L. (Colin Luther), 1937-2021","Shepherd, Lemuel C., Jr. (Lemuel Cornick), 1896-1990","Brooke, John M. (John Mercer), 1826-1906","Byrd, Richard E. (Richard Evelyn), 1888-1957","Clark, Francis B. (Francis Barnard), 1850-1896","Lee, Robert E. (Robert Edward), 1807-1870","Patton, George S. (George Smith), 1885-1945","Rockenbach, Samuel D. (Samuel Dickerson), 1869-1952","Saunders, James D., 1824-1851","Shipp, Scott, 1839-1917","Sigel, Franz, 1824-1902","Smith, Francis H. (Francis Henney), 1812-1890","Strange, John B. (John Bowie), 1823-1862","Watson, Edward Minor, 1851-1887","Wise, Henry A. (Henry Alexander), 1906-1982","McKenna, John, 1914-2007","Anderson, Joseph R., Jr. (Joseph Reid), 1851-1930","Kissinger, Henry A. (Henry Alfred), 1923-2023","English"],"unitid_tesim":["RG.05.Subject Files","/repositories/3/resources/841"],"normalized_title_ssm":["Office of Communications and Marketing subject files"],"collection_title_tesim":["Office of Communications and Marketing subject files"],"collection_ssim":["Office of Communications and Marketing subject files"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 cubic feet"],"extent_tesim":["10 cubic feet"],"date_range_isim":[1950],"accessrestrict_html_tesm":["\u003cp\u003eSome items in this file are restricted.\u003c/p\u003e","\u003cp\u003eSome items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.\u003c/p\u003e","\u003cp\u003eSome items in this folder are restricted and may include FERPA, personnel, legal, or other non-public information.\u003c/p\u003e","\u003cp\u003eSome items in 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West Virginia\nPresident Truman addressing a joint session of Congress\na World War II dockyard\nSenator Kilgore's campaign posters\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, correspondence, printed materials, clippings, broadsides, and a photograph. Topics include congressional bills and legislation on diverse subjects; committees with which Kilgore was involved, including the Senate \nMilitary Affairs Subcommittee on War Mobilization, the Special Committee Investigating the National Defense Program (also known as the Truman Committee), the Committee on Military Affairs, and the Committee on the Judiciary; the National Science Foundation; various presidential speeches; and a wide variety of material relating to West Virginia, including items pertaining to the Charleston Airport, the Parkersburg Flood Wall, the Upper Monongahela Project, and many other topics.","This series includes printed bills, correspondence, and other documents pertaining to the bills. All items are filed by bill number under each section of Congress. The subjects in these folders are duplicated in some of the later series.","This series includes correspondence, printed bills, memoranda, and other materials bearing on Congressional legislation. Content is arranged alphabetically by folder subject headings.","Content in this series is arranged by folder subject heading.","Includes correspondence, memoranda, and printed materials relating to West Virginia.","Items related to Series 12.","Subjects of these photographs include:","the Hatfield clan\nWoodrow Wilson\nColonel J.M. Kirby, 101st Ohio Regiment\nGeneral William T. Sherman\nStonewall Jackson\nGeneral N.B. Forrest\nFranklin Delano Roosevelt\nthe battleship U.S.S. West Virginia\nPresident Truman addressing a joint session of Congress\na World War II dockyard\nSenator Kilgore's campaign posters"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb9085da265d4551b0beb9bea910009e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program","Harriman, W. Averell (William Averell), 1891-1986","Kilgore, Harley Martin, 1893-1956","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"names_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program","Kilgore, Harley Martin, 1893-1956","Harriman, W. Averell (William Averell), 1891-1986","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program"],"persname_ssim":["Kilgore, Harley Martin, 1893-1956","Harriman, W. Averell (William Averell), 1891-1986","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:27:00.714Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4017_c02_c130"}},{"id":"wvmturhc_repositories_2_resources_1734_c04_c03","type":"File","attributes":{"title":"World War II","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1734_c04_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1734_c04_c03","ref_ssm":["wvmturhc_repositories_2_resources_1734_c04_c03"],"id":"wvmturhc_repositories_2_resources_1734_c04_c03","ead_ssi":"wvmturhc_repositories_2_resources_1734","_root_":"wvmturhc_repositories_2_resources_1734","_nest_parent_":"wvmturhc_repositories_2_resources_1734_c04","parent_ssi":"wvmturhc_repositories_2_resources_1734_c04","parent_ssim":["wvmturhc_repositories_2_resources_1734","wvmturhc_repositories_2_resources_1734_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1734","wvmturhc_repositories_2_resources_1734_c04"],"parent_unittitles_ssm":["James Wooddell, Compiler, Genealogy Research Papers","Series 4. Pocahontas County Veterans (boxes 5-6)"],"parent_unittitles_tesim":["James Wooddell, Compiler, Genealogy Research Papers","Series 4. Pocahontas County Veterans (boxes 5-6)"],"text":["James Wooddell, Compiler, Genealogy Research Papers","Series 4. Pocahontas County Veterans (boxes 5-6)","World War II","Box 6","Folder 2"],"title_filing_ssi":"World War II","title_ssm":["World War II"],"title_tesim":["World War II"],"unitdate_inclusive_ssm":["1951–1992"],"normalized_date_ssm":["1951/1992"],"normalized_title_ssm":["World War II"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":400,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"containers_ssim":["Box 6","Folder 2"],"_nest_path_":"/components#3/components#2","timestamp":"2026-05-21T00:36:22.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1734","ead_ssi":"wvmturhc_repositories_2_resources_1734","_root_":"wvmturhc_repositories_2_resources_1734","_nest_parent_":"wvmturhc_repositories_2_resources_1734","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1734.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195957","title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"unitdate_ssm":["1970-2000"],"unitdate_inclusive_ssm":["1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"text":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734","James Wooddell, Compiler, Genealogy Research Papers","Pocahontas County (W. Va.)","Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County","No special access restriction applies.","Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches.","To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Wooddell, James, Compiler","English"],"unitid_tesim":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"normalized_title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Pocahontas County (W. Va.)"],"geogname_ssim":["Pocahontas County (W. Va.)"],"creator_ssm":["Wooddell, James, Compiler"],"creator_ssim":["Wooddell, James, Compiler"],"creator_persname_ssim":["Wooddell, James, Compiler"],"creators_ssim":["Wooddell, James, Compiler"],"places_ssim":["Pocahontas County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"access_subjects_ssm":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"extent_tesim":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026amp;M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Towns and Communities, 1909-1983, undated (box 5) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Photographs, ca. 1900-1925 (box 11) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)\u003c/p\u003e","\u003cp\u003eThis series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.\u003c/p\u003e","\u003cp\u003eThis series includes news clippings, maps, and other material sorted by West Virginia city.\u003c/p\u003e","\u003cp\u003eThis series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.\u003c/p\u003e","\u003cp\u003eThis series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.\u003c/p\u003e","\u003cp\u003eThis series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes unidentified candid and formal portraits.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.\u003c/p\u003e","\u003cp\u003eThis series includes data culled from federal census registers from 1810-1910.\u003c/p\u003e","\u003cp\u003eThis series includes assorted sound recordings, including those regarding various cemetaries and churches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches."],"separatedmaterial_html_tesm":["\u003cp\u003eTo books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.\u003c/p\u003e\n","\u003cp\u003eTo serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_552ef907c5965f8a71f71d1c7f3e2298\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Wooddell, James, Compiler"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Wooddell, James, Compiler"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":513,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:36:22.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1734_c04_c03"}},{"id":"wvmturhc_repositories_2_resources_6540_c4694","type":"File","attributes":{"title":"World War II Activities -- Surplus Property","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6540_c4694#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6540_c4694","ref_ssm":["wvmturhc_repositories_2_resources_6540_c4694"],"id":"wvmturhc_repositories_2_resources_6540_c4694","ead_ssi":"wvmturhc_repositories_2_resources_6540","_root_":"wvmturhc_repositories_2_resources_6540","_nest_parent_":"wvmturhc_repositories_2_resources_6540","parent_ssi":"wvmturhc_repositories_2_resources_6540","parent_ssim":["wvmturhc_repositories_2_resources_6540"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6540"],"parent_unittitles_ssm":["West Virginia University, President's Office, Records"],"parent_unittitles_tesim":["West Virginia University, President's Office, Records"],"text":["West Virginia University, President's Office, Records","World War II Activities -- Surplus Property","Reel 384"],"title_filing_ssi":"World War II Activities -- Surplus Property","title_ssm":["World War II Activities -- Surplus Property"],"title_tesim":["World War II Activities -- Surplus Property"],"unitdate_inclusive_ssm":["1945–1960"],"normalized_date_ssm":["1945/1960"],"normalized_title_ssm":["World War II Activities -- Surplus Property"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["West Virginia University, President's Office, Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4694,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["Reel 384"],"_nest_path_":"/components#4693","timestamp":"2026-05-21T00:38:51.990Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6540","ead_ssi":"wvmturhc_repositories_2_resources_6540","_root_":"wvmturhc_repositories_2_resources_6540","_nest_parent_":"wvmturhc_repositories_2_resources_6540","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6540.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199431","title_ssm":["West Virginia University, President's Office, Records"],"title_tesim":["West Virginia University, President's Office, Records"],"unitdate_ssm":["1864-1989"],"unitdate_inclusive_ssm":["1864-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 5262","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6540"],"text":["A\u0026M 5262","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6540","West Virginia University, President's Office, Records","No special access restriction applies.","The contents list was created from alphabetized index cards which were previously the only description of the collection. This means that some material may appear in the contents list more than once, if two separate index terms apply.","Some of the originals from which these microfilms were made are in A\u0026M 690, West Virginia University, President's Office, Departmental, and Other Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap.","Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, and Registrar's Office, among others.  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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_4fe92ebaee06c0e630c68167f7ebe585\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. President's Office","West Virginia University"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. President's Office","West Virginia University"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4717,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:38:51.990Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6540_c4694"}},{"id":"viur_repositories_4_resources_38","type":"collection","attributes":{"title":"World War II Correspondence Collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_38#abstract_or_scope","type":"document_value","attributes":{"value":"This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_38#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viur_repositories_4_resources_38","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_38.xml","title_ssm":["World War II Correspondence Collection"],"title_tesim":["World War II Correspondence Collection"],"unitdate_ssm":["1857-1966","1940-1945"],"unitdate_bulk_ssim":["1940-1945"],"unitdate_inclusive_ssm":["1857-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-32","/repositories/4/resources/38"],"text":["MS-32","/repositories/4/resources/38","World War II Correspondence Collection","World War, 1939-1945","Tintype","Personal correspondence","Photographs","This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera","The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.","The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek.","MS-8 World War I \u0026 II Pamphlets Collection .","Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.","University of Richmond ","English Latin"],"unitid_tesim":["MS-32","/repositories/4/resources/38"],"normalized_title_ssm":["World War II Correspondence Collection"],"collection_title_tesim":["World War II Correspondence Collection"],"collection_ssim":["World War II Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased at auction."],"access_subjects_ssim":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"access_subjects_ssm":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 7 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: George \u0026amp; Mary (Zyla) Orlikowski Letters\u003cbr\u003e\nSeries II: Dorothy \"Dot\" Raynham Letters\u003cbr\u003e\nSeries III: Parrish Family Letters\u003cbr\u003e\nSeries IV: Wally and Ann Wrobel Letters\u003cbr\u003e\nSeries V: Other World War II Letters\u003cbr\u003e\nSeries VI: Other Letters\u003cbr\u003e\nSeries VII: Ephemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.