{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=6","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=5","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=7","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=348"},"meta":{"pages":{"current_page":6,"next_page":7,"prev_page":5,"total_pages":348,"limit_value":10,"offset_value":50,"total_count":3471,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_521_c112","type":"File","attributes":{"title":"AETA Correspondence and Reports, 1951/1952","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c112#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_521_c112","ref_ssm":["vifgm_repositories_2_resources_521_c112"],"id":"vifgm_repositories_2_resources_521_c112","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","parent_ssi":"vifgm_repositories_2_resources_521","parent_ssim":["Robert and Wilva Breen papers, 1831/2000"],"parent_ids_ssim":["vifgm_repositories_2_resources_521"],"title_filing_ssi":"AETA Correspondence and Reports","title_ssm":["AETA Correspondence and Reports"],"title_tesim":["AETA Correspondence and Reports"],"normalized_title_ssm":["AETA Correspondence and Reports, 1951/1952"],"text":["AETA Correspondence and Reports, 1951/1952","Robert and Wilva Breen papers, 1831/2000","Box 11","Folder 6"],"parent_unittitles_ssm":["Robert and Wilva Breen papers, 1831/2000"],"parent_unittitles_tesim":["Robert and Wilva Breen papers, 1831/2000"],"normalized_date_ssm":["1951/1952"],"unitdate_other_ssim":["1951 - 1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":112,"repository_ssim":["George Mason University"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"containers_ssim":["Box 11","Folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1951,1952],"_nest_path_":"/components#111","timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"normalized_date_ssm":["1831/2000"],"normalized_title_ssm":["Robert and Wilva Breen papers, 1831/2000"],"text":["Robert and Wilva Breen papers, 1831/2000","C0004","/repositories/2/resources/521","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"collection_title_tesim":["Robert and Wilva Breen papers, 1831/2000"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"creators_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the"],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c112"}},{"id":"vifgm_reich_c05_c01","type":"File","attributes":{"title":"A-F,, 1936/1982","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_reich_c05_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_reich_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_reich_c05_c01","ref_ssm":["vifgm_reich_c05_c01"],"id":"vifgm_reich_c05_c01","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich_c05","parent_ssi":"vifgm_reich_c05","parent_ssim":["Molka Reich papers, 1904/1986","Series 5: Programs,, 1928"],"parent_ids_ssim":["vifgm_reich","vifgm_reich_c05"],"title_filing_ssi":"A-F,","title_ssm":["A-F,"],"title_tesim":["A-F,"],"normalized_title_ssm":["A-F,, 1936/1982"],"text":["A-F,, 1936/1982","Molka Reich papers, 1904/1986","Series 5: Programs,, 1928","Box 6","Folder 28","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)"],"parent_unittitles_ssm":["Molka Reich papers, 1904/1986","Series 5: Programs,, 1928"],"parent_unittitles_tesim":["Molka Reich papers, 1904/1986","Series 5: Programs,, 1928"],"normalized_date_ssm":["1936/1982"],"unitdate_other_ssim":["1936-1982"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":203,"repository_ssim":["George Mason University"],"collection_ssim":["Molka Reich papers, 1904/1986"],"containers_ssim":["Box 6","Folder 28"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"scopecontent_html_tesm":["\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e\n          "],"scopecontent_tesim":["Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)"],"_nest_path_":"/components#4/components#0","timestamp":"2026-06-23T06:52:39.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_reich","ead_ssi":"vifgm_reich","_root_":"vifgm_reich","_nest_parent_":"vifgm_reich","ead_source_url_ssi":"data/gmu/reich.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/reich.html","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are scripts from this collection and other FTP collections online in the .","Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","Special Collections and Archives also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229"],"unitid_tesim":["C0229"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["New Deal, 1933-1939.","Theater--United States."],"access_subjects_ssm":["New Deal, 1933-1939.","Theater--United States."],"has_online_content_ssim":["true"],"extent_ssm":["6.0 linear feet (9 boxes)"],"extent_tesim":["6.0 linear feet (9 boxes)"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e\n    "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\nThere are scripts from this collection and other FTP collections online in the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e. \u003c/p\u003e\n    "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["There are scripts from this collection and other FTP collections online in the ."],"arrangement_html_tesm":["\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n        \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n        \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n        \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n        \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n        Series 2: Newspaper clippings, 1936-1986 (Box 2)\n        Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n        Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n        Series 5: Programs, 1928-1950s (Boxes 6-7)\n        Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives also holds the \u003cextptr type=\"simple\" title=\"Works Progress Administration oral histories collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/wpaoh.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftp.html\"\u003e\u003c/extptr\u003e, the \u003cextptr type=\"simple\" title=\"Federal Theatre Project photograph collection\" show=\"new\" href=\"http://sca.gmu.edu/finding_aids/ftpphoto.html\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e\n      ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n      ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n    ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e\n          ","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e\n          ","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e\n          ","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e\n          ","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e\n          ","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e\n          ","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e\n          ","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e\n          ","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e\n          ","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e\n          ","\u003cp\u003eMiami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e\n          ","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e\n          ","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e\n          ","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e\n          ","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e\n          ","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e\n          ","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e\n          ","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e\n          ","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e\n        ","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e\n          ","\u003cp\u003eAbstract\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's copy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eDirector's copy\u003c/p\u003e\n          ","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eSheet music\u003c/p\u003e\n          ","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e\n          ","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003eScript and sheet music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003eIncludes script and music\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePhotocopy\u003c/p\u003e\n          ","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e\n          ","\u003cp\u003eScott Griffin's script\u003c/p\u003e\n          ","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e\n        ","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e\n          ","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e\n          ","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e\n          ","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e\n          ","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e\n          ","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e\n          ","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e\n          ","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e\n        ","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e\n          ","\u003cp\u003e1 of 5\u003c/p\u003e\n          ","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e\n          ","\u003cp\u003e3 of 5\u003c/p\u003e\n          ","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e\n          ","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e\n          ","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e\n          ","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e\n          ","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e\n          ","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e\n          ","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e\n          ","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre; Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes. Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors, and includes two photographs of an audience of children watching Bimbo perform.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries.\n\n\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Molka Reich papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref297\" label=\"Abstract\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":226,"online_item_count_is":12,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:39.323Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_reich_c05_c01"}},{"id":"vifgm_repositories_2_resources_348_c05_c01","type":"File","attributes":{"title":"A-F, 1936/1982","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348_c05_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_348_c05_c01","ref_ssm":["vifgm_repositories_2_resources_348_c05_c01"],"id":"vifgm_repositories_2_resources_348_c05_c01","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348_c05","parent_ssi":"vifgm_repositories_2_resources_348_c05","parent_ssim":["Molka Reich papers, 1904/1986","Series 5: Programs, 1928"],"parent_ids_ssim":["vifgm_repositories_2_resources_348","vifgm_repositories_2_resources_348_c05"],"title_filing_ssi":"A-F","title_ssm":["A-F"],"title_tesim":["A-F"],"normalized_title_ssm":["A-F, 1936/1982"],"text":["A-F, 1936/1982","Molka Reich papers, 1904/1986","Series 5: Programs, 1928","box 6","folder 28","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)"],"parent_unittitles_ssm":["Molka Reich papers, 1904/1986","Series 5: Programs, 1928"],"parent_unittitles_tesim":["Molka Reich papers, 1904/1986","Series 5: Programs, 1928"],"normalized_date_ssm":["1936/1982"],"unitdate_other_ssim":["1936-1982"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":204,"repository_ssim":["George Mason University"],"collection_ssim":["Molka Reich papers, 1904/1986"],"containers_ssim":["box 6","folder 28"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"scopecontent_html_tesm":["\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)"],"_nest_path_":"/components#4/components#0","timestamp":"2026-06-23T06:54:01.106Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_348","ead_ssi":"vifgm_repositories_2_resources_348","_root_":"vifgm_repositories_2_resources_348","_nest_parent_":"vifgm_repositories_2_resources_348","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_348.xml","title_filing_ssi":"Molka Reich papers","title_ssm":["Molka Reich papers"],"title_tesim":["Molka Reich papers"],"unitdate_ssm":["1904-1986"],"unitdate_inclusive_ssm":["1904-1986"],"normalized_date_ssm":["1904/1986"],"normalized_title_ssm":["Molka Reich papers, 1904/1986"],"text":["Molka Reich papers, 1904/1986","C0229","/repositories/2/resources/348","Theater -- United States","New Deal, 1933-1939","There are no access restrictions.","Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)","Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.","Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.","The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers.","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka","English"],"collection_title_tesim":["Molka Reich papers, 1904/1986"],"collection_ssim":["Molka Reich papers, 1904/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0229","/repositories/2/resources/348"],"unitid_tesim":["C0229","/repositories/2/resources/348"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Reich, Molka"],"creator_ssim":["Reich, Molka"],"creator_persname_ssim":["Reich, Molka"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"creators_ssim":["Reich, Molka","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Molka Reich in 1980 and 1981. Scott Griffin material presented by Molka Reich for the Scott Griffin estate on June 25, 1979."],"access_subjects_ssim":["Theater -- United States","New Deal, 1933-1939"],"access_subjects_ssm":["Theater -- United States","New Deal, 1933-1939"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 9 boxes"],"extent_tesim":["6 Linear Feet 9 boxes"],"date_range_isim":[1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized into six series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eMissing Title\u003c/head\u003e\n      \u003citem\u003eSeries 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Newspaper clippings, 1936-1986 (Box 2)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Playscripts, 1920s-1953 (Boxes 2-6)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Programs, 1928-1950s (Boxes 6-7)\u003c/item\u003e\n      \u003citem\u003eSeries 6: Scrapbooks, 1920s-1950s (Boxes 7-8)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized into six series:","Missing Title\n      Series 1: Essays, newsletters, published works, and miscellany, 1904-1950 (Boxes 1-2, 9)\n      Series 2: Newspaper clippings, 1936-1986 (Box 2)\n      Series 3: Photographs, circa 1930s-1940s (Boxes 2, 9)\n      Series 4: Playscripts, 1920s-1953 (Boxes 2-6)\n      Series 5: Programs, 1928-1950s (Boxes 6-7)\n      Series 6: Scrapbooks, 1920s-1950s (Boxes 7-8)"],"bioghist_html_tesm":["\u003cp\u003eMolka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Molka Reich studied puppetry under Remo Bufano in New York during the 1920s. She and her husband moved to Miami, Florida, in 1930. While there, she joined the Federal Writers Project, and then the Federal Theatre Project. She started with the FTP as an actress but soon was working with the marionette unit where she made puppets, wrote and adapted scripts, and built sets. As an actress she appeared in the Federal Theatre production Engaged that was performed in August of 1936. She stayed with the Federal Theatre Project until 1939, after which she continued to be a proponent for puppetry. In Miami, she served as president of the Business and Professional Women's Club."],"prefercite_html_tesm":["\u003cp\u003eMolka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Molka Reich papers, C0229, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in December 2012 by Greta Kuriger Suiter. EAD completed in January 2013 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0153\" title=\"Works Progress Administration oral histories collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0205\" title=\"Federal Theatre Project photograph collection\" show=\"new\"\u003e\u003c/extptr\u003e, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , the , the , as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/p\u003e","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e  ","\u003cp\u003eSeries 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eBlueprint for portable stage\u003c/p\u003e","\u003cp\u003eOriginal artwork for set and other designs - watercolors, pencil drawings\u003c/p\u003e","\u003cp\u003eNewsletters, catalogs, pamphlets related to dolls, marionettes, and puppets\u003c/p\u003e","\u003cp\u003ePamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project\u003c/p\u003e","\u003cp\u003e\"Dear Charlotte\", possibly from Scott Griffin\u003c/p\u003e","\u003cp\u003eNewsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)\u003c/p\u003e","\u003cp\u003e12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies\u003c/p\u003e","\u003cp\u003eThree issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)\u003c/p\u003e","\u003cp\u003eSeries 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAh, Wilderness; Altars of Steel\u003c/p\u003e","\u003cp\u003eBoy Meets Girl; The Bride the Sun Shines On\u003c/p\u003e","\u003cp\u003eCandle Light; Chalk Dust; Coquette; Criminal at Large\u003c/p\u003e","\u003cp\u003eMiami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum\u003c/p\u003e","\u003cp\u003e\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.\u003c/p\u003e","\u003cp\u003eSmilin' Through; actor Scott Griffin\u003c/p\u003e","\u003cp\u003eSeries 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003e1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.\u003c/p\u003e","\u003cp\u003eColor photographs of Jack and the beanstalk puppet.\u003c/p\u003e","\u003cp\u003e12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.\u003c/p\u003e","\u003cp\u003e2 oversize matted photographic portraits of Molka Reich.\u003c/p\u003e","\u003cp\u003e14 color photographs of Reich leading a marionette demonstration.\u003c/p\u003e","\u003cp\u003e9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.\u003c/p\u003e","\u003cp\u003eOne photograph is of the play \"Engaged\" and the other is unidentified.\u003c/p\u003e","\u003cp\u003eSeries 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eIncludes script and sheet music\u003c/p\u003e","\u003cp\u003eAbstract\u003c/p\u003e","\u003cp\u003eScott Griffin's copy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eDirector's copy\u003c/p\u003e","\u003cp\u003eIncludes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Federal Theatre Project script\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eSheet music\u003c/p\u003e","\u003cp\u003eRadio production with Andrew Jergens\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy of script and sheet music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript for the American Brotherhood: The National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003ePhotocopy. Includes four scripts, one for each actor.\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eMultiple scripts with holiday themes\u003c/p\u003e","\u003cp\u003eMiscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003eScript and sheet music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003eIncludes script and music\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePhotocopy\u003c/p\u003e","\u003cp\u003ePages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.\u003c/p\u003e","\u003cp\u003eScott Griffin's script\u003c/p\u003e","\u003cp\u003eSeries 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAltars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)\u003c/p\u003e","\u003cp\u003eThe Ghost Train; The Gallows Gate; The Great Sebastians\u003c/p\u003e","\u003cp\u003eThe Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick\u003c/p\u003e","\u003cp\u003eDouble sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.\u003c/p\u003e","\u003cp\u003eMay Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road\u003c/p\u003e","\u003cp\u003eTwo invitations for events at the Molka Reich Studio.\u003c/p\u003e","\u003cp\u003eThe Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution\u003c/p\u003e","\u003cp\u003eSeries 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.\u003c/p\u003e","\u003cp\u003eSeparated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.\u003c/p\u003e","\u003cp\u003e1 of 5\u003c/p\u003e","\u003cp\u003e2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.\u003c/p\u003e","\u003cp\u003e3 of 5\u003c/p\u003e","\u003cp\u003e4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.\u003c/p\u003e","\u003cp\u003e5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.\u003c/p\u003e","\u003cp\u003e1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.\u003c/p\u003e","\u003cp\u003e2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.\u003c/p\u003e","\u003cp\u003eIncludes newsclippings, newsclippings attached to paper, a program, and marionette patterns.\u003c/p\u003e","\u003cp\u003eIncludes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.\u003c/p\u003e","\u003cp\u003eNewspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.\u003c/p\u003e","\u003cp\u003eOversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.\u003c/p\u003e","\u003cp\u003eOversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses, published plays, vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Series 2 contains newspaper clippings from Miami, Florida, newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of a Jack and the Beanstalk marionette. This series is arranged alphabetically.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Series 1 contains many different types of materials including essays, puppetry newsletters, play synopses and published plays and vaudeville sketches, marionette patterns in various sizes, and original artwork by Ken Bare. Materials are arranged alphabetically.","Blueprint for portable stage","Original artwork for set and other designs - watercolors, pencil drawings","Newsletters, catalogs, pamphlets related to dolls, marionettes, and puppets","Pamphlets and newsletters related to George Mason events revolving around puppetry and the Federal Theatre Project","\"Dear Charlotte\", possibly from Scott Griffin","Newsletters from The Puppetry Guild of Greater New York, The Puppeteers of America, The Puppeteers of America Regional Reporter for the Southeast Region, D. C. Puppetimes, George Mason University Golden Anniversary Puppetry Festival, The Puppet Guild of Greater Miami, Barry University Department of Theatre, The Puppet Masters calendar featuring famous puppeteers, itinerary for trip to Japan (UNIMA XV 1988)","12 Plays for Boys and Girls edited by Ben Blake with pictures by Bill Siegel; The Slave with Two Faces by Mary Carolyn Davies","Three issues: Art of Acting Issue (1936), Second Art of Acting Issue (1937), Fall Issue (1937)","Series 2 contains newspaper clippings from Miami, Florida newspapers. Many of the newsclippings are reviews for plays that Molka Reich or Scott Griffin were involved in. This series is arranged alphabetically.","Ah, Wilderness; Altars of Steel","Boy Meets Girl; The Bride the Sun Shines On","Candle Light; Chalk Dust; Coquette; Criminal at Large","Miami Federal Theatre;  Molka Reich; Mystery of the Boardwalk Asylum","\"New Director Named for Theatre Project\", article about Dorothea Lynch becoming state director for the Federal Theatre.","Smilin' Through; actor Scott Griffin","Series 3 contains photographs both black and white and color and in a variety of sizes.  Photographs consist of portraits of Molka Reich, and Scott Griffin, as well as production photographs, and photographs of the Jack and the Beanstalk marionette. This series is arranged alphabetically.","1 production photograph featuring actors on stage. An actor in center is holding a gun to his head.","Color photographs of Jack and the beanstalk puppet.","12 oversize photographs, 10 of which are professional portraits taken by Charles Cooper in Miami, Florida.","2 oversize matted photographic portraits of Molka Reich.","14 color photographs of Reich leading a marionette demonstration.","9 black and white photographs of Reich's marionettes, staged productions with actors,  and includes two photographs of an audience of children watching Bimbo perform.","One photograph is of the play \"Engaged\" and the other is unidentified.","Series 4 is the largest series and contains scripts for plays and some radio productions. Some of the scripts have accompanying music, mostly handwritten. This series is arranged alphabetically by title.","Includes script and sheet music","Abstract","Scott Griffin's copy","Photocopy","Director's copy","Includes note from Syl to Helen: \"Couldn't find the columns I mentioned to you, but in the search uncovered some old Morgan scripts I did for the Eversharp show. The enclosed is an excerpt, from about the only one that could be cut and still be effective. Probably would serve as a space filler and be good for a few laughs. Will try to find the other stuff for a later issue.\"","Photocopy of Federal Theatre Project script","Photocopy","Sheet music","Radio production with Andrew Jergens","Photocopy","Photocopy of script and sheet music","Photocopy","Script for the American Brotherhood: The National Conference of Christians and Jews","Photocopy. Includes four scripts, one for each actor.","Photocopy","Multiple scripts with holiday themes","Miscellaneous mostly handwritten pages of sheet music and lyrics, some for marionette productions","Photocopy","Script and sheet music","Includes script and music","Includes script and music","Photocopy","Photocopy","Pages 2 to 30. Characters include Mrs. Giles, Mrs. Adams, Harry, Miss Mobray, and Walter.","Scott Griffin's script","Series 5 contains programs for Federal Theatre productions and non Federal Theatre productions that were performed in Miami and Jacksonville, Florida; Atlanta, Georgia; Long Island and Pawling, New York; and The Smithsonian in Washington D.C. This series is arranged alphabetically.","Altars of Steel; Ah, Wilderness!; The Bishop Misbehaves; The Bride the Sun Shines On; Criminal at Large; Coquette; Chalk Dust; Craig's Wife; A Classic Vaudeville; The Emperor's New Clothes; Engaged; Folk Music in the Roosevelt White House (produced by the Smithsonian Institution Office of Folklife programs)","The Ghost Train; The Gallows Gate; The Great Sebastians","The Happiest Millionaire; If Ye Break Faith; Inherit the Wind; International Society for Contemporary Music; Lightnin (invitation and program); The Loud Red Patrick","Double sided one page flyer for the Marionette Unit directed by Molka Reich. The front page features reviews from places the troop performed, the back features their repertoire.","May Day; Margin for Error; The Mask and the Face; Mehitable Wing; The Matchmaker; The New York Idea; The 9th Guest; No Time for Sergeants; One More Spring; An Evening of Experimental One Act Plays; Post Road","Two invitations for events at the Molka Reich Studio.","The Starlight Theatre (1957 Summer calendar); Room Service; The Reluctant Debutante; Smilin' Through (includes ticket, programs, press release, for Jacksonville, Florida production); Separate Tables; Sabrina Fair; Twelfth Night; Visit to a Small Planet; Whom Dreams Possess; What a Life; What a Woman Wants; Witness for Prosecution","Series 6 contains scrapbooks that have been disassembled and foldered. The Molka Reich scrapbook 1928-1948 contains mostly material relating to Scott Griffin. There is also a scrapbook for marionette newspaper and magazine clippings, a scrapbook with clippings and programs from productions in Miami, and a scrapbook containing calendar programs for the Starlight Theater in Pawling, New York. This series is arranged by size of material.","Separated 8.25\"x9.25\" scrapbook pages with 5\"x7\" black and white photographs adhered to them. Photographs feature marionettes and Molka Reich.","1 of 5","2 of 5. Newspaper clippings, programs, telegrams, and handwritten notes to and about Scott Griffin regarding theatre productions including: Coquette, This Thing Called Love, two one act plays performed at the Little Theatre (Bereguisse and The Torch-Bearers), a calendar for plays at the Florida Forum and Assembly (1934), The Pretender, Broken Dishes, Hired Husbands, The Nervous Wreck, The Big Pond, Why Wives Worry, Smilin' Thru, Thank You, and The Love Critic.","3 of 5","4 of 5. Includes programs for The Last of Mrs. Cheney, Our Town, Little Women, and Room Service. Includes playscripts for If Ye Break Faith and Two Crooks and a Lady, as well as handwritten and typewritten notes, a flyer for the production of Coquette, and an entry ticket for the Manhattan Repertory Theatre Co. at the Miami Playhouse.","5 of 5. Material relating to Billy Griffin (later Scott Griffin). Includes negatives and portrait print as well as report cards and calling cards.","1 of 2. Contains primarily magazine and newspaper articles featuring marionettes. There is also a certificate for Mrs. Howard Fitch for completing the Cultural Olympics in Woodstown, New Jersey (May 5, 1938). Clippings and certificate are attached to scrapbook paper.","2 of 2. Contains loose newspaper and magazine clippings featuring articles on marionettes.","Includes newsclippings, newsclippings attached to paper, a program, and marionette patterns.","Includes programs for the West Florida Music and Arts Festival, International Society for Contemporary Music (1931), newspaper and magazine clippings featuring marionettes.","Newspaper articles from the Monitor titled \"Marionettes by Children\" that illustrate how one can make their own marionette.","Oversize. Molka Reich scrapbook featuring newspaper clippings and programs from Miami Federal Theatre and non Federal Theatre productions. Pages have been separated.","Oversize. Scrapbook pages separated, featuring programs and newspaper clipping from productions performed at Starlight Theater in Pawling, New York."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_84dd143d1a81fa0708a802608718089b\"\u003eThe Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Molka Reich papers includes playscripts, programs, puppetry newsletters, newspaper clippings, photographs, and scrapbooks with most of it dating from the 1930s to the 1950s. About half of the material directly relates to the Federal Theatre Project, especially the newspaper clippings, programs, and scrapbooks. Many of the puppetry newsletters and playscripts are from after the 1930s. Some of the material relates to the actor Scott Griffin who acted with the Federal Theatre Project in Miami, Florida, alongside Reich."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Reich, Molka"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Reich, Molka"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":227,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:01.106Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_348_c05_c01"}},{"id":"vifgm_repositories_2_resources_140_c01_c1281","type":"File","attributes":{"title":"A Factual Discussion of Motor truck Operation, Regulation, and Taxation, 1951","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_140_c01_c1281#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_140_c01_c1281#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_140_c01_c1281","ref_ssm":["vifgm_repositories_2_resources_140_c01_c1281"],"id":"vifgm_repositories_2_resources_140_c01_c1281","ead_ssi":"vifgm_repositories_2_resources_140","_root_":"vifgm_repositories_2_resources_140","_nest_parent_":"vifgm_repositories_2_resources_140_c01","parent_ssi":"vifgm_repositories_2_resources_140_c01","parent_ssim":["William L. Mertz transportation collection, 1895/1995","William L. Mertz transportation collection, 1895/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_140","vifgm_repositories_2_resources_140_c01"],"title_filing_ssi":"A Factual Discussion of Motor truck Operation, Regulation, and Taxation","title_ssm":["A Factual Discussion of Motor truck Operation, Regulation, and Taxation"],"title_tesim":["A Factual Discussion of Motor truck Operation, Regulation, and Taxation"],"normalized_title_ssm":["A Factual Discussion of Motor truck Operation, Regulation, and Taxation, 1951"],"text":["A Factual Discussion of Motor truck Operation, Regulation, and Taxation, 1951","William L. Mertz transportation collection, 1895/1995","William L. Mertz transportation collection, 1895/1995","box 58","folder 3","A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50"],"parent_unittitles_ssm":["William L. Mertz transportation collection, 1895/1995","William L. Mertz transportation collection, 1895/1995"],"parent_unittitles_tesim":["William L. Mertz transportation collection, 1895/1995","William L. Mertz transportation collection, 1895/1995"],"normalized_date_ssm":["1951"],"unitdate_other_ssim":["1951"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":1282,"repository_ssim":["George Mason University"],"collection_ssim":["William L. Mertz transportation collection, 1895/1995"],"containers_ssim":["box 58","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951],"scopecontent_html_tesm":["\u003cp\u003eA Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50"],"_nest_path_":"/components#0/components#1280","timestamp":"2026-06-23T06:52:59.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_140","ead_ssi":"vifgm_repositories_2_resources_140","_root_":"vifgm_repositories_2_resources_140","_nest_parent_":"vifgm_repositories_2_resources_140","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_140.xml","title_ssm":["William L. Mertz transportation collection"],"title_tesim":["William L. Mertz transportation collection"],"unitdate_ssm":["1895-1995"],"unitdate_inclusive_ssm":["1895-1995"],"normalized_date_ssm":["1895/1995"],"normalized_title_ssm":["William L. Mertz transportation collection, 1895/1995"],"text":["William L. Mertz transportation collection, 1895/1995","C0050","/repositories/2/resources/140","Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence","There are no access restrictions.","This collection is arranged alphabetically by subject.","the Region's Bus Network: Huge, Complex and Varied","William Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993.","Processed and finding aid compiled by Robert Vay, Vikram David, Estee L. Dudash, Barbara Haase, and Kaycee Morgan in 1995. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.","The Special Collections Research Center also holds other","The collection contains transportation related materials collected over a 45 year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.","Optical instrument - unknown use","2 hand written letters from Mr.James quoted in a inclusive document","Home Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings","Aerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows","Field Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning","Census Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language","London Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding","Some of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line","Direct Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue","Job Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic","A Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile","Software Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play","A Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey","Transit Trends","Vacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey","Home Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]","Home Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region","The Social-Economic Future of the Tri-State Region","The Region's Unique Rapid -Transit System - In Newark","Findings of the Taxi Survey","Theoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers","Program 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States","Western Association of State Highway Officials Road Test data analyses and findings","History of American Interstate Highway System","Discusses Investment Deficit in Public Works","United Nations White Paper","Includes a short draft description of each of the 19 subordinate working papers.","Changing Demographics and Economic Use","Trends and Forecasts of Highway Passenger Travel","Trends and Forecast of Highway Freight Travel","Advancements in Highway materials and Construction Technology","Advancements in Automobile Technology","Advancements in Motor Truck Technology","Advancements in Telecommunications and Computer Technology Affecting Highway Travel","National Defence Highway Requirements","Urban and Suburban Highway Congestion","Highway Requirements for Freight Movement","Highway Performance and Investment Analysis","Federal Highway Investment Program Structure","Federal Mandates for Highway Operations and Safety","State, Local and Private Highway Roles","External Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program","195 pages; History","Representative Robert Roe and his stand on funding public works","humorous discussion of chauffeur perk","deals with ownership and funding of transportation infrastructure","Interstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management","Politics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study","control of \"pork barrel\"","brief summary of W.L. Mertz career starting in 1949","Includes information regarding Mertz's involvement in 2 week urban transportation course","Information on the New River Gorge Bridge","New Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed","draft of speech, brief discussion of cost and projection of future","Abstract of documents from 1944 to 1973","reprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"","various documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party","a detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills","Corrects a misstatement regarding the flow of planning money within the states","States preference for inexpensive public transportation solutions","a report of efforts to improve the NYC subways in early 1980's","a description of the Tri - State \"Technical Division\" structure and functions.","describes road conditions supporting vacation touring","summary of \"UTAP\" LEGISLATION","describes planning as seen by Mr. Mertz","a poem presumably about a co-worker of Mr. Mertz","a tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads","Based on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan","Transportation 2020 correspondence forwarding Major categories of issue-related policies and options for each","Charlotte County","views touch topics of revenue sharing, law passed 12/31/70, environmental impact statements","a brochure opposing a referendum on transportation in Maine","includes brief summary of MacDonald's career and contributions to Federal Highway program.","Mertz listed as receiving a Bachelor degree in Civil Engineering","Col of Engineering magazine includes a short biography of Mertz","brochure describes the foundation's interest in funding transportation research and information","includes an article written by Mertz; \"Involvement of Public Utilities in Transportation'","map","multiple modes of transportation","499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee","historical","incomplete","list of attendees","Congressional Hearings before a Joint Committee on Washington Metropolitan Problems","maps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'","Maps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976","includes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building","recommended routes for the Federal Interstate Program","maps of regions","maps of regions and a discussion of the Development of Federal Policy on Highway Toll","Articles on completion of San Diego Freeway and on the Redwood Highway","14","the problem of the analysis of transportation networks and suggested approaches through modern graph theory","Includes requests for information and replies regarding Administrative and Financial Aspects","Report from Bragdon and Comments from BPR","includes reports from Secretary of commerce and Presidential messages","information provided to Mertz to support work on history of Interstate","information provided to Mertz to support work on history of Interstate","includes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974","Includes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.","Dissertation for PhD in Maryland University","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","includes pictures of participants","includes pictures of participants","urban transportation","includes pictures of attendees","requests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies","In defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.","Nominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.","Mr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.","Concerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.","Prepared by F.C Turner, Retired FWHA Administrator","includes pictures of participants,presentations of each of the major elements of headquarters","Includes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade","Readers digest Articles critical of FHWA program and replies","Includes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956","possible Interstate routes through DC","includes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909","Includes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation","includes information on \"Metro\" construction progress","Maryland Planning documents","Short personal narratives by Federal highway construction personnel including human aspects of construction","includes a large map of the area","Diversion of highway tax funds to other purposes","the Additional 1,000 miles was authorized by the 1956 Act","included Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations","a manuscript by Mertz","A monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.","abstracts of Federal law regarding roads","complied by Department of Transportation","A Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary","A report prepared for the Department of Transportation","A technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.","A report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.","prepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]","by Carnegie Mellon for DOT","produced by Commission of the European Communities","report required by Motor Carrier Act of 1980","report completed for Washington Metropolitan Area Transit Authority","Includes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)","bi-lingual","A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50","a report to Congress on rural roads","Message from the President of the United States to Congress","Association of American Railroads","articles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project","part of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads","Fed'l Highway Administration pamphlet","symposium presentation papers from several of the participants","Summary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility","Explored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.","Office of Technology Assessment, Congress of the United States","VHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.","Photocopies of older materials","Urban Freeway Development in Twenty Major Cities, August 1964","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials.","R22 C2 S7 - C4, S2-S7","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration","Mertz, Lee, 1920-1993","English"],"collection_title_tesim":["William L. Mertz transportation collection, 1895/1995"],"collection_ssim":["William L. Mertz transportation collection, 1895/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0050","/repositories/2/resources/140"],"unitid_tesim":["C0050","/repositories/2/resources/140"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Mertz, Lee, 1920-1993"],"creator_ssim":["Mertz, Lee, 1920-1993"],"creator_persname_ssim":["Mertz, Lee, 1920-1993"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"creators_ssim":["Mertz, Lee, 1920-1993","George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Jonathan Gifford, Marty L. Freeman, and Perry M. Kent in 1994-2000."],"access_subjects_ssim":["Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence"],"access_subjects_ssm":["Transportation -- United States -- Planning","Highway planning -- United States","Transportation","Transportation -- Planning","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["47.5 Linear Feet 62 boxes"],"extent_tesim":["47.5 Linear Feet 62 boxes"],"genreform_ssim":["Correspondence"],"date_range_isim":[1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003e\u003cextptr href=\"https://youtu.be/TN0oEIqQmuo\" title=\"Road to Happiness\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by subject.