{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026page=9\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026page=8\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026page=10\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026page=3875\u0026view=compact"},"meta":{"pages":{"current_page":9,"next_page":10,"prev_page":8,"total_pages":3875,"limit_value":10,"offset_value":80,"total_count":38743,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_416_c04_c03_c01","type":"File","attributes":{"title":"1949 - 1951 - 1949 - July 1951","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_416_c04_c03_c01","ref_ssm":["vifgm_repositories_2_resources_416_c04_c03_c01"],"id":"vifgm_repositories_2_resources_416_c04_c03_c01","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416_c04_c03","parent_ssi":"vifgm_repositories_2_resources_416_c04_c03","parent_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"parent_ids_ssim":["vifgm_repositories_2_resources_416","vifgm_repositories_2_resources_416_c04","vifgm_repositories_2_resources_416_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks"],"text":["Arena Stage records","Series 4: Oversize materials","Subseries 4.3: Scrapbooks","1949 - 1951 - 1949 - July 1951","box 664","folder 1"],"title_filing_ssi":"1949 - 1951 - 1949 - July 1951","title_ssm":["1949 - 1951 - 1949 - July 1951"],"title_tesim":["1949 - 1951 - 1949 - July 1951"],"unitdate_other_ssim":["1949-1951"],"normalized_date_ssm":["1949/1951"],"normalized_title_ssm":["1949 - 1951 - 1949 - July 1951"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7901,"parent_access_restrict_tesm":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1949,1950,1951],"containers_ssim":["box 664","folder 1"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#3/components#2/components#0","timestamp":"2026-05-21T05:06:20.076Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_416","ead_ssi":"vifgm_repositories_2_resources_416","_root_":"vifgm_repositories_2_resources_416","_nest_parent_":"vifgm_repositories_2_resources_416","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_416.xml","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949 - 2010"],"unitdate_inclusive_ssm":["1949 - 2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017","/repositories/2/resources/416"],"text":["C0017","/repositories/2/resources/416","Arena Stage records","Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints","Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","Accruals to this collection are expected.","The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.","The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5","George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016","English"],"unitid_tesim":["C0017","/repositories/2/resources/416"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage (Organization : Washington, D.C.)"],"creator_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creator_corpname_ssim":["Arena Stage (Organization : Washington, D.C.)"],"creators_ssim":["Arena Stage (Organization : Washington, D.C.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Arena Stage in 2000-2024.","This collection has additional unprocessed accessions 2023.040-C and 2024.088-C, and therefore this finding aid may not be fully up to date. Please contact SCRC for more information."],"access_subjects_ssim":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"access_subjects_ssm":["Theater -- Washington (D.C.)","Theater","Theater -- United States","Theater programs","Theater -- Production and direction","Performing arts","Video recordings","Sound recordings","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["369.5 Linear Feet 739 boxes"],"extent_tesim":["369.5 Linear Feet 739 boxes"],"genreform_ssim":["Video recordings","Sound recordings","Photographic prints"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access note"],"accessrestrict_tesim":["Collection is open to research. Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"accruals_html_tesm":["\u003cp\u003eAccruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\u003cextptr href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e \u003cextptr href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\"\u003e\u003c/extptr\u003e \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e\n","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's \u003citalic\u003eShe Stoops to Conquer.\u003c/italic\u003e Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e\n","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e\n","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: \u003citalic\u003eThe Great White Hope.\u003c/italic\u003e \u003citalic\u003eThe Great White Hope\u003c/italic\u003e included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like \u003citalic\u003eKing Lear\u003c/italic\u003e and \u003citalic\u003eThe Threepenny Opera\u003c/italic\u003e, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e\n","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, \u003citalic\u003eOur Town\u003c/italic\u003e and \u003citalic\u003eInherit the Wind\u003c/italic\u003e to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of \u003citalic\u003eInherit the Wind\u003c/italic\u003e at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e\n","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of \u003citalic\u003eK2\u003c/italic\u003e, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of \u003citalic\u003eThe Crucible\u003c/italic\u003e at the Israel Festival.\u003c/p\u003e\n","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.\u003c/p\u003e\n","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, D.C.'s preeminent regional theater. Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for-profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in D.C., was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's  She Stoops to Conquer.  Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theatre Company, further integrating its cast, and staging its most ambitious and acclaimed work to date:  The Great White Hope. The Great White Hope  included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic.\" Fichandler experimented with non-traditional casting in plays like  King Lear  and  The Threepenny Opera , but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays,  Our Town  and  Inherit the Wind  to the U.S.S.R. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of  Inherit the Wind  at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of  K2 , for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of  The Crucible  at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith served as Arena's artistic director until 2023, when she retired and was succeeded by current Aristic Director, Hana Sharif.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Wiest, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to film and audio reels, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections Research Center staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh. EAD markup completed by Elizabeth Beckman in 2016. Finding aid updated by Amanda Menjivar in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds the personal papers of several individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas C. Fichandler papers, the Ken Kitch papers, as well as the Living Stage records."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.\u003c/p\u003e","\u003cp\u003eThis subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\u003c/p\u003e","\u003cp\u003eContains letters from Sigourney Weaver.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eThis subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena Stage.\u003c/p\u003e","\u003cp\u003eSub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.\u003c/p\u003e","\u003cp\u003eSub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.\u003c/p\u003e","\u003cp\u003eCaucasian Chalk Circle is available in digital format.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eContent warning: Image of blackface.\u003c/p\u003e","\u003cp\u003eSub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eThis subseries includes information about and architectural plans for Arena's various buildings over the years.\u003c/p\u003e","\u003cp\u003eThis series is comprised of records related to the artistic development and performance of Arena's plays.\u003c/p\u003e","\u003cp\u003eThis subseries documents literary, historical and background research done by Arena's literary department for various plays.\u003c/p\u003e","\u003cp\u003eThis subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.\u003c/p\u003e","\u003cp\u003eThis subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents collected from throughout the runs of various productions.\u003c/p\u003e","\u003cp\u003eThis subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.\u003c/p\u003e","\u003cp\u003eThis subseries includes photos of scenes from Arena's productions arranged alphabetically by play.\u003c/p\u003e","\u003cp\u003eThis subseries contains production photos collected in books.\u003c/p\u003e","\u003cp\u003eThis subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.\u003c/p\u003e","\u003cp\u003eThis subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eThis series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.\u003c/p\u003e","\u003cp\u003eThis subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.\u003c/p\u003e","\u003cp\u003eThis subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.\u003c/p\u003e","\u003cp\u003eModel sits on top of map case\u003c/p\u003e","\u003cp\u003eThis subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.\u003c/p\u003e","\u003cp\u003eThis series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThis subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\u003c/p\u003e","\u003cp\u003eReel 2 of 3\u003c/p\u003e","\u003cp\u003eReel 3 of 3\u003c/p\u003e","\u003cp\u003ePartially Unraveling\u003c/p\u003e","\u003cp\u003eVinegar\u003c/p\u003e","\u003cp\u003eUnraveling - Vinegar\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003eTape 3\u003c/p\u003e","\u003cp\u003eTape 4\u003c/p\u003e","\u003cp\u003eTape 5\u003c/p\u003e","\u003cp\u003eTape 6\u003c/p\u003e","\u003cp\u003eReel #168\u003c/p\u003e","\u003cp\u003eReel #169\u003c/p\u003e","\u003cp\u003eReel #170\u003c/p\u003e","\u003cp\u003e3 copies \nAvailable in digital format.\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries. Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray. Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans. This subseries is broken up into four sub-subseries. Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi. Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically. Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris. Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play. Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries. Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events. Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence. Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States. Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays. It is divided into 6 subseries. Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts. It is generally organized alphabetically by play. Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena. It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. It is arranged alphabetically by play title. Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s. The reports include running times, incident reports, and other commentary on the audience and the performance. Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play. Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998. It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries. Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours. Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material. Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s. Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater. Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988. It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries. Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title. Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film. Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes. ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances. Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","Contains a letter from Annette Bening.","Contains headshots and a letter from Olympia Dukakis.","Contains a letter from Rosemary Harris.","Contains letters, headshots, and a CV from John Lithgow.","Contains letters from Sigourney Weaver.","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","Sub-subseries 1: Events documents special events held by Arena Stage.","Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments.","Sub-subseries 3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.","Caucasian Chalk Circle is available in digital format.","Content warning: Image of blackface.","Content warning: Image of blackface.","Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.","This subseries includes information about and architectural plans for Arena's various buildings over the years.","This series is comprised of records related to the artistic development and performance of Arena's plays.","This subseries documents literary, historical and background research done by Arena's literary department for various plays.","This subseries contains research on various playwrights, both living and dead, whose work has been performed at Arena.","This subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.","Available in digital format.","This subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.","This subseries contains documents collected from throughout the runs of various productions.","This subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.","This series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. There are also photos of Arena's buildings, staff members, and trips to the Soviet Union and Israel, as well as a few negatives and slides.","This subseries includes photos of scenes from Arena's productions arranged alphabetically by play.","This subseries contains production photos collected in books.","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","Model sits on top of map case","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","Available in digital format.","Available in digital format.","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event","Reel 2 of 3","Reel 3 of 3","Partially Unraveling","Vinegar","Unraveling - Vinegar","Both the title (besides Reel 1) and the date have been blacked out","Title has been blacked out","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","Tape 3","Tape 4","Tape 5","Tape 6","Reel #168","Reel #169","Reel #170","3 copies \nAvailable in digital format.","2 copies","2 copies"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ec96c412f915842d3012676b73803163\" label=\"Abstract\"\u003eThe Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.\u003c/abstract\u003e"],"abstract_tesim":["The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_22f8958322c3fdee6366a384bb686980\"\u003e\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5\u003c/physloc\u003e"],"physloc_tesim":["\nR 5, C 1, S 2 - R 9, C 4, S 7 \n\n\nR29, C1, S2\n\nOS R 3, C 2, S 1 - C 3, S 7\nOS R 4, C 5, S 5 \nOS R 5, C 2, S 3\nOS R 5, C 5, S 4\nOS R 6, C 4, S 6 - S 7\nOS R 7, C 1, S 2\nMap Case 9.1, 11.5"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)","Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Arena Stage (Organization : Washington, D.C.)"],"names_coll_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"persname_ssim":["Fichandler, Thomas C.","Fichandler, Zelda, 1924-2016"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:06:20.076Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_416_c04_c03_c01"}},{"id":"wvmturhc_repositories_2_resources_5375_c06_c240","type":"File","attributes":{"title":"1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5375_c06_c240","ref_ssm":["wvmturhc_repositories_2_resources_5375_c06_c240"],"id":"wvmturhc_repositories_2_resources_5375_c06_c240","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375_c06","parent_ssi":"wvmturhc_repositories_2_resources_5375_c06","parent_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5375","wvmturhc_repositories_2_resources_5375_c06"],"parent_unittitles_ssm":["Pearl S. 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Other Works","1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","Box 63","Folder 254.1"],"title_filing_ssi":"1949 Introduction to  The Good Earth ; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition","title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"title_tesim":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"unitdate_inclusive_ssm":["1949, 2014"],"normalized_date_ssm":["1949/2014"],"normalized_title_ssm":["1949 Introduction to The Good Earth; Typescript with attached clippings and handwritten notations, 12 pp., many handwritten corrections; also includes 2014 computer printout of published introduction from 1962 edition"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Pearl S. