{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Item\u0026page=5","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Item\u0026page=4","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Item\u0026page=6","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=Item\u0026page=389"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":389,"limit_value":10,"offset_value":40,"total_count":3887,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_7_resources_157_c01_c10","type":"Item","attributes":{"title":"1-10 Brain shown in relation to the surface lines on the scalp,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c10","ref_ssm":["viu_repositories_7_resources_157_c01_c10"],"id":"viu_repositories_7_resources_157_c01_c10","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-10 Brain shown in relation to the surface lines on the scalp,","title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,"],"title_tesim":["1-10 Brain shown in relation to the surface lines on the scalp,"],"normalized_title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,, 1920/1950"],"text":["1-10 Brain shown in relation to the surface lines on the scalp,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 10"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":11,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.","Processed by:\n        Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e  ","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e\n","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c10"}},{"id":"viw_repositories_2_resources_687_c10_c24","type":"Item","attributes":{"title":"1111 - OLD HOUSE, NORFOLK, cut on end grain maple, 1949","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c10_c24#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c10_c24#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c10_c24","ref_ssm":["viw_repositories_2_resources_687_c10_c24"],"id":"viw_repositories_2_resources_687_c10_c24","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c10","parent_ssi":"viw_repositories_2_resources_687_c10","parent_ssim":["Julius J. Lankes Collection, 1917/1986","Box 10 (Printing Blocks)"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c10"],"title_filing_ssi":"1111 - OLD HOUSE, NORFOLK, cut on end grain maple","title_ssm":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple"],"title_tesim":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple"],"normalized_title_ssm":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple, 1949"],"text":["1111 - OLD HOUSE, NORFOLK, cut on end grain maple, 1949","Julius J. Lankes Collection, 1917/1986","Box 10 (Printing Blocks)","box 10","Item 1111","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition"],"parent_unittitles_ssm":["Julius J. Lankes Collection, 1917/1986","Box 10 (Printing Blocks)"],"parent_unittitles_tesim":["Julius J. Lankes Collection, 1917/1986","Box 10 (Printing Blocks)"],"normalized_date_ssm":["1949"],"unitdate_inclusive_ssm":["March 1, 1949"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":319,"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection, 1917/1986"],"containers_ssim":["box 10","Item 1111"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1949],"scopecontent_html_tesm":["\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition"],"_nest_path_":"/components#9/components#23","timestamp":"2026-06-23T07:44:41.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"normalized_date_ssm":["1917/1986"],"normalized_title_ssm":["Julius J. Lankes Collection, 1917/1986"],"text":["Julius J. Lankes Collection, 1917/1986","Mss. 65 L27","/repositories/2/resources/687","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary.","Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY BOOKPLATE STONE (spelling corrected), cut 8-1-21- both reproduced from original prints.","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. CORRECTION10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"collection_title_tesim":["Julius J. Lankes Collection, 1917/1986"],"collection_ssim":["Julius J. Lankes Collection, 1917/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"places_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Lankes, Julius J.,  1884-1960","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e  ","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary.","Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e  ","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY BOOKPLATE STONE (spelling corrected), cut 8-1-21- both reproduced from original prints.","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. CORRECTION10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:44:41.