\u003c/p\u003e  ","\u003cp\u003ethe Region's Bus Network: Huge, Complex and Varied\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement note"],"arrangement_tesim":["This collection is arranged alphabetically by subject.","the Region's Bus Network: Huge, Complex and Varied"],"bioghist_html_tesm":["\u003cp\u003eWilliam Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["William Lee Mertz, a former Federal Highway Administration Associate Administrator, played a leading role in planning and developing the Interstate system of highways in the United States. Born in 1920, Mertz started his career as a highway engineer with the Bureau of Public Roads in the Department of Commerce. As a field engineer, Mertz worked on many interesting and important transportation projects. He took part in the 1955 Road Test in Ottawa, Illinois, where the basic designs for Interstate pavements were developed. Mertz was assigned in 1956 to the Bureau of Standards to develop standards for computer software for use in highway engineering applications. During the 1960s he worked with such groups as the National Capital Transit Agency in Washington, D.C. and the Tri-State Transportation Commission in New York. He also served as an administrator in the planning of the Interstate Highway System, including the Washington Beltway, I-95 in Maryland, and the Washington Metrorail System. In 1969 Mertz returned to the Federal Highway Administration as Chief of the Urban Planning Division and developed transportation planning studies in all 213 metropolitan areas of the nation. After he left the Federal Highway Administration, Mertz took it upon himself to assemble documents and materials that were important in the development of the Interstate system, and, more generally, to the development of highways and urban transportation policy. Mertz died in 1993."],"prefercite_html_tesm":["\u003cp\u003eWilliam L. Mertz transportation collection, C0050, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["William L. Mertz transportation collection, C0050, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid compiled by Robert Vay, Vikram David, Estee L. Dudash, Barbara Haase, and Kaycee Morgan in 1995. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid compiled by Robert Vay, Vikram David, Estee L. Dudash, Barbara Haase, and Kaycee Morgan in 1995. EAD markup completed in February 2009 by Eron Ackerman and Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other \u003cextptr show=\"new\" title=\"transportation-related collections\" href=\"https://aspace.gmu.edu/subjects/sh85137027\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains transportation related materials collected over a 45 year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.\u003c/p\u003e  ","\u003cp\u003eOptical instrument - unknown use\u003c/p\u003e","\u003cp\u003e2 hand written letters from Mr.James quoted in a inclusive document\u003c/p\u003e","\u003cp\u003eHome Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings\u003c/p\u003e","\u003cp\u003eAerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows\u003c/p\u003e","\u003cp\u003eField Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning\u003c/p\u003e","\u003cp\u003eCensus Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language\u003c/p\u003e","\u003cp\u003eLondon Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding\u003c/p\u003e","\u003cp\u003eSome of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line\u003c/p\u003e","\u003cp\u003eDirect Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue\u003c/p\u003e","\u003cp\u003eJob Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic\u003c/p\u003e","\u003cp\u003eA Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile\u003c/p\u003e","\u003cp\u003eSoftware Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play\u003c/p\u003e","\u003cp\u003eA Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey\u003c/p\u003e","\u003cp\u003eTransit Trends\u003c/p\u003e","\u003cp\u003eVacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey\u003c/p\u003e","\u003cp\u003eHome Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]\u003c/p\u003e","\u003cp\u003eHome Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region\u003c/p\u003e","\u003cp\u003eThe Social-Economic Future of the Tri-State Region\u003c/p\u003e","\u003cp\u003eThe Region's Unique Rapid -Transit System - In Newark\u003c/p\u003e","\u003cp\u003eFindings of the Taxi Survey\u003c/p\u003e","\u003cp\u003eTheoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers\u003c/p\u003e","\u003cp\u003eProgram 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States\u003c/p\u003e","\u003cp\u003eWestern Association of State Highway Officials Road Test data analyses and findings\u003c/p\u003e","\u003cp\u003eHistory of American Interstate Highway System\u003c/p\u003e","\u003cp\u003eDiscusses Investment Deficit in Public Works\u003c/p\u003e","\u003cp\u003eUnited Nations White Paper\u003c/p\u003e","\u003cp\u003eIncludes a short draft description of each of the 19 subordinate working papers.\u003c/p\u003e","\u003cp\u003eChanging Demographics and Economic Use\u003c/p\u003e","\u003cp\u003eTrends and Forecasts of Highway Passenger Travel\u003c/p\u003e","\u003cp\u003eTrends and Forecast of Highway Freight Travel\u003c/p\u003e","\u003cp\u003eAdvancements in Highway materials and Construction Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Automobile Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Motor Truck Technology\u003c/p\u003e","\u003cp\u003eAdvancements in Telecommunications and Computer Technology Affecting Highway Travel\u003c/p\u003e","\u003cp\u003eNational Defence Highway Requirements\u003c/p\u003e","\u003cp\u003eUrban and Suburban Highway Congestion\u003c/p\u003e","\u003cp\u003eHighway Requirements for Freight Movement\u003c/p\u003e","\u003cp\u003eHighway Performance and Investment Analysis\u003c/p\u003e","\u003cp\u003eFederal Highway Investment Program Structure\u003c/p\u003e","\u003cp\u003eFederal Mandates for Highway Operations and Safety\u003c/p\u003e","\u003cp\u003eState, Local and Private Highway Roles\u003c/p\u003e","\u003cp\u003eExternal Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program\u003c/p\u003e","\u003cp\u003e195 pages; History\u003c/p\u003e","\u003cp\u003eRepresentative Robert Roe and his stand on funding public works\u003c/p\u003e","\u003cp\u003ehumorous discussion of chauffeur perk\u003c/p\u003e","\u003cp\u003edeals with ownership and funding of transportation infrastructure\u003c/p\u003e","\u003cp\u003eInterstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management\u003c/p\u003e","\u003cp\u003ePolitics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study\u003c/p\u003e","\u003cp\u003econtrol of \"pork barrel\"\u003c/p\u003e","\u003cp\u003ebrief summary of W.L. Mertz career starting in 1949\u003c/p\u003e","\u003cp\u003eIncludes information regarding Mertz's involvement in 2 week urban transportation course\u003c/p\u003e","\u003cp\u003eInformation on the New River Gorge Bridge\u003c/p\u003e","\u003cp\u003eNew Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed\u003c/p\u003e","\u003cp\u003edraft of speech, brief discussion of cost and projection of future\u003c/p\u003e","\u003cp\u003eAbstract of documents from 1944 to 1973\u003c/p\u003e","\u003cp\u003ereprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"\u003c/p\u003e","\u003cp\u003evarious documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party\u003c/p\u003e","\u003cp\u003ea detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills\u003c/p\u003e","\u003cp\u003eCorrects a misstatement regarding the flow of planning money within the states\u003c/p\u003e","\u003cp\u003eStates preference for inexpensive public transportation solutions\u003c/p\u003e","\u003cp\u003ea report of efforts to improve the NYC subways in early 1980's\u003c/p\u003e","\u003cp\u003ea description of the Tri - State \"Technical Division\" structure and functions.\u003c/p\u003e","\u003cp\u003edescribes road conditions supporting vacation touring\u003c/p\u003e","\u003cp\u003esummary of \"UTAP\" LEGISLATION\u003c/p\u003e","\u003cp\u003edescribes planning as seen by Mr. Mertz\u003c/p\u003e","\u003cp\u003ea poem presumably about a co-worker of Mr. Mertz\u003c/p\u003e","\u003cp\u003ea tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads\u003c/p\u003e","\u003cp\u003eBased on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan\u003c/p\u003e","\u003cp\u003eTransportation 2020 correspondence forwarding Major categories of issue-related policies and options for each\u003c/p\u003e","\u003cp\u003eCharlotte County\u003c/p\u003e","\u003cp\u003eviews touch topics of revenue sharing, law passed 12/31/70, environmental impact statements\u003c/p\u003e","\u003cp\u003ea brochure opposing a referendum on transportation in Maine\u003c/p\u003e","\u003cp\u003eincludes brief summary of MacDonald's career and contributions to Federal Highway program.\u003c/p\u003e","\u003cp\u003eMertz listed as receiving a Bachelor degree in Civil Engineering\u003c/p\u003e","\u003cp\u003eCol of Engineering magazine includes a short biography of Mertz\u003c/p\u003e","\u003cp\u003ebrochure describes the foundation's interest in funding transportation research and information\u003c/p\u003e","\u003cp\u003eincludes an article written by Mertz; \"Involvement of Public Utilities in Transportation'\u003c/p\u003e","\u003cp\u003emap\u003c/p\u003e","\u003cp\u003emultiple modes of transportation\u003c/p\u003e","\u003cp\u003e499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee\u003c/p\u003e","\u003cp\u003ehistorical\u003c/p\u003e","\u003cp\u003eincomplete\u003c/p\u003e","\u003cp\u003elist of attendees\u003c/p\u003e","\u003cp\u003eCongressional Hearings before a Joint Committee on Washington Metropolitan Problems\u003c/p\u003e","\u003cp\u003emaps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'\u003c/p\u003e","\u003cp\u003eMaps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976\u003c/p\u003e","\u003cp\u003eincludes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building\u003c/p\u003e","\u003cp\u003erecommended routes for the Federal Interstate Program\u003c/p\u003e","\u003cp\u003emaps of regions\u003c/p\u003e","\u003cp\u003emaps of regions and a discussion of the Development of Federal Policy on Highway Toll\u003c/p\u003e","\u003cp\u003eArticles on completion of San Diego Freeway and on the Redwood Highway\u003c/p\u003e","\u003cp\u003e14\u003c/p\u003e","\u003cp\u003ethe problem of the analysis of transportation networks and suggested approaches through modern graph theory\u003c/p\u003e","\u003cp\u003eIncludes requests for information and replies regarding Administrative and Financial Aspects\u003c/p\u003e","\u003cp\u003eReport from Bragdon and Comments from BPR\u003c/p\u003e","\u003cp\u003eincludes reports from Secretary of commerce and Presidential messages\u003c/p\u003e","\u003cp\u003einformation provided to Mertz to support work on history of Interstate\u003c/p\u003e","\u003cp\u003einformation provided to Mertz to support work on history of Interstate\u003c/p\u003e","\u003cp\u003eincludes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.\u003c/p\u003e","\u003cp\u003eDissertation for PhD in Maryland University\u003c/p\u003e","\u003cp\u003e3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.\u003c/p\u003e","\u003cp\u003e3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.\u003c/p\u003e","\u003cp\u003eincludes pictures of participants\u003c/p\u003e","\u003cp\u003eincludes pictures of participants\u003c/p\u003e","\u003cp\u003eurban transportation\u003c/p\u003e","\u003cp\u003eincludes pictures of attendees\u003c/p\u003e","\u003cp\u003erequests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies\u003c/p\u003e","\u003cp\u003eIn defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.\u003c/p\u003e","\u003cp\u003eNominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.\u003c/p\u003e","\u003cp\u003eMr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.\u003c/p\u003e","\u003cp\u003eConcerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.\u003c/p\u003e","\u003cp\u003ePrepared by F.C Turner, Retired FWHA Administrator\u003c/p\u003e","\u003cp\u003eincludes pictures of participants,presentations of each of the major elements of headquarters\u003c/p\u003e","\u003cp\u003eIncludes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade\u003c/p\u003e","\u003cp\u003eReaders digest Articles critical of FHWA program and replies\u003c/p\u003e","\u003cp\u003eIncludes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956\u003c/p\u003e","\u003cp\u003epossible Interstate routes through DC\u003c/p\u003e","\u003cp\u003eincludes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909\u003c/p\u003e","\u003cp\u003eIncludes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation\u003c/p\u003e","\u003cp\u003eincludes information on \"Metro\" construction progress\u003c/p\u003e","\u003cp\u003eMaryland Planning documents\u003c/p\u003e","\u003cp\u003eShort personal narratives by Federal highway construction personnel including human aspects of construction\u003c/p\u003e","\u003cp\u003eincludes a large map of the area\u003c/p\u003e","\u003cp\u003eDiversion of highway tax funds to other purposes\u003c/p\u003e","\u003cp\u003ethe Additional 1,000 miles was authorized by the 1956 Act\u003c/p\u003e","\u003cp\u003eincluded Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations\u003c/p\u003e","\u003cp\u003ea manuscript by Mertz\u003c/p\u003e","\u003cp\u003eA monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.\u003c/p\u003e","\u003cp\u003eabstracts of Federal law regarding roads\u003c/p\u003e","\u003cp\u003ecomplied by Department of Transportation\u003c/p\u003e","\u003cp\u003eA Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary\u003c/p\u003e","\u003cp\u003eA report prepared for the Department of Transportation\u003c/p\u003e","\u003cp\u003eA technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.\u003c/p\u003e","\u003cp\u003eA report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.\u003c/p\u003e","\u003cp\u003eprepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]\u003c/p\u003e","\u003cp\u003eby Carnegie Mellon for DOT\u003c/p\u003e","\u003cp\u003eproduced by Commission of the European Communities\u003c/p\u003e","\u003cp\u003ereport required by Motor Carrier Act of 1980\u003c/p\u003e","\u003cp\u003ereport completed for Washington Metropolitan Area Transit Authority\u003c/p\u003e","\u003cp\u003eIncludes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)\u003c/p\u003e","\u003cp\u003ebi-lingual\u003c/p\u003e","\u003cp\u003eA Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50\u003c/p\u003e","\u003cp\u003ea report to Congress on rural roads\u003c/p\u003e","\u003cp\u003eMessage from the President of the United States to Congress\u003c/p\u003e","\u003cp\u003eAssociation of American Railroads\u003c/p\u003e","\u003cp\u003earticles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project\u003c/p\u003e","\u003cp\u003epart of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads\u003c/p\u003e","\u003cp\u003eFed'l Highway Administration pamphlet\u003c/p\u003e","\u003cp\u003esymposium presentation papers from several of the participants\u003c/p\u003e","\u003cp\u003eSummary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility\u003c/p\u003e","\u003cp\u003eExplored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.\u003c/p\u003e","\u003cp\u003eOffice of Technology Assessment, Congress of the United States\u003c/p\u003e","\u003cp\u003eVHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.\u003c/p\u003e","\u003cp\u003ePhotocopies of older materials\u003c/p\u003e","\u003cp\u003eUrban Freeway Development in Twenty Major Cities, August 1964\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection contains transportation related materials collected over a 45 year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials. Many of these documents are photocopies of the original materials. The material covers a wide variety of topics, such as The Federal Highway Acts, bridges, buses, the environment, transportation in cities, commuting, and trucking. Organizations represented by materials in the collection include the Federal Highway Administration,the Department of Transportation, the Tri-State Transportation Commission, and the American Association of State Highway and Transportation Officials.","Optical instrument - unknown use","2 hand written letters from Mr.James quoted in a inclusive document","Home Interview Survey Sample Design, Production Control of Home Interview Survey, Preliminary Trip Generation Results, Preliminary Estimate of Rail Car Volume and Flow in the Tri-State Region, Domestic Intercity Freight, Manhattan Cordon Crossings","Aerial and Line Maps for Tri-State, Technical Auditing of Home Interview Survey, Population Density - 1960, Employment By Industry in the Tri-State Region, The Tri-State Region Freight Flows","Field Operations of the Home Interview Survey, Geographic Coding of the Travel Surveys, Committed Freeway Mileages in 20 Cities, Use of the Abacus in Urban Transportation Planning","Census Tract Area Measurement By template, What is Software, Financing Tri-State Operations, Transportation Through Cooperation, Testing the Feasibility of a Secaucus Transfer Station, A Beginner's Lexicon of Tri-State Language","London Transport Conditions in 1964, Development of the Highway System in the Tri-State Region, Passenger Trends on the New Jersey Suburban Railroads 1961-1964, Landmarks in Planning the Tri-State Region, Quality Control of Coding","Some of the More Important Trends in the Development of London Transport,Cost of Producing Standard Tri-State Publications, Some Results of the Study of Quantified Regional Development Alternatives, Building Newark Coding Guide, Delineation of the Tri-State Cordon Line","Direct Traffic Assignment: An Antiquarian Addendum, Home Interview Survey Completeness Checking Procedures, Developing the Minimum Comparability Data File, Man Triumphant? Extracts From a Prologue","Job Control in Data Processing; Regional Bus Equipment Inventory; Direct Expenditures by Households for Transportation; Trends in Tractor - Semitrailer Traffic","A Region on the Move: Travel Choices Depend on Destinations; We File It -- And Don't Forget It; An Approach to Maximizing Toll Revenues; Toronto: Rapid Transit's Romance with the Automobile","Software Revisited; Expanding the Home Survey Interview Survey; Blocks Aren't Only for Child's Play","A Profile of Land Planning The Traffic Volume Estimating Techniques, Coding the Truck - Taxi Survey","Transit Trends","Vacancy Rates in the Tri-State Area; How Many Will take Their Cars? Highway Speeds-1; Procedure used in Expanding the Truck Survey","Home Interview Survey Validation - 1; Inside 505 - 501 [Grid coordinates]","Home Interview Survey; Validation: Suburban Railroads, Urban Rapid Transit, Screen line Checks; The Form of the Urban Region","The Social-Economic Future of the Tri-State Region","The Region's Unique Rapid -Transit System - In Newark","Findings of the Taxi Survey","Theoretical Traffic Volume and Timing Studies; Chicago Plans Its Future; The Use of Electronic Computers","Program 30th Annual Meeting, ITE; New Horizons for Transit in Metropolitan Chicago,The Problem of the Amber Signal Light in Traffic Flow; Traffic Assignment to Street and Freeway Systems; Building a Second United States","Western Association of State Highway Officials Road Test data analyses and findings","History of American Interstate Highway System","Discusses Investment Deficit in Public Works","United Nations White Paper","Includes a short draft description of each of the 19 subordinate working papers.","Changing Demographics and Economic Use","Trends and Forecasts of Highway Passenger Travel","Trends and Forecast of Highway Freight Travel","Advancements in Highway materials and Construction Technology","Advancements in Automobile Technology","Advancements in Motor Truck Technology","Advancements in Telecommunications and Computer Technology Affecting Highway Travel","National Defence Highway Requirements","Urban and Suburban Highway Congestion","Highway Requirements for Freight Movement","Highway Performance and Investment Analysis","Federal Highway Investment Program Structure","Federal Mandates for Highway Operations and Safety","State, Local and Private Highway Roles","External Federal Policies and Motor Carrier Safety Laws and Regulations Affecting The Highway Program","195 pages; History","Representative Robert Roe and his stand on funding public works","humorous discussion of chauffeur perk","deals with ownership and funding of transportation infrastructure","Interstate Travel; Metropolitan Area Transportation; Small Urban and Rural Access; Highway and Traffic Safety; Highway Program Management","Politics Negatively Affect Transportation Profession; \"Megabus\" Claimed as a Low Cost alternative to Light Rail; Minimum Drinking Age Laws Have Saved Lives; FHWA Receives Comments on National Highway-Railroad Crossing Study","control of \"pork barrel\"","brief summary of W.L. Mertz career starting in 1949","Includes information regarding Mertz's involvement in 2 week urban transportation course","Information on the New River Gorge Bridge","New Look Road signs; Sulphur to Conserve Asphalt;Bicycle Paths;55 mile per hour speed limit;100 mile an hour super highway proposed","draft of speech, brief discussion of cost and projection of future","Abstract of documents from 1944 to 1973","reprint of an historical letter from Governor Martin Van Buren to President Andrew Jackson protesting the spread of a new form of transportation \"railroads\"","various documents Mertz kept regarding his career: initial appointment document, political appointment notice, retirement party","a detailed article on computation and \"electronic computer capabilities\"; includes the authors personal experiences with FORTRAN and programing skills","Corrects a misstatement regarding the flow of planning money within the states","States preference for inexpensive public transportation solutions","a report of efforts to improve the NYC subways in early 1980's","a description of the Tri - State \"Technical Division\" structure and functions.","describes road conditions supporting vacation touring","summary of \"UTAP\" LEGISLATION","describes planning as seen by Mr. Mertz","a poem presumably about a co-worker of Mr. Mertz","a tribute to Thomas H. MacDonald upon retirement as U.S. Commissioner of Public Roads","Based on terms for reimbursement, this appears to be a consultation provided by Mr. Mertz and Mr. Reulein to Nihon Doro Kodan of Japan","Transportation 2020 correspondence forwarding Major categories of issue-related policies and options for each","Charlotte County","views touch topics of revenue sharing, law passed 12/31/70, environmental impact statements","a brochure opposing a referendum on transportation in Maine","includes brief summary of MacDonald's career and contributions to Federal Highway program.","Mertz listed as receiving a Bachelor degree in Civil Engineering","Col of Engineering magazine includes a short biography of Mertz","brochure describes the foundation's interest in funding transportation research and information","includes an article written by Mertz; \"Involvement of Public Utilities in Transportation'","map","multiple modes of transportation","499 Pennsylvania Ave. Washington D.C. was the headquarters of The Regional Highway Planning Committee","historical","incomplete","list of attendees","Congressional Hearings before a Joint Committee on Washington Metropolitan Problems","maps and narrative material regarding the national system and highways in North Dakota, California, New York, Connecticut, Nevada, New Mexico, Vermont, South Dakota, Minnesota and Texas; a pamphlet describing the use of \"Ace Joints'","Maps and reports of highways in Missouri, Illinois, Florida, Maine, Ohio, as well as progress maps of the national system from 1968 to 1976","includes hand draft of outlines for training and a copy of pages from the Yearbook of the United States Department of Agriculture, Progress of Road Building","recommended routes for the Federal Interstate Program","maps of regions","maps of regions and a discussion of the Development of Federal Policy on Highway Toll","Articles on completion of San Diego Freeway and on the Redwood Highway","14","the problem of the analysis of transportation networks and suggested approaches through modern graph theory","Includes requests for information and replies regarding Administrative and Financial Aspects","Report from Bragdon and Comments from BPR","includes reports from Secretary of commerce and Presidential messages","information provided to Mertz to support work on history of Interstate","information provided to Mertz to support work on history of Interstate","includes \"Documentation for Nomination by National Capital Section American Society of Civil Engineers of National System of Interstate and Defense Highways for ASCE \"Outstanding Civil Achievement Award\" for 1974","Includes correspondence regarding writing a history of FHWY and copies of documents regarding Federal government establishment of highway agencies. Also contains pictures of Regional and District Engineers in 1951 and 1967.","Dissertation for PhD in Maryland University","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","3 part book aimed at providing citizens basic information on: (a) benefits of highways, (b) elements of highway program, and (c) case studies of individual benefits for specific sites.","includes pictures of participants","includes pictures of participants","urban transportation","includes pictures of attendees","requests from States and Congress for specific Inter-State Route locations and Bureau of Public Roads replies","In defense of a park versus a highway, a collection of 31 photographs illustrating use of Riverside Park in New York City.","Nominations for the award. Also included is a recap of Mr. MacDonald's service to public roads.","Mr. Little made a proposal to award money to states for completing their portion of the inter-state system on time.","Concerns false and misleading statements made on Mr. Brinkley's 10/1/62 TV show.","Prepared by F.C Turner, Retired FWHA Administrator","includes pictures of participants,presentations of each of the major elements of headquarters","Includes pictures of participants, presentations of key elements of headquarters, reduction in employment ceiling and average grade","Readers digest Articles critical of FHWA program and replies","Includes Material on the Concept of Local Needs in Section 116 of the Federal-Aid Highway Act of 1956","possible Interstate routes through DC","includes information on early Thomas MacDonald; Alice Huyley Ramsey's cross-country drive in 1909","Includes information on President Eisenhower; and a 1959 Study of Metropolitan planning for Land Use and Transportation","includes information on \"Metro\" construction progress","Maryland Planning documents","Short personal narratives by Federal highway construction personnel including human aspects of construction","includes a large map of the area","Diversion of highway tax funds to other purposes","the Additional 1,000 miles was authorized by the 1956 Act","included Original Motor Carrier Safety Regulations issued in 1939 and first codified Motor Carrier Safety Regulations","a manuscript by Mertz","A monograph written by Mertz summarizing the critical investigation of the Federal Interstate program by a committee appointed by President Eisenhower.","abstracts of Federal law regarding roads","complied by Department of Transportation","A Report to the Secretary of transportation from Urban Advisors, a group appointed by the Secretary","A report prepared for the Department of Transportation","A technical report by Westinghouse Electric Corporation for Department of Transportation about an electric propulsion system for passenger rail service.","A report by Booz, Allen and Hamilton evaluating 4 different propulsion systems used in San Francisco Municipal Railway system.","prepared for Washington Metropolitan Area Transit Authority [truck is used in the science of railroad usage]","by Carnegie Mellon for DOT","produced by Commission of the European Communities","report required by Motor Carrier Act of 1980","report completed for Washington Metropolitan Area Transit Authority","Includes a study of 5 commuter rail systems, Bay Area Rapid Transit District (BART), Port Authority Transit Corp (PATCO), Chicago Transit Authority (CTA), Port Authority Trans-Hudson Corp (PATH) and Washington Metropolitan Area Transit Authority (WMATA)","bi-lingual","A Reprint of a statement made by Thomas H. MacDonald, Commissioner of Public Roads, to a Senate subcommittee in 6/50","a report to Congress on rural roads","Message from the President of the United States to Congress","Association of American Railroads","articles on the Highway Trust Fund, Utility relocation, Peace Corp Road Project","part of a joint research program between Michigan State University, Michigan State Police and the Bureau of Public Roads","Fed'l Highway Administration pamphlet","symposium presentation papers from several of the participants","Summary of conference results, findings and presentations. Prepared by GMU national Center for Suburban Mobility","Explored the feasibility of using subway tunnel air as a heat sink/heat source for surrounding buildings.","Office of Technology Assessment, Congress of the United States","VHS of Road to Happiness (1942) and updated introduction from 1980s. Diskettes contain U.S. highway information from the 1960s.","Photocopies of older materials","Urban Freeway Development in Twenty Major Cities, August 1964"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f4d093c79d30c6b0d8fa41e4235fa70e\" label=\"Abstract\"\u003eThe collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection contains transportation related materials collected over a 45-year period. Types of materials include scholarly journal articles dealing with transportation topics, summaries of congressional acts relating to transportation, official reports and studies of transportation agencies, summaries of speeches given by transportation officials, and personal correspondence among transportation officials."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06a248fa9f289c50a6873eeee011d316\"\u003eR22 C2 S7 - C4, S2-S7\u003c/physloc\u003e\n    "],"physloc_tesim":["R22 C2 S7 - C4, S2-S7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"names_coll_ssim":["American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration"],"persname_ssim":["Mertz, Lee, 1920-1993"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Association of State Highway and Transportation Officials","Tri-State Transportation Commission","United States. Department of Transportation","United States. Federal Highway Administration","Mertz, Lee, 1920-1993"],"language_ssim":["English"],"total_component_count_is":1321,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_140_c01_c1281"}},{"id":"vifgm_repositories_2_resources_111_c01_c03","type":"File","attributes":{"title":"Affairs of State, 1950/1952","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111_c01_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eStarring June Havoc.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_111_c01_c03","ref_ssm":["vifgm_repositories_2_resources_111_c01_c03"],"id":"vifgm_repositories_2_resources_111_c01_c03","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111_c01","parent_ssi":"vifgm_repositories_2_resources_111_c01","parent_ssim":["Broadway souvenir theatre programs collection, 1942/1997","Broadway Souvenir Theatre Programs, 1942/1997"],"parent_ids_ssim":["vifgm_repositories_2_resources_111","vifgm_repositories_2_resources_111_c01"],"title_filing_ssi":"Affairs of State","title_ssm":["Affairs of State"],"title_tesim":["Affairs of State"],"normalized_title_ssm":["Affairs of State, 1950/1952"],"text":["Affairs of State, 1950/1952","Broadway souvenir theatre programs collection, 1942/1997","Broadway Souvenir Theatre Programs, 1942/1997","box 1","folder 3","Starring June Havoc."],"parent_unittitles_ssm":["Broadway souvenir theatre programs collection, 1942/1997","Broadway Souvenir Theatre Programs, 1942/1997"],"parent_unittitles_tesim":["Broadway souvenir theatre programs collection, 1942/1997","Broadway Souvenir Theatre Programs, 1942/1997"],"normalized_date_ssm":["1950/1952"],"unitdate_other_ssim":["1950-1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":4,"repository_ssim":["George Mason University"],"collection_ssim":["Broadway souvenir theatre programs collection, 1942/1997"],"containers_ssim":["box 1","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1950,1951,1952],"scopecontent_html_tesm":["\u003cp\u003eStarring June Havoc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Starring June Havoc."],"_nest_path_":"/components#0/components#2","timestamp":"2026-06-23T06:52:46.231Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_111","ead_ssi":"vifgm_repositories_2_resources_111","_root_":"vifgm_repositories_2_resources_111","_nest_parent_":"vifgm_repositories_2_resources_111","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_111.xml","title_ssm":["Broadway souvenir theatre programs collection"],"title_tesim":["Broadway souvenir theatre programs collection"],"unitdate_ssm":["1942-1997"],"unitdate_inclusive_ssm":["1942-1997"],"normalized_date_ssm":["1942/1997"],"normalized_title_ssm":["Broadway souvenir theatre programs collection, 1942/1997"],"text":["Broadway souvenir theatre programs collection, 1942/1997","C0182","/repositories/2/resources/111","Broadway (New York, N.Y.)","Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York","There are no access restrictions.","This collection is arranged alphabetically by production title.","\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.","The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.","Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.","The Special Collections Research Center holds other playbill and theatre-related collections.","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.","R43, C5, S1 - S7","George Mason University. Libraries. Special Collections Research Center","English"],"collection_title_tesim":["Broadway souvenir theatre programs collection, 1942/1997"],"collection_ssim":["Broadway souvenir theatre programs collection, 1942/1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0182","/repositories/2/resources/111"],"unitid_tesim":["C0182","/repositories/2/resources/111"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Broadway (New York, N.Y.)"],"geogname_ssim":["Broadway (New York, N.Y.)"],"places_ssim":["Broadway (New York, N.Y.)"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The donor is unknown."],"access_subjects_ssim":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"access_subjects_ssm":["Musical Theater","Theater programs","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Musical Theater -- New York (State) -- New York"],"has_online_content_ssim":["false"],"extent_ssm":["2.75 Linear Feet 6 boxes"],"extent_tesim":["2.75 Linear Feet 6 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by production title.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by production title."],"bibliography_html_tesm":["\u003cp\u003e\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.\u003c/p\u003e","\u003cp\u003e\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.\u003c/p\u003e","\u003cp\u003e\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Broadway History.\" Spotlight on Broadway. https://www.spotlightonbroadway.com/broadway-history. Accessed April 17, 2020.","\"The Golden Age of Broadway.\" Digital Public Library of America. https://dp.la/primary-source-sets/the-golden-age-of-broadway. Accessed April 17, 2020.","\"Timeline - 100 Years of Musical Theater - 1943-1959: Golden Age.\" PBS. https://www.pbs.org/wnet/broadway/timelines/1943-1959/. Accessed April 17, 2020."],"bioghist_html_tesm":["\u003cp\u003eThe Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Theater District of New York City, known as Broadway after the main thoroughfare where over forty theatres make their home, is one of the most popular tourist destinations in the world. First known as the Great White Way due to its dazzling use of lights on marquees, Broadway is synonymous with the best live theatre has to offer. The Golden Age of Broadway occurred between 1943 and 1959, when the theatre-scene exploded with the advent of a new form of musical, popularized by the legendary duo Richard Rodgers and Oscar Hammerstein III in \"Oklahoma!\" What followed were some of the most popular, successful, and enduring musicals in American history. In addition to Rodgers and Hammerstein, composers and lyricists like Leonard Bernstein, Alan Jay Lerner, Frederick Loewe, Stephen Sondheim, Irving Berlin, and Cole Porter found great success during these years with a variety of shows and collaboration with one another. Though new plays and musicals continued to churn out during the 1960s and 1970s, Broadway suffered a creative and financial slump during this time, only to be revitalized in the mid to late 1980s by the likes of Andrew Lloyd Webber, producer Cameron Mackintosh, and Stephen Sondheim."],"prefercite_html_tesm":["\u003cp\u003eBroadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University.\u003c/p\u003e  "],"prefercite_tesim":["Broadway souvenir theatre programs collection, C0182, Special Collections Research Center, George Mason University."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Tom Duncan in 2010. Finding aid updated by Amanda Menjivar in April 2020."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other playbill and theatre-related collections.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds other playbill and theatre-related collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.\u003c/p\u003e  ","\u003cp\u003eStarring Sydney Poitier.\u003c/p\u003e","\u003cp\u003eStarring Liza Minnelli and Barry Nelson.\u003c/p\u003e","\u003cp\u003eStarring June Havoc.\u003c/p\u003e","\u003cp\u003eStarring Viveca Lindfors and Eugenie Leontovich.\u003c/p\u003e","\u003cp\u003eStarring Andrea McArdle and Reid Shelton.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.