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["Box 63","Folder 254.1"],"_nest_path_":"/components#5/components#239","timestamp":"2026-05-21T01:24:29.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5375","ead_ssi":"wvmturhc_repositories_2_resources_5375","_root_":"wvmturhc_repositories_2_resources_5375","_nest_parent_":"wvmturhc_repositories_2_resources_5375","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5375.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198663","title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"unitdate_ssm":["circa 1923-2014","circa 1923-1973"],"unitdate_bulk_ssim":["circa 1923-1973"],"unitdate_inclusive_ssm":["circa 1923-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"text":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375","Pearl S. Buck, Author, Literary Manuscripts","China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers.","Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States","No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.","727","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2).","Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960","English \n.    "],"unitid_tesim":["A\u0026M 4052","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5375"],"normalized_title_ssm":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_title_tesim":["Pearl S. Buck, Author, Literary Manuscripts"],"collection_ssim":["Pearl S. Buck, Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"geogname_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"places_ssim":["China -- Fiction","China -- Foreign Relations -- United States","China -- In literature","China","Hillsboro (W. Va.)","United States -- Foreign Relations -- China","United States -- Relations -- China","West Virginia - Writers."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"access_subjects_ssm":["Amerasians","Authors, American -- West Virginia","Children with mental disabilities","Human rights advocacy","Intercountry adoption","Interracial adoption","Literature and society -- China","Literature and society -- United States","Novelists, American -- 20th century -- Correspondence","Novelists, American -- West Virginia","Women novelists, American   -- 20th century","Women social reformers -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"extent_tesim":["36.7 Linear Feet 36 ft. 8 in. (74 document cases, 5 in. each; 2 document cases, 2.5 in. each; 1 flat storage box, 5 in.; 2 flat storage boxes, 1.5 in. each; 3 record cartons, 15 in. each; 7 large flat storage boxes, 1.5 in. each)"],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003ePearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice.\u003c/p\u003e\n","\u003cp\u003e Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature.\u003c/p\u003e\n","\u003cp\u003e By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934.\u003c/p\u003e\n","\u003cp\u003e Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States.\u003c/p\u003e\n","\u003cp\u003e Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania.\u003c/p\u003e\n","\u003cp\u003e After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Pearl Sydenstricker Buck was born in Hillsboro, West Virginia, in 1892 to Caroline Stulting Sydenstricker and Absalom Sydenstricker, Southern Presbyterian missionaries who returned to China shortly after their daughter's birth. Pearl was raised and educated in Chinkiang (Zhenjiang), China, but studied in the United States at Randolph Macon Women's College in Lynchburg, Virginia, when she was seventeen. She returned to China after her graduation in 1914, and in 1917 Pearl married agricultural economist and missionary John Lossing Buck. The Bucks lived in Nanhsuchou (Nanxuzhou) in rural Anhwei (Anhui) Province and later in Nanking (Nanjing), China, until 1934. They had one biological daughter, Carol, who had severe intellectual and physical disabilities, and adopted another daughter, Janice."," Pearl began writing about Chinese peasant life and culture and the interactions between East and West in the 1920s, and her first novel, East Wind, West Wind, was published in 1930. She published the bestselling and Pulitzer Prize-winning novel The Good Earth in 1931, and went on to write more than seventy novels, plays, and short stories and to author numerous articles and essays. Other early books include Sons (1932), A House Divided (1935), The First Wife and Other Stories (1933), All Men are Brothers (1933, translation), The Mother (1934), The Exile (1936), Fighting Angel (1936), and This Proud Heart (1938). In 1938, Pearl Buck became the first woman to receive the Nobel Prize in Literature."," By 1935, Pearl had divorced her first husband and married her publisher and editor, Richard J. Walsh. They settled at Green Hills Farm in Bucks County, Pennsylvania, to be close to Carol, and the couple adopted six more children. Pearl was a prolific writer, and most of her fiction remained set in China and the Far East. Other novels include Dragon Seed (1942), Pavilion of Women (1946), God's Men (1951), Come, My Beloved (1953), Imperial Woman (1956), Letter from Peking (1957), and The Living Reed (1963). Due to personal and political circumstances, Pearl never returned to China after she left in 1934."," Pearl campaigned tirelessly for issues related to Chinese human rights, interracial understanding, and orphaned and disabled children for the rest of her life. In 1949, she founded Welcome House, the first interracial adoption agency in the United States. In 1964, she established the Pearl S. Buck Foundation to provide medical care and education for Amerasian children. Pearl also championed civil rights and women's rights in the United States."," Richard Walsh died in 1960, and in the early 1960s Pearl began a loving relationship with lifelong friend William Ernest Hocking that lasted until Hocking's death in 1966. By 1969, Pearl had moved to Danby, Vermont. Pearl S. Buck died in Vermont in 1973 and is buried at Green Hills Farm in Pennsylvania."," After her death, ownership of Pearl Buck's literary manuscripts was disputed, and eventually awarded to the Pearl S. Buck Birthplace Foundation, which were temporarily stored in the Pfeiffer Library at West Virginia Wesleyan College in Buckhannon, WV until the partnership between these two institutions and the WVRHC was formed in 2014, which led to the transfer of the collection to WVU."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026amp;M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Pearl S. Buck, Author, Literary Manuscripts, A\u0026M 4052, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e727\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["727"],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China.\u003c/p\u003e\n","\u003cp\u003e The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck.\u003c/p\u003e\n","\u003cp\u003e Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more.\u003c/p\u003e\n","\u003cp\u003e Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects.\u003c/p\u003e\n","\u003cp\u003e For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author, Papers.\u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eOverview of Record Series:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e The collection includes eight series:\u003c/p\u003e\n","\u003cp\u003e Series 1. Novels; ca. 1930-1973.\u003clb\u003e\u003c/lb\u003e\n Series 2. Non-fiction; ca. 1936-1972.\u003clb\u003e\u003c/lb\u003e\n Series 3. Children's Books; ca. 1940-1967.\u003clb\u003e\u003c/lb\u003e\n Series 4. Translation; ca. 1933.\u003clb\u003e\u003c/lb\u003e\n Series 5. Collections of Short Stories; ca. 1934-1973.\u003clb\u003e\u003c/lb\u003e\n Series 6. Other Works; ca. 1923-1967, 2014.\u003clb\u003e\u003c/lb\u003e\n Series 7. Miscellaneous; ca. 1960-2014.\u003clb\u003e\u003c/lb\u003e\n Series 8. Oversized; ca. 1930-1995.\u003c/p\u003e\n","\u003cp\u003e Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis, \u003cemph render=\"italic\"\u003ePearl S. Buck's Manuscripts: The Harvest of Half a Century\u003c/emph\u003e (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis.\u003c/p\u003e\n","\u003cp\u003e Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified.\u003c/p\u003e\n","\u003cp\u003e Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86.\u003c/p\u003e\n","\u003cp\u003e Regarding terminology in this finding aid:\u003c/p\u003e\n","\u003cp\u003e \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper.\u003c/p\u003e\n","\u003cp\u003e \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination.\u003c/p\u003e\n","\u003cp\u003e \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\".\u003c/p\u003e\n","\u003cp\u003e \"Holograph\" indicates an entirely handwritten work (as opposed to typescript).\u003c/p\u003e\n","\u003cp\u003e \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys.\u003c/p\u003e\n","\u003cp\u003e \"PSB\" stands for Pearl S. Buck.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003clb\u003e\u003c/lb\u003e\n paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n a typescript of \u003cemph render=\"italic\"\u003eSons\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n original holograph and typescripts of \u003cemph render=\"italic\"\u003eThe Patriot\u003c/emph\u003e;\u003clb\u003e\u003c/lb\u003e\n typescripts of \u003cemph render=\"italic\"\u003eThe Angry Wife\u003c/emph\u003e, her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and\u003clb\u003e\u003c/lb\u003e\n multiple drafts of \u003cemph render=\"italic\"\u003eImperial Woman\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents -- \u003cemph render=\"italic\"\u003eThe Exile\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eThe Fighting Angel\u003c/emph\u003e -- two novels that helped earn her the 1938 Nobel Prize in Literature;\u003c/p\u003e\n","\u003cp\u003e a mixed manuscript of the book titled \u003cemph render=\"italic\"\u003eOf Men and Women\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e typescripts of \u003cemph render=\"italic\"\u003eHow it Happens\u003c/emph\u003e;\u003c/p\u003e\n","\u003cp\u003e multiple drafts of \u003cemph render=\"italic\"\u003eThe Joy of Children\u003c/emph\u003e; and\u003c/p\u003e\n","\u003cp\u003e multiple drafts of her autobiographies, \u003cemph render=\"italic\"\u003eMy Several Worlds\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eA Bridge for Passing\u003c/emph\u003e.\u003c/p\u003e\n","\u003cp\u003e Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including \u003cemph render=\"italic\"\u003eThe Big Fight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThe Big Wave\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eMatthew, Mark, Luke and John\u003c/emph\u003e. Galleys can be found in Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes two typescript drafts of \u003cemph render=\"italic\"\u003eAll Men Are Brothers\u003c/emph\u003e, Buck's translation of one of China's most famous novels, \u003cemph render=\"italic\"\u003eShui Hu Chuan\u003c/emph\u003e (also known as \u003cemph render=\"italic\"\u003eWater Margin\u003c/emph\u003e or \u003cemph render=\"italic\"\u003eShui Hu Zhuan\u003c/emph\u003e). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.\u003c/p\u003e","\u003cp\u003eIncludes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work.\u003c/p\u003e\n","\u003cp\u003e Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e a January 1923 issue of the journal \u003cemph render=\"italic\"\u003eThe Atlantic Monthly\u003c/emph\u003e, containing Buck's first published article, \"In China, Too\" (box 70, folder 282);\u003c/p\u003e\n","\u003cp\u003e a typescript introduction to \u003cemph render=\"italic\"\u003eThe Good Earth\u003c/emph\u003e, 1949 (box 63, folder 254.1);\u003c/p\u003e\n","\u003cp\u003e a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);\u003c/p\u003e\n","\u003cp\u003e a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and\u003c/p\u003e\n","\u003cp\u003e typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).\u003c/p\u003e","\u003cp\u003eIncludes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work.\u003c/p\u003e\n","\u003cp\u003e Highlights include:\u003c/p\u003e\n","\u003cp\u003e typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);\u003c/p\u003e\n","\u003cp\u003e records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and\u003c/p\u003e\n","\u003cp\u003e a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365).\u003c/p\u003e\n","\u003cp\u003e Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others.\u003c/p\u003e\n","\u003cp\u003e Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21).\u003c/p\u003e\n","\u003cp\u003e Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders.\u003c/p\u003e\n","\u003cp\u003e Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.\u003c/p\u003e","\u003cp\u003eIncludes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel, \u003cemph render=\"italic\"\u003eEast Wind, West Wind\u003c/emph\u003e (box 77b, folder 1 and 2).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China."," The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck."," Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more."," Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects."," For additional material, see A\u0026M 727, Pearl S. Buck, Author, Papers.","Overview of Record Series:"," The collection includes eight series:"," Series 1. Novels; ca. 1930-1973. \n Series 2. Non-fiction; ca. 1936-1972. \n Series 3. Children's Books; ca. 1940-1967. \n Series 4. Translation; ca. 1933. \n Series 5. Collections of Short Stories; ca. 1934-1973. \n Series 6. Other Works; ca. 1923-1967, 2014. \n Series 7. Miscellaneous; ca. 1960-2014. \n Series 8. Oversized; ca. 1930-1995."," Series 1-5 include the bulk of Buck's published books in draft form. The cataloging information for these series was drawn from Mary Lee Welliver's thesis,  Pearl S. Buck's Manuscripts: The Harvest of Half a Century  (see series 7, box 71, folder 284). Some of the drafts are deemed \"original\" -- for more information on how this conclusion was reached, please see pages 17-18 of the thesis. Series 6 includes drafts of works that were not cataloged in Welliver's thesis."," Since many of Buck's drafts are undated, date ranges given in the series descriptions are based in part on dates of publication. Also, page counts have not been verified."," Manuscripts from the collection were originally housed in 273 large numbered envelopes. The original envelope numbers have been retained as folder numbers, and the original envelopes have been moved to boxes 83-86."," Regarding terminology in this finding aid:"," \"Galley\" indicates a preliminary version of a publication meant for review and copyediting, printed on oversize paper."," \"Paged galleys\" indicates galleys where pagination has been added, and the number of pages reflects that pagination."," \"Unpaged galleys\" lack page numbers, and are counted by the number of leaves referred to as \"galley pp.