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c10_c24"}},{"id":"viw_repositories_2_resources_687_c09_c27","type":"Item","attributes":{"title":"1111 - Old House - Norfolk, Virginia, 1949","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c09_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c09_c27","ref_ssm":["viw_repositories_2_resources_687_c09_c27"],"id":"viw_repositories_2_resources_687_c09_c27","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c09","parent_ssi":"viw_repositories_2_resources_687_c09","parent_ssim":["Julius J. Lankes Collection, 1917/1986","Box 9 (Oversize)"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c09"],"title_filing_ssi":"1111 - Old House - Norfolk, Virginia","title_ssm":["1111 - Old House - Norfolk, Virginia"],"title_tesim":["1111 - Old House - Norfolk, Virginia"],"normalized_title_ssm":["1111 - Old House - Norfolk, Virginia, 1949"],"text":["1111 - Old House - Norfolk, Virginia, 1949","Julius J. Lankes Collection, 1917/1986","Box 9 (Oversize)","box 9","Oversize Folder 73"],"parent_unittitles_ssm":["Julius J. Lankes Collection, 1917/1986","Box 9 (Oversize)"],"parent_unittitles_tesim":["Julius J. Lankes Collection, 1917/1986","Box 9 (Oversize)"],"normalized_date_ssm":["1949"],"unitdate_other_ssim":["1949-03-01"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":294,"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection, 1917/1986"],"containers_ssim":["box 9","Oversize Folder 73"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1949],"_nest_path_":"/components#8/components#26","timestamp":"2026-06-23T07:44:41.677Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"normalized_date_ssm":["1917/1986"],"normalized_title_ssm":["Julius J. Lankes Collection, 1917/1986"],"text":["Julius J. Lankes Collection, 1917/1986","Mss. 65 L27","/repositories/2/resources/687","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary.","Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY BOOKPLATE STONE (spelling corrected), cut 8-1-21- both reproduced from original prints.","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. CORRECTION10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"collection_title_tesim":["Julius J. Lankes Collection, 1917/1986"],"collection_ssim":["Julius J. Lankes Collection, 1917/1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"places_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Lankes, Julius J.,  1884-1960","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e  ","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary.","Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e  ","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY BOOKPLATE STONE (spelling corrected), cut 8-1-21- both reproduced from original prints.","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. CORRECTION10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:44:41.677Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c09_c27"}},{"id":"viu_repositories_7_resources_157_c01_c11","type":"Item","attributes":{"title":"1-11 Outer surface of the right cerebral hemisphere ,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c11","ref_ssm":["viu_repositories_7_resources_157_c01_c11"],"id":"viu_repositories_7_resources_157_c01_c11","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-11 Outer surface of the right cerebral hemisphere ,","title_ssm":["1-11 Outer surface of the right cerebral hemisphere ,"],"title_tesim":["1-11 Outer surface of the right cerebral hemisphere ,"],"normalized_title_ssm":["1-11 Outer surface of the right cerebral hemisphere ,, 1920/1950"],"text":["1-11 Outer surface of the right cerebral hemisphere ,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 11"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":12,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 11"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"_nest_path_":"/components#0/components#10","timestamp":"2026-06-23T07:31:02.482Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"normalized_date_ssm":["1920/1965"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.","Processed by:\n        Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e  ","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e\n","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e\n","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e\n","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c11"}},{"id":"viu_repositories_7_resources_157_c01_c12","type":"Item","attributes":{"title":"1-12 Basal aspect of the brain ,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c12","ref_ssm":["viu_repositories_7_resources_157_c01_c12"],"id":"viu_repositories_7_resources_157_c01_c12","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-12 Basal aspect of the brain ,","title_ssm":["1-12 Basal aspect of the brain ,"],"title_tesim":["1-12 Basal aspect of the brain ,"],"normalized_title_ssm":["1-12 Basal aspect of the brain ,, 1920/1950"],"text":["1-12 Basal aspect of the brain ,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 12"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":13,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 12"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Use of digital files is restricted to research and educational purposes."