\u003c/p\u003e","\u003cp\u003eProcessed by Lynda Kachurek.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/6\"\u003eMS-8 World War I \u0026amp; II Pamphlets Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-8 World War I \u0026 II Pamphlets Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I, George \u0026amp; Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.\u003c/p\u003e\n","\u003cp\u003eSeries II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.\u003c/p\u003e\n","\u003cp\u003eSeries III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.\u003c/p\u003e\n","\u003cp\u003eSeries V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026amp; Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.\u003c/p\u003e\n","\u003cp\u003eSeries VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.\u003c/p\u003e\n","\u003cp\u003eSeries VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_761d0ce1744499313f9e75922fe1f1e2\"\u003eThis collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased."],"names_ssim":["University of Richmond "],"corpname_ssim":["University of Richmond "],"language_ssim":["English Latin"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:08:19.620Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_38","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_38.xml","title_ssm":["World War II Correspondence Collection"],"title_tesim":["World War II Correspondence Collection"],"unitdate_ssm":["1857-1966","1940-1945"],"unitdate_bulk_ssim":["1940-1945"],"unitdate_inclusive_ssm":["1857-1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-32","/repositories/4/resources/38"],"text":["MS-32","/repositories/4/resources/38","World War II Correspondence Collection","World War, 1939-1945","Tintype","Personal correspondence","Photographs","This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera","The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.","The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek.","MS-8 World War I \u0026 II Pamphlets Collection .","Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.","University of Richmond ","English Latin"],"unitid_tesim":["MS-32","/repositories/4/resources/38"],"normalized_title_ssm":["World War II Correspondence Collection"],"collection_title_tesim":["World War II Correspondence Collection"],"collection_ssim":["World War II Correspondence Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased at auction."],"access_subjects_ssim":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"access_subjects_ssm":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 7 series:\u003c/p\u003e\n","\u003cp\u003eSeries I: George \u0026amp; Mary (Zyla) Orlikowski Letters\u003cbr\u003e\nSeries II: Dorothy \"Dot\" Raynham Letters\u003cbr\u003e\nSeries III: Parrish Family Letters\u003cbr\u003e\nSeries IV: Wally and Ann Wrobel Letters\u003cbr\u003e\nSeries V: Other World War II Letters\u003cbr\u003e\nSeries VI: Other Letters\u003cbr\u003e\nSeries VII: Ephemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters \nSeries II: Dorothy \"Dot\" Raynham Letters \nSeries III: Parrish Family Letters \nSeries IV: Wally and Ann Wrobel Letters \nSeries V: Other World War II Letters \nSeries VI: Other Letters \nSeries VII: Ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.\u003c/p\u003e","\u003cp\u003eProcessed by Lynda Kachurek.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/6\"\u003eMS-8 World War I \u0026amp; II Pamphlets Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-8 World War I \u0026 II Pamphlets Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I, George \u0026amp; Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.\u003c/p\u003e\n","\u003cp\u003eSeries II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.\u003c/p\u003e\n","\u003cp\u003eSeries III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.\u003c/p\u003e\n","\u003cp\u003eSeries IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.\u003c/p\u003e\n","\u003cp\u003eSeries V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026amp; Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.\u003c/p\u003e\n","\u003cp\u003eSeries VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.\u003c/p\u003e\n","\u003cp\u003eSeries VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_761d0ce1744499313f9e75922fe1f1e2\"\u003eThis collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased."],"names_ssim":["University of Richmond "],"corpname_ssim":["University of Richmond "],"language_ssim":["English Latin"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:08:19.620Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_38"}},{"id":"viu_repositories_3_resources_838_c04_c01_c25","type":"File","attributes":{"title":"World War II History and Yugoslavia, including the Maclean Mission Report, copies","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838_c04_c01_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_838_c04_c01_c25","ref_ssm":["viu_repositories_3_resources_838_c04_c01_c25"],"id":"viu_repositories_3_resources_838_c04_c01_c25","ead_ssi":"viu_repositories_3_resources_838","_root_":"viu_repositories_3_resources_838","_nest_parent_":"viu_repositories_3_resources_838_c04_c01","parent_ssi":"viu_repositories_3_resources_838_c04_c01","parent_ssim":["viu_repositories_3_resources_838","viu_repositories_3_resources_838_c04","viu_repositories_3_resources_838_c04_c01"],"parent_ids_ssim":["viu_repositories_3_resources_838","viu_repositories_3_resources_838_c04","viu_repositories_3_resources_838_c04_c01"],"parent_unittitles_ssm":["Sir Fitzroy Maclean papers","Sir Fitzroy Maclean Additional papers","Topical and Correspondence"],"parent_unittitles_tesim":["Sir Fitzroy Maclean papers","Sir Fitzroy Maclean Additional papers","Topical and Correspondence"],"text":["Sir Fitzroy Maclean papers","Sir Fitzroy Maclean Additional papers","Topical and Correspondence","World War II History and Yugoslavia, including the Maclean Mission Report, copies","box 98","folder 8"],"title_filing_ssi":"World War II History and Yugoslavia, including the Maclean Mission Report, copies","title_ssm":["World War II History and Yugoslavia, including the Maclean Mission Report, copies"],"title_tesim":["World War II History and Yugoslavia, including the Maclean Mission Report, copies"],"unitdate_inclusive_ssm":["1943-1990"],"normalized_date_ssm":["1943/1990"],"normalized_title_ssm":["World War II History and Yugoslavia, including the Maclean Mission Report, copies"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sir Fitzroy Maclean papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":756,"parent_access_restrict_tesm":["Collection is open for research use."],"date_range_isim":[1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"containers_ssim":["box 98","folder 8"],"_nest_path_":"/components#3/components#0/components#24","timestamp":"2026-05-20T23:47:27.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_838","ead_ssi":"viu_repositories_3_resources_838","_root_":"viu_repositories_3_resources_838","_nest_parent_":"viu_repositories_3_resources_838","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_838.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/103243","title_filing_ssi":"Maclean, Sir Fitzroy, papers","title_ssm":["Sir Fitzroy Maclean papers"],"title_tesim":["Sir Fitzroy Maclean papers"],"unitdate_ssm":["1827-1996"],"unitdate_inclusive_ssm":["1827-1996"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"text":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838","Sir Fitzroy Maclean papers","letters (correspondence)","diaries","Black-and-white photographs","Collection is open for research use.","The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania","Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.","This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.","Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996","Materials are in English."],"unitid_tesim":["MSS 11487","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/838"],"normalized_title_ssm":["Sir Fitzroy Maclean papers"],"collection_title_tesim":["Sir Fitzroy Maclean papers"],"collection_ssim":["Sir Fitzroy Maclean papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Maclean, Fitzroy, 1911-1996"],"creator_ssim":["Maclean, Fitzroy, 1911-1996"],"creator_persname_ssim":["Maclean, Fitzroy, 1911-1996"],"creators_ssim":["Maclean, Fitzroy, 1911-1996"],"acqinfo_ssim":["This collection was purchased by the University of Virginia Library on November 30, 1998. The first addition, consisting of the desk diaries of Sir Fitzroy Maclean (MSS 11487-a), was received on March 7, 2003, and the second addition (ViU20160030) was received on December 1, 2015."],"access_subjects_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"access_subjects_ssm":["letters (correspondence)","diaries","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["44 Cubic Feet 102 document boxes, 2 os folders"],"extent_tesim":["44 Cubic Feet 102 document boxes, 2 os folders"],"genreform_ssim":["letters (correspondence)","diaries","Black-and-white photographs"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four main series, with various subseries: \u003c/p\u003e\n","\u003cp\u003eSeries I: Career and Personal Papers (Boxes 1-11) \u003c/p\u003e\n","\u003cp\u003eSubseries A: Diplomatic Service (Box 1) \u003c/p\u003e\n","\u003cp\u003eSubseries B: British Military Mission to Yugoslavia (Boxes 1-2) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Special Refugee Commission (Boxes 2-3) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Political Correspondence (Box 3) \u003c/p\u003e\n","\u003cp\u003eSubseries E: VIP Material (Boxes 3-4) \u003c/p\u003e\n","\u003cp\u003eSubseries F: Yugoslavia \u0026amp; Tito Related Material (Boxes 4-8) \u003c/p\u003e\n","\u003cp\u003eSubseries G: Family \u0026amp; Personal Papers (Boxes 9-10) \u003c/p\u003e\n","\u003cp\u003eSubseries H: Honors \u0026amp; Decorations (Boxes 10- 11) \u003c/p\u003e\n","\u003cp\u003eSeries II: Literary Papers - Books, Television \u0026amp; Radio Scripts, Articles, etc. \u003c/p\u003e\n","\u003cp\u003eSubseries A: Eastern Approaches Material (Boxes 12-15) \u003c/p\u003e\n","\u003cp\u003eSubseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026amp; Television, \u0026amp; Research (Boxes 21-26) \u003c/p\u003e\n","\u003cp\u003eSubseries C: Russia \u0026amp; the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026amp; Lectures (Boxes 43-45); and Radio \u0026amp; Television (Boxes 45-46) \u003c/p\u003e\n","\u003cp\u003eSubseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) \u003c/p\u003e\n","\u003cp\u003eSubseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026amp; Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographic Material (Boxes 70-93)\u003c/p\u003e\n","\u003cp\u003eSeries IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 \u003c/p\u003e","\u003cp\u003ere the Threat of Soviet Expansion in Asia\u003c/p\u003e","\u003cp\u003eParlimentary Delegation to Romania\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged in four main series, with various subseries: ","Series I: Career and Personal Papers (Boxes 1-11) ","Subseries A: Diplomatic Service (Box 1) ","Subseries B: British Military Mission to Yugoslavia (Boxes 1-2) ","Subseries C: Special Refugee Commission (Boxes 2-3) ","Subseries D: Political Correspondence (Box 3) ","Subseries E: VIP Material (Boxes 3-4) ","Subseries F: Yugoslavia \u0026 Tito Related Material (Boxes 4-8) ","Subseries G: Family \u0026 Personal Papers (Boxes 9-10) ","Subseries H: Honors \u0026 Decorations (Boxes 10- 11) ","Series II: Literary Papers - Books, Television \u0026 Radio Scripts, Articles, etc. ","Subseries A: Eastern Approaches Material (Boxes 12-15) ","Subseries B: Yugoslavia Related Material, including Books (Boxes 15-21); and Articles, Book Reviews, Lectures, Radio \u0026 Television, \u0026 Research (Boxes 21-26) ","Subseries C: Russia \u0026 the Former Soviet Union Material, including Books (Boxes 26-40); Articles (Boxes 41-43); Book Reviews \u0026 Lectures (Boxes 43-45); and Radio \u0026 Television (Boxes 45-46) ","Subseries D: Scotland Material, including Books (Boxes 46-57), Highlanders Television Series (Boxes 57-58), and Articles, Book Reviews and Lectures (Boxes 59-60) ","Subseries E: Miscellaneous Literary Material, including Take Nine Spies (Boxes 60-63), Articles (Boxes 64-66); Book Reviews, Introductions, Lectures \u0026 Speeches and Literary Correspondence (Boxes 67-68); and Radio and Television (Boxes 68-69) ","Series III: Photographic Material (Boxes 70-93)","Series IV: Sir Fitzroy Maclean Additional Papers (Boxes 94-102 ","re the Threat of Soviet Expansion in Asia","Parlimentary Delegation to Romania"],"bioghist_html_tesm":["\u003cp\u003eFitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs.\u003c/p\u003e\n","\u003cp\u003e When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans.\u003c/p\u003e\n","\u003cp\u003e In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria.\u003c/p\u003e\n","\u003cp\u003e After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs.\u003c/p\u003e\n","\u003cp\u003e Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade, A Person from England\u003c/title\u003e(1958), describing the adventures of English travelers in Central Asia, and in 1958, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his writing was Scotland, and he published \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e, (1970), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Isles of the Sea\u003c/title\u003e, a collection of West Highland folk tales (1985), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e, (1988) and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Road to Samarkand\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Life and Times of Marshal Tito\u003c/title\u003eand two major series. \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e.\u003c/p\u003e\n","\u003cp\u003e Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees.\u003c/p\u003e\n","\u003cp\u003e In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Fitzroy Hew Royle Maclean was born in 1911 in Cairo, Egypt to Charles Maclean, a major in the British army, and Gladys Royle Maclean. He was raised in Scotland, India, and Italy and attended Eton (1924-28), the University of Marburg in Germany (1929), and Kings' College, Cambridge (1929-32) where he won a senior scholarship and first class honors. He entered the Foreign Office in 1934 and was first posted to Paris, and then to Moscow in 1937 where he served as the Third Secretary in the British Embassy. Stalin's purges were at their height during Maclean's two years in the Soviet Union, and he was present at the state trial of Nikolai Bukharin in 1938. He also made journeys to remote areas of the Soviet Union such as Central Asia and the Caucasus where few if any foreigners had been for many years. In 1939 he returned to London and worked in the Foreign Office on Russian affairs."," When World War II broke out, he wanted to enlist in the military, but as a diplomat was in a \"reserved\" position and was not allowed to do so. He learned that the only way to be released from the Foreign Office was to declare himself a candidate for Parliament, and so he was returned for the constituency of Lancaster at a by-election in 1941. He joined the Cameron Highlanders regiment in the British army as a private, and then the new Special Air Service (SAS) and served in the Western Desert, where he participated in the raid on Benghazi along with SAS founder David Stirling and Randolph Churchill, and foiled a coup in Persia by kidnapping General Zahidi who had collaborated with the Germans."," In July 1943 Prime Minister Winston Churchill asked Maclean to serve as his personal representative and Brigadier commanding a British Military Mission to Josip Broz Tito, leader of the Communist Partisans in German-occupied Yugoslavia. At this stage of the war, there was a debate in the British government over which Yugoslav resistance group it should support - Tito's Partisans or Draza Mihalovich's Cetniks. In September Maclean was dropped by parachute into Bosnia and met Tito, and subsequently reported to Churchill that the Partisans were the more effective fighting force and would benefit from additional British and American aid. In August 1944, as the Germans prepared to withdraw from Yugoslavia Maclean planned \"Operation Ratweek\" for the first week of September, a coordinated Allied and Partisan attack on enemy communications which proved quite successful. In the course of his mission, which lasted until 1945, he became a friend and admirer of Tito. In 1947 Maclean was asked to head the Special Refugee Commission which had the sensitive task of screening of tens of thousands of Yugoslav and Ukrainian Displaced Persons, some of whom were alleged to have committed war crimes, in Italy and Austria."," After completing this assignment, Maclean focused on politics, representing Lancaster until 1959 and Bute and North Ayrshire from 1959-1974, and served as Parliamentary Under Secretary of State for War from 1954-1957. He was chairman of the Committee of the North Atlantic Assembly from 1964-1974. Maclean's friendship with Tito and frequent visits to Yugoslavia allowed him to play a key role in Anglo-Yugoslav relations. In the 1960's he purchased a home on the island of Korcula, becoming one of the few foreigners allowed to own property in Yugoslavia. Maclean also maintained a keen interest in the Soviet Union where he traveled extensively and he served as chairman of the Great Britain-USSR Association. He lectured frequently in the United Kingdom and the United States on Yugoslav and Soviet affairs."," Maclean's literary career was launched in 1949 with the publication of Eastern Approaches, a memoir of his experiences as a diplomat and soldier, which was acclaimed by critics and became a best-seller. This was followed in 1957 by a biography of Tito,  Disputed Barricade, A Person from England (1958), describing the adventures of English travelers in Central Asia, and in 1958,  Back to Bokhara (1959), and a number of books, articles and book reviews on Yugoslavia, the Soviet Union, and other subjects."," A third focal point of his writing was Scotland, and he published  A Concise History of Scotland , (1970),  The Isles of the Sea , a collection of West Highland folk tales (1985),  Bonnie Prince Charlie , (1988) and  Highlanders (1995). Along with establishing a reputation as the author of entertaining and informative works that blended his travel experiences and historical research, he turned his attention to radio and television, working on a number of documentary programs including  The Road to Samarkand and  The Life and Times of Marshal Tito and two major series.  Portrait of the Soviet Union and  Highlanders ."," Maclean was made a baronet in 1957 and a Knight of the Thistle in 1993, and was the recipient of many honors and decorations including the Commander of the British Empire, the Croix de Guerre, the Order of Kutusov, and the Partisan Star, and several honorary degrees."," In 1946 Maclean married a widow with two children, Veronica (Fraser) Phipps, daughter of the 16th Lord Lovat. They had two sons, James and Charles. In 1957 the Macleans purchased Strachur, an estate in Argyllshire in the Scottish Highlands, and later operated a hotel on the estate, the Creggans Inn, which became known for its good food, drink, and hospitality. Maclean continued to be extremely active into his eighties and kept up a busy schedule of writing, lecturing and traveling. He died of a heart attack while swimming at a friend's house in June 1996. In Maclean's later years, there was speculation that he had been the inspiration for Ian Fleming's James Bond."],"prefercite_html_tesm":["\u003cp\u003eMSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 11487 Sir Fitzroy Maclean papers, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.\u003c/p\u003e\n","\u003cp\u003eMaclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union.\u003c/p\u003e\n","\u003cp\u003e A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French.\u003c/p\u003e\n","\u003cp\u003e The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939.\u003c/p\u003e\n","\u003cp\u003e The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh.\u003c/p\u003e\n","\u003cp\u003e The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee.\u003c/p\u003e\n","\u003cp\u003e Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973.\u003c/p\u003e\n","\u003cp\u003e Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic.\u003c/p\u003e\n","\u003cp\u003e For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts.\u003c/p\u003e\n","\u003cp\u003e The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's.\u003c/p\u003e\n","\u003cp\u003e Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him.\u003c/p\u003e\n","\u003cp\u003e The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e(American title- \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEscape to Adventure\u003c/title\u003e); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary.\u003c/p\u003e\n","\u003cp\u003e The subseries about \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003econtains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean.\u003c/p\u003e\n","\u003cp\u003e Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation.\u003c/p\u003e\n","\u003cp\u003e The Yugoslavia Subseries includes books: \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e(1957), published in America as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e, which includes an interview with Tito; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eYugoslavia\u003c/title\u003e(1969), in which Maclean wrote the text for this book of photographs; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBattle of Neretva\u003c/title\u003e(1970); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTito: A Pictorial Biography\u003c/title\u003e(1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others.\u003c/p\u003e\n","\u003cp\u003e In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969).\u003c/p\u003e\n","\u003cp\u003e The Russian Material Subseries contains drafts, correspondence, and research material for his books \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e(1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBack to Bokhara\u003c/title\u003e(1959); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo the Back of Beyond\u003c/title\u003e(1974), \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTo Caucasus: End of All the Earth\u003c/title\u003e(1976); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHoly Russia\u003c/title\u003e(1978) which completed the trilogy; \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePortrait of the Soviet Union\u003c/title\u003e(1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eAll the Russias\u003c/title\u003e(1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss.\u003c/p\u003e\n","\u003cp\u003e In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\"\u003c/p\u003e\n","\u003cp\u003e The subseries concerning his Scotland material includes books, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Concise History of Scotland\u003c/title\u003e(1970); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003e(1985); \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003e(1988); and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eHighlanders\u003c/title\u003e(originally titled \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eClans\u003c/title\u003e) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman\u003c/title\u003ein 1959.\u003c/p\u003e\n","\u003cp\u003e The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eTake Nine Spies\u003c/title\u003e. There is also correspondence with publishers in which he discusses more than one book, and with his literary agents.\u003c/p\u003e\n","\u003cp\u003e Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on.\u003c/p\u003e\n","\u003cp\u003e Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia.\u003c/p\u003e\n","\u003cp\u003e As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDisputed Barricade\u003c/title\u003e, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA Person from England\u003c/title\u003e, and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eBonnie Prince Charlie\u003c/title\u003eare also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.