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"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026amp;M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection of photographs and printed material from the West Virginia University Extension Service. The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7d1db0f6e5ad59f13a5149b9b26abeb8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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","Early in the 20th century, rural communities supported boys \"corn clubs\" and girls \"canning clubs\" in order to teach practical skills, a movement in which WVU Extension involved itself.  With the passage of the Smith-Lever Act in 1914, the U.S. Department of Agriculture also became involved in supporting these rural clubs.  By 1918, these West Virginia clubs for youth identified themselves using the 4-H logo and name. In 1921, Jackson's Mill, the childhood home of Stonewall Jackson in Lewis County, became the first state 4-H camp in America.","In addition to its efforts in supporting boys and girls clubs, WVU Extension reached out to farmers in the state as well.  To this end, Extension hired four county agricultural agents in 1912-1913, including B.B. Ezell who worked out of the Chamber of Commerce office in Kanawha County, and who often rode by horseback to access rural communities.  Mabel Sutherland, a teacher, became his assistant in her work with girls canning clubs.  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"],"unitid_tesim":["A\u0026M 5235","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6342"],"normalized_title_ssm":["West Virginia University, Extension Service, Photographs and Printed Material"],"collection_title_tesim":["West Virginia University, Extension Service, Photographs and Printed Material"],"collection_ssim":["West Virginia University, Extension Service, Photographs and Printed Material"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Jackson's Mill 4-H Camp."],"geogname_ssim":["Jackson's Mill 4-H Camp."],"creator_ssm":["West Virginia University. Extension Service"],"creator_ssim":["West Virginia University. Extension Service"],"creator_corpname_ssim":["West Virginia University. Extension Service"],"creators_ssim":["West Virginia University. 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"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026amp;M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection of photographs and printed material from the West Virginia University Extension Service. The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Extension Service"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:36:36.102Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6342_c02_c25"}},{"id":"wvmturhc_repositories_2_resources_4394","type":"collection","attributes":{"title":"4-H Project, West Virginia Flowers and Trees and Other Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4394#abstract_or_scope","type":"document_value","attributes":{"value":"Projects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d6fd2f2109ab28aa8126de4f83e87550\"\u003eProjects and posters regarding West Virginia flowers and trees, as well as African wildlife. Projects include fifteen collections of leaves and flowers, labeled and mounted on cardboard. These project boards also include the wild flower conservation pledge and a poem about roadside flowers. 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James H Stewart, the director of the West Virginia Experiment Station; and a 1978-1979 member directory for Internal City Management Association, a professional and educational association of appointed administrators in city and county governments."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_966e3325dcfe77fda4be07b66d8d0890\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["4-H Project. West Virginia Flowers and Trees","Morris family - Genealogy"],"names_ssim":["West Virginia and Regional History Center","4-H Project. 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The scope of the agricultural mission was expanded in 1909, through the College of Agriculture, to include not only the University's students, but also any citizen of West Virginia engaged in agricultural work.  This instruction, or extension service, was to occur at appropriate centralized locations, and to be conducted through lectures, correspondence school, and reading courses.","Although the University's extension service was initially supported by only the state, the passage of the Smith-Lever Act in 1914 established a national system of cooperative extension services connected to land-grant universities, thus leveraging the financial resources of the federal government to the purpose of informing citizens regarding current developments in agricultural practices. ","Early in the 20th century, rural communities supported boys \"corn clubs\" and girls \"canning clubs\" in order to teach practical skills, a movement in which WVU Extension involved itself.  With the passage of the Smith-Lever Act in 1914, the U.S. Department of Agriculture also became involved in supporting these rural clubs.  By 1918, these West Virginia clubs for youth identified themselves using the 4-H logo and name. In 1921, Jackson's Mill, the childhood home of Stonewall Jackson in Lewis County, became the first state 4-H camp in America.","In addition to its efforts in supporting boys and girls clubs, WVU Extension reached out to farmers in the state as well.  To this end, Extension hired four county agricultural agents in 1912-1913, including B.B. Ezell who worked out of the Chamber of Commerce office in Kanawha County, and who often rode by horseback to access rural communities.  Mabel Sutherland, a teacher, became his assistant in her work with girls canning clubs.  ","Home demonstration geared towards women was another important aspect of the growth of extension.   Farm Women's clubs, later called Home Demonstration clubs and Extension Homemaker clubs, now Community and Educational Outreach Service (CEOS) Clubs, became an important way to share new information on advances in home economics.","This collection of photographs and printed matter represent the variety of work undertaken by the Extension Office from its beginning through the early 2000s. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026amp;M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, Extension Service, Photographs and Printed Material, A\u0026M 5235, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCollection of photographs and printed material from the West Virginia University Extension Service. The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. The printed material includes some annual reports, Extension Service publications regarding wildlife and tourism, and books on regional colleges and extension programs. Also included are photographs and reports from Oglebay Institute in Wheeling, WV.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection of photographs and printed material from the West Virginia University Extension Service. The photographs include 4-H camps, Farm Women's Clubs and other various activities. Many are unidentified or undated. The printed material includes some annual reports, Extension Service publications regarding wildlife and tourism, and books on regional colleges and extension programs. Also included are photographs and reports from Oglebay Institute in Wheeling, WV."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7d1db0f6e5ad59f13a5149b9b26abeb8\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University. Extension Service"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Extension Service"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":249,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:36:36.102Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6342_c02_c26"}},{"id":"wvmturhc_repositories_2_resources_6533_c11","type":"File","attributes":{"title":"5 small pieces of artwork by Seckar","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6533_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6533_c11","ref_ssm":["wvmturhc_repositories_2_resources_6533_c11"],"id":"wvmturhc_repositories_2_resources_6533_c11","ead_ssi":"wvmturhc_repositories_2_resources_6533","_root_":"wvmturhc_repositories_2_resources_6533","_nest_parent_":"wvmturhc_repositories_2_resources_6533","parent_ssi":"wvmturhc_repositories_2_resources_6533","parent_ssim":["wvmturhc_repositories_2_resources_6533"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6533"],"parent_unittitles_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"parent_unittitles_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"text":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar","5 small pieces of artwork by Seckar","Box 1","Folder 10"],"title_filing_ssi":"5 small pieces of artwork by Seckar","title_ssm":["5 small pieces of artwork by Seckar"],"title_tesim":["5 small pieces of artwork by Seckar"],"unitdate_inclusive_ssm":["1945, 1970, undated"],"normalized_date_ssm":["1945/1970"],"normalized_title_ssm":["5 small pieces of artwork by Seckar"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Alice McMechen, Collector, Papers of Artist Alvena V. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"containers_ssim":["Box 1","Folder 10"],"_nest_path_":"/components#10","timestamp":"2026-05-21T00:44:56.229Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6533","ead_ssi":"wvmturhc_repositories_2_resources_6533","_root_":"wvmturhc_repositories_2_resources_6533","_nest_parent_":"wvmturhc_repositories_2_resources_6533","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6533.