\u003c/p\u003e","\u003cp\u003eStarring Lauren Bacall; Includes Program\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring Nancy Dussault; Includes 2 newspaper articles.\u003c/p\u003e","\u003cp\u003eStarring Jim Dale and Glenn Close.\u003c/p\u003e","\u003cp\u003eStarring Susan Egan and Terrence Mann.\u003c/p\u003e","\u003cp\u003eStarring Judy Holliday.\u003c/p\u003e","\u003cp\u003eStarring Ruth Brown, Linda Hopkins, and Carrie Smith\u003c/p\u003e","\u003cp\u003eStarring Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Jean Bayless and John Hewer.\u003c/p\u003e","\u003cp\u003eStarring Mickey Rooney and Ann Miller.\u003c/p\u003e","\u003cp\u003eStarring Kim Stanley.\u003c/p\u003e","\u003cp\u003eStarring Shirley Booth and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera and Dick Van Dyke.\u003c/p\u003e","\u003cp\u003eIncludes special record of excerpts from the Columbia Original Cast Album\u003c/p\u003e","\u003cp\u003eStarring Barry Sullivan, John Hodiak, and Lloyd Nolan.\u003c/p\u003e","\u003cp\u003eStarring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Robert Goulet.\u003c/p\u003e","\u003cp\u003eStarring Richard Burton, Julie Andrews, and Robert Goulet.\u003c/p\u003e","\u003cp\u003eLilo\u003c/p\u003e","\u003cp\u003eStarring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.\u003c/p\u003e","\u003cp\u003eStarring Anna Maria Alberghetti.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber.\u003c/p\u003e","\u003cp\u003eStarring Chris Brown and Kay Gayner; Not Original Cast\u003c/p\u003e","\u003cp\u003eStarring James Naughton and Gregg Edelman.\u003c/p\u003e","\u003cp\u003eStarring Katharine Hepburn.\u003c/p\u003e","\u003cp\u003eStarring Harry Groener and Jodi Benson.\u003c/p\u003e","\u003cp\u003eStarring Bill Van Dijk.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon.\u003c/p\u003e","\u003cp\u003eStarring Bebe Neuwirth and Victor Garber.\u003c/p\u003e","\u003cp\u003eStarring Gail Benedict.\u003c/p\u003e","\u003cp\u003eStarring Andy Griffith and Dolores Gray.\u003c/p\u003e","\u003cp\u003eIncludes Newspaper Article from April 2, 1961\u003c/p\u003e","\u003cp\u003eStarring Joseph Schildkraut and Susan Strasberg.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers.\u003c/p\u003e","\u003cp\u003eStarring Frank Langella.\u003c/p\u003e","\u003cp\u003eStarring Laurence Olivier.\u003c/p\u003e","\u003cp\u003eStarring Patti LuPone, Mandy Patinkin, and Bob Gunton.\u003c/p\u003e","\u003cp\u003eStarring Ezio Pinza and Walter Slezak.\u003c/p\u003e","\u003cp\u003e25th Anniversary Production; Starring Chaim Topol.\u003c/p\u003e","\u003cp\u003eStarring Tom Bosley; Includes Newspaper Article on Tom Bosley\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eThe Story of Judy Garland.\u003c/p\u003e","\u003cp\u003eRepeat copy from previous folder; Includes Newspaper Article\u003c/p\u003e","\u003cp\u003eStarring Joel Grey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eWritten and composed by Jim Jacobs and Warren Casey.\u003c/p\u003e","\u003cp\u003eStarring Vivian Blaine.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Alec McCowen.\u003c/p\u003e","\u003cp\u003eIncludes a number of newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and Fernando Lamas.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman and David Wayne.\u003c/p\u003e","\u003cp\u003eStarring Shelley Winters and Ben Gazzara.\u003c/p\u003e","\u003cp\u003eStarring Freddie Trenkler and Carol Lynne.\u003c/p\u003e","\u003cp\u003eStarring Ethel Merman.\u003c/p\u003e","\u003cp\u003eStarring Carol Channing.\u003c/p\u003e","\u003cp\u003eStarring Pearl Bailey; Includes newspaper articles about the production\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Robert Preston; Includes newspaper article about the production\u003c/p\u003e","\u003cp\u003eStarring Elizabeth Seal and Keith Michell.\u003c/p\u003e","\u003cp\u003eStarring Jack Lemmon.\u003c/p\u003e","\u003cp\u003eStarring Lena Horne and Ricardo Montalban.\u003c/p\u003e","\u003cp\u003eStarring Christopher Plummer, Basil Rathbone, and James Daly.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Michael Damian.\u003c/p\u003e","\u003cp\u003eComposed by Andrew Lloyd Weber; Starring Donny Osmond.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.\u003c/p\u003e","\u003cp\u003eStarring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison, Claudette Colbert, and George Rose.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake.\u003c/p\u003e","\u003cp\u003eStarring Alfred Drake and Patricia Morison.\u003c/p\u003e","\u003cp\u003eStarring Chita Rivera, Brent Carver, and Anthony Crivello.\u003c/p\u003e","\u003cp\u003eStarring Julie Harris and Boris Karloff.\u003c/p\u003e","\u003cp\u003eStarring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.\u003c/p\u003e","\u003cp\u003eStarring Nathan Lane.\u003c/p\u003e","\u003cp\u003eStarring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.\u003c/p\u003e","\u003cp\u003eStarring Irene Worth, Mercedes Ruehl, and Kevin Spacey.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury.\u003c/p\u003e","\u003cp\u003eStarring Raul Julia, Sheena Easton, and Tony Martinez.\u003c/p\u003e","\u003cp\u003eStarring Brooks Atkinson, David Atkinson, and Wilbur Evans.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Charles Boyer and Claudette Colbert.\u003c/p\u003e","\u003cp\u003eStarring James Brennan, Judy Blazer, Jay Garner; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Ethel Waters and Julie Harris.\u003c/p\u003e","\u003cp\u003eWritten by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.\u003c/p\u003e","\u003cp\u003eStarring Anne Bancroft, Patty Duke, and Torin Thatcher.\u003c/p\u003e","\u003cp\u003eStarring Jonathan Pryce, Lea Salonga, and Willy Falk.\u003c/p\u003e","\u003cp\u003eStarring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.\u003c/p\u003e","\u003cp\u003eStarring Robert Weede.\u003c/p\u003e","\u003cp\u003eStarring Robert Preston.\u003c/p\u003e","\u003cp\u003eStarring Rex Harrison and Julie Andrews.\u003c/p\u003e","\u003cp\u003eStarring Richard Chamberlain.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Thelma Ritter.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.\u003c/p\u003e","\u003cp\u003eComposed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.\u003c/p\u003e","\u003cp\u003eStarring Betty Garde, Harry Stockwell, and Celeste Holm.\u003c/p\u003e","\u003cp\u003eStarring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.\u003c/p\u003e","\u003cp\u003eStarring Ron Moody; Film version\u003c/p\u003e","\u003cp\u003eWritten by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.\u003c/p\u003e","\u003cp\u003eStarring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978\u003c/p\u003e","\u003cp\u003eStarring Lillias White (Appears on flyer but not in playbill)\u003c/p\u003e","\u003cp\u003eStarring James Barton and Olga San Juan.\u003c/p\u003e","\u003cp\u003eStarring John Raitt, Janis Paige, and Eddie Foy, Jr.\u003c/p\u003e","\u003cp\u003eStarring Vivienne Segal and Harold Lang.\u003c/p\u003e","\u003cp\u003eStarring Jean Arthur, Boris Karloff, and Marcia Henderson.\u003c/p\u003e","\u003cp\u003ePantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.\u003c/p\u003e","\u003cp\u003eStarring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.\u003c/p\u003e","\u003cp\u003eStarring Richard Derr and Barbara Cook.\u003c/p\u003e","\u003cp\u003eStarring Maureen Stapleton and Don Porter.\u003c/p\u003e","\u003cp\u003eStarring Jerry Orbach, Jill O'Hara, and Edward Winter.\u003c/p\u003e","\u003cp\u003eStarring Gwen Verdon and Richard Kiley.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, Vivian Blaine, and Johnny Desmond.\u003c/p\u003e","\u003cp\u003eStarring Christopher Young, James Parker; Film version\u003c/p\u003e","\u003cp\u003eStarring Tom Ewell and Vanessa Brown.\u003c/p\u003e","\u003cp\u003eStarring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.\u003c/p\u003e","\u003cp\u003eStarring Hildegarde Neff and Don Ameche.\u003c/p\u003e","\u003cp\u003eStarring DeLee Lively, Michael Park, and Ken Ard.\u003c/p\u003e","\u003cp\u003eStarring Irra Petina, Lawrence Brooks, and Helena Bliss.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin.\u003c/p\u003e","\u003cp\u003eStarring Mary Martin and Ezio Pinza.\u003c/p\u003e","\u003cp\u003eStarring Florence Henderson and Giorgio Tozzi.\u003c/p\u003e","\u003cp\u003eBook\u003c/p\u003e","\u003cp\u003eStarring Scott Wise, Ben Wright, and Jackie Angelescu.\u003c/p\u003e","\u003cp\u003eStarring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.\u003c/p\u003e","\u003cp\u003eStarring Ralph Bellamy, Mary Fickett, and Henry Jones.\u003c/p\u003e","\u003cp\u003eStarring Angela Lansbury, Len Cariou, and Cris Groenendaal.\u003c/p\u003e","\u003cp\u003eStarring Paul Newman, Geraldine Page, and Sydney Blackmer.\u003c/p\u003e","\u003cp\u003eStarring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.\u003c/p\u003e","\u003cp\u003eStarring David Wayne, John Forsythe, and Mariko Niki.\u003c/p\u003e","\u003cp\u003eStarring Maurice Evans and Ron Husmann.\u003c/p\u003e","\u003cp\u003eStarring Eartha Kitt, Melba Moore, and Gilbert Price.\u003c/p\u003e","\u003cp\u003eStarring Phil Silvers and Audrey Meadows.\u003c/p\u003e","\u003cp\u003eStarring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.\u003c/p\u003e","\u003cp\u003eStarring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program\u003c/p\u003e","\u003cp\u003eStarring Tammy Grimes and Harve Presnell.\u003c/p\u003e","\u003cp\u003eStarring Julie Andrews, Tony Roberts, and Michael Nouri.\u003c/p\u003e","\u003cp\u003eStarring Thomas Hasson, George Marcy, and Pat Birch.\u003c/p\u003e","\u003cp\u003eStarring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.\u003c/p\u003e","\u003cp\u003eStarring Ray Bolger.\u003c/p\u003e","\u003cp\u003eStarring Lucille Ball and Keith Andes.\u003c/p\u003e","\u003cp\u003eStarring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.\u003c/p\u003e","\u003cp\u003eWritten by Moss Hart.\u003c/p\u003e","\u003cp\u003estarring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.\u003c/p\u003e","\u003cp\u003eStarring Rosalind Russell.\u003c/p\u003e","\u003cp\u003eStarring France Nuyen, William Shatner, and Ron Randell.\u003c/p\u003e","\u003cp\u003eStarring William Daniels, Paul Hecht, Clifford David, and Roy Poole.\u003c/p\u003e","\u003cp\u003eStarring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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note"],"scopecontent_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. Instead of the traditional free playbill which is handed out upon entrance of the theatre, souvenir programs tend to be purchased at show concession stands, and are of higher quality, have color photography, and are intended to last as a souvenir of the theatrical experience. This collection contains many programs from original Broadway show runs, revivals, and features many famous actors, singers, and dancers who performed in Broadway shows. It also contains a few film souvenir programs.","Starring Sydney Poitier.","Starring Liza Minnelli and Barry Nelson.","Starring June Havoc.","Starring Viveca Lindfors and Eugenie Leontovich.","Starring Andrea McArdle and Reid Shelton.","Starring Ethel Merman; News Article from May 19, 1966, referencing twenty years of Merman as Annie Oakley.","Starring Lauren Bacall; Includes Program","Composed by Andrew Lloyd Weber.","Starring Rosalind Russell.","Starring Nancy Dussault; Includes 2 newspaper articles.","Starring Jim Dale and Glenn Close.","Starring Susan Egan and Terrence Mann.","Starring Judy Holliday.","Starring Ruth Brown, Linda Hopkins, and Carrie Smith","Starring Celeste Holm.","Starring Jean Bayless and John Hewer.","Starring Mickey Rooney and Ann Miller.","Starring Kim Stanley.","Starring Shirley Booth and Wilbur Evans.","Starring Chita Rivera and Dick Van Dyke.","Includes special record of excerpts from the Columbia Original Cast Album","Starring Barry Sullivan, John Hodiak, and Lloyd Nolan.","Starring Humphrey Bogart, Jose Ferrer, Van Johnson, and Fred MacMurray; Motion Picture","Starring Ethel Merman.","Starring Robert Goulet.","Starring Richard Burton, Julie Andrews, and Robert Goulet.","Lilo","Starring Jim Dale, Andrea Martin, Harolyn Blackwell, and Jason Danieley.","Starring Anna Maria Alberghetti.","Composed by Rodgers and Hammerstein; Starring Fisher Stevens and Shirley Verrett.","Composed by Andrew Lloyd Weber.","Starring Chris Brown and Kay Gayner; Not Original Cast","Starring James Naughton and Gregg Edelman.","Starring Katharine Hepburn.","Starring Harry Groener and Jodi Benson.","Starring Bill Van Dijk.","Starring Gwen Verdon.","Starring Bebe Neuwirth and Victor Garber.","Starring Gail Benedict.","Starring Andy Griffith and Dolores Gray.","Includes Newspaper Article from April 2, 1961","Starring Joseph Schildkraut and Susan Strasberg.","Starring Phil Silvers.","Starring Frank Langella.","Starring Laurence Olivier.","Starring Patti LuPone, Mandy Patinkin, and Bob Gunton.","Starring Ezio Pinza and Walter Slezak.","25th Anniversary Production; Starring Chaim Topol.","Starring Tom Bosley; Includes Newspaper Article on Tom Bosley","Composed by Rodgers and Hammerstein.","Starring Nathan Lane.","The Story of Judy Garland.","Repeat copy from previous folder; Includes Newspaper Article","Starring Joel Grey.","Written and composed by Jim Jacobs and Warren Casey.","Written and composed by Jim Jacobs and Warren Casey.","Starring Vivian Blaine.","Starring Ethel Merman.","Starring Alec McCowen.","Includes a number of newspaper articles about the production","Starring Ethel Merman and Fernando Lamas.","Starring Ethel Merman and David Wayne.","Starring Shelley Winters and Ben Gazzara.","Starring Freddie Trenkler and Carol Lynne.","Starring Ethel Merman.","Starring Carol Channing.","Starring Pearl Bailey; Includes newspaper articles about the production","Starring Mary Martin and Robert Preston; Includes newspaper article about the production","Starring Elizabeth Seal and Keith Michell.","Starring Jack Lemmon.","Starring Lena Horne and Ricardo Montalban.","Starring Christopher Plummer, Basil Rathbone, and James Daly.","Composed by Andrew Lloyd Weber; Starring Michael Damian.","Composed by Andrew Lloyd Weber; Starring Donny Osmond.","Composed by Rodgers and Hammerstein; Starring Lou Diamond Phillips.","Starring Gertrude Lawrence; Composed by Rodger and Hammerstein; Includes newspaper article.","Starring Rex Harrison, Claudette Colbert, and George Rose.","Starring Alfred Drake.","Starring Alfred Drake and Patricia Morison.","Starring Chita Rivera, Brent Carver, and Anthony Crivello.","Starring Julie Harris and Boris Karloff.","Starring James Coco, Rita Moreno, Marcia Rodd, and Doris Roberts.","Starring Nathan Lane.","Starring Edith Adams, Peter Palmer, Howard St. John, Stubby Kaye, and Charlotte Rae.","Starring Irene Worth, Mercedes Ruehl, and Kevin Spacey.","Starring Angela Lansbury.","Starring Raul Julia, Sheena Easton, and Tony Martinez.","Starring Brooks Atkinson, David Atkinson, and Wilbur Evans.","Composed by Rodgers and Hammerstein.","Starring Charles Boyer and Claudette Colbert.","Starring James Brennan, Judy Blazer, Jay Garner; Includes Program","Starring Ethel Waters and Julie Harris.","Written by William Shakespeare; Starring Alex Jennings and Lindsay Duncan.","Starring Anne Bancroft, Patty Duke, and Torin Thatcher.","Starring Jonathan Pryce, Lea Salonga, and Willy Falk.","Starring Ingrid Berman, Arthur Hill, and Colleen Dewhurst.","Starring Robert Weede.","Starring Robert Preston.","Starring Rex Harrison and Julie Andrews.","Starring Richard Chamberlain.","Starring Gwen Verdon and Thelma Ritter; Includes Program","Starring Gwen Verdon and Thelma Ritter.","Composed by Rodgers and Hammerstein; Starring Gordon MacRae, Shirly Jones, Gloria Grahame, and Rod Steiger.","Composed by Rodgers and Hammerstein; Starring Laurence Guittard, Mary Wickes, and Christine Andreas.","Starring Betty Garde, Harry Stockwell, and Celeste Holm.","Starring Bruce Yarnell, Lee Beery, April Shawhan, Spiro Malas, and Margaret Hamilton.","Starring Ron Moody; Film version","Written by Adolph Green; Starring Cris Alexander, Adolph Green, and John Battles.","Starring Imogene Coca, John Cullum, and Judy Kaye; Winner of 5 Tony Awards in 1978","Starring Lillias White (Appears on flyer but not in playbill)","Starring James Barton and Olga San Juan.","Starring John Raitt, Janis Paige, and Eddie Foy, Jr.","Starring Vivienne Segal and Harold Lang.","Starring Jean Arthur, Boris Karloff, and Marcia Henderson.","Pantages Theatre Toronto; Starring Colm Wilkinson, Rebecca Caine, and Byron Nease.","Starring Helen Traubel, William Johnson, and Judy Tyler; Composed by Rodgers and Hammerstein.","Starring Richard Derr and Barbara Cook.","Starring Maureen Stapleton and Don Porter.","Starring Jerry Orbach, Jill O'Hara, and Edward Winter.","Starring Gwen Verdon and Richard Kiley.","Starring David Wayne, Vivian Blaine, and Johnny Desmond.","Starring Christopher Young, James Parker; Film version","Starring Tom Ewell and Vanessa Brown.","Starring John McMartin, Elaine Stritch, Rebecca Luker, Mark Jacoby, and Lonette McKee.","Starring Hildegarde Neff and Don Ameche.","Starring DeLee Lively, Michael Park, and Ken Ard.","Starring Irra Petina, Lawrence Brooks, and Helena Bliss.","Starring Mary Martin.","Starring Mary Martin and Ezio Pinza.","Starring Florence Henderson and Giorgio Tozzi.","Book","Starring Scott Wise, Ben Wright, and Jackie Angelescu.","Starring Betty Buckley, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Glenn Close, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Elaine Page, Alan Campbell, Alice Ripley, and George Hearn; Composed by Andrew Lloyd Webber.","Starring Ralph Bellamy, Mary Fickett, and Henry Jones.","Starring Angela Lansbury, Len Cariou, and Cris Groenendaal.","Starring Paul Newman, Geraldine Page, and Sydney Blackmer.","Starring Jackie Gleason, Walter Pidgeon, and Eileen Herlie.","Starring David Wayne, John Forsythe, and Mariko Niki.","Starring Maurice Evans and Ron Husmann.","Starring Eartha Kitt, Melba Moore, and Gilbert Price.","Starring Phil Silvers and Audrey Meadows.","Starring Jason Robards Jr., Maureen Stapleton, Irene Worth, and Anne Revere.","Starring Roscoe Lee Browne, Cynthia Martells, and Larry Fishburne; Includes Program","Starring Tammy Grimes and Harve Presnell.","Starring Julie Andrews, Tony Roberts, and Michael Nouri.","Starring Thomas Hasson, George Marcy, and Pat Birch.","Starring Carol Lawrence, Larry Kert, Chita Rivera; Composed by Stephen Sondheim; Choreographed by Jerome Robbins.","Starring Ray Bolger.","Starring Lucille Ball and Keith Andes.","Starring Keith Carradine, Dee Hoty, Dick Latessa, and Cady Huffman.","Written by Moss Hart.","starring Sheila Bond, Jack Cassidy, Patricia Marand, and Sidney Armus.","Starring Rosalind Russell.","Starring France Nuyen, William Shatner, and Ron Randell.","Starring William Daniels, Paul Hecht, Clifford David, and Roy Poole.","Starring Martin Balsam, Eileen Heckart, George Grizzard, Joe Silver, and Melinda Dillon."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_bee07ba592a9093c395e24c430464c9f\" label=\"Abstract\"\u003eThis collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains theatre souvenir programs from Broadway productions between the years 1942 and 1997. The programs include descriptions of the production, along with information on the respective creators, performers, directors, choreographers, and producers. It contains many programs from original Broadway show runs, and features many famous actors, singers, and dancers who performed in Broadway shows."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_50e2d6e41029baee7b2391636d5da92a\"\u003eR43, C5, S1 - S7\u003c/physloc\u003e\n    "],"physloc_tesim":["R43, C5, S1 - S7"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:46.231Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_111_c01_c03"}},{"id":"vifgm_repositories_2_resources_48_c46","type":"File","attributes":{"title":"Affairs of State at the Music Box Theatre, 1951","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_48_c46#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_48_c46","ref_ssm":["vifgm_repositories_2_resources_48_c46"],"id":"vifgm_repositories_2_resources_48_c46","ead_ssi":"vifgm_repositories_2_resources_48","_root_":"vifgm_repositories_2_resources_48","_nest_parent_":"vifgm_repositories_2_resources_48","parent_ssi":"vifgm_repositories_2_resources_48","parent_ssim":["Henry O. Lampe papers, 1936/1989"],"parent_ids_ssim":["vifgm_repositories_2_resources_48"],"title_filing_ssi":"Affairs of State at the Music Box Theatre","title_ssm":["Affairs of State at the Music Box Theatre"],"title_tesim":["Affairs of State at the Music Box Theatre"],"normalized_title_ssm":["Affairs of State at the Music Box Theatre, 1951"],"text":["Affairs of State at the Music Box Theatre, 1951","Henry O. Lampe papers, 1936/1989","box 12","folder 1"],"parent_unittitles_ssm":["Henry O. Lampe papers, 1936/1989"],"parent_unittitles_tesim":["Henry O. Lampe papers, 1936/1989"],"normalized_date_ssm":["1951"],"unitdate_other_ssim":["1951"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":46,"repository_ssim":["George Mason University"],"collection_ssim":["Henry O. Lampe papers, 1936/1989"],"containers_ssim":["box 12","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951],"_nest_path_":"/components#45","timestamp":"2026-06-23T06:54:36.211Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_48","ead_ssi":"vifgm_repositories_2_resources_48","_root_":"vifgm_repositories_2_resources_48","_nest_parent_":"vifgm_repositories_2_resources_48","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_48.xml","title_ssm":["Henry O. Lampe papers"],"title_tesim":["Henry O. Lampe papers"],"unitdate_ssm":["1936-1989"],"unitdate_inclusive_ssm":["1936-1989"],"normalized_date_ssm":["1936/1989"],"normalized_title_ssm":["Henry O. Lampe papers, 1936/1989"],"text":["Henry O. Lampe papers, 1936/1989","C0092","/repositories/2/resources/48","Germany -- History -- 1945-1990","Aging -- United States -- Legislation","Gerontology -- United States","Theater","Transportation -- United States -- Planning","Musical Theater -- Washington (D.C.)","World War, 1939-1945","There are no access restrictions.","Most of this collection is arranged according to subject. Additional materials were processed in accession order.","McCaffrey, Scott. \"Henry Lampe Remembered as Gentle, Guiding Force on Local Political Scene,\" November 5, 2012. Inside NOVA, https://www.insidenova.com/news/arlington/henry-lampe-remembered-as-gentle-guiding-force-on-local-political/article_a5fc941f-8004-536b-aae9-103aa2c7deb1.html.","Henry \"Hank\" Oscar Lampe was born in Bremen, Germany on April 8, 1927 of American parents, Henry D. and Dorothea Lampe (pronounced Lamp-ee). Lampe's mother was the \"first female civilian to enter Berlin after the end of World War II to assist with diplomatic efforts\" (McCaffrey). Lampe grew up in Germany and witnessed the rise of the Nazi Party and World War II. In 1941 the family moved to Arlington, Virginia and Lampe attended American University in Washington, D.C. After serving in the Navy, in 1946 Lampe returned to Germany as an employee of the U.S. Government. After returning to the U.S., Lampe married his first wife Virginia in 1953, who was also active in Virginia politics.","Employed as a government worker as well as a stockbroker, Lampe had a long record of civic activities beginning in 1964. A Republican, he was member of the Northern Virginia Regional Planning Commission and the General Assembly of Virginia, Vice Chair of the Virginia Metropolitan Areas Transportation Study Commission, a delegate to the White House Conference on Aging, a member of the Arlington Commission on Aging, Chair and President of the Northern Virginia Mental Health Association, and served on the Board of Trustees at Arlington Hospital and the George Mason University Board of Visitors. Both Henry and Virginia Lampe were active in Linwood Holton's 1965 run for Virginia governor.","Lampe was a lifelong thespian and lover of theatre. As evidenced through his collection, he continually sought out amateur acting opportunities (often alongside Virginia) and attended a wide variety of Northern Virginia, Maryland, Washington, D.C., and Broadway venues throughout his life. While living in Berlin in the 1940s, he was a part of the American Little Theater Association of Berlin.","Lampe passed away in October 2012.","Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","Reprocessed by Amanda Menjivar from June-August 2023. Finding aid updated by Amanda Menjivar in August 2023. Madeline Puppos contributed to the box inventory.","The Special Collections Research Center also holds the , as well as many collections on theatre in the Washington, D.C. Metro Area.","Content Warning: Imagery and content related to the Nazi Party during World War II.","This collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre. The majority of the materials include programs and playbills from Lampe's attendance at many theatrical performances, playscripts and publications on theater, as well as records and reports on gerontology, legislation on aging from the Arlington Commission on Aging and the White House Conference on Aging, publications on international affairs, and records on transportation planning in Northern Virginia and the Washington metropolitan area. Also included are materials on Germany and the Nazi Party in World War II.","Oklahoma! (two copies), May 1965; Guys and Dolls, May 1964; Finian's Rainbow, circa 1960s; The Gondoliers, circa 1960s; South Pacific, May-June 1963","In German","Saint Joan, October-November 1965 (two copies); The Caucasian Chalk Circle, October-November 1961; The Madwoman of Chaillot, December 1961-January 1962; The Threepenny Opera, May-June 1963; Under Milk Wood, November-December 1962; Ring Round the Moon, April 1960; A Month in the Country, February 1959; The Front Page, October 1958; Witness For the Prosecution, April 1957; Dream Girl, February 1957; The Girl on the Via Flaminia, January 1957; A View From the Bridge, November 1956; All Summer Long, January 1953; Tonight at 8:30, November 1952; The Hasty Heart, August-September 1952; Dark of the Moon, May 1952; Three Men On a Horse, March 1952; School For Scandal, January 1952; Burning Bright, December 4, 1951; Ladder to the Moon, November 1951; She Stoops to Conquer, October-November 1951; Julius Caesar, October 1951; The Importance of Being Earnest, July 1951; The Scarecrow, July 1951; Twelfth Night, June 1951; Mr. Arcularis, May 1951; The Glass Menagerie, April 1951; The Inspector General, March 1951 (two copies); The School for Wives, February 1951; The Adding Machine, February 1951; Children of Darkness, January 1951; The Playboy of the Western World, January 1951; Alice in Wonderland, December 1950; Pygmalion, December 5, 1950; The Taming of the Shrew, November 1950; The Delectable Judge; October 1950; The Firebrand, October 1950; Of Mice and Men, September 1950.","The Dark at the Top of the Stairs, October 1960; Damn Yankees, April 1960; The Seven-Year Itch, October 1959; Gramercy Ghost, February 1958; A Streetcar Named Desire, September 1957; Summer and Smoke, October 1956; The Tender Trap, June 1956.","Cabaret, November 1968; The Happy Time, May 1968","Carmen Jones, July-August 1956; Carousel, August 1953; Of Thee I Sing, June 1953; Ballet Russe de Monte Carlo, circa 1950s; The Most Happy Fella, circa 1950s; Harry Belafonte, August 1959; José Greco and his Company of Spanish Dancers, circa 1950s; The Golden Apple, circa 1950s; Danny Kaye and his All-Star International Show, circa 1950s; The Ballet Theatre, circa 1950s; Phoenix '55, circa 1950s.","The Recruiting Officer, January-February 1967 (two copies); Othello, March 1960; The Taming of the Shrew, October-November 1959; The Satin Slipper, March 1959; Cyrano de Bergerac, February 1957; Hamlet, January-February 1956.","Victor Borge, September 1956; Don Cossak Chorus and Dancers, March 4, 1956; Berlin Philharmonic Orchestra, February 27, 1955; Fledermaus, October 20, 1951.","Shakespeare Summer Festivals The Taming of the Shrew, July 7, 1962; Twenty-Ninth Annual One-Act Play Tournament at Roosevelt Auditorium, March 5, 1957; Thirtieth Annual One-Act Play Tournament at Roosevelt Auditorium, March 4, 1958; Thirty-First Annual One-Act Play Tournament at Roosevelt Auditorium, March 3, 1959; Thirty-Second Annual One-Act Play Tournament at Roosevelt Auditorium, March 8, 1960; Thirty-Third Annual One-Act Play Tournament at Roosevelt Auditorium, Marc 7, 1961; Shakespeare Summer Festival's Twelfth Night, July 1, 1961.","Die Entführung aus dem Serail [The Abduction from the Seraglio], January 17, 1948; Der Rosenkavalier, March 12, 1948; La Traviata, June 11, 1948.","The White Devil, circa 1940s; Measure For Measure, circa 1940s.","See How They Run, circa 1950s; Three Men on a Horse, circa 1950s.","Night Must Fall, circa 1950s; Bell, Book, and Candle, December 17-19, 1958.","Once Upon a Mattress, May 1964 (two copies); The Most Happy Fella, October 1964 (two copies); The Waltz of the Toreadors, November 1964 (two copies); Separate Tables, November 1963; The Beaux Stratagem, 1964; Light Up the Sky, December 1963; Amphitryon 38, January-February 1964; Shot In the Dark, March 1964 (two copies); Lovers Club, April 1964.","The Taming of the Shrew, circa 1950s; Payment Deferred, February 1956; Sabrina Fair, April-May 1956; The Tender Trap, November-December 1956; The Two Mrs. Carrolls, May 1957;  Room Service, May 1958; The Heiress, November 1958; Papa is All, February 1959; Old Acquaintance, May 1959; The Glass Menagerie, December 1959; The Sleeping Prince, February 1960; The Boy Friend, May 1960; The Girls in 509, November-December 1960; The Happiest Millionaire, March 1961; Kiss Me, Kate, May 1961; Send Me No Flowers, November 1961; Bus Stop, December 1957.","Under the Yum Yum Tree, February-March, 1967 (two copies); Anything Goes, May-June 1966 (two copies); The Dark At the Top of the Stairs, October 1965; Royal Gambit, April-May, 1965; Critics' Choice, circa 1960s; The Unexpected Guest, circa 1960s (two copies); The Shy Girl, circa 1960s; Separate Tables, November 1963; The Magic Weave, circa 1960s; Salad Days, circa 1960s; Harvey, circa 1960s; Two Blind Mice, circa 1960s; The Country Girl, circa 1960s; Stop the World, I Want to Get Off, circa 1960s; Song of 14 People, circa 1960s; The Shy Girl, circa 1960s.","The Contrast, September 1954; Love For Love, circa 1950s (two copies); Oh, Men! Oh, Women!, November-December 1955; Fourteen People, circa 1950s; As You Like It, circa 1950s; Pools Paradise, circa 1950s (two copies); The Bat, circa 1950s (two copies).","Volpone, August 1968; School for Scandal, August 1969; The Country Wife, August 1966; The Beggar's Opera, August 1965 (two copies); Annual Report, 1966.","Sunset Parade program.","A Majority of One, March 1961; The Music Man, July 1961; Elizabeth The Queen and Mary Stuart, October 1961; The Country Wife, November 1957; Miss Isobel, December 1957; A Sign of Affection, March 1965; The Owl and the Pussycat, March 1966 (two copies); The Subject Was Roses, March 1966 (two copies); Luv, January 1966 (two copies).","Richard II from The Old Vic Company, January 1957; Beatrice Lillie in Ziegfeld Follies, February 1957; The Matchmaker, May 1957; Separate Tables, November 1957; Time Remembered, October 1957; Call Me Madam, May 1952; Gentlemen Prefer Blondes, June 1952; Porgy and Bess, August 1952; The Vamp, October 1955; Can-Can, July 1955; The Skin of Our Teeth, July 1955; Cat On a Hot Tin Roof, November 1956; Iolanthe from the D'Oyley Carte Opera Company, January 1956; Plain and Fancy, April 1956; Damn Yankees, March 1956; The King and I, August 1955; Content Warning: yellowface imagery: The Teahouse of the August Moon, June 1956; Li'l Abner, September 1956; Top Banana, November 1952; Auntie Mama, March 1958","Guys and Dolls, circa 1950s (two copies); Oliver!, July 1965; The War of the Greasepaint - The Smell of the Crowd, February 1965; Ivanov, April 1966; Bascom Barlow, February 1966.","How to Succeed in Business Without Really Trying, April 1965 (two copies); Hot Spot, February 18, 1963 (two copies); Mary Mary, March 25, 1963; Half a Sixpence, March 1967; On a Clear Day You Can See Forever, June 1967 (two copies); The Wayward Stork, January 1966 (two copies).","Constitution Hall performance, December 1954; Musicians' Pension Benefit Concert at Constitution Hall, April 8, 1965; Carter Barron Amphitheatre with Leontyne Price and William Warfield, circa 1952; Carter Barron Amphitheatre with Anna Russell, 1954; Carter Barron Amphitheatre with Alec Templeton, 1954; Performance with Oscar Levant, circa 1950s.","Fledermaus from the Metropolitan Opera, December 1951 (two copies); The Constant Wife, April 1952; Tovarich, May 1952; First Lady, May 1952; The Autumn Garden, February 1952; The Male Animal, April 1952; The Moon is Blue, November 1951; Kiss Me Kate, October 1951; Darkness At Noon, October 1951; Born Yesterday, November 1950; Come Back, Little Sheba, January 1951; Lend An Ear, November 1950; The Relapse, October 1950; The Curious Savage, October 9, 1950; Brigadoon, circa 1950s; Private Lives, circa 1950s.","Ondine, June 1957; On Your Toes, September 1952; One Touch of Venus, July 1952; The Happy Time, June 1952; Eva Gabor, June 1952; Pal Joey, September 1951; The Curtain Rises, August 1951; Border Be Damned, July 1951; Even Arden, June 1951; Harvey, July 1950; Light Up The Sky, July 1950; The Philadelphia Story, September 1949; The Man Who Came to Dinner, September 1949; For Love Or Money, August 1949 (two copies); Lovers and Friends, August 1949; Present Laughter, circa 1950s; The Telephone and The Medium, September 1949; Up To Now, July 1949; Little Mary Sunshine, circa 1950s; Say, Darling, circa 1950s.","The Pirates of Penzance, November 1956; H.M.S. Pinafore, November 1955.","Caligula, circa 1940s; Die Zeit Des Glücks (The Time of Happiness), circa 1940s; Schmutzige Hände (Dirty Hands), circa 1940s","Drei Mann auf einem Pferd (Three Men On a Horse), circa 1940s (two copies); Androklus und der Löwe (Androclus and the Lion), circa 1940s;","Wir armen Erdenbürger (We Poor People of Erdenburg), circa 1940s; Was ihr wollt (What You Want), circa 1940s; Minna von Barnhelm, circa 1940s; De Teufels General 9The Devil's General), circa 1940s","The Unsinkable Molly Brown, 1963; Bye Bye Birdie, 1962; Who Was That Lady I Saw You With, 1962; Fiorello, 1962; A Little Night Music, circa 1960s.","The Montgomery County Chapter of S.P.E.B.S.Q.S.A., Inc. First Annual Barbershop Jubilee program, March 24-25, 1961; Alexandria Chapter of the S.P.E.B.S.Q.S.A., Inc. Ninth Annual Spring Tonic program, April 18, 1959","Der Dämon and Der Totentanz, circa 1940s; Bohème, February 1949; Der Troubadour (Il Trovatore), February 1949; Harlekinade, circa 1940s; Neue Tänze - Margo Ufer, Erwin Bredow, February 1948; Die Verkaufte Braut (The Sold Bride), March 1948; Die Hochzeit des Figaro (Le Nozze de Figaro), April 1948; Cavalleria Rusticana and I Pagliacci, circa 1940s; The Legend of Joseph, circa 1940s; Josephlegende, May 1948; Cavalleria Rusticana and Der Bajazzo (I Pagliacci), April 1948; Jeanne D'Arc Auf Dem Scheiterhaufen (Joan of Arc at the Stake), January 1948; Abraxas, November 1949","Right You Are, circa 1950s; The Silver Whistle, February 9-13, 1951; The Little Hut, circa 1960s; The Lesson, circa 1960s.","Lampe played Napoleon Bonaparte in this production.","Lampe played Monte in this production.","Lampe played Serjeant Kite in this production.","The Washington Star, January 1, 1967; German Operetta Festival program, circa 1950s; Invitations from Mr. and Mrs. Donald Kerne to attend an opera program at their residence, 1958-1959; The Phillips Collection Song Recital program featuring John Thomas and Herbert Kaplan (two copies), January 27, 1964; Senior Recital program flyer for Ruth Morse Allen; May 12, 1963; The Washington Star Weekender featuring article on Gadsby's Tavern, August 14, 1965; California travel schedule notes, circa 1960s; Playbill insert announcing music, production unknown, circa 1960s; The Mikado at Westwood Country Club, February 23, 1963; \"Inflation\" informational pamphlet, January 1967; Metropolitan Theatre Seating Guide magazine, 1975; \"Modern Makeup by Stein - Half-Century of Progress in Theatrical Make-Up\" pamphlet, 1936; Handwritten script notes for unknown production, circa 1950s; Theatre Arts Magazine clippings, 1950s; Handwritten jokes and play notes, circa 1940s; Song Sheet advertising pamphlet, circa 1940s","Written while Lampe attended American University.","Arena Stage production.","Poster housed in Map Case 3.4.","Photographs, subject include: presidential candidates and presidents (some signed); Virginia politicians with Lampe; Lampe solo and his wife Virginia Lampe at political events. Includes one historic photo of a view from the Capitol Building in Washington, D.C., circa 1940s.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre.","R 31, C 1, S 1 - S 4\n\nMap Case 3.4\n\nOS R 2, C 1, S 4","George Mason University. Libraries. Special Collections Research Center","Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission","Lampe, Henry O.","English\n      German"],"collection_title_tesim":["Henry O. Lampe papers, 1936/1989"],"collection_ssim":["Henry O. Lampe papers, 1936/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0092","/repositories/2/resources/48"],"unitid_tesim":["C0092","/repositories/2/resources/48"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Germany -- History -- 1945-1990"],"geogname_ssim":["Germany -- History -- 1945-1990"],"places_ssim":["Germany -- History -- 1945-1990"],"creator_ssm":["Lampe, Henry O."],"creator_ssim":["Lampe, Henry O."],"creator_persname_ssim":["Lampe, Henry O."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission"],"creators_ssim":["Lampe, Henry O.","George Mason University. Libraries. Special Collections Research Center","Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Henry O. Lampe in 1979-1982.","An additional donation of materials created by Lampe was donated to the SCRC by Arlington Public Library in 2000."],"access_subjects_ssim":["Aging -- United States -- Legislation","Gerontology -- United States","Theater","Transportation -- United States -- Planning","Musical Theater -- Washington (D.C.)","World War, 1939-1945"],"access_subjects_ssm":["Aging -- United States -- Legislation","Gerontology -- United States","Theater","Transportation -- United States -- Planning","Musical Theater -- Washington (D.C.)","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet 23 boxes, 1 map case"],"extent_tesim":["10 Linear Feet 23 boxes, 1 map case"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eMost of this collection is arranged according to subject. Additional materials were processed in accession order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Most of this collection is arranged according to subject. Additional materials were processed in accession order."],"bibliography_html_tesm":["\u003cp\u003eMcCaffrey, Scott. \"Henry Lampe Remembered as Gentle, Guiding Force on Local Political Scene,\" November 5, 2012. Inside NOVA, https://www.insidenova.com/news/arlington/henry-lampe-remembered-as-gentle-guiding-force-on-local-political/article_a5fc941f-8004-536b-aae9-103aa2c7deb1.html.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["McCaffrey, Scott. \"Henry Lampe Remembered as Gentle, Guiding Force on Local Political Scene,\" November 5, 2012. Inside NOVA, https://www.insidenova.com/news/arlington/henry-lampe-remembered-as-gentle-guiding-force-on-local-political/article_a5fc941f-8004-536b-aae9-103aa2c7deb1.html."],"bioghist_html_tesm":["\u003cp\u003eHenry \"Hank\" Oscar Lampe was born in Bremen, Germany on April 8, 1927 of American parents, Henry D. and Dorothea Lampe (pronounced Lamp-ee). Lampe's mother was the \"first female civilian to enter Berlin after the end of World War II to assist with diplomatic efforts\" (McCaffrey). Lampe grew up in Germany and witnessed the rise of the Nazi Party and World War II. In 1941 the family moved to Arlington, Virginia and Lampe attended American University in Washington, D.C. After serving in the Navy, in 1946 Lampe returned to Germany as an employee of the U.S. Government. After returning to the U.S., Lampe married his first wife Virginia in 1953, who was also active in Virginia politics.\u003c/p\u003e","\u003cp\u003eEmployed as a government worker as well as a stockbroker, Lampe had a long record of civic activities beginning in 1964. A Republican, he was member of the Northern Virginia Regional Planning Commission and the General Assembly of Virginia, Vice Chair of the Virginia Metropolitan Areas Transportation Study Commission, a delegate to the White House Conference on Aging, a member of the Arlington Commission on Aging, Chair and President of the Northern Virginia Mental Health Association, and served on the Board of Trustees at Arlington Hospital and the George Mason University Board of Visitors. Both Henry and Virginia Lampe were active in Linwood Holton's 1965 run for Virginia governor.\u003c/p\u003e","\u003cp\u003eLampe was a lifelong thespian and lover of theatre. As evidenced through his collection, he continually sought out amateur acting opportunities (often alongside Virginia) and attended a wide variety of Northern Virginia, Maryland, Washington, D.C., and Broadway venues throughout his life. While living in Berlin in the 1940s, he was a part of the American Little Theater Association of Berlin.\u003c/p\u003e","\u003cp\u003eLampe passed away in October 2012.