\u003c/p\u003e","\u003cp\u003ere Appointments to London, Paris, and Moscow and his resignation from the Foreign Office\u003c/p\u003e","\u003cp\u003ere Maclean's Mission to Tito and an Extract from \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Second World War\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eincluding \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"\u003c/p\u003e","\u003cp\u003eDrafts of Statement on the Extent of British Aid to the Partisans\u003c/p\u003e","\u003cp\u003ere Appointments and Impact on Service to Constituency\u003c/p\u003e","\u003cp\u003ere Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others\u003c/p\u003e","\u003cp\u003ere Vietnam War\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border\u003c/p\u003e","\u003cp\u003ere Winston Churchill\u003c/p\u003e","\u003cp\u003ere E.C. Grants for Argyll and Bute\u003c/p\u003e","\u003cp\u003ere Consideration of Fitzroy Maclean as Governor of Cyprus\u003c/p\u003e","\u003cp\u003ere a Resignation to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere his serving as godfather to her daughter, Charlotte\u003c/p\u003e","\u003cp\u003ere British Press Coverage of Yugoslavia\u003c/p\u003e","\u003cp\u003ere Simic Cureija\u003c/p\u003e","\u003cp\u003ere Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill\u003c/p\u003e","\u003cp\u003ere Tito\u003c/p\u003e","\u003cp\u003ere Korcula\u003c/p\u003e","\u003cp\u003ere the Soviet Invasion of Czechoslovakia\u003c/p\u003e","\u003cp\u003ere Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin\u003c/p\u003e","\u003cp\u003eDecoration Awarded to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003eProposed British Decorations of Yugoslavs\u003c/p\u003e","\u003cp\u003ere Yugoslav Students in Britain\u003c/p\u003e","\u003cp\u003ere Allied Mission to Yugoslavia in World War II for Muzej AVNOJ\u003c/p\u003e","\u003cp\u003ere Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland\u003c/p\u003e","\u003cp\u003ere Maclean's Efforts in Support of Tito for the Nobel Peace Prize\u003c/p\u003e","\u003cp\u003ere British Policy towards the Balkan Resistance Movements\u003c/p\u003e","\u003cp\u003ere Meeting with Tito\u003c/p\u003e","\u003cp\u003ere Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972\u003c/p\u003e","\u003cp\u003ere Margaret Thatcher's Trip, with Official Program\u003c/p\u003e","\u003cp\u003ere the Prince of Wales' Visit to Yugoslavia\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit\u003c/p\u003e","\u003cp\u003ere Arrangements for the British Delegation to Tito's Funeral\u003c/p\u003e","\u003cp\u003ere Official Visit of Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Program of Economic Reform\u003c/p\u003e","\u003cp\u003ere his biography of Tito\u003c/p\u003e","\u003cp\u003ere Controversy over British Military Mission in World War II\u003c/p\u003e","\u003cp\u003ere BBC \"Timewatch: Tito\" Program\u003c/p\u003e","\u003cp\u003ere a Yugoslav Detainee in 1945\u003c/p\u003e","\u003cp\u003ere Korcula, Croatia Emergency Appeal\u003c/p\u003e","\u003cp\u003ere Benefit Concert for Dubrovnik\u003c/p\u003e","\u003cp\u003ere Owen's Mission\u003c/p\u003e","\u003cp\u003ere Aldington-Tolstoy Libel Case (Repatriations in 1945)\u003c/p\u003e","\u003cp\u003ere Tito Memoirs and other projects\u003c/p\u003e","\u003cp\u003ere Purchase of \"Beechfield\"\u003c/p\u003e","\u003cp\u003ere Ticonderoga story\u003c/p\u003e","\u003cp\u003ere Purchase of \"Creggans Inn\"\u003c/p\u003e","\u003cp\u003ere \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eFitzroy Maclean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Evelyn Waugh biography\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean and Articles by him\u003c/p\u003e","\u003cp\u003ere Awarding of Baronetcy and Arms\u003c/p\u003e","\u003cp\u003ere Honorary Degree from the University of Glasgow\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Acadia University\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz\u003c/p\u003e","\u003cp\u003ere Honorary Degree from Dundee University\u003c/p\u003e","\u003cp\u003ere Special Air Service\u003c/p\u003e","\u003cp\u003ere the 23rd Special Air Service Regiment\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of theThistle\u003c/p\u003e","\u003cp\u003ere Installation of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations\u003c/p\u003e","\u003cp\u003ere Appointment of Fitzroy Maclean in the Order of the Thistle\u003c/p\u003e","\u003cp\u003eOrder of the Thistle Ceremony\u003c/p\u003e","\u003cp\u003ere Freedom of Argyll and Bute\u003c/p\u003e","\u003cp\u003ere omitting part of an interview with the King about Yugoslavia from his book\u003c/p\u003e","\u003cp\u003ewith comments about what Maclean had written about himself in the book\u003c/p\u003e","\u003cp\u003ethanking him for the copy of his book sent to the King\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003eTranslations\u003c/p\u003e","\u003cp\u003ere American Edition\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere Paperback Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film, with a copy of the script for the film, April 1956\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Proposed TV Series\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003ere Yugoslav Edition\u003c/p\u003e","\u003cp\u003eLetter of thanks on behalf of Tito\u003c/p\u003e","\u003cp\u003ere American Edition, \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Heretic\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003ere German Forces in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding \"The Fourth Enemy Offensive\" and some in Serbo-Croatian\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003ere Book Promotion Tour in Yugoslavia\u003c/p\u003e","\u003cp\u003eincluding some correspondence and notes\u003c/p\u003e","\u003cp\u003ere Korcula by Charles Maclean\u003c/p\u003e","\u003cp\u003eUnpublished\u003c/p\u003e","\u003cp\u003ere of BBC Radio Broadcast on Mission to Tito\u003c/p\u003e","\u003cp\u003ere Tito obituary for BBC Radio\u003c/p\u003e","\u003cp\u003ere BBC Radio \"I Was There\"\u003c/p\u003e","\u003cp\u003ere Film \"General from Strachur\"\u003c/p\u003e","\u003cp\u003ere BBC Television Tito Obituary\u003c/p\u003e","\u003cp\u003ere Tito Interview for CBS News\u003c/p\u003e","\u003cp\u003ere Proposed BBC Programs\u003c/p\u003e","\u003cp\u003ere Proposed Film on Tito\u003c/p\u003e","\u003cp\u003ere BBC Program on the S.O.E. (Special Operations Executive)\u003c/p\u003e","\u003cp\u003ere BBC Program on Evelyn Waugh\u003c/p\u003e","\u003cp\u003ere Miscellaneous Television and Film Projects\u003c/p\u003e","\u003cp\u003ere BBC Program \"Ratlines\"\u003c/p\u003e","\u003cp\u003ere VPRO Program\u003c/p\u003e","\u003cp\u003ere New Edition\u003c/p\u003e","\u003cp\u003ere Proposed Film\u003c/p\u003e","\u003cp\u003ere Research\u003c/p\u003e","\u003cp\u003ere Translations\u003c/p\u003e","\u003cp\u003eOriginal Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop\u003c/p\u003e","\u003cp\u003eTranscripts and Copies of Letters of Charles Stoddart and others from the Public Records Office\u003c/p\u003e","\u003cp\u003ere American Edition and Other Projects\u003c/p\u003e","\u003cp\u003ere Copyright Renewal\u003c/p\u003e","\u003cp\u003ere German edition\u003c/p\u003e","\u003cp\u003ere the Sino Russian Border in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eLife\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere the Caucasus Region\u003c/p\u003e","\u003cp\u003eCorrespondence re\u003c/p\u003e","\u003cp\u003ere the Bukharin Trial in Moscow \u0026amp; Interview with his widow\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Sunday Times\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Georgia, including notes and drafts\u003c/p\u003e","\u003cp\u003ere Georgia in \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe Scotsman Magazine\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Azerbaijan\u003c/p\u003e","\u003cp\u003ere Caucasus\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachov\u003c/p\u003e","\u003cp\u003ere Mikhail Gorbachev in honor of Hugh Seton-Watson\u003c/p\u003e","\u003cp\u003egiven at Foyle's Lunch\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere Georgia\u003c/p\u003e","\u003cp\u003ere a New Edition\u003c/p\u003e","\u003cp\u003ere an American Edition\u003c/p\u003e","\u003cp\u003ere a German Edition\u003c/p\u003e","\u003cp\u003eAugust 1, 1996 from Edwin Moore to Veronica Maclean\u003c/p\u003e","\u003cp\u003ere German Edition\u003c/p\u003e","\u003cp\u003ere reprint as \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eWest Highland Tales\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Publicity \u0026amp; Book Reviews\u003c/p\u003e","\u003cp\u003ere Publicity\u003c/p\u003e","\u003cp\u003ere \"Scotland in Parliament\"\u003c/p\u003e","\u003cp\u003ere Japan\u003c/p\u003e","\u003cp\u003ere Asia\u003c/p\u003e","\u003cp\u003ere Korea\u003c/p\u003e","\u003cp\u003ere Italy\u003c/p\u003e","\u003cp\u003ere the Middle East\u003c/p\u003e","\u003cp\u003ere Persia\u003c/p\u003e","\u003cp\u003ere Defense of Great Britain\u003c/p\u003e","\u003cp\u003ere Greece\u003c/p\u003e","\u003cp\u003ere Libya during World War II\u003c/p\u003e","\u003cp\u003ere Turkey\u003c/p\u003e","\u003cp\u003ere China \"Inside Red China\"\u003c/p\u003e","\u003cp\u003ere China Trip\u003c/p\u003e","\u003cp\u003ere China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"\u003c/p\u003e","\u003cp\u003ere Mongolia\u003c/p\u003e","\u003cp\u003ere Sir Winston Churchill\u003c/p\u003e","\u003cp\u003eMongolia\u003c/p\u003e","\u003cp\u003ere the Black Sea, including one by Veronica Maclean\u003c/p\u003e","\u003cp\u003ere Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence\u003c/p\u003e","\u003cp\u003ere China--Trip to Kashgar in Chinese Turkestan, including Correspondence\u003c/p\u003e","\u003cp\u003ere Nepal and Bhutan\u003c/p\u003e","\u003cp\u003ere Germany\u003c/p\u003e","\u003cp\u003ere David Stirling for \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eDictionary of National Biography\u003c/title\u003eand Correspondence\u003c/p\u003e","\u003cp\u003ere Canary Islands\u003c/p\u003e","\u003cp\u003ere Oman\u003c/p\u003e","\u003cp\u003ere Tibet--Correspondence, Travel Arrangements, and Memorabilia\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere the Channel Tunnel\u003c/p\u003e","\u003cp\u003ere Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch\u003c/p\u003e","\u003cp\u003ere Tibet\u003c/p\u003e","\u003cp\u003ere Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean\u003c/p\u003e","\u003cp\u003ere Invitation to Frankfurt\u003c/p\u003e","\u003cp\u003ere German Translations of \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIsles of the Sea\u003c/title\u003eand \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eEastern Approaches\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ere Proposed Book of Interviews including Fitzroy Maclean\u003c/p\u003e","\u003cp\u003esome accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward\u003c/p\u003e","\u003cp\u003ePeople\u003c/p\u003e","\u003cp\u003eEnvirons \u0026amp; Monasteries\u003c/p\u003e","\u003cp\u003eGUM Store, Race Track, \u0026amp; Fashions\u003c/p\u003e","\u003cp\u003eThe Kremlin \u0026amp; Red Square\u003c/p\u003e","\u003cp\u003eThe file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").\u003c/p\u003e","\u003cp\u003eNotebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958\u003c/p\u003e","\u003cp\u003eIncludes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.\u003c/p\u003e","\u003cp\u003eThese include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.\u003c/p\u003e","\u003cp\u003eThis addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents Note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This Fitzroy Maclean papers consist (1827-1996; 44 cubic feet) of the professional and personal papers of Scottish soldier, diplomat, politician, author, and traveler, Sir Fitzroy Hew Maclean (1911-1996) of Dunconnel. It includes correspondence, memoranda, manuscripts, typescripts, newspaper and magazine articles, book reviews, lectures, speeches, photographs, memorabilia, and research material pertaining to his military, diplomatic, political and literary career as well as family and personal affairs.","Maclean is best known for his role during World War II as head of the British military mission to Yugoslavia in which he served as Winston Churchill's personal representative to leader of the Communist Partisans, Josip Broz Tito, his diplomatic service in the Soviet Union in the late 1930's, and as the author of the classic memoir Eastern Approaches (1949) and many other books and articles. After the war, he pursued a political career as a Conservative member of Parliament, and, based on his close relationship with Tito, played a key role in Anglo-Yugoslav affairs. He was also noted for his expertise on the Soviet Union."," A third focal point of his life and career was Scotland: he was a proud member of Clan Maclean and wrote several works on Scottish history, biography, and folklore. The collection contains some material in Serbo-Croatian, German, Italian and French."," The papers are arranged in four main series with various sub-series. Items of particular interest in the First Series, Career and Personal Papers, are described in the following paragraphs devoted to each subseries. In the Diplomatic Subseries are dispatches and memoranda of his trips through Central Asia (including Afghanistan and the ancient cities Bokhara and Samarkand) and the Caucasus, on the situation in Sinkiang (Chinese Turkestan) and on the political stability of the Soviet Union, 1937-1939."," The subseries British Military Mission to Yugoslavia contains Winston Churchill's Minute concerning his Mission to Tito, Autograph Diary (2 pages) re his arrival in Yugoslavia, \"Ratweek\" Map (oversize), twelve files (labeled Top Secret) including memoranda, correspondence, telegrams, etc concerning military and political affairs such as Allied operations and aid to Tito's Partisans, formation of the Yugoslav government, relief, the visit of Field Marshal Alexander, Supreme Allied Commander to Belgrade, Macedonia, Prospect of South Slav federation, and correspondence with Evelyn Waugh."," The Special Refugee Commission subseries contains correspondence, telegrams, reports, including one submitted to Foreign Secretary Ernest Bevin, articles, and a draft of a speech on the refugee problems to a parliamentary committee."," Political correspondence includes papers concerning the Lancaster by-election of 1941, the general election of 