\"."," \"Holograph\" indicates an entirely handwritten work (as opposed to typescript)."," \"Manuscript\" is used in the general sense to include holographs, typescripts, and galleys."," \"PSB\" stands for Pearl S. Buck.","Includes holographs, typescripts, typescript carbons, mixed manuscripts, and galleys for more than thirty of Buck's published novels. Many address the topic of Chinese peasant life. Some works are represented by multiple drafts, and some include corrections and revisions by the author."," Highlights include: \n paged galleys of Buck's first novel,  East Wind, West Wind ; \n a typescript of  Sons ; \n original holograph and typescripts of  The Patriot ; \n typescripts of  The Angry Wife , her only novel set in West Virginia and one of many written under the pseudonym John Sedges; and \n multiple drafts of  Imperial Woman ."," Additional drafts, outlines, and synopses for novels and novellas can also be found in Series 6, Other Works. Galleys and galley proofs can be found in Series 8, Oversized.","Includes typescripts, typescript carbons, mixed manuscripts, and holographs for eighteen of Buck's non-fiction works. Topics include Asia, the role of women in American society, racism, children's welfare, and adoption."," Highlights include:"," multiple drafts and leather-bound presentations of Buck's manuscripts for the biographies of her parents --  The Exile  and  The Fighting Angel  -- two novels that helped earn her the 1938 Nobel Prize in Literature;"," a mixed manuscript of the book titled  Of Men and Women ;"," typescripts of  How it Happens ;"," multiple drafts of  The Joy of Children ; and"," multiple drafts of her autobiographies,  My Several Worlds  and  A Bridge for Passing ."," Additional non-fiction works can be found in Series 6, Other Works. Galleys of non-fiction works can be found in Series 8, Oversized.","Includes typescript carbons, galleys, typescripts, mixed manuscripts, and holographs for eleven children's books, including  The Big Fight ,  The Big Wave , and  Matthew, Mark, Luke and John . Galleys can be found in Series 8, Oversized.","Includes two typescript drafts of  All Men Are Brothers , Buck's translation of one of China's most famous novels,  Shui Hu Chuan  (also known as  Water Margin  or  Shui Hu Zhuan ). A brochure advertising this book can be found in Series 6, Other Works, box 70, folder 279.7.","Includes typescripts, typescript carbons, holographs, and mixed manuscripts of short stories from nine of Buck's anthologies. Some of the anthologies were published posthumously. Some entries include the periodical in which the various short stories appeared; please note that this is not indicative of a systematic search. Additional short stories can be found in Series 6, Other Works. A magazine clipping has been moved to Series 8, Oversized.","Includes holographs, typescripts, typescript carbons, clippings, and mixed manuscripts of published and unpublished short stories, articles, dramas/plays, novels, novellas, non-fiction works, reviews, speeches, introductions, forewords, letters, press releases, radio broadcasts, and interviews, among other material. The majority of this series is Buck's own work."," Subjects include China and its people; writing; women; international relations and war; America and its people; India; Japan; mentally handicapped children (the contemporary term, retarded, is used in the contents list); mixed race children; the Vineland Training School; the Welcome House; adoption; and many more. Two published short stories have been moved to Series 8, Oversized."," Highlights include:"," a January 1923 issue of the journal  The Atlantic Monthly , containing Buck's first published article, \"In China, Too\" (box 70, folder 282);"," a typescript introduction to  The Good Earth , 1949 (box 63, folder 254.1);"," a holograph introduction to a series of shortwave radio broadcasts, written by Buck in Chinese characters (with romanizations in typescript) (box 50, folder 196.1);"," a holograph of an untitled radio broadcast, written by Buck in Chinese characters (with romanizations in typescript) (box 51, folder 202); and"," typescripts and typescript carbons of the autobiographical short story \"My Chinese Nurse\" (box 33, folders 134.1-134.3).","Includes exhibit materials, typescripts, clippings, correspondence, ephemera, printed material, photographs, and other material. Subjects include the appraisal and cataloging of collection materials by Frances and Kenneth Swope, Mary Lee Welliver, and Robert Shafer; the Pearl S. Buck Birthplace Foundation and preservation of Buck's birthplace in Hillsboro, WV; celebratory centennial events in 1992; Pearl S. Buck; and her works. The majority of the contents of this series was created by people other than Buck, though it includes a few facsimiles and printed versions of Buck's work."," Highlights include:"," typescripts written about Buck by Lucille S. Zinn, bibliographer for the Pearl S. Buck Birthplace Foundation (box 72, folder 302.1-302.2), who went on to publish \"The Works of Pearl S. Buck: A Bibliography\" (box 73, folder 305.1);"," records regarding the Pearl S. Buck commemorative stamp (various folders in boxes 73-76); and"," a cassette tape of an interview with Pearl S. Buck conducted by Arnold Gingrich, October 12, 1970 (box 76, folder 365)."," Biographical material on Buck can be found in box 73, folder 320; box 74, folders 323 and 338; box 75, folder 349; and others."," Although now substantially superseded by the current cataloging record in terms of both completeness and detail, the Mary Lee Welliver collection guide, within her graduate thesis, has been retained in this collection for future reference (see box 71, folder 284). Within her guide, Welliver cataloged the drafts of published books within the collection (series 1-5). Within these series, she lists the works alphabetically, and the drafts of each work in rough chronological order. (A version of our contents list in this cataloging record, found below, arranged in the same order as the contents list in Welliver's thesis, is available in box 71, folder 284.) Regarding the chronological order in her guide, Welliver notes that, \"In a few cases, the order has been very difficult to ascertain without a more critical study of the manuscripts. This study is left to future researchers and an 'educated guess' has been made as to chronology in such cases\" (Welliver thesis, p. 21)."," Welliver also created data sheets for each work she cataloged, which are available in box 71, folders 293.1-293.4, and box 72, folders 294.1- 294.2. These data sheets include information not recorded in either the contents list found in this cataloging record, or in the Welliver thesis, such as type and size of paper and notations from original envelopes or folders."," Boxes 83-86 include the original container envelopes for most of the collection; the notations on these envelopes regarding specifics about their contents, such as page numbers, may be of interest to future researchers. Not all of this information is present in the contents list.","Includes galleys and galley proofs from Series 1, Novels; Series 2, Non-fiction; and Series 3, Children's Books. Also includes a magazine clipping from Series 5, Collections of Short Stories; published short stories from Series 6, Other Works; and various clippings regarding the Pearl S. Buck Birthplace Foundation, her home, and other topics. Noteworthy are the paged galleys of Buck's first novel,  East Wind, West Wind  (box 77b, folder 1 and 2)."],"separatedmaterial_html_tesm":["\u003cp\u003eSigned letter to Rare Signatures, A\u0026amp;M 435:\u003c/p\u003e\n","\u003cp\u003e  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.\u003c/p\u003e\n","\u003cp\u003eBook to Book Collection:\u003c/p\u003e\n","\u003cp\u003e  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Signed letter to Rare Signatures, A\u0026M 435:","  Signed letter from Pearl Buck to Otto Whittaker, with signed enclosure, dated 1967.","Book to Book Collection:","  Crouch, Archie R. Scholars' Guide to China Mission Resources in the Libraries and Archives of the United States. Princeton, NJ: Princeton University Press, 1983."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f211b751a051bc9538415405c40b491b\"\u003eLiterary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026amp;M 727, Pearl S. Buck, Author. Papers (1930-1976, undated).\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts of Pearl S. Buck (1892-1973), an American fiction writer and humanitarian who won the Pulitzer Prize in 1932 and the Nobel Prize in Literature in 1938. She is best known for her novels about peasant life in China. The collection includes the great majority of manuscripts comprising Buck's literary works, including her novels, non-fiction, children's books, and short stories, as well as articles and speeches, among other material. There is also material about Pearl Buck. Formats include holographs, typescripts, typescript carbons, mixed manuscripts, galleys, and more. Prominent topics of Buck's literary works include: Chinese history, politics, and culture; American culture; international relations; adoption; children with disabilities; women's rights; and writing. The collection also includes material regarding the Pearl S. Buck Birthplace Foundation, Pearl Buck as an author, and other subjects. For additional material, see A\u0026M 727, Pearl S. Buck, Author. Papers (1930-1976, undated)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_467f19ef8fc1a4b71aa23048ffda005d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"names_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College","Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"corpname_ssim":["West Virginia and Regional History Center","Pearl S. Buck Birthplace Foundation","West Virginia Wesleyan College"],"persname_ssim":["Buck, Pearl S. (Pearl Sydenstricker), 1892-1973","Walsh, Richard J. (Richard John), 1886-1960"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":923,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:24:29.099Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5375_c06_c240"}},{"id":"vircu_repositories_3_resources_585_c02_c03","type":"File","attributes":{"title":"1950-1953","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_585_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_585_c02_c03","ref_ssm":["vircu_repositories_3_resources_585_c02_c03"],"id":"vircu_repositories_3_resources_585_c02_c03","ead_ssi":"vircu_repositories_3_resources_585","_root_":"vircu_repositories_3_resources_585","_nest_parent_":"vircu_repositories_3_resources_585_c02","parent_ssi":"vircu_repositories_3_resources_585_c02","parent_ssim":["vircu_repositories_3_resources_585","vircu_repositories_3_resources_585_c02"],"parent_ids_ssim":["vircu_repositories_3_resources_585","vircu_repositories_3_resources_585_c02"],"parent_unittitles_ssm":["Walther and Hertha Riese papers","Series 2: Correpondence"],"parent_unittitles_tesim":["Walther and Hertha Riese papers","Series 2: Correpondence"],"text":["Walther and Hertha Riese papers","Series 2: Correpondence","1950-1953","box 20","folder 1--6"],"title_filing_ssi":"1950-1953","title_ssm":["1950-1953"],"title_tesim":["1950-1953"],"unitdate_inclusive_ssm":["1950-08-1953-06"],"normalized_date_ssm":["1950/1953"],"normalized_title_ssm":["1950-1953"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Walther and Hertha Riese papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":187,"parent_access_restrict_tesm":["The collection is open for research, except for series 3, the majority of which is restricted under HIPAA. Please consult Special Collections and Archives staff for details."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1950,1951,1952,1953],"containers_ssim":["box 20","folder 1--6"],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-21T04:33:13.264Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_585","ead_ssi":"vircu_repositories_3_resources_585","_root_":"vircu_repositories_3_resources_585","_nest_parent_":"vircu_repositories_3_resources_585","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_585.xml","title_filing_ssi":"Riese, Walther and Hertha, papers","title_ssm":["Walther and Hertha Riese papers"],"title_tesim":["Walther and Hertha Riese papers"],"unitdate_ssm":["1898-1975"],"unitdate_bulk_ssim":["1898-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["1982.03.25","/repositories/3/resources/585"],"text":["1982.03.25","/repositories/3/resources/585","Walther and Hertha Riese papers","Neuropathology","Neurology","The collection is open for research, except for series 3, the majority of which is restricted under HIPAA. Please consult Special Collections and Archives staff for details.","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Restricted?","Materials are generally arranged alphabetically and then chronologically within. 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During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. ","The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.","The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.","Series 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.","Series 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.","Series 7: Publications. Series 7 is comprised of materials published by the Rieses. ","Materials under Series 7 has been added to the General Collection, and can be searched using the library catalog.","Publications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term.","There are no restrictions.","VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981","English German French"],"unitid_tesim":["1982.03.25","/repositories/3/resources/585"],"normalized_title_ssm":["Walther and Hertha Riese papers"],"collection_title_tesim":["Walther and Hertha Riese papers"],"collection_ssim":["Walther and Hertha Riese papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Roland Villars in 1982."],"access_subjects_ssim":["Neuropathology","Neurology"],"access_subjects_ssm":["Neuropathology","Neurology"],"has_online_content_ssim":["false"],"extent_ssm":["15.29 Linear Feet 39 5\" document cases, 1 is legal sized\n1 records storage box"],"extent_tesim":["15.29 Linear Feet 39 5\" document cases, 1 is legal sized\n1 records storage box"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except for series 3, the majority of which is restricted under HIPAA. 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Exceptions are: Series 2, Correspondence, is arranged primarily chronologically, with some correspondence arranged in separate folders by subject. Series 3, Eastern State Hospital Files, are arranged with case studies arranged alphabetically first, followed by other subjects alphabetically. Series 6,Research Grants, are arranged chronologically. Series 7, Publications, are catalogued in the VCU Libraries online catalog. Please see the Separated Materials note for more information on Series 7 materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are generally arranged alphabetically and then chronologically within. Exceptions are: Series 2, Correspondence, is arranged primarily chronologically, with some correspondence arranged in separate folders by subject. Series 3, Eastern State Hospital Files, are arranged with case studies arranged alphabetically first, followed by other subjects alphabetically. Series 6,Research Grants, are arranged chronologically. Series 7, Publications, are catalogued in the VCU Libraries online catalog. Please see the Separated Materials note for more information on Series 7 materials."],"bioghist_html_tesm":["\u003cp\u003eWalther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.\u003c/p\u003e\n","\u003cp\u003eWalther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.\u003c/p\u003e\n","\u003cp\u003eIn January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. \u003c/p\u003e\n","\u003cp\u003eOnce in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published \u003ctitle\u003eThe Conception of Disease\u003c/title\u003e and \u003ctitle\u003eA History of Neurology\u003c/title\u003e in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.\u003c/p\u003e\n","\u003cp\u003eWalther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book \u003ctitle\u003eHeal the Hurt Child published\u003c/title\u003e in 1962. She retired a year later. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Walther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. "],"prefercite_html_tesm":["\u003cp\u003eWalther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Walther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well."],"scopecontent_html_tesm":["\u003cp\u003eThe materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Publications. Series 7 is comprised of materials published by the Rieses. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.","Series 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.","Series 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.","Series 7: Publications. Series 7 is comprised of materials published by the Rieses. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials under Series 7 has been added to the General Collection, and can be searched using the library catalog.\u003c/p\u003e","\u003cp\u003ePublications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Materials under Series 7 has been added to the General Collection, and can be searched using the library catalog.","Publications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"names_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals"],"persname_ssim":["Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:33:13.264Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_585_c02_c03"}},{"id":"viu_repositories_8_resources_183_c173","type":"File","attributes":{"title":"1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_8_resources_183_c173#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_8_resources_183_c173","ref_ssm":["viu_repositories_8_resources_183_c173"],"id":"viu_repositories_8_resources_183_c173","ead_ssi":"viu_repositories_8_resources_183","_root_":"viu_repositories_8_resources_183","_nest_parent_":"viu_repositories_8_resources_183","parent_ssi":"viu_repositories_8_resources_183","parent_ssim":["viu_repositories_8_resources_183"],"parent_ids_ssim":["viu_repositories_8_resources_183"],"parent_unittitles_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"parent_unittitles_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"text":["University of Virginia School of Nursing Alumni Association Collection","1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","box 15","folder 05"],"title_filing_ssi":"1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing","title_ssm":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"title_tesim":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"unitdate_inclusive_ssm":["1950-1960"],"normalized_date_ssm":["1950/1960"],"normalized_title_ssm":["1950-1960: Correspondence: representative letters, many of these deal with the name change c. 1953 from School of Nursing to Cabaniss Memorial Department of Nursing"],"component_level_isim":[1],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["University of Virginia School of Nursing Alumni Association Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":173,"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"containers_ssim":["box 15","folder 05"],"_nest_path_":"/components#172","timestamp":"2026-05-20T23:50:22.