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199424","title_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"title_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"unitdate_ssm":["1945-1957, 1973-2008, undated"],"unitdate_inclusive_ssm":["1945-1957, 1973-2008, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533"],"text":["A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533","Alice McMechen, Collector, Papers of Artist Alvena V. Seckar","Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors","No special access restriction applies.","Alvena Seckar was born in McMechen, West Virginia to first-generation immigrants from the former Czechoslovakia in 1915. Her father was a coal miner and the family moved frequently around the coal fields of West Virginia and Pennsylvania during her childhood. Seckar's artistic talents were recognized while she was in school and she was able to attend college, first studying at the University of Pennsylvania. She then transferred to the Institue of Fine Arts, New York University. She earned her Bachelor's Degree there in 1939 and her Master's Degree in the History of Fine Arts in 1949. Seckar's artwork drew inspiration from her coal field childhood, depicting working class people and landscapes with sympathy but without any attempt to \"prettify\" her subjects. She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. Even when, later in life, she developed multiple sclerosis, which crippled her right hand, Seckar continued to paint and write, even teaching herself to paint with her left hand. Seckar had been working on a novel regarding the lives of her grandmother, mother, and herself -- tentatively titled \"Jewels of Memory\" -- which was not published before her death. Seckar passed away on 7 March 2012 in her long-time home of Pompton Lakes, New Jersey.","556, 903, 2002, 4204, 4428","Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles regarding Seckar's later years after she was diagnosed with multiple sclerosis and taught herself how to paint with her (non-dominant) left hand. In addition, there is material regarding \"Jewels of Memory\", a work-in-progress by Seckar about her mother's life, and regarding Bolchazy-Carducci Publishers, which re-issued Seckar's earlier works and would have published \"Jewels\". There are also illustrated invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Seckar, Alvena, 1916-2012","McMechen, Alice","English \n.    "],"unitid_tesim":["A\u0026M 4428","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6533"],"normalized_title_ssm":["Alice McMechen, Collector, Papers of Artist Alvena V. Seckar"],"collection_title_tesim":["Alice McMechen, Collector, Papers of Artist Alvena V. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors"],"access_subjects_ssm":["Women authors, American   -- West Virginia -- 20th century","Authors -- Letters and papers","Art and artists","Women's history -- 1929-1950","Women's history -- 1951-present","Women's history -- Emigration and immigration","Slovak Americans","American literature -- Slovak American authors"],"has_online_content_ssim":["false"],"extent_ssm":[".3 Linear Feet 4 in. (document case)"],"extent_tesim":[".3 Linear Feet 4 in. (document case)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eAlvena Seckar was born in McMechen, West Virginia to first-generation immigrants from the former Czechoslovakia in 1915. Her father was a coal miner and the family moved frequently around the coal fields of West Virginia and Pennsylvania during her childhood. Seckar's artistic talents were recognized while she was in school and she was able to attend college, first studying at the University of Pennsylvania. She then transferred to the Institue of Fine Arts, New York University. She earned her Bachelor's Degree there in 1939 and her Master's Degree in the History of Fine Arts in 1949. Seckar's artwork drew inspiration from her coal field childhood, depicting working class people and landscapes with sympathy but without any attempt to \"prettify\" her subjects. She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. Even when, later in life, she developed multiple sclerosis, which crippled her right hand, Seckar continued to paint and write, even teaching herself to paint with her left hand. Seckar had been working on a novel regarding the lives of her grandmother, mother, and herself -- tentatively titled \"Jewels of Memory\" -- which was not published before her death. 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She was also inspired by her travels in post-World War II Europe, where she visited the Eastern Europe of her parent's heritage. Seckar considered herself a politically conscious artist and took part in the Civil Rights Movement, anti-nuclear movement, and other causes. Seckar came to her second career as a writer almost by accident. She was initially interested in illustrating children's books, but after receiving several rejections, decided to write a book of her own. Like her artwork, her books drew from her childhood experiences living in the coal fields. \"Zuska of the Burning Hills\" and \"Mischko\" tell stories of children from Eastern European immigrant families living in coal towns, while \"Trapped in the Old Mine\" is a science-fiction story for young readers. Seckar continued to write, paint, and exhibit her artwork throughout her life. 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Seckar, A\u0026M 4428, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e556, 903, 2002, 4204, 4428\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["556, 903, 2002, 4204, 4428"],"scopecontent_html_tesm":["\u003cp\u003ePapers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles regarding Seckar's later years after she was diagnosed with multiple sclerosis and taught herself how to paint with her (non-dominant) left hand. In addition, there is material regarding \"Jewels of Memory\", a work-in-progress by Seckar about her mother's life, and regarding Bolchazy-Carducci Publishers, which re-issued Seckar's earlier works and would have published \"Jewels\". There are also illustrated invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles regarding Seckar's later years after she was diagnosed with multiple sclerosis and taught herself how to paint with her (non-dominant) left hand. In addition, there is material regarding \"Jewels of Memory\", a work-in-progress by Seckar about her mother's life, and regarding Bolchazy-Carducci Publishers, which re-issued Seckar's earlier works and would have published \"Jewels\". There are also illustrated invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_c71059612b75f9c4a2017ed9c34e26d2\"\u003ePapers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books.\u003c/abstract\u003e"],"abstract_tesim":["Papers of artist and author Alvena V. Seckar, collected by her friend Alice McMechen. Collection includes newspaper and magazine articles; material regarding work-in-progress \"Jewels of Memory\"; invitations to Seckar's birthday parties, correspondence, photographs, artworks, and copies of two of Seckar's books."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93a5eec715f2c239d6863cb826c7f111\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Seckar, Alvena, 1916-2012","McMechen, Alice"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Seckar, Alvena, 1916-2012","McMechen, Alice"],"language_ssim":["English \n.    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Subjects","5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies Organized by Bluefield Residents, Pt. 1","Box 6","Folder 20"],"title_filing_ssi":"5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies Organized by Bluefield Residents, Pt. 1","title_ssm":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies Organized by Bluefield Residents, Pt. 1"],"title_tesim":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies Organized by Bluefield Residents, Pt. 1"],"unitdate_inclusive_ssm":["1915-1920, 1996-2004"],"normalized_date_ssm":["1915/2004"],"normalized_title_ssm":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies Organized by Bluefield Residents, Pt. 1"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":250,"parent_access_restrict_tesm":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["Box 6","Folder 20"],"_nest_path_":"/components#2/components#85","timestamp":"2026-05-21T00:43:26.630Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6481","ead_ssi":"wvmturhc_repositories_2_resources_6481","_root_":"wvmturhc_repositories_2_resources_6481","_nest_parent_":"wvmturhc_repositories_2_resources_6481","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6481.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206572","title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"unitdate_ssm":["1795-2020","ca. 1950-2010"],"unitdate_bulk_ssim":["ca. 1950-2010"],"unitdate_inclusive_ssm":["1795-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"text":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481","William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties","Bluefield (W. Va.)","African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County","Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. ","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. ","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: ","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. ","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. ","William Archer and his wife Evonda continue to reside in Bluefield.","This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also: \nA\u0026M 3608, Matewan Trial Transcript \nPages 2012 to 3958  (February 12, 1921 – February 23, 1921) \nPlus 1 page of index of witnesses","Compare to: \nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript  \nPages 1 to 11, list of witnesses, in Folder 1 \nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript: \nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes","The papers of William \"Bill\" Archer, newspaper journalist for the  Bluefield Daily Telegraph  and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  ","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film,  A Beautiful Mind , about Nash's life and work.  ","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  ","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for  The Bluefield Daily Telegraph . The collection also includes a number of other media formats such as films and recordings.  ","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  ","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  ","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  ","The collection consists of the following series:","Series 1. Keystone Bank \nSeries 2. John Nash  \nSeries 3. Subjects \nSeries 4. Photographs and Other Media \nSeries 5. Writings ","The Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).","The John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography,  A Beautiful Mind  (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.","Digital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.","Series 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).","Music CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9","This folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.","Includes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.","An Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3","The collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)","This folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.","The identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.","Oral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.","\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.","Two jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.","This series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from  Coal People Magazine ,  Goldenseal ,  Wonderful West Virginia , and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. ","\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   ","Two electronic files, one a proposal for a book titled  The Under Thirty Minute Meals of Richard Lucas , a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.","Two electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3","Manuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967  Bluefield Daily Telegraph  newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.","Compact discs include: \n Stu and Bill Archer, the Archer Brothers , 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n Bramwell 100 Year Celebration ; music and narration\n Coalfield Visions, 1990 ; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n Two for Pocahontas ; 2 songs: '114 Miners' \u0026 'Pocahontas Mine Song'\n Gaining Momentum ; 7 songs\n project duo ; 17 songs; \"Most songs were re-recordings except John Nash song\n Merry, Merry Christmas ; 10 songs written by others\n Four for Bluefield ; 4 songs; \"Remix of 4 Bluefield songs from  Project Duo , 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n Sounds of the Hills, Volume 1 or 2 , 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Glory in the Gospel, Volume 2 or 2 , 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Solid as the Bank of Kimball and the Wheelbarrow , 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n \nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.","Identifier: 4388_disc9_box28. \"Music \u0026 Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.","Identifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.","Identifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.","Identifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.","Identifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.","Identifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.","Identifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics.","Items transferred to the Rare Books Librarian:","Wilderness  by Vance G. Martin","The Crozers of Upland  by David A. MacQueen -- Rare book","Legendary Local of McDowell County  by William Archer","The Bramwell Breeze  1911/1912","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015","English"],"unitid_tesim":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"normalized_title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"collection_title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Bluefield (W. Va.)"],"geogname_ssim":["Bluefield (W. Va.)"],"creator_ssm":["Archer, William"],"creator_ssim":["Archer, William"],"creator_persname_ssim":["Archer, William"],"creators_ssim":["Archer, William"],"places_ssim":["Bluefield (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County"],"access_subjects_ssm":["African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County"],"has_online_content_ssim":["false"],"extent_ssm":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"extent_tesim":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eWilliam \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. \u003c/p\u003e\n","\u003cp\u003eAlthough Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. \u003c/p\u003e\n","\u003cp\u003eDue to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: \u003c/p\u003e\n","\u003cp\u003e1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award\u003c/p\u003e\n","\u003cp\u003eArcher authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.\u003c/p\u003e\n","\u003cp\u003eArcher's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. \u003c/p\u003e\n","\u003cp\u003eAfter retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. \u003c/p\u003e\n","\u003cp\u003eWilliam Archer and his wife Evonda continue to reside in Bluefield.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. ","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. ","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: ","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. ","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. ","William Archer and his wife Evonda continue to reside in Bluefield."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026amp;M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection (A\u0026amp;M 4388) contains a partial copy of the Matewan Trial transcript.\u003c/p\u003e\n","\u003cp\u003eSee also:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 3608, Matewan Trial Transcript\u003clb\u003e\u003c/lb\u003e\nPages 2012 to 3958  (February 12, 1921 – February 23, 1921)\u003clb\u003e\u003c/lb\u003e\nPlus 1 page of index of witnesses\u003c/p\u003e\n","\u003cp\u003eCompare to:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript \u003clb\u003e\u003c/lb\u003e\nPages 1 to 11, list of witnesses, in Folder 1\u003clb\u003e\u003c/lb\u003e\nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)\u003c/p\u003e\n","\u003cp\u003eWest Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript:\u003clb\u003e\u003c/lb\u003e\nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also: \nA\u0026M 3608, Matewan Trial Transcript \nPages 2012 to 3958  (February 12, 1921 – February 23, 1921) \nPlus 1 page of index of witnesses","Compare to: \nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript  \nPages 1 to 11, list of witnesses, in Folder 1 \nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript: \nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes"],"scopecontent_html_tesm":["\u003cp\u003eThe papers of William \"Bill\" Archer, newspaper journalist for the \u003ctitle\u003eBluefield Daily Telegraph\u003c/title\u003e and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  \u003c/p\u003e\n","\u003cp\u003eThe largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film, \u003ctitle\u003eA Beautiful Mind\u003c/title\u003e, about Nash's life and work.  \u003c/p\u003e\n","\u003cp\u003eArcher researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  \u003c/p\u003e\n","\u003cp\u003ePhotographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for \u003ctitle\u003eThe Bluefield Daily Telegraph\u003c/title\u003e. The collection also includes a number of other media formats such as films and recordings.  \u003c/p\u003e\n","\u003cp\u003eAnd finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  \u003c/p\u003e\n","\u003cp\u003eTwelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  \u003c/p\u003e\n","\u003cp\u003eIn addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  \u003c/p\u003e\n","\u003cp\u003eThe collection consists of the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Keystone Bank\u003clb\u003e\u003c/lb\u003e\nSeries 2. John Nash\u003clb\u003e\u003c/lb\u003e \nSeries 3. Subjects\u003clb\u003e\u003c/lb\u003e\nSeries 4. Photographs and Other Media\u003clb\u003e\u003c/lb\u003e\nSeries 5. Writings \u003c/p\u003e","\u003cp\u003eThe Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).\u003c/p\u003e","\u003cp\u003eThe John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography, \u003ctitle\u003eA Beautiful Mind\u003c/title\u003e (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.\u003c/p\u003e","\u003cp\u003eDigital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.\u003c/p\u003e","\u003cp\u003eSeries 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).\u003c/p\u003e","\u003cp\u003eMusic CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9\u003c/p\u003e","\u003cp\u003eThis folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.\u003c/p\u003e","\u003cp\u003eIncludes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.\u003c/p\u003e","\u003cp\u003eAn Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3\u003c/p\u003e","\u003cp\u003eThe collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)\u003c/p\u003e","\u003cp\u003eThis folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.\u003c/p\u003e","\u003cp\u003eThe identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.\u003c/p\u003e","\u003cp\u003eOral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.\u003c/p\u003e","\u003cp\u003e\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.\u003c/p\u003e","\u003cp\u003eTwo jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.\u003c/p\u003e","\u003cp\u003eThis series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from \u003ctitle\u003eCoal People Magazine\u003c/title\u003e, \u003ctitle\u003eGoldenseal\u003c/title\u003e, \u003ctitle\u003eWonderful West Virginia\u003c/title\u003e, and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. \u003c/p\u003e\n","\u003cp\u003e\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   \u003c/p\u003e","\u003cp\u003eTwo electronic files, one a proposal for a book titled \u003ctitle\u003eThe Under Thirty Minute Meals of Richard Lucas\u003c/title\u003e, a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.\u003c/p\u003e","\u003cp\u003eTwo electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3\u003c/p\u003e","\u003cp\u003eManuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967 \u003ctitle\u003eBluefield Daily Telegraph\u003c/title\u003e newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.