1945, and correspondence with Winston Churchill, Harold Macmillan, Anthony Eden, Alec Douglas- Home, Peter Carrington, Harold Wilson, Margaret Thatcher, John Major, Robert Kennedy, John Lindsay, Henry Jackson, and Averell Harriman ; a memorandum to Field Marshal Alexander of Tunis concerning irregular warfare; and correspondence and memoranda related to a parliamentary delegation to Romania in 1973."," Material in the VIP Subseries includes: letters and notes from members of the Royal Family including Prince Charles, Princess Margaret, Elizabeth the Queen Mother; Clementine Churchill and Mary Churchill Soames; and a thank you note from Lauren Bacall."," The Yugoslavia and Tito Subseries contains significant material including memoranda of meetings with Tito in 1949,1950, 1953, 1968, 1973; informative accounts by Maclean and other British officers about the Military Mission in World War II for an official book published by Muzej AVNOJ (1970-1971); correspondence about Maclean's involvement in proposals for the publication of Tito's memoirs (1966-1977) and about the nomination of Tito for the Nobel Peace Prize (1972-1973); correspondence and papers by Maclean and others from a conference on British Policy and Resistance in the Balkans (1973); Briefing papers, correspondence and memoranda of Margaret Thatcher's visit to Yugoslavia in 1977, and correspondence and memorabilia pertaining to the Prince of Wales' visit in 1978; correspondence about Maclean's visit in 1989 and transcript of an interview with Prime Minister Ante Markovic."," For the 1990's, the time of war and the dissolution of Yugoslavia , there is correspondence with David Owen, Stevan Dedijer and others, and about the Korcula Emergency Appeal, a relief effort for a hospital on the island of Korcula, Croatia, organized by the Macleans; letters from Yugoslav friends describing the turmoil , and/or seeking assistance in finding jobs in the United Kingdom; correspondence about renewed controversy about the British Military Mission in World War II. and the Aldington-Tolstoy Libel Case concerning the repatriation of Yugoslavs in 1945. It should also be noted that in Series II, Subseries B, Literary Material pertaining to Yugoslavia, there is some correspondence filed with the manuscripts, typescripts, articles and radio and television transcripts."," The Subseries Family and Personal Papers has letters from friends and teachers, some in German, French, and Italian. In a significant group of letters to his parents (1939-1945) from London, Cairo, Belgrade, and elsewhere, Maclean discussed the international situation, his desire to leave the Foreign Office in order to join the army, life in London during the Blitz, the beginning of his political career, and his military service (some letters were extensively cut by the censors). There are also a number of letters to his parents from the years 1946-1955 from Maclean and his wife Veronica discussing family matters and living conditions in Italy and Austria while Maclean was directing the Special Refugee Commission, and about their travels in Yugoslavia, Greece and Turkey in the early 1950's."," Also present is correspondence with Frank McLynn, his biographer, 1990-1994, and two scrapbooks. The blue scrapbook (1939-1951) includes one letter of Maclean to his aunt, newspaper clippings relating to his military service in Yugoslavia, his marriage, some articles by him, a few photographs. The red scrapbook, 1943-1946 also has newspaper clippings about his military service and political career and articles by him."," The Second Series consists of literary papers. This series contains drafts, typescripts, setting copies of his books with related correspondence with publishers and others about the publication process, contracts, royalty statements, book reviews, fan mail, articles, book reviews, speeches, lectures, transcripts of radio and television programs, film proposals or treatments. Several of his books were published under different titles in the United States. It is organized into five subseries based on subject matter. These include:  Eastern Approaches (American title-  Escape to Adventure ); Yugoslavia (the country as originally constituted and also the new states that emerged in the 1990's); Russia and the former Soviet Union and the new nations post 1990); Scotland; and Miscellaneous Literary."," The subseries about  Eastern Approaches contains a typed manuscript (Setting copy) with corrections, including an unpublished introduction; some material omitted from the published version including his admiration for a Soviet army unit, comments on the Cetniks, and conversations with King George VI and Winston Churchill and King Peter of Yugoslavia; letters from Michael Adeane, Secretary to King George VI and Winston Churchill requesting that certain passages be omitted; a letter from Peter Fleming to Jonathan Cape offering his opinion of the book, a letter from Ian Fleming to Jonathan Cape and a note to Maclean."," Other material includes correspondence with Jonathan Cape and other publishers about a new edition, correspondence with Douglas Fairbanks, Eric Ambler and others concerning a possible film version, and with Ian Curteis about a proposed television adaptation."," The Yugoslavia Subseries includes books:  Disputed Barricade (1957), published in America as  The Heretic , which includes an interview with Tito;  Yugoslavia (1969), in which Maclean wrote the text for this book of photographs;  Battle of Neretva (1970); and  Tito: A Pictorial Biography (1980). Also present are articles from newspapers and magazines, 1947-1995, on Yugoslav politics and society, including interviews with Tito. Particularly interesting are two unpublished articles \"Whither Yugoslavia?\" written in 1989 based on interviews with Yugoslav politicians, including Slobodan Milosevic. There are also a number of book reviews of works by Julian Amery, William Deakin, Noel Malcolm and Misha Glenny and others."," In addition, the subseries on Yugoslavia contains lectures, 1949-1995; transcripts of radio and television programs, with related correspondence; and some interviews with Tito, notably The \"Life and Times of Marshal Tito\" (December 1963); and one for a CBS news program (1969)."," The Russian Material Subseries contains drafts, correspondence, and research material for his books  A Person from England (1958), including several autograph letters,1827-1861, of Dr. Joseph Wolff, one of the English travelers chronicled in the book;  Back to Bokhara (1959);  Holy Russia (1978); drafts titled \"All the Russias\" and \"The Other Russias,\" which were the basis for  To the Back of Beyond (1974),  To Caucasus: End of All the Earth (1976); and  Holy Russia (1978) which completed the trilogy;  Portrait of the Soviet Union (1988), including material for both the book and the related TBS television series since Maclean was working on these simultaneously; and  All the Russias (1992). Correspondents include Pamela Harriman, Marietta Tree and Fitzgerald Bemiss."," In addition to his books about Russia and the Soviet Union, his papers also contain articles, 1949-1995 on political, social, economic, cultural aspects of the former Soviet Union, a number on Georgia and the Caucasus, and Mikhail Gorbachev; book reviews, 1949-1994; and radio and television material, such as correspondence and transcripts for programs, including \"The End of All the Earth\" and \"Carnival in the Caucasus\"; interviews with Anna Mikhailovna Larina (Bukharin's widow) and others for the BBC \"Timewatch\" program \"Bukharin.\""," The subseries concerning his Scotland material includes books,  A Concise History of Scotland (1970);  Isles of the Sea (1985);  Bonnie Prince Charlie (1988); and  Highlanders (originally titled  Clans ) (1995). Material for the book and television series are combined since Maclean was working on them simultaneously. Among the articles on Scotland is a notable series \"Scottish Approaches\" which appeared in  The Scotsman in 1959."," The last subseries in Maclean's Literary Papers consists of miscellaneous literary material, including material for the book  Take Nine Spies . There is also correspondence with publishers in which he discusses more than one book, and with his literary agents."," Articles are arranged chronologically, and topics range from post World War II Japan, Korea, Italy, the Middle East, and defense policy to China and Mongolia in the 1960's, an extended trip to China in 1988, and his travels in Nepal, Tibet, and Oman in the 1990's. There are also articles about his military, diplomatic, political and literary career, his travels, and personal life, and note that others are contained in two scrapbooks. The radio and television material includes his commentaries on the international scene from 1946 on."," Photographic Material comprises the third series, which contains twenty-four boxes of photographs (some in albums), contact sheets, negatives, and slides, taken by Maclean, primarily of his travels in the former Soviet Union, Europe and Asia, from 1938 through the 1990's. Especially noteworthy are those taken in Moscow, Leningrad, and Central Asia, including Afghanistan, the cities Bokhara and Samarkand, and Persia, Paris and Florence in the late 1930's, Yugoslavia during World War II, postwar Korean and China, and of Yugoslavia, Greece, Turkey and Iran in the early 1950's. Maclean visited the former Soviet Union frequently from the late 1950's through 1987 and took numerous photographs of his favorite regions, Central Asia and the Caucasus, particularly Georgia."," As for Yugoslavia, there is an album dated 1953 labeled Namanevru Jugoslovenska Narodne, Armije (Yugoslav People's Army) with photographs of Tito, Maclean, and soldiers; and photographs from the early 1960's through 1980 including a number of photographs of Tito. Individuals subjects include Winston Churchill and Margaret Thatcher. There are also many family photographs taken at Maclean's homes Beechfield and Strachur, and of friends. The photographs used in  Eastern Approaches ,  Disputed Barricade ,  A Person from England , and  Bonnie Prince Charlie are also in this section.\n \n The fourth series consists of two small additions to the papers and include some correpondence files, such as congratulatory letters about his appointment as Under Secretary for War in 1954 and his Baronetcy in 1957, his letters published in the press, and the Great Britain-USSR Association; files on his participation in various conferences concerning Yugoslavia and War War II; election campaign materials of Maclean; Notebooks, including \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June); news articles; speeches by Maclean, including printed speeches published in \"Parliamentary Debates\"; passports; pocket and desk diaries; first drafts of \"Eastern Approaches\"; a file on guerilla warfare; a copy of a 1938 Report on Central Asia by Maclean; and Veronica Maclean's description about her first meeting with Josip Broz Tito in 1947.","re Appointments to London, Paris, and Moscow and his resignation from the Foreign Office","re Maclean's Mission to Tito and an Extract from  The Second World War","including \"The Partisan Movement in Yugoslavia\" and \"Note on the Present Military and Political Situation in Serbia\"","Drafts of Statement on the Extent of British Aid to the Partisans","re Appointments and Impact on Service to Constituency","re Irregular Warfare and Correspondence with Field Marshall Earl Alexander of Tunis and Others","re Vietnam War","re the Soviet Invasion of Czechoslovakia","re Interview with Vice-President Bodnaras of Romania; Meeting with Tito; and Draft Article on Sino-Soviet Border","re Winston Churchill","re E.C. Grants for Argyll and Bute","re Consideration of Fitzroy Maclean as Governor of Cyprus","re a Resignation to Veronica Maclean","re his serving as godfather to her daughter, Charlotte","re British Press Coverage of Yugoslavia","re Simic Cureija","re Visit with Tito, with note from Jack Coville, Secretary to Winston Churchill","re Tito","re Korcula","re the Soviet Invasion of Czechoslovakia","re Visit to Yugoslavia for 25th Anniversary of National Liberation, includes photographs of Maclean and Willian Deakin","Decoration Awarded to Fitzroy Maclean","Proposed British Decorations of Yugoslavs","re Yugoslav Students in Britain","re Allied Mission to Yugoslavia in World War II for Muzej AVNOJ","re Korcula, Yugoslavia, Town Twinning with Argyll and Bute, Scotland","re Maclean's Efforts in Support of Tito for the Nobel Peace Prize","re British Policy towards the Balkan Resistance Movements","re Meeting with Tito","re Research and Annual Summaries (Copies) of Events in Yugoslavia, 1957-1972","re Margaret Thatcher's Trip, with Official Program","re the Prince of Wales' Visit to Yugoslavia","re Fitzroy Maclean's article for the British-Yugoslav Society on the Prince of Wales' visit","re Arrangements for the British Delegation to Tito's Funeral","re Official Visit of Fitzroy Maclean","re Program of Economic Reform","re his biography of Tito","re Controversy over British Military Mission in World War II","re BBC \"Timewatch: Tito\" Program","re a Yugoslav Detainee in 1945","re Korcula, Croatia Emergency Appeal","re Benefit Concert for Dubrovnik","re Owen's Mission","re Aldington-Tolstoy Libel Case (Repatriations in 1945)","re Tito Memoirs and other projects","re Purchase of \"Beechfield\"","re Ticonderoga