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_8_resources_183","ead_ssi":"viu_repositories_8_resources_183","_root_":"viu_repositories_8_resources_183","_nest_parent_":"viu_repositories_8_resources_183","ead_source_url_ssi":"data/oai/UVA/repositories_8_resources_183.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/164","title_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"title_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"unitdate_ssm":["1916-2007"],"unitdate_inclusive_ssm":["1916-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016Org02","Archival Resource Key","/repositories/8/resources/183"],"text":["2016Org02","Archival Resource Key","/repositories/8/resources/183","University of Virginia School of Nursing Alumni Association Collection","The papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content","The University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing."," The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues.","This collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection.","The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry","English"],"unitid_tesim":["2016Org02","Archival Resource Key","/repositories/8/resources/183"],"normalized_title_ssm":["University of Virginia School of Nursing Alumni Association Collection"],"collection_title_tesim":["University of Virginia School of Nursing Alumni Association Collection"],"collection_ssim":["University of Virginia School of Nursing Alumni Association Collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"has_online_content_ssim":["false"],"extent_ssm":["7.4 Linear Feet"],"extent_tesim":["7.4 Linear Feet"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are organized in two levels of description, series and chronology. Series description includes Board of Directors papers, Committee Series, Leadership Series, Financial Series, Fundraising Series, the Bice Lectureship series, Events Series, and the Scholarship/Awards Series. Box 11 begins chronological organization in this collection and contains obituaries of various members of the Alumni Association, publications from various SON alumnae, significant, various written histories and representative documents, Reports on the School of Nursing, individual folders for the graduating classes, class newsletters, cards, telegrams, letters, photos, financial records. Oversized Box F5 contains an 11x14 ledger recording cash receipts of Alumni Association membership dues from 1937 to 1947. In the back of this ledger are expense accounts. Scope and Content"],"bioghist_html_tesm":["\u003cp\u003eThe University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing.\u003c/p\u003e\n","\u003cp\u003e The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The University of Virginia School of Nursing Alumni Association was organized in 1916 with 31 charter members.  \"All graduates of the diploma, and undergraduate, graduate and certificate programs are members of the University of Virginia School of Nursing Alumni Association\" (By-Laws, revised 1992). The organization has grown in membership and in service to the School of Nursing and the community. In 1951, in recognition of the School of Nursing's Golden Anniversary, the Alumnae sponsored several activities. In 1969 an executive secretary was employed by the association.  In 1975, after the death of Zula Mae Barber Bice (acting dean of School of Nursing 1961-1962), the Alumni Association helped establish the annual lectureship in Bice's honor. Under the leadership of Jeanette Lancaster, Dean of School of Nursing, 1989, the School of Nursing and the Alumni Association developed a vigorous partnership and created an Advisory Board in 1991 consisting of alumni, faculty, business and professional leaders who provide advice and support to the School of Nursing."," The aims of the Alumni Association, as stated by their by-laws (revised 1992), are to serve as a resource for nursing alumni, work closely with and assist the University of Virginia School of Nursing Administration through financial and organizational support, provide monetary support and provide opportunity for learning the Science of Nursing through sponsored programs. The leadership of this association consists of elected officers including a President, President-Elect, Vice-President, Secretary, Treasurer and two members at large, a Board of Directors which consists of five elected officers and two members at large, the employees of the association which consists of the Executive Director and Secretary and various committees. The organization is funded solely by the generous donations of the members and membership dues."],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia School of Nursing, Eleanor Crowder Bjoring Center for Nursing Historical Inquiry, Papers of the University of Virginia School of Nursing Alumni Association.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia School of Nursing, Eleanor Crowder Bjoring Center for Nursing Historical Inquiry, Papers of the University of Virginia School of Nursing Alumni Association."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of 17 boxes. The main characteristics of this collection are extensive correspondence, organizational papers including Board of Directors and various committee minutes and financial reports. Another strong characteristic of this collection are papers and photographs representing the social events within the Alumni Association and those sponsored by the Alumni Association involving the School of Nursing. Awards and Scholarships sponsored and presented by the Alumni Association are also represented in this collection."],"names_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"corpname_ssim":["The Eleanor Crowder Bjoring Center for Nursing Historical Inquiry"],"language_ssim":["English"],"total_component_count_is":224,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_8_resources_183_c173"}},{"id":"viblbv_repositories_2_resources_1412_c01_c931","type":"File","attributes":{"title":"1950 - 1962","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1412_c01_c931#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1412_c01_c931","ref_ssm":["viblbv_repositories_2_resources_1412_c01_c931"],"id":"viblbv_repositories_2_resources_1412_c01_c931","ead_ssi":"viblbv_repositories_2_resources_1412","_root_":"viblbv_repositories_2_resources_1412","_nest_parent_":"viblbv_repositories_2_resources_1412_c01","parent_ssi":"viblbv_repositories_2_resources_1412_c01","parent_ssim":["viblbv_repositories_2_resources_1412","viblbv_repositories_2_resources_1412_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1412","viblbv_repositories_2_resources_1412_c01"],"parent_unittitles_ssm":["Marshall W. Fishwick Collection","Series I: Papers"],"parent_unittitles_tesim":["Marshall W. Fishwick Collection","Series I: Papers"],"text":["Marshall W. Fishwick Collection","Series I: Papers","1950 - 1962","box 63","folder 2"],"title_filing_ssi":"1950 - 1962","title_ssm":["1950 - 1962"],"title_tesim":["1950 - 1962"],"unitdate_bulk_ssim":["1950-1962"],"normalized_title_ssm":["1950 - 1962"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Marshall W. Fishwick Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":932,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) for assistance in determining the use of these materials."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"containers_ssim":["box 63","folder 2"],"_nest_path_":"/components#0/components#930","timestamp":"2026-05-21T02:22:03.360Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1412","ead_ssi":"viblbv_repositories_2_resources_1412","_root_":"viblbv_repositories_2_resources_1412","_nest_parent_":"viblbv_repositories_2_resources_1412","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1412.xml","title_filing_ssi":"Fishwick, Marshall W., Collection","title_ssm":["Marshall W. Fishwick Collection"],"title_tesim":["Marshall W. Fishwick Collection"],"unitdate_ssm":["1700-2007","1923-2007"],"unitdate_bulk_ssim":["1923-2007"],"unitdate_inclusive_ssm":["1700-2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1985.007"],"text":["Ms.1985.007","Marshall W. Fishwick Collection","Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945","The collection is open for research.","The items in this folder are restricted for 75 years from date of creation.","Series I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.   Series II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download). \n\n VHS tapes Film reels Audiocassette tapes Computer disks Floppy disks Slides Photographic negatives Artifacts Photographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received Series III: Oversize Materials","Marshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. ","In 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. ","Fishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. ","Fishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. ","Marshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. ","Source:","Smith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In  Encyclopedia Virginia . Accessed December 2, 2019.  https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006","The guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022.","This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. ","Note: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A  spreadsheet of these materials by format is available  (file will automatically download). ","This series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download).","The following books were removed and cataloged for the Special Collections Rare Book Collection:","Brake, Robert J.  Communication in Popular Culture . Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2.  Brown, Katharine L.  Hills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938 . Roanoke: Diocese of Southwestern Virginia, 1979.  Browne, Ray B.  Against Academia . Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2.  Browne, Ray B., and Christopher D. Geist.  Popular Abstracts . Copy 2.  Browne, Ray B., and Michael T. Marsden.  Pioneers in Popular Culture Studies . Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2.  Cawelti, John G.  The Six-Gun Mystique . Bowling Green, OH: Bowling Green Popular Press. Copy 2.  Eliot, T. S.  Collected Poems, 1901-1935 . New York: Harcourt, Brace and Company, 1936.  Fishwick, Marshall W.  Around the World in Forty Years . Bowling Green, Ohio: Bowling Green State University Popular Press, c1984.  Fishwick, Marshall W.  Common Culture and the Great Tradition: The Case for Renewal . Westport, Conn.: Greenwood Press, 1982.  Fishwick, Marshall W.  The Face of Jang: A Collection of Poems . New York, Hobson Book Press, 1945.  Fishwick, Marshall W.  Gentlemen of Virginia . New York: Dodd, Mead, 1961.  Fishwick, Marshall W. \"If I were to Live All Over Again—\" Fishwick, Marshall W.  Isle of Shoals . New York, N.Y., Hobson Book Press, 1946.  Fishwick, Marshall W.  Lee After the War . New York, Dodd, Mead [1963]. Fishwick, Marshall W.  Virginia: A New Look at the Old Dominion . New York, Harper [1959]. Fishwick, Marshall W.  The Virginia Tradition . Washington, Public Affairs Press [1956]. Fishwick, Marshall W., ed.  The World of Ronald McDonald . LeBerge, Ann and Marshall Fishwick.  From a Minimalist Kitchen: Simple Cooking for Post-Moderns . Lippy, Charles H.  Being Religious, American Style . Westport, CT: Greenwood Press, 1994.  Thompson, Jonathan R.  Education and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850 . Richmond: H. K. Ellyson's Power Press, 1850. Tompkins, Edmond Pendelton.  Rockbridge County, Virginia: An Informal History . Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026 Shepperson, 1952. Van Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in  The Journal of Southern History , Vol. XIV, No. 2, May 1948. Wolfe, Tom.  The Bonfire of the Vanities . New York: Farrar, Straus, Giroux, 1989, c1987.","The following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:","The Journal of Popular Culture . The Journal of American Culture , vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3.  The Journal of Popular Film , vol. 2, no. 1.  Popular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998. The Southern Quarterly , Vol. XXI, No. 2.  Studies in Popular Culture , vol. 22, no. 3.","Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials.","This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003.","Please note:  This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Fishwick, Marshall William, 1923-2006","The majority of this collection is in English. However, there are a few letters in French. Translations of these letters have been created and are included with the items."],"unitid_tesim":["Ms.1985.007"],"normalized_title_ssm":["Marshall W. Fishwick Collection"],"collection_title_tesim":["Marshall W. Fishwick Collection"],"collection_ssim":["Marshall W. Fishwick Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Fishwick, Marshall William, 1923-2006"],"creator_ssim":["Fishwick, Marshall William, 1923-2006"],"creator_persname_ssim":["Fishwick, Marshall William, 1923-2006"],"creators_ssim":["Fishwick, Marshall William, 1923-2006"],"access_terms_ssm":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials."],"acqinfo_ssim":["The initial donation from the Marshall W. Fishwick Collection was received by Special Collections and University Archives in 1985. The majority of the collection was donated in 2007."],"access_subjects_ssim":["Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945"],"access_subjects_ssm":["Faculty and staff","Popular culture -- United States","University History","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["103 Cubic Feet 75 boxes, 2 folders"],"extent_tesim":["103 Cubic Feet 75 boxes, 2 folders"],"date_range_isim":[1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eThe items in this folder are restricted for 75 years from date of creation.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","The items in this folder are restricted for 75 years from date of creation."],"arrangement_html_tesm":["\u003clist\u003e\n\u003citem\u003eSeries I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.  \u003c/item\u003e\n\u003citem\u003eSeries II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A \u003ca href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\" target=\"_blank\"\u003espreadsheet of these materials by format is available for download\u003c/a\u003e and searching (file will automatically download). \n\n\u003clist\u003e\n\u003citem\u003eVHS tapes\u003c/item\u003e\n\u003citem\u003eFilm reels\u003c/item\u003e\n\u003citem\u003eAudiocassette tapes\u003c/item\u003e\n\u003citem\u003eComputer disks\u003c/item\u003e\n\u003citem\u003eFloppy disks\u003c/item\u003e\n\u003citem\u003eSlides\u003c/item\u003e\n\u003citem\u003ePhotographic negatives\u003c/item\u003e\n\u003citem\u003eArtifacts\u003c/item\u003e\n\u003citem\u003ePhotographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received\u003c/item\u003e\n\u003c/list\u003e\n\u003c/item\u003e\n\u003citem\u003eSeries III: Oversize Materials\u003c/item\u003e\n\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Papers are in their original order. Folders were replaced and filed in new boxes in the order in which they were received.   Series II: Audiovisual and Electronic Materials is subdivided by material type.\n\nNote: Boxes 1-13, 70-71, and 75 contain audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download). \n\n VHS tapes Film reels Audiocassette tapes Computer disks Floppy disks Slides Photographic negatives Artifacts Photographs and albums in this collection are in their original order. Folders were replaced and filed in new boxes in the order in which they were received Series III: Oversize Materials"],"bioghist_html_tesm":["\u003cp\u003eMarshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. \u003c/p\u003e\n","\u003cp\u003eIn 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. \u003c/p\u003e\n","\u003cp\u003eFishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. \u003c/p\u003e\n","\u003cp\u003eFishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. \u003c/p\u003e\n","\u003cp\u003eMarshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. \u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eSmith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In \u003ci\u003eEncyclopedia Virginia\u003c/i\u003e. Accessed December 2, 2019. \u003ca href=\"https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006\" target=\"_blank\"\u003ehttps://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Marshall William Fishwick was born July 5, 1923, in Roanoke, Virginia.  