{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026page=3415\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026page=3414\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026page=3416\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026page=3428\u0026view=compact"},"meta":{"pages":{"current_page":3415,"next_page":3416,"prev_page":3414,"total_pages":3428,"limit_value":10,"offset_value":34140,"total_count":34274,"first_page?":false,"last_page?":false}},"data":[{"id":"vilxw_repositories_5_resources_231_c04_c02_c172","type":"File","attributes":{"title":"Yal-Zie","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c04_c02_c172#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_231_c04_c02_c172","ref_ssm":["vilxw_repositories_5_resources_231_c04_c02_c172"],"id":"vilxw_repositories_5_resources_231_c04_c02_c172","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231_c04_c02","parent_ssi":"vilxw_repositories_5_resources_231_c04_c02","parent_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_ids_ssim":["vilxw_repositories_5_resources_231","vilxw_repositories_5_resources_231_c04","vilxw_repositories_5_resources_231_c04_c02"],"parent_unittitles_ssm":["O.W. Riegel Papers","Journalism Department","Correspondence"],"parent_unittitles_tesim":["O.W. Riegel Papers","Journalism Department","Correspondence"],"text":["O.W. Riegel Papers","Journalism Department","Correspondence","Yal-Zie","English .","folder 183"],"title_filing_ssi":"Yal-Zie","title_ssm":["Yal-Zie"],"title_tesim":["Yal-Zie"],"unitdate_inclusive_ssm":["1932-1974"],"normalized_date_ssm":["1932/1974"],"normalized_title_ssm":["Yal-Zie"],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["O.W. Riegel Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":908,"parent_access_restrict_tesm":["This collection is open to research use."],"parent_access_terms_tesm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"language_ssim":["English ."],"containers_ssim":["folder 183"],"_nest_path_":"/components#3/components#1/components#171","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_231","ead_ssi":"vilxw_repositories_5_resources_231","_root_":"vilxw_repositories_5_resources_231","_nest_parent_":"vilxw_repositories_5_resources_231","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_231.xml","title_ssm":["O.W. Riegel Papers"],"title_tesim":["O.W. Riegel Papers"],"unitdate_ssm":["1900-1992"],"unitdate_inclusive_ssm":["1900-1992"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0387","/repositories/5/resources/231"],"text":["WLU.Coll.0387","/repositories/5/resources/231","O.W. Riegel Papers","Propaganda ","Journalism","This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.","Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.","Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.","There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.","Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George","English \n.    "],"unitid_tesim":["WLU.Coll.0387","/repositories/5/resources/231"],"normalized_title_ssm":["O.W. Riegel Papers"],"collection_title_tesim":["O.W. Riegel Papers"],"collection_ssim":["O.W. Riegel Papers"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creator_persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"creators_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"access_subjects_ssim":["Propaganda ","Journalism"],"access_subjects_ssm":["Propaganda ","Journalism"],"has_online_content_ssim":["false"],"extent_ssm":["75 Linear Feet"],"extent_tesim":["75 Linear Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to research use.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. 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Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e","\u003cp\u003eThis part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to research use.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection requires restoration or preservation. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information.","This part of the collection is not yet processed. Use of the collection is granted on a case by case basis. Please contact the Head of Special Collections at 540-458-8649 for more information."],"arrangement_html_tesm":["\u003cp\u003eSome items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Some items have been removed from their appropriate folders and are located in oversize storage at the end of the series. Additionally, some books, magazines, and newspaper clippings are stored separately from the rest of the collection at this time. They are stored for the researcher's convenience and may be examined upon request."],"bioghist_html_tesm":["\u003cp\u003eOscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. \u003c/p\u003e\n","\u003cp\u003eRiegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Oscar Wetherhold Riegel, also known as Tom, was born in Reading, PA in 1903. Riegel's professional career began as a reporter and editor for the Chicago Tribune in the 1920s. He then shifted his focus to the information gathering and application, attaining a Bachelor's degree in the field from Dartmouth College and later attending Washington and Lee University. ","Riegel became an internationally-known expert on the topic of propaganda in the 1930s after extensive studies of its importance in modern politics. His monograph, Mobilizing for Chaos: The Story of the New Propaganda, was published in 1934 and focused on the role propaganda was playing in the rise of National Socialism in Germany.\nIn his studies he amassed an extensive collection of American, European, and Asian propaganda spanning World War I through the Cold War. Aspects of his compilation of propaganda studies are included within this collection.\nRiegel joined the Washington and Lee University Journalism Department in 1930 and was named department head in 1934. He served as department head until his retirement in 1973. During his tenure with the university, he taught various courses on film, journalism, propaganda, and information application.\nHe passed away in 1997 in Lexington, VA."],"prefercite_html_tesm":["\u003cp\u003ePreferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA. \u003cp\u003eIn some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format.\u003c/p\u003e\u003c/p\u003e"],"prefercite_tesim":["Preferred citation: [Identification of item], O.W. Riegel Collection, WLU Coll. 0387, Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA.  In some cases the citation format may vary. Please contact Special Collections staff to verify the appropriate format."],"scopecontent_html_tesm":["\u003cp\u003eHighlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"\u003c/p\u003e","\u003cp\u003eItems in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's\u003c/p\u003e","\u003cp\u003eRiegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.\u003c/p\u003e","\u003cp\u003eThe items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.\u003c/p\u003e","\u003cp\u003eThis subseries contains the most up-to-date version of Riegel's unpublished autobiography.\u003c/p\u003e","\u003cp\u003eCorrespondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel took on various subjects related to his autobiography.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.\u003c/p\u003e","\u003cp\u003eItems in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.\u003c/p\u003e","\u003cp\u003eAs the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.\u003c/p\u003e","\u003cp\u003eThe Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.\u003c/p\u003e","\u003cp\u003eJournalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.\u003c/p\u003e","\u003cp\u003eRiegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.\u003c/p\u003e","\u003cp\u003eRiegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.\u003c/p\u003e","\u003cp\u003eThe Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.\u003c/p\u003e","\u003cp\u003eThe Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThis advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eThe Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.\u003c/p\u003e","\u003cp\u003ethe Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.\u003c/p\u003e","\u003cp\u003eThe Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.\u003c/p\u003e","\u003cp\u003eDuring Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.\u003c/p\u003e","\u003cp\u003eMass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.\u003c/p\u003e","\u003cp\u003ePublicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.\u003c/p\u003e","\u003cp\u003eThis subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eItems in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.\u003c/p\u003e","\u003cp\u003eMaterials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.\u003c/p\u003e","\u003cp\u003eThis subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.\u003c/p\u003e","\u003cp\u003eThis subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.\u003c/p\u003e","\u003cp\u003eThis subseries consists of maps of various european countries that Riegel traveled through.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eThe items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.\u003c/p\u003e","\u003cp\u003eRiegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.\u003c/p\u003e","\u003cp\u003eCorrespondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.\u003c/p\u003e","\u003cp\u003ePublications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.\u003c/p\u003e","\u003cp\u003eRiegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.\u003c/p\u003e","\u003cp\u003eItems in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.\u003c/p\u003e","\u003cp\u003eTh inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.\u003c/p\u003e","\u003cp\u003eGoverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.\u003c/p\u003e","\u003cp\u003eGovernment reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.\u003c/p\u003e","\u003cp\u003eNewspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.\u003c/p\u003e","\u003cp\u003eRiegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.\u003c/p\u003e","\u003cp\u003eThe publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.\u003c/p\u003e","\u003cp\u003eItems in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.\u003c/p\u003e","\u003cp\u003eItems in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.\u003c/p\u003e","\u003cp\u003eRiegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.\u003c/p\u003e","\u003cp\u003eRiegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.\u003c/p\u003e","\u003cp\u003eEuropean propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.\u003c/p\u003e","\u003cp\u003eO.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.\u003c/p\u003e","\u003cp\u003eThese newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.\u003c/p\u003e","\u003cp\u003eRiegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.\u003c/p\u003e","\u003cp\u003eReports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.\u003c/p\u003e","\u003cp\u003eThe Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.\u003c/p\u003e","\u003cp\u003eThe Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.\u003c/p\u003e","\u003cp\u003eSegments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.\u003c/p\u003e","\u003cp\u003eRiegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.\u003c/p\u003e","\u003cp\u003eRiegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.\u003c/p\u003e","\u003cp\u003eRiegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.\u003c/p\u003e","\u003cp\u003eThe Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.\u003c/p\u003e","\u003cp\u003eRiegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.\u003c/p\u003e","\u003cp\u003eThe Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.\u003c/p\u003e","\u003cp\u003eItems from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.\u003c/p\u003e","\u003cp\u003eRiegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.\u003c/p\u003e","\u003cp\u003eThe two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.\u003c/p\u003e","\u003cp\u003eDocuments in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.\u003c/p\u003e","\u003cp\u003eIncludes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.\u003c/p\u003e","\u003cp\u003eRiegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.\u003c/p\u003e","\u003cp\u003eThis folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"\u003c/p\u003e","\u003cp\u003eThis volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.\u003c/p\u003e","\u003cp\u003eRiegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.\u003c/p\u003e","\u003cp\u003eItems in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.\u003c/p\u003e","\u003cp\u003ePress releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.\u003c/p\u003e","\u003cp\u003ePublications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.\u003c/p\u003e","\u003cp\u003eThis subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.\u003c/p\u003e","\u003cp\u003eMaterials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.\u003c/p\u003e","\u003cp\u003eThis subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.\u003c/p\u003e","\u003cp\u003eThis subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.\u003c/p\u003e","\u003cp\u003eThis subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.\u003c/p\u003e","\u003cp\u003eThis subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.\u003c/p\u003e","\u003cp\u003eThis subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.\u003c/p\u003e","\u003cp\u003eThis subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.\u003c/p\u003e","\u003cp\u003eThese radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".\u003c/p\u003e","\u003cp\u003eThe U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.\u003c/p\u003e","\u003cp\u003eItems in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.\u003c/p\u003e","\u003cp\u003eThis folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"\u003c/p\u003e","\u003cp\u003eA 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.\u003c/p\u003e","\u003cp\u003eThe Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.\u003c/p\u003e","\u003cp\u003eRiegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.\u003c/p\u003e","\u003cp\u003eThe government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.\u003c/p\u003e","\u003cp\u003eItems in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.\u003c/p\u003e","\u003cp\u003eItems in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.\u003c/p\u003e","\u003cp\u003eItems in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.\u003c/p\u003e","\u003cp\u003eThis series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.\u003c/p\u003e","\u003cp\u003eThis subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.\u003c/p\u003e","\u003cp\u003eThe Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.\u003c/p\u003e","\u003cp\u003eItems in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.\u003c/p\u003e","\u003cp\u003ethis subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.\u003c/p\u003e","\u003cp\u003eItems in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons\u003c/p\u003e","\u003cp\u003eItems in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.\u003c/p\u003e","\u003cp\u003eThis box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.\u003c/p\u003e","\u003cp\u003eRiegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.\u003c/p\u003e","\u003cp\u003eThe contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper, \u003ci\u003eThe Jeffster\u003c/i\u003e, and photographs of the SIPA Awards banquet from 1953 and 1955.\u003c/p\u003e","\u003cp\u003eItems in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.\u003c/p\u003e","\u003cp\u003eThe contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.\u003c/p\u003e","\u003cp\u003eItems in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.\u003c/p\u003e","\u003cp\u003eItems in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.\u003c/p\u003e","\u003cp\u003eAlice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.\u003c/p\u003e","\u003cp\u003eCongressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.\u003c/p\u003e","\u003cp\u003eRiegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.\u003c/p\u003e","\u003cp\u003eJim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.\u003c/p\u003e","\u003cp\u003eThis subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.\u003c/p\u003e","\u003cp\u003eItems in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.\u003c/p\u003e","\u003cp\u003eAfter World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.\u003c/p\u003e","\u003cp\u003eRiegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eThe rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Highlights of this collection include material concerning the Washington and Lee Journalism Department, including course material, student papers, and lecture notes. Supplementing this course material are published materials on the history of film, 20th century war propaganda, the Nazification of Germany, Paris in the 1920's and the \"Lost Generation.\" \nThere also includes wide selections of personal research materials for projects such as Riegel's books Mobilizing for Chaos and Crown of Glory; collections on Riegel's travels to Central and South America and Europe including Germany during the 1930s, and the typescript of his unpublished autobigraphy to 1945 titled \"Hacking It.\"","Items in this series relate to news and developments in communications sattelites. Riegel wrote a short article about their impact on mass media. His manuscripts along with correspondence, reports, and publications about communications satellites make up the bulk of this series. Some items of note include reports on the progress of Canada's Telesat system, Riegel's analysis of satellite communication, and Comsat and Intelesat reports from the early 1970's","Riegel discussed with over thirty correspondents over matters related to Communications Satellites and his academic article discussing the political barriers to satellite usage. Most correspondents provide suggestions to Riegel's article or explain how an academic journal they're associated with plans to use or not use his article.","Press releases in this subseries mostly come from the COMSAT, INTELSAT, and TELESAT corporations. These press releases give reports on the developments in the satellite industry, and the changes in stock values for these companies' shareholders.","Items in this subseries relate to pulbications from various sources refering to communications satellites. Items of note include: a Thesis titled, \"Defense Department's usage of Communications Satellites\" by Maurice Fliess from West Virginia University, annual COMSAT publications, and  a Canadian publication on the ᐊᓂᒃ (\"anik\" or little brother)satellite by TELESAT.","Items in this subseries consist of reports by government and independent organizations about communication satellites. The reports vary in focus, ranging from technical data to impending impact of satellites on public life. Items of note include the 1972 Aeronautics and Space Report of the President and the operating agreement between the United States and other nations regarding INTELSAT.","This subseries consists of Riegel's communication satellite article manuscripts. These manuscripts show the revisions Riegel made to his work.