story","re Purchase of \"Creggans Inn\"","re  Fitzroy Maclean","re Evelyn Waugh biography","re Fitzroy Maclean","re Fitzroy Maclean and Articles by him","re Awarding of Baronetcy and Arms","re Honorary Degree from the University of Glasgow","re Honorary Degree from Acadia University","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito","re Honorary Degree from Dalhousie University, Halifax, Nova Scotia, to Fitzroy Maclean and Tito, signed by Josip Broz Tito and Madame Jovanka Broz","re Honorary Degree from Dundee University","re Special Air Service","re the 23rd Special Air Service Regiment","re Installation of Fitzroy Maclean in the Order of theThistle","re Installation of Fitzroy Maclean in the Order of the Thistle","re Appointment of Fitzroy Maclean in the Order of the Thistle--Congratulations","re Appointment of Fitzroy Maclean in the Order of the Thistle","Order of the Thistle Ceremony","re Freedom of Argyll and Bute","re omitting part of an interview with the King about Yugoslavia from his book","with comments about what Maclean had written about himself in the book","thanking him for the copy of his book sent to the King","re Publicity","Translations","re American Edition","re German Edition","re Paperback Edition","re Proposed Film, with a copy of the script for the film, April 1956","re Proposed TV Series","re Proposed TV Series","re Yugoslav Edition","re Yugoslav Edition","Letter of thanks on behalf of Tito","re American Edition,  The Heretic","re Translations","re German Forces in Yugoslavia","including \"The Fourth Enemy Offensive\" and some in Serbo-Croatian","re Book Promotion Tour in Yugoslavia","re Book Promotion Tour in Yugoslavia","including some correspondence and notes","re Korcula by Charles Maclean","Unpublished","re of BBC Radio Broadcast on Mission to Tito","re Tito obituary for BBC Radio","re BBC Radio \"I Was There\"","re Film \"General from Strachur\"","re BBC Television Tito Obituary","re Tito Interview for CBS News","re Proposed BBC Programs","re Proposed Film on Tito","re BBC Program on the S.O.E. (Special Operations Executive)","re BBC Program on Evelyn Waugh","re Miscellaneous Television and Film Projects","re BBC Program \"Ratlines\"","re VPRO Program","re New Edition","re Proposed Film","re Research","re Translations","Original Letters of Joseph Wolff and Correspondence with Ancient Light Bookshop","Transcripts and Copies of Letters of Charles Stoddart and others from the Public Records Office","re American Edition and Other Projects","re Copyright Renewal","re German edition","re the Sino Russian Border in  Life","re the Caucasus Region","Correspondence re","re the Bukharin Trial in Moscow \u0026 Interview with his widow","re Mikhail Gorbachev","re Georgia in  The Sunday Times","re Azerbaijan","re Georgia, including notes and drafts","re Georgia in  The Scotsman Magazine","re Azerbaijan","re Caucasus","re Mikhail Gorbachov","re Mikhail Gorbachev in honor of Hugh Seton-Watson","given at Foyle's Lunch","re Georgia","re Georgia","re a New Edition","re an American Edition","re a German Edition","August 1, 1996 from Edwin Moore to Veronica Maclean","re German Edition","re reprint as  West Highland Tales","re Publicity \u0026 Book Reviews","re Publicity","re \"Scotland in Parliament\"","re Japan","re Asia","re Korea","re Italy","re the Middle East","re Persia","re Defense of Great Britain","re Greece","re Libya during World War II","re Turkey","re China \"Inside Red China\"","re China Trip","re China \"Peking Revisited,\" \"Don't Let China Stew in Her Own Juice,\" and \"Eyewitnesses in China\"","re Mongolia","re Sir Winston Churchill","Mongolia","re the Black Sea, including one by Veronica Maclean","re Defense of Europe: \"Nuclear Deterrence and Conventional Forces,\" with Correspondence","re China--Trip to Kashgar in Chinese Turkestan, including Correspondence","re Nepal and Bhutan","re Germany","re David Stirling for  Dictionary of National Biography and Correspondence","re Canary Islands","re Oman","re Tibet--Correspondence, Travel Arrangements, and Memorabilia","re Tibet","re the Channel Tunnel","re Fitzroy Maclean, some in German, French, Serbo-Croatian, Swedish, and Dutch","re Tibet","re Publication of Evelyn Waugh's Diaries, which include references to Fitzroy Maclean","re Invitation to Frankfurt","re German Translations of  Isles of the Sea and  Eastern Approaches","re Proposed Book of Interviews including Fitzroy Maclean","some accompanied by correspondence, including: Violet Asquith, Nancy Astor, Charles Bohlen, John Bute, Nicolae Causescu, Earl Cawdor, Thomas Churchill, John Clarke, the Queen Mother, Lord Lovat, Charles Maclean, Andrew Maxwell, Paddy Mayne and Bill Elliot, Iain Moncrieffe, Peter Moore, David Scott, David Stirling, and Lord Ward","People","Environs \u0026 Monasteries","GUM Store, Race Track, \u0026 Fashions","The Kremlin \u0026 Red Square","The file includes a draft of a 1968 letter to Aleksey Aleksandrovich Surkov, President of the USSR - Great Britain Society, also includes letters to and from the Baroness Asquith of Yarnbury (\"Violet\").","Notebooks include \"Russian Notebook\" (May 15-June 17, 1958); \"Mission\" describing his recall from the Middle East in 1943 to go to Yugoslavia as Winston Churchill's personal representative to support the resistance forces that were most effective against the Germans, moving British support from the Chetniks to the Communist-led partisans and Tito, (circa 1943-1944); and a trip to the country of Georgia (no year, May-June), circa 1943-1958","Includes Maclean's undated notes on Soviet history up to \"Glasnost,\" notes on the \"Council of Europe,\" (1973); series of letters between Sir Charles Peake, British Embassy, and Sir Fitzroy Maclean, 1946-1953.","These include a speech before the Boarding House and Catering Association, one mentioning nuclear deterrence, and international events.","This addition contains two letters written by Fitzroy Maclean and John Baldock to Helen F. Moore of Leicester, England. A typewritten letter from Maclean to Baldock addresses Moore's concern regarding rioting by South Koreans in the vicinity of the Troops Rest Center at Inchon and her request to move the Center. He reviews her concern, noting that the demonstrations were against the Neutral Nations Armistice Commission and took place six and a half miles from the Center. He notes that the Center was not affected by the rioting and that, after careful consideration, the Center would remain open and not move to another area. The second item is a cover letter from John Baldock forwarding Maclean's response to Ms. Moore."],"names_ssim":["Albert and Shirley Small Special Collections Library","Maclean, Fitzroy, 1911-1996"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Maclean, Fitzroy, 1911-1996"],"language_ssim":["Materials are in English."],"descrules_ssm":["Anglo-American Cataloguing Rules"],"total_component_count_is":763,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:47:27.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_838_c04_c01_c25"}},{"id":"vircu_repositories_5_resources_77_c08_c302","type":"File","attributes":{"title":"Worship","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_77_c08_c302#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_77_c08_c302","ref_ssm":["vircu_repositories_5_resources_77_c08_c302"],"id":"vircu_repositories_5_resources_77_c08_c302","ead_ssi":"vircu_repositories_5_resources_77","_root_":"vircu_repositories_5_resources_77","_nest_parent_":"vircu_repositories_5_resources_77_c08","parent_ssi":"vircu_repositories_5_resources_77_c08","parent_ssim":["vircu_repositories_5_resources_77","vircu_repositories_5_resources_77_c08"],"parent_ids_ssim":["vircu_repositories_5_resources_77","vircu_repositories_5_resources_77_c08"],"parent_unittitles_ssm":["Richmond YWCA records","Series VIII--General Files"],"parent_unittitles_tesim":["Richmond YWCA records","Series VIII--General Files"],"text":["Richmond YWCA records","Series VIII--General Files","Worship","box 85"],"title_filing_ssi":"Worship","title_ssm":["Worship"],"title_tesim":["Worship"],"unitdate_inclusive_ssm":["1952"],"normalized_date_ssm":["1952"],"normalized_title_ssm":["Worship"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond YWCA records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1109,"parent_access_restrict_tesm":["Case study files are restricted"],"parent_access_terms_tesm":["No restrictions on use."],"date_range_isim":[1952],"containers_ssim":["box 85"],"_nest_path_":"/components#7/components#301","timestamp":"2026-05-21T04:36:08.852Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_77","ead_ssi":"vircu_repositories_5_resources_77","_root_":"vircu_repositories_5_resources_77","_nest_parent_":"vircu_repositories_5_resources_77","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_77.xml","title_ssm":["Richmond YWCA records"],"title_tesim":["Richmond YWCA records"],"unitdate_ssm":["1893-1980"],"unitdate_inclusive_ssm":["1893-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 177","/repositories/5/resources/77"],"text":["M 177","/repositories/5/resources/77","Richmond YWCA records","Social action -- Sources -- History -- Virginia -- Richmond","Youth -- Sources -- Services for -- History -- Virginia -- Richmond","Women -- Sources -- Services for -- History -- Virginia -- Richmond","Young Women's Christian associations -- Virginia -- Richmond","Social group work -- Sources -- History -- Virginia -- Richmond","Case study files are restricted","The executive director's files are arranged alphabetically by subject. The series are arranged alphabetically and then chronologically. Scrapbooks are located in the oversize area with other scrapbooks. The collection is arranged in 11 series: Series I--Executive Director (1947-1977); Series II--Board of Directors (1904-1977); Series III--Constitution, History and Documents (1893-1969); Series IV--Budgets (1922-1977); Series V--Camps (1932-1970); Series VI--Case Studies (n.d.) [Restricted]; Series VII--Committees and Programs (1916-1980); Series VIII--General Files (1933-1980); Series IX--City Study (n.d.); Series X--Photographs; Series XI--Scrapbooks.","The YWCA is a national and world-wide fellowship of individuals who strive to help girls develop in all areas. Principles and goals are implemented in their daily interaction with members of the organization, such as building moral character and developing leadership qualities to teach teamwork. Training girls and young women to grow in the knowledge and love of God is another characteristic that the YWCA incorporates in their daily interaction. ","Among others in the meeting at St. Paul's Church in Richmond, Mrs. Emily Fairfax Whittle was the primary founder of the YWCA of Greater Richmond in May 16, 1887. Mrs. Whittle and others in the meeting wanted to help the women who left the shelter of their home to seek outside fortune. As a result of the group's concern, the association's purpose was to protect and provide help for those women who left their home. It was not until 1890 when the association was chartered and Mrs. Whittle was the first president. Several years later, the organization strengthened and was able to buy two connecting houses. The houses accommodated 45 girls. By 1906, the name was amended to the Young Womens Christian Association. A progressive era of the association had developed with Hawes as president in 1911. Under her services, the Phyllis Wheatly Branch for colored women was established and they also became affiliated with the National YMCA. Since 1924, they have been a member of the United Givers Fund and many other supportive organizations that help better the nation. By 1932, the association was becoming involved in group programs for girls, such as day camps and Y-teens. In 1950, clubs were formed, such as the city wide club. Current situations that continue to influence the world or the complexities of our modern life are issues the YWCA addresses through programs and meetings.The records of the executive directors begin with Mrs. Cromwell in 1947. The last record on file is in 1977 with Mrs. Robinson as executive director.","The collection consists of general files, committee minutes, forms from various camps, scrapbooks, photographs and case studies. The materials cover the period from 1893 to 1980. The majority of the materials in the Executive Director Files are organizations affiliated with the YWCA. Few of the Executive Director Files contain minutes or correspondence from the executive directors branch in Richmond. Activities held on the Richmond premises are documented in the executive director's files. A majority of the Board of Director files are based on board minutes, related information, and the nominating committee files. Materials from the Constitution, History, and Documents files contain revisions of their constitution and bylaws. There are also many documents on the history of the YWCA in Greater Richmond. National documents are included in the files as well, such as national convention documents.","Series I--Executive Director (1947-1977) The YWCA has been active in their community and around the nation. Programs that help individuals and provide fellowship for everyone are common goals of the organizations that are affiliated with the YWCA. The USO, United Service Organization, in 1950-1958 was one of the earliest documented organizations they participated in to help women and girls grow in all areas. In 