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"_nest_path_":"/components#0/components#11","timestamp":"2026-06-23T07:31:02.482Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"normalized_date_ssm":["1920/1965"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.","Processed by:\n        Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. 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Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c13"}},{"id":"viu_repositories_7_resources_157_c01_c14","type":"Item","attributes":{"title":"1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c14","ref_ssm":["viu_repositories_7_resources_157_c01_c14"],"id":"viu_repositories_7_resources_157_c01_c14","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,","title_ssm":["1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,"],"title_tesim":["1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,"],"normalized_title_ssm":["1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,, 1920/1950"],"text":["1-14 Sagittal section through entire brain hemisphere (adult male) exposed in situ ,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 14"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":15,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"_nest_path_":"/components#0/components#13","timestamp":"2026-06-23T07:31:02.482Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"normalized_date_ssm":["1920/1965"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.","Processed by:\n        Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e  ","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e\n","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e\n","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e\n","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c14"}},{"id":"viu_repositories_7_resources_157_c01_c15","type":"Item","attributes":{"title":"1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c15","ref_ssm":["viu_repositories_7_resources_157_c01_c15"],"id":"viu_repositories_7_resources_157_c01_c15","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,","title_ssm":["1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,"],"title_tesim":["1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,"],"normalized_title_ssm":["1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,, 1920/1950"],"text":["1-15 Dissection showing corpora geniculata, connections of optic tract, and middle peduncle of cerebellum ,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 15"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":16,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. 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The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"corpname_ssim":["Claude Moore Health Sciences Library"],"names_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:02.482Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c15"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c08_c08","type":"Item","attributes":{"title":"#115 - Harlow, Richard, 1914/1962","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c08_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c08_c08","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c08_c08"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c08_c08","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c08","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c08","parent_ssim":["Bailey-Law Collection, 1825/1971","Series III. Naturalists Biographical Files, 1825/1971","Subseries A. Numerical Files, 1825/1970","#108-121"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c08"],"title_filing_ssi":"#115 - Harlow, Richard","title_ssm":["#115 - Harlow, Richard"],"title_tesim":["#115 - Harlow, Richard"],"normalized_title_ssm":["#115 - Harlow, Richard, 1914/1962"],"text":["#115 - Harlow, Richard, 1914/1962","Bailey-Law Collection, 1825/1971","Series III. Naturalists Biographical Files, 1825/1971","Subseries A. Numerical Files, 1825/1970","#108-121"],"parent_unittitles_ssm":["Bailey-Law Collection, 1825/1971","Series III. Naturalists Biographical Files, 1825/1971","Subseries A. Numerical Files, 1825/1970","#108-121"],"parent_unittitles_tesim":["Bailey-Law Collection, 1825/1971","Series III. Naturalists Biographical Files, 1825/1971","Subseries A. Numerical Files, 1825/1970","#108-121"],"normalized_date_ssm":["1914/1962"],"unitdate_inclusive_ssm":["1914-1962"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":258,"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection, 