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series are relevant to the Dupont Awards, which were given to Television stations, Radiostations, and commentators who have contributed to the field in their performance on the air. Award winners received $1,000, and most used the money to fund a journalism scholarship. Within this series are correspondence between award winners, judges, the Dupont estate, Washington and Lee University, members of the Federal Communications Commission, public relations firms, and O.W. Riegel, photographs of the award winners and annual awards dinner, publications by the Dupont Awards foundation, and published statements by various awards winners. Some items and subjects of note include a draft of a couple of the physical awards, letters discussing the conclusion of Washington and Lee's Association with the awards in 1967, and some resumes of different journalists and  Judges' comments on various radio and television stations. Three scrapbooks are contained wtithin the collection, but are not in folders. They are listed in the appropriate sub-series. Major correspondents and speakers include: O. W. Riegel, FCC Chairman Rosel Hyde, and Jessie Ball Dupont.","Items in this sub-series consist of materials describing the removal of Washington and Lee University from the administration of the Dupont Awards.","Items in this subseries consist of correspondence, photos and cirtificates relating to types of awards given by institutions. Items of note include a small magazine of different award designs, correspondence over the dupont awards, and photographs of different awards.","Items in this subseries primarily consist of correspondence related to the design of a brochure for the Dupont Awards. As the Awards' curator, Riegel was responsible for the Awrds' presentation and outreach.","Items in this subseries consist of correspondents between Riegel and and individual reviewers the Dupont Awards. These letters consist of recommended radio stations  that people felt deserved the award for 1963.","Items in this sub-series consist of materials related to the Dupont Awards dinner including photographs, ivitations, and RSVP's.","Items in this subseries consist of the financial documents Riegel dealt with for the Dupont Awards. Items of note include letters with the awards' finanical statements and individual bills for expenses.","Items in this subseries relate to forms used by the Dupont Awards committee. Some forms of note include blank radio station judging forms and form letters to nominees and participants.","Riegel's correspondence in this series is primarily between different awards administrators and judges. Riegel corresponded with approximately 320 different individauls within this subseries. Correspondents of note include Mrs. Dupont, Turner Catledge, and Sol Taishoff.","Items in this subseries relate to communications between the General Federation of Women's Clubs and Riegel as curator for the Dupont Awards. Most of the correspondence consists of requests by Riegel for the leadership of the G.F.W.C. to participate on the Committee of the Dupont Awards.","Items in this sub-series consist of materials related to the judging of various Television stations, radio stations, and commentators for the Dupont Awards. Included are some judges' comments on different stations and correspondence about evaluating stations.","Items in this sub-series consist of materials related to the coverage of the Kennedy Assassination. The Dupont Awards foundation found it apporpriate to commemorate numerous stations for their detailed coverage of the event.","Items in this subseries consist of correspondence between Riegel and various lettershops regarding the production of a mass qualtity of letters to individuals regarding the awards. Some letters focused on the errors by the lettershop businesses such as errors in the use of names, punctuation, and grammar.","Items in this subseries consist of lists of individuals based on association. Some of the lists of note in this subseries include a list of CBS correspondents, Dupont Award winners, and the Dupont Award Foundation Mailing List.","Items in this sub-series consist of materials published or sent by the National Association for Better Radio and Television. This organization sought to encourage quality programing for families and children. some items of note include a booklet of television programs with ratings and reviews and newsletters mentioning the Dupont Awards.","Items in this subseries consist primarily of correspondence  addressing various concerns individuals had with the awards. These problems ranged from the permission of including some materials in various nominee presentations to the eligibility of certain networks in the Dupont Awards.","Correspondence in this subseries focuses primarily on the manner in which the Awards were determined and given. There is extensive discussion between Haefele, Spackman, and Riegel about the Trustee's involvment in the selection of judges and giving awards. The Dupont foundation wanted to increase its influence on the awards process, while Riegel thought that the Awards should have more liberty to act on its own.","Items in this subseries consist of documents by the Dupont Awards Foundation that were issued or available to the public, including: the agreements between the Dupont Foundation and the Awards committee, annual programs and brochures, and descriptions of the awards.","Items in this subseries consist of correspondence about spreading the awareness of the Dupont Awards.","Items in this subseries relate to efforts by the Dupont Awards Foundation to capitalize on their public relations. A large part of correspondence is with the Public Relations office of Earle Palmer Brown.","Correspondence in this subseries consists of correspondence related to how some winners chose to use their prize money from the Dupont Awards to give a small scholarship to journalism majors at various universities.","This subseries focuses on the process determining a logo for the Dupont Awards including correspondence, images, and sketches.","Items in this sub-series consist of materials related to the presentation of the Dupont Awards to their respective winners. Because of the annual nature of the award, material is sorted by year and then by content.","The items in this sub-series consist of miscellaeous materials that did not necessarily fit with the other groupings. Along with the files listed are two scrap-books of remarks made at the Dupont Awards Dinner.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist of and are related to O.W. Riegel's unpublished memoir \"Hacking It\". The first section of the series contains the most refined drafts of the Autobiography. Then there is correspondence between individuals who assited Riegel in drafting and editing his work. There are also several unrefined drafts of material, and a couple of artifacts and notes related to the Memoir. Housed separately from the rest of the collection, is one box of Newspaper clippings sorted by topic around different subjects Riegel's memoir addresses.","This subseries contains the most up-to-date version of Riegel's unpublished autobiography.","Correspondence in this subseries focuses on revisions of Riegel's memoirs and requests for information for Riegel to use in his writing.","Items in this subseries consist of various drafts on sections considered in the development of Riegel's Memoir. Topics range from his trip to the Virgin Islands, to his view of religion, and his year in Hungary after the conclusion of World War II.","Items in this subseries relate to Jane Riegel's materials that were stored with Riegel's autobiography. Oscar Riegel had Jane's journal bound and printed as a gift. These items are the scans and illustrations of her journal that were necessary to make his gift possible.","Items in this subseries consist of notes that Riegel took on various subjects related to his autobiography.","Items in this subseries consist of aspects of Riegel's autiobiography that have not yet been processed into the collection.","Items in the Journalism Department series are based in the time period when Riegel was a member and later director of the department. sub-sections of this series include correspondence within the department, course materials, department seminars, accreditiation discussions,the Lee Memorial Journalism Foundation, the maintenance of the department's library, and publicity related to the department and its faculty. some items of note include some student work for classes, including a project by Phillipe Labro, a cartoonist awards program with signatures from various cartoonists including Charles Shultz, and various surveys related to higher education and journalism.","As the department chair of Washington and Lee University's Journalism department, Riegel was responsible for its accreditation. This subseries consists of documents related to the accreditation status of Washington and Lee's Journalism department. The main agencies that Riegel worked with were the American Council on Education for Journalism, the American Association of Educators in Journalism, and the Association for Education in Journalism. Items are organized by year within each accreditation agency. Documents of note in this subseries include evaluation forms, correspondence about accreditation agency policy and goals, and annual accreditation reports.","Items in this subseries consist of letters between Riegel and over 550 correspondents related to Washington and Lee's Journalism program. Letters range in theme from inquiries about the program, job openings for journalism graudates, the Associated Press, the British Library, the American Association of Schools with Departments in Journalism, and others.","Items in this subseries relate to the courses within the Journalism Department which Riegel taught while at Washington and Lee University. Courses ranged in topic from public opinion to advertising to psychological warfare and propaganda. Most courses are sorted by order of sylabbi, class handouts, lecture notes, and other relevant materials to the course. The Psychological Warfare and Propaganda course also has a few student samples of a project where students were to make their own propaganda aimed at countries behind the Iron Curtain.","The Journalism 101 course focused on the principles of Journalism. Within this subseries are documents related to the course including syllabi, class handouts, quizzes, exams, and other materials Riegel had that were relevant to the course.","Journalism 102 was a course that covered the principles of Journalism, and at times was a continuation of Journalism 101 to create a year long class. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes and other material Riegel had that was relevant to the course.","Riegel's public oppinion course focused on the purpose and manner of polling, specifically as a pulse of American Democracy. It elaborated on how to conduct polls and how they influence and  show the views of the public. Items in this subseries consist of course syllabi, lecutre notes, and other related materials.","Riegel's Literary Critism course focused on the purpose and manner in which one critiques a written work. Riegel emphasized the different critical theories by different reviewers and had students study reviewers and conduct their own reviews using the fundamentals taught in the course. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, lecture notes, and other material related to the course.","The Journalism Department's Short Story Writing Course focused on the elements of a short story and its goal of portraying life as the author sees it from their own lens. within the course, students were expected to anaylze and uncover the principles of short story writing and apply them in their own works. Items in this subseries consist of course syllabi, class handouts, quizzes, exams, and other materials related to the course.","The Principles of Advertising course covered basic elements of advertisements found in mass media sources. Items in this subseries consist of a course syllabus, quizzes, and exams.","The Journalism Department's course on communications law focused on the legal developments regarding the freedom of the press. Course topics ranged from copyright, to libel, to privacy, to climate, to the Freedom of Information Act, and courtroom procedures. Items in this subseries consist of course syllabi, class handouts, extensive lecture notes sorted by topic, and extensive relevant materials related to the course.","The Psychological Warfare and Propaganda course covered how the media has been used to sway public opinion in a variety of settings. Students examined the methods the military, governments, intelligence agencies, international U.S. broadcasts, and other sources used in an attempt to persuade others to support their goals and causes. Items in ths subseries consist of student work on a couple of projects including a mock propaganda piece by Philippe Labro, course syllabi, class handouts and project rubrics, lecutre notes, and other materials related to the course.","The Public Relations course focused on the purposes of public relations and the various attitudes people hold towards the field. Students were tasked to analyze the goals of a person in a public relations position and to understand why some view it as a means for corruption while others see it as an essential part of any business, firm, or public figure. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","This advertising course focused on the principles and critical analysis of advertisements. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","The Editorial was a journalism department course that focused on the principles and practice of newspaper editorial writing. Students in the course were members of a hypothetical editorial board and were tasked to develop articles on a variety of topics. Items in this subseries consist of course syllabi, class handouts, lecture notes, and other material related to the course.","Items in this subseries consist of discussions between the Journalism Department and outside news industries about job availability and the desire for higher quality recruits. Riegel points the low quality towards a national issue of low incentives for high quality students in the Journalism field.","the Lee Editorial Award was a prize for what the award's judges thought was the best editorial in a given year based on nominations  by editors, newspapers, and publishers. Items in this subseries focus on informing the public about the award, statements by award winners, and the announcement of award winners.","The Lee Memorial Journalism Foundation was an institution that sought to share the history of Journalism at Washington and Lee through a variety of publications, news stories and events. Items of note in this subseries include a scrapbook of journalism department activites from the mid 1950s and small posters of different journalism department events on campus.","During Riegel's tenure as a professor, the Journalism Department kept its own library for students to use. Items in this subseries consist of correspondence and materials related to the library's everyday function.","Mass Media Booknotes was a publication that reported new publications related to mass media and communications. Items within this series consist of monthly reports on new journalism publications.","Publicity regarding the Journalism Department consists of articles in magazines, newspapers, and other media sources that highlight the department's activities. The bulk of items in this subseries consist of articles and press releases related to the Journalism department. Items of note include an article by Riegel titled \"The Muted Trumpet\" and a Spanish booklet about Nationalism and Communications.","Items in this subseries focus on the establishment and early years of WLUR. some events of note include problems with the radio antenna during installation, and program listings from early WLUR broadcasts.","This subseries consists of various seminars hosted by the Journalism department including a seminar on editorial writing and one on law in relation to the media. Items of note include the speeches of seminar speakers and seminar programs.","Items in this subseries are relevant to the journalism department, but do not relate to any of the other subseries. Items of note include a menu at a Sigma Delta Chi dinner, a chart comparing  faculty compensation at various universities during the 1970s and a large chart analyzing Virginia daily newspapers.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series pertain to Riegel's personal correspondence between himself and colleagues, friends, and family. Some material is related to or mentions his work, but the majority of the material is about his or other people's personal lives, opinions, and thoughts around world events.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","Items in this series consist primarily of articles, bulletins, memos, and programs which are in reference to O.W. Riegel and his career achievements. The material spans the majority of his professional carreer and makes reference to his published works, acts as a staff member of Washington and Lee, and personal achievements. The publicity material is primarily newspaper clippings selected by Riegel himself.","Materials in this series consist of items Riegel acquired while traveling after World War II. Riegel went to several european nations during the Cold War including Yugoslavia, Bulgaria, Romania, Czechoslovakia, Poland, Hungary, Italy, East Germany, Germany, and Britain. Throughout his journeys, Riegel retained numerous maps, brochures, publications, and pamphlets of places and events he attended.","This subseries concerns Riegel's correspondence during his travels in Eastern Europe and focuses primarily on upcoming european film festivals and catching up with friend and acquaintences while abroad.","Items in this subseries focus on the US in relation to Riegel's travel after World War II. some items of note include maps of San Francisco, CA and Madison, WI, assorted brochures from various city centers, and a couple of sketches.","This subseries consists of  iteme Riegel acquired during his international travel. Most items are from Eastern Europe, but there are a couple of items from Western Europe and a publication from Australia.","Items in this subseries consist of pamphlets and brochures related to Riegel's travels throughout Europe. some publications of note include lodging brochures from Bulgaria and Romania and hungarian recreational brochures.","Items in this subseries consist of the  receipts and charges Riegel kept from his travels in europe.","This subseries consists of maps of various european countries that Riegel traveled through.","Items in this subseries were the personal affects of Oscar Riegel in relation to his post-war European travel. Some items of note include his travel diary and a diary by \"Dee\", and press membership identification.","Items in this subseries consist of notes that Riegel prior to and during his trip to Eastern Europe. One item of note is a German quiz he took prior to his departure.