\u003c/p\u003e","\u003cp\u003eCompact discs include: \n\u003ctitle\u003eStu and Bill Archer, the Archer Brothers\u003c/title\u003e, 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n\u003ctitle\u003eBramwell 100 Year Celebration\u003c/title\u003e; music and narration\n\u003ctitle\u003eCoalfield Visions, 1990\u003c/title\u003e; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n\u003ctitle\u003eTwo for Pocahontas\u003c/title\u003e; 2 songs: '114 Miners' \u0026amp; 'Pocahontas Mine Song'\n\u003ctitle\u003eGaining Momentum\u003c/title\u003e; 7 songs\n\u003ctitle\u003eproject duo\u003c/title\u003e; 17 songs; \"Most songs were re-recordings except John Nash song\n\u003ctitle\u003eMerry, Merry Christmas\u003c/title\u003e; 10 songs written by others\n\u003ctitle\u003eFour for Bluefield\u003c/title\u003e; 4 songs; \"Remix of 4 Bluefield songs from \u003ctitle\u003eProject Duo\u003c/title\u003e, 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n\u003ctitle\u003eSounds of the Hills, Volume 1 or 2\u003c/title\u003e, 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n\u003ctitle\u003eGlory in the Gospel, Volume 2 or 2\u003c/title\u003e, 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n\u003ctitle\u003eSolid as the Bank of Kimball and the Wheelbarrow\u003c/title\u003e, 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n\u003clb\u003e\u003c/lb\u003e\nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc9_box28. \"Music \u0026amp; Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of William \"Bill\" Archer, newspaper journalist for the  Bluefield Daily Telegraph  and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  ","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film,  A Beautiful Mind , about Nash's life and work.  ","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  ","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for  The Bluefield Daily Telegraph . The collection also includes a number of other media formats such as films and recordings.  ","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  ","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  ","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  ","The collection consists of the following series:","Series 1. Keystone Bank \nSeries 2. John Nash  \nSeries 3. Subjects \nSeries 4. Photographs and Other Media \nSeries 5. Writings ","The Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).","The John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography,  A Beautiful Mind  (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.","Digital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.","Series 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).","Music CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9","This folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.","Includes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.","An Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3","The collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)","This folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.","The identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.","Oral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.","\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.","Two jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.","This series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from  Coal People Magazine ,  Goldenseal ,  Wonderful West Virginia , and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. ","\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   ","Two electronic files, one a proposal for a book titled  The Under Thirty Minute Meals of Richard Lucas , a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.","Two electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3","Manuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967  Bluefield Daily Telegraph  newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.","Compact discs include: \n Stu and Bill Archer, the Archer Brothers , 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n Bramwell 100 Year Celebration ; music and narration\n Coalfield Visions, 1990 ; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n Two for Pocahontas ; 2 songs: '114 Miners' \u0026 'Pocahontas Mine Song'\n Gaining Momentum ; 7 songs\n project duo ; 17 songs; \"Most songs were re-recordings except John Nash song\n Merry, Merry Christmas ; 10 songs written by others\n Four for Bluefield ; 4 songs; \"Remix of 4 Bluefield songs from  Project Duo , 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n Sounds of the Hills, Volume 1 or 2 , 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Glory in the Gospel, Volume 2 or 2 , 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Solid as the Bank of Kimball and the Wheelbarrow , 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n \nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.","Identifier: 4388_disc9_box28. \"Music \u0026 Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.","Identifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.","Identifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.","Identifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.","Identifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.","Identifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.","Identifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics."],"separatedmaterial_html_tesm":["\u003cp\u003eItems transferred to the Rare Books Librarian:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eWilderness\u003c/title\u003e by Vance G. Martin\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eThe Crozers of Upland\u003c/title\u003e by David A. MacQueen -- Rare book\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eLegendary Local of McDowell County\u003c/title\u003e by William Archer\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eThe Bramwell Breeze\u003c/title\u003e 1911/1912\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items transferred to the Rare Books Librarian:","Wilderness  by Vance G. Martin","The Crozers of Upland  by David A. MacQueen -- Rare book","Legendary Local of McDowell County  by William Archer","The Bramwell Breeze  1911/1912"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cf33e0a1b957c44f683ffcdbbe87924c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["First National Bank of Keystone (W. Va.)","Nash, John F., Jr., 1928-2015"],"names_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015"],"corpname_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)"],"persname_ssim":["Archer, William","Nash, John F., Jr., 1928-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:26.630Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6481_c03_c86"}},{"id":"wvmturhc_repositories_2_resources_6481_c03_c87","type":"File","attributes":{"title":"5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6481_c03_c87#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6481_c03_c87","ref_ssm":["wvmturhc_repositories_2_resources_6481_c03_c87"],"id":"wvmturhc_repositories_2_resources_6481_c03_c87","ead_ssi":"wvmturhc_repositories_2_resources_6481","_root_":"wvmturhc_repositories_2_resources_6481","_nest_parent_":"wvmturhc_repositories_2_resources_6481_c03","parent_ssi":"wvmturhc_repositories_2_resources_6481_c03","parent_ssim":["wvmturhc_repositories_2_resources_6481","wvmturhc_repositories_2_resources_6481_c03"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6481","wvmturhc_repositories_2_resources_6481_c03"],"parent_unittitles_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties","Series 3. Subjects"],"parent_unittitles_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties","Series 3. Subjects"],"text":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties","Series 3. Subjects","5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2","Box 6","Folder 21"],"title_filing_ssi":"5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2","title_ssm":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2"],"title_tesim":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2"],"unitdate_inclusive_ssm":["1915-1920, 1996-2004"],"normalized_date_ssm":["1915/2004"],"normalized_title_ssm":["5th and 6th Colored Cavalry: Wounded Members Massacred by Confederate Soldiers after Battle at Saltville, VA; Memorial Ceremonies, Pt. 2"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":251,"parent_access_restrict_tesm":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"containers_ssim":["Box 6","Folder 21"],"_nest_path_":"/components#2/components#86","timestamp":"2026-05-21T00:43:26.630Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6481","ead_ssi":"wvmturhc_repositories_2_resources_6481","_root_":"wvmturhc_repositories_2_resources_6481","_nest_parent_":"wvmturhc_repositories_2_resources_6481","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6481.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206572","title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"unitdate_ssm":["1795-2020","ca. 1950-2010"],"unitdate_bulk_ssim":["ca. 1950-2010"],"unitdate_inclusive_ssm":["1795-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"text":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481","William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties","Bluefield (W. Va.)","African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County","Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. ","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. ","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: ","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. ","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. ","William Archer and his wife Evonda continue to reside in Bluefield.","This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also: \nA\u0026M 3608, Matewan Trial Transcript \nPages 2012 to 3958  (February 12, 1921 – February 23, 1921) \nPlus 1 page of index of witnesses","Compare to: \nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript  \nPages 1 to 11, list of witnesses, in Folder 1 \nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript: \nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes","The papers of William \"Bill\" Archer, newspaper journalist for the  Bluefield Daily Telegraph  and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  ","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film,  A Beautiful Mind , about Nash's life and work.  ","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  ","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for  The Bluefield Daily Telegraph . The collection also includes a number of other media formats such as films and recordings.  ","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  ","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  ","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  ","The collection consists of the following series:","Series 1. Keystone Bank \nSeries 2. John Nash  \nSeries 3. Subjects \nSeries 4. Photographs and Other Media \nSeries 5. Writings ","The Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).","The John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography,  A Beautiful Mind  (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.","Digital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.","Series 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).","Music CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9","This folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.","Includes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.","An Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3","The collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)","This folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.","The identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.","Oral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.","\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.","Two jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.","This series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from  Coal People Magazine ,  Goldenseal ,  Wonderful West Virginia , and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. ","\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   ","Two electronic files, one a proposal for a book titled  The Under Thirty Minute Meals of Richard Lucas , a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.","Two electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3","Manuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967  Bluefield Daily Telegraph  newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.","Compact discs include: \n Stu and Bill Archer, the Archer Brothers , 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n Bramwell 100 Year Celebration ; music and narration\n Coalfield Visions, 1990 ; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n Two for Pocahontas ; 2 songs: '114 Miners' \u0026 'Pocahontas Mine Song'\n Gaining Momentum ; 7 songs\n project duo ; 17 songs; \"Most songs were re-recordings except John Nash song\n Merry, Merry Christmas ; 10 songs written by others\n Four for Bluefield ; 4 songs; \"Remix of 4 Bluefield songs from  Project Duo , 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n Sounds of the Hills, Volume 1 or 2 , 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Glory in the Gospel, Volume 2 or 2 , 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Solid as the Bank of Kimball and the Wheelbarrow , 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n \nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.","Identifier: 4388_disc9_box28. \"Music \u0026 Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.","Identifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.","Identifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.","Identifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.","Identifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.","Identifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.","Identifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics.","Items transferred to the Rare Books Librarian:","Wilderness  by Vance G. Martin","The Crozers of Upland  by David A. MacQueen -- Rare book","Legendary Local of McDowell County  by William Archer","The Bramwell Breeze  1911/1912","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015","English"],"unitid_tesim":["A\u0026M 4388","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6481"],"normalized_title_ssm":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"collection_title_tesim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"collection_ssim":["William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Bluefield (W. Va.)"],"geogname_ssim":["Bluefield (W. Va.)"],"creator_ssm":["Archer, William"],"creator_ssim":["Archer, William"],"creator_persname_ssim":["Archer, William"],"creators_ssim":["Archer, William"],"places_ssim":["Bluefield (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County"],"access_subjects_ssm":["African Americans  -- West Virginia -- McDowell County ","African Americans  -- West Virginia -- Mercer County"],"has_online_content_ssim":["false"],"extent_ssm":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"extent_tesim":["20.75 Linear Feet 20 ft. 9 1/4 in. (13 record cartons, 15 in. each); (4 document cases, 5 in. each); (1 document case, 4 in.); (1 document case, 2 1/2 in.); (2 flat boxes, 1 1/2 in. each); (3 flat boxes, 3 in. each); (1 box, 6 1/2 in.); (1 box, 5 in.); (1 index card box, 4 1/4 in.)","8.98 Gigabytes 308 files, formats include .jpg, .iso, .wav, .doc, .txt"],"date_range_isim":[1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eWilliam \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. \u003c/p\u003e\n","\u003cp\u003eAlthough Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. \u003c/p\u003e\n","\u003cp\u003eDue to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: \u003c/p\u003e\n","\u003cp\u003e1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award\u003c/p\u003e\n","\u003cp\u003eArcher authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.\u003c/p\u003e\n","\u003cp\u003eArcher's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. \u003c/p\u003e\n","\u003cp\u003eAfter retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. \u003c/p\u003e\n","\u003cp\u003eWilliam Archer and his wife Evonda continue to reside in Bluefield.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William \"Bill\" Archer's papers represent his work as a journalist, historian, and musician. He grew up in Claysville, Pennsylvania. His parents provided roots in the Scotch-Irish heritage from his mother and Russian roots from his father, Carl Wesley Archer. After graduating from McGuffey High School in 1967, Archer attended West Virginia University where he graduated in 1972 with a Bachelor's degree in English. He also completed twelve hours of graduate work in English with WVU. ","Although Archer's first writing job in southern West Virginia was with the Twin-State Marketer (Bluefield, VA) beginning in 1986, he contributed sporadically to the Bluefield Daily Telegraph beginning in 1983. In 1992, he joined the staff of the Bluefield paper and continued his work there as a reporter and senior editor until 2016. During this time, he was also a stringer from the State Journal, a West Virginia business publication, 1999-2003. Archer covered the news extensively not just in Bluefield but in adjacent counties in West Virginia and northwestern Virginia. ","Due to Archer's important coverage of news events in Southern West Virginia and service to his community, he has received a number of awards: ","1994\nFor his substantial contribution to news coverage, he received the Award of Excellence for Outstanding Editorial Achievement from Thomson Newspapers\n2000\nFor his coverage of the collapse of the First National Bank of Keystone Bank, he received the Outstanding Journalist Award from the West Virginia Trial Lawyers Association\n2003\nThe Mercer County National Association for the Advancement of Colored People awarded him the Merit Award\nThe Veterans of Foreign Wars, Post 9696, awarded him two Distinguished Service Awards\n2007\nArcher was dubbed \"the consummate community newspaper reporter\" by a former publisher of the Bluefield Daily Telegraph when he was named a West Virginia History Hero by the Mercer County Historical Society\n2013\nHe received two awards the Shott Excellence in Media Award and the National Coal Heritage Area Research Documentation Award\n2015\nThe local American Legion awarded him the Distinguished Citizenship Award","Archer authored a number of local history books and approximately 125 magazine articles in addition to his newspaper reporting. The books, in the \"Images of America\" series from Arcadia Publishing, document the history of the cities of Bluefield, Princeton, and Welch. His county histories include Mercer County (WV), McDowell County (WV), and Bland County (VA). He has written numerous articles for Wonderful West Virginia, and also has contributed to Goldenseal, The West Virginia Encyclopedia, Appalachian Heritage, Coal People, and Virginia Cavalcade.","Archer's interest in the varied music of southern West Virginia is reflected in some of his writing, but he also wrote poetry and songs. He recorded and performed original music compositions with Karl Miller for more than thirty years. He wrote the lyrics for the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. ","After retiring as a writer, Archere extended his service to the community as a Mercer County Commissioner for the 2017-2022 term. This time of his life postdates the donated materials in this collection. ","William Archer and his wife Evonda continue to reside in Bluefield."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026amp;M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], William Archer, Journalist, Research Papers regarding McDowell and Mercer Counties, A\u0026M 4388, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection (A\u0026amp;M 4388) contains a partial copy of the Matewan Trial transcript.\u003c/p\u003e\n","\u003cp\u003eSee also:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 3608, Matewan Trial Transcript\u003clb\u003e\u003c/lb\u003e\nPages 2012 to 3958  (February 12, 1921 – February 23, 1921)\u003clb\u003e\u003c/lb\u003e\nPlus 1 page of index of witnesses\u003c/p\u003e\n","\u003cp\u003eCompare to:\u003clb\u003e\u003c/lb\u003e\nA\u0026amp;M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript \u003clb\u003e\u003c/lb\u003e\nPages 1 to 11, list of witnesses, in Folder 1\u003clb\u003e\u003c/lb\u003e\nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)\u003c/p\u003e\n","\u003cp\u003eWest Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript:\u003clb\u003e\u003c/lb\u003e\nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection (A\u0026M 4388) contains a partial copy of the Matewan Trial transcript.","See also: \nA\u0026M 3608, Matewan Trial Transcript \nPages 2012 to 3958  (February 12, 1921 – February 23, 1921) \nPlus 1 page of index of witnesses","Compare to: \nA\u0026M 4388, William Archer Papers, Box 8, Folders 1-7, Matewan Trial Transcript  \nPages 1 to 11, list of witnesses, in Folder 1 \nPages 3340 to 4671  (February 22, 1921 – February 28, 1921)","West Virgina Archives and History in Charleston, West Virginia appears to hold the entire transcript: \nMingo County, Case file State vs. Sid Hatfield et al., transcripts, jury selection, witness statements (originals and photocopies), 1921 January 19 to March 16, 15 boxes"],"scopecontent_html_tesm":["\u003cp\u003eThe papers of William \"Bill\" Archer, newspaper journalist for the \u003ctitle\u003eBluefield Daily Telegraph\u003c/title\u003e and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  \u003c/p\u003e\n","\u003cp\u003eThe largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film, \u003ctitle\u003eA Beautiful Mind\u003c/title\u003e, about Nash's life and work.  \u003c/p\u003e\n","\u003cp\u003eArcher researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  \u003c/p\u003e\n","\u003cp\u003ePhotographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for \u003ctitle\u003eThe Bluefield Daily Telegraph\u003c/title\u003e. The collection also includes a number of other media formats such as films and recordings.  \u003c/p\u003e\n","\u003cp\u003eAnd finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  \u003c/p\u003e\n","\u003cp\u003eTwelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  \u003c/p\u003e\n","\u003cp\u003eIn addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  \u003c/p\u003e\n","\u003cp\u003eThe collection consists of the following series:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Keystone Bank\u003clb\u003e\u003c/lb\u003e\nSeries 2. John Nash\u003clb\u003e\u003c/lb\u003e \nSeries 3. Subjects\u003clb\u003e\u003c/lb\u003e\nSeries 4. Photographs and Other Media\u003clb\u003e\u003c/lb\u003e\nSeries 5. Writings \u003c/p\u003e","\u003cp\u003eThe Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).\u003c/p\u003e","\u003cp\u003eThe John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography, \u003ctitle\u003eA Beautiful Mind\u003c/title\u003e (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.\u003c/p\u003e","\u003cp\u003eDigital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.\u003c/p\u003e","\u003cp\u003eSeries 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).\u003c/p\u003e","\u003cp\u003eMusic CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9\u003c/p\u003e","\u003cp\u003eThis folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.\u003c/p\u003e","\u003cp\u003eIncludes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.\u003c/p\u003e","\u003cp\u003eAn Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3\u003c/p\u003e","\u003cp\u003eThe collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)\u003c/p\u003e","\u003cp\u003eThis folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.\u003c/p\u003e","\u003cp\u003eThe identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.\u003c/p\u003e","\u003cp\u003eOral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.\u003c/p\u003e","\u003cp\u003e\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.\u003c/p\u003e","\u003cp\u003eTwo jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.\u003c/p\u003e","\u003cp\u003eThis series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from \u003ctitle\u003eCoal People Magazine\u003c/title\u003e, \u003ctitle\u003eGoldenseal\u003c/title\u003e, \u003ctitle\u003eWonderful West Virginia\u003c/title\u003e, and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. \u003c/p\u003e\n","\u003cp\u003e\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   \u003c/p\u003e","\u003cp\u003eTwo electronic files, one a proposal for a book titled \u003ctitle\u003eThe Under Thirty Minute Meals of Richard Lucas\u003c/title\u003e, a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.\u003c/p\u003e","\u003cp\u003eTwo electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3\u003c/p\u003e","\u003cp\u003eManuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967 \u003ctitle\u003eBluefield Daily Telegraph\u003c/title\u003e newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.\u003c/p\u003e","\u003cp\u003eCompact discs include: \n\u003ctitle\u003eStu and Bill Archer, the Archer Brothers\u003c/title\u003e, 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n\u003ctitle\u003eBramwell 100 Year Celebration\u003c/title\u003e; music and narration\n\u003ctitle\u003eCoalfield Visions, 1990\u003c/title\u003e; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n\u003ctitle\u003eTwo for Pocahontas\u003c/title\u003e; 2 songs: '114 Miners' \u0026amp; 'Pocahontas Mine Song'\n\u003ctitle\u003eGaining Momentum\u003c/title\u003e; 7 songs\n\u003ctitle\u003eproject duo\u003c/title\u003e; 17 songs; \"Most songs were re-recordings except John Nash song\n\u003ctitle\u003eMerry, Merry Christmas\u003c/title\u003e; 10 songs written by others\n\u003ctitle\u003eFour for Bluefield\u003c/title\u003e; 4 songs; \"Remix of 4 Bluefield songs from \u003ctitle\u003eProject Duo\u003c/title\u003e, 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n\u003ctitle\u003eSounds of the Hills, Volume 1 or 2\u003c/title\u003e, 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n\u003ctitle\u003eGlory in the Gospel, Volume 2 or 2\u003c/title\u003e, 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n\u003ctitle\u003eSolid as the Bank of Kimball and the Wheelbarrow\u003c/title\u003e, 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n\u003clb\u003e\u003c/lb\u003e\nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc9_box28. \"Music \u0026amp; Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.\u003c/p\u003e","\u003cp\u003eIdentifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of William \"Bill\" Archer, newspaper journalist for the  Bluefield Daily Telegraph  and historian, document Archer's research and reporting of events in Southern West Virginia, predominantly Mercer and McDowell Counties. In addition to his reporting, Archer wrote a number of local history books as well as articles for publications other than the Bluefield paper.  ","The largest part of the collection, six boxes of records and three of artifacts, focuses on the historic collapse in 1999 of the First National Bank of Keystone in McDowell County; subsequent criminal and civil court cases; and Congressional oversight hearings.  Another significant part of the collection, two boxes of records and three of artifacts, focuses on John Forbes Nash Jr., 1994 recipient of the Nobel Prize in Economics and a Bluefield native.  The files document Nash's time in Bluefield and at Bluefield State College, his family, and his career.  The Nash files also include reporting and research materials about the book and film,  A Beautiful Mind , about Nash's life and work.  ","Archer researched all aspects of coal country life.  Significant topics covered by him include music originating in the area, local African American culture and history, hometown heroes, disasters such as flooding and crashes, famous people connected to the area, court cases, coal mining and mining disasters, communities and their services, and transportation.  Of particular note, the collection documents Archer's trip to Japan in 1996 for the Interassociation for Ecology Symposia (INTECOL) on wood and forestry.  ","Photographs in the collection, mostly contemporary, detail many events during the time of Archer's reporting.  Of particular note are those by Melvin \"Mel\" Grubb, a long time photographer for  The Bluefield Daily Telegraph . The collection also includes a number of other media formats such as films and recordings.  ","And finally, throughout the collection there are a large number of Archer's newspaper columns which demonstrate the process of writing newspaper stories beginning with interview notes and ending with the final articles.  Also included are his writings in other literary forms such as local histories, stories, poems, and songs. Some stories and a cookbook were written under the pseudonym Richard Lucas.  ","Twelve compact discs of performances by Archer and Miller are found in Box 28.  Particularly represented in the collection is Archer's work on the musical \"Bramwell--100\" about the 100th anniversary of the town of Bramwell. A compact disc of the music and narration is one of those in Box 28. Digital files of his compositions include 131 files consisting of the compact disk recordings as well as the text of an essay reflecting on music; and songs, written and performed by Archer and Karl Miller.  ","In addition to the compact discs, Box 28 also contains handwritten and typed Archer compositions and includes love songs to his wife Evonda.  ","The collection consists of the following series:","Series 1. Keystone Bank \nSeries 2. John Nash  \nSeries 3. Subjects \nSeries 4. Photographs and Other Media \nSeries 5. Writings ","The Keystone Bank files (Boxes 5, 9-13) consist mostly of facsimile copies, sent by fax machines, of court proceedings regarding the historic collapse in 1999 of the First National Bank of Keystone in McDowell County, as well as research materials and handwritten notes of court proceedings and interviews. The series also contains artist sketches of court proceedings; two baseball caps; a bomber jacket; and other memorabilia (Boxes 20-22).","The John Forbes Nash, Jr. (1928-2015) was born in Bluefield, and was the 1994 recipient of the Nobel Prize for Economics for his work in the mathematics of game theory.  His biography,  A Beautiful Mind  (1998) by Sylvia Nasar, frankly discussed his struggle with paranoid schizophrenia and led to a major motion picture by the same name (2001). His materials (Boxes 15 and 16) consist of numerous tributes to him; correspondence between Archer and Nash and correspondence with Nash's sister, Martha Legg; correspondence with Sylvia Nasar; and promotional and press materials for the film A Beautiful Mind.  Artifacts (Boxes 25-27) for the film include a jacket, two T-shirts, and a baseball cap.","Digital materials include: identifier: 4388_digitran_4, which contains 24 jpeg photos related to Archer's work on John Nash. Identifier: 4388_disc6_b16_f14 contains the files for the DVD of the 2002 Bluefield Chamber of Commerce Dinner.","Series 1 and 2 document the specific subjects of the Keystone Bank and John Nash respectively.  