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Henry \"Hank\" Oscar Lampe was born in Bremen, Germany on April 8, 1927 of American parents, Henry D. and Dorothea Lampe (pronounced Lamp-ee). Lampe's mother was the \"first female civilian to enter Berlin after the end of World War II to assist with diplomatic efforts\" (McCaffrey). Lampe grew up in Germany and witnessed the rise of the Nazi Party and World War II. In 1941 the family moved to Arlington, Virginia and Lampe attended American University in Washington, D.C. After serving in the Navy, in 1946 Lampe returned to Germany as an employee of the U.S. Government. After returning to the U.S., Lampe married his first wife Virginia in 1953, who was also active in Virginia politics.","Employed as a government worker as well as a stockbroker, Lampe had a long record of civic activities beginning in 1964. A Republican, he was member of the Northern Virginia Regional Planning Commission and the General Assembly of Virginia, Vice Chair of the Virginia Metropolitan Areas Transportation Study Commission, a delegate to the White House Conference on Aging, a member of the Arlington Commission on Aging, Chair and President of the Northern Virginia Mental Health Association, and served on the Board of Trustees at Arlington Hospital and the George Mason University Board of Visitors. Both Henry and Virginia Lampe were active in Linwood Holton's 1965 run for Virginia governor.","Lampe was a lifelong thespian and lover of theatre. As evidenced through his collection, he continually sought out amateur acting opportunities (often alongside Virginia) and attended a wide variety of Northern Virginia, Maryland, Washington, D.C., and Broadway venues throughout his life. While living in Berlin in the 1940s, he was a part of the American Little Theater Association of Berlin.","Lampe passed away in October 2012."],"prefercite_html_tesm":["\u003cp\u003eHenry O. Lampe papers, C0092, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Henry O. Lampe papers, C0092, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009. \u003c/p\u003e","\u003cp\u003eReprocessed by Amanda Menjivar from June-August 2023. Finding aid updated by Amanda Menjivar in August 2023. Madeline Puppos contributed to the box inventory.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. EAD markup completed by Eron Ackerman and Jordan Patty in April 2009.","Reprocessed by Amanda Menjivar from June-August 2023. Finding aid updated by Amanda Menjivar in August 2023. Madeline Puppos contributed to the box inventory."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Virginia Lampe papers\" href=\"https://aspace.gmu.edu/resources/c0158\"\u003e\u003c/extptr\u003e, as well as many collections on theatre in the Washington, D.C. Metro Area.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the , as well as many collections on theatre in the Washington, D.C. Metro Area."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Imagery and content related to the Nazi Party during World War II.\u003c/p\u003e","\u003cp\u003eThis collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre. The majority of the materials include programs and playbills from Lampe's attendance at many theatrical performances, playscripts and publications on theater, as well as records and reports on gerontology, legislation on aging from the Arlington Commission on Aging and the White House Conference on Aging, publications on international affairs, and records on transportation planning in Northern Virginia and the Washington metropolitan area. Also included are materials on Germany and the Nazi Party in World War II.\u003c/p\u003e  ","\u003cp\u003e\u003ctitle\u003eOklahoma!\u003c/title\u003e (two copies), May 1965; \u003ctitle\u003eGuys and Dolls\u003c/title\u003e, May 1964; \u003ctitle\u003eFinian's Rainbow\u003c/title\u003e, circa 1960s; \u003ctitle\u003eThe Gondoliers\u003c/title\u003e, circa 1960s; \u003ctitle\u003eSouth Pacific\u003c/title\u003e, May-June 1963\u003c/p\u003e","\u003cp\u003eIn German\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaint Joan\u003c/title\u003e, October-November 1965 (two copies); \u003ctitle\u003eThe Caucasian Chalk Circle\u003c/title\u003e, October-November 1961; \u003ctitle\u003eThe Madwoman of Chaillot\u003c/title\u003e, December 1961-January 1962; \u003ctitle\u003eThe Threepenny Opera\u003c/title\u003e, May-June 1963; \u003ctitle\u003eUnder Milk Wood\u003c/title\u003e, November-December 1962; \u003ctitle\u003eRing Round the Moon\u003c/title\u003e, April 1960; \u003ctitle\u003eA Month in the Country\u003c/title\u003e, February 1959; \u003ctitle\u003eThe Front Page\u003c/title\u003e, October 1958; \u003ctitle\u003eWitness For the Prosecution\u003c/title\u003e, April 1957; \u003ctitle\u003eDream Girl\u003c/title\u003e, February 1957; \u003ctitle\u003eThe Girl on the Via Flaminia\u003c/title\u003e, January 1957; \u003ctitle\u003eA View From the Bridge\u003c/title\u003e, November 1956; \u003ctitle\u003eAll Summer Long\u003c/title\u003e, January 1953; \u003ctitle\u003eTonight at 8:30\u003c/title\u003e, November 1952; \u003ctitle\u003eThe Hasty Heart\u003c/title\u003e, August-September 1952; \u003ctitle\u003eDark of the Moon\u003c/title\u003e, May 1952; \u003ctitle\u003eThree Men On a Horse\u003c/title\u003e, March 1952; \u003ctitle\u003eSchool For Scandal\u003c/title\u003e, January 1952; \u003ctitle\u003eBurning Bright\u003c/title\u003e, December 4, 1951; \u003ctitle\u003eLadder to the Moon\u003c/title\u003e, November 1951; \u003ctitle\u003eShe Stoops to Conquer\u003c/title\u003e, October-November 1951; \u003ctitle\u003eJulius Caesar\u003c/title\u003e, October 1951; \u003ctitle\u003eThe Importance of Being Earnest\u003c/title\u003e, July 1951; \u003ctitle\u003eThe Scarecrow\u003c/title\u003e, July 1951; \u003ctitle\u003eTwelfth Night\u003c/title\u003e, June 1951; \u003ctitle\u003eMr. Arcularis\u003c/title\u003e, May 1951; \u003ctitle\u003eThe Glass Menagerie\u003c/title\u003e, April 1951; \u003ctitle\u003eThe Inspector General\u003c/title\u003e, March 1951 (two copies); \u003ctitle\u003eThe School for Wives\u003c/title\u003e, February 1951; \u003ctitle\u003eThe Adding Machine\u003c/title\u003e, February 1951; \u003ctitle\u003eChildren of Darkness\u003c/title\u003e, January 1951; \u003ctitle\u003eThe Playboy of the Western World\u003c/title\u003e, January 1951; \u003ctitle\u003eAlice in Wonderland\u003c/title\u003e, December 1950; \u003ctitle\u003ePygmalion\u003c/title\u003e, December 5, 1950; \u003ctitle\u003eThe Taming of the Shrew\u003c/title\u003e, November 1950; \u003ctitle\u003eThe Delectable Judge\u003c/title\u003e; October 1950; \u003ctitle\u003eThe Firebrand\u003c/title\u003e, October 1950; \u003ctitle\u003eOf Mice and Men\u003c/title\u003e, September 1950.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dark at the Top of the Stairs\u003c/title\u003e, October 1960; \u003ctitle\u003eDamn Yankees\u003c/title\u003e, April 1960; \u003ctitle\u003eThe Seven-Year Itch\u003c/title\u003e, October 1959; \u003ctitle\u003eGramercy Ghost\u003c/title\u003e, February 1958; \u003ctitle\u003eA Streetcar Named Desire\u003c/title\u003e, September 1957; \u003ctitle\u003eSummer and Smoke\u003c/title\u003e, October 1956; \u003ctitle\u003eThe Tender Trap\u003c/title\u003e, June 1956.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCabaret\u003c/title\u003e, November 1968; \u003ctitle\u003eThe Happy Time\u003c/title\u003e, May 1968\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCarmen Jones\u003c/title\u003e, July-August 1956; \u003ctitle\u003eCarousel\u003c/title\u003e, August 1953; \u003ctitle\u003eOf Thee I Sing\u003c/title\u003e, June 1953; Ballet Russe de Monte Carlo, circa 1950s; \u003ctitle\u003eThe Most Happy Fella\u003c/title\u003e, circa 1950s; Harry Belafonte, August 1959; José Greco and his Company of Spanish Dancers, circa 1950s; \u003ctitle\u003eThe Golden Apple\u003c/title\u003e, circa 1950s; Danny Kaye and his All-Star International Show, circa 1950s; The Ballet Theatre, circa 1950s; \u003ctitle\u003ePhoenix '55\u003c/title\u003e, circa 1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Recruiting Officer\u003c/title\u003e, January-February 1967 (two copies); \u003ctitle\u003eOthello\u003c/title\u003e, March 1960; \u003ctitle\u003eThe Taming of the Shrew\u003c/title\u003e, October-November 1959; \u003ctitle\u003eThe Satin Slipper\u003c/title\u003e, March 1959; \u003ctitle\u003eCyrano de Bergerac\u003c/title\u003e, February 1957; \u003ctitle\u003eHamlet\u003c/title\u003e, January-February 1956.\u003c/p\u003e","\u003cp\u003eVictor Borge, September 1956; Don Cossak Chorus and Dancers, March 4, 1956; Berlin Philharmonic Orchestra, February 27, 1955; \u003ctitle\u003eFledermaus\u003c/title\u003e, October 20, 1951.\u003c/p\u003e","\u003cp\u003eShakespeare Summer Festivals \u003ctitle\u003eThe Taming of the Shrew\u003c/title\u003e, July 7, 1962; Twenty-Ninth Annual One-Act Play Tournament at Roosevelt Auditorium, March 5, 1957; Thirtieth Annual One-Act Play Tournament at Roosevelt Auditorium, March 4, 1958; Thirty-First Annual One-Act Play Tournament at Roosevelt Auditorium, March 3, 1959; Thirty-Second Annual One-Act Play Tournament at Roosevelt Auditorium, March 8, 1960; Thirty-Third Annual One-Act Play Tournament at Roosevelt Auditorium, Marc 7, 1961; Shakespeare Summer Festival's \u003ctitle\u003eTwelfth Night\u003c/title\u003e, July 1, 1961.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDie Entführung aus dem Serail [The Abduction from the Seraglio]\u003c/title\u003e, January 17, 1948; \u003ctitle\u003eDer Rosenkavalier\u003c/title\u003e, March 12, 1948; \u003ctitle\u003eLa Traviata\u003c/title\u003e, June 11, 1948.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe White Devil\u003c/title\u003e, circa 1940s; \u003ctitle\u003eMeasure For Measure\u003c/title\u003e, circa 1940s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSee How They Run\u003c/title\u003e, circa 1950s; \u003ctitle\u003eThree Men on a Horse\u003c/title\u003e, circa 1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNight Must Fall\u003c/title\u003e, circa 1950s; \u003ctitle\u003eBell, Book, and Candle\u003c/title\u003e, December 17-19, 1958.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOnce Upon a Mattress\u003c/title\u003e, May 1964 (two copies); \u003ctitle\u003eThe Most Happy Fella\u003c/title\u003e, October 1964 (two copies); \u003ctitle\u003eThe Waltz of the Toreadors\u003c/title\u003e, November 1964 (two copies); \u003ctitle\u003eSeparate Tables\u003c/title\u003e, November 1963; \u003ctitle\u003eThe Beaux Stratagem\u003c/title\u003e, 1964; \u003ctitle\u003eLight Up the Sky\u003c/title\u003e, December 1963; \u003ctitle\u003eAmphitryon 38\u003c/title\u003e, January-February 1964; \u003ctitle\u003eShot In the Dark\u003c/title\u003e, March 1964 (two copies); \u003ctitle\u003eLovers Club\u003c/title\u003e, April 1964.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Taming of the Shrew\u003c/title\u003e, circa 1950s; \u003ctitle\u003ePayment Deferred\u003c/title\u003e, February 1956; \u003ctitle\u003eSabrina Fair\u003c/title\u003e, April-May 1956; \u003ctitle\u003eThe Tender Trap\u003c/title\u003e, November-December 1956; \u003ctitle\u003eThe Two Mrs. Carrolls\u003c/title\u003e, May 1957; \u003ctitle\u003e Room Service\u003c/title\u003e, May 1958; \u003ctitle\u003eThe Heiress\u003c/title\u003e, November 1958; \u003ctitle\u003ePapa is All\u003c/title\u003e, February 1959; \u003ctitle\u003eOld Acquaintance\u003c/title\u003e, May 1959; \u003ctitle\u003eThe Glass Menagerie\u003c/title\u003e, December 1959; \u003ctitle\u003eThe Sleeping Prince\u003c/title\u003e, February 1960; \u003ctitle\u003eThe Boy Friend\u003c/title\u003e, May 1960; \u003ctitle\u003eThe Girls in 509\u003c/title\u003e, November-December 1960; \u003ctitle\u003eThe Happiest Millionaire\u003c/title\u003e, March 1961; \u003ctitle\u003eKiss Me, Kate\u003c/title\u003e, May 1961; \u003ctitle\u003eSend Me No Flowers\u003c/title\u003e, November 1961; \u003ctitle\u003eBus Stop\u003c/title\u003e, December 1957.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eUnder the Yum Yum Tree\u003c/title\u003e, February-March, 1967 (two copies); \u003ctitle\u003eAnything Goes\u003c/title\u003e, May-June 1966 (two copies); \u003ctitle\u003eThe Dark At the Top of the Stairs\u003c/title\u003e, October 1965; \u003ctitle\u003eRoyal Gambit\u003c/title\u003e, April-May, 1965; \u003ctitle\u003eCritics' Choice\u003c/title\u003e, circa 1960s; \u003ctitle\u003eThe Unexpected Guest\u003c/title\u003e, circa 1960s (two copies); \u003ctitle\u003eThe Shy Girl\u003c/title\u003e, circa 1960s; \u003ctitle\u003eSeparate Tables\u003c/title\u003e, November 1963; \u003ctitle\u003eThe Magic Weave\u003c/title\u003e, circa 1960s; \u003ctitle\u003eSalad Days\u003c/title\u003e, circa 1960s; \u003ctitle\u003eHarvey\u003c/title\u003e, circa 1960s; \u003ctitle\u003eTwo Blind Mice\u003c/title\u003e, circa 1960s; \u003ctitle\u003eThe Country Girl\u003c/title\u003e, circa 1960s; \u003ctitle\u003eStop the World, I Want to Get Off\u003c/title\u003e, circa 1960s; \u003ctitle\u003eSong of 14 People\u003c/title\u003e, circa 1960s; \u003ctitle\u003eThe Shy Girl\u003c/title\u003e, circa 1960s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Contrast\u003c/title\u003e, September 1954; \u003ctitle\u003eLove For Love\u003c/title\u003e, circa 1950s (two copies); \u003ctitle\u003eOh, Men! Oh, Women!\u003c/title\u003e, November-December 1955; \u003ctitle\u003eFourteen People\u003c/title\u003e, circa 1950s; \u003ctitle\u003eAs You Like It\u003c/title\u003e, circa 1950s; \u003ctitle\u003ePools Paradise\u003c/title\u003e, circa 1950s (two copies); \u003ctitle\u003eThe Bat\u003c/title\u003e, circa 1950s (two copies).\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVolpone\u003c/title\u003e, August 1968; \u003ctitle\u003eSchool for Scandal\u003c/title\u003e, August 1969; \u003ctitle\u003eThe Country Wife\u003c/title\u003e, August 1966; \u003ctitle\u003eThe Beggar's Opera\u003c/title\u003e, August 1965 (two copies); Annual Report, 1966.\u003c/p\u003e","\u003cp\u003eSunset Parade program.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eA Majority of One\u003c/title\u003e, March 1961; \u003ctitle\u003eThe Music Man\u003c/title\u003e, July 1961; \u003ctitle\u003eElizabeth The Queen\u003c/title\u003e and \u003ctitle\u003eMary Stuart\u003c/title\u003e, October 1961; \u003ctitle\u003eThe Country Wife\u003c/title\u003e, November 1957; \u003ctitle\u003eMiss Isobel\u003c/title\u003e, December 1957; \u003ctitle\u003eA Sign of Affection\u003c/title\u003e, March 1965; \u003ctitle\u003eThe Owl and the Pussycat\u003c/title\u003e, March 1966 (two copies); \u003ctitle\u003eThe Subject Was Roses\u003c/title\u003e, March 1966 (two copies); \u003ctitle\u003eLuv\u003c/title\u003e, January 1966 (two copies).\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRichard II\u003c/title\u003e from The Old Vic Company, January 1957; Beatrice Lillie in Ziegfeld Follies, February 1957; \u003ctitle\u003eThe Matchmaker\u003c/title\u003e, May 1957; \u003ctitle\u003eSeparate Tables\u003c/title\u003e, November 1957; \u003ctitle\u003eTime Remembered\u003c/title\u003e, October 1957; \u003ctitle\u003eCall Me Madam\u003c/title\u003e, May 1952; \u003ctitle\u003eGentlemen Prefer Blondes\u003c/title\u003e, June 1952; \u003ctitle\u003ePorgy and Bess\u003c/title\u003e, August 1952; \u003ctitle\u003eThe Vamp\u003c/title\u003e, October 1955; \u003ctitle\u003eCan-Can\u003c/title\u003e, July 1955; \u003ctitle\u003eThe Skin of Our Teeth\u003c/title\u003e, July 1955; \u003ctitle\u003eCat On a Hot Tin Roof\u003c/title\u003e, November 1956; \u003ctitle\u003eIolanthe\u003c/title\u003e from the D'Oyley Carte Opera Company, January 1956; \u003ctitle\u003ePlain and Fancy\u003c/title\u003e, April 1956; \u003ctitle\u003eDamn Yankees\u003c/title\u003e, March 1956; \u003ctitle\u003eThe King and I\u003c/title\u003e, August 1955; Content Warning: yellowface imagery: \u003ctitle\u003eThe Teahouse of the August Moon\u003c/title\u003e, June 1956; \u003ctitle\u003eLi'l Abner\u003c/title\u003e, September 1956; \u003ctitle\u003eTop Banana\u003c/title\u003e, November 1952; \u003ctitle\u003eAuntie Mama\u003c/title\u003e, March 1958\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGuys and Dolls\u003c/title\u003e, circa 1950s (two copies); \u003ctitle\u003eOliver!\u003c/title\u003e, July 1965; \u003ctitle\u003eThe War of the Greasepaint - The Smell of the Crowd\u003c/title\u003e, February 1965; \u003ctitle\u003eIvanov\u003c/title\u003e, April 1966; \u003ctitle\u003eBascom Barlow\u003c/title\u003e, February 1966.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHow to Succeed in Business Without Really Trying\u003c/title\u003e, April 1965 (two copies); \u003ctitle\u003eHot Spot\u003c/title\u003e, February 18, 1963 (two copies); \u003ctitle\u003eMary Mary\u003c/title\u003e, March 25, 1963; \u003ctitle\u003eHalf a Sixpence\u003c/title\u003e, March 1967; \u003ctitle\u003eOn a Clear Day You Can See Forever\u003c/title\u003e, June 1967 (two copies); \u003ctitle\u003eThe Wayward Stork\u003c/title\u003e, January 1966 (two copies).\u003c/p\u003e","\u003cp\u003eConstitution Hall performance, December 1954; Musicians' Pension Benefit Concert at Constitution Hall, April 8, 1965; Carter Barron Amphitheatre with Leontyne Price and William Warfield, circa 1952; Carter Barron Amphitheatre with Anna Russell, 1954; Carter Barron Amphitheatre with Alec Templeton, 1954; Performance with Oscar Levant, circa 1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFledermaus\u003c/title\u003e from the Metropolitan Opera, December 1951 (two copies); \u003ctitle\u003eThe Constant Wife\u003c/title\u003e, April 1952; \u003ctitle\u003eTovarich\u003c/title\u003e, May 1952; \u003ctitle\u003eFirst Lady\u003c/title\u003e, May 1952; \u003ctitle\u003eThe Autumn Garden\u003c/title\u003e, February 1952; \u003ctitle\u003eThe Male Animal\u003c/title\u003e, April 1952; \u003ctitle\u003eThe Moon is Blue\u003c/title\u003e, November 1951; \u003ctitle\u003eKiss Me Kate\u003c/title\u003e, October 1951; \u003ctitle\u003eDarkness At Noon\u003c/title\u003e, October 1951; \u003ctitle\u003eBorn Yesterday\u003c/title\u003e, November 1950; \u003ctitle\u003eCome Back, Little Sheba\u003c/title\u003e, January 1951; \u003ctitle\u003eLend An Ear\u003c/title\u003e, November 1950; \u003ctitle\u003eThe Relapse\u003c/title\u003e, October 1950; \u003ctitle\u003eThe Curious Savage\u003c/title\u003e, October 9, 1950; \u003ctitle\u003eBrigadoon\u003c/title\u003e, circa 1950s; \u003ctitle\u003ePrivate Lives\u003c/title\u003e, circa 1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOndine\u003c/title\u003e, June 1957; \u003ctitle\u003eOn Your Toes\u003c/title\u003e, September 1952; \u003ctitle\u003eOne Touch of Venus\u003c/title\u003e, July 1952; \u003ctitle\u003eThe Happy Time\u003c/title\u003e, June 1952; \u003ctitle\u003eEva Gabor\u003c/title\u003e, June 1952; \u003ctitle\u003ePal Joey\u003c/title\u003e, September 1951; \u003ctitle\u003eThe Curtain Rises\u003c/title\u003e, August 1951; \u003ctitle\u003eBorder Be Damned\u003c/title\u003e, July 1951; \u003ctitle\u003eEven Arden\u003c/title\u003e, June 1951; \u003ctitle\u003eHarvey\u003c/title\u003e, July 1950; \u003ctitle\u003eLight Up The Sky\u003c/title\u003e, July 1950; \u003ctitle\u003eThe Philadelphia Story\u003c/title\u003e, September 1949; \u003ctitle\u003eThe Man Who Came to Dinner\u003c/title\u003e, September 1949; \u003ctitle\u003eFor Love Or Money\u003c/title\u003e, August 1949 (two copies); \u003ctitle\u003eLovers and Friends\u003c/title\u003e, August 1949; \u003ctitle\u003ePresent Laughter\u003c/title\u003e, circa 1950s; \u003ctitle\u003eThe Telephone\u003c/title\u003e and \u003ctitle\u003eThe Medium\u003c/title\u003e, September 1949; \u003ctitle\u003eUp To Now\u003c/title\u003e, July 1949; \u003ctitle\u003eLittle Mary Sunshine\u003c/title\u003e, circa 1950s; \u003ctitle\u003eSay, Darling\u003c/title\u003e, circa 1950s.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Pirates of Penzance\u003c/title\u003e, November 1956; \u003ctitle\u003eH.M.S. Pinafore\u003c/title\u003e, November 1955.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCaligula\u003c/title\u003e, circa 1940s; \u003ctitle\u003eDie Zeit Des Glücks (The Time of Happiness)\u003c/title\u003e, circa 1940s; \u003ctitle\u003eSchmutzige Hände (Dirty Hands)\u003c/title\u003e, circa 1940s\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDrei Mann auf einem Pferd (Three Men On a Horse)\u003c/title\u003e, circa 1940s (two copies); \u003ctitle\u003eAndroklus und der Löwe (Androclus and the Lion)\u003c/title\u003e, circa 1940s;\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eWir armen Erdenbürger (We Poor People of Erdenburg)\u003c/title\u003e, circa 1940s; \u003ctitle\u003eWas ihr wollt (What You Want)\u003c/title\u003e, circa 1940s; \u003ctitle\u003eMinna von Barnhelm\u003c/title\u003e, circa 1940s; \u003ctitle\u003eDe Teufels General 9The Devil's General)\u003c/title\u003e, circa 1940s\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Unsinkable Molly Brown\u003c/title\u003e, 1963; \u003ctitle\u003eBye Bye Birdie\u003c/title\u003e, 1962; \u003ctitle\u003eWho Was That Lady I Saw You With\u003c/title\u003e, 1962; \u003ctitle\u003eFiorello\u003c/title\u003e, 1962; \u003ctitle\u003eA Little Night Music\u003c/title\u003e, circa 1960s.\u003c/p\u003e","\u003cp\u003eThe Montgomery County Chapter of S.P.E.B.S.Q.S.A., Inc. First Annual Barbershop Jubilee program, March 24-25, 1961; Alexandria Chapter of the S.P.E.B.S.Q.S.A., Inc. Ninth Annual Spring Tonic program, April 18, 1959\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDer Dämon\u003c/title\u003e and \u003ctitle\u003eDer Totentanz\u003c/title\u003e, circa 1940s; \u003ctitle\u003eBohème\u003c/title\u003e, February 1949; \u003ctitle\u003eDer Troubadour (Il Trovatore)\u003c/title\u003e, February 1949; \u003ctitle\u003eHarlekinade\u003c/title\u003e, circa 1940s; \u003ctitle\u003eNeue Tänze - Margo Ufer, Erwin Bredow\u003c/title\u003e, February 1948; \u003ctitle\u003eDie Verkaufte Braut (The Sold Bride)\u003c/title\u003e, March 1948; \u003ctitle\u003eDie Hochzeit des Figaro (Le Nozze de Figaro)\u003c/title\u003e, April 1948; \u003ctitle\u003eCavalleria Rusticana\u003c/title\u003e and \u003ctitle\u003eI Pagliacci\u003c/title\u003e, circa 1940s; \u003ctitle\u003eThe Legend of Joseph\u003c/title\u003e, circa 1940s; \u003ctitle\u003eJosephlegende\u003c/title\u003e, May 1948; \u003ctitle\u003eCavalleria Rusticana\u003c/title\u003e and \u003ctitle\u003eDer Bajazzo (I Pagliacci)\u003c/title\u003e, April 1948; \u003ctitle\u003eJeanne D'Arc Auf Dem Scheiterhaufen (Joan of Arc at the Stake)\u003c/title\u003e, January 1948; \u003ctitle\u003eAbraxas\u003c/title\u003e, November 1949\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRight You Are\u003c/title\u003e, circa 1950s; \u003ctitle\u003eThe Silver Whistle\u003c/title\u003e, February 9-13, 1951; \u003ctitle\u003eThe Little Hut\u003c/title\u003e, circa 1960s; \u003ctitle\u003eThe Lesson\u003c/title\u003e, circa 1960s.\u003c/p\u003e","\u003cp\u003eLampe played Napoleon Bonaparte in this production.\u003c/p\u003e","\u003cp\u003eLampe played Monte in this production.\u003c/p\u003e","\u003cp\u003eLampe played Serjeant Kite in this production.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Washington Star\u003c/title\u003e, January 1, 1967; German Operetta Festival program, circa 1950s; Invitations from Mr. and Mrs. Donald Kerne to attend an opera program at their residence, 1958-1959; The Phillips Collection Song Recital program featuring John Thomas and Herbert Kaplan (two copies), January 27, 1964; Senior Recital program flyer for Ruth Morse Allen; May 12, 1963; \u003ctitle\u003eThe Washington Star Weekender\u003c/title\u003e featuring article on Gadsby's Tavern, August 14, 1965; California travel schedule notes, circa 1960s; Playbill insert announcing music, production unknown, circa 1960s; \u003ctitle\u003eThe Mikado\u003c/title\u003e at Westwood Country Club, February 23, 1963; \"Inflation\" informational pamphlet, January 1967; \u003ctitle\u003eMetropolitan Theatre Seating Guide\u003c/title\u003e magazine, 1975; \"Modern Makeup by Stein - Half-Century of Progress in Theatrical Make-Up\" pamphlet, 1936; Handwritten script notes for unknown production, circa 1950s; \u003ctitle\u003eTheatre Arts Magazine\u003c/title\u003e clippings, 1950s; Handwritten jokes and play notes, circa 1940s; Song Sheet advertising pamphlet, circa 1940s\u003c/p\u003e","\u003cp\u003eWritten while Lampe attended American University.\u003c/p\u003e","\u003cp\u003eArena Stage production.\u003c/p\u003e","\u003cp\u003ePoster housed in Map Case 3.4.\u003c/p\u003e","\u003cp\u003ePhotographs, subject include: presidential candidates and presidents (some signed); Virginia politicians with Lampe; Lampe solo and his wife Virginia Lampe at political events. Includes one historic photo of a view from the Capitol Building in Washington, D.C., circa 1940s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Content Warning: Imagery and content related to the Nazi Party during World War II.","This collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre. The majority of the materials include programs and playbills from Lampe's attendance at many theatrical performances, playscripts and publications on theater, as well as records and reports on gerontology, legislation on aging from the Arlington Commission on Aging and the White House Conference on Aging, publications on international affairs, and records on transportation planning in Northern Virginia and the Washington metropolitan area. Also included are materials on Germany and the Nazi Party in World War II.","Oklahoma! (two copies), May 1965; Guys and Dolls, May 1964; Finian's Rainbow, circa 1960s; The Gondoliers, circa 1960s; South Pacific, May-June 1963","In German","Saint Joan, October-November 1965 (two copies); The Caucasian Chalk Circle, October-November 1961; The Madwoman of Chaillot, December 1961-January 1962; The Threepenny Opera, May-June 1963; Under Milk Wood, November-December 1962; Ring Round the Moon, April 1960; A Month in the Country, February 1959; The Front Page, October 1958; Witness For the Prosecution, April 1957; Dream Girl, February 1957; The Girl on the Via Flaminia, January 1957; A View From the Bridge, November 1956; All Summer Long, January 1953; Tonight at 8:30, November 1952; The Hasty Heart, August-September 1952; Dark of the Moon, May 1952; Three Men On a Horse, March 1952; School For Scandal, January 1952; Burning Bright, December 4, 1951; Ladder to the Moon, November 1951; She Stoops to Conquer, October-November 1951; Julius Caesar, October 1951; The Importance of Being Earnest, July 1951; The Scarecrow, July 1951; Twelfth Night, June 1951; Mr. Arcularis, May 1951; The Glass Menagerie, April 1951; The Inspector General, March 1951 (two copies); The School for Wives, February 1951; The Adding Machine, February 1951; Children of Darkness, January 1951; The Playboy of the Western World, January 1951; Alice in Wonderland, December 1950; Pygmalion, December 5, 1950; The Taming of the Shrew, November 1950; The Delectable Judge; October 1950; The Firebrand, October 1950; Of Mice and Men, September 1950.","The Dark at the Top of the Stairs, October 1960; Damn Yankees, April 1960; The Seven-Year Itch, October 1959; Gramercy Ghost, February 1958; A Streetcar Named Desire, September 1957; Summer and Smoke, October 1956; The Tender Trap, June 1956.","Cabaret, November 1968; The Happy Time, May 1968","Carmen Jones, July-August 1956; Carousel, August 1953; Of Thee I Sing, June 1953; Ballet Russe de Monte Carlo, circa 1950s; The Most Happy Fella, circa 1950s; Harry Belafonte, August 1959; José Greco and his Company of Spanish Dancers, circa 1950s; The Golden Apple, circa 1950s; Danny Kaye and his All-Star International Show, circa 1950s; The Ballet Theatre, circa 1950s; Phoenix '55, circa 1950s.","The Recruiting Officer, January-February 1967 (two copies); Othello, March 1960; The Taming of the Shrew, October-November 1959; The Satin Slipper, March 1959; Cyrano de Bergerac, February 1957; Hamlet, January-February 1956.","Victor Borge, September 1956; Don Cossak Chorus and Dancers, March 4, 1956; Berlin Philharmonic Orchestra, February 27, 1955; Fledermaus, October 20, 1951.","Shakespeare Summer Festivals The Taming of the Shrew, July 7, 1962; Twenty-Ninth Annual One-Act Play Tournament at Roosevelt Auditorium, March 5, 1957; Thirtieth Annual One-Act Play Tournament at Roosevelt Auditorium, March 4, 1958; Thirty-First Annual One-Act Play Tournament at Roosevelt Auditorium, March 3, 1959; Thirty-Second Annual One-Act Play Tournament at Roosevelt Auditorium, March 8, 1960; Thirty-Third Annual One-Act Play Tournament at Roosevelt Auditorium, Marc 7, 1961; Shakespeare Summer Festival's Twelfth Night, July 1, 1961.","Die Entführung aus dem Serail [The Abduction from the Seraglio], January 17, 1948; Der Rosenkavalier, March 12, 1948; La Traviata, June 11, 1948.","The White Devil, circa 1940s; Measure For Measure, circa 1940s.","See How They Run, circa 1950s; Three Men on a Horse, circa 1950s.","Night Must Fall, circa 1950s; Bell, Book, and Candle, December 17-19, 1958.","Once Upon a Mattress, May 1964 (two copies); The Most Happy Fella, October 1964 (two copies); The Waltz of the Toreadors, November 1964 (two copies); Separate Tables, November 1963; The Beaux Stratagem, 1964; Light Up the Sky, December 1963; Amphitryon 38, January-February 1964; Shot In the Dark, March 1964 (two copies); Lovers Club, April 1964.","The Taming of the Shrew, circa 1950s; Payment Deferred, February 1956; Sabrina Fair, April-May 1956; The Tender Trap, November-December 1956; The Two Mrs. Carrolls, May 1957;  Room Service, May 1958; The Heiress, November 1958; Papa is All, February 1959; Old Acquaintance, May 1959; The Glass Menagerie, December 1959; The Sleeping Prince, February 1960; The Boy Friend, May 1960; The Girls in 509, November-December 1960; The Happiest Millionaire, March 1961; Kiss Me, Kate, May 1961; Send Me No Flowers, November 1961; Bus Stop, December 1957.","Under the Yum Yum Tree, February-March, 1967 (two copies); Anything Goes, May-June 1966 (two copies); The Dark At the Top of the Stairs, October 1965; Royal Gambit, April-May, 1965; Critics' Choice, circa 1960s; The Unexpected Guest, circa 1960s (two copies); The Shy Girl, circa 1960s; Separate Tables, November 1963; The Magic Weave, circa 1960s; Salad Days, circa 1960s; Harvey, circa 1960s; Two Blind Mice, circa 1960s; The Country Girl, circa 1960s; Stop the World, I Want to Get Off, circa 1960s; Song of 14 People, circa 1960s; The Shy Girl, circa 1960s.","The Contrast, September 1954; Love For Love, circa 1950s (two copies); Oh, Men! Oh, Women!, November-December 1955; Fourteen People, circa 1950s; As You Like It, circa 1950s; Pools Paradise, circa 1950s (two copies); The Bat, circa 1950s (two copies).","Volpone, August 1968; School for Scandal, August 1969; The Country Wife, August 1966; The Beggar's Opera, August 1965 (two copies); Annual Report, 1966.","Sunset Parade program.","A Majority of One, March 1961; The Music Man, July 1961; Elizabeth The Queen and Mary Stuart, October 1961; The Country Wife, November 1957; Miss Isobel, December 1957; A Sign of Affection, March 1965; The Owl and the Pussycat, March 1966 (two copies); The Subject Was Roses, March 1966 (two copies); Luv, January 1966 (two copies).","Richard II from The Old Vic Company, January 1957; Beatrice Lillie in Ziegfeld Follies, February 1957; The Matchmaker, May 1957; Separate Tables, November 1957; Time Remembered, October 1957; Call Me Madam, May 1952; Gentlemen Prefer Blondes, June 1952; Porgy and Bess, August 1952; The Vamp, October 1955; Can-Can, July 1955; The Skin of Our Teeth, July 1955; Cat On a Hot Tin Roof, November 1956; Iolanthe from the D'Oyley Carte Opera Company, January 1956; Plain and Fancy, April 1956; Damn Yankees, March 1956; The King and I, August 1955; Content Warning: yellowface imagery: The Teahouse of the August Moon, June 1956; Li'l Abner, September 1956; Top Banana, November 1952; Auntie Mama, March 1958","Guys and Dolls, circa 1950s (two copies); Oliver!, July 1965; The War of the Greasepaint - The Smell of the Crowd, February 1965; Ivanov, April 1966; Bascom Barlow, February 1966.","How to Succeed in Business Without Really Trying, April 1965 (two copies); Hot Spot, February 18, 1963 (two copies); Mary Mary, March 25, 1963; Half a Sixpence, March 1967; On a Clear Day You Can See Forever, June 1967 (two copies); The Wayward Stork, January 1966 (two copies).","Constitution Hall performance, December 1954; Musicians' Pension Benefit Concert at Constitution Hall, April 8, 1965; Carter Barron Amphitheatre with Leontyne Price and William Warfield, circa 1952; Carter Barron Amphitheatre with Anna Russell, 1954; Carter Barron Amphitheatre with Alec Templeton, 1954; Performance with Oscar Levant, circa 1950s.","Fledermaus from the Metropolitan Opera, December 1951 (two copies); The Constant Wife, April 1952; Tovarich, May 1952; First Lady, May 1952; The Autumn Garden, February 1952; The Male Animal, April 1952; The Moon is Blue, November 1951; Kiss Me Kate, October 1951; Darkness At Noon, October 1951; Born Yesterday, November 1950; Come Back, Little Sheba, January 1951; Lend An Ear, November 1950; The Relapse, October 1950; The Curious Savage, October 9, 1950; Brigadoon, circa 1950s; Private Lives, circa 1950s.","Ondine, June 1957; On Your Toes, September 1952; One Touch of Venus, July 1952; The Happy Time, June 1952; Eva Gabor, June 1952; Pal Joey, September 1951; The Curtain Rises, August 1951; Border Be Damned, July 1951; Even Arden, June 1951; Harvey, July 1950; Light Up The Sky, July 1950; The Philadelphia Story, September 1949; The Man Who Came to Dinner, September 1949; For Love Or Money, August 1949 (two copies); Lovers and Friends, August 1949; Present Laughter, circa 1950s; The Telephone and The Medium, September 1949; Up To Now, July 1949; Little Mary Sunshine, circa 1950s; Say, Darling, circa 1950s.","The Pirates of Penzance, November 1956; H.M.S. Pinafore, November 1955.","Caligula, circa 1940s; Die Zeit Des Glücks (The Time of Happiness), circa 1940s; Schmutzige Hände (Dirty Hands), circa 1940s","Drei Mann auf einem Pferd (Three Men On a Horse), circa 1940s (two copies); Androklus und der Löwe (Androclus and the Lion), circa 1940s;","Wir armen Erdenbürger (We Poor People of Erdenburg), circa 1940s; Was ihr wollt (What You Want), circa 1940s; Minna von Barnhelm, circa 1940s; De Teufels General 9The Devil's General), circa 1940s","The Unsinkable Molly Brown, 1963; Bye Bye Birdie, 1962; Who Was That Lady I Saw You With, 1962; Fiorello, 1962; A Little Night Music, circa 1960s.","The Montgomery County Chapter of S.P.E.B.S.Q.S.A., Inc. First Annual Barbershop Jubilee program, March 24-25, 1961; Alexandria Chapter of the S.P.E.B.S.Q.S.A., Inc. Ninth Annual Spring Tonic program, April 18, 1959","Der Dämon and Der Totentanz, circa 1940s; Bohème, February 1949; Der Troubadour (Il Trovatore), February 1949; Harlekinade, circa 1940s; Neue Tänze - Margo Ufer, Erwin Bredow, February 1948; Die Verkaufte Braut (The Sold Bride), March 1948; Die Hochzeit des Figaro (Le Nozze de Figaro), April 1948; Cavalleria Rusticana and I Pagliacci, circa 1940s; The Legend of Joseph, circa 1940s; Josephlegende, May 1948; Cavalleria Rusticana and Der Bajazzo (I Pagliacci), April 1948; Jeanne D'Arc Auf Dem Scheiterhaufen (Joan of Arc at the Stake), January 1948; Abraxas, November 1949","Right You Are, circa 1950s; The Silver Whistle, February 9-13, 1951; The Little Hut, circa 1960s; The Lesson, circa 1960s.","Lampe played Napoleon Bonaparte in this production.","Lampe played Monte in this production.","Lampe played Serjeant Kite in this production.","The Washington Star, January 1, 1967; German Operetta Festival program, circa 1950s; Invitations from Mr. and Mrs. Donald Kerne to attend an opera program at their residence, 1958-1959; The Phillips Collection Song Recital program featuring John Thomas and Herbert Kaplan (two copies), January 27, 1964; Senior Recital program flyer for Ruth Morse Allen; May 12, 1963; The Washington Star Weekender featuring article on Gadsby's Tavern, August 14, 1965; California travel schedule notes, circa 1960s; Playbill insert announcing music, production unknown, circa 1960s; The Mikado at Westwood Country Club, February 23, 1963; \"Inflation\" informational pamphlet, January 1967; Metropolitan Theatre Seating Guide magazine, 1975; \"Modern Makeup by Stein - Half-Century of Progress in Theatrical Make-Up\" pamphlet, 1936; Handwritten script notes for unknown production, circa 1950s; Theatre Arts Magazine clippings, 1950s; Handwritten jokes and play notes, circa 1940s; Song Sheet advertising pamphlet, circa 1940s","Written while Lampe attended American University.","Arena Stage production.","Poster housed in Map Case 3.4.","Photographs, subject include: presidential candidates and presidents (some signed); Virginia politicians with Lampe; Lampe solo and his wife Virginia Lampe at political events. Includes one historic photo of a view from the Capitol Building in Washington, D.C., circa 1940s."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6de6d6455476cca0a55df872c903e261\" label=\"Abstract\"\u003eThis collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials pertaining to Henry O. Lampe's diverse career as a government employee, transportation planner, and civic activist, as well as his personal interests and lifelong love of theatre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_dbd9062600750a056079ffc54dc03abe\"\u003eR 31, C 1, S 1 - S 4\n\nMap Case 3.4\n\nOS R 2, C 1, S 4\u003c/physloc\u003e\n    "],"physloc_tesim":["R 31, C 1, S 1 - S 4\n\nMap Case 3.4\n\nOS R 2, C 1, S 4"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission"],"names_coll_ssim":["Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission","Lampe, Henry O."],"persname_ssim":["Lampe, Henry O."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Virginia. Metropolitan Areas Study Commission","Northern Virginia Regional Planning Commission","Lampe, Henry O."],"language_ssim":["English\n      German"],"total_component_count_is":254,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:54:36.211Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_48_c46"}},{"id":"vifgm_repositories_2_resources_14_c03_c19","type":"File","attributes":{"title":"Age of Trolley Buses, 1944/1969","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_14_c03_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_14_c03_c19","ref_ssm":["vifgm_repositories_2_resources_14_c03_c19"],"id":"vifgm_repositories_2_resources_14_c03_c19","ead_ssi":"vifgm_repositories_2_resources_14","_root_":"vifgm_repositories_2_resources_14","_nest_parent_":"vifgm_repositories_2_resources_14_c03","parent_ssi":"vifgm_repositories_2_resources_14_c03","parent_ssim":["American Public Transportation Association records, 1898/1999","Series 3: Equipment, Finances, and Statistics, 1927/1992"],"parent_ids_ssim":["vifgm_repositories_2_resources_14","vifgm_repositories_2_resources_14_c03"],"title_filing_ssi":"Age of Trolley Buses","title_ssm":["Age of Trolley Buses"],"title_tesim":["Age of Trolley Buses"],"normalized_title_ssm":["Age of Trolley Buses, 1944/1969"],"text":["Age of Trolley Buses, 1944/1969","American Public Transportation Association records, 1898/1999","Series 3: Equipment, Finances, and Statistics, 1927/1992","box 54","folder 6"],"parent_unittitles_ssm":["American Public Transportation Association records, 1898/1999","Series 3: Equipment, Finances, and Statistics, 1927/1992"],"parent_unittitles_tesim":["American Public Transportation Association records, 1898/1999","Series 3: Equipment, Finances, and Statistics, 1927/1992"],"normalized_date_ssm":["1944/1969"],"unitdate_other_ssim":["1944-1969"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":611,"repository_ssim":["George Mason University"],"collection_ssim":["American Public Transportation Association records, 1898/1999"],"containers_ssim":["box 54","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"_nest_path_":"/components#2/components#18","timestamp":"2026-06-23T06:52:59.239Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_14","ead_ssi":"vifgm_repositories_2_resources_14","_root_":"vifgm_repositories_2_resources_14","_nest_parent_":"vifgm_repositories_2_resources_14","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_14.xml","title_filing_ssi":"American Public Transportation Association records","title_ssm":["American Public Transportation Association records"],"title_tesim":["American Public Transportation Association records"],"unitdate_ssm":["1898-1999"],"unitdate_inclusive_ssm":["1898-1999"],"normalized_date_ssm":["1898/1999"],"normalized_title_ssm":["American Public Transportation Association records, 1898/1999"],"text":["American Public Transportation Association records, 1898/1999","C0051","/repositories/2/resources/14","Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence","There are no access restrictions.","A selection of documents from the collection are available through the .","Arranged into seven series.","Series\n      Series 1: Committees, 1908-1987\n      Series 2: Meetings and Publications, 1928-1997\n      Series 3: Equipment, Finances, and Statistics, 1927-1992\n      Series 4: Legislation, 1918-1977\n      Series 5: Labor, 1933-1978\n      Series 6: Local Transit, 1898-1992\n      Series 7: Oversize, 1946-1999","The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.","Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.","The Special Collections Research Center holds numerous collections on transportation and planning.","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii.","This series includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Accumulation of Mileage Figures.","APTIST Program with Transit Casualty.","Plans for the annual meeting. Includes photographs of potential entertainment.","Economics of Use of Buses of Various Sizes.","Folder 1 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes photographs of bus exterior, interior, and wheelchair lift .","Folder 1 of 2.","Folder 2 of 2.","Information on Mail Questionnaires to Witnesses and Witness Cards used by Operators.","Accident - Sudden Illness of Operators.