1825/1971"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"_nest_path_":"/components#2/components#0/components#7/components#7","timestamp":"2026-06-23T06:44:57.607Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"normalized_date_ssm":["1825/1971"],"normalized_title_ssm":["Bailey-Law Collection, 1825/1971"],"text":["Bailey-Law Collection, 1825/1971","Ms.1982.002","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology.","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925).","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's online catalog.","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, The Birds of Virginia and The Birds of Florida, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series:","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters.","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's The Birds of Virginia (1913) and The Birds of Florida (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the Bulletin of the Bailey Museum and Library of Natural History, together with sample issues of the publication.","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II.","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries:","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's The Birds of Virginia. The photographs have been divided among the following categories: The Birds of Virginia, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of:Ulysses S. Grant [Union Army general and United States president]Ambrose E. Burnside [Union Army general]William Tecumseh Sherman [Union Army general]Philip H. Sheridan [Union Army general]J. TylerJ. DavisHenry P. Baldwin [Michigan governor]Levi P. Morton [United States vice-president]Hannibal Hamlin [United States vice-president]William Claflin [Massachusetts governor]Douglas Sladen [English author][S. W. Lincoln Jr.?]Grover Cleveland [United States president]Frances Folsom Cleveland [United States first lady]Rutherford B. Hayes [United States president]John J. Audubon [naturalist]Joshua L. Chamberlain [Maine governor]Benjamin F. Butler [Union Army general]Geo. H. Hepworth [minister and journalist]Walter Harriman [New Hampshire governor]Horace Greeley [newspaper editor; 1872 presidential candidate]Joseph [W.?] DonahueJames M. Harvey [Kansas governor]John W. Geary [Pennsylvania governor]John Hoffman [New York governor]Hans von Bulow [pianist]Lucius Fairchild [Wisconsin governor]Robert W. Chambers [American author]Henry Huntly Haight [California governor]Geo. S. Boutwell [United States secretary of the treasury]Henry L. Pierce [Massachusetts congressman]Charles [illegible]E. M. Pease [Texas governor]H. L. Dawes [Massachusetts senator]William Gaston [Massachusetts governor]Alexander H. Rice [Massachusetts governor]Henry W. Longfellow [poet]William Dean Howells [author][with poem]Margaret J. Preston [poet]Oliver Wendall Holmes [United States Supreme Court justice][with poem] William Cullen Bryant [poet and newspaper editor]Nathaniel B. Shurtleff [Boston mayor]Aaron V. Brown [United States postmaster-general]Marshall Jewell [United States postmaster-general]Morrison Remick Waite [United States Supreme Court chief justice]William Worth Belknap [United States secretary of war]Asa Gray [Harvard University professor of botany]Olive Thorne Miller [naturalist and children's writer]James Parton [author/biographer]Bayard Taylor [poet]Thomas Hughes [English author][illegible]Frank Stockton [author]William R. Marshall [Minnesota governor]W. L. Champney [artist][with drawing]P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork]","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)]","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original]BlackbirdBlack-crowned night heronBlue JayBluebird [2 items]Bobolink [accompanied by black-and-white original]Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original]Chimney swift [accompanied by black-and-white originalChipping sparrowCrowField sparrowIndigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original]Kingfisher [accompanied by black-and-white original]Least bitternLouisiana water thrush [accompanied by black-and-white originalMeadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original]OvenbirdPewee [accompanied by black-and-white original]Red-eyed vireo [accompanied by black-and-white original]Robin","Whip-poor-will [accompanied by black-and-white original]White-eyed vireo [accompanied by black-and-white original]Woodcock [accompanied by black-and-white originalYellow-billed cuckooYellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d.American coot n.d. [2 items]Arkansas goldfinch 1904Bald eagle 1927Bank swallow n.d.Barn swallow n.d.","Black and white warbler (with cowbird) n.d.Black-billed cuckoo n.d.Black-headed grosbeak n.d. [2 copies]Black-necked stilt n.d.Blue-winged warbler n.d.Bob white n.d. [2 items]","California towhee 1904Canadian grouse n.d.Canadian warbler n.d.Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items]Chickadee n.d.Chipping sparrow n.d.Clapper rail n.d.Downy woodpecker n.d.Duck hawk n.d.Dusky seaside sparrow 1920","Field sparrow n.d.Flamingo n.d. [6 items]Florida bald eagle 1921Florida bob white n.d.Florida meadowlark 1922 [2 items]Florida nighthawk n.d.Florida red-shouldered hawk 1928Florida redwing 1920","Grasshopper sparrow n.d.Great white heron 1924Ground dove n.d. [2 items]Hermit thrush n.d.Hooded warbler n.d.House wren n.d.Kingbird 1902Kingfisher n.d.","Laughing gull 1910Lazuli bunting n.d.Least flycatcher (with cowbird) n.d.Least tern n.d. [2 items]Loggerhead shrike n.d.Magnolia warbler n.d.Myrtle warbler n.d.","Nashville warbler n.d.Northern yellowthroat n.d.Olive-sided flycatcher n.d.Ovenbird n.d.Phoebe 1902 [2 items]Prairie warbler n.d.","Red-billed tropic bird n.d.Red-cockaded woodpecker 1918Red-winged blackbird n.d.Redstart n.d.Robin n.d.Rose-breasted grosbeak n.d.Ruby-throat n.d.Ruddy [2 items]Russet-backed thrush 1904","Sage grouse n.d.Salt marsh yellow throat n.d. [2 items]Samuel's song sparrow n.d. [2 items]Sand swallow n.d.Scarlet tanager n.d.Screech owl n.d.","Tennessee warbler n.d.Towhee n.d.Vermillion flycatcher 1935Vesper sparrow n.d.Western flycatcher n.d.Western mockingbird 1920Western red-tailed hawk 1904 [2 copies]White-crowned pigeon 1921, n.d.White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items]Wilson's thrush n.d.Wilson's warbler n.d.Wood ibis n.d. [2 items]Wood thrush n.d.Worm-eating warbler n.d.Yellow-billed cuckoo n.d.Yellow warbler n.d.","Bald eagle n.d. [2 copies]Baltimore oriole n.d.Black albatross 1913 [2 items]Blackbird n.d.Blue-footed booby n.d.Blue-winged warbler n.d. [2 items]Bluebird n.d. [2 items]Bridled tern 1921Brown pelican n.d.Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items]Canvasback duck 1917Catbird n.d. [2 items]Chestnut-sided warbler n.d.Chickadee n.d. [2 items]Chimney swift n.d.Chipping sparrow n.d.Crow n.d.","Downy woodpecker n.d.Field sparrow n.d. [3 items]Flamingo n.d. [3 items]Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items]Florida cormorant n.d.Florida jay n.d.Foster's tern n.d.Gannet n.d. [2 items]Great blue heron 1904Green heron n.d.Harlequin ducks n.d.Hooded warbler n.d. [2 items]House wren n.d.","Kingfisher n.d.Least tern n.d. [3 items]Little blue heron n.d.Loggerhead shrike n.d.Louisiana water thrush n.d.Man o'war bird n.d.Ovenbird n.d.Pelican 1935Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items]Redstart n.d.Robin n.d. [3 items]Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items]Shrike n.d.Song sparrow n.d.[Southeastern American kestrel] n.d. [4 items]Spotted sandpiper n.d.","Water ouzel 1905Western yellowthroat n.d.Whip-poor-will n.d.Whistling swan 1917 [2 items]White albatross 1913 [2 items]White ibis n.d.White pelican n.d.[2 items]Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items]Wood thrush n.d. [3 items]Yellow-breasted chat n.d. [2 items]Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies]Baltimore oriole n.d.Black albatross 1913 [2 items]Blackbird n.d.Blue-footed booby n.d.Blue-winged warbler n.d. [2 items]Bluebird n.d. [2 items]Bridled tern 1921Brown pelican n.d.Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, The Birds of Virginia and The Birds of Florida, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"collection_title_tesim":["Bailey-Law Collection, 1825/1971"],"collection_ssim":["Bailey-Law Collection, 1825/1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"unitid_tesim":["Ms.1982.002"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","Special Collections and University Archives, Virginia Tech"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's The Birds of Florida were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e  "],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e  ","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology.","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925).","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's online catalog.","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e  ","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, The Birds of Virginia and The Birds of Florida, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series:","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters.","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's The Birds of Virginia (1913) and The Birds of Florida (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the Bulletin of the Bailey Museum and Library of Natural History, together with sample issues of the publication.","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II.","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries:","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's The Birds of Virginia. The photographs have been divided among the following categories: The Birds of Virginia, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of:Ulysses