1951-1957, the YWCA was a member of the Richmond Area Community Chest. Newsletters, legislative matters, and recreation agencies are ways the YWCA contributed as a member of the organization. After the Community Chest changed their name to The United Givers Fund, the YWCA continued as a member from 1962-1967. In 1958, they joined the Recreation and Roundtable and they continued as a member until 1977. The Richmond International Council, from 1964-1971, was another program the YWCA was involved in to help the people of Richmond. The National Interracial Project, from 1945-1956, was documented as one of the earliest projects the YWCA joined. In 1969-1970, the YWCA continued to support anti-racism through a project called Eliminating Racism. Moreover, they became politically involved in many issues that was advocating individual rights. By 1947, the YWCA was a member of The Virginia Child Labor Committee. Their goal was to try to amend the old Virginia Labor Law. Two executive committee minutes that are documented are in 1947 and 1949. The only documented correspondence is in 1952 with Mrs. Dorothy Richardson as the executive director. The first documented executive director is in 1947 with Mrs. Lillie V.Cromwell as the executive director. There were programs that were created from the YWCA and held at the YWCA site, such as the summer youth programs from 1968-1970. The Saturday night dances were also held at the YWCA from 1948-1954. The joint building project for the YWCA and YMCA was discussed and planned from 1947-1957. The types of materials in the folders are pamphlets, papers, newsletters, and bound books with their agendas and finances.","Series II--Board of Directors (1904-1977) The Board of Directors files consists of three main categories- minutes, nominating committee, and general information on the Richmond YWCA. Board of Director files that include general information on the YWCA range from 1904-1977. These documents include information about resignations of employees, the YWCA's philosophies, and insight on the members. The years 1910-1917, 1925, 1929, 1930, and 1931 are not included in the board files. Board of Director's minutes span the years 1919 to 1971 except for the years 1929, 1939, 1949, 1960, 1963, and 1963. The nominating committee suggested names and nominated members for vacancies on the Board of Directors. Records of the nominating committee date from 1936 to 1977 with the following gaps: 1937, 1974, and 1975. A subseries is designated as Annual Reports in the Board of Directors file that consists of all the committee minutes and general reports on the committees. Subseries A consists of the Annual reports from 1893-1977 except for the following years: 1897, 1898, 1902, 1905, 1906, 1907, 1916, 1917, 1918, 1919, 1944, 1960-68, 1972, 1973, and 1975. Annual reports include reports on the committees in the YWCA. Moreover, statistical, narrative, and membership monthly reports are included in the Annual reports. Some Annual reports are in bound books, notebooks, or loose documents. The Index to Committees in the Annual reports are the minutes of committee meetings. From 1960-1968, Annual reports are filed under a different heading called the Departmental reports, but contain the same type of information as the Annual reports of earlier years. Minutes from the Annual report, board, and executive committees are listed in the Index to the Committee. Reports of general and assistant secretaries can also be found in the index files. From 1960-1977 there are yearly booklets of the YWCA's annual searchlights, noting memorable days of that particular year. Moreover, the searchlight booklets include the members on the board, trustees, and short reports on the departments. A service was held each year and the searchlight was used in the service.","Series III-Constitution, History, and Documents (1892-1985). The YWCA of Greater Richmond revised their constitution and by laws many times throughout the year; however the following years are documented: 1929, 1936, 1939, 1947, 1948, 1949, 1951, 1966, 1969, and 1975. Anniversaries were shared and celebrated among members of the YWCA. Pamphlets and documents concerning anniversary celebrations are documented in 1892, 1915, 1939, 1948, and 1962. There are lot of materials on the history of the YWCA in Greater Richmond. Dates, times, and places are documented to show the improvements and advancements of the organization. Layouts of the different branches are also provided in the files. National YWCA information is also included in the files, such as the national conventions. The following years are documented: 1915, 1936, 1946, 1949, 1955, 1969, 1970, and 1976. Annual reports of the national YWCA are documented in 1898 and 1959-61. The meetings were held in Quebec and New York. Moreover, the national YWCA devised a standards study booklet in 1936-1938. Biennial conferences and conventions of the International YWCA are documented in 1897, 1899, 1911, and 1913.","No restrictions on use.","VCU James Branch Cabell Library","YWCA (Richmond, Va.)","English"],"unitid_tesim":["M 177","/repositories/5/resources/77"],"normalized_title_ssm":["Richmond YWCA records"],"collection_title_tesim":["Richmond YWCA records"],"collection_ssim":["Richmond YWCA records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["YWCA (Richmond, Va.)"],"creator_ssim":["YWCA (Richmond, Va.)"],"creator_corpname_ssim":["YWCA (Richmond, Va.)"],"creators_ssim":["YWCA (Richmond, Va.)"],"access_terms_ssm":["No restrictions on use."],"acqinfo_ssim":["The collection was a gift from the YWCA of Greater Richmond to the Special Collections and Archives Department on 8 March, 1983."],"access_subjects_ssim":["Social action -- Sources -- History -- Virginia -- Richmond","Youth -- Sources -- Services for -- History -- Virginia -- Richmond","Women -- Sources -- Services for -- History -- Virginia -- Richmond","Young Women's Christian associations -- Virginia -- Richmond","Social group work -- Sources -- History -- Virginia -- Richmond"],"access_subjects_ssm":["Social action -- Sources -- History -- Virginia -- Richmond","Youth -- Sources -- Services for -- History -- Virginia -- Richmond","Women -- Sources -- Services for -- History -- Virginia -- Richmond","Young Women's Christian associations -- Virginia -- Richmond","Social group work -- Sources -- History -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["42.6 Linear Feet"],"extent_tesim":["42.6 Linear Feet"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eCase study files are restricted\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Case study files are restricted"],"arrangement_html_tesm":["\u003cp\u003eThe executive director's files are arranged alphabetically by subject. The series are arranged alphabetically and then chronologically. Scrapbooks are located in the oversize area with other scrapbooks. The collection is arranged in 11 series: Series I--Executive Director (1947-1977); Series II--Board of Directors (1904-1977); Series III--Constitution, History and Documents (1893-1969); Series IV--Budgets (1922-1977); Series V--Camps (1932-1970); Series VI--Case Studies (n.d.) [Restricted]; Series VII--Committees and Programs (1916-1980); Series VIII--General Files (1933-1980); Series IX--City Study (n.d.); Series X--Photographs; Series XI--Scrapbooks.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The executive director's files are arranged alphabetically by subject. The series are arranged alphabetically and then chronologically. Scrapbooks are located in the oversize area with other scrapbooks. The collection is arranged in 11 series: Series I--Executive Director (1947-1977); Series II--Board of Directors (1904-1977); Series III--Constitution, History and Documents (1893-1969); Series IV--Budgets (1922-1977); Series V--Camps (1932-1970); Series VI--Case Studies (n.d.) [Restricted]; Series VII--Committees and Programs (1916-1980); Series VIII--General Files (1933-1980); Series IX--City Study (n.d.); Series X--Photographs; Series XI--Scrapbooks."],"bioghist_html_tesm":["\u003cp\u003eThe YWCA is a national and world-wide fellowship of individuals who strive to help girls develop in all areas. Principles and goals are implemented in their daily interaction with members of the organization, such as building moral character and developing leadership qualities to teach teamwork. Training girls and young women to grow in the knowledge and love of God is another characteristic that the YWCA incorporates in their daily interaction. \u003c/p\u003e\n","\u003cp\u003eAmong others in the meeting at St. Paul's Church in Richmond, Mrs. Emily Fairfax Whittle was the primary founder of the YWCA of Greater Richmond in May 16, 1887. Mrs. Whittle and others in the meeting wanted to help the women who left the shelter of their home to seek outside fortune. As a result of the group's concern, the association's purpose was to protect and provide help for those women who left their home. It was not until 1890 when the association was chartered and Mrs. Whittle was the first president. Several years later, the organization strengthened and was able to buy two connecting houses. The houses accommodated 45 girls. By 1906, the name was amended to the Young Womens Christian Association. A progressive era of the association had developed with Hawes as president in 1911. Under her services, the Phyllis Wheatly Branch for colored women was established and they also became affiliated with the National YMCA. Since 1924, they have been a member of the United Givers Fund and many other supportive organizations that help better the nation. By 1932, the association was becoming involved in group programs for girls, such as day camps and Y-teens. In 1950, clubs were formed, such as the city wide club. Current situations that continue to influence the world or the complexities of our modern life are issues the YWCA addresses through programs and meetings.The records of the executive directors begin with Mrs. Cromwell in 1947. The last record on file is in 1977 with Mrs. Robinson as executive director.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["The YWCA is a national and world-wide fellowship of individuals who strive to help girls develop in all areas. Principles and goals are implemented in their daily interaction with members of the organization, such as building moral character and developing leadership qualities to teach teamwork. Training girls and young women to grow in the knowledge and love of God is another characteristic that the YWCA incorporates in their daily interaction. ","Among others in the meeting at St. Paul's Church in Richmond, Mrs. Emily Fairfax Whittle was the primary founder of the YWCA of Greater Richmond in May 16, 1887. Mrs. Whittle and others in the meeting wanted to help the women who left the shelter of their home to seek outside fortune. As a result of the group's concern, the association's purpose was to protect and provide help for those women who left their home. It was not until 1890 when the association was chartered and Mrs. Whittle was the first president. Several years later, the organization strengthened and was able to buy two connecting houses. The houses accommodated 45 girls. By 1906, the name was amended to the Young Womens Christian Association. A progressive era of the association had developed with Hawes as president in 1911. Under her services, the Phyllis Wheatly Branch for colored women was established and they also became affiliated with the National YMCA. Since 1924, they have been a member of the United Givers Fund and many other supportive organizations that help better the nation. By 1932, the association was becoming involved in group programs for girls, such as day camps and Y-teens. In 1950, clubs were formed, such as the city wide club. Current situations that continue to influence the world or the complexities of our modern life are issues the YWCA addresses through programs and meetings.The records of the executive directors begin with Mrs. Cromwell in 1947. The last record on file is in 1977 with Mrs. Robinson as executive director."],"prefercite_html_tesm":["\u003cp\u003eBox/folder, Richmond YWCA Archives, M 177, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University\u003c/p\u003e"],"prefercite_tesim":["Box/folder, Richmond YWCA Archives, M 177, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of general files, committee minutes, forms from various camps, scrapbooks, photographs and case studies. The materials cover the period from 1893 to 1980. The majority of the materials in the Executive Director Files are organizations affiliated with the YWCA. Few of the Executive Director Files contain minutes or correspondence from the executive directors branch in Richmond. Activities held on the Richmond premises are documented in the executive director's files. A majority of the Board of Director files are based on board minutes, related information, and the nominating committee files. Materials from the Constitution, History, and Documents files contain revisions of their constitution and bylaws. There are also many documents on the history of the YWCA in Greater Richmond. National documents are included in the files as well, such as national convention documents.