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Check List for Bus Driver Training.","Reports on Batteries.","Results of Modernization with Trolley Coaches.","Results of Modernization with Trolley Coaches.","Results of Modernization with Trolley Coaches.","Results of Modernization with Motor Buses.","A Guide to Supervisory Development.","Current Collection Equipment.","Conversion of Street Car Electric Line Facilities to Provide for Rubber Tires Vehicle Operation.","Rectifiers.","Trolley Coach Overhead Installation Costs.","Motor Coach Headway Recorders.","Progress Report on Development of Motor Coach Headway Recorders.","Use of Carbon Insert Shoe Collectors on Street Cars.","Trolley Wire Wear and Brake Line Maintenance Performance.","Trolley Coach Power Distribution Systems.","Substitution of Mercury Arc Rectifiers for Rotating Power Conversion Equipment.","Electric Track Switch Circuits.","Trolley Coach Overhead Installation Costs.","Trolley Wire Wear and Breaks.","Trolley Coach and Streetcar Power Distribution Systems.","Electric Track Switches.","ASA Specifications for Tubular Steel Poles for Electric Line Construction.","Electric line poles and overhead construction manuals.","Catenary Overhead Construction.","Poles and overhead supply line manuals.","Trolley Coach Power Distribution Systems.","Federal Public Transportation Act of 1978.","Meeting minutes.","Executive Committee retreat.","ASAE Evaluation.","Role of APTA Vice Presidents.","Meeting packet.","Retreat and Meeting packet.","APTA Staff Analysis 1979 Action Agenda.","Discussions of Major Issues Facing APTA.","American Society of Association Executives APTA Evaluation. Folder 1 of 3.","American Society of Association Executives APTA Evaluation. Folder 2 of 3.","American Society of Association Executives APTA Evaluation. Folder 3 of 3.","Operating Subsidies. Folder 1 of 2.","Operating Subsidies. Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Rapid Transit Reference Manual.","Rapid Transit Reference Manual.","Rapid Transit Fare Structure and Collection Methods.","Transit Industry Internal Audit Department Directory.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Federal Transit Assistance.","Federal Transit Assistance.","Percy Amendment.","Percy Amendment.","H.R. 18185.","Testimony before Congress.","Testimony before Congress.","H.R. 16621.","Folder 1 of 2.","Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Cleaning of Transit Vehicles.","Regrooving of Tires.","Recommended Practices for Proper Brake Maintenance.","Progress Report on Elimination of Brake Noise.","Brake Squel Elimination Replies.","Reading file. Folder 1 of 2.","Reading file. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Operating Plan.","Report of Committee on Express Bus Service.","Report of Committee on Economics of Service to New Areas.","Rapid Transit Way and Structure Matters.","Progress Report.","Design and Development of Feeder Systems for Trolley Bus Operation.","Specifications for Single-Section Tapered and High Strength Sectional Tubular Steel Poles.","Folder 1 of 2.","Folder 2 of 2.","Advertising and behavior on buses.","Restructuring of the Public Relations Division.","Folder 1 of 2.","Folder 2 of 2.","Automotive Safety Foundation Joint Committee with the IRT and the ATA.","Robert L. Sommerville memorandum.","Characteristics of the Urban Transit Mode.","Retirement gift for Eugene McCaul.","Motor Coach Interchange Materials.","Motor Coach Substitute Materials.","Substitute Materials.","Motor Coach Substitute Materials.","Roster.","Meeting minutes.","Resolutions Governing the Activities of the ATA Divisions.","Legal opinions on loss and damages.","Batteries rental or purchase.","Rental batteries and bus rental.","Purchase and rental of batteries.","Handling of new and repaired units.","Purchasing practices.","Material Classification Guide. Folder 1 of 2.","Material Classification Guide. Folder 2 of 2.","Initial Stocking and Material Return Policy.","Exchange of Specifications.","Tires.","Tires. Also includes document from 1938 with list of transit companies.","Committee on Problems of Automation.","Report of the Subcommittee on Fuels and Lubricants.","Batteries.","Committee on Services for Profit.","Cooperation with the Mechnical Division.","Replies on the Handling of New and Repaired Parts.","Meeting minutes. Folder 1 of 4.","Meeting minutes.  Folder 2 of 4.","Meeting minutes. Folder 3 of 4.","Meeting minutes. Folder 4 of 4.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Recommended Maintenance Procedure for Resilient Wheel D-1.","Meetings.","Meetings.","Advisory Committee on Rail Cars.","Advisory Committee on Rail Cars.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes.","Correspondence. Folder 1 of 2.","Correspondence. Folder 2 of 2.","A Short Cut Method of Transit Vehicle Selection for the Combined Rail and Bus Company.","Folder 1 of 2.","Folder 2 of 2.","Survey of Changes in Duration and Frequency of Daily Services.","Public Relations Practices.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Measure of Bus Maintenance Productivity.","ANSI C2 National Electrical Safety Code.","ANSI C2 National Electrical Safety Code.","ANSI D7 Inspection Requirements.","ANSI D7 Inspection Requirements.","ANSI D7 Inspection Requirements.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","USASI D17 Motor Vehicle Safety Standards.","USASI D17 Motor Vehicle Safety Standards.","USASI D17 Motor Vehicle Safety Standards.","ANSI Z16 Accident Standards.","ANSI Z16 Accident Standards. Appears to be a 1970s revision of the 1941 document.","ANSI Z16 Accident Statistics.","ANSI D18 Training of Automotive Mechanics.","Form for Reporting Derailments.","Report on switch devices.","Safety in Track Construction and Maintenance Work.","Trolley Overhead Construction.","Surface, Subway, and High Speed Track Construction.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Proper Locations for Bus Stops.","Reliability, Availability, and Maintenance Task Force. Folder 1 of 3.","Reliability, Availability, and Maintenance Task Force. Folder 2 of 3.","Reliability, Availability, and Maintenance Task Force. Folder 3 of 3.","Moving People Safely and Design Guidelines. Folder 1 of 3.","Moving People Safely and Design Guidelines. Folder 2 of 3.","Moving People Safely and Design Guidelines. Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Meeting minutes. Folder 1 of 4.","Meeting minutes. Folder 2 of 4.","Meeting minutes. Folder 3 of 4.","Meeting minutes. Folder 4 of 4.","Meeting agenda.","Meeting minutes (June 11, 1986).","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Track Pavements Design, Construction, and Maintenance.","Maintenance and Paving of Bridges.","Corrosion Inhibitors as Additives to Salt in Removal of Snow and Ice from Streets.","Development of Air-Entrained Concrete and Procedures for Its Use.","Functional Design of Bus Garages.","Use of Chloride-Resisting Concrete in Street Railway Track Construction.","Paving of Loops, Operating Yards, and Railroad Crossings.","Snow and Ice Removal Distribution of Abrasive Materials.","Design and Construction of Bus Loops.","Joint Trackwork Electrical Design Guidelines.","This series includes organizational documents such as the constitution, by-laws, annual reports, and press releases.","Folder 1 of 2.","Folder 2 of 2.","ASAE Evaluation Report.","Attendee Research.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Demand-Activated Systems (Dial-A-Ride).","Chicago, Illinois, April 23-27, 1973.","Folder 1 of 2.","Folder 2 of 2.","San Francisco, April 14-16, 1974.","San Francisco, April 14-16, 1974. Folder 1 of 2.","San Francisco, April 14-16, 1974. Folder 2 of 2.","San Francisco, April 14-16, 1974. Folder 1 of 2.","San Francisco, April 14-16, 1974. Folder 2 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 1 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 2 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 1 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 2 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 3 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 4 of 4.","Toronto, Ontario, April 6-8, 1976. Folder 1 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 2 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 3 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 4 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 5 of 5.","Toronto, Ontario, April 6-8, 1976.","Washington, D.C., June 28-30, 1977.","Washington, D.C., June 28-30, 1977. Folder 1 of 2.","Washington, D.C., June 28-30, 1977. Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","State of the Art of Safety in Urban Mass Transportation. Folder 1 of 3.","State of the Art of Safety in Urban Mass Transportation. Folder 2 of 3.","State of the Art of Safety in Urban Mass Transportation. Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","27th Annual Conference.","Procedure manuals correspondence.","Procedure Manuals.","Procedure Manuals.","Procedure Manuals.","Procedure Manuals.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Escrow arrangement.","Folder 1 of 2.","Folder 2 of 2.","Executive Committee Meeting.","This is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.","Folder 1 of 2.","Folder 2 of 2.","Bulletin No. 56: Public Ownership and Operation of Electric Railways Part I United States.","APTA Evaluation Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Report.","Report.","Report.","Report.","Report.","Report.","Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Insurance and safety.","Loss of use while vehicle under repair.","Folder 1 of 7","Folder 2 of 7","Folder 3 of 7","Folder 4 of 7","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Bulletin No. 736.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","General Rules of Practice.","Rail.","Regulations of Motor Trucks.","Ruling on Trolley Buses.","General information.","Lists.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","ATA Reports.","Orientation Seminar. Folder 1 of 2.","Orientation Seminar. Folder 2 of 2.","Index of Expense Reporting Documentation.","IRT Committee.","Task I Report.","Task II Report.","Task V Industry Control Board Meeting.","Task IV Report. Folder 1 of 4.","Task IV Report. Folder 2 of 4.","Task IV Report. Folder 3 of 4.","Task IV Report. Folder 4 of 4.","Report.","Interim Task III Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Safety Review Panel for the Tri-County Metropolitan Transportation District of the Oregon-Banfield Light Rail Project.","Report of the American Public Transit Association Panel of Inquiry for the July 10, 1985, Accident of the Red Line of the Greater Cleveland Regional Transit Authority.","Report of the American Public Transit Association Panel of Inquiry for the Metro-Dade Transportation Administration.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Recording and Off the Job Injuries.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Photograph.","Folder 1 of 2.","Folder 2 of 2.","Car Equipment Liaison Board.","Car Equipment Liaison Board.","Car Equipment Liaison Board.","Fare Collection Reliability Liaison Board.","Fare Collection Reliability Program Liaison Board.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","This series contains files on legislation, primarily federal, that impacted the transit industry.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","This series consists of reports, correspondence, and legislation on various labor and employment subjects.","Folder 3 of 5.","Folder 3 of 5.","Folder 3 of 5.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 3 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","This series consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.","Graphics and signs.","Exhibits of Latest Newspaper Ads and Photos of Signs in MTA Stations.","International Railway Company.","International Railway Company.","International Railway Company.","Includes maps of individual states and nationwide maps published by the American Map Company.","Includes maps of individual states and nationwide maps published by the American Map Company.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Plan of Reorganization of Grand Rapids Railroad Company.","Includes information on National City Lines. Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Readjustment of Traction Agreement Between the City of Pittsburgh and the Pittsburgh Railways Company.","Transcript of Testimony of Dr. John Bauer on Madison Avenue Bus Operation.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Commuter Railroad Service in the National Capital Region.","This series contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii.","Chicago Transit Authority Annual Report.","Honolulu of Tomorrow.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association","English"],"collection_title_tesim":["American Public Transportation Association records, 1898/1999"],"collection_ssim":["American Public Transportation Association records, 1898/1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0051","/repositories/2/resources/14"],"unitid_tesim":["C0051","/repositories/2/resources/14"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["American Public Transportation Association"],"creator_ssim":["American Public Transportation Association"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Jim Olivetti, Information Center Manager, Department of Transportation, 2000."],"access_subjects_ssim":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"access_subjects_ssm":["Transportation -- United States","Transportation -- United States -- Planning","Local transit -- United States","Federal aid to transportation -- United States","Maps","Transportation","Urban transportation","Photographs","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["94 Linear Feet 189 boxes"],"extent_tesim":["94 Linear Feet 189 boxes"],"genreform_ssim":["Photographs","Correspondence"],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eA selection of documents from the collection are available through the \u003cextptr title=\"American Public Transportation records online collection\" show=\"new\" href=\"http://images.gmu.edu/luna/servlet/s/xd3dpv\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternate Format Available"],"altformavail_tesim":["A selection of documents from the collection are available through the ."],"arrangement_html_tesm":["\u003cp\u003eArranged into seven series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Committees, 1908-1987\u003c/item\u003e\n      \u003citem\u003eSeries 2: Meetings and Publications, 1928-1997\u003c/item\u003e\n      \u003citem\u003eSeries 3: Equipment, Finances, and Statistics, 1927-1992\u003c/item\u003e\n      \u003citem\u003eSeries 4: Legislation, 1918-1977\u003c/item\u003e\n      \u003citem\u003eSeries 5: Labor, 1933-1978\u003c/item\u003e\n      \u003citem\u003eSeries 6: Local Transit, 1898-1992\u003c/item\u003e\n      \u003citem\u003eSeries 7: Oversize, 1946-1999\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into seven series.","Series\n      Series 1: Committees, 1908-1987\n      Series 2: Meetings and Publications, 1928-1997\n      Series 3: Equipment, Finances, and Statistics, 1927-1992\n      Series 4: Legislation, 1918-1977\n      Series 5: Labor, 1933-1978\n      Series 6: Local Transit, 1898-1992\n      Series 7: Oversize, 1946-1999"],"bioghist_html_tesm":["\u003cp\u003eThe organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The organization that would eventually become APTA first organized as the American Street Railway Association on December 12, 1882, in Boston, Massachusetts.  The initial meetings focused on the price of oats for the horses that pulled transit vehicles, but that focus evolved as more transit companies built electric systems.  In 1905, the group met in New York and reorganized as the American Street and Interurban Railway Transportation and Traffic Association.  To encompass even more modes of electric transit, the group changed its name once again to the American Electric Railway Transportation and Traffic Association in 1910.  By 1932, many of the transit systems relied on motor coaches and trolleys in addition to electric streetcars, so the organization executives chose to be known as the American Transit Association (ATA).  In 1966 the ATA relocated from New York City to Washington, D.C., as a result of increasing reliance on federal funding, especially with the passage of the Urban Mass Transportation Act in 1964 and the creation of the Urban Mass Transportation Administration (now the Federal Transit Administration).  The American Public Transit Association (APTA) was created in 1974 when the American Transit Association and the Institute for Rapid Transit (IRT) merged.  The IRT dated back to 1929 and formally organized on June 7, 1961.  In 1976, the Transit Development Corporation also merged with APTA.  In January 2000 the name of the organization was changed to the American Public Transportation Association.  Despite the various name changes, the mission of the organization has more or less remained the same.  The organization specializes in issues dealing with transit equipment, transit management, and labor issues.  In the 1970s, the organization developed a closer working relationship with the federal government as more and more transit systems became publicly financed.  Today APTA is a leading participant in research and legislation regarding the North American transportation industry and issues relating to it."],"prefercite_html_tesm":["\u003cp\u003eAmerican Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["American Public Transportation Association records, C0051, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jordan Patty in 2013. EAD markup completed in January 2013 by Jordan Patty."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds numerous collections on transportation and planning.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds numerous collections on transportation and planning."],"scopecontent_html_tesm":["\u003cp\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/p\u003e","\u003cp\u003eSeries 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.            \u003c/p\u003e","\u003cp\u003eSeries 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.             \u003c/p\u003e","\u003cp\u003eSeries 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.  \u003c/p\u003e","\u003cp\u003eSeries 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.            \u003c/p\u003e","\u003cp\u003eSeries 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.         \u003c/p\u003e","\u003cp\u003eSeries 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.               \u003c/p\u003e","\u003cp\u003eSeries 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii. \u003c/p\u003e  ","\u003cp\u003eThis series includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eAccumulation of Mileage Figures.\u003c/p\u003e","\u003cp\u003eAPTIST Program with Transit Casualty.\u003c/p\u003e","\u003cp\u003ePlans for the annual meeting. Includes photographs of potential entertainment.\u003c/p\u003e","\u003cp\u003eEconomics of Use of Buses of Various Sizes.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eIncludes photographs of bus exterior, interior, and wheelchair lift .\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eInformation on Mail Questionnaires to Witnesses and Witness Cards used by Operators.\u003c/p\u003e","\u003cp\u003eAccident - Sudden Illness of Operators.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eCheck List for Bus Driver Training.\u003c/p\u003e","\u003cp\u003eReports on Batteries.\u003c/p\u003e","\u003cp\u003eResults of Modernization with Trolley Coaches.\u003c/p\u003e","\u003cp\u003eResults of Modernization with Trolley Coaches.\u003c/p\u003e","\u003cp\u003eResults of Modernization with Trolley Coaches.\u003c/p\u003e","\u003cp\u003eResults of Modernization with Motor Buses.\u003c/p\u003e","\u003cp\u003eA Guide to Supervisory Development.\u003c/p\u003e","\u003cp\u003eCurrent Collection Equipment.\u003c/p\u003e","\u003cp\u003eConversion of Street Car Electric Line Facilities to Provide for Rubber Tires Vehicle Operation.\u003c/p\u003e","\u003cp\u003eRectifiers.\u003c/p\u003e","\u003cp\u003eTrolley Coach Overhead Installation Costs.\u003c/p\u003e","\u003cp\u003eMotor Coach Headway Recorders.\u003c/p\u003e","\u003cp\u003eProgress Report on Development of Motor Coach Headway Recorders.\u003c/p\u003e","\u003cp\u003eUse of Carbon Insert Shoe Collectors on Street Cars.\u003c/p\u003e","\u003cp\u003eTrolley Wire Wear and Brake Line Maintenance Performance.\u003c/p\u003e","\u003cp\u003eTrolley Coach Power Distribution Systems.\u003c/p\u003e","\u003cp\u003eSubstitution of Mercury Arc Rectifiers for Rotating Power Conversion Equipment.\u003c/p\u003e","\u003cp\u003eElectric Track Switch Circuits.\u003c/p\u003e","\u003cp\u003eTrolley Coach Overhead Installation Costs.\u003c/p\u003e","\u003cp\u003eTrolley Wire Wear and Breaks.\u003c/p\u003e","\u003cp\u003eTrolley Coach and Streetcar Power Distribution Systems.\u003c/p\u003e","\u003cp\u003eElectric Track Switches.\u003c/p\u003e","\u003cp\u003eASA Specifications for Tubular Steel Poles for Electric Line Construction.\u003c/p\u003e","\u003cp\u003eElectric line poles and overhead construction manuals.\u003c/p\u003e","\u003cp\u003eCatenary Overhead Construction.\u003c/p\u003e","\u003cp\u003ePoles and overhead supply line manuals.\u003c/p\u003e","\u003cp\u003eTrolley Coach Power Distribution Systems.\u003c/p\u003e","\u003cp\u003eFederal Public Transportation Act of 1978.\u003c/p\u003e","\u003cp\u003eMeeting minutes.\u003c/p\u003e","\u003cp\u003eExecutive Committee retreat.\u003c/p\u003e","\u003cp\u003eASAE Evaluation.\u003c/p\u003e","\u003cp\u003eRole of APTA Vice Presidents.\u003c/p\u003e","\u003cp\u003eMeeting packet.\u003c/p\u003e","\u003cp\u003eRetreat and Meeting packet.\u003c/p\u003e","\u003cp\u003eAPTA Staff Analysis 1979 Action Agenda.\u003c/p\u003e","\u003cp\u003eDiscussions of Major Issues Facing APTA.\u003c/p\u003e","\u003cp\u003eAmerican Society of Association Executives APTA Evaluation. Folder 1 of 3.\u003c/p\u003e","\u003cp\u003eAmerican Society of Association Executives APTA Evaluation. Folder 2 of 3.\u003c/p\u003e","\u003cp\u003eAmerican Society of Association Executives APTA Evaluation. Folder 3 of 3.\u003c/p\u003e","\u003cp\u003eOperating Subsidies. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eOperating Subsidies. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 3 of 5.\u003c/p\u003e","\u003cp\u003eFolder 4 of 5.\u003c/p\u003e","\u003cp\u003eFolder 5 of 5.\u003c/p\u003e","\u003cp\u003eFolder 1 of 5.\u003c/p\u003e","\u003cp\u003eFolder 2 of 5.\u003c/p\u003e","\u003cp\u003eFolder 3 of 5.\u003c/p\u003e","\u003cp\u003eFolder 4 of 5.\u003c/p\u003e","\u003cp\u003eFolder 5 of 5.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eRapid Transit Reference Manual.\u003c/p\u003e","\u003cp\u003eRapid Transit Reference Manual.\u003c/p\u003e","\u003cp\u003eRapid Transit Fare Structure and Collection Methods.\u003c/p\u003e","\u003cp\u003eTransit Industry Internal Audit Department Directory.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFederal Transit Assistance.\u003c/p\u003e","\u003cp\u003eFederal Transit Assistance.\u003c/p\u003e","\u003cp\u003ePercy Amendment.\u003c/p\u003e","\u003cp\u003ePercy Amendment.\u003c/p\u003e","\u003cp\u003eH.R. 18185.\u003c/p\u003e","\u003cp\u003eTestimony before Congress.\u003c/p\u003e","\u003cp\u003eTestimony before Congress.\u003c/p\u003e","\u003cp\u003eH.R. 16621.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eCleaning of Transit Vehicles.\u003c/p\u003e","\u003cp\u003eRegrooving of Tires.\u003c/p\u003e","\u003cp\u003eRecommended Practices for Proper Brake Maintenance.\u003c/p\u003e","\u003cp\u003eProgress Report on Elimination of Brake Noise.\u003c/p\u003e","\u003cp\u003eBrake Squel Elimination Replies.\u003c/p\u003e","\u003cp\u003eReading file. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eReading file. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eOperating Plan.\u003c/p\u003e","\u003cp\u003eReport of Committee on Express Bus Service.\u003c/p\u003e","\u003cp\u003eReport of Committee on Economics of Service to New Areas.\u003c/p\u003e","\u003cp\u003eRapid Transit Way and Structure Matters.\u003c/p\u003e","\u003cp\u003eProgress Report.\u003c/p\u003e","\u003cp\u003eDesign and Development of Feeder Systems for Trolley Bus Operation.\u003c/p\u003e","\u003cp\u003eSpecifications for Single-Section Tapered and High Strength Sectional Tubular Steel Poles.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eAdvertising and behavior on buses.\u003c/p\u003e","\u003cp\u003eRestructuring of the Public Relations Division.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eAutomotive Safety Foundation Joint Committee with the IRT and the ATA.\u003c/p\u003e","\u003cp\u003eRobert L. Sommerville memorandum.\u003c/p\u003e","\u003cp\u003eCharacteristics of the Urban Transit Mode.\u003c/p\u003e","\u003cp\u003eRetirement gift for Eugene McCaul.\u003c/p\u003e","\u003cp\u003eMotor Coach Interchange Materials.\u003c/p\u003e","\u003cp\u003eMotor Coach Substitute Materials.\u003c/p\u003e","\u003cp\u003eSubstitute Materials.\u003c/p\u003e","\u003cp\u003eMotor Coach Substitute Materials.\u003c/p\u003e","\u003cp\u003eRoster.\u003c/p\u003e","\u003cp\u003eMeeting minutes.\u003c/p\u003e","\u003cp\u003eResolutions Governing the Activities of the ATA Divisions.\u003c/p\u003e","\u003cp\u003eLegal opinions on loss and damages.\u003c/p\u003e","\u003cp\u003eBatteries rental or purchase.\u003c/p\u003e","\u003cp\u003eRental batteries and bus rental.\u003c/p\u003e","\u003cp\u003ePurchase and rental of batteries.\u003c/p\u003e","\u003cp\u003eHandling of new and repaired units.\u003c/p\u003e","\u003cp\u003ePurchasing practices.\u003c/p\u003e","\u003cp\u003eMaterial Classification Guide. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMaterial Classification Guide. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eInitial Stocking and Material Return Policy.\u003c/p\u003e","\u003cp\u003eExchange of Specifications.\u003c/p\u003e","\u003cp\u003eTires.\u003c/p\u003e","\u003cp\u003eTires. Also includes document from 1938 with list of transit companies.\u003c/p\u003e","\u003cp\u003eCommittee on Problems of Automation.\u003c/p\u003e","\u003cp\u003eReport of the Subcommittee on Fuels and Lubricants.\u003c/p\u003e","\u003cp\u003eBatteries.\u003c/p\u003e","\u003cp\u003eCommittee on Services for Profit.\u003c/p\u003e","\u003cp\u003eCooperation with the Mechnical Division.\u003c/p\u003e","\u003cp\u003eReplies on the Handling of New and Repaired Parts.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes.  Folder 2 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 3 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 4 of 4.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eRecommended Maintenance Procedure for Resilient Wheel D-1.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eMeetings.\u003c/p\u003e","\u003cp\u003eAdvisory Committee on Rail Cars.\u003c/p\u003e","\u003cp\u003eAdvisory Committee on Rail Cars.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes.\u003c/p\u003e","\u003cp\u003eCorrespondence. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eCorrespondence. Folder 2 of 2.\u003c/p\u003e","\u003cp\u003eA Short Cut Method of Transit Vehicle Selection for the Combined Rail and Bus Company.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eSurvey of Changes in Duration and Frequency of Daily Services.\u003c/p\u003e","\u003cp\u003ePublic Relations Practices.\u003c/p\u003e","\u003cp\u003eFolder 1 of 4.\u003c/p\u003e","\u003cp\u003eFolder 2 of 4.\u003c/p\u003e","\u003cp\u003eFolder 3 of 4.\u003c/p\u003e","\u003cp\u003eFolder 4 of 4.\u003c/p\u003e","\u003cp\u003eA Measure of Bus Maintenance Productivity.\u003c/p\u003e","\u003cp\u003eANSI C2 National Electrical Safety Code.\u003c/p\u003e","\u003cp\u003eANSI C2 National Electrical Safety Code.\u003c/p\u003e","\u003cp\u003eANSI D7 Inspection Requirements.\u003c/p\u003e","\u003cp\u003eANSI D7 Inspection Requirements.\u003c/p\u003e","\u003cp\u003eANSI D7 Inspection Requirements.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eASA D15 Accident Statistics.\u003c/p\u003e","\u003cp\u003eUSASI D17 Motor Vehicle Safety Standards.\u003c/p\u003e","\u003cp\u003eUSASI D17 Motor Vehicle Safety Standards.\u003c/p\u003e","\u003cp\u003eUSASI D17 Motor Vehicle Safety Standards.\u003c/p\u003e","\u003cp\u003eANSI Z16 Accident Standards.\u003c/p\u003e","\u003cp\u003eANSI Z16 Accident Standards. Appears to be a 1970s revision of the 1941 document.\u003c/p\u003e","\u003cp\u003eANSI Z16 Accident Statistics.\u003c/p\u003e","\u003cp\u003eANSI D18 Training of Automotive Mechanics.\u003c/p\u003e","\u003cp\u003eForm for Reporting Derailments.\u003c/p\u003e","\u003cp\u003eReport on switch devices.\u003c/p\u003e","\u003cp\u003eSafety in Track Construction and Maintenance Work.\u003c/p\u003e","\u003cp\u003eTrolley Overhead Construction.\u003c/p\u003e","\u003cp\u003eSurface, Subway, and High Speed Track Construction.\u003c/p\u003e","\u003cp\u003eFolder 1 of 5.\u003c/p\u003e","\u003cp\u003eFolder 2 of 5.\u003c/p\u003e","\u003cp\u003eFolder 3 of 5.\u003c/p\u003e","\u003cp\u003eFolder 4 of 5.\u003c/p\u003e","\u003cp\u003eFolder 5 of 5.\u003c/p\u003e","\u003cp\u003eProper Locations for Bus Stops.\u003c/p\u003e","\u003cp\u003eReliability, Availability, and Maintenance Task Force. Folder 1 of 3.\u003c/p\u003e","\u003cp\u003eReliability, Availability, and Maintenance Task Force. Folder 2 of 3.\u003c/p\u003e","\u003cp\u003eReliability, Availability, and Maintenance Task Force. Folder 3 of 3.\u003c/p\u003e","\u003cp\u003eMoving People Safely and Design Guidelines. Folder 1 of 3.\u003c/p\u003e","\u003cp\u003eMoving People Safely and Design Guidelines. Folder 2 of 3.\u003c/p\u003e","\u003cp\u003eMoving People Safely and Design Guidelines. Folder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 1 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 2 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes. Folder 3 of 4.\u003c/p\u003e","\u003cp\u003eMeeting minutes. 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The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.\u003c/p\u003e","\u003cp\u003eGraphics and signs.\u003c/p\u003e","\u003cp\u003eExhibits of Latest Newspaper Ads and Photos of Signs in MTA Stations.\u003c/p\u003e","\u003cp\u003eInternational Railway Company.\u003c/p\u003e","\u003cp\u003eInternational Railway Company.\u003c/p\u003e","\u003cp\u003eInternational Railway Company.\u003c/p\u003e","\u003cp\u003eIncludes maps of individual states and nationwide maps published by the American Map Company.\u003c/p\u003e","\u003cp\u003eIncludes maps of individual states and nationwide maps published by the American Map Company.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003ePlan of Reorganization of Grand Rapids Railroad Company.\u003c/p\u003e","\u003cp\u003eIncludes information on National City Lines. Folder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eReadjustment of Traction Agreement Between the City of Pittsburgh and the Pittsburgh Railways Company.\u003c/p\u003e","\u003cp\u003eTranscript of Testimony of Dr. John Bauer on Madison Avenue Bus Operation.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 3.\u003c/p\u003e","\u003cp\u003eFolder 2 of 3.\u003c/p\u003e","\u003cp\u003eFolder 3 of 3.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eFolder 1 of 2.\u003c/p\u003e","\u003cp\u003eFolder 2 of 2.\u003c/p\u003e","\u003cp\u003eCommuter Railroad Service in the National Capital Region.\u003c/p\u003e","\u003cp\u003eThis series contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii.\u003c/p\u003e","\u003cp\u003eChicago Transit Authority Annual Report.\u003c/p\u003e","\u003cp\u003eHonolulu of Tomorrow.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.","Series 1: Committees includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.  The composition of the committees typically included association staff and transit system managers.  The committees largely worked on issues related to equipment and finances with a smaller number devoted to legislation, marketing, and labor issues.  The committees and subcommittees overlap to some extent due to changes in the structure of the association and as a result of changes in transit priorities.  The folders date back to the 1908 and the American Electric Railway Transportation and Traffic Association, a precursor to ATA, but many of the folders consist of committee work from the 1970s.","Series 2: Meetings and Publications includes organizational documents such as the constitution, by-laws, annual reports, and press releases.  There is also correspondence and information on industry group meetings attended by APTA officials.  Officials attended local, national, and international conferences on planning, equipment, and management.  There are also files on meetings held by groups with APTA, such as the Rail Transit Group.  The organizational documents date from the 1920s, but many of the meeting files are from the 1960s and 1970s.","Series 3: Equipment, Finances, and Statistics is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.  In particular there are a large number of files on the testing and technical specifications about the Urban Rapid Rail Vehicle and Systems Program Advanced Concept Train, a joint project undertaken in the late 1970s by both APTA and the U.S. Department of Transportation.  The financial and statistical files overlap to some extent since there are many files on subjects such as fares and accident claims.  Other statistical files consist of data on route configurations and responses to questionnaires on a variety of topics, such as the use of tires.  Also found in this series are files on specific advisory and technology and advisory boards that existed within APTA.  The files in this series largely date from the 1940s through the 1980s.","Series 4: Legislation contains files on legislation, primarily federal, that impacted the transit industry.  Many of files focus on the attempts by Congress to pass legislation in the 1970s to provide large-scale funding for transit by using revenue from the Highway Trust Fund, which was established in 1956 to finance the construction of the national interstate system. Documents include correspondence, congressional testimonies, drafts of bills, and reports.  There are also several folders that document efforts to fund transit at the state level.","Series 5: Labor consists of reports, correspondence, and legislation on various labor and employment subjects.  In particular there are a large number of files on 13(c), a section of the Urban Mass Transportation Act that allowed unions to dispute federal funding for transit systems if they believed that workers would be adversely affected.  Another large group of documents found in this series are annual reports on wages and working conditions compiled from information sent in by transit system managers.  There are also some files on hiring practices and training.  The files largely date from the 1940s to the 1970s.","Series 6: Local Transit consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.  There is some overlap between the folders with city titles and the folders with state titles.  For instance, there may be some files on Boston found in the \"Massachusetts\" folder, but in general the folders with the city titles contain the bulk of the information on the transit systems in those particular cities.  For the most part, the clippings document the problems faced by the private transit companies following World War II, and some of the folders contain charts and tables on the transit company failures all across the United States.","Series 7: Oversize contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii.","This series includes correspondence, meeting minutes, and reports created by various committees as well as some subcommittees in APTA and ATA.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Accumulation of Mileage Figures.","APTIST Program with Transit Casualty.","Plans for the annual meeting. Includes photographs of potential entertainment.","Economics of Use of Buses of Various Sizes.","Folder 1 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Includes photographs of bus exterior, interior, and wheelchair lift .","Folder 1 of 2.","Folder 2 of 2.","Information on Mail Questionnaires to Witnesses and Witness Cards used by Operators.","Accident - Sudden Illness of Operators.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Check List for Bus Driver Training.","Reports on Batteries.","Results of Modernization with Trolley Coaches.","Results of Modernization with Trolley Coaches.","Results of Modernization with Trolley Coaches.","Results of Modernization with Motor Buses.","A Guide to Supervisory Development.","Current Collection Equipment.","Conversion of Street Car Electric Line Facilities to Provide for Rubber Tires Vehicle Operation.","Rectifiers.","Trolley Coach Overhead Installation Costs.","Motor Coach Headway Recorders.","Progress Report on Development of Motor Coach Headway Recorders.","Use of Carbon Insert Shoe Collectors on Street Cars.","Trolley Wire Wear and Brake Line Maintenance Performance.","Trolley Coach Power Distribution Systems.","Substitution of Mercury Arc Rectifiers for Rotating Power Conversion Equipment.","Electric Track Switch Circuits.","Trolley Coach Overhead Installation Costs.","Trolley Wire Wear and Breaks.","Trolley Coach and Streetcar Power Distribution Systems.","Electric Track Switches.","ASA Specifications for Tubular Steel Poles for Electric Line Construction.","Electric line poles and overhead construction manuals.","Catenary Overhead Construction.","Poles and overhead supply line manuals.","Trolley Coach Power Distribution Systems.","Federal Public Transportation Act of 1978.","Meeting minutes.","Executive Committee retreat.","ASAE Evaluation.","Role of APTA Vice Presidents.","Meeting packet.","Retreat and Meeting packet.","APTA Staff Analysis 1979 Action Agenda.","Discussions of Major Issues Facing APTA.","American Society of Association Executives APTA Evaluation. Folder 1 of 3.","American Society of Association Executives APTA Evaluation. Folder 2 of 3.","American Society of Association Executives APTA Evaluation. Folder 3 of 3.","Operating Subsidies. Folder 1 of 2.","Operating Subsidies. Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Rapid Transit Reference Manual.","Rapid Transit Reference Manual.","Rapid Transit Fare Structure and Collection Methods.","Transit Industry Internal Audit Department Directory.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Federal Transit Assistance.","Federal Transit Assistance.","Percy Amendment.","Percy Amendment.","H.R. 18185.","Testimony before Congress.","Testimony before Congress.","H.R. 16621.","Folder 1 of 2.","Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Cleaning of Transit Vehicles.","Regrooving of Tires.","Recommended Practices for Proper Brake Maintenance.","Progress Report on Elimination of Brake Noise.","Brake Squel Elimination Replies.","Reading file. Folder 1 of 2.","Reading file. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Operating Plan.","Report of Committee on Express Bus Service.","Report of Committee on Economics of Service to New Areas.","Rapid Transit Way and Structure Matters.","Progress Report.","Design and Development of Feeder Systems for Trolley Bus Operation.","Specifications for Single-Section Tapered and High Strength Sectional Tubular Steel Poles.","Folder 1 of 2.","Folder 2 of 2.","Advertising and behavior on buses.","Restructuring of the Public Relations Division.","Folder 1 of 2.","Folder 2 of 2.","Automotive Safety Foundation Joint Committee with the IRT and the ATA.","Robert L. Sommerville memorandum.","Characteristics of the Urban Transit Mode.","Retirement gift for Eugene McCaul.","Motor Coach Interchange Materials.","Motor Coach Substitute Materials.","Substitute Materials.","Motor Coach Substitute Materials.","Roster.","Meeting minutes.","Resolutions Governing the Activities of the ATA Divisions.","Legal opinions on loss and damages.","Batteries rental or purchase.","Rental batteries and bus rental.","Purchase and rental of batteries.","Handling of new and repaired units.","Purchasing practices.","Material Classification Guide. Folder 1 of 2.","Material Classification Guide. Folder 2 of 2.","Initial Stocking and Material Return Policy.","Exchange of Specifications.","Tires.","Tires. Also includes document from 1938 with list of transit companies.","Committee on Problems of Automation.","Report of the Subcommittee on Fuels and Lubricants.","Batteries.","Committee on Services for Profit.","Cooperation with the Mechnical Division.","Replies on the Handling of New and Repaired Parts.","Meeting minutes. Folder 1 of 4.","Meeting minutes.  Folder 2 of 4.","Meeting minutes. Folder 3 of 4.","Meeting minutes. Folder 4 of 4.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Meetings.","Recommended Maintenance Procedure for Resilient Wheel D-1.","Meetings.","Meetings.","Advisory Committee on Rail Cars.","Advisory Committee on Rail Cars.