After receiving his BA from the University of Virginia in 1943, Fishwick served with the American Fleet during World War II. He then went on to receive his MA from the University of Wisconsin in 1946, followed by his PhD from Yale University in 1949. ","In 1949, Fishwick began teaching at Washington and Lee University in Lexington, where he remained until 1962. He served as director of the Wemyss Foundation from 1962 to 1964, chaired Lincoln University's Art and American Studies departments from 1964 to 1970, and taught at Temple University from 1970 to 1976. From 1976 until his retirement in 2003, Fishwick taught at Virginia Tech, where he founded the American Studies and Popular Culture programs. ","Fishwick co-founded the Popular Culture Association with Ray B. Browne and Russel B. Nye in 1970 and began the journal International Popular Culture. He wrote and contributed to more than 40 books, and received eight Fulbright Awards and multiple grants, which allowed him to teach abroad throughout Europe and Asia. He was a member of the Guild of Scholars of the Episcopal Church and historiographer of the Diocese of Southwest Virginia. One of Fishwick's highest accomplishments as a multidisciplinary scholar was starting the academic movement in popular culture studies. ","Fishwick married his third wife and Virginia Tech colleague Ann La Berge in 1995. He had four children with his first wife and two stepdaughters. ","Marshall Fishwick died in Blacksburg, Virginia, on May 22, 2006. ","Source:","Smith, Leanne E. \"Marshall W. Fishwick (1923–2006).\" In  Encyclopedia Virginia . Accessed December 2, 2019.  https://www.encyclopediavirginia.org/Fishwick_Marshall_W_1923-2006"],"odd_html_tesm":["\u003cp\u003eThe guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Marshall W. Fishwick Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Marshall W. Fishwick Collection, Ms1985-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Marshall W. Fishwick Collection, Ms1985-007, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Marshall W. Fishwick Collection began in 2016 and was completed in June 2018. Additional material (boxes 72-75) was processed in March 2022."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. \u003c/p\u003e\n","\u003cp\u003eNote: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A \u003ca href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\" target=\"_blank\"\u003espreadsheet of these materials by format is available\u003c/a\u003e (file will automatically download). \u003c/p\u003e","\u003cp\u003eThis series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A \u003cextref href=\"https://docs.google.com/spreadsheets/d/e/2PACX-1vRliBtKWUEi55RzFhxAx96zswldL3LHUM7uImx72NhqUFcLBzvQtvDD-8NuM__LWj5IRS_SJlrAYSQ_/pub?output=xlsx\"\u003espreadsheet of these materials by format is available for download\u003c/extref\u003e and searching (file will automatically download).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003. ","Note: Audiovisual and electronic materials from this collection, including VHS and cassette tapes, film, floppy disks, slides, and negatives are inventoried separately. A  spreadsheet of these materials by format is available  (file will automatically download). ","This series contains the audio and video materials in the collection, primarily resources used by Fishwick as teaching tools or in his research. This includes VHS tapes, audio cassette tapes, films, floppy disks, and an extensive set of slides. A  spreadsheet of these materials by format is available for download  and searching (file will automatically download)."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following books were removed and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003eBrake, Robert J. \u003ctitle render=\"italic\"\u003eCommunication in Popular Culture\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrown, Katharine L. \u003ctitle render=\"italic\"\u003eHills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938\u003c/title\u003e. Roanoke: Diocese of Southwestern Virginia, 1979. \u003c/item\u003e \n\u003citem\u003eBrowne, Ray B. \u003ctitle render=\"italic\"\u003eAgainst Academia\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrowne, Ray B., and Christopher D. Geist. \u003ctitle render=\"italic\"\u003ePopular Abstracts\u003c/title\u003e. Copy 2. \u003c/item\u003e\n\u003citem\u003eBrowne, Ray B., and Michael T. Marsden. \u003ctitle render=\"italic\"\u003ePioneers in Popular Culture Studies\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2. \u003c/item\u003e\n\u003citem\u003eCawelti, John G. \u003ctitle render=\"italic\"\u003eThe Six-Gun Mystique\u003c/title\u003e. Bowling Green, OH: Bowling Green Popular Press. Copy 2. \u003c/item\u003e\n\u003citem\u003eEliot, T. S. \u003ctitle render=\"italic\"\u003eCollected Poems, 1901-1935\u003c/title\u003e. New York: Harcourt, Brace and Company, 1936. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eAround the World in Forty Years\u003c/title\u003e. Bowling Green, Ohio: Bowling Green State University Popular Press, c1984. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eCommon Culture and the Great Tradition: The Case for Renewal\u003c/title\u003e. Westport, Conn.: Greenwood Press, 1982. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eThe Face of Jang: A Collection of Poems\u003c/title\u003e. New York, Hobson Book Press, 1945. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eGentlemen of Virginia\u003c/title\u003e. New York: Dodd, Mead, 1961. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \"If I were to Live All Over Again—\"\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eIsle of Shoals\u003c/title\u003e. New York, N.Y., Hobson Book Press, 1946. \u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eLee After the War\u003c/title\u003e. New York, Dodd, Mead [1963].\u003c/item\u003e \n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eVirginia: A New Look at the Old Dominion\u003c/title\u003e. New York, Harper [1959].\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W. \u003ctitle render=\"italic\"\u003eThe Virginia Tradition\u003c/title\u003e. Washington, Public Affairs Press [1956].\u003c/item\u003e\n\u003citem\u003eFishwick, Marshall W., ed. \u003ctitle render=\"italic\"\u003eThe World of Ronald McDonald\u003c/title\u003e.\u003c/item\u003e \n\u003citem\u003eLeBerge, Ann and Marshall Fishwick. \u003ctitle render=\"italic\"\u003eFrom a Minimalist Kitchen: Simple Cooking for Post-Moderns\u003c/title\u003e.\u003c/item\u003e \n\u003citem\u003eLippy, Charles H. \u003ctitle render=\"italic\"\u003eBeing Religious, American Style\u003c/title\u003e. Westport, CT: Greenwood Press, 1994. \u003c/item\u003e\n\u003citem\u003eThompson, Jonathan R. \u003ctitle render=\"italic\"\u003eEducation and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850\u003c/title\u003e. Richmond: H. K. Ellyson's Power Press, 1850.\u003c/item\u003e \n\u003citem\u003eTompkins, Edmond Pendelton. \u003ctitle render=\"italic\"\u003eRockbridge County, Virginia: An Informal History\u003c/title\u003e. Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026amp; Shepperson, 1952.\u003c/item\u003e \n\u003citem\u003eVan Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in \u003ctitle render=\"italic\"\u003eThe Journal of Southern History\u003c/title\u003e, Vol. XIV, No. 2, May 1948.\u003c/item\u003e \n\u003citem\u003eWolfe, Tom. \u003ctitle render=\"italic\"\u003eThe Bonfire of the Vanities\u003c/title\u003e. New York: Farrar, Straus, Giroux, 1989, c1987.\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThe following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003cp\u003e\u003clist\u003e\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of Popular Culture\u003c/title\u003e.\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of American Culture\u003c/title\u003e, vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3. \u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Journal of Popular Film\u003c/title\u003e, vol. 2, no. 1. \u003c/item\u003e\n\u003citem\u003ePopular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998.\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eThe Southern Quarterly\u003c/title\u003e, Vol. XXI, No. 2. \u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eStudies in Popular Culture\u003c/title\u003e, vol. 22, no. 3.\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials (Books)","Separated Materials (Serials/Journals)"],"separatedmaterial_tesim":["The following books were removed and cataloged for the Special Collections Rare Book Collection:","Brake, Robert J.  Communication in Popular Culture . Bowling Green, OH: Bowling Green Popular Press, 1975. Copy 2.  Brown, Katharine L.  Hills of the Lord: Background of the Episcopal Church in Southwestern Virginia, 1738-1938 . Roanoke: Diocese of Southwestern Virginia, 1979.  Browne, Ray B.  Against Academia . Bowling Green, OH: Bowling Green Popular Press, 1989. Copy 2.  Browne, Ray B., and Christopher D. Geist.  Popular Abstracts . Copy 2.  Browne, Ray B., and Michael T. Marsden.  Pioneers in Popular Culture Studies . Bowling Green, OH: Bowling Green Popular Press, 1999. Copy 2.  Cawelti, John G.  The Six-Gun Mystique . Bowling Green, OH: Bowling Green Popular Press. Copy 2.  Eliot, T. S.  Collected Poems, 1901-1935 . New York: Harcourt, Brace and Company, 1936.  Fishwick, Marshall W.  Around the World in Forty Years . Bowling Green, Ohio: Bowling Green State University Popular Press, c1984.  Fishwick, Marshall W.  Common Culture and the Great Tradition: The Case for Renewal . Westport, Conn.: Greenwood Press, 1982.  Fishwick, Marshall W.  The Face of Jang: A Collection of Poems . New York, Hobson Book Press, 1945.  Fishwick, Marshall W.  Gentlemen of Virginia . New York: Dodd, Mead, 1961.  Fishwick, Marshall W. \"If I were to Live All Over Again—\" Fishwick, Marshall W.  Isle of Shoals . New York, N.Y., Hobson Book Press, 1946.  Fishwick, Marshall W.  Lee After the War . New York, Dodd, Mead [1963]. Fishwick, Marshall W.  Virginia: A New Look at the Old Dominion . New York, Harper [1959]. Fishwick, Marshall W.  The Virginia Tradition . Washington, Public Affairs Press [1956]. Fishwick, Marshall W., ed.  The World of Ronald McDonald . LeBerge, Ann and Marshall Fishwick.  From a Minimalist Kitchen: Simple Cooking for Post-Moderns . Lippy, Charles H.  Being Religious, American Style . Westport, CT: Greenwood Press, 1994.  Thompson, Jonathan R.  Education and Literature in Virginia: An Address Delivered before the Literary Societies of Washington College, Lexington, Virginia, 18 June 1850 . Richmond: H. K. Ellyson's Power Press, 1850. Tompkins, Edmond Pendelton.  Rockbridge County, Virginia: An Informal History . Ed. by Marshall W. Fishwick. Richmond, Whittet \u0026 Shepperson, 1952. Van Auken, Sheldon. \"The Southern Historical Novel in the Early Twentieth Century\" in  The Journal of Southern History , Vol. XIV, No. 2, May 1948. Wolfe, Tom.  The Bonfire of the Vanities . New York: Farrar, Straus, Giroux, 1989, c1987.","The following journals and serials were removed and cataloged for the Special Collections Rare Book Collection:","The Journal of Popular Culture . The Journal of American Culture , vol. 27, no. 2; vol. 29, no. 1; vol. 29, no 2; vol. 29, no. 3.  The Journal of Popular Film , vol. 2, no. 1.  Popular Culture Association/American Culture Association conference programs, 1991-1993, 1997-1998. The Southern Quarterly , Vol. XXI, No. 2.  Studies in Popular Culture , vol. 22, no. 3."],"userestrict_html_tesm":["\u003cp\u003ePublication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) for assistance in determining the use of these materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Publication of personal materials from the collection requires permission from the donor until 2033. The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) for assistance in determining the use of these materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ac3c17666c77af8c28e9ee4b051f013f\" label=\"Abstract\"\u003eThis collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains course and teaching related materials, photographs, manuscripts, audiovisual and electronic material, scrapbooks, and the professional and personal correspondence of Marshall William Fishwick, professor of Humanities and Communication Studies at Virginia Tech, 1976-2003."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d60d32566e363782ab4a9a31b19d2fe7\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is located in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Fishwick, Marshall William, 1923-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Fishwick, Marshall William, 1923-2006"],"language_ssim":["The majority of this collection is in English. However, there are a few letters in French. Translations of these letters have been created and are included with the items."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:22:03.360Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1412_c01_c931"}},{"id":"vihdsc_repositories_2_resources_38_c06_c16","type":"Item","attributes":{"title":"1950s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_38_c06_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihdsc_repositories_2_resources_38_c06_c16","ref_ssm":["vihdsc_repositories_2_resources_38_c06_c16"],"id":"vihdsc_repositories_2_resources_38_c06_c16","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38_c06","parent_ssi":"vihdsc_repositories_2_resources_38_c06","parent_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_ids_ssim":["vihdsc_repositories_2_resources_38","vihdsc_repositories_2_resources_38_c06"],"parent_unittitles_ssm":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"parent_unittitles_tesim":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books"],"text":["Elizabeth Carrington Eggleston Papers","Series 6: Jotting Books","1950s","English ."],"title_filing_ssi":"1950s","title_ssm":["1950s"],"title_tesim":["1950s"],"unitdate_inclusive_ssm":["1950/1955"],"normalized_date_ssm":["1950/1955"],"normalized_title_ssm":["1950s"],"component_level_isim":[2],"repository_ssim":["Hampden-Sydney College"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"extent_ssm":["5 Volumes"],"extent_tesim":["5 Volumes"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":73,"parent_access_restrict_tesm":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"parent_access_terms_tesm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"date_range_isim":[1950,1951,1952,1953,1954,1955],"language_ssim":["English ."],"_nest_path_":"/components#5/components#15","timestamp":"2026-05-21T04:18:20.185Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihdsc_repositories_2_resources_38","ead_ssi":"vihdsc_repositories_2_resources_38","_root_":"vihdsc_repositories_2_resources_38","_nest_parent_":"vihdsc_repositories_2_resources_38","ead_source_url_ssi":"data/oai/HSC/repositories_2_resources_38.xml","aspace_url_ssi":"http://archivespace.hsc.edu:8081/ark:/45832/10961","title_filing_ssi":"Elizabeth Carrington Eggleston Papers","title_ssm":["Elizabeth Carrington Eggleston Papers"],"title_tesim":["Elizabeth Carrington Eggleston Papers"],"unitdate_ssm":["1899/1994"],"unitdate_inclusive_ssm":["1899/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.000128"],"text":["SC.000128","Elizabeth Carrington Eggleston Papers","Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.","Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.","Elizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters. They are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for.","The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.","Hampden-Sydney College Archives \u0026 Special Collections","English \n.    "],"unitid_tesim":["SC.000128"],"normalized_title_ssm":["Elizabeth Carrington Eggleston Papers"],"collection_title_tesim":["Elizabeth Carrington Eggleston Papers"],"collection_ssim":["Elizabeth Carrington Eggleston Papers"],"repository_ssm":["Hampden-Sydney College"],"repository_ssim":["Hampden-Sydney College"],"access_terms_ssm":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"has_online_content_ssim":["false"],"extent_ssm":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"extent_tesim":["8.5 Linear Feet 7 Hollinger Boxes; 149 Volumes Jotting Books; 1 Binder"],"date_range_isim":[1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access to Materials"],"accessrestrict_tesim":["Collection is open for research; access requires at least 48 hours advance notice. Because of the nature of certain archival formats, including digital and audio-visual materials, access will require additional advanced notice. Copies of digital files will be provided for use upon request."],"scopecontent_html_tesm":["\u003cp\u003eInventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.\u003c/p\u003e","\u003cp\u003eElizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters.\u003cbr\u003e\u003cbr\u003eThey are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["Inventoried collection of correspondence, poems, essays, mementos, and personal effects of Elizabeth Carrington Eggleston, daughter of former Hampden-Sydney College President Joseph DuPuy Eggleston, including numerous \"jotting books\" or commonplace books that Eggleston kept throughout her life.","Elizabeth Eggleston's \"Jotting Books\" are notebooks containing diary entries, personal information, and drafts of various poems, essays, and letters. They are arranged chronologically, though certain volumes (2, 4-14, 41, 42 108-110, 113) are unaccounted for."],"userestrict_html_tesm":["\u003cp\u003eThe nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials.\u003cbr\u003e\u003cbr\u003eThe materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source.\u003cbr\u003e\u003cbr\u003eThis collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility.\u003c/p\u003e"],"userestrict_heading_ssm":["Use of These Materials"],"userestrict_tesim":["The nature of the Hampden-Sydney College Archives and Special Collections means that copyright or other information about restrictions may be difficult or even impossible to determine despite reasonable efforts. As a result, Hampden-Sydney College claims only physical ownership of most Special Collections materials. The materials from our collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. This collection may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g. cause of action under common law for invasion of privacy may arise if facts concerning and individual's private life are published that would be deemed highly offensive to a reasonable person) for which the College assumes no responsibility."],"names_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"corpname_ssim":["Hampden-Sydney College Archives \u0026 Special Collections"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":77,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:18:20.185Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihdsc_repositories_2_resources_38_c06_c16"}},{"id":"viu_repositories_3_resources_1030_c03_c06","type":"Subseries","attributes":{"title":"1950s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c06","ref_ssm":["viu_repositories_3_resources_1030_c03_c06"],"id":"viu_repositories_3_resources_1030_c03_c06","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1950s"],"title_filing_ssi":"1950s","title_ssm":["1950s"],"title_tesim":["1950s"],"unitdate_inclusive_ssm":["1950-1959"],"normalized_date_ssm":["1950/1959"],"normalized_title_ssm":["1950s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":200,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":934,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"_nest_path_":"/components#2/components#5","timestamp":"2026-05-28T16:05:34.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1030","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1030.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/121246","title_filing_ssi":"Robinson, Charles M. and Principals Architectural Records","title_ssm":["Charles M. Robinson and Principals Architectural Records"],"title_tesim":["Charles M. Robinson and Principals Architectural Records"],"unitdate_ssm":["Circa 1855-2012"],"unitdate_inclusive_ssm":["Circa 1855-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030"],"text":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030","Charles M. Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford","English"],"unitid_tesim":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030"],"normalized_title_ssm":["Charles M. Robinson and Principals Architectural Records"],"collection_title_tesim":["Charles M. Robinson and Principals Architectural Records"],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Robinson, Charles  M. (Morrison), 1867-1932"],"creator_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"creator_persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"creators_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e\n","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c06"}},{"id":"viw_repositories_2_resources_8527_c14_c03_c10_c11","type":"Item","attributes":{"title":"1951","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c14_c03_c10_c11","ref_ssm":["viw_repositories_2_resources_8527_c14_c03_c10_c11"],"id":"viw_repositories_2_resources_8527_c14_c03_c10_c11","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssi":"viw_repositories_2_resources_8527_c14_c03_c10","parent_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c14","viw_repositories_2_resources_8527_c14_c03","viw_repositories_2_resources_8527_c14_c03_c10"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs"],"text":["Carl A. \"Pappy\" Fehr papers","Series 14: Audio Recordings","Compact Discs","Data Discs/Compact Discs","1951","Box Series 14, Subseries 3, Box 10"],"title_filing_ssi":"1951","title_ssm":["1951"],"title_tesim":["1951"],"unitdate_inclusive_ssm":["1951 June 24"],"normalized_date_ssm":["1951"],"normalized_title_ssm":["1951"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2005,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1951],"containers_ssim":["Box Series 14, Subseries 3, Box 10"],"_nest_path_":"/components#13/components#2/components#9/components#10","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e\n","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:52:45.698Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c14_c03_c10_c11"}},{"id":"vaallhs_repositories_2_resources_46_c02_c05","type":"File","attributes":{"title":"1951","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c02_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_46_c02_c05","ref_ssm":["vaallhs_repositories_2_resources_46_c02_c05"],"id":"vaallhs_repositories_2_resources_46_c02_c05","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46_c02","parent_ssi":"vaallhs_repositories_2_resources_46_c02","parent_ssim":["vaallhs_repositories_2_resources_46","vaallhs_repositories_2_resources_46_c02"],"parent_ids_ssim":["vaallhs_repositories_2_resources_46","vaallhs_repositories_2_resources_46_c02"],"parent_unittitles_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038)","Photos"],"parent_unittitles_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)","Photos"],"text":["Civitan and Civinette Clubs of Alexandria Collection (MS038)","Photos","1951","box 2","folder 5","Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph. \n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans. \n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans. \n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell. \n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.  \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand. \n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left. \n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner. \n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner. \n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center. \n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center. \n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand. \n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right. \n43\tPhotograph of 3 men during a Civitan award meeting."],"title_filing_ssi":"1951","title_ssm":["1951"],"title_tesim":["1951"],"unitdate_other_ssim":["1951"],"normalized_date_ssm":["1951"],"normalized_title_ssm":["1951"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":12,"date_range_isim":[1951],"containers_ssim":["box 2","folder 5"],"scopecontent_html_tesm":["\u003cp\u003ePhotos in folder:\u003cbr/\u003e\u003c/p\u003e","\u003cp\u003e27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph.\u003cbr/\u003e\n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr/\u003e\n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr/\u003e\n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell.\u003cbr/\u003e\n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.\u003cbr/\u003e \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr/\u003e\n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand.\u003cbr/\u003e\n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left.\u003cbr/\u003e\n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner.\u003cbr/\u003e\n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner.\u003cbr/\u003e\n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center.\u003cbr/\u003e\n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center.\u003cbr/\u003e\n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand.\u003cbr/\u003e\n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr/\u003e \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr/\u003e \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right.\u003cbr/\u003e\n43\tPhotograph of 3 men during a Civitan award meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph. \n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans. \n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans. \n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell. \n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.  \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand. \n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left. \n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner. \n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner. \n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center. \n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center. \n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand. \n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right. \n43\tPhotograph of 3 men during a Civitan award meeting."],"_nest_path_":"/components#1/components#4","timestamp":"2026-05-21T04:00:29.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_46","ead_ssi":"vaallhs_repositories_2_resources_46","_root_":"vaallhs_repositories_2_resources_46","_nest_parent_":"vaallhs_repositories_2_resources_46","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_46.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/46","title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"unitdate_ssm":["1942 - 1978"],"unitdate_inclusive_ssm":["1942 - 1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS038"],"text":["MS038","Civitan and Civinette Clubs of Alexandria Collection (MS038)","Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria","Organized by year.","The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.","Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.","Photos in folder:","1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n4\tPhotograph of members of the Civinettes participating in the Style Show.","Photos in folder: ","5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo. \n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo. \n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo. \n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies. \n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy. \n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side. \n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side. \n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front. \n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company.  \n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company. \n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street. \n16\tPhotograph of an unnamed man in colonial period clothing. \n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks.  \n18\tPhotograph of Civitan and Civinette members in formal attire.  \n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.","Photos in folder:","19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason. \n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club. \n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club. \n22\tPhotograph of the Civinette Christmas party held at the Anchorage. \n23\tPhotograph of the Civinette Christmas party held at the Anchorage.","Photos in folder:","24\tPhotograph of several party goers during Civitan Charter Nite. \n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite. \n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.","Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph. \n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans. \n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans. \n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell. \n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.  \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand. \n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left. \n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner. \n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner. \n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center. \n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center. \n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand. \n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right. \n43\tPhotograph of 3 men during a Civitan award meeting.","Local History and Special Collections Branch, Alexandria Library","English \n.    "],"unitid_tesim":["MS038"],"normalized_title_ssm":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"collection_title_tesim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"collection_ssim":["Civitan and Civinette Clubs of Alexandria Collection (MS038)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"access_subjects_ssim":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"access_subjects_ssm":["Women -- Societies and clubs.","Men -- Societies and clubs.","Women's Clubs -- Virginia","Charities -- Virginia -- Alexandria"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet 1 box"],"extent_tesim":[".25 Linear Feet 1 box"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"arrangement_html_tesm":["\u003cp\u003eOrganized by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by year."],"bioghist_html_tesm":["\u003cp\u003eThe Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Civitan Club, founded in 1942, was an Alexandria organization whose membership was exclusively male until 1969. The organization's emphasis was citizenship and community service.\nThe Civinettes, organized in 1944, also emphasized the same."],"scopecontent_html_tesm":["\u003cp\u003eNewspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp.\u003cbr\u003e\n4\tPhotograph of members of the Civinettes participating in the Style Show.\u003c/p\u003e","\u003cp\u003ePhotos in folder: \u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo.\u003cbr\u003e\n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo.\u003cbr\u003e\n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo.\u003cbr\u003e\n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies.\u003cbr\u003e\n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy.\u003cbr\u003e\n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\u003cbr\u003e\n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.\u003cbr\u003e\n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front.\u003cbr\u003e\n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company. \u003cbr\u003e\n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company.\u003cbr\u003e\n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street.\u003cbr\u003e\n16\tPhotograph of an unnamed man in colonial period clothing.\u003cbr\u003e\n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks. \u003cbr\u003e\n18\tPhotograph of Civitan and Civinette members in formal attire. \u003cbr\u003e\n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.\u003cbr\u003e\n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club.\u003cbr\u003e\n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club.\u003cbr\u003e\n22\tPhotograph of the Civinette Christmas party held at the Anchorage.\u003cbr\u003e\n23\tPhotograph of the Civinette Christmas party held at the Anchorage.\u003cbr\u003e\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e24\tPhotograph of several party goers during Civitan Charter Nite.\u003cbr\u003e\n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite.\u003cbr\u003e\n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.\u003c/p\u003e","\u003cp\u003ePhotos in folder:\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003e27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph.\u003cbr\u003e\n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr\u003e\n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans.\u003cbr\u003e\n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell.\u003cbr\u003e\n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.\u003cbr\u003e \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e\n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand.\u003cbr\u003e\n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left.\u003cbr\u003e\n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner.\u003cbr\u003e\n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner.\u003cbr\u003e\n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center.\u003cbr\u003e\n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center.\u003cbr\u003e\n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand.\u003cbr\u003e\n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.\u003cbr\u003e \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right.\u003cbr\u003e\n43\tPhotograph of 3 men during a Civitan award meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Newspaper clippings;\nListings of officers for the Civitans and Civinettes;\nMembership lists for the Civinettes;\nLists of naturalized citizens, mid-to-late 1950s;\nBy-laws for both organizations;\nCamp Tapawingo;\nJr. Civitans.","Photos in folder:","1\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n2\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n3\tPhotograph of several people posing in the woods, under a structure at a Civitan picnic at Girl Scout camp. \n4\tPhotograph of members of the Civinettes participating in the Style Show.","Photos in folder: ","5\tPhotograph of five Civitan members standing at a table.  