S. Grant [Union Army general and United States president]Ambrose E. Burnside [Union Army general]William Tecumseh Sherman [Union Army general]Philip H. Sheridan [Union Army general]J. TylerJ. DavisHenry P. Baldwin [Michigan governor]Levi P. Morton [United States vice-president]Hannibal Hamlin [United States vice-president]William Claflin [Massachusetts governor]Douglas Sladen [English author][S. W. Lincoln Jr.?]Grover Cleveland [United States president]Frances Folsom Cleveland [United States first lady]Rutherford B. Hayes [United States president]John J. Audubon [naturalist]Joshua L. Chamberlain [Maine governor]Benjamin F. Butler [Union Army general]Geo. H. Hepworth [minister and journalist]Walter Harriman [New Hampshire governor]Horace Greeley [newspaper editor; 1872 presidential candidate]Joseph [W.?] DonahueJames M. Harvey [Kansas governor]John W. Geary [Pennsylvania governor]John Hoffman [New York governor]Hans von Bulow [pianist]Lucius Fairchild [Wisconsin governor]Robert W. Chambers [American author]Henry Huntly Haight [California governor]Geo. S. Boutwell [United States secretary of the treasury]Henry L. Pierce [Massachusetts congressman]Charles [illegible]E. M. Pease [Texas governor]H. L. Dawes [Massachusetts senator]William Gaston [Massachusetts governor]Alexander H. Rice [Massachusetts governor]Henry W. Longfellow [poet]William Dean Howells [author][with poem]Margaret J. Preston [poet]Oliver Wendall Holmes [United States Supreme Court justice][with poem] William Cullen Bryant [poet and newspaper editor]Nathaniel B. Shurtleff [Boston mayor]Aaron V. Brown [United States postmaster-general]Marshall Jewell [United States postmaster-general]Morrison Remick Waite [United States Supreme Court chief justice]William Worth Belknap [United States secretary of war]Asa Gray [Harvard University professor of botany]Olive Thorne Miller [naturalist and children's writer]James Parton [author/biographer]Bayard Taylor [poet]Thomas Hughes [English author][illegible]Frank Stockton [author]William R. Marshall [Minnesota governor]W. L. Champney [artist][with drawing]P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork]","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)]","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original]BlackbirdBlack-crowned night heronBlue JayBluebird [2 items]Bobolink [accompanied by black-and-white original]Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original]Chimney swift [accompanied by black-and-white originalChipping sparrowCrowField sparrowIndigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original]Kingfisher [accompanied by black-and-white original]Least bitternLouisiana water thrush [accompanied by black-and-white originalMeadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original]OvenbirdPewee [accompanied by black-and-white original]Red-eyed vireo [accompanied by black-and-white original]Robin","Whip-poor-will [accompanied by black-and-white original]White-eyed vireo [accompanied by black-and-white original]Woodcock [accompanied by black-and-white originalYellow-billed cuckooYellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d.American coot n.d. [2 items]Arkansas goldfinch 1904Bald eagle 1927Bank swallow n.d.Barn swallow n.d.","Black and white warbler (with cowbird) n.d.Black-billed cuckoo n.d.Black-headed grosbeak n.d. [2 copies]Black-necked stilt n.d.Blue-winged warbler n.d.Bob white n.d. [2 items]","California towhee 1904Canadian grouse n.d.Canadian warbler n.d.Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items]Chickadee n.d.Chipping sparrow n.d.Clapper rail n.d.Downy woodpecker n.d.Duck hawk n.d.Dusky seaside sparrow 1920","Field sparrow n.d.Flamingo n.d. [6 items]Florida bald eagle 1921Florida bob white n.d.Florida meadowlark 1922 [2 items]Florida nighthawk n.d.Florida red-shouldered hawk 1928Florida redwing 1920","Grasshopper sparrow n.d.Great white heron 1924Ground dove n.d. [2 items]Hermit thrush n.d.Hooded warbler n.d.House wren n.d.Kingbird 1902Kingfisher n.d.","Laughing gull 1910Lazuli bunting n.d.Least flycatcher (with cowbird) n.d.Least tern n.d. [2 items]Loggerhead shrike n.d.Magnolia warbler n.d.Myrtle warbler n.d.","Nashville warbler n.d.Northern yellowthroat n.d.Olive-sided flycatcher n.d.Ovenbird n.d.Phoebe 1902 [2 items]Prairie warbler n.d.","Red-billed tropic bird n.d.Red-cockaded woodpecker 1918Red-winged blackbird n.d.Redstart n.d.Robin n.d.Rose-breasted grosbeak n.d.Ruby-throat n.d.Ruddy [2 items]Russet-backed thrush 1904","Sage grouse n.d.Salt marsh yellow throat n.d. [2 items]Samuel's song sparrow n.d. [2 items]Sand swallow n.d.Scarlet tanager n.d.Screech owl n.d.","Tennessee warbler n.d.Towhee n.d.Vermillion flycatcher 1935Vesper sparrow n.d.Western flycatcher n.d.Western mockingbird 1920Western red-tailed hawk 1904 [2 copies]White-crowned pigeon 1921, n.d.White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items]Wilson's thrush n.d.Wilson's warbler n.d.Wood ibis n.d. [2 items]Wood thrush n.d.Worm-eating warbler n.d.Yellow-billed cuckoo n.d.Yellow warbler n.d.","Bald eagle n.d. [2 copies]Baltimore oriole n.d.Black albatross 1913 [2 items]Blackbird n.d.Blue-footed booby n.d.Blue-winged warbler n.d. [2 items]Bluebird n.d. [2 items]Bridled tern 1921Brown pelican n.d.Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items]Canvasback duck 1917Catbird n.d. [2 items]Chestnut-sided warbler n.d.Chickadee n.d. [2 items]Chimney swift n.d.Chipping sparrow n.d.Crow n.d.","Downy woodpecker n.d.Field sparrow n.d. [3 items]Flamingo n.d. [3 items]Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items]Florida cormorant n.d.Florida jay n.d.Foster's tern n.d.Gannet n.d. [2 items]Great blue heron 1904Green heron n.d.Harlequin ducks n.d.Hooded warbler n.d. [2 items]House wren n.d.","Kingfisher n.d.Least tern n.d. [3 items]Little blue heron n.d.Loggerhead shrike n.d.Louisiana water thrush n.d.Man o'war bird n.d.Ovenbird n.d.Pelican 1935Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items]Redstart n.d.Robin n.d. [3 items]Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items]Shrike n.d.Song sparrow n.d.[Southeastern American kestrel] n.d. [4 items]Spotted sandpiper n.d.","Water ouzel 1905Western yellowthroat n.d.Whip-poor-will n.d.Whistling swan 1917 [2 items]White albatross 1913 [2 items]White ibis n.d.White pelican n.d.[2 items]Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items]Wood thrush n.d. [3 items]Yellow-breasted chat n.d. [2 items]Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies]Baltimore oriole n.d.Black albatross 1913 [2 items]Blackbird n.d.Blue-footed booby n.d.Blue-winged warbler n.d. [2 items]Bluebird n.d. [2 items]Bridled tern 1921Brown pelican n.d.Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, The Birds of Virginia and The Birds of Florida, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T06:44:57.607Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c08_c08"}},{"id":"viu_repositories_7_resources_157_c01_c16","type":"Item","attributes":{"title":"1-16 Dissection of the corpus callosum ,, 1920/1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c16","ref_ssm":["viu_repositories_7_resources_157_c01_c16"],"id":"viu_repositories_7_resources_157_c01_c16","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"title_filing_ssi":"1-16 Dissection of the corpus callosum ,","title_ssm":["1-16 Dissection of the corpus callosum ,"],"title_tesim":["1-16 Dissection of the corpus callosum ,"],"normalized_title_ssm":["1-16 Dissection of the corpus callosum ,, 1920/1950"],"text":["1-16 Dissection of the corpus callosum ,, 1920/1950","The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950","box 1","folder 16"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","Series I: Keystone View Company anatomy slides ,, 1920/1950"],"normalized_date_ssm":["1920/1950"],"unitdate_inclusive_ssm":["circa 1920-1950"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":17,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"containers_ssim":["box 1","folder 16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"_nest_path_":"/components#0/components#15","timestamp":"2026-06-23T07:31:02.482Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"normalized_date_ssm":["1920/1965"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965","MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","The Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.","B.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. 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The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.","Claude Moore Health Sciences Library","English"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection, 1920/1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Claude Moore Health Sciences Library"],"creators_ssim":["Claude Moore Health Sciences Library"],"access_terms_ssm":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.","The reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.","Copyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes."],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e\n","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e\n","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.","By 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.","In 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today."],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"odd_heading_ssm":["General"],"odd_tesim":["Processed by:\n        Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e  "],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e\n","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e\n","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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