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","The items in this series relate to two major projects Riegel conducted in Europe between 1950 and 1952. The first one focused on public opinion in West Germany on a variety of topics, but emphasised government and politics in particular. This project was conducted with assitance in the form of a grant, stipend, and paid travel by the State Departnment. The second project, through Princeton University, focused on the impact of the cross cultural exchange program between Belgium and the United States, with the goal of understanding the opinion Belgians had of the United States after going through the program and then returning to their home country. Contents in this series include: Survey materials from both projects, information on participants in the Belgium study, publications Riegel kept from his time in Europe, his notes on the projects, and financial papers relevant to the projects.","Items in this subseries focus on the West German Cultural Exchange program and its impact on its  participants. Items of note include samples of questionaires and surveys and maps of parts of West Germany.","Riegel conducted a study surveying belgians who participated in an educational exchange program with the United States, trying to answer whether educational exchange programs affect the participant's perception of the country they visited in the long term. This subseries contains materials related to that study including questionnaires, correspondents, data on participants, and publications.","Correspondents with Riegel in regards to his Belgium study often focused on the study's contents, findings, and were curious about its implications. Riegel corresponded with approximately 70 different individuals and wrote often to his family while in Belgium.","This subseries consists of materials related to every participant in Riegel's study of Belgium's cultural exchange program. Each person's listing has some responses to questions and occasionally some correspondence.","Publications in this part of the collection focus on the effects and status of cultural exchange programs with the United States. Items of note in this subseries include a Belgian professor's analysis of Columbia University's geology courses from the 1920s, and statements by the state department about educational exchange programs.","This subseries consists of materials that were issued to spread the recognition and outreach of Riegel's study in Belgium. The majority of items are press releases informing individuals how they can participate and for participants to follow through with their questionnaires.","This subseries consists of materials that were essential to Riegel's survey. Items of note in this subseries include Riegel's project proposal, sample questionnaires and instructions to participants and project assistants.","Riegel published a monograph, Mobilizing for Chaos, in 1934. In it he examined and explored the impact and importance of the use of propaganda in the contemporary world. He effectively explored the use of propaganda in nations such as pre-War Germany and its role in the rise of National Socialism and Adolf Hitler. This series contains material related to the publishing of the book, Mobilizing for Chaos. These materials primarily consist of book reviews, advertisements, and articles about Riegel's role in its creation.","Items in this series are relevant to O. W. Riegel's involvement with propaganda materials from World War I through the Vietnam War. Within this series are correspondence between Riegel and his co-workers at the Office of War information, a variety of war leaflets, war themed news letters, foreign magazines, ephemeral propaganda materials, a few posters, Viet Cong banners, and German Newspapers. Some items and subjects of note include Hand made propaganda from the Viet Cong, A book of official japanese war leaflets, records from the Office of War Information, and pictoral records of the Spanish Civil War and the Second Sino Japanese War.","Items in this subseries are relevant to the World War I era, and include Newspapers about the war, printed in 1914 and reprinted in the 1930's, Notes by Riegel about foreign and domestic propagada agencies, Photos of war figures and events with captions, and publications about the press and propaganda during the war.","Th inter-war period subseries consists primarily of reports and publications from both the federal government and the private sector. Both of these groups focus heavily on propaganda, often comparing 1930s propaganda to propaganda during World War I. There is also some emphasis on the New Deal programs and their impact on the press and individual freedoms. Foreign Newspapers in this subseries tend to focus on Germany's shift to fascism and its implications. Also included in this subseries, are Riegel's own notes on these subjects mixed with brief personal comments related to his work.","Items in this subseries consist of foreign press publications during the inter-war period. Newpapers and clippings are in French and German, and from the early 1930s.","Goverment publications in this collection consist primarily of bills presented to congress, pages from the congressional record, and other sources oriented primarily around the use of the press prior to World War II.","Government reports in this sub-series are issued often by executive agencies and are oriented around the press, propaganda, and considered regulation thereof. Reports include a discussion by the FCC over the \"War of the Worlds Radio Broadcast\", A report on Radio Broadcasting for Senator Burton Wheeler, and an agreement of journalistic standards by the Pan-American Congress of Journalists.","Newspapers in this sub-series focus on World War I propaganda, developments on Europe prior to the second World War, and Freedom of the Press.","Riegel's notes from the Inter-war period focus on various journalism related topics, including: Telegraph cable, the politics of international press, the New Deal and Advertising, and other personal notes about his work.","Press releases in this subseries address a variety of international and foreign relations topics such as the British Palestine mandate, the self-determination of the Saar Region, both pro and anti German perspectives on the national socialist government, and those who benefit from war.","The publications in the Riegel papers from the interwar period show the shift in American focus from the economy to international relations from the early 1930s to 1939. The early publications focus on the impact of New Deal programs with only some regard to events outside the U.S. Publications from the late 1930s have a heavily international perspective with pictoral booklets of the atrocities in the second Sino-Japanese war, and threats of German fascism. Academic articles relate to the press, particularly in China, but also from a global perspective, Modern propaganda techniques, and international relations. Finally, there is a sampling of newsletters focusing on the same topics from various perspectives.","Items in this subseries related to the Spanish Civil War primarily consist of propaganda leaflets and publications on both sides of the conflict, highlighting the opposing sides' atrocities and how they will ensure the values and freedom of the Spanish people.","Items in this subseries are related to the World War II era in both of the main theaters of war. Some items of note include propaganda leaflets in a variety of languages including German and Japanese, documents from various government agencies including the Office of War Information, and some ephemeral materials used as propaganda during the war.","Riegel's corresepondence in this series primarily relates to those he worked and interacted with during his time with the Office of War information. One topic of particular interest to Riegel was the \"Strzetelski Affair\" which focused on the contested censorship of a Polish news agency and their description of troop position in the eastern front.","Riegel's collection of domestic propaganda during the second World War highlighted appeals to the working class by the Germans to stand against \"big business\" interests, and the pro-peace movement primarily through a series of drawings by Pola Clair.","European propaganda leaflets, in Riegel's collection, show the various appeals by different groups to persuade the enemy to surrender. While most of the leaflets are addressing a German audience, there are some in Hungarian, Polish, and Arabic aiming to persuade at least a tacit support for the allies. The leaflets are sorted based on their identification number often found on one of the corners of the leaflet.","O.W. \"Tom\" Riegel's copy of an official \"confidential\" binder distributed to staff of the United States Office of War Information detailing propaganda objectives for the Mediterranean region of Europe for 1944, specifically the countries of Albania, Bulgaria, Greece, Romania, Yugoslavia, Italy, and Hungary.","Includes a pamphlet titled \"Footprints of the Trojan Horse, Some methods used by foreign agents within the United States\" and \"Hitler's Words and Hitler's Deeds\" printed in England. This illustrated wartime pamphlet introduces the reader to the Nazi theory of propaganda and details Hitler and the Nazi regime's methods and examples of deceipt.","These newsletters were disseminated by allied forces to citizens of liberated countries. These newsletters, ranging from Dutch to Flemish to French often described events on the front lines and encouraged readers to support the war effort.","Riegel's collection of government reports center around the effectiveness in developing and implementing propaganda addressed to the Axis powers and neutral and liberated countries. Reports tend to focus on one aspect of propaganda ranging from understanding the target audiences culture, to forms of counterpropaganda used by enemy forces.","Reports by the Board of Economic Warfare were periodically issued detailing the economic situations of various parts of the world and their relation to the front lines. This gave allied forces an idea of available resources for themselves and their enemies looking forward.","The Board of Overseas publication analyzed published issues in other countries, aiming to understand the literary and media culture of different nations to improve propaganda efforts. Some analysis includes reports on Japanese war songs and european perspectives on American elections.","The Bureau of Public Relations focused on ensuring positive relations with neutral and liberated countries during the war effort. Some of its material, found in this sub-series include Public Relations officer guidelines and foreign censorship codes.","Segments from the congressional record found in this subseries focuses on the mobilization and deployment of troops between 1939 and 1945.","Riegel maintained a collection of documents from the Coordinator of Information office. These documents pertained to ongoing events in the second World War and their relation to propaganda. Some documents focus on the handling of news and claims by the Axis powers, the surrender of a british fleet to the Japandese, and the presence of allied forces near Singapore.","Riegel's items from the Federal Communications Commission primarily relate to its reports on radio broadcasts. Included in their reports are recommendations for foreign radio propaganda, and their prioritization of national defence in their own decisions.","Riegel's documents related to the Office of Control highlight the emphasis on censoring foreign media to ensure support of the allied troops. some items of note include breif correspondence related to the censorship of individual broadcasts due to lack of documentation, and periodic reports of the publications of various radio broadcasts.","The Office of Public Opinion Research focused on the public mood of various events during the war. Some items in this subseries include an analysis of public opinion as it relates to FDR's public talks and speeches, and public opinion of naval war policy.","Riegel worked with the Office of War Information durring the Second World War. His role was to provide guidance, analysis, and propose various forms of propaganda to use against enemy forces and to persuade potentially friendly neutrals. Items in this subseries are heavily related to these subjects and report on the successes and failures of implemented propaganda.","The Outpost Services Bureau provided support to govenrment agencies in ensuring their ability to function via connecting them with lines of communication and providing support when necessary. They created monthly progress reports of various outpost stations reporting the status of these stations and their effectiveness.","Items from the Psychological Warfare Branch focus on the impact of propaganda and counter propaganda on the target audeinces. Reports in this subseries include an analysis of propaganda upon French citizens, and a booklet on the functions of the 5th Army propaganda team.","Riegel's items from the state department primarily relate to the status of various areas in the front lines of the second World War. Some documents in this subseries inculde a description of the status of press and radio in Vichy France, and Chiang Kai Shek's perspective on the Japanese war front.","The two documents in the Radio Conference of Cairo subseries are full text copies of the radio agreements describing acceptable and unlawful use of the radio in attempts to influence populations beyond a nation's borders.","Documents in this subseries detail the efforts made by the USIS to inform foreign peoples about the United States and its values through various publications. Some examples in this subseries include the report of the effectiveness of an Italian agazine and guidelines for foreign magazine publications.","Includes a small bound illustrated pamphlet published by the United States War Department in 1944 and titled \"What is Propaganda\". It is a \"War Department Educational Manual - EM-2 of the GI Roundatable Series.\" The cover of the pamphlet shows the cartoon character Donald Duck speaking into a microphone.","Riegel's collection of Japanese leaflets consist of two aspects: US made leaflets issued to the Japanese and Japanese made leaflets issued to the U.S. Both use persuasive techniques to convince soliders to surrender or cease fighting, showing there is greater value in being at home than on the front lines. U.S. propaganda tended to appeal to the futility of the Japanese effort, showing  how U.S. progress was steady in spite of their resistance. Japanese propaganda tended to emphasize that the profits of the war were directed to a non-fighting elite, and that family members would prefer the soldier's presence at home  to their death at war. The leaflets are sorted by their identification numbers found on one of the leaflet's corners.","This folder consists of multiple published items including part one of a two part volume published by the United States Pacific Fleet on the methods of psychological warfare against Japan with a focus on propaganda leaflet usage. The Washington Post publication also includes in its title, \"the story of the secret weapon which had Japan ready to yield thirteen days before the atomic bomb struck Hiroshima.\"","This volume consists of a compilation of approximately ninety-five propaganda leaflets created for the Unites States military's Pacific Theater of Operations. Incuded with each leaflet is an accompany information form that includes purpose, text, format, general comments, and someitmes the specific location for he leaflet's use.","Riegel kept assorted notes about a variety of topics including the Camera Club at Washington and Lee, Descriptions for his future autobiography, political details in Mexican History, and information related to coworkers, staff, and events during his time at the Office of War Information.","Items in this subseries were the personal belongings of Oscar Riegel after the second World War. Some items include his material as an official air raid warden, in the event of a domestic air raid,  financial statements on purchases, war ration books, and programs from events he attended.","Press releases in this subseries give a description of headlines during the Second World War. Topics of note include Hitler's invasion of Poland, the Psychological effect of paratroopers, and the Finnish impact on the Eastern Front.","Publications in this subseries tend to focus on propaganda analysis, the warfront, and radio communications. Some items of note in this subseries include the code of the National Association of Broadcasters and commentary on the Bill of Rights.","This subseries containes unique items of the time period that distinguish it from other eras. Some interesting items of note include candy wrappers with U.S. army propaganda, an assortment of pro U.S. booklets in various languages, shoe lace packaging depicting the hanging of Hitler and Mossolini, and a hitler/Tojo pin cushion.","Materials in this subseries relate to the Cold War era. Most items focus on communication from the U.S. to its citizens and foreign countries to gain support over Russia in the Cold War. Additionally, there are a few items from foreign nations aimed at U.S. audiences. Some items of note include some Russian Magazines, Chinese Magazines, and publications related to the United States Information Agency.","This subseries consists of Riegel's correspondence related to the Cold War. It focuses mostly on specific events during the Cold War and the reach of government concerning foreign and domestic media and speech.","This subseries consists of material made by foreign govenrments, mostly with the intent to reach an American audience. Some items of note include magazines from the Polish government, Russian Magazines, and a booklet about developing countries and the Soviet Bloc.","This subseries focuses on material the U.S. and foreign governments produced for American citizens, often in the form of reports and booklets. Some items of note include a report on the U.S. international cultural program and \"Telling America's Story Abroad\" by the State Department.","This subseries consists of a small assortment of clod war era newspapers hihglighting various events related to the cold war effort. Articles include international U.S. radio presence, the US information service's efforts, and international relations.","This subseries consists of press releases of events throughout the Cold War. These press releases come from several sources, most of them being from the U.S. Information Agency. There are also press releases from the Japan Detachment of Broadcasting and Visual Activities and the State Department.","This subseies contains publications from a variety of sources. Often in the form of booklets or magazines, topics vary, but most focus on the effects of propaganda and the Cold War. Some booklets of note include one on Germany's territorial shifts after the second World War, and a booklet on  the efforts of Christian Trade Unions to combat the spread of Communism.","These radio scripts were intended to inform the American public in areas both related and unrelated to the Cold war. Script topics ranged from \"The Secret of American Prosperity\" to \"Coronary Thrombosis\".","The U.S. Information Agency sought to spread international awareness of U.S. values and culture to second and third world countries during the Cold War. Items in this subseries consist of programs, reports, briefings, newsletters, memorandums, and charts that conveyed how the agency operated internationally.","Items in this subseries relate to the Korean war, and mostly from an American perspective. Most of the items are propaganda leaflets, aiming to encourage Korean support of American troops. Some items of note include a booklet of alleged U.S. war crimes during the war, a booklet about war P.O.W.'s, and copies of anti-U.S. propaganda.","Items in this subseries are strictly Korean war propaganda that was intended for Korean citizens. Nearly all items in this subseries are in Korean and have an english description or translation attached with the goals of what the propaganda was supposed to evoke from the reader.","This folder includes Communist Chinese printed propoganda magazines for an English speaking audience : \"United Nations Prisoners in Korea,\" \"China Reconstructs,\" and