The tallest man, second from the right, is named Randall Hicks on the reverse of the photo. \n6\tPhotograph of six Civitan members standing at a table.  The man third from the left, is named Randall Hicks on the reverse of the photo. \n7\tPhotograph of three Civitan members giving a check to a female Civinette member.  The two men in the middle are Randall Hicks and Paul Strachen per the reverse of the photo. \n8\tPhotograph of Civitan Randall Hicks standing next to a Polytechnic track athlete and their trophies. \n9\tPhotograph of Civitan Randall Hicks standing in the middle of 4 Polytechnic track athletes holding a trophy. \n10\tPhotograph of a parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side. \n11\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side. \n12\tPhotograph of two men, Randall Hicks in a 1949 suit and the another man in a 1749 colonial suit, standing on the parade float for the Civitan Club of Alexandria that reads \"Our Motto: Builders of Good Citizenship\" on the side.  The truck is parked in front of J and S Incorporated with the drivers standing at the front. \n13\tPhotograph of the Civitan parade float with a man in colonial attire at the front and Randall Hicks at the back.  The float is driving past Ossie's Building and the Dixie Tire Company.  \n14\tPhotograph of a closeup of Randall Hicks standing on the Civitan parade float as it passes the Dixie Tire Company. \n15\tPhotograph of Randall Hicks and another man standing on the Civitan parade float as it moves down the street. \n16\tPhotograph of an unnamed man in colonial period clothing. \n17\tPhotograph of 6 Civitan members standing at a table holding basketball trophies.  The man on the far left is Randall Hicks.  \n18\tPhotograph of Civitan and Civinette members in formal attire.  \n19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason.","Photos in folder:","19\tPhotograph of Civitan president Randall Hicks presenting a check to Paul Strachen, president of the National Federation for the Physically Handicapped at the Hotel George Mason. \n20\tPhotograph of 7 members of the Civitan and Civinette Clubs at the annual Christmas party held at the Old Club. \n21\tPhotograph of 5 members of the Civinette Clubs at the annual Christmas party held at the Old Club. \n22\tPhotograph of the Civinette Christmas party held at the Anchorage. \n23\tPhotograph of the Civinette Christmas party held at the Anchorage.","Photos in folder:","24\tPhotograph of several party goers during Civitan Charter Nite. \n25\tPhotograph of two men shaking hands as a woman looks on during Civitan Charter Nite. \n26\tPhotograph of Frank L. Cowles (left), governor of the Chesapeake District of Civitan International, shaking the hand of William E. Lee, president of the Alexandria Civitans.","Photos in folder:","27\tPhotograph of (left to right) Frank L. Cowles, governor of the Chesapeake District of Civitans, Jennings Randolph, a former Democratic Representative of West Virginia, William E. Lee, the Alexandria Civitan President, and Ralph H. Bogle, Jr., the Junior Chamber of Commerce President. The photo is signed \"To Bill Lee\" from Jennings Randolph. \n28\tPhotograph of 5 members of the Civitan Club.  On the far left is William E. Lee, the Alexandria Civitan President.  On the far right is Frank L. Cowles, governor of the Chesapeake District of Civitans. \n29\tPhotograph of 4 seated men talking to a standing man with prosthetic hands.  The two men on the right are (from left to right) William E. Lee, Alexandria Civitan President and Frank L. Cowles, governor of the Chesapeake District of Civitans. \n30\tPhotograph of William E. Lee (center) presenting a trophy to four members of the Durham (NC) High School for winning a 440 relay.  From left to right, the students are: Albert Long, Bill Rigsbee, William McDaniel, and Rex Jarrell. \n31\tPhotograph of 3 men cutting a cake on the 10th anniversary of the Civitan Club.  Alexandria Civitan President William E. Lee stands on the left.  \n32\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club. \n33\tPhotograph of a man cutting a cake at a table full of people.  Alexandria Civitan President William E. Lee stands to the left holding a microphone stand. \n34\tGroup Photograph of Civitan and Civinette members.  Frank L. Cowles stands 6th from the left, while William E. Lee stands 7th from the left. \n35\tPhotograph of Frank L. Cowles (far left) and William E. Lee (far right) standing with two women in front of a Civitan banner. \n36\tPhotograph of Frank L. Cowles (far left) and two women watching William E. Lee light something on fire in front of a Civitan banner. \n37\tPhotograph of 3 men and 2 women of the Civitans and Civinettes serving dinner at the Servicemen's Lounge and Information Center wearing aprons.  William E. Lee is in the center. \n38\tPhotograph of the Civitans serving dinner at the Servicemen's Lounge and Information Center. \n39\tPhotograph of a man cutting a cake at a table full of people.  William E. Lee stands to the left holding a microphone stand. \n40\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n41\tPhotograph of a man speaking at a podium during the 10th anniversary of the Civitan Club.  \n42\tPhotograph of several Civitan Club members standing on a porch behind a Red Cross flag and a sign that says \"Thank's Jay!\"  William E. Lee is 4th from the right. \n43\tPhotograph of 3 men during a Civitan award meeting."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:29.975Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_46_c02_c05"}},{"id":"vifgm_arenastage_c04_c03_c02","type":"File","attributes":{"title":"1951-1952 - August 1951 - August 1952,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_arenastage_c04_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_arenastage_c04_c03_c02","ref_ssm":["vifgm_arenastage_c04_c03_c02"],"id":"vifgm_arenastage_c04_c03_c02","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage_c04_c03","parent_ssi":"vifgm_arenastage_c04_c03","parent_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_ids_ssim":["vifgm_arenastage","vifgm_arenastage_c04","vifgm_arenastage_c04_c03"],"parent_unittitles_ssm":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"parent_unittitles_tesim":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,"],"text":["Arena Stage records","Series 4: Oversize materials,","Subseries 4.3: Scrapbooks,","1951-1952 - August 1951 - August 1952,","Box 664","Folder 2",""],"title_filing_ssi":"1951-1952 - August 1951 - August 1952, \n","title_ssm":["1951-1952 - August 1951 - August 1952,"],"title_tesim":["1951-1952 - August 1951 - August 1952,"],"unitdate_other_ssim":["1951-1952\n"],"normalized_date_ssm":["1951/1952"],"normalized_title_ssm":["1951-1952 - August 1951 - August 1952,"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Arena Stage records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7902,"parent_access_restrict_tesm":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1951,1952],"containers_ssim":["Box 664","Folder 2"],"scopecontent_html_tesm":["\u003cp/\u003e"],"scopecontent_tesim":[""],"_nest_path_":"/components#3/components#2/components#1","timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_arenastage","ead_ssi":"vifgm_arenastage","_root_":"vifgm_arenastage","_nest_parent_":"vifgm_arenastage","ead_source_url_ssi":"data/gmu/arenastage.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/arenastage.html","title_ssm":["Arena Stage records"],"title_tesim":["Arena Stage records"],"unitdate_ssm":["1949-2010"],"unitdate_inclusive_ssm":["1949-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0017"],"text":["C0017","Arena Stage records","Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings.","Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.","The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)",""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.","","From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.","The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.","Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.","Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.","The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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subseries contains production photos collected in books.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes photographs of Arena's buildings, staff and cast portraits, and event photographs.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","","","","","","","","","","","","","","","","","","","","","","This series includes Braille programs for various shows, scrapbooks with material organized by season, posters, costume sketches, and other miscellaneous oversized material.","This subseries contains programs in Braille for various Arena productions from the 1990s and early 2000s.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Model sits on top of map case\n","This subseries contains scrapbooks created for each of Arena's seasons up until 1988, as well as for events and visitors.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.","This subseries contains VHS tapes (a few of which have associated DVDs) of performances at Arena.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains production and event footage on reel-to-reel film.","Reel 1 of 3, Includes Program for event\n","Reel 2 of 3\n","Reel 3 of 3\n","Partially Unraveling\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Vinegar\n","Unraveling - Vinegar\n","","","","","","","","","Both the title (besides Reel 1) and the date have been blacked out\n","Title has been blacked out\n","","","","This subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.","","","","","","","","","Tape 3\n","Tape 4\n","Tape 5\n","Tape 6\n","Reel #168\n","Reel #169\n","Reel #170\n","3 copies\n","2 copies\n","2 copies\n","","","","","","","","","","","","","","","","","","","There are no restrictions.","The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.","George Mason University. Libraries. Special Collections Research Center.","Arena Stage","Arena Stage (Organization : Washington, D.C.)","English\n            "],"unitid_tesim":["C0017"],"normalized_title_ssm":["Arena Stage records"],"collection_title_tesim":["Arena Stage records"],"collection_ssim":["Arena Stage records"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Arena Stage"],"creator_ssim":["Arena Stage"],"creator_corpname_ssim":["Arena Stage"],"creators_ssim":["Arena Stage"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Arena Stage in 2000-2011."],"access_subjects_ssim":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"access_subjects_ssm":["Theater--Washington (D.C.)","Photographic prints.","Sound recordings.","Video recordings."],"has_online_content_ssim":["false"],"extent_ssm":["739 boxes"],"extent_tesim":["739 boxes"],"date_range_isim":[1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.\u003c/p\u003e","\u003cp\u003eSome records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.  Some personnel records in Series 1 Subseries 3 Sub-subseries 2: Personnel, staff contain Social Security Numbers and must be screened by SCRC staff before researchers can view them.","Some records in sub-subseries 3 (Personnel/staff) contain personal identification information, such as social security numbers. Folders in this sub-subseries must be screened by an archivist before being given to researchers."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series, each of which is further divided into subseries:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Administrative records, 1949-2007 (Boxes 1-196)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Production files, 1950-2010 (Boxes 197-588, 654-663)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, 1950-1991 (Boxes 589-639)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Oversize materials, 1949-late 2000s (Boxes 640-720)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Audiovisual materials, 1970-2007 (Boxes 721-739)\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series, each of which is further divided into subseries:","Series 1: Administrative records, 1949-2007 (Boxes 1-196) Series 2: Production files, 1950-2010 (Boxes 197-588, 654-663) Series 3: Photographs, 1950-1991 (Boxes 589-639) Series 4: Oversize materials, 1949-late 2000s (Boxes 640-720) Series 5: Audiovisual materials, 1970-2007 (Boxes 721-739)"],"bibliography_html_tesm":["\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"'Arena Stage at the Mead Center for American Theater.' Arena Stage. Accessed February 3, 2016.\" show=\"new\" href=\"http://www.arenastage.org/plan-your-visit/the-mead-center/\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e","\u003cp\u003e Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.\u003c/p\u003e","\u003cp\u003e\n        \u003cextptr type=\"simple\" title=\"Richards, David. 'For Arena Stage, a Pioneering Selection.' Washington Post. December 5, 1997\" show=\"new\" href=\"http://www.washingtonpost.com/wp-srv/style/theater/features/arena51205.htm\"\u003e\u003c/extptr\u003e\n      \u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":[""," Maslon, Lawrence, editor. \"The Arena Adventure: The First 40 Years.\" Washington, DC: Arena Stage, 1990.",""],"bioghist_html_tesm":["\u003cp\u003eFrom its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.\u003c/p\u003e","\u003cp\u003eArena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.\u003c/p\u003e","\u003cp\u003eDuring the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.\u003c/p\u003e","\u003cp\u003eThe Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.\u003c/p\u003e","\u003cp\u003eIn 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.\u003c/p\u003e","\u003cp\u003eThe early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.\u003c/p\u003e","\u003cp\u003e1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.\u003c/p\u003e","\u003cp\u003eMany now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["From its opening on August 16, 1950, the Arena Stage has dedicated itself to being a space of imagination and innovation, a tool of \"civilization,\" and Washington, DC's preeminent regional theater.  Founded by Zelda Fichandler, with assistance from her husband Thomas C. Fichandler and partner Edward Mangum, the Arena Stage began as a for profit theater under Arena Enterprises, Inc. The original Hippodrome Theatre, located on Ninth and New York N.W. in DC, was revolutionary amongst regional theatres for its theatre-in-the-round construction and would provide the blueprint for all future Arena locations.","Arena began its long and successful life with Oliver Goldsmith's She Stoops to Conquer. Arena owed its early successes in the 1950s to its fluid play schedule organization and its willingness to put on works that were not commercial successes on Broadway. In November of 1956, after a year's hiatus, the company relocated to a temporary home at the Old Heurich Brewery, dubbed the Old Vat by company members. The move was facilitated in part by the commitment and drive of Board members J. Burke Knapp, Albert M. Berkowitz, Israel Convisser, Leslie Amouri, and Henry J. Danilowicz. However, financial issues would continue to trouble Arena Enterprises, Inc., eventually leading to its dissolution in 1959, and the creation of Arena's new, non-profit parent organization, the Washington Drama Society.","During the 1960s, Arena garnered international renown in its new space: the Arena Stage Theatre. The new building, located at Sixth Street and Maine Avenue SW, was the first playhouse built in Washington since 1895. Chicago architect Harry Weese designed the space to be as innovative as possible while still maintaining the theater-in-the-round layout. Now a non-profit theater, Arena drew much of its funding during this time from the National Endowment for the Arts (NEA) and generous donations from both the Ford Foundation and the Rockefeller Foundations.","The Arena Stage began some of its most ambitious work during the 1960s including forming the Living Stage Theater Company, further integrating its cast, and staging its most ambitious and acclaimed work to date: The Great White Hope. The Great White Hope included twenty five additional guest actors, including James Earl Jones, and was an enormous success, both critically and financially, for Arena. It was the first major resident theater production to be exported to Broadway. Fichandler also began to experiment with casting African-American actors in traditionally white roles during the 1968 season after she published the paper \"Towards a Deepening Aesthetic\". Fichandler experimented with non-traditional casting in plays like King Lear and The Threepenny Opera, but unfortunately these plays were met with critical confusion and disappointing ticket sales. Arena Stage was incredibly successful in the 1970s, garnering awards and critical approval, and international recognition. Not content with the current Arena Stage configuration, Fichandler and others worked diligently to acquire another stage facility that would collaborate, not compete, with the current Stage. Generosity on the part of David Lloyd Kreeger, and others, led to the construction of the new Kreeger Theater which opened on January 15, 1971.","In 1973 Arena would have the opportunity to take two of its plays, Our Town and Inherit the Wind to the USSR. This was the first ever trip to the Soviet Union undertaken by a resident theater group. The trip was a wild success with Russian audiences giving the cast a standing ovation following their performance of Inherit the Wind at the Moscow Art Theatre. In April 1976 the American Theatre Critics Association bestowed upon the Arena Stage a special Tony Award for resident theaters. The ATCA cited Arena's qualities as a \"trailblazer\" in theatrical arts and representative of other theaters that had followed its lead.","The early 1980s were a difficult time for theater, but, in spite of this, Arena continued to push the limits of conventional residential theater. The 1982 production of K2, for example, saw the construction of a sheer glacial face on the Kreeger stage according to the vision of set designer Ming Cho Lee. In 1986 twenty-three actors and a thirteen member production staff traveled to Jerusalem to perform Zelda's production of The Crucible at the Israel Festival.","1989 marked the end of an era as Zelda Fichandler announced that she would step down as Arena's producing director at the end of the 1990-1991 fortieth anniversary season. Douglas C. Wager would succeed her as artistic director. Amid financial difficulties and changing times for theaters everywhere, Arena's resident company of actors was disbanded by the late 1990s. Wager remained at the helm until 1998, when Molly Smith took over the position. Under Smith's leadership, Bing Thom architects completed another major renovation of Arena's existing buildings into the Mead Center for American Theater in 2010. Smith is still Arena's artistic director as of 2016.","Many now-famous actors took part in Arena Stage productions during the early part of their careers. Some of them include Robert Prosky, Morgan Freeman, Dianne Weist, James Earl Jones, Kevin Kline, Christopher Guest, Yeardley Smith, Samuel L. Jackson, Ned Beatty, Jane Alexander, and Ron Perlman. Many other set designers, artists, costume designers, and technical workers owe their early success and experience to the Arena Stage."