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes. Folder 1 of 2.","Meeting minutes. Folder 2 of 2.","Meeting minutes.","Correspondence. Folder 1 of 2.","Correspondence. Folder 2 of 2.","A Short Cut Method of Transit Vehicle Selection for the Combined Rail and Bus Company.","Folder 1 of 2.","Folder 2 of 2.","Survey of Changes in Duration and Frequency of Daily Services.","Public Relations Practices.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","A Measure of Bus Maintenance Productivity.","ANSI C2 National Electrical Safety Code.","ANSI C2 National Electrical Safety Code.","ANSI D7 Inspection Requirements.","ANSI D7 Inspection Requirements.","ANSI D7 Inspection Requirements.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","ASA D15 Accident Statistics.","USASI D17 Motor Vehicle Safety Standards.","USASI D17 Motor Vehicle Safety Standards.","USASI D17 Motor Vehicle Safety Standards.","ANSI Z16 Accident Standards.","ANSI Z16 Accident Standards. Appears to be a 1970s revision of the 1941 document.","ANSI Z16 Accident Statistics.","ANSI D18 Training of Automotive Mechanics.","Form for Reporting Derailments.","Report on switch devices.","Safety in Track Construction and Maintenance Work.","Trolley Overhead Construction.","Surface, Subway, and High Speed Track Construction.","Folder 1 of 5.","Folder 2 of 5.","Folder 3 of 5.","Folder 4 of 5.","Folder 5 of 5.","Proper Locations for Bus Stops.","Reliability, Availability, and Maintenance Task Force. Folder 1 of 3.","Reliability, Availability, and Maintenance Task Force. Folder 2 of 3.","Reliability, Availability, and Maintenance Task Force. Folder 3 of 3.","Moving People Safely and Design Guidelines. Folder 1 of 3.","Moving People Safely and Design Guidelines. Folder 2 of 3.","Moving People Safely and Design Guidelines. Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Meeting minutes. Folder 1 of 4.","Meeting minutes. Folder 2 of 4.","Meeting minutes. Folder 3 of 4.","Meeting minutes. Folder 4 of 4.","Meeting agenda.","Meeting minutes (June 11, 1986).","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Track Pavements Design, Construction, and Maintenance.","Maintenance and Paving of Bridges.","Corrosion Inhibitors as Additives to Salt in Removal of Snow and Ice from Streets.","Development of Air-Entrained Concrete and Procedures for Its Use.","Functional Design of Bus Garages.","Use of Chloride-Resisting Concrete in Street Railway Track Construction.","Paving of Loops, Operating Yards, and Railroad Crossings.","Snow and Ice Removal Distribution of Abrasive Materials.","Design and Construction of Bus Loops.","Joint Trackwork Electrical Design Guidelines.","This series includes organizational documents such as the constitution, by-laws, annual reports, and press releases.","Folder 1 of 2.","Folder 2 of 2.","ASAE Evaluation Report.","Attendee Research.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Demand-Activated Systems (Dial-A-Ride).","Chicago, Illinois, April 23-27, 1973.","Folder 1 of 2.","Folder 2 of 2.","San Francisco, April 14-16, 1974.","San Francisco, April 14-16, 1974. Folder 1 of 2.","San Francisco, April 14-16, 1974. Folder 2 of 2.","San Francisco, April 14-16, 1974. Folder 1 of 2.","San Francisco, April 14-16, 1974. Folder 2 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 1 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 2 of 2.","Washington, D.C., March 31-April 4, 1975. Folder 1 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 2 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 3 of 4.","Washington, D.C., March 31-April 4, 1975. Folder 4 of 4.","Toronto, Ontario, April 6-8, 1976. Folder 1 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 2 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 3 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 4 of 5.","Toronto, Ontario, April 6-8, 1976. Folder 5 of 5.","Toronto, Ontario, April 6-8, 1976.","Washington, D.C., June 28-30, 1977.","Washington, D.C., June 28-30, 1977. Folder 1 of 2.","Washington, D.C., June 28-30, 1977. Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","State of the Art of Safety in Urban Mass Transportation. Folder 1 of 3.","State of the Art of Safety in Urban Mass Transportation. Folder 2 of 3.","State of the Art of Safety in Urban Mass Transportation. Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","27th Annual Conference.","Procedure manuals correspondence.","Procedure Manuals.","Procedure Manuals.","Procedure Manuals.","Procedure Manuals.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Escrow arrangement.","Folder 1 of 2.","Folder 2 of 2.","Executive Committee Meeting.","This is the largest series and consists of a wide range of topics on technical and financial issues.  The documents on equipment cover the various vehicles used by transit systems including streetcars, trolley coaches, motor buses, and trains.","Folder 1 of 2.","Folder 2 of 2.","Bulletin No. 56: Public Ownership and Operation of Electric Railways Part I United States.","APTA Evaluation Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Report.","Report.","Report.","Report.","Report.","Report.","Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Insurance and safety.","Loss of use while vehicle under repair.","Folder 1 of 7","Folder 2 of 7","Folder 3 of 7","Folder 4 of 7","Folder 5 of 7.","Folder 6 of 7.","Folder 7 of 7.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Bulletin No. 736.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","General Rules of Practice.","Rail.","Regulations of Motor Trucks.","Ruling on Trolley Buses.","General information.","Lists.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","ATA Reports.","Orientation Seminar. Folder 1 of 2.","Orientation Seminar. Folder 2 of 2.","Index of Expense Reporting Documentation.","IRT Committee.","Task I Report.","Task II Report.","Task V Industry Control Board Meeting.","Task IV Report. Folder 1 of 4.","Task IV Report. Folder 2 of 4.","Task IV Report. Folder 3 of 4.","Task IV Report. Folder 4 of 4.","Report.","Interim Task III Report.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Safety Review Panel for the Tri-County Metropolitan Transportation District of the Oregon-Banfield Light Rail Project.","Report of the American Public Transit Association Panel of Inquiry for the July 10, 1985, Accident of the Red Line of the Greater Cleveland Regional Transit Authority.","Report of the American Public Transit Association Panel of Inquiry for the Metro-Dade Transportation Administration.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Recording and Off the Job Injuries.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Photograph.","Folder 1 of 2.","Folder 2 of 2.","Car Equipment Liaison Board.","Car Equipment Liaison Board.","Car Equipment Liaison Board.","Fare Collection Reliability Liaison Board.","Fare Collection Reliability Program Liaison Board.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2","Folder 1 of 2","Folder 2 of 2","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","This series contains files on legislation, primarily federal, that impacted the transit industry.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 4 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","This series consists of reports, correspondence, and legislation on various labor and employment subjects.","Folder 3 of 5.","Folder 3 of 5.","Folder 3 of 5.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 4.","Folder 2 of 4.","Folder 3 of 4.","Folder 3 of 4.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","This series consists of files on transit systems in cities and states in the U.S. as well as some files on international cities.  The files mostly consist of clippings sent in by transit system managers, but there are also maps, pamphlets, reports, and other documents in many of the folders.","Graphics and signs.","Exhibits of Latest Newspaper Ads and Photos of Signs in MTA Stations.","International Railway Company.","International Railway Company.","International Railway Company.","Includes maps of individual states and nationwide maps published by the American Map Company.","Includes maps of individual states and nationwide maps published by the American Map Company.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Plan of Reorganization of Grand Rapids Railroad Company.","Includes information on National City Lines. Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Readjustment of Traction Agreement Between the City of Pittsburgh and the Pittsburgh Railways Company.","Transcript of Testimony of Dr. John Bauer on Madison Avenue Bus Operation.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 3.","Folder 2 of 3.","Folder 3 of 3.","Folder 1 of 2.","Folder 2 of 2.","Folder 1 of 2.","Folder 2 of 2.","Commuter Railroad Service in the National Capital Region.","This series contains some issues of the APTA publication Passenger Transport, and there are also two reports: one on the Chicago Transit Authority and another one a planning project in Honolulu, Hawaii.","Chicago Transit Authority Annual Report.","Honolulu of Tomorrow."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_faa1e60c83c8659f77ecdee0a39c2732\" label=\"Abstract\"\u003eThe American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information.\u003c/abstract\u003e\n    "],"abstract_tesim":["The American Public Transportation Association records consist of material pertaining to the activities of APTA as well as both the American Transit Association (ATA) and the Institute for Rapid Transit (IRT). Types of materials in the collection include: memoranda, correspondence, reports, legislative information, industry-related information (such as brochures and technical reports), and membership information."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"names_coll_ssim":["American Electric Railway Association","American Transit Association"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Public Transportation Association","American Electric Railway Association","American Transit Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1799,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:52:59.239Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_14_c03_c19"}},{"id":"vifgm_repositories_2_resources_521_c818","type":"File","attributes":{"title":"Agreement Form - ANTA and Actors to be on Telecast, 1951","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c818#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_521_c818","ref_ssm":["vifgm_repositories_2_resources_521_c818"],"id":"vifgm_repositories_2_resources_521_c818","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","parent_ssi":"vifgm_repositories_2_resources_521","parent_ssim":["Robert and Wilva Breen papers, 1831/2000"],"parent_ids_ssim":["vifgm_repositories_2_resources_521"],"title_filing_ssi":"Agreement Form - ANTA and Actors to be on Telecast","title_ssm":["Agreement Form - ANTA and Actors to be on Telecast"],"title_tesim":["Agreement Form - ANTA and Actors to be on Telecast"],"normalized_title_ssm":["Agreement Form - ANTA and Actors to be on Telecast, 1951"],"text":["Agreement Form - ANTA and Actors to be on Telecast, 1951","Robert and Wilva Breen papers, 1831/2000","Box 60","Folder 7"],"parent_unittitles_ssm":["Robert and Wilva Breen papers, 1831/2000"],"parent_unittitles_tesim":["Robert and Wilva Breen papers, 1831/2000"],"normalized_date_ssm":["1951"],"unitdate_other_ssim":["1951"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":818,"repository_ssim":["George Mason University"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"containers_ssim":["Box 60","Folder 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1951],"_nest_path_":"/components#817","timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"normalized_date_ssm":["1831/2000"],"normalized_title_ssm":["Robert and Wilva Breen papers, 1831/2000"],"text":["Robert and Wilva Breen papers, 1831/2000","C0004","/repositories/2/resources/521","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"collection_title_tesim":["Robert and Wilva Breen papers, 1831/2000"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"creators_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the"],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c818"}},{"id":"vifgm_repositories_2_resources_521_c2032","type":"File","attributes":{"title":"\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY, 1951","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c2032#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_521_c2032","ref_ssm":["vifgm_repositories_2_resources_521_c2032"],"id":"vifgm_repositories_2_resources_521_c2032","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","parent_ssi":"vifgm_repositories_2_resources_521","parent_ssim":["Robert and Wilva Breen papers, 1831/2000"],"parent_ids_ssim":["vifgm_repositories_2_resources_521"],"title_filing_ssi":"\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY","title_ssm":["\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY"],"title_tesim":["\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY"],"normalized_title_ssm":["\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY, 1951"],"text":["\"Aida\" by Giuseppe Verdi Production Photographs - Amato Opera Theatre, New York City, NY, 1951","Robert and Wilva Breen papers, 1831/2000","Box 144","Folder 29"],"parent_unittitles_ssm":["Robert and Wilva Breen papers, 1831/2000"],"parent_unittitles_tesim":["Robert and Wilva Breen papers, 1831/2000"],"normalized_date_ssm":["1951"],"unitdate_other_ssim":["1951"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":2032,"repository_ssim":["George Mason University"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"containers_ssim":["Box 144","Folder 29"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1951],"_nest_path_":"/components#2031","timestamp":"2026-06-23T06:55:07.784Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_521","ead_ssi":"vifgm_repositories_2_resources_521","_root_":"vifgm_repositories_2_resources_521","_nest_parent_":"vifgm_repositories_2_resources_521","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_521.xml","title_ssm":["Robert and Wilva Breen papers"],"title_tesim":["Robert and Wilva Breen papers"],"unitdate_ssm":["1834, 1933-2000s"],"unitdate_inclusive_ssm":["1834, 1933-2000s"],"normalized_date_ssm":["1831/2000"],"normalized_title_ssm":["Robert and Wilva Breen papers, 1831/2000"],"text":["Robert and Wilva Breen papers, 1831/2000","C0004","/repositories/2/resources/521","Helsingør (Denmark)","Broadway (New York, N.Y.)","Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs","Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions.","Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.","The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.","Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018).","Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.","Part of the Robert and Wilva Breen papers was donated to The Ohio State University.","The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.","Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.","Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.","R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","English"],"collection_title_tesim":["Robert and Wilva Breen papers, 1831/2000"],"collection_ssim":["Robert and Wilva Breen papers, 1831/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0004","/repositories/2/resources/521"],"unitid_tesim":["C0004","/repositories/2/resources/521"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"geogname_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"places_ssim":["Helsingør (Denmark)","Broadway (New York, N.Y.)"],"creator_ssm":["Breen, Robert","Breen, Wilva"],"creator_ssim":["Breen, Robert","Breen, Wilva"],"creator_persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"creators_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971","George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["This collection was donated by the trustees of the Robert and Wilva Breen papers in 1988, and Wilva Breen and The Ohio State University in 1989. There were multiple accessions of materials throughout the 1990s. Additional materials were donated by Diana Lawrence and Mike Timoney in 2011."],"access_subjects_ssim":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"access_subjects_ssm":["Ballet","Theater and society","Theater -- Europe -- History -- 20th century","Theater -- New York (State) -- New York","Theater -- United States -- History -- 20th century","Theater -- United States","World War, 1939-1945 -- Theater and the war","Theater programs","Experimental theater -- United States","Theater -- Europe","Theater -- Production and direction","Performing arts","Theater","Theatrical posters","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["80.5 Linear Feet 207 boxes, 1 map case"],"extent_tesim":["80.5 Linear Feet 207 boxes, 1 map case"],"genreform_ssim":["Theatrical posters","Photographs"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eBox 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.\u003c/p\u003e","\u003cp\u003eBox 89, Folder 8 and 9 are restricted due to personally identifiable information.\u003c/p\u003e","\u003cp\u003eThere are no other access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Box 35, Folder 12; Box 36, Folder 1; and Box 70, Folder 18 are restricted due to their physical fragility.","Box 89, Folder 8 and 9 are restricted due to personally identifiable information.","There are no other access restrictions."],"altformavail_html_tesm":["\u003cp\u003eSelections from the Robert and Wilva Breen papers are also available digitally on \u003cextptr href=\"http://mars.gmu.edu/handle/1920/4609\" title=\"Mason Archival Respository Service (MARS).\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003eIn 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Selections from the Robert and Wilva Breen papers are also available digitally on","In 2009 and 2022 many of the audiotape reels found in this collection were converted to digital format and are available for use in the Special Collections Research Center's Reading Room."],"arrangement_html_tesm":["\u003cp\u003eThe collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection was originally arranged by subject and then topic. Additional accessions were added and arranged in the order they arrived in Special Collections Research Center."],"bibliography_html_tesm":["\u003cp\u003eStrom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com. \u003cbibref\u003e\u003cextptr href=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" title=\"https://www.nytimes.com/1990/04/02/obituaries/robert-breen-80-arts-executive-and-theatrical-producer-is-dead.html\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eOliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com. \u003cbibref\u003e\u003cextptr href=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" title=\"http://articles.latimes.com/1990-04-05/news/mn-617_1_robert-breen\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eRiedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com. \u003cbibref\u003e\u003cextptr href=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" title=\"https://nypost.com/2017/03/28/this-theaters-chaotic-history-includes-a-titanic-survivor-the-tonight-show-and-porn/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e","\u003cp\u003eANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. \u003cbibref\u003e\u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/bibref\u003e (accessed December 12, 2018).\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Strom, Stephanie. \"Robert Breen, 80, Arts Executive And Theatrical Producer, Is Dead.\" Nytimes.com.  (accessed December 12, 2018).","Oliver, Myrna. \"Robert Breen; Initiated Cultural Exchanges.\" Articles.latimes.com.  (accessed December 12, 2018).","Riedel, Michael. \"This theater's chaotic history includes a Titanic survivor, the 'Tonight' show and porn.\" Nypost.com.  (accessed December 12, 2018).","ANTA West records (Collection 1965). UCLA Library Special Collections, Charles E. Young Research Library, UCLA.  (accessed December 12, 2018)."],"bioghist_html_tesm":["\u003cp\u003eRobert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.\u003c/p\u003e","\u003cp\u003e The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.\u003c/p\u003e","\u003cp\u003e Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.\u003c/p\u003e","\u003cp\u003e Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.\u003c/p\u003e","\u003cp\u003e Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.\u003c/p\u003e","\u003cp\u003e ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical and Historical Note"],"bioghist_tesim":["Robert Breen, born December 26, 1909 in Hibbing, Minnesota, served as the Executive Secretary of the American National Theatre and Academy (ANTA) from 1946-1952, and was instrumental in much of the organization's success, both domestically and internationally. In addition to serving in the U.S. Army Air Corps, Breen had an extensive background in theater. Prior to joining ANTA, Breen founded a theater program at the College of St. Thomas in Saint Paul, Minnesota, as well as established the Chicago unit for the Works Progress Administration's Federal Theatre Project with his wife, Wilva Davis Breen. Wilva herself was instrumental in promoting and guiding ANTA's many and varied operations, and getting the organization off the ground. The Breens' apartment home - situated above the Hudson Theatre in New York City, NY - served as ANTA's early headquarters. Davis Breen served as Breen's constant support and collaborator until he passed away on March 31, 1990.","The American National Theatre and Academy (ANTA) was the United States' first national theater and dance organization, in the tradition of European national theaters. Originating in 1935 with a charter from the U.S. Congress, ANTA continued until 1966 when the National Endowment for the Arts came into being. ANTA was responsible for both the presentation of American theater in the U.S. and abroad.","Although officially formed in 1935, ANTA did not begin actual operation until 1946 due to a variety of factors, including the Great Depression and World War II. During the depression, federal funding was funnelled towards the Works Progress Administration's Federal Theatre Project, another national performing arts program. In addition to these setbacks, the ANTA board, comprised of prominent citizens and business leaders from outside the theater community, could not agree on the goals of ANTA. Eventually, Robert Breen and Robert Porterfield, two men with Army and theater backgrounds, took the reins of ANTA and initiated its revitalization. Porterfield and Breen developed ANTA's \"Foundation Plan,\" with the intention of having ANTA become the foundation for and driving force behind the stimulation of growth of American theater. The plan, successfully undertaken by Breen, Porterfield, and Breen's wife Wilva Davis Breen, called for a National Foundation to make loans and grants, insure theater projects against loss, as well as a National Service Bureau to provide technical assistance for acting companies, as well as a national clearing house for theater information. The plan was adopted by the ANTA Board in 1946.","Under the guidance of Breen, ANTA produced several projects in the U.S. with successful results during the postwar years. From 1946 - 1948, ANTA sponsored a series of plays called the Experimental Theatre. Its goal was to \"present new, interesting plays which would not see production on Broadway due to present high costs.\" Admittedly, the plays were \"not necessarily perfect\" but \"worthy of a trial production in a simplified fashion\" according to an ANTA letter offering subscription to the series, which included high profile playwrights and actors. During the late 1940s and early 1950s ANTA sponsored a number of drama festivals across the U.S., featuring well-known actors. ANTA also featured a televised production of short plays for NBC television. With the intention of promoting theater growth in the U.S. and showcasing new talent, ANTA produced, supported, and promoted theater projects all across the United States.","Internationally, ANTA promoted artistic exchange between the U.S. and Europe, and entertained American troops there. This was initiated with a 1949 tour of William Shakespeare's \"Hamlet\" throughout Europe, produced by and starring Breen in the titular role. This tour famously culminated in a performance at Elsinore Castle in Denmark - the actual setting of the play. Perhaps ANTA's, as well as Breen's, greatest success came with the international tour of George Gershwin's \"Porgy and Bess\" (produced with Blevins Davis), which toured from 1952-1956, visiting 89 cities and 29 countries. The opera's performance in the Soviet Union was considered the first cultural exchange post-World War II between the U.S. and the Soviet Union. ANTA also sponsored the American National Ballet Theatre's tour of Europe in 1950, performing in eighteen cities and eight countries. The tour lasted from August to December of 1950 and played to an audience of over 150,000, and was the first international tour of any American ballet company.","ANTA also produced a number of Broadway plays and musicals out of the formerly named Guild Hall Theatre, renamed the ANTA Theatre in the 1960s and 1970s. ANTA West, which grew out of the Greater Los Angeles Chapter of ANTA in 1957, promoted and facilitated the growth of theater in the Southern California region."],"custodhist_html_tesm":["\u003cp\u003ePart of the Robert and Wilva Breen papers was donated to The Ohio State University.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Part of the Robert and Wilva Breen papers was donated to The Ohio State University."],"phystech_html_tesm":["\u003cp\u003eThe Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["The Special Collections Research Center does not have the equipment necessary to play  obsolete audiovisual material found in the found in the Robert and Wilva Breen papers. Additional time and money may be required to digitize this material for access."],"prefercite_html_tesm":["\u003cp\u003eRobert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Robert and Wilva Breen papers, C0004, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center Staff. EAD markup completed in February 2009 by Jordan Patty. Reprocessed by Amanda Brent from 2017-2018. EAD markup completed by Amanda Brent in December 2018."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0145\" title=\"Porgy and Bess poster collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0002\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e, the \u003cextptr href=\"https://aspace.gmu.edu/resources/c0043\" title=\"Robert C. Schnitzer papers\" show=\"new\"\u003e\u003c/extptr\u003e, and many other \u003cextptr href=\"https://scrc.gmu.edu/collections-subject.php#THEATRE\" title=\"performing arts collections.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the \u003cextptr href=\"https://library.osu.edu/collections/spec.tri.rb\" title=\"Robert Breen and Wilva papers.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e","\u003cp\u003e The UCLA Library Special Collections, Charles E. Young Research Library holds the \u003cextptr href=\"https://oac.cdlib.org/findaid/ark:/13030/c8fn1762/\" title=\"ANTA West records.\" show=\"new\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the , the , the , and many other","The Ohio State University Libraries' Jerome Lawrence and Robert E. Lee Theatre Research Institute holds the","The UCLA Library Special Collections, Charles E. Young Research Library holds the"],"scopecontent_html_tesm":["\u003cp\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization from 1944 through the 1950s. The collection also contains many photographs of theaters and theatrical performances from across the United States, including from Broadway and Off-Broadway theaters and shows, as well as numerous colleges, universities, high schools, and local children's theaters. The bulk of the collection originates from the 1940s - 2000s, with an outlier date of 1834 from an antique newspaper."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Robert and Wilva Breen papers consists of correspondence, memoranda, newsclippings, photographs, notebooks, and audiovisual materials largely related to the creation and running of the American National Theater and Academy (ANTA), as well as Robert and Wilva Breen's long-term involvement with the organization. The bulk of the collection originates from 1933 - 2000s, with an outlier date of 1834 from an antique newspaper."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ddb931edc4f44bf997d326b2923a7505\"\u003eR2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["R2, C9, S3- C11, S7\nR3 C1 S1 - C2, S5\nOSR3, C4, S4\nMap Case 8.1-8.2, 9.1"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)"],"names_coll_ssim":["American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Porterfield, Robert, 1905-1971"],"persname_ssim":["Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American National Ballet Theater","American National Theatre and Academy","ANTA (Organization)","ANTA West (Organization)","Breen, Robert","Breen, Wilva","Porterfield, Robert, 1905-1971"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3014,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:55:07.784Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_521_c2032"}},{"id":"vifgm_repositories_2_resources_188_c01_c01_c05","type":"File","attributes":{"title":"Ainus, the people who lost their tongues, 1951","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_188_c01_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eJapan\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_188_c01_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_188_c01_c01_c05","ref_ssm":["vifgm_repositories_2_resources_188_c01_c01_c05"],"id":"vifgm_repositories_2_resources_188_c01_c01_c05","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188_c01_c01","parent_ssi":"vifgm_repositories_2_resources_188_c01_c01","parent_ssim":["Oliver F. Atkins photograph collection","Series 1: Prints, 1943/1974","Subseries 1.1: Subject, 1974"],"parent_ids_ssim":["vifgm_repositories_2_resources_188","vifgm_repositories_2_resources_188_c01","vifgm_repositories_2_resources_188_c01_c01"],"title_filing_ssi":"Ainus, the people who lost their tongues","title_ssm":["Ainus, the people who lost their tongues"],"title_tesim":["Ainus, the people who lost their tongues"],"normalized_title_ssm":["Ainus, the people who lost their tongues, 1951"],"text":["Ainus, the people who lost their tongues, 1951","Oliver F. Atkins photograph collection","Series 1: Prints, 1943/1974","Subseries 1.1: Subject, 1974","box 1","folder 5","Japan"],"parent_unittitles_ssm":["Oliver F. Atkins photograph collection","Series 1: Prints, 1943/1974","Subseries 1.1: Subject, 1974"],"parent_unittitles_tesim":["Oliver F. Atkins photograph collection","Series 1: Prints, 1943/1974","Subseries 1.1: Subject, 1974"],"normalized_date_ssm":["1951"],"unitdate_other_ssim":["August 1951"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":7,"repository_ssim":["George Mason University"],"collection_ssim":["Oliver F. Atkins photograph collection"],"containers_ssim":["box 1","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1951],"scopecontent_html_tesm":["\u003cp\u003eJapan\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["Japan"],"_nest_path_":"/components#0/components#0/components#4","timestamp":"2026-06-23T06:53:30.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_188","ead_ssi":"vifgm_repositories_2_resources_188","_root_":"vifgm_repositories_2_resources_188","_nest_parent_":"vifgm_repositories_2_resources_188","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_188.xml","title_filing_ssi":"Oliver F. Atkins photograph collection","title_ssm":["Oliver F. Atkins photograph collection"],"title_tesim":["Oliver F. Atkins photograph collection"],"unitdate_ssm":["1943-1975"],"unitdate_inclusive_ssm":["1943-1975"],"normalized_title_ssm":["Oliver F. Atkins photograph collection"],"text":["Oliver F. Atkins photograph collection","C0036","/repositories/2/resources/188","United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century","Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs","There are no access restrictions.","Portions of the Oliver F. Atkins photograph collection are available online","Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)","Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).","Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant.","The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the .","Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3.","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough.","Storage and moving trade in Washington, D.C.","Guinea; Nigeria; South Africa","Japan","Portraits with family","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy","Winston Churchill, Harry Truman","School improvement programs in Arlington, Virginia","Entomology at Shenandoah National Park, Virginia","Oliver Atkins and Norman Rockwell","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson","Oliver Atkins and Gerald Ford","Portraits","Ernest P. Walker in Washington, D.C.","Includes negatives","American Machine \u0026 Foundry Company, New York City","Kenneth Wherry","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.","Richard M. Nixon in Washington, D.C.","Robert Taft in Canton, OH","Washington, D.C.; Norfolk, Virginia; United States Navy","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.","Dwight D. Eisenhower in Boise, Idaho","Washington, D.C.; includes contact sheets","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.","Mrs. Winfield Smart and family in Falls Church, Virginia","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering","Bathtubs, Washington, D.C.","Library of Congress; Luther Evans","Boy reading, taken in Fairfax, Virginia","Unemployment, Washington, D.C.","Ambassadors in Washington, D.C.","Portrait of Pat McCarran in Washington, D.C.","Ezra Taft Benson; Hume, Virginia; Washington, D.C.","Federal Maritime Administration; Washington, D.C.","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress","Portraits","Battle Creek, Michigan; Delaware; New York City; Trinity Church","Betty Goldwater; William Miller; John McClellan","Marriott Hot Shoppe in Arlington, Virginia","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York","Albert Gore and family in Carthage, Tennessee","\"Five percenters\" investigation in Washington, D.C.","Statler Hotel; Washington, D.C.; New York City; Boston","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver","portrait","Washington, D.C.; McLean; Arlington, Virginia","Harry Truman; Fred Vinson; in Key West, Florida","Agriculture in Zirconia, North Carolina","Dr. V. Stefan Krajcovic in Washington, D.C.","Gordon W. Rule in Washington, D.C.","Richard M. Nixon and family in Washington, D.C.","Modern movement (architecture); Washington, D.C.","Portrait","Andrews Air Force Base","Presidential campaign","Inauguration","Oval office","Lyndon B. Johnson with cabinet members and advisors","Lyndon B. Johnson with cabinet members and advisors","Portraits","Portraits","Lyndon B. Johnson with Lady Bird Johnson","Lyndon B. Johnson ranch","Hubert Humphrey; Pope Paul VI","Hospital care in New York City","World War II","World War II","Playing football and sailing","Kennedy family","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family","Official White House portrait and other portraits","Campaigning in Colorado","Campaigning in Wisconsin","Democratic Convention in California","Campaigning","Campaigning in California","Campaigning in Michigan","Campaigning in Texas","Campaigning in Washington","Television debate with Richard M. Nixon","Ceremonies and gatherings","Meetings with staff and international leaders","Oval office","Press conferences","Inauguration","State of the Union","Funeral","Assassination and related events","Labor racketeering hearings; John McClellan","Portraits","Robert F. Kennedy family","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger","Presidential campaign announcement","Presidential campaign in California","Funeral service","Mr. and Mrs. Knowland","Syngman Rhee","Two terrible nights with the 23rd","General file","The fighting French","Greeks know how to die","How well do Negroes fight","The world's worst railroad headache","Nurses story; original article manuscript; Far East command press releases","Machine gunners; article manuscript","The flying poison","The Chinese telegraph their punch","Marines","Hokkaido story","Kaesong Conference","Refugees","The big thaw","The pious killer of Korea; United States Air Force","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia","Actor Irving Fisher in New York City","Everett M. Dirksen","Olney, Maryland","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company","Sewing machine use in Tokyo, Japan","United States Postal Inspection Service in Washington, D.C.","Rockville, Maryland","Woods Hole, Massachusetts","Washington, D.C.; includes contact sheets and negatives","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.","Chevy Chase and Aberdeen, Maryland; Washington, D.C.","Henry C. Lodge","Rosenberg execution protest in Washington, D.C.","John I. Williams and Preston C. Williams","Tom Connally in Washington, D.C.","Agnes McCall Parker in Washington, D.C.","Bird dogs in Annapolis, Maryland","Commissioner Bob Christenberry in New York City","Telegraph agents of the USSR in Washington, D.C.","Aberdeen Proving Grounds in Aberdeen, Maryland","Washington, D.C.","Government Printing Office in Washington, D.C.; Arlington, Virginia","Joint Chiefs of Staff in Washington, D.C.","Portrait signed by Truman to Ollie Atkins","Senate subway construction","Marine biology in Milford, Connecticut","Librarian with full set of volumes","Carlton Hotel; John L. Lewis; Washington, D.C.","United States Air Force at Patuxent Naval Air Station in Maryland","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.","Thomas A. Walden in Washington, D.C.","Submarine in Key West, Florida","Cold weather clothing tests in Lawrence, Massachusetts","Allen Dulles","Camp Gordon, Georgia; U.S. Army Military Police School","Dayton, Ohio; Yellow Springs, Ohio","Arthur M. Whitehill and family; Chapel Hill, North Carolina","Joe McCarthy checking a phone for wire tapping","Washington, D.C.","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia.","Some items available in digital format.","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white.","1 of 4; 1968 campaign","2 of 4; 1968 campaign","3 of 4; 1968 campaign","4 of 4; 1968 campaign","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives","Also see Box 58","December 1955; 34 negatives","Includes Winston Churchill and Harry S. Truman; 36 negatives","Maxwell Taylor, August 1955; 14 negatives","Jamestown, Virginia, May 1956; 17 negatives","Donald Quarles; 13 negatives","Also see Box 58","National Institute of Dry Cleaning; 19 negatives","Library of Congress, June 1950; 25 negatives","Georgetown, Washington, D.C.; 23 negatives","14 negatives","T. James Tumulty","Also see Box 58","12 negatives","Ernest P. Walker; 5 negatives","Hines, Illinois, August 1950; 8 negatives","James Bryden; 9 negatives","Robert Woodruff, December 1950; 47 negatives","July 1955; 26 negatives","37 negatives","Sherman Adams, December 1952; 14 negatives","May 1953; 18 negatives","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives","Steven Derounian; 18 negatives","Charles Potter, November 1952; 17 negatives","Kenneth Wherry; 13 negatives","Robert Taft; 32 negatives","Arthur Whitehall; 13 negatives","Statler Hotel; 35 negatives","Also see Box 58","David K. Niles","Abraham Ribicoff; 2 negatives","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives","27 negatives","Also see Box 58","9 negatives","Milford, Connecticut, September 1951; 16 negatives","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives","Ralph Bunche; 10 negatives","June 1955; 7 negatives","Atlantic City, New Jersey, 1955; 22 negatives","Robert Cutler; 13 negatives","Also see Box 58","Stephen Foster, January 1953; 11 negatives","James Pinkston; 8 negatives","5 negatives","Maurice Tobin; 29 negatives","Warren Olney III; 5 negatives","Also see Box 58","17 negatives","Also see Box 58","James Maurice Gavin; 29 negatives","April 1952; 33 negatives","William F. Dean; 13 negatives","John J. Williams; 22 negatives","12 negatives","Also see Box 58","June 1952; 17 negatives","May 1953; 32 negatives","Eugene Millikin, April 1953; 23 negatives","8 negatives","May 1950; 4 negatives","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives","4 negatives","13 negatives","February 1952; 20 negatives","Washington Senators baseball team; 14 negatives","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives","Also see Box 58","December 1949; 20 negatives","William Leahy; 14 negatives","April 1950; 30 negatives","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives","George Tetlet, December 1947; 32 negatives","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives","Jack Kroll; 19 negatives","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives","23 negatives","17 negatives","William F. Halsey, USS Missouri; 4 color positives","8 negatives","27 negatives","James Francis Marion Jones; 59 negatives","Louis Arthur Johnson, June 1949; 5 negatives","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives","March 1950; 1 negative","Wilhelm Munthe. de Morgenstierne; 12 negatives","Clifford Garner, July 1950; 9 negatives","Library of Congress, July 1950; 9 negatives","Irving Fisher; 29 negatives","Joseph Lawton Collins, November 1950; 8 negatives","H. K. Riggs; 9 negatives","Paul Douglas; 17 negatives","35 