two editions of \"People's China\"","A 1950 Japanese magazine, \"Silver Bell,\" for children and/or young adults - printed by the Hiroshima Publishing Company; a Second World War era Prisoner of War questionnare, and an American propoganda magazine in Chinese titled \"Free World\" magazine published for Asian coutries about the Unites States and \"Free\" Asian countries.","The Committee on Vietnam was a local organization in Lexington and Rockbridge County formed in opposition to the war effort. Riegel was a member of the Committee. This subseries consists of notes Riegel took of meetings and comments made by Committee members.","Riegel's correspondence related to the Vietnam war often focused on his hope in the ceasing of hostilities. Many letters are to congressmen, and other high ranking government officials. Included in this subseries are also a few letters from Riegel to President Johnson regarding the Vietnam War.","The government publications regarding the Vietnam War in Riegel's papers focus on the nature of war propaganda and the status of combatant strategy and techniques as the war progressed.","Items in this subseries consist of Riegel's notes about government events related to propaganda and public opinion in relation to the Vietnam War. These informal notes document events, such as National Liberation Front propaganda drives.","Items in this subseries relate to published or disseminated to the public referencing the Vietnam War. Items of note include a petition to end the war, a voter's pledge to support anti-war candidates, and booklets and magazines related to the war effort.","Items in this subseries are the oversize materials coming from other parts of the Propaganda series. Within this subseries are magazines and posters from the Cold War and the Vietnam War. Additionally, there is a 1:15000 road map of Hannover, Germany.","Items in this subseries consist of government reports related to the office of war information. they have some damaged and require creating a scan to ensure further damage is prevented.","Items in this subseries have not yet been processed into the collection. Materials range from the Inter-War period to the Cold War.","This series consists of items related to Riegel's work with the Public Opinion Quarterly, an academic journal that focuses on forms of media and their effects on the public, primarily via Radio, the Press, and Movies. The bulk of material in this series consists of correspondence between Riegel, editors for the Public Opinion Quarterly, and prospective article writers.","The Public Opinion Quarterly organized its articles into specific sections. Communications was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the communications section of the journal.","This subseries consists of general correspondence between Riegel and approximately 160 correspondents on various topics relating to the Public Opinion Quarterly (POQ). Subjects include anticipated articles for the POQ, Events affecting the POQ, and the POQ's structure.","The Public Opinion Quarterly organized its articles into specific sections. Movies was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the movies section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Press was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the press section of the journal.","The Public Opinion Quarterly organized its articles into specific sections. Radio was  one of those sections. Items in this subseries consist primarily of correspondence about articles that would fall under the radio section of the journal.","Items in this series are relevant to the Southern Interscholastic Press Association. Within this series are correspondence between speakers for the conventions and O.W. Riegel, photographs of the annual convention, SIPA programs, Quill and Scroll Banquet artifacts, and speech excerpts from the various speakers. Some items and subjects of note include correspondence regarding the permission of black delegates during the process of desegregation, a scrapbook of events during the 1959 SIPA convention, a scroll from the 1954 Quill and Scroll Banquet, and a penant commemorating the SIPA conference. Major correspondents and speakers include: Cartoonists Ken Bald and John Mendelsohn, Congressman John Moss, James P. Warburg, Ferdinand Kuhn, and Abe Jones.","this subseries focuses on the winners of various awards over the years of the SIPA conference at Washington and Lee University. Most items consist of list of winners and press releases.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of award winners in the various SIPA competitions including best Newspaper, Yearbook, Magazine, and Radio broadcast.","Items in the folder consist of lists of seating charts for the front table at the SIPA Awards Luncheons","Items in the folder consist of annual lists of attendies who were to receive complementary accomodations to certain SIPA events.","This box of correspondence contains the only topical correspondence folder in the series, highlighting letters written that centered around the issues of desegregation and the contested permission of black delegates to SIPA. Afterwards, correspondence is alphabetical. Several renowned figures collaborated with O.W. Riegel by hosting their own sessions at the SIPA conference. Some of these figures include cartoonists Kenneth Bald and Douglas Borgstedt. Washington and Lee presidents Fred Cole and Francis Gaines are also included in this part of the collection.","Riegel corresponded with approximately 200 individuals reagarding events and issues with SIPA. This subseries contains correspondence with all individuals with last names beginning with K or later.","The contents in this box consist of photographs of SIPA events, news publications about SIPA, a few high school newspapers submitted to the SIPA competition, financial documents, executive committee notes, the SIPA constitution and bylaws, and samples from SIPA's annual current events quiz. Some items of note include a 1937 satirical edition of Thomas Jefferson High School's student newspaper,  The Jeffster , and photographs of the SIPA Awards banquet from 1953 and 1955.","Items in this sub-series consist of speeches and speech excerpts by various  SIPA conference speakers, and programs for the SIPA conference from 1930-1968, along with a few programs from the 1980's and 1991. Some of the speeches are stored in smaller boxes because they are printed on index cards. Additionally, there is a scroll from the 1954 Quill and Scroll banquet, housed in this sub-series in order to save space.","The contents in this sub-series consist of  artifacts from the Quill and Scroll Banquets, SIPA delegate registration instructions, the lodging needs of SIPA speakers, materials given to Riegel by speakers, additional instructions to staff, and miscellaneous items in the SIPA series. Some objects of note include a SIPA penant with Washington and Lee enscribed on it, A scrapbook of the events from SIPA in 1959, and Admission tickets to the 1954 SIPA events.","Items in this subseries are materials related to Riegel's work on Communication Satellites that have not yet been processed.","Items in this series relate to Virginia Democratic Politics from the early 1970s to the early 1980s. Riegel was a member of the Rockbridge County Democratic Committee and attended the Virginia State Democratic Convention. His records include political correspondence between congressman Olin, delegate Davis, other local candidates, and party members.","Alice Rabe was a candidate for the Virginia House of Delegates seat representing Rockbridge County, Lexington, Buena Vista, Bedford County and the city of Bedford. Riegel gave advice and support for Alice in her campaign. Items in this subseries consist of correspondence between Riegel and Rabe, campaign materials, such as planned ads, and clippings relevant to the campaign.","Congressman Butler represented Virginia's 6th Congressional District. Within this subseries is a series of correspondence mostly from Riegel on various political topics. Most of Butler's correspondence consists of his periodic newsletters to his constituents.","Riegel's political correspondence within Virginia consists of over 20 correspondents, primarily on the topic of campaigns and elections. Some correspondents include former House of Delegates member Jim Davis, Delegate candidate Sprong, and democratic party officials.","Jim Olin was the congressional representative of Virginia's 6th district after Cadwell Butler. This subseries consists of correspondence between Riegel and the Congressman. The main topics discussed are funding for the \"MX Missle\" and issues over Olin's congressional fundraising operation in the mid to late 1980s.","This subseries consists of correspondence by county democratic officials to local democratic party members concerning campaign actions and fundraising. Riegel was a member of the Rockbridge County Democratic Committee.","Items in this subseries consist of materials that belong in the Journalism Department series but have not been processed into the collection yet.","After World War II, Riegel worked as a U.S. diplomat in Hungary. This subseries consists of items related to his time there. Items of note include his diplomatic ID, hungarian currency, hungarian newspapers and magazines, Monthly reports on his work in Hungary, and detailed notes on events he experienced while there.","Riegel was an avid collector of film related material, particularly from European sources. During his travels in Europe, Riegel attended numerous film festivals and kept materials from a variety of films. Additionally, he taught a course on motion picture and there are numerous items related to that course. Items of note include publications from an international film festival in Czechoslovakia, Film Festival attendance buttons, samples of film with descriptions of how film is used in the motion picture, and student work from Riegel's motion picture course he taught at Washington and Lee University.","The rest of the collection is still being processed. We anticipate additional series' to be added to the collection upon their completion. Some anticipated series include: Film, Riegel's early life, Pre-War Travel, Early Academic Work (undergrad and grad school, Mobilizing for Chaos and Crown of Glory, Communications Institutions (such as the International Association of Mass Communication Research), The Science Service, and Riegel's East-Germany Survey."],"separatedmaterial_html_tesm":["\u003cp\u003eThere is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.\u003c/p\u003e","\u003cp\u003eThis subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.\u003c/p\u003e","\u003cp\u003eSome items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.\u003c/p\u003e","\u003cp\u003eItems in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.\u003c/p\u003e","\u003cp\u003eThe leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["There is one small box of assorted Newspaper Clippings related to Communication Sattelites, sorted by date (1962-1974) towards the end of the collection.","This subseries consists of materials printed for the public that Riegel kept from his travels abroad. Some items of note include US embassy guides to Bucharest, Romania and Sofia, Bulgaria, and some magazines from Romania and Poland.","Some items from this subseries have been separated from the main collection of materials and have been placed into the propaganda series oversize storage.","Items in this subseries focus primarily on public opinion and propaganda related to the Vietnam war. Items of note include propaganda leaflets, notes by anti-war committees, letters written to government officials about the war, and petitions to end the war. Some items are stored separately due to their size. Some war posters and pro-Viet Cong banners are in oversize storage.","The leaflets in this subseries are targeted towards a Vietnamese audience. Each leaflet has an english description or translation of its content, reasoning for its use, and the intended reaction that should be evoked by the reader. Larger items are not stored with this subseries, but rather in oversize storage, mainly consisting of posters and pro-Viet Cong war banners."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law.  The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials.  Any materials used should be fully credited with the source.  Permission for publication of this material, in part or in full, must be secured with the Head of Special Collections."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"names_coll_ssim":["Riegel, Hunt"],"persname_ssim":["Riegel, O. W. (Oscar Wetherhold)","Riegel, Hunt","Du Pont, Jessie Ball, 1884-1970","Cole, Fred Carrington","Gaines, Francis Pendleton","Labro, Philippe","Davis, J. Paxton","Lauck, Charles Harold","Booth, Augustus Lea","Shultz Charles","Moss, John E. (John Emerson), 1913 - 1997","Kenneth Bald","McGovern, George"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2584,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_231_c04_c02_c172"}},{"id":"wvmturhc_repositories_2_resources_7073_c01_c02_c22","type":"Item","attributes":{"title":"Yank--the GI Story of the War. By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7073_c01_c02_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_7073_c01_c02_c22","ref_ssm":["wvmturhc_repositories_2_resources_7073_c01_c02_c22"],"id":"wvmturhc_repositories_2_resources_7073_c01_c02_c22","ead_ssi":"wvmturhc_repositories_2_resources_7073","_root_":"wvmturhc_repositories_2_resources_7073","_nest_parent_":"wvmturhc_repositories_2_resources_7073_c01_c02","parent_ssi":"wvmturhc_repositories_2_resources_7073_c01_c02","parent_ssim":["wvmturhc_repositories_2_resources_7073","wvmturhc_repositories_2_resources_7073_c01","wvmturhc_repositories_2_resources_7073_c01_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_7073","wvmturhc_repositories_2_resources_7073_c01","wvmturhc_repositories_2_resources_7073_c01_c02"],"parent_unittitles_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers","Military Service"],"parent_unittitles_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers","Military Service"],"text":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Series 1. Garnie Walker Testa Papers","Military Service","Yank--the GI Story of the War. By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York.","Box 4"],"title_filing_ssi":"Yank--the GI Story of the War.  By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York.","title_ssm":["Yank--the GI Story of the War. By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York."],"title_tesim":["Yank--the GI Story of the War. By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York."],"unitdate_other_ssim":["1947"],"normalized_date_ssm":["1947"],"normalized_title_ssm":["Yank--the GI Story of the War. By the staff of Yank, The Army Weekly, Duell, Sloan \u0026 Pearce, New York."],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":57,"parent_access_restrict_tesm":["Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1947],"containers_ssim":["Box 4"],"_nest_path_":"/components#0/components#1/components#21","timestamp":"2026-05-21T00:45:36.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7073","ead_ssi":"wvmturhc_repositories_2_resources_7073","_root_":"wvmturhc_repositories_2_resources_7073","_nest_parent_":"wvmturhc_repositories_2_resources_7073","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7073.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/257555","title_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"title_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"unitdate_ssm":["1878-2025"],"unitdate_inclusive_ssm":["1878-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073"],"text":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073","Garnie Walker Testa Papers and Walker-Testa Family Genealogy","Clay County, West Virginia -- Genealogy","Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Researchers may access digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Garnie Wilma Walker Testa (1914-1999) was a native of a West Virginia mountain farming community within the Elk River basin, near Ivydale in Clay County. She was an educator, a World War II veteran, a farmer and a local historian. ","After graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. ","In 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. ","After retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia  was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher.","Includes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,  and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.","This series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.","This subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.","The gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.","Written, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's  Elements of Geography  textbook.","John Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in  The Ringing of the Bells .  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.","Two same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.","Possible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.","Estimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.","Walker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.","Written, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.","A History of Education in Clay County, West Virginia . Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.","Marshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.","Walker's name is printed in ink in front of book.","Walker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).","\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.","\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.","Walker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.","Walker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.","Walker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.","\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.","\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.","Garnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.","Garnie Walker's name is in inked cursive writing in front of book.","\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.","\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.","Ottie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.","\"Garnie W. Walker\" is hand-printed in ink in front of book.","Garnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.","\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.","Garnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.","Garnie Walker's inked, printed name appears in the front of this book.","\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.","This subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.","Walker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"","Edited volume featuring a memoir by Walker Testa","Edited volume featuring an essay by Walker","On page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"","Walker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.","Elmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.","Two related booklets","Photograph is in a decorative \"USA\" frame with flag motifs","Includes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938","Includes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)","Includes a series of letters, but one seems to be missing, per a note from the donor.","Includes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.","Likely belonged to Carmelo Testa","Two copies","Walker visited Nurnberg to view the trials, this may the record of the one she attended.","Carmelo Testa is likely in this photograph.","This subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.","Walker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.","These are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.","Walker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967","Included are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more","References Walker Testa's work as a teacher","\"Tiskelwah\" is the name of the Clay County High School yearbook","English composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.","Second book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026 Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)","Several pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.","There was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.","\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.","Garnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.","Garnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.","This is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.","Garnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026 Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.","Clay County supporters/businesses listed in back.","Camp songs, etc.","Walker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.","Walker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the  The Ringing of the Bells  book.","Multiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).","Page 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.","Some of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.","This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.","Includes a copy of a 1889 document that was researched for  The Ringing of the Bells  but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.","This copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.","These envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book","This image was used in the book.","Includes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats","Includes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026 Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"","This subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.","Provided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.","Provided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.","Walker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.","During the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.","Includes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors","Photographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.","\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.","A book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026 Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.","Garnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.","\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.","On page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"","This addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Testa, Garnie Walker, 1914-1999","Walker, Karen Jo","English \n.    "],"unitid_tesim":["A\u0026M 4670","Archival Resource Key","/repositories/2/resources/7073"],"normalized_title_ssm":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"collection_title_tesim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"collection_ssim":["Garnie Walker Testa Papers and Walker-Testa Family Genealogy"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clay County, West Virginia -- Genealogy"],"geogname_ssim":["Clay County, West Virginia -- Genealogy"],"creator_ssm":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creator_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creator_persname_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"creators_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"places_ssim":["Clay County, West Virginia -- Genealogy"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gifts from Walker, Karen Jo of 2022 October 5 and 2025 February 11."],"access_subjects_ssim":["Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia"],"access_subjects_ssm":["Education -- West Virginia -- Clay County","World War, 1939-1945 -- Veterans -- West Virginia","Farm life -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["9.88 Linear Feet 9 ft. 10 1/2 in. (1 document case, 5 in.; 1 document case, 2.5 in.; 7 record cartons, 15 in. each; 1 flat storage box, 5 in.; 1 oversize folder, 0.1 in.; 1 framed cirkut photograph, 1 in.)","856 Megabytes 682 assorted .tiff, .docx, .jpg, .wps, .odt, .pptx, and .pdf files"],"extent_tesim":["9.88 Linear Feet 9 ft. 10 1/2 in. 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She was an educator, a World War II veteran, a farmer and a local historian. \u003c/p\u003e\n","\u003cp\u003eAfter graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. \u003c/p\u003e\n","\u003cp\u003eIn 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. \u003c/p\u003e\n","\u003cp\u003eAfter retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983, \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Garnie Wilma Walker Testa (1914-1999) was a native of a West Virginia mountain farming community within the Elk River basin, near Ivydale in Clay County. She was an educator, a World War II veteran, a farmer and a local historian. ","After graduating as valedictorian from Clay County High School in 1933, she earned her first teaching certificate from Glenville State Teachers College in 1934, a Bachelor of Arts from Marshall College in 1940 and a Master of Arts from West Virginia University in 1942. During these years and until 1944, she also taught grades 1 through 8, mostly in one-room, Clay County rural schools. ","In 1944, while at WVU, Walker enlisted in the U.S. Women's Army Corps. Following her military training in Iowa, she was assigned to work at the Pentagon and then, at the war's end, was placed with the Historical Division in Germany's American Zone. While in Weisbaden, she met Carmelo F. Testa who was serving in the U.S. Air Force, and they married in 1949. Soon after, they returned to the U.S. and Garnie Walker Testa returned to her teaching career in West Virginia. Beginning in the fall of 1950, she taught at elementary and junior high schools in Kanawha County and continued through the spring of 1958. In 1954, Walker Testa bought her family's Laurel Run Farm from her parents. Then from 1958 through 1975, she taught grades 11 and 12 (mostly English and History) at Clay County High School and continued farming. ","After retiring in 1975, Walker Testa expanded her WVU thesis research into a full-length book manuscript, doing much of the writing during the cold winters on the farm. Although she completed it ca. 1983,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia  was not published until 2020. Many of the items in this collection were compiled and retained by Walker Testa, but her niece, Karen Jo Walker, is responsible for organizing the collection, editing/publishing the education history volume, and compiling much of the genealogical research. Karen J. Walker, Ph.D., retired, is an archaeological and historical researcher."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Garnie Walker Testa Papers and Walker-Testa Family Genealogy, A\u0026amp;M 4670, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Garnie Walker Testa Papers and Walker-Testa Family Genealogy, A\u0026M 4670, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County, \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,\u003c/part\u003e\u003c/title\u003e and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.\u003c/p\u003e","\u003cp\u003eThis series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.\u003c/p\u003e","\u003cp\u003eThe gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.\u003c/p\u003e","\u003cp\u003eWritten, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's \u003ctitle\u003e\u003cpart\u003eElements of Geography\u003c/part\u003e\u003c/title\u003e textbook.\u003c/p\u003e","\u003cp\u003eJohn Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e.  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.\u003c/p\u003e","\u003cp\u003eTwo same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.\u003c/p\u003e","\u003cp\u003ePossible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.\u003c/p\u003e","\u003cp\u003eEstimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.\u003c/p\u003e","\u003cp\u003eWalker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.\u003c/p\u003e","\u003cp\u003eWritten, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003e\u003cpart\u003eA History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e. Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.\u003c/p\u003e","\u003cp\u003eMarshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.\u003c/p\u003e","\u003cp\u003eWalker's name is printed in ink in front of book.\u003c/p\u003e","\u003cp\u003eWalker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.\u003c/p\u003e","\u003cp\u003e\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.\u003c/p\u003e","\u003cp\u003eWalker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.\u003c/p\u003e","\u003cp\u003eWalker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.\u003c/p\u003e","\u003cp\u003eWalker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is in inked cursive writing in front of book.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.\u003c/p\u003e","\u003cp\u003e\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.\u003c/p\u003e","\u003cp\u003eOttie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.\u003c/p\u003e","\u003cp\u003e\"Garnie W. Walker\" is hand-printed in ink in front of book.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.\u003c/p\u003e","\u003cp\u003eGarnie Walker's inked, printed name appears in the front of this book.\u003c/p\u003e","\u003cp\u003e\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.\u003c/p\u003e","\u003cp\u003eWalker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"\u003c/p\u003e","\u003cp\u003eEdited volume featuring a memoir by Walker Testa\u003c/p\u003e","\u003cp\u003eEdited volume featuring an essay by Walker\u003c/p\u003e","\u003cp\u003eOn page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"\u003c/p\u003e","\u003cp\u003eWalker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.\u003c/p\u003e","\u003cp\u003eElmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.\u003c/p\u003e","\u003cp\u003eTwo related booklets\u003c/p\u003e","\u003cp\u003ePhotograph is in a decorative \"USA\" frame with flag motifs\u003c/p\u003e","\u003cp\u003eIncludes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938\u003c/p\u003e","\u003cp\u003eIncludes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)\u003c/p\u003e","\u003cp\u003eIncludes a series of letters, but one seems to be missing, per a note from the donor.\u003c/p\u003e","\u003cp\u003eIncludes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.\u003c/p\u003e","\u003cp\u003eLikely belonged to Carmelo Testa\u003c/p\u003e","\u003cp\u003eTwo copies\u003c/p\u003e","\u003cp\u003eWalker visited Nurnberg to view the trials, this may the record of the one she attended.\u003c/p\u003e","\u003cp\u003eCarmelo Testa is likely in this photograph.\u003c/p\u003e","\u003cp\u003eThis subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.\u003c/p\u003e","\u003cp\u003eWalker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.\u003c/p\u003e","\u003cp\u003eThese are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.\u003c/p\u003e","\u003cp\u003eWalker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967\u003c/p\u003e","\u003cp\u003eIncluded are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more\u003c/p\u003e","\u003cp\u003eReferences Walker Testa's work as a teacher\u003c/p\u003e","\u003cp\u003e\"Tiskelwah\" is the name of the Clay County High School yearbook\u003c/p\u003e","\u003cp\u003eEnglish composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.\u003c/p\u003e","\u003cp\u003eSecond book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026amp; Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)\u003c/p\u003e","\u003cp\u003eSeveral pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.\u003c/p\u003e","\u003cp\u003eThere was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.\u003c/p\u003e","\u003cp\u003e\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.\u003c/p\u003e","\u003cp\u003eThis is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026amp; Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.\u003c/p\u003e","\u003cp\u003eClay County supporters/businesses listed in back.\u003c/p\u003e","\u003cp\u003eCamp songs, etc.\u003c/p\u003e","\u003cp\u003eWalker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.\u003c/p\u003e","\u003cp\u003eWalker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e book.\u003c/p\u003e","\u003cp\u003eMultiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).\u003c/p\u003e","\u003cp\u003ePage 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.\u003c/p\u003e","\u003cp\u003eSome of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.\u003c/p\u003e","\u003cp\u003eThis subseries includes materials related to the development and production of \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia\u003c/part\u003e\u003c/title\u003e. This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.\u003c/p\u003e","\u003cp\u003eIncludes a copy of a 1889 document that was researched for \u003ctitle\u003e\u003cpart\u003eThe Ringing of the Bells\u003c/part\u003e\u003c/title\u003e but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.\u003c/p\u003e","\u003cp\u003eThis copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.\u003c/p\u003e","\u003cp\u003eThese envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book\u003c/p\u003e","\u003cp\u003eThis image was used in the book.\u003c/p\u003e","\u003cp\u003eIncludes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats\u003c/p\u003e","\u003cp\u003eIncludes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026amp; Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"\u003c/p\u003e","\u003cp\u003eThis subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.\u003c/p\u003e","\u003cp\u003eProvided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.\u003c/p\u003e","\u003cp\u003eProvided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.\u003c/p\u003e","\u003cp\u003eWalker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.\u003c/p\u003e","\u003cp\u003eDuring the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.\u003c/p\u003e","\u003cp\u003eIncludes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors\u003c/p\u003e","\u003cp\u003ePhotographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003eOriginally owned by Albert Seth Walker.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.\u003c/p\u003e","\u003cp\u003eA book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026amp; Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.\u003c/p\u003e","\u003cp\u003eGarnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.\u003c/p\u003e","\u003cp\u003e\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.\u003c/p\u003e","\u003cp\u003eOn page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"\u003c/p\u003e","\u003cp\u003eThis addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes the papers of Garnie Wilma Walker Testa (1914-1999) and genealogical research about the Walker-Testa family. The papers include material retained from her high school, college, and graduate school years, like graduation photographs and academic texts – all in Series 1 Subseries 1. The collection also includes documentation of her military service in the Army during World War II, featuring items like field guides for military procedures, photographs of herself and peers in uniform, and travel books acquired while serving internationally – all in Series 1 Subseries 2. There are materials from Walker Testa's time as a teacher in Kanawha and Clay Counties, West Virginia, like certificates commemorating her work and books used in the classroom – all in Series 1 Subseries 3. A copy of Walker Testa's historical survey of education in Clay County,  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia,  and other items related to the book's production are featured, including some digital material – all in Series 1 Subseries 4. Additionally, there is genealogical research material that explores her life and her family's lineage through material like descendant charts, biographical sketches, and old family photographs – all in Series 1 Subseries 5 and the collection's addendum of 2025.","This series includes Walker Testa's personal and professional papers retained throughout her life. It includes material from her education at Glenville State Teachers College, Marshall College and West Viriginia University, documentation of her military service in the US Women's Army Corps, items from her 30+ years of service as a teacher in Clay and Kanawha County schools, material related to the research, writing, and publication of her book on the history of education in Clay County, and an assortment of genealogical research material compiled by and about Walker Testa.","This subseries includes materials related to Walker's education in Clay County schools and her secondary education to become a teacher. She earned her teaching certificate from Glenville State Teachers College in 1934, her bachelor's degree at Marshall College in 1940 and her master's degree at West Virginia University in 1942. Includes academic textbooks, photographs of Walker with school friends and in graduation regalia, correspondence, and a copy of her master's thesis.","The gathers at the shoulder of Walker's garment are suggestive of a graduation gown. May be her high school graduation photograph.","Written, mailed, and stamped by Ottie Walker to her sister Garnie Walker, address \"Ivydale, Wva\" in October 1936. Includes a message about cost of boarding, cases of scarlet fever, and other things. Found hidden in between pages 322 and 323 of Walker's  Elements of Geography  textbook.","John Coulter is the son of Janie Stephenson Coulter, a teacher who has an entry in  The Ringing of the Bells .  A related email was printed and included. On the back of the photograph, John Coulter wrote, \"Garnie Walker, Glenville. Mom's Room Mate,\" however, a stamp of the developer indicates that the photo was made in Des Moines, Iowa. In late 1944, Walker did spend 9 weeks in Des Moines in WAC Training, but the location and date of the photo is uncertain.","Two same-day images on hilltop near Glenville, WV, 1930s. One is of Walker standing by herself. The second is her sitting with Janie Stephenson; behind them are Jim Curry (left) and French DeBoard (rt). A related email was printed and included.","Possible locations are Glenville State Teachers College, Marshall College, and even WVU in Morgantown. 1930s or early 1940s.","Estimate for the date and context of this photograph is Walker's 1940 graduation from Marshall College when she received her B.A. degree in Education.","Walker's graduation announcement of the 1940 Marshall College commencement ceremony; her name appears on the last page.","Written, stamped, and mailed from Walker to her sister Josephine (\"Mrs. Josephine Hickman\") in Charleston, WV. Likely sent while Walker was in Huntington at Marshall College.","A History of Education in Clay County, West Virginia . Garnie Wilma Walker, A.B. 1942 Morgantown, West Virginia. Submitted in Partial Fulfillment of the Requirements for the Degree of Masters of Arts to the Faculty of the Graduate School of West Virginia University. This is Walker's personal copy of her thesis. The Chairman of her examining committee was Dr. H. G. Wheat of the College of Education, WVU. His signature appears at the back.","Marshall College Student Government yearbook, 1940. Walker's name is printed in the front of the book. She completed her Bachelor of Arts degree in the Teachers College of Marshall College in June 1940. Her photograph as a senior student is included on page 48.","Walker's name is printed in ink in front of book.","Walker's hand-printed name appears in ink in front of this Pulitzer-Prize winning novel. Glasgow \"portrayed the changing world of the contemporary South in a realistic manner\" (including the topic of racism).","\"Garnie W. Walker Ivydale, W. Va.