Series 3 covers a wide range of subject matter relating to Mercer and McDowell Counties including community events; people in and connected to the area; and the history of local communities, including extensive coverage of the African American community and Bluefield State College among other topics. Formats for additional subjects include original newspaper clippings and copies from microfilm, handwritten interviews and story notes, correspondence, and original and facsimiles of research materials.  Archer's research materials and reporting on various topics are scattered throughout the collection (Boxes 1-3, 5-9, 14, 17-20, 22-23).","Music CD containing one track by Darnell Miller called, \"If Swinging Doors Don't Get Me, Lonesome Will\". Identifier: 4388_disc2_b1_f9","This folder also contains a floppy disk with two files containing information about Bluefield, WV in the 1950s and 1960s by J. Franklin Long. To access these files, request identifier 4388_disk2_b2_f10.","Includes brief biography and photo of Herbert \"Hub\" Hunter; photo Tazewell, VA; photo telephone operators; aerial photo of mine operation; photo of former Welch Lions Club members; football themed sketch of \"Stubby;\" computer CD of photos of elderly African-Americans at a birthday party (identifier: 4388_disc1_b7_f15); facsimile of 1911 NY Times about Bluefield incident and offer of an historical accounting; rescue squad recognition program, facsimile of web page about child survivor of Buchenwald and Max Kammer photo exhibit newspaper article; \"Songs of Yesterday\" booklet.","An Adobe Pro pdf file sent by William Archer as an attachment to an email.  The facsimile was probably scanned from an original. It is accompanied by an html file which is a copy of the West Virginia Division of Culture and History's webpage on Tyler Edward Hill, whom Archer believes authored the booklet. The booklet also includes a brief mention of the story that inpsired Archer's unfinished writing, \"White Slavery in Cinder Bottom\". Identifier: 4388_digitran_3","The collection contains a significant number of photographs, negatives, and some photos on CD and are dispersed throughout William Archer's papers.  Most of the photographs date from the 1990s and early 2000s, although some are older, of places, events, and people in Mercer and McDowell Counties. Other  formats include a motion picture film, books, videocassette recordings, sound audiocassette recordings, phonograph records, maps, and artwork.  Artifacts include jackets, t-shirts, baseball caps, and other objects.  (Boxes 1-3, 6-7, 17, 20)","This folder also contains a floppy disk with two files containing information about the Gary Country Club in McDowell County. To access these files, request identifier 4388_disk1_b1_f6.","The identifier for the image on CD, Vera Pocahontas Mine, No. 3, \"Day Shift\" Landgraff, WV, July 9-19, 1940, is 4388_disc3_b1_f35.","Oral history content consists of two published CDs titled \"Folks Are Talking: Oral Histories from the 1970s Gathered by Garret Mathews\". Garret Mathews was a writer for the Bluefield Daily Telegraph. The identifier for the oral history content is 4388_disc5_b7_f10 and the discs contain 33 tracks total.","\"Four for Bluefield\", identifier: 4388_disc22_b17_f10 is a copy of a CD in box 28 and can be accessed by requesting Identifier: 4388_disc18_box28. \"J.E. Martin House Project\", identifier 4388_disc21_b17_f10, consists of videos of the J.E. Martin House in Bluefield, WV and work on the house.","Two jpeg images of six individuals, one of whom is William Archer, in formal attire. The files were originally found on a disc, however, the disc was unable to be found. Identifier: 4388_disc23_missing.","This series includes newspaper columns written by Bill Archer on various topics (Boxes 1-6, 8, 14, 19, 24) as well as magazine articles and liteary forms he wrote.  Additional examples of his writing are scattered throughout all the series.  Most of the newspaper articles are original clippings, but some are facsimiles. Box 4 contains an extensive collection of his opinion pieces, and Box 28 contains magazine articles written by Archer.  The articles are from  Coal People Magazine ,  Goldenseal ,  Wonderful West Virginia , and a few other publications. Literary foms found throughout the collection include stories, poems, lyrics, and histories, both typed and handwritten. ","\nDigital files of his compositions include 120 files consisting of the text of an essay reflecting on music, and songs, written and performed by Archer and Karl Miller, copied from 12 compact computer discs.   ","Two electronic files, one a proposal for a book titled  The Under Thirty Minute Meals of Richard Lucas , a pseudonym for William Archer, and the other a section of the book \"Wok like a Man.\" The book proposal seems to have been a compilation of previously written columns. Files are in Microsoft Word format, as sent by William Archer in 2019. Identifier: 4388_digitran_2.","Two electronic Word documents emailed by William Archer.  One is a synopsis for a \"fact-based work of fiction\" titled \"Cinder Bottom.\"  The other is the start of a story titled \"White Slavery in Cinder Bottom\" and is about a young woman lured into prostitution by promise of a job. Identifier: 4388_digitran_3","Manuscript, edited by Archer's wife Evonda, for a story about protesting the Vietnam War and titled \"What Did You Do?\" The document, a  Adobe Acrobat Pro pdf file, was sent attached to an email.  At the end of the digital file are facsimiles of a 1967  Bluefield Daily Telegraph  newspaper article in two pages about the youth protests against the war.  Another digital file is a photograph of a war protest button, \"Confront the Warmakers, Oct. 21st, Wash. D.C. Support Our Boys in Vietnam--Bring Them Home\". Identifier: 4388_digitran_1.","Compact discs include: \n Stu and Bill Archer, the Archer Brothers , 21 songs; track 5 \"Cackleburr Drive\" written by Archer in 1971, all other songs assumed to be by written by others.\n Bramwell 100 Year Celebration ; music and narration\n Coalfield Visions, 1990 ; 10 songs, \"Cha[r]lton Singers featured on track 7, 'Route 52'\n Two for Pocahontas ; 2 songs: '114 Miners' \u0026 'Pocahontas Mine Song'\n Gaining Momentum ; 7 songs\n project duo ; 17 songs; \"Most songs were re-recordings except John Nash song\n Merry, Merry Christmas ; 10 songs written by others\n Four for Bluefield ; 4 songs; \"Remix of 4 Bluefield songs from  Project Duo , 'Land of Misted Mountains,' 'Lemonade Song,' 'Route 52,' 'John F. Nash of Bluefield'\n Sounds of the Hills, Volume 1 or 2 , 9 songs; \"Music celebrating our region's history and heritage, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Glory in the Gospel, Volume 2 or 2 , 10 songs; \"Music of praise and worship in His holy name, as performed live on April 18, 2007, at the Ya'Sou Deli in Kimball, West Virginia\n Solid as the Bank of Kimball and the Wheelbarrow , 2 songs; \"Remix of 'Wheelbarrow Song' and 'Bank of Bramwell' to promote re-open of Bank in 2007\"\n \nAll content is retained as digital files, as well. These CDs are part of 4388 ADD 2020-02.","Identifier: 4388_disc9_box28. \"Music \u0026 Narration from Bramwell 100\", the 100th anniversary of the founding of Bramwell. Dated July 30, 1988 with \"Remix 2020\" written on the CD. 16 .wav files.","Identifier: 4388_disc10_box28. \"Gaining Momentum\", 7 .wav files. Album by Bill Archer and Karl Miller. Recorded 1992.","Identifier: 4388_disc11_box28. \"Solid as the Bank of Bramwell\", 2 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc12_box28. \"Coalfield Visions Remake 1993\", 10 .wav files. Album by Bill Archer and Karl Miller.","Identifier: 4388_disc13_box28. \"Two for Pocahontas\", 2 .wav files. Repackaged 1990 recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc14_box28. \"Coalfield Visions\", original recording, 10 .wav files. Recordings by Bill Archer and Karl Miller.","Identifier: 4388_disc15_box28. \"The Archer Brothers\" by Stu and Bill Archer. 21 .wav files.","Identifier: 4388_disc16_box28. \"project duo\" by Bill Archer and Karl Miller. 17 .wav files.","Identifier: 4388_disc17_box28. \"Merry, Merry Christmas\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_disc18_box28. \"Four for Bluefield\" by Bill Archer and Karl Miller. 4 .wav files.","Identifier: 4388_disc19_box28. \"Sounds of the Hills: Live from Kimball, Part 1\" by Bill Archer and Karl Miller. 9 .wav files.","Identifier: 4388_disc20_box28. \"Sounds of the Hills: Live from Kimball, Part 2\" by Bill Archer and Karl Miller. 10 .wav files.","Identifier: 4388_add_2020-02_digtran_05. Word doc titled, \"Bill Archer Songs 1971-1995\" by Bill Archer. Autobiographical writings on his musical works, including historical background and lyrics."],"separatedmaterial_html_tesm":["\u003cp\u003eItems transferred to the Rare Books Librarian:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eWilderness\u003c/title\u003e by Vance G. Martin\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eThe Crozers of Upland\u003c/title\u003e by David A. MacQueen -- Rare book\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eLegendary Local of McDowell County\u003c/title\u003e by William Archer\u003c/p\u003e\n","\u003cp\u003e\u003ctitle\u003eThe Bramwell Breeze\u003c/title\u003e 1911/1912\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Items transferred to the Rare Books Librarian:","Wilderness  by Vance G. Martin","The Crozers of Upland  by David A. MacQueen -- Rare book","Legendary Local of McDowell County  by William Archer","The Bramwell Breeze  1911/1912"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cf33e0a1b957c44f683ffcdbbe87924c\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["First National Bank of Keystone (W. Va.)","Nash, John F., Jr., 1928-2015"],"names_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)","Archer, William","Nash, John F., Jr., 1928-2015"],"corpname_ssim":["West Virginia and Regional History Center","First National Bank of Keystone (W. Va.)"],"persname_ssim":["Archer, William","Nash, John F., Jr., 1928-2015"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":481,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:43:26.630Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6481_c03_c87"}},{"id":"wvmturhc_repositories_2_resources_1852_c06_c06","type":"File","attributes":{"title":"6. Medora Wilthers Papers","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1852_c06_c06","ref_ssm":["wvmturhc_repositories_2_resources_1852_c06_c06"],"id":"wvmturhc_repositories_2_resources_1852_c06_c06","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852_c06","parent_ssi":"wvmturhc_repositories_2_resources_1852_c06","parent_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1852","wvmturhc_repositories_2_resources_1852_c06"],"parent_unittitles_ssm":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"parent_unittitles_tesim":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B"],"text":["Russell L. Davisson, Politician, Papers","Series 6. Genealogy Records B","6. Medora Wilthers Papers","Box 3","Folder 24"],"title_filing_ssi":"6. Medora Wilthers Papers","title_ssm":["6. Medora Wilthers Papers"],"title_tesim":["6. Medora Wilthers Papers"],"unitdate_inclusive_ssm":["1926–2000"],"normalized_date_ssm":["1926/2000"],"normalized_title_ssm":["6. Medora Wilthers Papers"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":71,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"containers_ssim":["Box 3","Folder 24"],"_nest_path_":"/components#5/components#5","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1852","ead_ssi":"wvmturhc_repositories_2_resources_1852","_root_":"wvmturhc_repositories_2_resources_1852","_nest_parent_":"wvmturhc_repositories_2_resources_1852","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1852.