\u003c/p\u003e\n","\u003cp\u003eSeries I--Executive Director (1947-1977) The YWCA has been active in their community and around the nation. Programs that help individuals and provide fellowship for everyone are common goals of the organizations that are affiliated with the YWCA. The USO, United Service Organization, in 1950-1958 was one of the earliest documented organizations they participated in to help women and girls grow in all areas. In 1951-1957, the YWCA was a member of the Richmond Area Community Chest. Newsletters, legislative matters, and recreation agencies are ways the YWCA contributed as a member of the organization. After the Community Chest changed their name to The United Givers Fund, the YWCA continued as a member from 1962-1967. In 1958, they joined the Recreation and Roundtable and they continued as a member until 1977. The Richmond International Council, from 1964-1971, was another program the YWCA was involved in to help the people of Richmond. The National Interracial Project, from 1945-1956, was documented as one of the earliest projects the YWCA joined. In 1969-1970, the YWCA continued to support anti-racism through a project called Eliminating Racism. Moreover, they became politically involved in many issues that was advocating individual rights. By 1947, the YWCA was a member of The Virginia Child Labor Committee. Their goal was to try to amend the old Virginia Labor Law. Two executive committee minutes that are documented are in 1947 and 1949. The only documented correspondence is in 1952 with Mrs. Dorothy Richardson as the executive director. The first documented executive director is in 1947 with Mrs. Lillie V.Cromwell as the executive director. There were programs that were created from the YWCA and held at the YWCA site, such as the summer youth programs from 1968-1970. The Saturday night dances were also held at the YWCA from 1948-1954. The joint building project for the YWCA and YMCA was discussed and planned from 1947-1957. The types of materials in the folders are pamphlets, papers, newsletters, and bound books with their agendas and finances.\u003c/p\u003e\n","\u003cp\u003eSeries II--Board of Directors (1904-1977) The Board of Directors files consists of three main categories- minutes, nominating committee, and general information on the Richmond YWCA. Board of Director files that include general information on the YWCA range from 1904-1977. These documents include information about resignations of employees, the YWCA's philosophies, and insight on the members. The years 1910-1917, 1925, 1929, 1930, and 1931 are not included in the board files. Board of Director's minutes span the years 1919 to 1971 except for the years 1929, 1939, 1949, 1960, 1963, and 1963. The nominating committee suggested names and nominated members for vacancies on the Board of Directors. Records of the nominating committee date from 1936 to 1977 with the following gaps: 1937, 1974, and 1975. A subseries is designated as Annual Reports in the Board of Directors file that consists of all the committee minutes and general reports on the committees. Subseries A consists of the Annual reports from 1893-1977 except for the following years: 1897, 1898, 1902, 1905, 1906, 1907, 1916, 1917, 1918, 1919, 1944, 1960-68, 1972, 1973, and 1975. Annual reports include reports on the committees in the YWCA. Moreover, statistical, narrative, and membership monthly reports are included in the Annual reports. Some Annual reports are in bound books, notebooks, or loose documents. The Index to Committees in the Annual reports are the minutes of committee meetings. From 1960-1968, Annual reports are filed under a different heading called the Departmental reports, but contain the same type of information as the Annual reports of earlier years. Minutes from the Annual report, board, and executive committees are listed in the Index to the Committee. Reports of general and assistant secretaries can also be found in the index files. From 1960-1977 there are yearly booklets of the YWCA's annual searchlights, noting memorable days of that particular year. Moreover, the searchlight booklets include the members on the board, trustees, and short reports on the departments. A service was held each year and the searchlight was used in the service.\u003c/p\u003e\n","\u003cp\u003eSeries III-Constitution, History, and Documents (1892-1985). The YWCA of Greater Richmond revised their constitution and by laws many times throughout the year; however the following years are documented: 1929, 1936, 1939, 1947, 1948, 1949, 1951, 1966, 1969, and 1975. Anniversaries were shared and celebrated among members of the YWCA. Pamphlets and documents concerning anniversary celebrations are documented in 1892, 1915, 1939, 1948, and 1962. There are lot of materials on the history of the YWCA in Greater Richmond. Dates, times, and places are documented to show the improvements and advancements of the organization. Layouts of the different branches are also provided in the files. National YWCA information is also included in the files, such as the national conventions. The following years are documented: 1915, 1936, 1946, 1949, 1955, 1969, 1970, and 1976. Annual reports of the national YWCA are documented in 1898 and 1959-61. The meetings were held in Quebec and New York. Moreover, the national YWCA devised a standards study booklet in 1936-1938. Biennial conferences and conventions of the International YWCA are documented in 1897, 1899, 1911, and 1913.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of general files, committee minutes, forms from various camps, scrapbooks, photographs and case studies. The materials cover the period from 1893 to 1980. The majority of the materials in the Executive Director Files are organizations affiliated with the YWCA. Few of the Executive Director Files contain minutes or correspondence from the executive directors branch in Richmond. Activities held on the Richmond premises are documented in the executive director's files. A majority of the Board of Director files are based on board minutes, related information, and the nominating committee files. Materials from the Constitution, History, and Documents files contain revisions of their constitution and bylaws. There are also many documents on the history of the YWCA in Greater Richmond. National documents are included in the files as well, such as national convention documents.","Series I--Executive Director (1947-1977) The YWCA has been active in their community and around the nation. Programs that help individuals and provide fellowship for everyone are common goals of the organizations that are affiliated with the YWCA. The USO, United Service Organization, in 1950-1958 was one of the earliest documented organizations they participated in to help women and girls grow in all areas. In 1951-1957, the YWCA was a member of the Richmond Area Community Chest. Newsletters, legislative matters, and recreation agencies are ways the YWCA contributed as a member of the organization. After the Community Chest changed their name to The United Givers Fund, the YWCA continued as a member from 1962-1967. In 1958, they joined the Recreation and Roundtable and they continued as a member until 1977. The Richmond International Council, from 1964-1971, was another program the YWCA was involved in to help the people of Richmond. The National Interracial Project, from 1945-1956, was documented as one of the earliest projects the YWCA joined. In 1969-1970, the YWCA continued to support anti-racism through a project called Eliminating Racism. Moreover, they became politically involved in many issues that was advocating individual rights. By 1947, the YWCA was a member of The Virginia Child Labor Committee. Their goal was to try to amend the old Virginia Labor Law. Two executive committee minutes that are documented are in 1947 and 1949. The only documented correspondence is in 1952 with Mrs. Dorothy Richardson as the executive director. The first documented executive director is in 1947 with Mrs. Lillie V.Cromwell as the executive director. There were programs that were created from the YWCA and held at the YWCA site, such as the summer youth programs from 1968-1970. The Saturday night dances were also held at the YWCA from 1948-1954. The joint building project for the YWCA and YMCA was discussed and planned from 1947-1957. The types of materials in the folders are pamphlets, papers, newsletters, and bound books with their agendas and finances.","Series II--Board of Directors (1904-1977) The Board of Directors files consists of three main categories- minutes, nominating committee, and general information on the Richmond YWCA. Board of Director files that include general information on the YWCA range from 1904-1977. These documents include information about resignations of employees, the YWCA's philosophies, and insight on the members. The years 1910-1917, 1925, 1929, 1930, and 1931 are not included in the board files. Board of Director's minutes span the years 1919 to 1971 except for the years 1929, 1939, 1949, 1960, 1963, and 1963. The nominating committee suggested names and nominated members for vacancies on the Board of Directors. Records of the nominating committee date from 1936 to 1977 with the following gaps: 1937, 1974, and 1975. A subseries is designated as Annual Reports in the Board of Directors file that consists of all the committee minutes and general reports on the committees. Subseries A consists of the Annual reports from 1893-1977 except for the following years: 1897, 1898, 1902, 1905, 1906, 1907, 1916, 1917, 1918, 1919, 1944, 1960-68, 1972, 1973, and 1975. Annual reports include reports on the committees in the YWCA. Moreover, statistical, narrative, and membership monthly reports are included in the Annual reports. Some Annual reports are in bound books, notebooks, or loose documents. The Index to Committees in the Annual reports are the minutes of committee meetings. From 1960-1968, Annual reports are filed under a different heading called the Departmental reports, but contain the same type of information as the Annual reports of earlier years. Minutes from the Annual report, board, and executive committees are listed in the Index to the Committee. Reports of general and assistant secretaries can also be found in the index files. From 1960-1977 there are yearly booklets of the YWCA's annual searchlights, noting memorable days of that particular year. Moreover, the searchlight booklets include the members on the board, trustees, and short reports on the departments. A service was held each year and the searchlight was used in the service.","Series III-Constitution, History, and Documents (1892-1985). The YWCA of Greater Richmond revised their constitution and by laws many times throughout the year; however the following years are documented: 1929, 1936, 1939, 1947, 1948, 1949, 1951, 1966, 1969, and 1975. Anniversaries were shared and celebrated among members of the YWCA. Pamphlets and documents concerning anniversary celebrations are documented in 1892, 1915, 1939, 1948, and 1962. There are lot of materials on the history of the YWCA in Greater Richmond. Dates, times, and places are documented to show the improvements and advancements of the organization. Layouts of the different branches are also provided in the files. National YWCA information is also included in the files, such as the national conventions. The following years are documented: 1915, 1936, 1946, 1949, 1955, 1969, 1970, and 1976. Annual reports of the national YWCA are documented in 1898 and 1959-61. The meetings were held in Quebec and New York. Moreover, the national YWCA devised a standards study booklet in 1936-1938. Biennial conferences and conventions of the International YWCA are documented in 1897, 1899, 1911, and 1913."],"userestrict_html_tesm":["\u003cp\u003eNo restrictions on use.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No restrictions on use."],"names_coll_ssim":["YWCA (Richmond, Va.)"],"names_ssim":["VCU James Branch Cabell Library","YWCA (Richmond, Va.)"],"corpname_ssim":["VCU James Branch Cabell Library","YWCA (Richmond, Va.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1226,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:36:08.852Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_77_c08_c302"}},{"id":"viw_repositories_2_resources_8527_c13_c425","type":"Item","attributes":{"title":"Worship Service in the Wren Building","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c425#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c13_c425","ref_ssm":["viw_repositories_2_resources_8527_c13_c425"],"id":"viw_repositories_2_resources_8527_c13_c425","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c13","parent_ssi":"viw_repositories_2_resources_8527_c13","parent_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs"],"text":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs","Worship Service in the Wren Building","Box 47"],"title_filing_ssi":"Worship Service in the Wren Building","title_ssm":["Worship Service in the Wren Building"],"title_tesim":["Worship Service in the Wren Building"],"unitdate_inclusive_ssm":["1950-1959"],"normalized_date_ssm":["1950/1959"],"normalized_title_ssm":["Worship Service in the Wren Building"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":755,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"containers_ssim":["Box 47"],"_nest_path_":"/components#12/components#424","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e\n","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. 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