\" appears in penciled cursive writing in front of book. Within text are penciled underlining and notes in Walker's hand and someone else's, perhaps her sister Ottie's. There are 9 folded maps in an attached envelope at the back of the book. Also there are seven folded papers that are tests and/or study questions related to the book. Much of the handwriting on these is Garnie Walker's. There may be a second person's writing; possibly Ottie Walker.","\"Miss Garnie Walker\" appears in ink in front of book, but the previous owner(s) has written many notes in pencil in front and elsewhere. Notes at back of book are in Walker's hand, and somewhere she wrote \"Test\" at the beginning of a section.","Walker's name appears in ink, cursive writing in front of book. Her penciled notes and underlining are evident. This book likely influenced her Masters work where she identified, researched and followed through with a \"Problem\" for a written thesis.","Walker's name appears in ink, cursive writing in front of book. She may have acquired this book around 1936 while at Glenville State College.","Walker's printed, inked name appears in front of book. She may have used this book in part, along with the Methodology one, during the summer of 1942 to guide her thesis work/writing/formatting. Her handwritten notes appear on several pages.","\"Garnie W. Testa\" is hand-printed in red pencil in front of book. She married Carmelo Testa in 1949 but this is a textbook likely acquired in Morgantown during her WVU Master's Degree work, so it is unclear when she wrote her name.","\"Garnie W. Walker\" appears, hand-printed in ink, in the front of this textbook. Previously owned. Penciled underlining evident.","Garnie Walker's name is printed in ink in front of book. Below it is another name, presumably a previous owner.","Garnie Walker's name is in inked cursive writing in front of book.","\"Garnie W. Walker\" appears in ink in front of book. The book relates to secondary-school instruction. Walker received her Secondary Teaching Certificate from Marshall College in 1943.","\"Garnie Wilma Walker Ivydale, W. Va.\" is printed in ink by Walker's hand in front of book. There was at least one previous owner/user, so more than one person has made notations throughout, but Walker's handwritten penciled notes are recognizably distinctive.","Ottie Walker's penciled cursive signature is written in front of book. Garnie Walker used and cited this updated history volume in her 1942 WVU M.A. thesis.","\"Garnie W. Walker\" is hand-printed in ink in front of book.","Garnie Walker's name is printed in ink in front of book. Others appear in cursive by different hands, as does a penciled price of $2.29. While not directly related to Walker's course of study, she may have used this plant book for reference.","\"Garnie Walker Ivydale, Clay Co. W. Va.\" written in cursive ink in front of book. She likely used this book as a text during the 1939-1940 school year at Marshall College.","Garnie Walker's name is in penciled cursive writing in front of book. Penciled notes and underlining are present through the book.","Garnie Walker's inked, printed name appears in the front of this book.","\"Garnie Wilma Walker\" and \"Garnie Walker\" names appear in front of book. As do \"Ottie Walker,\" and \"Mary Brannon\" (possibly a cousin on maternal side of family). And \"Nay S. Hathaway June 14, 1935 Glenville College.\" Mr. Hathaway was a teacher at Laurel Ridge School. Other names of owners/users appear. Walker was at Glenville State Teachers College in the summers of 1933 -1937.","This subseries includes materials related to Garnie Walker's military service. She enlisted in the US Women's Army Corps in 1944. There are several photographs of Walker in military uniform, of her and friends in the service, and of Carmelo Testa, whom she married in 1949. There are several guides that would have been issued to Walker while in the service and several commemorative books written after the war ended, including an excerpt written by Garnie Walker Testa for a publication highlighting Clay County WWII veterans. These materials also document Garnie Walker and Carmelo Testa's travels with the military, including postcards and photographs from around Europe. A large assortment of travel guides, language learning books, and other books about the history and culture of countries in continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia are also included.","Walker wrote her name in front of book - \"Garnie Walker\" and there is a stamp: \"….......'s Bookstore - The Pentagon - Washington 25 D. C.\"","Edited volume featuring a memoir by Walker Testa","Edited volume featuring an essay by Walker","On page III, a statement reads that the book is published \"by order of the Secretary of War: Official: Dwight D. Eisenhower, Chief of Staff and Edward F. Witsell, Major General The Adjutant General,\" and Garnie Walker wrote in pencil next to Witsell's name: \"My Boss for 6 months. Left this office to go to Germany June 1946.\"","Walker's name is printed on the front cover along with her number A513026. These are also stamped in bold black ink on the front cover, inside on front page, and again in the back.","Elmendorf is likely where Carmelo Testa, Walker's husband, was stationed throughout the 1950s.","Two related booklets","Photograph is in a decorative \"USA\" frame with flag motifs","Includes the following photographs, many of which have handwritten captions:  Garnie W. Walker in uniform including cap. \"About 1946.\" (shoulder patch signifies Military District - Washington.); Photographs of Garnie W. Walker in uniform 1947 (2 8x10s (1 b/w, 1 colorized); 1 5x6); Photograph of Carmelo Testa in uniform, sitting in a dog sled with dogs on snow-covered ground in front of a building (likely taken in Alaska, where he was station at this time);  Six photographs of scenes that may be in Alaska, presumably taken by Carmelo Testa; Photograph of 7th Historical Unit - Headquarters USAFE, Wiesbaden Germany July 1947 (Eight individuals all named on back of photo in Walker's handwriting. Taken on steps to a building); A photograph showing Garnie Walker with her brother in law Judson Hickman in a Naval uniform.; Photograph of Garnie and her sister Josephine E. Walker; Photograph of Walker's visit to a German farm; Photograph of Walker in a uniform overcoat and cap; Photograph captioned by Walker showing American soldiers at wreckage of Hitler's bombed retreat; Photograph captioned by Walker as \"Eagle's Nest - Hitler's Retreat - Berchtesgaden.\"; 4 photographs of Walker in uniform in Austria, Denmark, and Norway; Photograph of Walker and friends at a dinner party at the Rocker Club, Wiesbaden, Germany, 5 February, 1948; Photograph of Walker and friends in front of an airplane, Wiesbaden Airfield. 1948; Photograph of Walker and friends under wing of same airplane, Wiesbaden Airfield; Photograph of a 3-story building in Frankfurt, Germany, August 1948; Photograph of same 3-story building in Frankfurt; Photograph of a funeral for a WAC 1948; Photograph of Walker sitting in a chair in Copenhagen; Photographs of Walker and friends in uniform taken at Wespertal Lodge, Germany, 1948?; Photograph of Garnie W. Walker in uniform with cap;  Wedding photographs of Garnie Walker Testa and new husband Carmelo F. Testa. April 29, 1949; Photograph of the Egyptian Sphinx with pyramid in background (After missions in North Africa and Italy, ca. 1942-1943, Carmelo Testa visited Alexandria and Cairo, Egypt.); Photograph of Carmelo F. Testa in Panama - Canal Zone, circa 1938; Portrait photographs of Carmelo Francisco Testa in uniform, 1948, Air Force First Intelligence Service.; Printed photographs of framed panoramic photograph of Thirty Third Infantry - Panama Canal Zone 1938","Includes the following items: Postcard of Hotel Maison Rouge where Walker stayed in Strasbourg, France November 19-21, 1948 (In Walker's handwriting. It is not addressed to anyone. It may have been included in an envelope perhaps with a letter.); Postcard of the Eiffel Tower from \"Carmelo and Garnie.\" 1949 (In Walker's handwriting, stamped addressed to her mother home on the farm. \"Mrs. Albert S. Walker, Ivydale, West Virginia U. S. A.\" GW and Carmelo Testa were on their honeymoon in Paris, May 1949.); Postcard showing the Hotel de Ville, a bridge over the Seine with a boat. 1949 (From Walker, stamped and addressed to \"Mrs. Gene Hamrick\" Clay WV. This was Wallker's sister, Justena Walker Hamrick.); 2 postcards from Pvt. Garnie W. Walker in Iowa where she was in training at Fort Des Moines (one sent to sister Josephine and one sent to brother Leonard); 2 postcards from Pfc. Garnie W. Walker at Fort Myer, VA (both sent to Josephine)","Includes a series of letters, but one seems to be missing, per a note from the donor.","Includes an assortment of 110 guidebooks, pamphlets, language learning books, history and culture books, and more for regions across continental Europe, the British Isles, Scandinavia, Africa, the Middle East, and Asia.","Likely belonged to Carmelo Testa","Two copies","Walker visited Nurnberg to view the trials, this may the record of the one she attended.","Carmelo Testa is likely in this photograph.","This subseries includes items from Walker Testa's decades of service as an educator in Clay County public schools. There are photographs of Walker Testa and her students, photocopied excerpts of yearbooks, and certificates and letters of appreciation. There is also an assortment of books that Walker Testa used in her classroom.","Walker taught at Laurel Ridge School in the 1936-1937 school year. Her handwriting appears on the backside: \"Laurel Ridge School Garnie Walker Teacher.\" A dated stamp from Glenville WV also is exhibited. Notes have been added to this copy in pencil by Karen Walker.","These are sitting portrait-style photographs that were taken of Walker Testa as a member of the faculty at Clay County High School where she taught 1943-1944 and 1958-1975. Only one is dated - 1967 - but all the others also could be dated if the school yearbooks were consulted.","Walker Testa served as the faculty advisor for the yearbook (known as the \"Tiskelwah\") in 1967","Included are a letter signed by 16 members of the 1975 Tiskelwah Staff; a letter from Gov. Arch Moore (1975); a letter from A. J. Manchin, Sec. of State (1983), and more","References Walker Testa's work as a teacher","\"Tiskelwah\" is the name of the Clay County High School yearbook","English composition for 7th and 8th grades. \"Garnie Walker\" appears in ink in front of book and lightly penciled, relevant marks, etc. in Walker's handwriting on multiple pages. She likely used this book, 1934-1939 while teaching in several one-room rural schools and/or at Swandale, 1941-1943.","Second book has \"Testa\" in blue pencil in front of book and only a few pencil markings within the text. \"Garnie Walker\" appears in the other 3 books; all 3 exhibit much handwriting by Walker throughout. The seventh-year book exhibits a stamp in the front recording the place of purchase: Murphy \u0026 Company Department Store Since 1902, Clay, W. Va. Walker taught grades 6, 7, and 8 at Swandale School, where she also served as Principal. (The eighth-year book exhibits, in the back, the name Leonard Walker, Garnie Walker's youngest brother who attended Laurel Ridge School, 1-8 grades.)","Several pages have been torn from the front of the book, including the title page. Penciled underlining and notes, the latter in Walker's handwriting appear here and there, especially on page 17 and back of book.","There was at least one previous owner of book whose name appears in front. Also includes the purchase price of $0.73. In the back, many names are written by someone other than Walker. Many penciled markings appear throughout - some are recognizably Walker's (small, tight cursive script.) She likely used this book, 1934-1939 in one-rooms and/or at Swandale, 1941-1943. See timeline.","\"This is a music book for one-room schools…\" Garnie Walker's name is printed in ink in the front of this book. On the back of the first page is a list of music terms written by her hand. On title page, upper right, appears the initials LOW. Walker taught her younger brothers. Leon and Leonard, the latter having the initials LOW. She likely used this book, 1934-1939. Relevant notations in pencil are by her hand.","Garnie Walker's name is penciled in front of book, cursive writing. There are also penciled notes through the text in her hand. Based on a few of these (indicating what will be tested), Walker possibly also used this book as a student.","Garnie Walker's name is printed in ink in front of book. Likely used during 1934-1939 and/or 1941-1943.","This is a science reader for intermediate grades. Ottie Walker's signature appears in ink in front of this book. Ottie was one of Garnie Walker's sisters. Ottie also taught in Clay County's one-room schools during the 1930s and later in Kanawha County as Ottie Walker Callison.","Garnie Walker's name in cursive writing is inked in front of book. Also, a \"Murphy \u0026 Company Department Store Clay W. Va.\" stamp. Given the age of this book, Walker may well have used it well before she taught Health during her first year (1943-1944) teaching at Clay County High School.","Clay County supporters/businesses listed in back.","Camp songs, etc.","Walker Testa was an active 4-H faculty advisor/organizer during her years teaching at Clay County High School.","Walker Testa was an active member of this international, honorary educational society. Alpha Phi is the West Virginia state organization within the Society. She was first a member of the Nu Chapter (she is mentioned on page 105) and then with the Alpha Alpha Chapter (pages 134-135). On page 134 she is mentioned twice and said to be the chapter's recording secretary; on page 135 she appears in the photograph with other Clay County teachers who have auto/biographical entries in the  The Ringing of the Bells  book.","Multiple listings of Garnie W. Testa. She was President of the Chapter (see page 19).","Page 44 - Alpha Alpha Chapter listing includes Garnie W. Testa.","Some of these exhibit Garnie Walker's handwriting and some have handwritten dates noted on them, perhaps indicating a year when the plays were performed. One is as recent as 1975, the year of Walker's retirement. According to Walker's daughter Rosalia, she loved incorporating plays into her teaching through the years.","This subseries includes materials related to the development and production of  The Ringing of the Bells: A Bicentennial History of Education in Clay County, West Virginia . This book is an expansion of Walker Testa's master's thesis, but most of the expanded research and writing was done in the 1970s and early 1980s. From the 2010s to 2020, Karen J. Walker worked with the Clay County Historical Society to edit, publish, and distribute the book. A small portion of Walker Testa's original research material, like maps and an unfinished manuscript copy of the book are included. Related items are included in digital format, like teacher biographies and supporting photographs. There are also items created during the process of editing, printing, and publicizing the book -- both paper and digital. Lastly, there is a completed, bound copy of the book.","Includes a copy of a 1889 document that was researched for  The Ringing of the Bells  but ultimately not used, titled \"Specifications for S House in Pleasant District Clay County West Va.\" The date the photocopy was created is unknown.","This copy was manually typewritten by Garnie Walker Testa. It is stored across 5 manila folders in box 6.","These envelopes feature handwritten notes from Garnie Walker Testa, Karen Walker, and/or others involved in the book","This image was used in the book.","Includes the following maps and related correspondence: Outline Map With County Seats State of West Virginia by WV Dept of Highways, undated; map of Clay County Primary and Secondary Highways created by the State Road Commission of West Virginia, 1971 reprint of 1933 edition map; General Highway Map - Clay County - West Virginia by WV Department of Highways, 1976; ordering information for Department of Highways maps and two 8 1/2 x 11 in. maps of the Outline Map with County Seats","Includes digital copies of information used by Karen Walker to facilitate the production and distribution of the book, which took place around 2014-2020. Digital folder titles are as follows: \"1989 Letters \u0026 Permission Form,\" \"Book Printing - Sheridan,\" \"Chapter 11 map images,\" \"Chapter 11 School Photos,\" \"Chapter 17 Clay County Teachers,\" \"Editor,\" \"Flyers and Order Form,\" \"Hist of Clay Co Education FINAL book image 5-14-2020,\" \"Hist of Clay Co Education FINAL Testa book 4-21-2020,\" \"Maps 1, 2, 3,\" and \"Misc. Correspondence\"","This subseries includes an assortment of genealogical research about the Walker family. Descendant lists, biographical sketches, photographs, obituaries, and more are included – some of which were compiled by Walker Testa and others compiled after her death in 1999. There is also a collection of books owned by her father, Albert Seth Walker, in the late 19th- and early 20th-centuries and an 1881 bible that has been passed down through the family. Albert Seth Walker likely attended Little Laurel School and later a Normal school in Clay County. He attained a Teaching Certificate and later became a minister. Most of the academic and religious books in this series belonged to him unless otherwise noted. His name and sometimes \"Ivydale, Clay Co\" appears in the covers of these books.","Provided by Neva Pearl Shiflett Adams. Adams achieved the breakthrough finding of Walker connections to colonial New Hampshire and Massachusetts and then back to England. After the death of Solomon Walker in NH, his wife Leah Boyden Walker and their son, Solon Walker moved south into West Virginia.","Provided by Neva Pearl Shiflett Adams. A. J. Walker was Garnie Walker's paternal grandfather. A. J. Walker and his family are the source of the Walker Road community name, located off of Laurel Ridge Road. As of 2022, Walker Road is known as Dark Hollow Road.","Walker and others did not have the advantage of the internet or DNA analyses when completing this work. For a long time, it was thought that the WV Walker family was connected to the 1775 Joel Walker (m. Jane Cavendish) line. This has been corrected in recent years.","During the 1980s, Garnie Walker Testa researched her family tree as best she could, with the occasional help of others, including her youngest brother, Leonard O. Walker. The connection made between Joel Walker/Jane Cavendish is an error.","Includes the following photos: Image of Albert Seth Walker and Ollie Dove Brannon Walker with their first three children: Garnie Wilma (first born), Ottie Irene, and Josephine Etta (third born); 1919 [Studio] Image of the oldest three Walker sisters: Garnie Wilma, Ottie Irene, and Josephine Etta;  1920s image of Garnie, Ottie, and Josephine standing in front of a fence; 1920s image of Garnie, Ottie, and Josephine sitting on back of saddled farm horse; 1924 image of Garnie (and likely also Ottie) Walker in a school group taken against an exterior wall of Laurel Ridge School near Ivydale, WV; Image from Clay County Free Press of Garnie Walker and 2 high school friends, taken in 1933; A photograph of a group of people at a table; and a photograph of a group of people outdoors","Photographs feature Garnie Walker Testa's farm, taken by Karen J. Walker. 