negatives","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives","June 1952; 5 negatives","February 1954; 5 negatives","Also see Box 58","September 1952; 12 negatives","Jim Perry, Bud Camp; 25 negatives","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives","Matthew B. Ridgway; 13 negatives","League of Women Voters; 18 negatives","Good Humor Corporation, April 1949; 39 negatives","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive","Tomb of the Unknown Soldier, February 1954; 2 negatives","Robert Murphy; 12 negatives","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives","Includes Dean Acheson; 9 negatives","Also see Box 58","39 negatives","Mike Monroney, Charles B. Brownson; 13 negatives","November 1952; 21 negatives","Atomic Energy Commission; September 1953; 18 negatives","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives","Mrs. Winfield Smart, November 1952; 5 negatives","34 negatives","Also see Box 58","Dwight D. Eisenhower; 42 negatives","Also see Box 58","21 negatives","Ray \"Mike\" Dow; 22 negatives","Tom Durrance; 15 negatives","Sidney W. Souers, includes Dean Acheson; 15 negatives","Josephine Crisler, October 1948; 10 negatives","Clifton Bledsoe Cates; December 1948; 10 negatives","Howard University, November 1948; 24 negatives","Robert M. Redmond, August 1949; 5 negatives","Also see Box 58","16 negatives","George J. Schoeneman; 1 negative","Also see Box 58","38 negatives","34 negatives","24 negatives","1 negatives","8 negatives","B-29s, Tucson Arizona; 41 negatives","Werner Knop, October 1948; 12 negatives","Lou Boudreau, August 1948; 14 negatives","Also see Box 58","13 negatives","40 negatives","45 negatives","Witton Lawler; 6 negatives","Jesse M. Donaldson, December 1947; 21 negatives","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives","Also see Box 58","Howard University, December 1948; 26 negatives","1 negative","Also see Box 58","22 negatives","15 negatives","Louis B. Meyer, Paul V. McNutt; 5 negatives","National Airport, Capitol Hill, 1947; 49 negatives","19 negatives","Also see Box 58","14 negatives","John McCloy, April 1947; 10 negatives","28 negatives","Kenilworth garbage dump; 31 negatives","19 negatives","33 negatives","F. Edward Herbert; 27 negatives","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives","Bureau of Indian Affairs; 21 negatives","11 negatives","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives","Demolitions Disposal Unit; 21 negatives","Stefan Krajcovic; 8 negatives","Trinity Church, Gary Edwards; 16 negatives","5 negatives","2 negatives","17 negatives","includes Hubert Humphrey, Eugenie Anderson","10 negatives","National Gallery of Art; 39 negatives","19 negatives","Clarence Cannon, includes Harry S. Truman; 17 negatives","March 1956; 35mm negatives","Also see Box 49","35mm negatives","Donald Quarles; 35mm negatives","Also see Box 49","35mm negatives.","Wayne Morse; 35mm negatives","T. James Tumulty; 35mm negatives","Also see Box 49","35mm and 2x2\" negatives","Statler Hotel; 35mm negatives","Also see Box 50","35mm negatives","Also see Box 50","Robert Cutler; 35mm negatives","Also see Box 50","Warren Olney III; 35mm negatives","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives","35mm negatives","Also see Box 51","35mm negatives","2x2\" negatives","May 1950; 2x2\" negatives","Also see Box 51","Washington Senators baseball team; 14 negatives","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives","Also see Box 52","April 1950; 2x2\" negatives","Also see Box 52","35mm negatives","Stuart Symington, June, 1956; 35mm negatives","35mm negatives","35mm negatives","Louis Arthur Johnson, June 1949; 2x2\" negatives","Also see Box 53","2x2\" negatives","2x2\" negatives","35mm negatives","35mm negatives","35mm and 2x2\" negatives","35mm negatives","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives","Also see Box 53","February 1954; 2x2\" negatives","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives","Also see Box 53","Earl Warren; 35mm negatives","Alben William Barkley; 2x2\" negatives","Includes Dean Acheson; 2x2\" negatives","Also see Box 53","35mm negatives","35mm negatives","2x2\" negatives","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives","Also see Box 54","George J. Schoeneman; 2x2\" negatives","Also see Box 54","2x2\" negatives","Lou Boudreau, August 1948; 2x2\" negatives","Also see Box 55","2x2\" negatives","2x2\" negatives","2x2\" negatives","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives","Also see Box 55","2x2\" negatives","Also see Box 56","2x2\" negatives","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4.","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.","Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.","(1 of 4)","(2 of 4)","(3 of 4)","(4 of 4)","Connecticut Gubernatorial Campaign","Georgetown House portraits","Polling","I Flew Supersonic","How to Speak French","Portraits","Stewart Alsop Family","How to Write a Magazine Article","Polling, Negro poll","Alsop poll \"Mood of America\"","John F. Kennedy","Portraits","Alsop poll","Biplanes","They Make Flying Fun Again","Trevor Armbristen Family","Lyndon B. Johnson","Golf's Banking on Burke","by Sherwood Harris","Mercury 6 launch","Portraits","Generals LeMay and White","color slides","Includes John F. Kennedy","Bernard Goldfine","1 of 4","2 of 4","3 of 4","4 of 4","Includes Jacqueline Kennedy","Lyndon B. Johnson with military","1 of 2","2 of 2","color slides 1","color slides 2","color slides 3","color slides 4","color slides 5","color slides 6","Meetings, public events","Presidential campaign","Election","Church near the Lyndon B. Johnson Ranch","Oval Office","Inauguration","Ranch","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch","Glassboro, New Jersey; Alexei Kosygin","Glassboro, New Jersey; Alexei Kosygin","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives","Funeral, Arlington National Cemetery","Arlington National Cemetery","Presidential campaign","Presidential campaign","Presidential campaign","White House and Congressional budget meetings and hearings","Ranger, Saturn, Mercury","1 of 3","2 of 3","3 of 3","4x5 negatives","I Can Say He's a Wonderful Guy","1 of 2","2 of 2","Rose Mary Woode","Hospitals","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.","John Foster Dulles, Charles Erwin Wilson, Robert Taft","Blair House","John F. Kennedy, Richard M. Nixon","John F. Kennedy, Richard M. Nixon","Some images may have been created in the 1950s; 1 of 2","2 of 2","Saturday Evening Post writer","Macy's New York City","T. I. Swartz and Sons","Includes images of construction","Includes Lyndon B. Johnson","National Mall, Pentagon, United States Supreme Court Building, Pan American Building","American Red Cross, Tunisia, Italy","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3.","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger","Includes memorabilia","1 of 3","2 of 3","3 of 3","Series 5 contains oversize mat photographs. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.","10 1/4\" x 13\"","10 1/4\" x 13 1/4\"","13\" x 10 1/8\"","13\" x 10\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/8\"","9 5/8\" x 13 1/8\"","10 1/4\" x 13 1/4\"","10 1/8'\" x 11 1/4\"","13 1/8\" x 10 1/4\"","10 1/4\" x 13 1/8\"","10\" x 13\"","10 1/4\" x 13\"","10 1/4\" x 13\"","10 1/4\" x 13 1/4\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13\"","10 1/4\" x 13\"","13 1/8\" x 10 1/4\"","10 1/4\" x 13 1/8\"","two copies; 10 1/4\" x 13\"","two copies; 10 1/4\" x 13\"","10 1/4\" x 13\"","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"","13 1/8\" x 10 1/4\"","8 5/8\" x 13 1/4\"","13\" x 10\"","13 1/4\" by 10 1/4\"","three copies","13 3/8\" x 8 5/8\"","10 1/4\" x 13\"","13 1/4\" x 10\"","13 7/8\" x 8 1/2\"","10 1/4\" x 13\"","10\" x 13\"","10 1/8\" x 13\"","12 3/4\" x 10\"","9\" x 13\"","13\" x 10\"","13\" x 10\"","10\" x 12\"","10\" x 13\"","10\" x 13\"","10\" x 12 1/2\"","13\" x 10\"","12 1/2\" x 10\"","13\" x 10\"","13\" x 10\"","12 1/2\" x 9 3/4\"","11 3/4\" x 10\"","11 1/4\" x 13\"","8 1/4\" x 5 1/4\"","13 1/2\" x 10\"","13\" x 10\"","7 1/4\" x 9 1/2\"","13\" x 9 1/2\"","13\" x 9 1/2\"","13 1/4\" x 8 1/8\"","13 1/4\" x 9 3/4\"","13\" x 9 3/4\"","13 1/4 x 9 3/4\"","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"","7\" x 4 3/4\"","9 1/4\" x 13 1/4\"","10 1/4\" x 13 1/4\"","8 3/4\" x 13 1/8\"","20\" x 16\"","5\" x 8\"","5\" x 8\"","5\" x 8\"","10 5/8\" x 13 1/2\"","13\" x 10 1/4\"","13\" x 10 3/8\"","13\" x 10 1/4\"","10 1/4\" x 11 3/4\"","10 1/4\" 13\"","10 3/4\" x 13\"","10\" x 13\"","13\" x 8 1/2\"","9 1/2\" x 13\"","9 1/4\" x 13\"","9 1/4\" x 13\"","9 1/2\" x 13\"","13\" x 10 1/4\"","13 1/8 x 10 1/8\"","17\" x 11 5/8\"","13 1/4\" x 10\"","13 1/4\" x 5 5/8\"","13 1/2\" x 9\"","13\" x 8 6/8\"","12 1/4\" x 8 1/8\"","9 1/2\" x 13 1/4\"","10\" x 13 1/4\"","9 1/4\" x 13 1/4\"","9\" x 13 1/4\"","10 1/2\" x 13 1/2\"","8 3/8\" x 13 1/4\"","8 3/4\" x 13 1/4\"","15\" x 19 3/4\"","14 1/2\" x 15 3/4\"","14 3/4\" x 19 1/4\"","14\" x 17 1/2\"","18\" x 14\"","17 5/8\" x 11 1/2\"","13 1/2\" x 10 3/8\"","13 1/4\" x 9\"","13 1/4\" x 8 1/2\"","9 1/8\" x 13 1/4\"","10 1/4\" x 13\"","12 5/8\" x 9 7/8\"","7 1/8\" x 13 1/4\"","10 1/4\" x 13 1/2\"","10 3/8\" x 12 1/2\"","8 1/8\" x 13 1/4\"","13 1/4\" x 10 1/4\"","9\" x 13 1/4\"","13 1/8\" x 9 1/4\"","9 1/8\" x 13 3/4\"","8 1/2\" x 13 1/2\"","9 3/4 x 13 1/4\"","9\" x 13 1/8\"","9 1/8\" x 13 1/4\"","8 1/2\" x 13\"","10 1/4\" x 13 1/8\"","13 1/2\" x 9 1/4\"","10 1/8\" x 10 1/4\"","9 3/8\" x 13\"","8 1/4\" x 13\"","10 1/2\" x 13 1/2\"","13 1/4\" x 10 1/2\"","13 1/2\" x 9 1/4\"","12 7/8\" x 8 1/8\"","12 3/4\" x 7 3/4\"","9 3/4\" x 9 3/4\"","10 1/4\" x 11 1/2\"","10 1/4\" x 10 3/8\"","9 1/4\" x 13 1/4\"","10 3/8\" x 13\"","10 1/8\" x 13\"","8 3/4\" x 12 3/4\"","13 1/4\" x 8 1/2\"","13 1/4\" x 10 1/4\"","13 1/8 x 10\"","13 1/4\" x 7 7/8\"","10 1/2\" x 12 5/8\"","10 1/4\" x 12 1/4\"","13 1/4\" x 10 3/8\"","13 1/4\" x 10 1/4\"","13 1/4\" x 10 1/4\"","13 3/8\" x 10 1/2\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/8\"","13 1/4 x 10 1/4\"","10 1/8\" x 13\"","9\" x 13 1/4\"","9\" x 13 1/4\"","11 7/8\" x 18 3/4\"","12 3/8\" x 9 5/8\"","9\" x 11\"","13 1/4\" x 10 1/4\"","13 1/8\" x 10 1/4\"","13 1/2\" x 9 1/4\"","13 1/2\" x 7 3/4\"","13 1/4\" x 9 1/2\"","13 1/4\" x 9 1/2\"","13\" x 9 1/4\"","13 1/8\" x 10 1/4\"","13 1/8\" x 8 1/2\"","16\" x 10 1/4\"","13 1/4\" x 8 1/2\"","13 1/4\" x 8 1/4\"","13 1/4\" x 8 1/4\"","13\" x 8 3/4\"","13\" x 8 3/4\"","13\" x 9\"","10\" x 13 1/4\"","10 1/2\" x 13 1/2\"","13\" x 8 3/4\"","13 1/4\" x 10 1/4\"","13\" x 9 1/2\"","10\" x 13 1/4\"","13 1/2\" x 8 1/4\"","8 1/2\" x 13 1/4\"","13\" x 10\"","10 3/8\" x 13 1/8\"","12 3/4\" x 10 1/2\"","12 7/8\" x 10\"","13 1/4\" x 8 1/4\"","13 3/8\" x 8 1/8\"","13\" x 10 3/8\"","13 1/4\" x 10 3/8\"","13 1/4\" x 8 1/2\"","7 3/8\" x 13 3/8\"","13 1/2\" x 8 3/4\"","13 1/2\" x 8 3/4\"","13 1/4\" x 8 1/2\"","13 1/2\" x 10 5/8\"","13 1/8\" x 10 1/4\"","13 1/8\" x 10 1/4\"","9 1/4\" x 13 1/4\"","13 1/4\" x 9 1/4\"","12 7/8\" x 9 3/4\"","13 1/4\" x 9 1/4\"","13 3/8\" x 8 7/8","13\" x 9 1/4\"","13 1/4\" x 10 1/4\"","10 1/4\" x 12 3/4\"","13 1/4\" x 11\"","10 1/4\" x 13 1/4\"","10\" x 12 1/2\"","10 3/8\" x 13\"","10 1/4\" x 13 1/4\"","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"","10 3/8\" x 13\"","10 3/8\" x 12 7/8\"","10 3/8\" x 13 1/8\"","13 1/4\" x 10 1/4\"","10 1/4\" x 13 1/4\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/4\"","10 3/8\" x 13 1/8\"","10 1/2\" x 13 1/4\"","9 1/2\" x 13 1/4\"","13 1/4\" x 10 1/4\"","13 1/2\" x 19 5/8\"","10 1/4\" x 13 1/4\"","13\" x 10\"","10\" x 13 1/4\"","13 1/4\" x 10 1/8\"","10\" x 13\"","9\" x 13 1/4\"","9 1/2\" x 13 3/8\"","9 1/2\" x 13 1/4\"","12 3/4\" x 9 1/4\"","9\" x 11 7/8\"","13 1/4\" x 9 1/8\"","13\" x 10 5/8\"","13 3/8\" x 10 1/4\"","9 1/4\" diameter","13 1/4\" x 10 1/4\"","13 1/8\" x 9 3/8\"","color","color","color","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","English"],"collection_title_tesim":["Oliver F. Atkins photograph collection"],"collection_ssim":["Oliver F. Atkins photograph collection"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0036","/repositories/2/resources/188"],"unitid_tesim":["C0036","/repositories/2/resources/188"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"geogname_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"places_ssim":["United States Capitol Complex (Washington, D.C.)","White House (Washington, D.C.) -- Photographs","Washington (D.C.)","Reston (Va.)","Korea","India","Africa","United States -- Politics and government -- 20th century"],"creator_ssm":["Atkins, Oliver F., 1916-1977"],"creator_ssim":["Atkins, Oliver F., 1916-1977"],"creator_persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"creators_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary","George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Marjorie Atkins in 1978 and 1987."],"access_subjects_ssim":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"access_subjects_ssm":["Aerial photographs","Portraits","Korean War, 1950-1953","Fighter planes -- United States","Entomology","Cold weather clothing","Coal miners","Agriculture","Oyster industry","Presidents -- Election","Sewing machines","Slides (Photography)","Storage and moving trade","Submarines (Ships)","Unemployment","Portraits, Group","Legislative hearings","Photography -- Negatives","Photographic prints","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["61.5 Linear Feet 121 boxes"],"extent_tesim":["61.5 Linear Feet 121 boxes"],"genreform_ssim":["Photographic prints","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003ePortions of the Oliver F. Atkins photograph collection are available online \u003cextptr show=\"new\" title=\"here.\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~15~15\"\u003e\u003c/extptr\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Portions of the Oliver F. Atkins photograph collection are available online"],"arrangement_html_tesm":["\u003cp\u003eArranged into five series:\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Prints, 1943-1974 (Boxes 1-48)\u003c/item\u003e\n      \u003citem\u003eSeries 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Oversize, 1943-1971 (Oversize 1-12)\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series:","Series\n      Series 1: Prints, 1943-1974 (Boxes 1-48)\n      Series 2: 4x5\" Negatives, 1947-1956 (Boxes 49-57)\n      Series 3: Negatives, Contact Sheets, Slides, 1945-1975 (Boxes 58-101)\n      Series 4: Personal Papers, Exhibit Images, and Nature Photography, 1940s-1974 (Boxes 102-109, Oversize 13)\n      Series 5: Oversize, 1943-1971 (Oversize 1-12)"],"bioghist_html_tesm":["\u003cp\u003eOliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e. As the Washington correspondent for the \u003citalic\u003ePost\u003c/italic\u003e, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the \u003citalic\u003ePost's\u003c/italic\u003e Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.\u003c/p\u003e","\u003cp\u003eIn 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Oliver \"Ollie\" F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S. Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy, Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.","In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Atkins' awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972)."],"otherfindaid_html_tesm":["\u003cp\u003eThe legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders.\u003c/p\u003e"],"otherfindaid_heading_ssm":["Other Finding Aids"],"otherfindaid_tesim":["The legacy finding aid for this series is available for more detailed, item-level information. The file is a large PDF, but it is searchable. Please note that although many of the folder titles in the legacy finding aid are the same as in Series 3, some titles have been condensed or rewritten. These changes are not noted on the legacy finding aid. Please refer to the current finding aid when requesting folders."],"prefercite_html_tesm":["\u003cp\u003eOliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Oliver F. Atkins photograph collection, C0036, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.\u003c/p\u003e","\u003cp\u003eWhile reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement. \u003c/p\u003e","\u003cp\u003eThis collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Additional processing by Jordan Patty, Gary Smith, and Shira Loev in 2010-2011. EAD markup completed by Jordan Patty and Shira Loev in 2011. Finding aid updated by Amanda Menjivar in August 2024.","While reprocessing the collection, staff attempted to retain much of the same organization and arrangement as possible since the Atkins collection has been heavily used by researchers over the past several decades. However, it was necessary to update some of the folder titles for clarity and also merge some of the folders that contained similar subject matter. Many of the folders in Series 3 still contain acid-free paper with numbering that matches the old arrangement.","This collection was reprocessed in 2010-2011 using funds from a National Historical Publications and Records Commission (NHPRC) Detailed Processing Grant."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other photograph collections. \u003c/p\u003e","\u003cp\u003eThe National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the \u003cextptr show=\"new\" title=\"Oliver F. Atkin's Files\" href=\"https://catalog.archives.gov/id/6121076\"\u003e\u003c/extptr\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other photograph collections.","The National Archives and Records Administration holds the negatives and contact sheets of the images contained in Subseries 1.2 and 1.3. It also holds the ."],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs.\u003c/p\u003e","\u003cp\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad. \u003c/p\u003e","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white. \u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. \u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles. \u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins. \u003c/p\u003e","\u003cp\u003eSeries 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro. \u003c/p\u003e  ","\u003cp\u003eSeries 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3.\u003c/p\u003e","\u003cp\u003eThis subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough.\u003c/p\u003e","\u003cp\u003eStorage and moving trade in Washington, D.C.\u003c/p\u003e","\u003cp\u003eGuinea; Nigeria; South Africa\u003c/p\u003e","\u003cp\u003eJapan\u003c/p\u003e","\u003cp\u003ePortraits with family\u003c/p\u003e","\u003cp\u003eU.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy\u003c/p\u003e","\u003cp\u003eWinston Churchill, Harry Truman\u003c/p\u003e","\u003cp\u003eSchool improvement programs in Arlington, Virginia\u003c/p\u003e","\u003cp\u003eEntomology at Shenandoah National Park, Virginia\u003c/p\u003e","\u003cp\u003eOliver Atkins and Norman Rockwell\u003c/p\u003e","\u003cp\u003eOliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson\u003c/p\u003e","\u003cp\u003eOliver Atkins and Gerald Ford\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eErnest P. Walker in Washington, D.C.\u003c/p\u003e","\u003cp\u003eIncludes negatives\u003c/p\u003e","\u003cp\u003eAmerican Machine \u0026amp; Foundry Company, New York City\u003c/p\u003e","\u003cp\u003eKenneth Wherry\u003c/p\u003e","\u003cp\u003eCarl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.\u003c/p\u003e","\u003cp\u003eRichard M. Nixon in Washington, D.C.\u003c/p\u003e","\u003cp\u003eRobert Taft in Canton, OH\u003c/p\u003e","\u003cp\u003eWashington, D.C.; Norfolk, Virginia; United States Navy\u003c/p\u003e","\u003cp\u003eHarry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower in Boise, Idaho\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets\u003c/p\u003e","\u003cp\u003eJoint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart and family in Falls Church, Virginia\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering\u003c/p\u003e","\u003cp\u003eBathtubs, Washington, D.C.\u003c/p\u003e","\u003cp\u003eLibrary of Congress; Luther Evans\u003c/p\u003e","\u003cp\u003eBoy reading, taken in Fairfax, Virginia\u003c/p\u003e","\u003cp\u003eUnemployment, Washington, D.C.\u003c/p\u003e","\u003cp\u003eAmbassadors in Washington, D.C.\u003c/p\u003e","\u003cp\u003ePortrait of Pat McCarran in Washington, D.C.\u003c/p\u003e","\u003cp\u003eEzra Taft Benson; Hume, Virginia; Washington, D.C.\u003c/p\u003e","\u003cp\u003eFederal Maritime Administration; Washington, D.C.\u003c/p\u003e","\u003cp\u003eJulie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eBattle Creek, Michigan; Delaware; New York City; Trinity Church\u003c/p\u003e","\u003cp\u003eBetty Goldwater; William Miller; John McClellan\u003c/p\u003e","\u003cp\u003eMarriott Hot Shoppe in Arlington, Virginia\u003c/p\u003e","\u003cp\u003eSteven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York\u003c/p\u003e","\u003cp\u003eAlbert Gore and family in Carthage, Tennessee\u003c/p\u003e","\u003cp\u003e\"Five percenters\" investigation in Washington, D.C.\u003c/p\u003e","\u003cp\u003eStatler Hotel; Washington, D.C.; New York City; Boston\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver\u003c/p\u003e","\u003cp\u003eportrait\u003c/p\u003e","\u003cp\u003eWashington, D.C.; McLean; Arlington, Virginia\u003c/p\u003e","\u003cp\u003eHarry Truman; Fred Vinson; in Key West, Florida\u003c/p\u003e","\u003cp\u003eAgriculture in Zirconia, North Carolina\u003c/p\u003e","\u003cp\u003eDr. V. Stefan Krajcovic in Washington, D.C.\u003c/p\u003e","\u003cp\u003eGordon W. Rule in Washington, D.C.\u003c/p\u003e","\u003cp\u003eRichard M. Nixon and family in Washington, D.C.\u003c/p\u003e","\u003cp\u003eModern movement (architecture); Washington, D.C.\u003c/p\u003e","\u003cp\u003ePortrait\u003c/p\u003e","\u003cp\u003eAndrews Air Force Base\u003c/p\u003e","\u003cp\u003ePresidential campaign\u003c/p\u003e","\u003cp\u003eInauguration\u003c/p\u003e","\u003cp\u003eOval office\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with cabinet members and advisors\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with Lady Bird Johnson\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson ranch\u003c/p\u003e","\u003cp\u003eHubert Humphrey; Pope Paul VI\u003c/p\u003e","\u003cp\u003eHospital care in New York City\u003c/p\u003e","\u003cp\u003eWorld War II\u003c/p\u003e","\u003cp\u003eWorld War II\u003c/p\u003e","\u003cp\u003ePlaying football and sailing\u003c/p\u003e","\u003cp\u003eKennedy family\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy; Ethel Kennedy; John F. Kennedy family\u003c/p\u003e","\u003cp\u003eOfficial White House portrait and other portraits\u003c/p\u003e","\u003cp\u003eCampaigning in Colorado\u003c/p\u003e","\u003cp\u003eCampaigning in Wisconsin\u003c/p\u003e","\u003cp\u003eDemocratic Convention in California\u003c/p\u003e","\u003cp\u003eCampaigning\u003c/p\u003e","\u003cp\u003eCampaigning in California\u003c/p\u003e","\u003cp\u003eCampaigning in Michigan\u003c/p\u003e","\u003cp\u003eCampaigning in Texas\u003c/p\u003e","\u003cp\u003eCampaigning in Washington\u003c/p\u003e","\u003cp\u003eTelevision debate with Richard M. Nixon\u003c/p\u003e","\u003cp\u003eCeremonies and gatherings\u003c/p\u003e","\u003cp\u003eMeetings with staff and international leaders\u003c/p\u003e","\u003cp\u003eOval office\u003c/p\u003e","\u003cp\u003ePress conferences\u003c/p\u003e","\u003cp\u003eInauguration\u003c/p\u003e","\u003cp\u003eState of the Union\u003c/p\u003e","\u003cp\u003eFuneral\u003c/p\u003e","\u003cp\u003eAssassination and related events\u003c/p\u003e","\u003cp\u003eLabor racketeering hearings; John McClellan\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eRobert F. Kennedy family\u003c/p\u003e","\u003cp\u003eDemocratic convention in California; Kenneth O'Donnell and Pierre Salinger\u003c/p\u003e","\u003cp\u003ePresidential campaign announcement\u003c/p\u003e","\u003cp\u003ePresidential campaign in California\u003c/p\u003e","\u003cp\u003eFuneral service\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Knowland\u003c/p\u003e","\u003cp\u003eSyngman Rhee\u003c/p\u003e","\u003cp\u003eTwo terrible nights with the 23rd\u003c/p\u003e","\u003cp\u003eGeneral file\u003c/p\u003e","\u003cp\u003eThe fighting French\u003c/p\u003e","\u003cp\u003eGreeks know how to die\u003c/p\u003e","\u003cp\u003eHow well do Negroes fight\u003c/p\u003e","\u003cp\u003eThe world's worst railroad headache\u003c/p\u003e","\u003cp\u003eNurses story; original article manuscript; Far East command press releases\u003c/p\u003e","\u003cp\u003eMachine gunners; article manuscript\u003c/p\u003e","\u003cp\u003eThe flying poison\u003c/p\u003e","\u003cp\u003eThe Chinese telegraph their punch\u003c/p\u003e","\u003cp\u003eMarines\u003c/p\u003e","\u003cp\u003eHokkaido story\u003c/p\u003e","\u003cp\u003eKaesong Conference\u003c/p\u003e","\u003cp\u003eRefugees\u003c/p\u003e","\u003cp\u003eThe big thaw\u003c/p\u003e","\u003cp\u003eThe pious killer of Korea; United States Air Force\u003c/p\u003e","\u003cp\u003eCoal miners in White Haven, Pennsylvania and Affinity, West Virginia\u003c/p\u003e","\u003cp\u003eActor Irving Fisher in New York City\u003c/p\u003e","\u003cp\u003eEverett M. Dirksen\u003c/p\u003e","\u003cp\u003eOlney, Maryland\u003c/p\u003e","\u003cp\u003eBurned and mutilated currency unit of the Currency Redemption Division of the Treasury Department\u003c/p\u003e","\u003cp\u003eDetroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company\u003c/p\u003e","\u003cp\u003eSewing machine use in Tokyo, Japan\u003c/p\u003e","\u003cp\u003eUnited States Postal Inspection Service in Washington, D.C.\u003c/p\u003e","\u003cp\u003eRockville, Maryland\u003c/p\u003e","\u003cp\u003eWoods Hole, Massachusetts\u003c/p\u003e","\u003cp\u003eWashington, D.C.; includes contact sheets and negatives\u003c/p\u003e","\u003cp\u003eHarry Truman; Portrait of Clarence Cannon; Washington, D.C.\u003c/p\u003e","\u003cp\u003eOzark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.\u003c/p\u003e","\u003cp\u003eChevy Chase and Aberdeen, Maryland; Washington, D.C.\u003c/p\u003e","\u003cp\u003eHenry C. Lodge\u003c/p\u003e","\u003cp\u003eRosenberg execution protest in Washington, D.C.\u003c/p\u003e","\u003cp\u003eJohn I. Williams and Preston C. Williams\u003c/p\u003e","\u003cp\u003eTom Connally in Washington, D.C.\u003c/p\u003e","\u003cp\u003eAgnes McCall Parker in Washington, D.C.\u003c/p\u003e","\u003cp\u003eBird dogs in Annapolis, Maryland\u003c/p\u003e","\u003cp\u003eCommissioner Bob Christenberry in New York City\u003c/p\u003e","\u003cp\u003eTelegraph agents of the USSR in Washington, D.C.\u003c/p\u003e","\u003cp\u003eAberdeen Proving Grounds in Aberdeen, Maryland\u003c/p\u003e","\u003cp\u003eWashington, D.C.\u003c/p\u003e","\u003cp\u003eGovernment Printing Office in Washington, D.C.; Arlington, Virginia\u003c/p\u003e","\u003cp\u003eJoint Chiefs of Staff in Washington, D.C.\u003c/p\u003e","\u003cp\u003ePortrait signed by Truman to Ollie Atkins\u003c/p\u003e","\u003cp\u003eSenate subway construction\u003c/p\u003e","\u003cp\u003eMarine biology in Milford, Connecticut\u003c/p\u003e","\u003cp\u003eLibrarian with full set of volumes\u003c/p\u003e","\u003cp\u003eCarlton Hotel; John L. Lewis; Washington, D.C.\u003c/p\u003e","\u003cp\u003eUnited States Air Force at Patuxent Naval Air Station in Maryland\u003c/p\u003e","\u003cp\u003eRoland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.\u003c/p\u003e","\u003cp\u003eThomas A. Walden in Washington, D.C.\u003c/p\u003e","\u003cp\u003eSubmarine in Key West, Florida\u003c/p\u003e","\u003cp\u003eCold weather clothing tests in Lawrence, Massachusetts\u003c/p\u003e","\u003cp\u003eAllen Dulles\u003c/p\u003e","\u003cp\u003eCamp Gordon, Georgia; U.S. Army Military Police School\u003c/p\u003e","\u003cp\u003eDayton, Ohio; Yellow Springs, Ohio\u003c/p\u003e","\u003cp\u003eArthur M. Whitehill and family; Chapel Hill, North Carolina\u003c/p\u003e","\u003cp\u003eJoe McCarthy checking a phone for wire tapping\u003c/p\u003e","\u003cp\u003eWashington, D.C.\u003c/p\u003e","\u003cp\u003eThis subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia.\u003c/p\u003e","\u003cp\u003eSome items available in digital format.\u003c/p\u003e","\u003cp\u003eCopy negative\u003c/p\u003e","\u003cp\u003eContact sheets and negatives.\u003c/p\u003e","\u003cp\u003eSubseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white.\u003c/p\u003e","\u003cp\u003e1 of 4; 1968 campaign\u003c/p\u003e","\u003cp\u003e2 of 4; 1968 campaign\u003c/p\u003e","\u003cp\u003e3 of 4; 1968 campaign\u003c/p\u003e","\u003cp\u003e4 of 4; 1968 campaign\u003c/p\u003e","\u003cp\u003eSeries 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.\u003c/p\u003e","\u003cp\u003eFerry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 9 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1955; 34 negatives\u003c/p\u003e","\u003cp\u003eIncludes Winston Churchill and Harry S. Truman; 36 negatives\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, August 1955; 14 negatives\u003c/p\u003e","\u003cp\u003eJamestown, Virginia, May 1956; 17 negatives\u003c/p\u003e","\u003cp\u003eDonald Quarles; 13 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Institute of Dry Cleaning; 19 negatives\u003c/p\u003e","\u003cp\u003eLibrary of Congress, June 1950; 25 negatives\u003c/p\u003e","\u003cp\u003eGeorgetown, Washington, D.C.; 23 negatives\u003c/p\u003e","\u003cp\u003e14 negatives\u003c/p\u003e","\u003cp\u003eT. James Tumulty \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e12 negatives\u003c/p\u003e","\u003cp\u003eErnest P. Walker; 5 negatives\u003c/p\u003e","\u003cp\u003eHines, Illinois, August 1950; 8 negatives\u003c/p\u003e","\u003cp\u003eJames Bryden; 9 negatives\u003c/p\u003e","\u003cp\u003eRobert Woodruff, December 1950; 47 negatives\u003c/p\u003e","\u003cp\u003eJuly 1955; 26 negatives\u003c/p\u003e","\u003cp\u003e37 negatives\u003c/p\u003e","\u003cp\u003eSherman Adams, December 1952; 14 negatives\u003c/p\u003e","\u003cp\u003eMay 1953; 18 negatives\u003c/p\u003e","\u003cp\u003eJames Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives\u003c/p\u003e","\u003cp\u003eSteven Derounian; 18 negatives\u003c/p\u003e","\u003cp\u003eCharles Potter, November 1952; 17 negatives\u003c/p\u003e","\u003cp\u003eKenneth Wherry; 13 negatives\u003c/p\u003e","\u003cp\u003eRobert Taft; 32 negatives\u003c/p\u003e","\u003cp\u003eArthur Whitehall; 13 negatives\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDavid K. Niles\u003c/p\u003e","\u003cp\u003eAbraham Ribicoff; 2 negatives\u003c/p\u003e","\u003cp\u003eSpirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives\u003c/p\u003e","\u003cp\u003e27 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e9 negatives\u003c/p\u003e","\u003cp\u003eMilford, Connecticut, September 1951; 16 negatives\u003c/p\u003e","\u003cp\u003eIncludes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives\u003c/p\u003e","\u003cp\u003eRalph Bunche; 10 negatives\u003c/p\u003e","\u003cp\u003eJune 1955; 7 negatives\u003c/p\u003e","\u003cp\u003eAtlantic City, New Jersey, 1955; 22 negatives\u003c/p\u003e","\u003cp\u003eRobert Cutler; 13 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eStephen Foster, January 1953; 11 negatives\u003c/p\u003e","\u003cp\u003eJames Pinkston; 8 negatives\u003c/p\u003e","\u003cp\u003e5 negatives\u003c/p\u003e","\u003cp\u003eMaurice Tobin; 29 negatives\u003c/p\u003e","\u003cp\u003eWarren Olney III; 5 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e17 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJames Maurice Gavin; 29 negatives\u003c/p\u003e","\u003cp\u003eApril 1952; 33 negatives\u003c/p\u003e","\u003cp\u003eWilliam F. Dean; 13 negatives\u003c/p\u003e","\u003cp\u003eJohn J. Williams; 22 negatives\u003c/p\u003e","\u003cp\u003e12 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eJune 1952; 17 negatives\u003c/p\u003e","\u003cp\u003eMay 1953; 32 negatives\u003c/p\u003e","\u003cp\u003eEugene Millikin, April 1953; 23 negatives\u003c/p\u003e","\u003cp\u003e8 negatives\u003c/p\u003e","\u003cp\u003eMay 1950; 4 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eTom Connally, includes Harry S. Truman; 30 negatives\u003c/p\u003e","\u003cp\u003e4 negatives\u003c/p\u003e","\u003cp\u003e13 negatives\u003c/p\u003e","\u003cp\u003eFebruary 1952; 20 negatives\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 9 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDecember 1949; 20 negatives\u003c/p\u003e","\u003cp\u003eWilliam Leahy; 14 negatives\u003c/p\u003e","\u003cp\u003eApril 1950; 30 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eNational Archives and Records Administration, June 1948; 30 negatives\u003c/p\u003e","\u003cp\u003eGeorge Tetlet, December 1947; 32 negatives\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives\u003c/p\u003e","\u003cp\u003eJack Kroll; 19 negatives\u003c/p\u003e","\u003cp\u003eArthur Burns, includes Dwight D. Eisenhower; 10 negatives\u003c/p\u003e","\u003cp\u003e23 negatives\u003c/p\u003e","\u003cp\u003e17 negatives\u003c/p\u003e","\u003cp\u003eWilliam F. Halsey, USS Missouri; 4 color positives\u003c/p\u003e","\u003cp\u003e8 negatives\u003c/p\u003e","\u003cp\u003e27 negatives\u003c/p\u003e","\u003cp\u003eJames Francis Marion Jones; 59 negatives\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 5 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eCarlton hotel, Washington, D.C., August 1949; 3 negatives\u003c/p\u003e","\u003cp\u003eMarch 1950; 1 negative\u003c/p\u003e","\u003cp\u003eWilhelm Munthe. de Morgenstierne; 12 negatives\u003c/p\u003e","\u003cp\u003eClifford Garner, July 1950; 9 negatives\u003c/p\u003e","\u003cp\u003eLibrary of Congress, July 1950; 9 negatives\u003c/p\u003e","\u003cp\u003eIrving Fisher; 29 negatives\u003c/p\u003e","\u003cp\u003eJoseph Lawton Collins, November 1950; 8 negatives\u003c/p\u003e","\u003cp\u003eH. K. Riggs; 9 negatives\u003c/p\u003e","\u003cp\u003ePaul Douglas; 17 negatives\u003c/p\u003e","\u003cp\u003e35 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 22 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, includes Harry F. Byrd; 18 negatives\u003c/p\u003e","\u003cp\u003eJune 1952; 5 negatives\u003c/p\u003e","\u003cp\u003eFebruary 1954; 5 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eSeptember 1952; 12 negatives\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 25 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eMilo Coplan; October and November 1952; 31 negatives\u003c/p\u003e","\u003cp\u003eMatthew B. Ridgway; 13 negatives\u003c/p\u003e","\u003cp\u003eLeague of Women Voters; 18 negatives\u003c/p\u003e","\u003cp\u003eGood Humor Corporation, April 1949; 39 negatives\u003c/p\u003e","\u003cp\u003eWilliam M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive\u003c/p\u003e","\u003cp\u003eTomb of the Unknown Soldier, February 1954; 2 negatives\u003c/p\u003e","\u003cp\u003eRobert Murphy; 12 negatives\u003c/p\u003e","\u003cp\u003eAlbert Roth, includes Richard M. Nixon, June 1954; 19 negatives\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 9 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e39 negatives\u003c/p\u003e","\u003cp\u003eMike Monroney, Charles B. Brownson; 13 negatives\u003c/p\u003e","\u003cp\u003eNovember 1952; 21 negatives\u003c/p\u003e","\u003cp\u003eAtomic Energy Commission; September 1953; 18 negatives\u003c/p\u003e","\u003cp\u003eFrances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives\u003c/p\u003e","\u003cp\u003eMrs. Winfield Smart, November 1952; 5 negatives\u003c/p\u003e","\u003cp\u003e34 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 42 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e21 negatives\u003c/p\u003e","\u003cp\u003eRay \"Mike\" Dow; 22 negatives\u003c/p\u003e","\u003cp\u003eTom Durrance; 15 negatives\u003c/p\u003e","\u003cp\u003eSidney W. Souers, includes Dean Acheson; 15 negatives\u003c/p\u003e","\u003cp\u003eJosephine Crisler, October 1948; 10 negatives\u003c/p\u003e","\u003cp\u003eClifton Bledsoe Cates; December 1948; 10 negatives\u003c/p\u003e","\u003cp\u003eHoward University, November 1948; 24 negatives\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 5 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e16 negatives\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 1 negative \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e38 negatives\u003c/p\u003e","\u003cp\u003e34 negatives\u003c/p\u003e","\u003cp\u003e24 negatives\u003c/p\u003e","\u003cp\u003e1 negatives\u003c/p\u003e","\u003cp\u003e8 negatives\u003c/p\u003e","\u003cp\u003eB-29s, Tucson Arizona; 41 negatives\u003c/p\u003e","\u003cp\u003eWerner Knop, October 1948; 12 negatives\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 14 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e13 negatives\u003c/p\u003e","\u003cp\u003e40 negatives\u003c/p\u003e","\u003cp\u003e45 negatives\u003c/p\u003e","\u003cp\u003eWitton Lawler; 6 negatives\u003c/p\u003e","\u003cp\u003eJesse M. Donaldson, December 1947; 21 negatives\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003eHoward University, December 1948; 26 negatives\u003c/p\u003e","\u003cp\u003e1 negative \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e22 negatives\u003c/p\u003e","\u003cp\u003e15 negatives\u003c/p\u003e","\u003cp\u003eLouis B. Meyer, Paul V. McNutt; 5 negatives\u003c/p\u003e","\u003cp\u003eNational Airport, Capitol Hill, 1947; 49 negatives\u003c/p\u003e","\u003cp\u003e19 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 58\u003c/p\u003e","\u003cp\u003e14 negatives\u003c/p\u003e","\u003cp\u003eJohn McCloy, April 1947; 10 negatives\u003c/p\u003e","\u003cp\u003e28 negatives\u003c/p\u003e","\u003cp\u003eKenilworth garbage dump; 31 negatives\u003c/p\u003e","\u003cp\u003e19 negatives\u003c/p\u003e","\u003cp\u003e33 negatives\u003c/p\u003e","\u003cp\u003eF. Edward Herbert; 27 negatives\u003c/p\u003e","\u003cp\u003ePhiladelphia, Pennsylvania, Frank Monaghan; 27 negatives\u003c/p\u003e","\u003cp\u003eBureau of Indian Affairs; 21 negatives\u003c/p\u003e","\u003cp\u003e11 negatives\u003c/p\u003e","\u003cp\u003eEmbassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives\u003c/p\u003e","\u003cp\u003eDemolitions Disposal Unit; 21 negatives\u003c/p\u003e","\u003cp\u003eStefan Krajcovic; 8 negatives\u003c/p\u003e","\u003cp\u003eTrinity Church, Gary Edwards; 16 negatives\u003c/p\u003e","\u003cp\u003e5 negatives\u003c/p\u003e","\u003cp\u003e2 negatives\u003c/p\u003e","\u003cp\u003e17 negatives\u003c/p\u003e","\u003cp\u003eincludes Hubert Humphrey, Eugenie Anderson\u003c/p\u003e","\u003cp\u003e10 negatives\u003c/p\u003e","\u003cp\u003eNational Gallery of Art; 39 negatives\u003c/p\u003e","\u003cp\u003e19 negatives\u003c/p\u003e","\u003cp\u003eClarence Cannon, includes Harry S. Truman; 17 negatives\u003c/p\u003e","\u003cp\u003eMarch 1956; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eDonald Quarles; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm negatives.\u003c/p\u003e","\u003cp\u003eWayne Morse; 35mm negatives\u003c/p\u003e","\u003cp\u003eT. James Tumulty; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 49\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\u003c/p\u003e","\u003cp\u003eStatler Hotel; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 50 \u003c/p\u003e","\u003cp\u003e35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eRobert Cutler; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 50\u003c/p\u003e","\u003cp\u003eWarren Olney III; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003eMay 1950; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 51\u003c/p\u003e","\u003cp\u003eWashington Senators baseball team; 14 negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eEzra Taft Benson, February 1953; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003eApril 1950; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 52\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eStuart Symington, June, 1956; 35mm negatives\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003eLouis Arthur Johnson, June 1949; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e35mm and 2x2\" negatives\u003c/p\u003e","\u003cp\u003e35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFrank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eFebruary 1954; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eJim Perry, Bud Camp; 35mm negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003eEarl Warren; 35mm negatives\u003c/p\u003e","\u003cp\u003eAlben William Barkley; 2x2\" negatives\u003c/p\u003e","\u003cp\u003eIncludes Dean Acheson; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 53\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e35mm negatives\u003c/p\u003e","\u003cp\u003e2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eDwight D. Eisenhower; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eRobert M. Redmond, August 1949; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003eGeorge J. Schoeneman; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 54\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003eLou Boudreau, August 1948; 2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003e2x2\" negatives\u003c/p\u003e","\u003cp\u003ePaul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 55\u003c/p\u003e","\u003cp\u003e2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003e2x2\" negatives \u003c/p\u003e","\u003cp\u003eAlso see Box 56\u003c/p\u003e","\u003cp\u003eSeries 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.\u003c/p\u003e","\u003cp\u003eSubseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.