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to watch reel-to-reel film and audio, Betacam, or U-matic tapes contained in Series 5.2 and 5.3. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eArena Stage records, C0017, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Arena Stage records, C0017, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Harvard Theatre Collection and George Mason University Special Collections and Archives staff. Reprocessed by Greta Suiter, Kerry Mitchell, Elizabeth Beckman, Diane Stancil, and Nick Welsh.  EAD markup completed by Elizabeth Beckman in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds several collections of personal papers of individuals involved with Arena Stage, including the Zelda Fichandler papers, the Thomas Fichandler papers, and the Ken Kitch papers, as well as the Living Stage Theater Company collection and many other theater collections."],"scopecontent_html_tesm":["\u003cp\u003eThe Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.\u003c/p\u003e","\u003cp\u003eSeries 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.\u003c/p\u003e","\u003cp\u003eSeries 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.\u003c/p\u003e","\u003cp\u003eSeries 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.\u003c/p\u003e","\u003cp\u003eSeries 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  \u003c/p\u003e","\u003cp\u003eThis series documents the creation, operation, and maintenance of Arena Stage and its various programs.\u003c/p\u003e","\u003cp\u003eThis subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational 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subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.\u003c/p\u003e","\u003cp\u003eSub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth 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1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Annette Bening.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains headshots and a letter from Olympia Dukakis.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains a letter from Rosemary Harris.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eContains letters, headshots, and a CV from John Lithgow.\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\nContains letters from Sigourney 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3: Casting information contains notes on casting for productions arranged alphabetically by 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subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. Sub-subseries 4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group.\u003c/p\u003e","\u003cp\u003eSub-subseries 1: Events documents special events held by Arena 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2: Communications and Marketing includes records produced by the Communications and Marketing departments. 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3: Printed material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized 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subseries contains research on various playwrights, both living and dead, whose work has been performed at 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subseries includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays. 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subseries includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the 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subseries contains documents collected from throughout the runs of various 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subseries contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes photographic prints from Arena's productions, as well as books of professional photography labelled by production. 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subseries contains production photos collected in 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series includes VHS tapes of a number of productions (a few of which have DVD versions), reel-to-reel tapes, audiocassette, Betacam, U-matic tapes, and VHS versions of miscellaneous events.\u003c/p\u003e","\u003cp\u003eThis subseries contains VHS tapes (a few of which have associated DVDs) of performances at 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subseries contains production and event footage on reel-to-reel film.\u003c/p\u003e","\u003cp\u003eReel 1 of 3, Includes Program for event\n\u003c/p\u003e","\u003cp\u003eReel 2 of 3\n\u003c/p\u003e","\u003cp\u003eReel 3 of 3\n\u003c/p\u003e","\u003cp\u003ePartially 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- Vinegar\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eBoth the title (besides Reel 1) and the date have been blacked out\n\u003c/p\u003e","\u003cp\u003eTitle has been blacked out\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis subseries contains footage of events and productions on audiocassette, Betacam, and U-matic tapes, as well as some miscellaneous VHS tapes.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eTape 3\n\u003c/p\u003e","\u003cp\u003eTape 4\n\u003c/p\u003e","\u003cp\u003eTape 5\n\u003c/p\u003e","\u003cp\u003eTape 6\n\u003c/p\u003e","\u003cp\u003eReel #168\n\u003c/p\u003e","\u003cp\u003eReel #169\n\u003c/p\u003e","\u003cp\u003eReel #170\n\u003c/p\u003e","\u003cp\u003e3 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e2 copies\n\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content"],"scopecontent_tesim":["The Arena Stage records consist of material that spans the theater's history from 1949 to 2010, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, correspondence, and other production materials, as well as administrative records pertaining to the theater's finances, publicity, buildings, and programs.","Series 1: Administrative records (1949-2007) documents the creation, operation, and maintenance of Arena Stage and its various programs. It is further divided into 6 subseries.  Subseries 1.1: Correspondence includes correspondence arranged alphabetically by the correspondent's last name or by organizational name. Some correspondence is further aggregated and then organized alphabetically, such as \"Play Correspondence\" or \"Audience Response.\" Of particular note are letters from President Bill Clinton, Supreme Court Justice Ruth Bader Ginsburg, and King Kong star Fay Wray.  Subseries 1.2: Programs, policies, and procedures, includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.  This subseries is broken up into four sub-subseries.  Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.  Sub-subseries 1.3.2: Personnel records includes information on staff at Arena Stage arranged alphabetically.  Of particular interest are headshots and/or resumes of a number of well-known actors, including James Earl Jones, Morgan Freeman, Henry Winkler, Edward Hermann, Yeardley Smith, Jane Alexander, Swoosie Kurtz, Victor Garber, Ron Perlman, Annette Benning, Olympia Dukakis, John Lithgow, John Voigt, Sigourney Weaver, and Rosemary Harris.  Sub-subseries 1.3.3: Casting information contains notes on casting for productions arranged alphabetically by play.  Sub-subseries 1.3.4: Production contracts includes official agreements between Arena and others arranged alphabetically by play. Subseries 1.4: Meeting minutes contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization. Subseries 1.5: Communications and events, is also divided into four sub-subseries.  Sub-subseries 1.5.1: Events documents special events held by Arena Stage, including anniversaries, galas, benefits, openings and press events.  Sub-subseries 1.5.2: Communications and Marketing includes records produced by the Communications and Marketing departments, including meeting minutes, planning, research, and correspondence.  Sub-subseries 1.5.3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically.  Sub-subseries 1.5.4: Theater Communications Group contains correspondence, reports, and other information generated from Arena's association with the Theater Communications Group, an organization of theaters around the United States.  Subseries 1.6: Buildings and facilities includes information about and architectural plans for Arena's various buildings over the years, including the Hippodrome, the Old Vat, the 1960 permanent building, and the Kreeger Theater addition.","Series 2: Production Files (1950-2010) is comprised of records related to the artistic development and performance of Arena's plays.  It is divided into 6 subseries.  Subseries 2.1: Dramaturgical files documents literary, historical and background research done by Arena's literary department for various plays, including articles, research packets, actor's packets, and scripts.  It is generally organized alphabetically by play.  Subseries 2.2: Playwright subject files contains research on various playwrights, both living and dead, whose work has been performed at Arena.  It is organized alphabetically by playwright's last name. Subseries 2.3: Production files includes scripts, blocking information, correspondence, and other material related to the production of Arena's plays.  It is arranged alphabetically by play title.  Subseries 2.4: Stage manager's reports includes daily reports by the stage manager of productions for the entire runs of many of Arena's plays from the late 1960s to the mid-1990s.  The reports include running times, incident reports, and other commentary on the audience and the performance.  Subseries 2.5: Wrap files contains documents collected from throughout the runs of various productions, including reviews that reflect the wider response to the play.  Subseries 2.6: Producing director's files contains documents from Arena's second Producing director after Zelda Fichandler, Doug Wager, who served from 1991-1998.  It includes pre-production speeches given by Wager, as well as planning files.","Series 3: Photographs (1950-1991)is divided into 3 subseries.  Subseries 3.1: Production photographs includes photos of scenes from Arena's productions arranged alphabetically by play. Subseries 3.2: Production books includes production photos collected in books, many of which are by professional photographer George de Vincent. Subseries 3.3: Buildings, staff, and events includes photographs of Arena's buildings, staff and cast portraits, and event photographs, such as prints from Arena's 30th anniversary celebration and from Arena's Soviet Union and Israel tours.  Subseries 3.4: Negatives and slides includes slides and negatives of Arena's staff and events, as well as some buildings, sets, and production-related images.","Series 4: Oversize (1949-late 2000s) is divided into 3 subseries and contains a variety of oversize material.  Subseries 4.1: Braille programs contains programs in Braille for various Arena productions from the 1990s and early 2000s.  Subseries 4.2: Miscellaneous artwork and programs includes posters from Arena productions and events, enlarged photos, costume sketches, and other oversized material, such as a large model of the Mead Center for American Theater.  Subseries 4.3: Scrapbooks contains scrapbooks created for each of Arena's seasons up until 1988.  It also includes scrapbooks for Arena's tour of the Soviet Union and of visitors to Arena.","Series 5: Audiovisual (1970-2007) contains several types of formats and is divided into 3 subseries.  Series 5.1: Performances on VHS contains VHS tapes (a few of which have associated DVDs) of performances at Arena arranged alphabetically by play title.  Series 5.2: Reel-to-reel contains production and event footage on reel-to-reel film.  Series 5.3: Other audiovisual formats and VHS tapes contains footage of events and productions on audiocassette, Betacam, and U-matic tapes.  ","This series documents the creation, operation, and maintenance of Arena Stage and its various programs.","This subseries includes correspondence, most of which is arranged alphabetically by the correspondent's last name or by organizational name.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries includes records of Arena's programs, such as the \"Arena Angels\" volunteer program and fellowship programs, policies, such as bylaws, diversity policies, and handbooks, and planning, including season planning and long-range plans.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is broken up into four sub-subseries. Sub-subseries 1: Financial papers documents Arena's finances.  Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles. Sub-subseries 3: Casting information contains notes on casting for productions. Sub-subseries 4: Production contracts includes official agreements between Arena and others.","Sub-subseries 1.3.1: Financial papers documents Arena's finances and includes stockholder documents from its beginnings as a for-profit theater, grant-related documentation after the theater transitioned to a non-profit in the late 1950s, and records of the theater's development office, some of which were kept by department director Elspeth Udvarhelyi.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 1.3.2: Sub-subseries 2: Personnel records includes information on staff at Arena Stage, as well as correspondence with actors who were offered Arena roles.","","","","","","","","","","","","","","Contains a letter from Annette Bening.\n","","","","","Contains headshots and a letter from Olympia Dukakis.\n","","","","","","","","Contains a letter from Rosemary Harris.\n","","","","","Contains letters, headshots, and a CV from John Lithgow.\n","","","","","","","","","","","","","","","","\nContains letters from Sigourney Weaver.\n","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 3: Casting information contains notes on casting for productions arranged alphabetically by play.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","Sub-subseries 4: Production contracts includes official agreements between Arena and others.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries contains meeting minutes from Arena's Board of Trustees, staff, and other subgroups within the organization.","","","","","","","","","","","","","","","","","","","","","","","","","","This subseries is divided into four sub-subseries. Sub-subseries 1: Events documents special events held by Arena Stage. Sub-subseries 2: Communications and Marketing includes records produced by the Communications and Marketing departments. Sub-subseries 3: Printed Material includes subscriber materials, mailings, brochures, reviews collected and arranged by play title, and programs organized chronologically. 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