1: Open gate, Barn on right. Camera is facing north/NE. On the hilltop in center of photo, under the trees, is the old Lyons cemetery, identified on maps as the Cherrytree Cemetery. The visible farm road leads up and on around to the right toward the other trees. In this area is the \"new\" Walker Cemetery where Albert and Ollie Walker and are buried. And in 1999, where Garnie Walker Testa was also buried, alongside Carmelo. 2: Lower portion of the same barn seen in previous photo. 3: Mountaintop farm view with a fence, pasture, and one of Garnie's cows. (Cherrytree Cemetery is named for Cherrytree Run/Fork which is beyond view and runs into Rush Fork). 4: Another view of the barn with outbuildings on the left and the house to the right near the evergreen trees. Color images were taken in 1982 by Bruce C. Walker, which feature the old farm, located below Garnie Walker Testa's ridgetop home (still within the 221 acres). It is down at the head of Laurel Run which flows into the Big Otter and on to the Elk River. There were other outbuildings not shown in these photos. K. J. Walker, her brothers and cousins, including Garnie's daughter Rosalia, are currently working to document this older farm.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","Originally owned by Albert Seth Walker.","\"Garnie Walker\" in cursive pencil appears in front of book along with the cursive penciled names of 3 of Garnie's 6 siblings (all younger than her): Ottie, Josephine, and Leon. On page viii another sister's name, Justena, appears. Frye states (Preface) that the book is meant for 4th through 6th grades.","\"Garnie Walker\" in cursive ink appears in front of book. She graduated (8th grade) in May of 1930, so likely her siblings used this book. Genevieve Walker's name appears here and there along with a first cousin, Maxine Walker.","A book in \"The Story Series in Health.\" In the front, Garnie Walker's name appears in a penciled, child's cursive handwriting, as does her sister's and a date \"Miss Genevieve Pearl Walker September 1936.\" Also, four blue-ink stamps of \"Murphy \u0026 Company Department Store Since 1902 - Clay, W.Va.\" Walker was in 4th grade at Laurel Ridge School in 1924 (see photo image) and used this book when it was new. When Genevieve used it in her 4th grade, in 1936-1937, Garnie was her teacher. This book was published just a few years after the 1918-1920 flu pandemic. From the Preface: \"This book is offered as a contribution to the newer health teaching now being inaugurated in our schools.\" Directed at fourth and fifth grades. Garnie's (and her siblings') paternal grandmother, Almira Jane (Hanshaw) Walker, died of the flu on March 8, 1920.","Garnie Walker's name in cursive writing is inked in front of book. Given the age of this book and that it was meant for high-school students, GW likely used it as a student at Clay County High School. It is also likely that when she herself taught Health during her first year (1943-1944) teaching at CCHS that she used this textbook again.","\"Garnie Walker Ivydale, W. Va.\" appears in ink, hand-printed in her hand, in front of book. Walker attended Clay County High School 1930-1933 graduating as Valedictorian of her Class of 1933.","On page 14 is a recipe submitted by Garnie W. Testa - \"Biscuits Supreme.\"","This addendum includes additional genealogical research compiled by Karen Jo Walker. This research is primarily focused on 19th-century Walker relatives Solomon Walker, his sons Solon and Joel Walker, and their families. Items like maps, land deeds, obituaries, newspaper clippings, and photographs that feature these individuals are included. K. J. Walker has also provided biographical sketches and extensive notes to better contextualize her research findings."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d4744c9b984b8903e4124192193153cf\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Walker, Karen Jo","Testa, Garnie Walker, 1914-1999"],"persname_ssim":["Testa, Garnie Walker, 1914-1999","Walker, Karen Jo"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":146,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:36.485Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7073_c01_c02_c22"}},{"id":"viblbv_repositories_2_resources_2291_c01_c01_c86","type":"File","attributes":{"title":"Yaw Vane","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2291_c01_c01_c86#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_2291_c01_c01_c86","ref_ssm":["viblbv_repositories_2_resources_2291_c01_c01_c86"],"id":"viblbv_repositories_2_resources_2291_c01_c01_c86","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291_c01_c01","parent_ssi":"viblbv_repositories_2_resources_2291_c01_c01","parent_ssim":["viblbv_repositories_2_resources_2291","viblbv_repositories_2_resources_2291_c01","viblbv_repositories_2_resources_2291_c01_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_2291","viblbv_repositories_2_resources_2291_c01","viblbv_repositories_2_resources_2291_c01_c01"],"parent_unittitles_ssm":["William Hewitt Phillips Papers","Series I: 1997 and 2004 Donations","Subseries A: Subject Files"],"parent_unittitles_tesim":["William Hewitt Phillips Papers","Series I: 1997 and 2004 Donations","Subseries A: Subject Files"],"text":["William Hewitt Phillips Papers","Series I: 1997 and 2004 Donations","Subseries A: Subject Files","Yaw Vane","box 5","folder 15"],"title_filing_ssi":"Yaw Vane","title_ssm":["Yaw Vane"],"title_tesim":["Yaw Vane"],"unitdate_other_ssim":["1942-1957, n.d."],"normalized_date_ssm":["1942/1957"],"normalized_title_ssm":["Yaw Vane"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["William Hewitt Phillips Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":88,"parent_access_restrict_tesm":["The collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957],"containers_ssim":["box 5","folder 15"],"_nest_path_":"/components#0/components#0/components#85","timestamp":"2026-05-21T02:43:59.002Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2291","ead_ssi":"viblbv_repositories_2_resources_2291","_root_":"viblbv_repositories_2_resources_2291","_nest_parent_":"viblbv_repositories_2_resources_2291","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2291.xml","title_filing_ssi":"Phillips, William Hewitt, Papers","title_ssm":["William Hewitt Phillips Papers"],"title_tesim":["William Hewitt Phillips Papers"],"unitdate_ssm":["1918-2008"],"unitdate_inclusive_ssm":["1918-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2005.019"],"text":["Ms.2005.019","William Hewitt Phillips Papers","Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees","The collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series. ","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: ","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. ","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. ","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.","William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. ","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.","The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. ","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC)  in 2024. ","Phillips, W. Hewitt,  Journey in Aeronautical Research: a Career at NASA Langley Research Center  (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.","This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography,  Journey into Aeronautical Research: a Career at NASA Langley Research Center .","[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]","The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S.  Artificial and Natural Flight . New York: MacMillan, 1908.","Byers, Bruce K.  Destination Moon: A History of the Lunar Orbiter Program  (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).","Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. (William Hewitt), 1918-2009","The materials in the collection are in English."],"unitid_tesim":["Ms.2005.019"],"normalized_title_ssm":["William Hewitt Phillips Papers"],"collection_title_tesim":["William Hewitt Phillips Papers"],"collection_ssim":["William Hewitt Phillips Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creator_persname_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"creators_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The William Hewitt Phillips Papers were donated to Special Collections and University Archives in 1997, 2005, and 2010."],"access_subjects_ssim":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"access_subjects_ssm":["Archives of American Aerospace Exploration (AAAE)","Science and Technology","Aerospace engineers","United States -- National Advisory Committee for Aeronautics -- Officials and employees","United States -- National Aeronautics and Space Administration -- Officials and employees"],"has_online_content_ssim":["false"],"extent_ssm":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"extent_tesim":["28.5 Cubic Feet 57 boxes; 1 oversize folder"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/329\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series. \u003c/p\u003e\n","\u003cp\u003eSeries I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.\u003c/p\u003e\n","\u003cp\u003eSubseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.\u003c/p\u003e\n","\u003cp\u003eSubseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.\u003c/p\u003e\n","\u003cp\u003eSubseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"\u003c/p\u003e\n","\u003cp\u003eSeries II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.\u003c/p\u003e\n","\u003cp\u003eSubseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.\u003c/p\u003e\n","\u003cp\u003eSubseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.\u003c/p\u003e\n","\u003cp\u003eSubseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. \u003c/p\u003e\n","\u003cp\u003eSubseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. \u003c/p\u003e\n","\u003cp\u003eSubseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series. ","Series I, comprising the 1997 and 2004 donations of papers, to a large extent retains the original order in which it was received, though some minor changes have been made for the sake of consistency. The majority of the collection, consisting of subject files, is arranged alphabetically by topic. Phillips' formal reports are arranged chronologically. The arrangement and file titles of a few folders have been changed to provide consistency to the alphabetical order. The materials have been divided among five subseries:","Subseries A: Subject Files. The files were originally housed in four cabinets, later transferred to six boxes by the donor, and finally transferred to permanent boxes during archival processing. The contents of each original cabinet had been arranged in a generally alphabetical order, but there was no overall arrangement among the individual cabinets. Thus, the alphabetical order of the original Cabinet 1 comprises Boxes 1-5; of Cabinet 2, Boxes 5-11; of Cabinet 3, Boxes 11-21; and of Cabinet 4, Boxes 21-25.","Subseries B: NACA and NASA Reports. Arranged chronologically, this subseries contains files on reports and talks given by Phillips related to his professional research.","Subseries C: Other Writings and Lectures by Phillips. This subseries includes drafts, notes, and other materials relating to writings and lectures by Phillips. It is arranged alphabetically by topic and includes a draft of Phillips' autobiography, detailing his personal and professional life.","Subseries D: Lectures and Courses Presented by Others. Originally found in no particular order, this set of files from lectures and courses presented by those other than Phillips is now arranged by name of presenter.","Subseries E: Oversize Materials. These materials were found separated from the rest of the materials in the collection and consist of \"Typical Printouts from the Eppler Program.\"","Series II, the 2010 donation, contains the same types of materials found in Series I. These papers had no original arrangement but instead consisted mostly of loose papers together with a few individual folders and printed materials. The materials have been divided among seven subseries: ","Subseries A: Writings and Lectures. Included in this subseries are files relating to the output of Phillips' research, both in a professional capacity and as a model aircraft enthusiast. The files include not only drafts and published works, but background materials and correspondence. Arranged alphabetically by title or subject.","Subseries B: Subject Files. Arranged alphabetically, this subseries contains materials gathered by Phillips in the course of his research on various topics and his involvement in various professional- and hobby-related activities. Much of the material relates to Phillips' interest in model aircraft.","Subseries C: Correspondence Files. Though personal matters are sometimes discussed, the correspondence in these files relates largely to Phillips' work and his pursuits in model aircraft design, building, and testing. Arranged alphabetically by correspondent.","Subseries D: Photographs. Nearly all of the photos in this series are of Phillips individually or include him at various events. ","Subseries E: Personal Life, Education, and Career. Included in this series are materials relating to Phillips' education at Belmont High School and the Massachusetts Institution of Technology. Also here are records and mementos from his NACA / NASA career, including his many awards. Documenting Phillips' personal life is a set of diaries that he maintained throughout his adult life. ","Subseries F: Oversize Materials contains large photographs, awards, and Phillips's high school diploma."],"bioghist_html_tesm":["\u003cp\u003eWilliam Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.\u003c/p\u003e\n","\u003cp\u003eIn July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.\u003c/p\u003e\n","\u003cp\u003eAs the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. \u003c/p\u003e\n","\u003cp\u003ePhillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["William Hewitt Phillips, known more familiarly as Hewitt Phillips, was born in Merseyside, England, in 1918, but moved with his parents at age two to the United States. He studied aeronautical engineering at the Massachusetts Institute of Technology (MIT), obtaining an S. B. degree in 1939 and an S.M. in 1940. During his childhood, he developed an interest in model aircraft, and he maintained an active interest in the hobby throughout his life.","In July 1940, Phillips commenced service with the National Advisory Committee for Aeronautics (NACA), where he was assigned to the Flight Research Division at Langley Research Center (Hampton, Virginia), specializing in the study of aircraft flying qualities and stability. Within this broader assignment, Phillips' task involved the improvement of World War II military aircraft flying qualities. Following the war, Phillips' research related to the development of jet-powered fighter airplanes, supersonic airplanes, stability augmentation and its effect on pilot control, automatic control, and gust alleviation. In 1947, Phillips married Viola Ohler, then head of Langley's editorial office. The couple had three children.","As the U. S. space program commenced, Phillips became chief of the Space Mechanics Division, supervising research in the areas of space rendezvous, navigation, and lunar landing and developing flight simulators for the Gemini and Apollo programs. To train astronauts for lunar landings, Phillips developed the Lunar Landing Facility. He later served as an analyst and consultant in the development of the space shuttle. ","Phillips retired from NASA in February 1979 but continued in the position of distinguished research associate, performing original research on solar-powered aircraft, propellers, airfoil design and wind-tunnel studies of the use of canard surfaces for the space shuttle. He died in 2009."],"odd_html_tesm":["\u003cp\u003eThe guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the William Hewitt Phillips Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], William Hewitt Phillips Papers, Ms2005-019, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. \u003c/p\u003e","\u003cp\u003eAdditional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e in 2024. \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the 2005 accession of the William Hewitt Phillips Papers commenced in September 2008 and was completed in February 2009. Processing of the second accession commenced in July 2014 and was completed in September 2014. ","Additional processing, arrangement, and description of the William Hewitt Phillips Papers was completed as part of the project, \"Piercing the Veil: Creating Access to the Archives of American Aerospace Exploration at Virginia Tech,\" funded by the  National Historical Publications and Records Commission (NHPRC)  in 2024. "],"relatedmaterial_html_tesm":["\u003cp\u003ePhillips, W. Hewitt, \u003ctitle render=\"italic\"\u003eJourney in Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Phillips, W. Hewitt,  Journey in Aeronautical Research: a Career at NASA Langley Research Center  (Washington, D.C.: NASA History Office, 1998). Call number: TL540 P54 J687 1998 Large Spec (in the Rare Book Collection at Virginia Tech Special Collections and University Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography, \u003ctitle render=\"italic\"\u003eJourney into Aeronautical Research: a Career at NASA Langley Research Center\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003e[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note"],"scopecontent_tesim":["This collection contains the papers of William Hewitt Phillips, an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA) at Langley Research Center and chief of the Flight Dynamics and Control Division from 1970 to 1979. The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at Langley and spans from his work on World War II-era aircraft to the early U.S. space program and beyond, as well as his longstanding and active interest in model aircraft design and testing. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; simulation of space operations (particularly the Lunar Landing Research Facility), and model aircraft. An item of note is a typescript draft of Phillips' autobiography,  Journey into Aeronautical Research: a Career at NASA Langley Research Center .","[also includes \"Simulator Studies of Several Lateral Stability Augmentation Concepts for Light Aircraft\" by H. Douglas Garner (Langly Working Paper 999, Oct 6 1971)]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following items were removed from the collection and cataloged for the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003eMaxim, Hiram S. \u003ctitle render=\"italic\"\u003eArtificial and Natural Flight\u003c/title\u003e. New York: MacMillan, 1908.\u003c/p\u003e\n","\u003cp\u003eByers, Bruce K. \u003ctitle render=\"italic\"\u003eDestination Moon: A History of the Lunar Orbiter Program\u003c/title\u003e (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following items were removed from the collection and cataloged for the Rare Book Collection:","Maxim, Hiram S.  