\u003c/p\u003e","\u003cp\u003e(1 of 4)\u003c/p\u003e","\u003cp\u003e(2 of 4)\u003c/p\u003e","\u003cp\u003e(3 of 4)\u003c/p\u003e","\u003cp\u003e(4 of 4)\u003c/p\u003e","\u003cp\u003eConnecticut Gubernatorial Campaign\u003c/p\u003e","\u003cp\u003eGeorgetown House portraits\u003c/p\u003e","\u003cp\u003ePolling\u003c/p\u003e","\u003cp\u003eI Flew Supersonic\u003c/p\u003e","\u003cp\u003eHow to Speak French\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eStewart Alsop Family\u003c/p\u003e","\u003cp\u003eHow to Write a Magazine Article\u003c/p\u003e","\u003cp\u003ePolling, Negro poll\u003c/p\u003e","\u003cp\u003eAlsop poll \"Mood of America\"\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eAlsop poll\u003c/p\u003e","\u003cp\u003eBiplanes\u003c/p\u003e","\u003cp\u003eThey Make Flying Fun Again\u003c/p\u003e","\u003cp\u003eTrevor Armbristen Family\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson\u003c/p\u003e","\u003cp\u003eGolf's Banking on Burke\u003c/p\u003e","\u003cp\u003eby Sherwood Harris\u003c/p\u003e","\u003cp\u003eMercury 6 launch\u003c/p\u003e","\u003cp\u003ePortraits\u003c/p\u003e","\u003cp\u003eGenerals LeMay and White\u003c/p\u003e","\u003cp\u003ecolor slides\u003c/p\u003e","\u003cp\u003eIncludes John F. Kennedy\u003c/p\u003e","\u003cp\u003eBernard Goldfine\u003c/p\u003e","\u003cp\u003e1 of 4\u003c/p\u003e","\u003cp\u003e2 of 4\u003c/p\u003e","\u003cp\u003e3 of 4\u003c/p\u003e","\u003cp\u003e4 of 4\u003c/p\u003e","\u003cp\u003eIncludes Jacqueline Kennedy\u003c/p\u003e","\u003cp\u003eLyndon B. Johnson with military\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003ecolor slides 1\u003c/p\u003e","\u003cp\u003ecolor slides 2\u003c/p\u003e","\u003cp\u003ecolor slides 3\u003c/p\u003e","\u003cp\u003ecolor slides 4\u003c/p\u003e","\u003cp\u003ecolor slides 5\u003c/p\u003e","\u003cp\u003ecolor slides 6\u003c/p\u003e","\u003cp\u003eMeetings, public events\u003c/p\u003e","\u003cp\u003ePresidential campaign\u003c/p\u003e","\u003cp\u003eElection\u003c/p\u003e","\u003cp\u003eChurch near the Lyndon B. Johnson Ranch\u003c/p\u003e","\u003cp\u003eOval Office\u003c/p\u003e","\u003cp\u003eInauguration\u003c/p\u003e","\u003cp\u003eRanch\u003c/p\u003e","\u003cp\u003eOmaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\u003c/p\u003e","\u003cp\u003eGlassboro, New Jersey; Alexei Kosygin\u003c/p\u003e","\u003cp\u003eMaxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti\u003c/p\u003e","\u003cp\u003eSaturday Evening Post stories about John F. Kennedy; 4x5 negatives\u003c/p\u003e","\u003cp\u003eFuneral, Arlington National Cemetery\u003c/p\u003e","\u003cp\u003eArlington National Cemetery\u003c/p\u003e","\u003cp\u003ePresidential campaign\u003c/p\u003e","\u003cp\u003ePresidential campaign\u003c/p\u003e","\u003cp\u003ePresidential campaign\u003c/p\u003e","\u003cp\u003eWhite House and Congressional budget meetings and hearings\u003c/p\u003e","\u003cp\u003eRanger, Saturn, Mercury\u003c/p\u003e","\u003cp\u003e1 of 3\u003c/p\u003e","\u003cp\u003e2 of 3\u003c/p\u003e","\u003cp\u003e3 of 3\u003c/p\u003e","\u003cp\u003e4x5 negatives\u003c/p\u003e","\u003cp\u003eI Can Say He's a Wonderful Guy\u003c/p\u003e","\u003cp\u003e1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eRose Mary Woode\u003c/p\u003e","\u003cp\u003eHospitals\u003c/p\u003e","\u003cp\u003eAdlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles\u003c/p\u003e","\u003cp\u003eAlben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.\u003c/p\u003e","\u003cp\u003eJohn Foster Dulles, Charles Erwin Wilson, Robert Taft\u003c/p\u003e","\u003cp\u003eBlair House\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\u003c/p\u003e","\u003cp\u003eJohn F. Kennedy, Richard M. Nixon\u003c/p\u003e","\u003cp\u003eSome images may have been created in the 1950s; 1 of 2\u003c/p\u003e","\u003cp\u003e2 of 2\u003c/p\u003e","\u003cp\u003eSaturday Evening Post writer\u003c/p\u003e","\u003cp\u003eMacy's New York City\u003c/p\u003e","\u003cp\u003eT. I. Swartz and Sons\u003c/p\u003e","\u003cp\u003eIncludes images of construction\u003c/p\u003e","\u003cp\u003eIncludes Lyndon B. Johnson\u003c/p\u003e","\u003cp\u003eNational Mall, Pentagon, United States Supreme Court Building, Pan American Building\u003c/p\u003e","\u003cp\u003eAmerican Red Cross, Tunisia, Italy\u003c/p\u003e","\u003cp\u003eSeries 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3.\u003c/p\u003e","\u003cp\u003eJacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger\u003c/p\u003e","\u003cp\u003eIncludes memorabilia\u003c/p\u003e","\u003cp\u003e1 of 3\u003c/p\u003e","\u003cp\u003e2 of 3\u003c/p\u003e","\u003cp\u003e3 of 3\u003c/p\u003e","\u003cp\u003eSeries 5 contains oversize mat photographs. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13\" x 10 1/8\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e9 5/8\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/8'\" x 11 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003etwo copies; 10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/8\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e8 5/8\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e13 1/4\" by 10 1/4\"\u003c/p\u003e","\u003cp\u003ethree copies\u003c/p\u003e","\u003cp\u003e13 3/8\" x 8 5/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10\"\u003c/p\u003e","\u003cp\u003e13 7/8\" x 8 1/2\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/8\" x 13\"\u003c/p\u003e","\u003cp\u003e12 3/4\" x 10\"\u003c/p\u003e","\u003cp\u003e9\" x 13\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e10\" x 12\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e12 1/2\" x 10\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e12 1/2\" x 9 3/4\"\u003c/p\u003e","\u003cp\u003e11 3/4\" x 10\"\u003c/p\u003e","\u003cp\u003e11 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e8 1/4\" x 5 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e7 1/4\" x 9 1/2\"\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\u003c/p\u003e","\u003cp\u003e13\" x 9 1/2\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/8\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 3/4\"\u003c/p\u003e","\u003cp\u003e13\" x 9 3/4\"\u003c/p\u003e","\u003cp\u003e13 1/4 x 9 3/4\"\u003c/p\u003e","\u003cp\u003e19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"\u003c/p\u003e","\u003cp\u003e10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"\u003c/p\u003e","\u003cp\u003e7\" x 4 3/4\"\u003c/p\u003e","\u003cp\u003e9 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e8 3/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e20\" x 16\"\u003c/p\u003e","\u003cp\u003e5\" x 8\"\u003c/p\u003e","\u003cp\u003e5\" x 8\"\u003c/p\u003e","\u003cp\u003e5\" x 8\"\u003c/p\u003e","\u003cp\u003e10 5/8\" x 13 1/2\"\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e13\" x 10 3/8\"\u003c/p\u003e","\u003cp\u003e13\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 11 3/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" 13\"\u003c/p\u003e","\u003cp\u003e10 3/4\" x 13\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e13\" x 8 1/2\"\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13\"\u003c/p\u003e","\u003cp\u003e9 1/4\" x 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1/2\"\u003c/p\u003e","\u003cp\u003e18\" x 14\"\u003c/p\u003e","\u003cp\u003e17 5/8\" x 11 1/2\"\u003c/p\u003e","\u003cp\u003e13 1/2\" x 10 3/8\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 8 1/2\"\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13\"\u003c/p\u003e","\u003cp\u003e12 5/8\" x 9 7/8\"\u003c/p\u003e","\u003cp\u003e7 1/8\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/2\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 1/2\"\u003c/p\u003e","\u003cp\u003e8 1/8\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 1/4\"\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 3/4\"\u003c/p\u003e","\u003cp\u003e8 1/2\" x 13 1/2\"\u003c/p\u003e","\u003cp\u003e9 3/4 x 13 1/4\"\u003c/p\u003e","\u003cp\u003e9\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e9 1/8\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e8 1/2\" x 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12 3/4\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 11\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10\" x 12 1/2\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003eadditional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 12 7/8\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e10 3/8\" x 13 1/8\"\u003c/p\u003e","\u003cp\u003e10 1/2\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/2\" x 19 5/8\"\u003c/p\u003e","\u003cp\u003e10 1/4\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13\" x 10\"\u003c/p\u003e","\u003cp\u003e10\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/8\"\u003c/p\u003e","\u003cp\u003e10\" x 13\"\u003c/p\u003e","\u003cp\u003e9\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 3/8\"\u003c/p\u003e","\u003cp\u003e9 1/2\" x 13 1/4\"\u003c/p\u003e","\u003cp\u003e12 3/4\" x 9 1/4\"\u003c/p\u003e","\u003cp\u003e9\" x 11 7/8\"\u003c/p\u003e","\u003cp\u003e13 1/4\" x 9 1/8\"\u003c/p\u003e","\u003cp\u003e13\" x 10 5/8\"\u003c/p\u003e","\u003cp\u003e13 3/8\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e9 1/4\" diameter\u003c/p\u003e","\u003cp\u003e13 1/4\" x 10 1/4\"\u003c/p\u003e","\u003cp\u003e13 1/8\" x 9 3/8\"\u003c/p\u003e","\u003cp\u003ecolor\u003c/p\u003e","\u003cp\u003ecolor\u003c/p\u003e","\u003cp\u003ecolor\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs.","The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3. Subseries 1.1 consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough. Subseries 1.2 consists of 8x10\" prints from Atkins' work as the personal photographer to President Richard M. Nixon. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia. Most of the photographs are in color. Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in subseries 1.2 and in some cases are duplicates. Most of the prints are black and white.","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post, and most of the photographs are grouped together by story title. Some of the prints made from the negatives can be found in Subseries 1.1. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4.","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4. Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. Subjects photographed during the early 1960s include the President John F. Kennedy and his cabinet, including Robert F. Kennedy; Jacqueline Kennedy; astronauts such as John Glenn and Alan Shepard; Senators and Representatives; protests and demonstrations such as the \"March on Washington for Jobs and Freedom\", with Martin Luther King, Jr.; and John F. Kennedy's inauguration and funeral. Subjects photographed during the mid-to-late 1960s include President Lyndon B. Johnson and his cabinet, including Robert S. McNamara and Dean Rusk; Nelson A. Rockefeller; Ladybird Johnson; Senators and Representatives; Malcolm X; the signing of the Civil Rights Bill with Martin Luther King, Jr.; astronauts Gus Grissom, John Young, and John Glenn; and protests and demonstrations, including the \"Poor People's Campaign\", with Jesse Jackson, Ralph Abernathy, and Coretta Scott King. Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. Other subjects include the Korean War and other overseas locales such as Africa, Cuba, India, New Zealand, and Yugoslavia; Washington, D.C., landmarks include the U.S. Capitol Building, the U.S. Supreme Court Building, the State Department Building, and the White House. As in Subseries 1.1 and Series 2, multiple folder titles are based on Saturday Evening Post story titles.","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Of particular interest in the correspondence are letters between Atkins and the Saturday Evening Post about his work and other matters. Note that there is also correspondence and notes throughout the folders in the Series 3. The press packets document Nixon's travel abroad during his presidency and can be used in conjunction with the Nixon subject prints in Series 1. There are also publications that feature photographs by Atkins.","Series 5 contains mat photographs that span Atkins entire career from World War II to the White House. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C., and New York City, coal miners, and Fidel Castro.","Series 1 contains almost all of the prints in the collection. The prints document Atkins' positions as a photographer for the Saturday Evening Post and the personal photographer to President Richard M. Nixon. Many of the negatives of the prints in the first subseries can be found in Series 2 and 3.","This subseries consists largely of prints from Atkins work as a photographer for the Saturday Evening Post in Washington, D.C. There are also photographs from Saturday Evening Post stories that Atkins contributed to and those folders are labeled with the title of the article. The scope notes provide additional information about the subjects of the photographs and the locations when the folder titles are not descriptive enough.","Storage and moving trade in Washington, D.C.","Guinea; Nigeria; South Africa","Japan","Portraits with family","U.S. Navy; U.S. Air Force; fighter plane; Africa; agriculture; John F. Kennedy","Winston Churchill, Harry Truman","School improvement programs in Arlington, Virginia","Entomology at Shenandoah National Park, Virginia","Oliver Atkins and Norman Rockwell","Oliver Atkins; Sid Caesar; Herbert Humphrey (autographed); Johnny Carson","Oliver Atkins and Gerald Ford","Portraits","Ernest P. Walker in Washington, D.C.","Includes negatives","American Machine \u0026 Foundry Company, New York City","Kenneth Wherry","Carl Albert and family; Sam Ragburn; John McCormack; Harold Cooley; taken in Washington, D.C.","Richard M. Nixon in Washington, D.C.","Robert Taft in Canton, OH","Washington, D.C.; Norfolk, Virginia; United States Navy","Harry Truman; John Sparkman; Adlai Stevenson in Washington, D.C.","Dwight D. Eisenhower in Boise, Idaho","Washington, D.C.; includes contact sheets","Joint Senate and House recording facility; Charles B. Brownson; A.S. \"Mike\" Monroney, in Washington, D.C.","Mrs. Winfield Smart and family in Falls Church, Virginia","Robert F. Kennedy; John McClellan; Harry Dexter White Case; Dave Beck; Gun control; Racketeering","Bathtubs, Washington, D.C.","Library of Congress; Luther Evans","Boy reading, taken in Fairfax, Virginia","Unemployment, Washington, D.C.","Ambassadors in Washington, D.C.","Portrait of Pat McCarran in Washington, D.C.","Ezra Taft Benson; Hume, Virginia; Washington, D.C.","Federal Maritime Administration; Washington, D.C.","Julie and David Eisenhower; Alexander Haig; Ford family; Presidential swearing-in ceremony; Joint address to Congress","Portraits","Battle Creek, Michigan; Delaware; New York City; Trinity Church","Betty Goldwater; William Miller; John McClellan","Marriott Hot Shoppe in Arlington, Virginia","Steven Derounian; Andrews Air Force Base; Washington, D.C.; Mineola, New York","Albert Gore and family in Carthage, Tennessee","\"Five percenters\" investigation in Washington, D.C.","Statler Hotel; Washington, D.C.; New York City; Boston","Dwight D. Eisenhower; Marie Eisenhower; Chicago; New York City; Denver","portrait","Washington, D.C.; McLean; Arlington, Virginia","Harry Truman; Fred Vinson; in Key West, Florida","Agriculture in Zirconia, North Carolina","Dr. V. Stefan Krajcovic in Washington, D.C.","Gordon W. Rule in Washington, D.C.","Richard M. Nixon and family in Washington, D.C.","Modern movement (architecture); Washington, D.C.","Portrait","Andrews Air Force Base","Presidential campaign","Inauguration","Oval office","Lyndon B. Johnson with cabinet members and advisors","Lyndon B. Johnson with cabinet members and advisors","Portraits","Portraits","Lyndon B. Johnson with Lady Bird Johnson","Lyndon B. Johnson ranch","Hubert Humphrey; Pope Paul VI","Hospital care in New York City","World War II","World War II","Playing football and sailing","Kennedy family","Robert F. Kennedy; Ethel Kennedy; John F. Kennedy family","Official White House portrait and other portraits","Campaigning in Colorado","Campaigning in Wisconsin","Democratic Convention in California","Campaigning","Campaigning in California","Campaigning in Michigan","Campaigning in Texas","Campaigning in Washington","Television debate with Richard M. Nixon","Ceremonies and gatherings","Meetings with staff and international leaders","Oval office","Press conferences","Inauguration","State of the Union","Funeral","Assassination and related events","Labor racketeering hearings; John McClellan","Portraits","Robert F. Kennedy family","Democratic convention in California; Kenneth O'Donnell and Pierre Salinger","Presidential campaign announcement","Presidential campaign in California","Funeral service","Mr. and Mrs. Knowland","Syngman Rhee","Two terrible nights with the 23rd","General file","The fighting French","Greeks know how to die","How well do Negroes fight","The world's worst railroad headache","Nurses story; original article manuscript; Far East command press releases","Machine gunners; article manuscript","The flying poison","The Chinese telegraph their punch","Marines","Hokkaido story","Kaesong Conference","Refugees","The big thaw","The pious killer of Korea; United States Air Force","Coal miners in White Haven, Pennsylvania and Affinity, West Virginia","Actor Irving Fisher in New York City","Everett M. Dirksen","Olney, Maryland","Burned and mutilated currency unit of the Currency Redemption Division of the Treasury Department","Detroit, Michigan; Northern Virginia; Avon Lake, Ohio; Fruehauf trailer company","Sewing machine use in Tokyo, Japan","United States Postal Inspection Service in Washington, D.C.","Rockville, Maryland","Woods Hole, Massachusetts","Washington, D.C.; includes contact sheets and negatives","Harry Truman; Portrait of Clarence Cannon; Washington, D.C.","Ozark, Arkansas students travel to New York City, Philadelphia, and Washington, D.C.","Chevy Chase and Aberdeen, Maryland; Washington, D.C.","Henry C. Lodge","Rosenberg execution protest in Washington, D.C.","John I. Williams and Preston C. Williams","Tom Connally in Washington, D.C.","Agnes McCall Parker in Washington, D.C.","Bird dogs in Annapolis, Maryland","Commissioner Bob Christenberry in New York City","Telegraph agents of the USSR in Washington, D.C.","Aberdeen Proving Grounds in Aberdeen, Maryland","Washington, D.C.","Government Printing Office in Washington, D.C.; Arlington, Virginia","Joint Chiefs of Staff in Washington, D.C.","Portrait signed by Truman to Ollie Atkins","Senate subway construction","Marine biology in Milford, Connecticut","Librarian with full set of volumes","Carlton Hotel; John L. Lewis; Washington, D.C.","United States Air Force at Patuxent Naval Air Station in Maryland","Roland T. Carr and William A. Heilprin at Riggs National Bank in Washington, D.C.","Thomas A. Walden in Washington, D.C.","Submarine in Key West, Florida","Cold weather clothing tests in Lawrence, Massachusetts","Allen Dulles","Camp Gordon, Georgia; U.S. Army Military Police School","Dayton, Ohio; Yellow Springs, Ohio","Arthur M. Whitehill and family; Chapel Hill, North Carolina","Joe McCarthy checking a phone for wire tapping","Washington, D.C.","This subseries consists of prints from Atkins's work as Chief White House Photographer during the Richard M. Nixon Administration. The images document life in the White House, press conferences, visiting foreign leaders, presidential visits abroad, vacations, and Nixon's final days in office following his resignation. There are also numerous photographs of the Nixon's wife, Pat, and his daughters, Julie and Tricia.","Some items available in digital format.","Copy negative","Contact sheets and negatives.","Subseries 1.3 consists of both 8x10\" and 11x14\" prints arranged chronologically from Atkins' work as the personal photographer to President Richard M. Nixon. The prints cover much of the same subject matter as in Subseries 1.2 and in some cases are duplicates. Unlike Subseries 1.2, most of the prints are black and white.","1 of 4; 1968 campaign","2 of 4; 1968 campaign","3 of 4; 1968 campaign","4 of 4; 1968 campaign","Series 2 contains 4x5\" negatives created during Atkins's tenure as a photographer for the Saturday Evening Post. Subjects include American political figures, such as Dwight D. Eisenhower, Alben W. Barkley, George Marshall, and Tom Connally; Washington, D.C., sites, such as the White House, the Library of Congress, and Howard University; and religious leaders, such as Ezra Taft Benson and Prophet Jones. Other subjects include American businessmen, military figures, and average citizens. Folder numbers refer to numbered \"packets\" containing multiple negatives of the same subject. Box 58 contains negatives other than 4x5\" that could not be housed in the same containers. Some of these negatives are from the same stories and have the same packet numbering. Detailed caption descriptions for these packets can be found in Series 4. The dates following the titles refer to the story publication dates, and the dates in the scope notes refer to the dates that Atkins' took the photographs.","Ferry-Morse Seed Company, Detroit, Michigan, January 1955; 18 negatives","March 1956; 9 negatives","Also see Box 58","December 1955; 34 negatives","Includes Winston Churchill and Harry S. Truman; 36 negatives","Maxwell Taylor, August 1955; 14 negatives","Jamestown, Virginia, May 1956; 17 negatives","Donald Quarles; 13 negatives","Also see Box 58","National Institute of Dry Cleaning; 19 negatives","Library of Congress, June 1950; 25 negatives","Georgetown, Washington, D.C.; 23 negatives","14 negatives","T. James Tumulty","Also see Box 58","12 negatives","Ernest P. Walker; 5 negatives","Hines, Illinois, August 1950; 8 negatives","James Bryden; 9 negatives","Robert Woodruff, December 1950; 47 negatives","July 1955; 26 negatives","37 negatives","Sherman Adams, December 1952; 14 negatives","May 1953; 18 negatives","James Forrestal, Hoyt Vandenburg, Omar Bradley, Louis Denfield; 18 negatives","Steven Derounian; 18 negatives","Charles Potter, November 1952; 17 negatives","Kenneth Wherry; 13 negatives","Robert Taft; 32 negatives","Arthur Whitehall; 13 negatives","Statler Hotel; 35 negatives","Also see Box 58","David K. Niles","Abraham Ribicoff; 2 negatives","Spirit of St. Louis, Smithsonian Institution, March 1953; 8 negatives","27 negatives","Also see Box 58","9 negatives","Milford, Connecticut, September 1951; 16 negatives","Includes Franklin D. Roosevelt, Jr, John F. Kennedy, Robert Blaikie, Alex Rose; 10 negatives","Ralph Bunche; 10 negatives","June 1955; 7 negatives","Atlantic City, New Jersey, 1955; 22 negatives","Robert Cutler; 13 negatives","Also see Box 58","Stephen Foster, January 1953; 11 negatives","James Pinkston; 8 negatives","5 negatives","Maurice Tobin; 29 negatives","Warren Olney III; 5 negatives","Also see Box 58","17 negatives","Also see Box 58","James Maurice Gavin; 29 negatives","April 1952; 33 negatives","William F. Dean; 13 negatives","John J. Williams; 22 negatives","12 negatives","Also see Box 58","June 1952; 17 negatives","May 1953; 32 negatives","Eugene Millikin, April 1953; 23 negatives","8 negatives","May 1950; 4 negatives","Also see Box 58","Tom Connally, includes Harry S. Truman; 30 negatives","4 negatives","13 negatives","February 1952; 20 negatives","Washington Senators baseball team; 14 negatives","Also see Box 58","Ezra Taft Benson, February 1953; 9 negatives","Also see Box 58","December 1949; 20 negatives","William Leahy; 14 negatives","April 1950; 30 negatives","Also see Box 58","National Archives and Records Administration, June 1948; 30 negatives","George Tetlet, December 1947; 32 negatives","Adlai Stevenson, Springfield and Bloomfield, Illinois, February 1949; 31 negatives","Jack Kroll; 19 negatives","Arthur Burns, includes Dwight D. Eisenhower; 10 negatives","23 negatives","17 negatives","William F. Halsey, USS Missouri; 4 color positives","8 negatives","27 negatives","James Francis Marion Jones; 59 negatives","Louis Arthur Johnson, June 1949; 5 negatives","Also see Box 58","Carlton hotel, Washington, D.C., August 1949; 3 negatives","March 1950; 1 negative","Wilhelm Munthe. de Morgenstierne; 12 negatives","Clifford Garner, July 1950; 9 negatives","Library of Congress, July 1950; 9 negatives","Irving Fisher; 29 negatives","Joseph Lawton Collins, November 1950; 8 negatives","H. K. Riggs; 9 negatives","Paul Douglas; 17 negatives","35 negatives","Also see Box 58","Frank P. Graham, includes Kerr Scott, May 1949; 22 negatives","Also see Box 58","Alben W. Barkley, includes Harry F. Byrd; 18 negatives","June 1952; 5 negatives","February 1954; 5 negatives","Also see Box 58","September 1952; 12 negatives","Jim Perry, Bud Camp; 25 negatives","Also see Box 58","Milo Coplan; October and November 1952; 31 negatives","Matthew B. Ridgway; 13 negatives","League of Women Voters; 18 negatives","Good Humor Corporation, April 1949; 39 negatives","William M. Fechteler, Omar Bradley, Hoyt Vandenberg, J. Lawton Collins; 14 negatives, 1 color positive","Tomb of the Unknown Soldier, February 1954; 2 negatives","Robert Murphy; 12 negatives","Albert Roth, includes Richard M. Nixon, June 1954; 19 negatives","Includes Dean Acheson; 9 negatives","Also see Box 58","39 negatives","Mike Monroney, Charles B. Brownson; 13 negatives","November 1952; 21 negatives","Atomic Energy Commission; September 1953; 18 negatives","Frances P. Bolton, Oliver P. Bolton, June 1953; 13 negatives","Mrs. Winfield Smart, November 1952; 5 negatives","34 negatives","Also see Box 58","Dwight D. Eisenhower; 42 negatives","Also see Box 58","21 negatives","Ray \"Mike\" Dow; 22 negatives","Tom Durrance; 15 negatives","Sidney W. Souers, includes Dean Acheson; 15 negatives","Josephine Crisler, October 1948; 10 negatives","Clifton Bledsoe Cates; December 1948; 10 negatives","Howard University, November 1948; 24 negatives","Robert M. Redmond, August 1949; 5 negatives","Also see Box 58","16 negatives","George J. Schoeneman; 1 negative","Also see Box 58","38 negatives","34 negatives","24 negatives","1 negatives","8 negatives","B-29s, Tucson Arizona; 41 negatives","Werner Knop, October 1948; 12 negatives","Lou Boudreau, August 1948; 14 negatives","Also see Box 58","13 negatives","40 negatives","45 negatives","Witton Lawler; 6 negatives","Jesse M. Donaldson, December 1947; 21 negatives","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 77 negatives","Also see Box 58","Howard University, December 1948; 26 negatives","1 negative","Also see Box 58","22 negatives","15 negatives","Louis B. Meyer, Paul V. McNutt; 5 negatives","National Airport, Capitol Hill, 1947; 49 negatives","19 negatives","Also see Box 58","14 negatives","John McCloy, April 1947; 10 negatives","28 negatives","Kenilworth garbage dump; 31 negatives","19 negatives","33 negatives","F. Edward Herbert; 27 negatives","Philadelphia, Pennsylvania, Frank Monaghan; 27 negatives","Bureau of Indian Affairs; 21 negatives","11 negatives","Embassy of France, Embassy of Spain, Embassy of Mexico; 14 negatives","Demolitions Disposal Unit; 21 negatives","Stefan Krajcovic; 8 negatives","Trinity Church, Gary Edwards; 16 negatives","5 negatives","2 negatives","17 negatives","includes Hubert Humphrey, Eugenie Anderson","10 negatives","National Gallery of Art; 39 negatives","19 negatives","Clarence Cannon, includes Harry S. Truman; 17 negatives","March 1956; 35mm negatives","Also see Box 49","35mm negatives","Donald Quarles; 35mm negatives","Also see Box 49","35mm negatives.","Wayne Morse; 35mm negatives","T. James Tumulty; 35mm negatives","Also see Box 49","35mm and 2x2\" negatives","Statler Hotel; 35mm negatives","Also see Box 50","35mm negatives","Also see Box 50","Robert Cutler; 35mm negatives","Also see Box 50","Warren Olney III; 35mm negatives","Also see Box 51","35mm negatives","Also see Box 51","35mm negatives","35mm negatives","Also see Box 51","35mm negatives","2x2\" negatives","May 1950; 2x2\" negatives","Also see Box 51","Washington Senators baseball team; 14 negatives","Also see Box 52","Ezra Taft Benson, February 1953; 2x2\" negatives","Also see Box 52","April 1950; 2x2\" negatives","Also see Box 52","35mm negatives","Stuart Symington, June, 1956; 35mm negatives","35mm negatives","35mm negatives","Louis Arthur Johnson, June 1949; 2x2\" negatives","Also see Box 53","2x2\" negatives","2x2\" negatives","35mm negatives","35mm negatives","35mm and 2x2\" negatives","35mm negatives","Also see Box 53","Frank P. Graham, includes Kerr Scott, May 1949; 2x2\" negatives","Also see Box 53","February 1954; 2x2\" negatives","Also see Box 53","Jim Perry, Bud Camp; 35mm negatives","Also see Box 53","Earl Warren; 35mm negatives","Alben William Barkley; 2x2\" negatives","Includes Dean Acheson; 2x2\" negatives","Also see Box 53","35mm negatives","35mm negatives","2x2\" negatives","Also see Box 54","Dwight D. Eisenhower; 2x2\" negatives","Also see Box 54","Robert M. Redmond, August 1949; 2x2\" negatives","Also see Box 54","George J. Schoeneman; 2x2\" negatives","Also see Box 54","2x2\" negatives","Lou Boudreau, August 1948; 2x2\" negatives","Also see Box 55","2x2\" negatives","2x2\" negatives","2x2\" negatives","Paul Brindle, Alden H. Waite, Clyde R. Hoey, Herbert Feldman, Harry Vaughn, John F. Maragon; 2x2\" Negatives","Also see Box 55","2x2\" negatives","Also see Box 56","2x2\" negatives","Also see Box 56","Series 3 contains 35mm negatives, 4x5\" negatives, contact sheets, and slides that Atkins created while he worked for the Saturday Evening Post in the 1950s and 1960s as well as some images from work he did during World War II. Prints from these images can be found in Series 1, and there are some copies of negatives that are in Series 4.","Subseries 3.1 is arranged in chronological order and appears to be largely from Atkins' Washington File, a collection of images he maintained from various assignments. The bulk of the collection documents the administrations of Presidents John F. Kennedy and Lyndon B. Johnson. There is also significant documentation of events in Washington, D.C., particularly demonstrations and events associated with the Civil Rights Movement.","Subseries 3.2 is arranged in alphabetical order. Subjects include Presidents Dwight D. Eisenhower, John F. Kennedy, and Lyndon B. Johnson, along with their cabinet members and families. Other political figures or events include United States Senators and Congressmen, such as Barry Goldwater, J. William Fulbright, and Margaret Chase Smith, and the Democratic and Republican National Conventions from 1956-1968. As in Subseries 1.1, multiple folders titles are based on Saturday Evening Post story titles.","(1 of 4)","(2 of 4)","(3 of 4)","(4 of 4)","Connecticut Gubernatorial Campaign","Georgetown House portraits","Polling","I Flew Supersonic","How to Speak French","Portraits","Stewart Alsop Family","How to Write a Magazine Article","Polling, Negro poll","Alsop poll \"Mood of America\"","John F. Kennedy","Portraits","Alsop poll","Biplanes","They Make Flying Fun Again","Trevor Armbristen Family","Lyndon B. Johnson","Golf's Banking on Burke","by Sherwood Harris","Mercury 6 launch","Portraits","Generals LeMay and White","color slides","Includes John F. Kennedy","Bernard Goldfine","1 of 4","2 of 4","3 of 4","4 of 4","Includes Jacqueline Kennedy","Lyndon B. Johnson with military","1 of 2","2 of 2","color slides 1","color slides 2","color slides 3","color slides 4","color slides 5","color slides 6","Meetings, public events","Presidential campaign","Election","Church near the Lyndon B. Johnson Ranch","Oval Office","Inauguration","Ranch","Omaha, Nebraska, Des Moines, Iowa, Lyndon B. Johnson ranch","Glassboro, New Jersey; Alexei Kosygin","Glassboro, New Jersey; Alexei Kosygin","Maxwell Taylor, Robert S. McNamara, George W. Ball, John McCone, Jack Valenti","Saturday Evening Post stories about John F. Kennedy; 4x5 negatives","Funeral, Arlington National Cemetery","Arlington National Cemetery","Presidential campaign","Presidential campaign","Presidential campaign","White House and Congressional budget meetings and hearings","Ranger, Saturn, Mercury","1 of 3","2 of 3","3 of 3","4x5 negatives","I Can Say He's a Wonderful Guy","1 of 2","2 of 2","Rose Mary Woode","Hospitals","Adlai Stevenson, Eleanor Roosevelt, Winston Churchill, Richard M. Nixon, Bernard Montgomery, Harry S. Truman, John Foster Dulles","Alben W. Barkley, Harry S. Truman, Estes Kefauver, Leverett Saltonstall, John F. Kennedy, Albert Gore, Sr.","John Foster Dulles, Charles Erwin Wilson, Robert Taft","Blair House","John F. Kennedy, Richard M. Nixon","John F. Kennedy, Richard M. Nixon","Some images may have been created in the 1950s; 1 of 2","2 of 2","Saturday Evening Post writer","Macy's New York City","T. I. Swartz and Sons","Includes images of construction","Includes Lyndon B. Johnson","National Mall, Pentagon, United States Supreme Court Building, Pan American Building","American Red Cross, Tunisia, Italy","Series 4 contains correspondence, awards, press travel packets, copies of images for exhibits and reference use, and a photograph assignment on the Shenandoah Valley in Virginia. Note that there is also correspondence and notes throughout the folders in the Series 3.","Jacqueline Kennedy, Caroline Kennedy, John Kennedy, Jr., Pierre Salinger","Includes memorabilia","1 of 3","2 of 3","3 of 3","Series 5 contains oversize mat photographs. Subjects include World War II in Europe, the Korean War, and scenes from Africa, India, and the Middle East. Also pictured are American political figures such as Dwight D. Eisenhower, John F. Kennedy, Lyndon B. Johnson, and Richard M. Nixon. Other subjects include protests on the National Mall, landmarks in Washington, D.C. and New York City, coal miners, and Fidel Castro.","10 1/4\" x 13\"","10 1/4\" x 13 1/4\"","13\" x 10 1/8\"","13\" x 10\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/8\"","9 5/8\" x 13 1/8\"","10 1/4\" x 13 1/4\"","10 1/8'\" x 11 1/4\"","13 1/8\" x 10 1/4\"","10 1/4\" x 13 1/8\"","10\" x 13\"","10 1/4\" x 13\"","10 1/4\" x 13\"","10 1/4\" x 13 1/4\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13\"","10 1/4\" x 13\"","13 1/8\" x 10 1/4\"","10 1/4\" x 13 1/8\"","two copies; 10 1/4\" x 13\"","two copies; 10 1/4\" x 13\"","10 1/4\" x 13\"","9 3/4\" x 13 1/8\" and 9 1/2\" x 13 1/4\"","13 1/8\" x 10 1/4\"","8 5/8\" x 13 1/4\"","13\" x 10\"","13 1/4\" by 10 1/4\"","three copies","13 3/8\" x 8 5/8\"","10 1/4\" x 13\"","13 1/4\" x 10\"","13 7/8\" x 8 1/2\"","10 1/4\" x 13\"","10\" x 13\"","10 1/8\" x 13\"","12 3/4\" x 10\"","9\" x 13\"","13\" x 10\"","13\" x 10\"","10\" x 12\"","10\" x 13\"","10\" x 13\"","10\" x 12 1/2\"","13\" x 10\"","12 1/2\" x 10\"","13\" x 10\"","13\" x 10\"","12 1/2\" x 9 3/4\"","11 3/4\" x 10\"","11 1/4\" x 13\"","8 1/4\" x 5 1/4\"","13 1/2\" x 10\"","13\" x 10\"","7 1/4\" x 9 1/2\"","13\" x 9 1/2\"","13\" x 9 1/2\"","13 1/4\" x 8 1/8\"","13 1/4\" x 9 3/4\"","13\" x 9 3/4\"","13 1/4 x 9 3/4\"","19 1/2\" x 9 1/4\"; 4 1/4\" x 2 3/4\"","10\" x 6 3/4\"; 9 1/2\" x 6 1/2\"","7\" x 4 3/4\"","9 1/4\" x 13 1/4\"","10 1/4\" x 13 1/4\"","8 3/4\" x 13 1/8\"","20\" x 16\"","5\" x 8\"","5\" x 8\"","5\" x 8\"","10 5/8\" x 13 1/2\"","13\" x 10 1/4\"","13\" x 10 3/8\"","13\" x 10 1/4\"","10 1/4\" x 11 3/4\"","10 1/4\" 13\"","10 3/4\" x 13\"","10\" x 13\"","13\" x 8 1/2\"","9 1/2\" x 13\"","9 1/4\" x 13\"","9 1/4\" x 13\"","9 1/2\" x 13\"","13\" x 10 1/4\"","13 1/8 x 10 1/8\"","17\" x 11 5/8\"","13 1/4\" x 10\"","13 1/4\" x 5 5/8\"","13 1/2\" x 9\"","13\" x 8 6/8\"","12 1/4\" x 8 1/8\"","9 1/2\" x 13 1/4\"","10\" x 13 1/4\"","9 1/4\" x 13 1/4\"","9\" x 13 1/4\"","10 1/2\" x 13 1/2\"","8 3/8\" x 13 1/4\"","8 3/4\" x 13 1/4\"","15\" x 19 3/4\"","14 1/2\" x 15 3/4\"","14 3/4\" x 19 1/4\"","14\" x 17 1/2\"","18\" x 14\"","17 5/8\" x 11 1/2\"","13 1/2\" x 10 3/8\"","13 1/4\" x 9\"","13 1/4\" x 8 1/2\"","9 1/8\" x 13 1/4\"","10 1/4\" x 13\"","12 5/8\" x 9 7/8\"","7 1/8\" x 13 1/4\"","10 1/4\" x 13 1/2\"","10 3/8\" x 12 1/2\"","8 1/8\" x 13 1/4\"","13 1/4\" x 10 1/4\"","9\" x 13 1/4\"","13 1/8\" x 9 1/4\"","9 1/8\" x 13 3/4\"","8 1/2\" x 13 1/2\"","9 3/4 x 13 1/4\"","9\" x 13 1/8\"","9 1/8\" x 13 1/4\"","8 1/2\" x 13\"","10 1/4\" x 13 1/8\"","13 1/2\" x 9 1/4\"","10 1/8\" x 10 1/4\"","9 3/8\" x 13\"","8 1/4\" x 13\"","10 1/2\" x 13 1/2\"","13 1/4\" x 10 1/2\"","13 1/2\" x 9 1/4\"","12 7/8\" x 8 1/8\"","12 3/4\" x 7 3/4\"","9 3/4\" x 9 3/4\"","10 1/4\" x 11 1/2\"","10 1/4\" x 10 3/8\"","9 1/4\" x 13 1/4\"","10 3/8\" x 13\"","10 1/8\" x 13\"","8 3/4\" x 12 3/4\"","13 1/4\" x 8 1/2\"","13 1/4\" x 10 1/4\"","13 1/8 x 10\"","13 1/4\" x 7 7/8\"","10 1/2\" x 12 5/8\"","10 1/4\" x 12 1/4\"","13 1/4\" x 10 3/8\"","13 1/4\" x 10 1/4\"","13 1/4\" x 10 1/4\"","13 3/8\" x 10 1/2\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/8\"","13 1/4 x 10 1/4\"","10 1/8\" x 13\"","9\" x 13 1/4\"","9\" x 13 1/4\"","11 7/8\" x 18 3/4\"","12 3/8\" x 9 5/8\"","9\" x 11\"","13 1/4\" x 10 1/4\"","13 1/8\" x 10 1/4\"","13 1/2\" x 9 1/4\"","13 1/2\" x 7 3/4\"","13 1/4\" x 9 1/2\"","13 1/4\" x 9 1/2\"","13\" x 9 1/4\"","13 1/8\" x 10 1/4\"","13 1/8\" x 8 1/2\"","16\" x 10 1/4\"","13 1/4\" x 8 1/2\"","13 1/4\" x 8 1/4\"","13 1/4\" x 8 1/4\"","13\" x 8 3/4\"","13\" x 8 3/4\"","13\" x 9\"","10\" x 13 1/4\"","10 1/2\" x 13 1/2\"","13\" x 8 3/4\"","13 1/4\" x 10 1/4\"","13\" x 9 1/2\"","10\" x 13 1/4\"","13 1/2\" x 8 1/4\"","8 1/2\" x 13 1/4\"","13\" x 10\"","10 3/8\" x 13 1/8\"","12 3/4\" x 10 1/2\"","12 7/8\" x 10\"","13 1/4\" x 8 1/4\"","13 3/8\" x 8 1/8\"","13\" x 10 3/8\"","13 1/4\" x 10 3/8\"","13 1/4\" x 8 1/2\"","7 3/8\" x 13 3/8\"","13 1/2\" x 8 3/4\"","13 1/2\" x 8 3/4\"","13 1/4\" x 8 1/2\"","13 1/2\" x 10 5/8\"","13 1/8\" x 10 1/4\"","13 1/8\" x 10 1/4\"","9 1/4\" x 13 1/4\"","13 1/4\" x 9 1/4\"","12 7/8\" x 9 3/4\"","13 1/4\" x 9 1/4\"","13 3/8\" x 8 7/8","13\" x 9 1/4\"","13 1/4\" x 10 1/4\"","10 1/4\" x 12 3/4\"","13 1/4\" x 11\"","10 1/4\" x 13 1/4\"","10\" x 12 1/2\"","10 3/8\" x 13\"","10 1/4\" x 13 1/4\"","additional notes by Atkins on back of photograph; 10 1/2\" x 13 1/4\"","10 3/8\" x 13\"","10 3/8\" x 12 7/8\"","10 3/8\" x 13 1/8\"","13 1/4\" x 10 1/4\"","10 1/4\" x 13 1/4\"","10 1/4\" x 13 1/8\"","10 1/4\" x 13 1/4\"","10 3/8\" x 13 1/8\"","10 1/2\" x 13 1/4\"","9 1/2\" x 13 1/4\"","13 1/4\" x 10 1/4\"","13 1/2\" x 19 5/8\"","10 1/4\" x 13 1/4\"","13\" x 10\"","10\" x 13 1/4\"","13 1/4\" x 10 1/8\"","10\" x 13\"","9\" x 13 1/4\"","9 1/2\" x 13 3/8\"","9 1/2\" x 13 1/4\"","12 3/4\" x 9 1/4\"","9\" x 11 7/8\"","13 1/4\" x 9 1/8\"","13\" x 10 5/8\"","13 3/8\" x 10 1/4\"","9 1/4\" diameter","13 1/4\" x 10 1/4\"","13 1/8\" x 9 3/8\"","color","color","color"],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_6e22cfaf49bfa437907b5307b0049834\" label=\"Abstract\"\u003eThe Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the \u003citalic\u003eSaturday Evening Post\u003c/italic\u003e, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10\" and l3x10\" color and black and white prints and 35mm and 4\"x5\" black and white negatives. There are also a number of slides, contact sheets, and oversize mat prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cbd4a8bb865698247d734e42aa0e070e\"\u003eR17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6\u003c/physloc\u003e\n    "],"physloc_tesim":["R17, C2, S4 - C4, S3\nOS R1, C1, S1-S5\nOS R7, C1, S2-S3, S5-S6\nOS R7, C3, S6"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School"],"names_coll_ssim":["Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. Postal Inspection Service","US Army Military Police School","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"persname_ssim":["Atkins, Oliver F., 1916-1977","Acheson, Dean, 1893-1971","Alsop, Joseph, 1910-1989","Alsop, Stewart","Baker, Bobby, 1928-2017","Cannon, Clarence, 1879-1964","Churchill, Winston, 1874-1965","Connally, Tom, 1877-1963","Cox, Patricia Nixon, 1946-","Derounian, Steven B. (Steven Boghos), 1918-2007","Douglas, Paul H. (Paul Howard), 1892-1976","Duke, Angier Biddle, 1915-1995","Eisenhower, Dwight D. (Dwight David), 1890-1969","Eisenhower, Julie Nixon","Eisenhower, Mamie Doud, 1896-1979","Ford, Gerald R., 1913-2006","Goldwater, Barry M. (Barry Morris), 1909-1998","Gore, Al, 1948-","Hoffa, James R. (James Riddle), 1913-","Johnson, Lady Bird, 1912-2007","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Kennedy, Edward M. (Edward Moore), 1932-2009","Kennedy, Ethel, 1928-","Kennedy, John F. (John Fitzgerald), 1917-1963","Kennedy, Robert F., 1925-1968","Lewis, John L. (John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. (Arthur Murray)","Woodruff, Robert Winship","Woods, Rose Mary"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Ku Klux Klan (1915- )","Marriott Hot Shoppes","North Carolina (Battleship : BB-55)","Statler Hotel (Washington, D.C.)","Telegrafnoe agentstvo SSSR","Trinity Church (New York, N.Y.)","United States. Air Force","United States. Government Printing Office","United States. Navy","United States. 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(John Llewellyn), 1880-1969","Mansfield, Mike, 1903-2001","McCarran, Pat, 1876-1954","McCormack, John W., 1891-1980","McNamara, Robert S., 1916-2009","Meany, George, 1894-1980","Mesta, Perle, 1889-1975","Mink, Patsy T., 1927-2002","Minoso, Minnie, 1922-2015","Moyers, Bill D.","Muskie, Edmund S., 1914-1996","Nixon, Pat, 1912-1993","Nixon, Richard M. (Richard Milhous), 1913-1994","Olney, Warren, 1904-1978","Onassis, Jacqueline Kennedy, 1929-1994","Percy, Charles H., 1919-2011","Reedy, George E., 1917-1999","Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979","Romney, George W., 1907-1995","Rooney, John J., 1903-1975","Rusk, Dean, 1909-1994","Russell, Richard B. (Richard Brevard), 1897-1971","Sayre, Francis Bowes, 1915-2008","Scranton, William W. (William Warren), 1947-","Symington, Stuart, 1901-1988","Taft, Robert, Jr., 1917-1993","Tree, Marietta, 1917-1991","Truman, Harry S., 1884-1972","Walker, Ernest P. (Ernest Pillsbury), 1891-1969","Whitehill, Arthur M. 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