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196027","title_ssm":["Russell L. Davisson, Politician, Papers"],"title_tesim":["Russell L. Davisson, Politician, Papers"],"unitdate_ssm":["1850-2004"],"unitdate_inclusive_ssm":["1850-2004"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"text":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852","Russell L. Davisson, Politician, Papers","Genealogy","Welfare - Mingo County.","No special access restriction applies.","Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-","English"],"unitid_tesim":["A\u0026M 3472","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1852"],"normalized_title_ssm":["Russell L. Davisson, Politician, Papers"],"collection_title_tesim":["Russell L. Davisson, Politician, Papers"],"collection_ssim":["Russell L. Davisson, Politician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Davisson, Russell Lee, 1922-"],"creator_ssim":["Davisson, Russell Lee, 1922-"],"creator_persname_ssim":["Davisson, Russell Lee, 1922-"],"creators_ssim":["Davisson, Russell Lee, 1922-"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy","Welfare - Mingo County."],"access_subjects_ssm":["Genealogy","Welfare - Mingo County."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"extent_tesim":["4 Linear Feet Summary: 3 ft. 11 1/2 in. (3 document cases, 5 in. each); (1 document case, 2 1/2 in.); (2 records cartons, 15 in. each)"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026amp;M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Russell L. Davisson, Politician, Papers, A\u0026M 3472, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Biographical Information, 2005 (box 1, Folder 1a) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Travel, undated (box 4, folders 41-44) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59) \u003clb\u003e\u003c/lb\u003e\nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61) \u003clb\u003e\u003c/lb\u003e\nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2) \u003clb\u003e\u003c/lb\u003e\nSeries 15. Certificate, 2004 (box 5, folder 3) \u003clb\u003e\u003c/lb\u003e\nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5) \u003clb\u003e\u003c/lb\u003e\nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e","\u003cp\u003eThis series includes an autobiography written by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence from Governor Arch Moore to Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.\u003c/p\u003e","\u003cp\u003eThis series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.\u003c/p\u003e","\u003cp\u003eThis series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.\u003c/p\u003e","\u003cp\u003eThis series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.\u003c/p\u003e","\u003cp\u003eThis series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.\u003c/p\u003e","\u003cp\u003eThis series includes postcards and pamphlets from a trip to China and a trip to Brussels.\u003c/p\u003e","\u003cp\u003eThis series includes maps of locations in the United States, Europe, and China.\u003c/p\u003e","\u003cp\u003eThis series includes political car plates and business cards from China.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.\u003c/p\u003e","\u003cp\u003eThis series consists of a Certificate of Appreciation from George Washington's Mount Vernon.\u003c/p\u003e","\u003cp\u003eThis series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.\u003c/p\u003e","\u003cp\u003eThis series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Russell L. Davisson, a Republican member of the West Virginia State House of Delegates. Includes mostly genealogy records regarding the Davison, Davisson, and Davidson Families; also includes political correspondence with Governor Arch Moore (1967-1972) and material regarding the welfare system in Mingo County (1966-1967).","Series include:","Series 1. Biographical Information, 2005 (box 1, Folder 1a)  \nSeries 2. Political Correspondence, 1967–1972 (box 1, Folder 1b)  \nSeries 3. Welfare in Mingo County, 1966-1967 (box 1, folders 2-6)  \nSeries 4. Photocopy of \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison, 1982 (box 1, folders 7-10)  \nSeries 5. Genealogy Records A, 1916-1920, 1960-2004 (box 2; box 3, folders 1-18)  \nSeries 6. Genealogy Records B, 1835-1855, 1916-2003 (box 3, folders 19-47)  \nSeries 7. Genealogy Records C Lost Creek Series, 1907, 1952-1992 (box 3, folders 49-55)  \nSeries 8. Subject Files, 1850-1853, 1928-2004 (box 3, folders 56-100; box 4, folders 19-32b)  \nSeries 9. Book Manuscript \"The Davissons\" by Russel L. Davisson, 1992-1993, undated (box 4, folders 1-18)  \nSeries 10. Publications, 1942-1998, undated (box 4, folders 33-40b; box 6)  \nSeries 11. Travel, undated (box 4, folders 41-44)  \nSeries 12. Maps, 1940-1994, undated (box 4, folders 45-59)  \nSeries 13. Ephemera, 1972, undated (box 4, folders 60-61)  \nSeries 14. Photographs, 1966, 1986-1993 (box 4, folders 62-64; box 5, folders 1-2)  \nSeries 15. Certificate, 2004 (box 5, folder 3)  \nSeries 16. Newsletters, 2000–2002 (box 5, folders 4-5)  \nSeries 17. Microfilm Copy of Early Genealogy of Davisson Family, undated (box 5, folders 6-7)","This series includes an autobiography written by Russell L. Davisson.","This series includes correspondence from Governor Arch Moore to Davisson.","This series includes records regarding investigation into the welfare program of Mingo County. The files contain sworn depositions of those involved, contemporary newspaper accounts, and letters from other politicians concerning the controversy.","This series includes a photocopy of the work, \"History and Genealogy of Davison, Davisson, Davidson Families\" by Arthur Henry Davison.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes research records regarding Davisson Family genealogy research, including correspondence, photocopied documents, family histories, and genealogies.","This series includes genealogical records pertaining specifically to Lost Creek, Harrison County, WV.","This series includes inauguration invitations (Arch Moore and Richard Nixon), publications on various topics (including Richard Nixon's inauguration and election), and assorted correspondence.","This series includes page proofs, manuscript excerpts, and other material pertaining to \"The Davissons\" by Russell L. Davisson.","This series includes assorted publications, including a copy of Richard Nixon's Presidential nomination acceptance speech, other political works, and various historical works.","This series includes postcards and pamphlets from a trip to China and a trip to Brussels.","This series includes maps of locations in the United States, Europe, and China.","This series includes political car plates and business cards from China.","This series consists of assorted photographs, including a signed photograph of Russell L. Davisson and Richard Nixon, a portrait of Governor Cecil B. Underwood, and the Davisson Cemetary and other historical sites related to the Davisson family.","This series consists of a Certificate of Appreciation from George Washington's Mount Vernon.","This series consists of various issues of the newsletter, \"Mountain Messenger,\" and of the newsletter of the Washington County Genealogical Society.","This series includes a copy of \"Early Genealogy of the Davisson Family\" on two microfilm reels."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b58e0d0847733239cec6066aace5060d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davison family - genealogy.","Davison family - Genealogy","Davisson, Russell Lee, 1922-"],"famname_ssim":["Davison family - genealogy.","Davison family - Genealogy"],"persname_ssim":["Davisson, Russell Lee, 1922-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":235,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1852_c06_c06"}},{"id":"wvmturhc_repositories_2_resources_5371_c02_c26","type":"File","attributes":{"title":"6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c02_c26","ref_ssm":["wvmturhc_repositories_2_resources_5371_c02_c26"],"id":"wvmturhc_repositories_2_resources_5371_c02_c26","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c02","parent_ssi":"wvmturhc_repositories_2_resources_5371_c02","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"text":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract","6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)","Box 18","Folder unfoldered"],"title_filing_ssi":"6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)","title_ssm":["6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)"],"title_tesim":["6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)"],"unitdate_inclusive_ssm":["1944-1947, 1958"],"normalized_date_ssm":["1944/1958"],"normalized_title_ssm":["6 \"Path of Motion\" watercolors, matted, 15 in. x 20 in. (with dates and artist signature)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":106,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"containers_ssim":["Box 18","Folder unfoldered"],"_nest_path_":"/components#1/components#25","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    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