Artificial and Natural Flight . New York: MacMillan, 1908.","Byers, Bruce K.  Destination Moon: A History of the Lunar Orbiter Program  (NASA Technical Memorandum TM X-3487). Washington DC: NASA, 1977."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32415d476b4953a68a5bd3a12803d2b5\" label=\"Abstract\"\u003eThis collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility).\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of William Hewitt Phillips (1918-2009), an aerospace engineer for the National Advisory Committee for Aeronautics (NACA) and National Air and Space Administration (NASA). The collection includes lecture notes, reports and memoranda tracing the development of Phillips' theories while at the Langley Research Center and spans from his work on World War II-era aircraft to the early U.S. space program and beyond. These papers include calculations of various numerical values in relation to various aircraft and spacecraft, as well as drawings and other illustrations. The collection also contains a set of Phillips' official reports, files devoted to lectures delivered by Phillips, and notes from courses and lectures presented by others. Major topics in this collection include aircraft stability and control; gust alleviation; wing theories; types of planes; shuttles; airfoils; gliders; and simulation of space operations (particularly the Lunar Landing Research Facility)."],"names_coll_ssim":["United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"names_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration","Phillips, William H. (William Hewitt), 1918-2009"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","United States. National Advisory Committee for Aeronautics","United States. National Aeronautics and Space Administration"],"persname_ssim":["Phillips, William H. (William Hewitt), 1918-2009"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":896,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:43:59.002Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2291_c01_c01_c86"}},{"id":"viu_repositories_3_resources_1531","type":"collection","attributes":{"title":"Y. Billy Garden collection of S.S. 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There is blank stationary of Van Dine with an illustration of a scotch terrier. ","Also included is a \"dummy\" copy of the Philip Vance Murder Cases that Garden sent with a letter that states \"I myself do not have a copy...but I do have a bound dummy of all the extraneous material of that volume. The binding is exactly like the volume itself.\"  ","Includes Sporran Kennels stationery. Wright was owner of the kennel.","Albert and Shirley Small Special Collections Library","Van Dine, S. S.","Wright , Willard Huntington, 1888-1939","English \n.    "],"unitid_tesim":["MSS 9701","Archival Resource Key","/repositories/3/resources/1531"],"normalized_title_ssm":["Y. Billy Garden collection of S.S. Van Dine addition"],"collection_title_tesim":["Y. Billy Garden collection of S.S. Van Dine addition"],"collection_ssim":["Y. Billy Garden collection of S.S. 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Dine from Garden and offerings of some of his mementos. \u003c/p\u003e\n","\u003cp\u003eThe photograph of Van Dine is signed to Garden. There is blank stationary of Van Dine with an illustration of a scotch terrier. \u003c/p\u003e\n","\u003cp\u003eAlso included is a \"dummy\" copy of the Philip Vance Murder Cases that Garden sent with a letter that states \"I myself do not have a copy...but I do have a bound dummy of all the extraneous material of that volume. The binding is exactly like the volume itself.\"  \u003c/p\u003e","\u003cp\u003eIncludes Sporran Kennels stationery. Wright was owner of the kennel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, stationary, a photograph, and a copy of the Philip Vance Murder Cases from Y. Billy Garden, the secretary to detective novelist S.S. Van Dine, pseudonym of Williard Huntington Wright. 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","Also included is a \"dummy\" copy of the Philip Vance Murder Cases that Garden sent with a letter that states \"I myself do not have a copy...but I do have a bound dummy of all the extraneous material of that volume. The binding is exactly like the volume itself.\"  ","Includes Sporran Kennels stationery. Wright was owner of the kennel.","Albert and Shirley Small Special Collections Library","Van Dine, S. S.","Wright , Willard Huntington, 1888-1939","English \n.    "],"unitid_tesim":["MSS 9701","Archival Resource Key","/repositories/3/resources/1531"],"normalized_title_ssm":["Y. Billy Garden collection of S.S. Van Dine addition"],"collection_title_tesim":["Y. Billy Garden collection of S.S. Van Dine addition"],"collection_ssim":["Y. Billy Garden collection of S.S. 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Dine from Garden and offerings of some of his mementos. \u003c/p\u003e\n","\u003cp\u003eThe photograph of Van Dine is signed to Garden. There is blank stationary of Van Dine with an illustration of a scotch terrier. \u003c/p\u003e\n","\u003cp\u003eAlso included is a \"dummy\" copy of the Philip Vance Murder Cases that Garden sent with a letter that states \"I myself do not have a copy...but I do have a bound dummy of all the extraneous material of that volume. The binding is exactly like the volume itself.\"  \u003c/p\u003e","\u003cp\u003eIncludes Sporran Kennels stationery. Wright was owner of the kennel.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents"],"scopecontent_tesim":["This collection contains correspondence, stationary, a photograph, and a copy of the Philip Vance Murder Cases from Y. Billy Garden, the secretary to detective novelist S.S. Van Dine, pseudonym of Williard Huntington Wright. 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Genealogy Research Papers (boxes 1-11)"],"parent_unittitles_tesim":["James Wooddell, Compiler, Genealogy Research Papers","Series 1. Genealogy Research Papers (boxes 1-11)"],"text":["James Wooddell, Compiler, Genealogy Research Papers","Series 1. Genealogy Research Papers (boxes 1-11)","Yeager","Box 5","Folder 13"],"title_filing_ssi":"Yeager","title_ssm":["Yeager"],"title_tesim":["Yeager"],"unitdate_inclusive_ssm":["1939–1987"],"normalized_date_ssm":["1939/1987"],"normalized_title_ssm":["Yeager"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":127,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"containers_ssim":["Box 5","Folder 13"],"_nest_path_":"/components#0/components#125","timestamp":"2026-05-21T00:36:22.310Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1734","ead_ssi":"wvmturhc_repositories_2_resources_1734","_root_":"wvmturhc_repositories_2_resources_1734","_nest_parent_":"wvmturhc_repositories_2_resources_1734","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1734.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195957","title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"unitdate_ssm":["1970-2000"],"unitdate_inclusive_ssm":["1970-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"text":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734","James Wooddell, Compiler, Genealogy Research Papers","Pocahontas County (W. Va.)","Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County","No special access restriction applies.","Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches.","To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Wooddell, James, Compiler","English"],"unitid_tesim":["A\u0026M 3422","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1734"],"normalized_title_ssm":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_title_tesim":["James Wooddell, Compiler, Genealogy Research Papers"],"collection_ssim":["James Wooddell, Compiler, Genealogy Research Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Pocahontas County (W. Va.)"],"geogname_ssim":["Pocahontas County (W. Va.)"],"creator_ssm":["Wooddell, James, Compiler"],"creator_ssim":["Wooddell, James, Compiler"],"creator_persname_ssim":["Wooddell, James, Compiler"],"creators_ssim":["Wooddell, James, Compiler"],"places_ssim":["Pocahontas County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"access_subjects_ssm":["Genealogy - Pocahontas County.","Veterans -- West Virginia -- Pocahontas County"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"extent_tesim":["16.5 Linear Feet 16 ft. 6 in. (13 record cartons, 15 in. each); (part of 1 flat storage box, 3 in.)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026amp;M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James Wooddell, Compiler, Genealogy Research Papers, A\u0026M 3422, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eGenealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.\u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11) \u003clb\u003e\u003c/lb\u003e\nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7) \u003clb\u003e\u003c/lb\u003e\nSeries 3. Towns and Communities, 1909-1983, undated (box 5) \u003clb\u003e\u003c/lb\u003e\nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6) \u003clb\u003e\u003c/lb\u003e\nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6) \u003clb\u003e\u003c/lb\u003e\nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7) \u003clb\u003e\u003c/lb\u003e\nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11) \u003clb\u003e\u003c/lb\u003e\nSeries 8. Photographs, ca. 1900-1925 (box 11) \u003clb\u003e\u003c/lb\u003e\nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14) \u003clb\u003e\u003c/lb\u003e\nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14) \u003clb\u003e\u003c/lb\u003e\nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12) \u003clb\u003e\u003c/lb\u003e\nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)\u003c/p\u003e","\u003cp\u003eThis series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.\u003c/p\u003e","\u003cp\u003eThis series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.\u003c/p\u003e","\u003cp\u003eThis series includes news clippings, maps, and other material sorted by West Virginia city.\u003c/p\u003e","\u003cp\u003eThis series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.\u003c/p\u003e","\u003cp\u003eThis series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.\u003c/p\u003e","\u003cp\u003eThis series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes unidentified candid and formal portraits.\u003c/p\u003e","\u003cp\u003eThis series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.\u003c/p\u003e","\u003cp\u003eThis series includes data culled from federal census registers from 1810-1910.\u003c/p\u003e","\u003cp\u003eThis series includes assorted sound recordings, including those regarding various cemetaries and churches.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Genealogy research papers of James Wooddell regarding familes of primarily Pendleton, Pocahontas, and Randolph Counties, West Virginia. This collection also includes lists of veterans of various wars from Pocahontas County; deeds and surveys from Pocahontas County; papers regarding various towns and communities; and other related material.","Series include: \nSeries 1. Genealogy Research Papers, 1823-2000, undated (boxes 1-11)  \nSeries 2. Subject Files, 1914-1990, undated (boxes 5 and 7)  \nSeries 3. Towns and Communities, 1909-1983, undated (box 5)  \nSeries 4. Pocahontas County Veterans, 1937-2000, undated (boxes 5-6)  \nSeries 5. Subject Files -- Clippings and Typescripts, 1916, 1937-1993, undated (box 6)  \nSeries 6. Land Records -- Pocahontas County, 1886, undated (box 7)  \nSeries 7. Genealogy Research -- Miscellaneous, ca. 1850s, 1940-1990, undated (boxes 7 and 11)  \nSeries 8. Photographs, ca. 1900-1925 (box 11)  \nSeries 9. Add. of 2003 September 24, Genealogy Research -- Miscellaneous, ca. 1840s-1870s, 1892-2000 (boxes 11-14)  \nSeries 10. Add. of 2003 September 24, Subject Files, ca. 1990-2000, undated (boxes 11 and 14)  \nSeries 11. Add. of 2003 September 24, Genealogy Research -- Miscellaneous -- Data Culled from the Federal Census, 1810–1910 (boxes 11-12)  \nSeries 12. Add. of 2003 September 24, Sound Recordings, 1998, undated (box 13)","This series includes lists, clippings, photographs, facsimiles of original documents, etc. for primarily Pocahontas County. The dates for records in this series refer to when the records were created, not their content.","This series includes material regarding the Civil War in America, the history of several West Virginia counties, Cass, WV, and other topics sorted by subject.","This series includes news clippings, maps, and other material sorted by West Virginia city.","This series includes photocopied documents, clippings, typescripts, etc. regarding veterans from Pocahontas County, WV. These files are sorted by war.","This series includes various clippings and typescripts sorted by subject, including county formation, post offices, and other topics.","This series includes both facsimiles and original deeds and surveying documents from Pocahontas County, WV.","This series includes assorted genealogy research material, including documents of the Maupin Store, a list of registered voters from Precinct 2, Green Bank District, Pocahontas County, West Virginia, and other material.","This series includes unidentified candid and formal portraits.","This series includes assorted genealogy research materials, including copied clippings of obituaries, assorted research notes, various name indexes, and other material.","This series includes clippings regarding the Green Bank Radiotelescope and two copies of a Pledge of Allegiance poster.","This series includes data culled from federal census registers from 1810-1910.","This series includes assorted sound recordings, including those regarding various cemetaries and churches."],"separatedmaterial_html_tesm":["\u003cp\u003eTo books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.\u003c/p\u003e\n","\u003cp\u003eTo serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["To books: Pocahontas County, Virginia (Now West Virginia) Marriage Bonds 1822-1852 and Minister Returns 1822-1871.","To serials: Newsletter--Gleanings of Pocahontas County Historical Society; 1980-1982."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_552ef907c5965f8a71f71d1c7f3e2298\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Wooddell, James, Compiler"],"corpname_ssim":["West Virginia and Regional History Center"],"persname_ssim":["Wooddell, James, Compiler"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":513,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:36:22.310Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1734_c01_c126"}},{"id":"wvmturhc_repositories_2_resources_4017_c10_c79","type":"File","attributes":{"title":"Yeager, Charles I.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4017_c10_c79#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_4017_c10_c79","ref_ssm":["wvmturhc_repositories_2_resources_4017_c10_c79"],"id":"wvmturhc_repositories_2_resources_4017_c10_c79","ead_ssi":"wvmturhc_repositories_2_resources_4017","_root_":"wvmturhc_repositories_2_resources_4017","_nest_parent_":"wvmturhc_repositories_2_resources_4017_c10","parent_ssi":"wvmturhc_repositories_2_resources_4017_c10","parent_ssim":["wvmturhc_repositories_2_resources_4017","wvmturhc_repositories_2_resources_4017_c10"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_4017","wvmturhc_repositories_2_resources_4017_c10"],"parent_unittitles_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers","Series 10. Subjects"],"parent_unittitles_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers","Series 10. Subjects"],"text":["Harley Martin Kilgore (1893-1956), Senator, Papers","Series 10. Subjects","Yeager, Charles I.","Box Series 10, Box 6"],"title_filing_ssi":"Yeager, Charles I.","title_ssm":["Yeager, Charles I."],"title_tesim":["Yeager, Charles I."],"unitdate_inclusive_ssm":["ca. 1940-1956"],"normalized_date_ssm":["1940/1956"],"normalized_title_ssm":["Yeager, Charles I."],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":235,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"containers_ssim":["Box Series 10, Box 6"],"_nest_path_":"/components#9/components#78","timestamp":"2026-05-21T01:27:00.714Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_4017","ead_ssi":"wvmturhc_repositories_2_resources_4017","_root_":"wvmturhc_repositories_2_resources_4017","_nest_parent_":"wvmturhc_repositories_2_resources_4017","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_4017.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197811","title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"unitdate_ssm":["1937-1956"],"unitdate_inclusive_ssm":["1937-1956"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0967","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4017"],"text":["A\u0026M 0967","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4017","Harley Martin Kilgore (1893-1956), Senator, Papers","United States -- Politics and government","Elections","Politics and government.","World War, 1939-1945","Politicians -- United States","West Virginia - Politics and government.","Politicians","No special access restriction applies.","Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926. ","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.","491, 967, 1068, 1108, 1500, 3143, 3335","Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, correspondence, printed materials, clippings, broadsides, and a photograph. Topics include congressional bills and legislation on diverse subjects; committees with which Kilgore was involved, including the Senate \nMilitary Affairs Subcommittee on War Mobilization, the Special Committee Investigating the National Defense Program (also known as the Truman Committee), the Committee on Military Affairs, and the Committee on the Judiciary; the National Science Foundation; various presidential speeches; and a wide variety of material relating to West Virginia, including items pertaining to the Charleston Airport, the Parkersburg Flood Wall, the Upper Monongahela Project, and many other topics.","This series includes printed bills, correspondence, and other documents pertaining to the bills. All items are filed by bill number under each section of Congress. The subjects in these folders are duplicated in some of the later series.","This series includes correspondence, printed bills, memoranda, and other materials bearing on Congressional legislation. Content is arranged alphabetically by folder subject headings.","Content in this series is arranged by folder subject heading.","Includes correspondence, memoranda, and printed materials relating to West Virginia.","Items related to Series 12.","Subjects of these photographs include:","the Hatfield clan\nWoodrow Wilson\nColonel J.M. Kirby, 101st Ohio Regiment\nGeneral William T. Sherman\nStonewall Jackson\nGeneral N.B. Forrest\nFranklin Delano Roosevelt\nthe battleship U.S.S. West Virginia\nPresident Truman addressing a joint session of Congress\na World War II dockyard\nSenator Kilgore's campaign posters","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program","Kilgore, Harley Martin, 1893-1956","Harriman, W. Averell (William Averell), 1891-1986","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972","English"],"unitid_tesim":["A\u0026M 0967","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/4017"],"normalized_title_ssm":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"collection_title_tesim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"collection_ssim":["Harley Martin Kilgore (1893-1956), Senator, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government"],"geogname_ssim":["United States -- Politics and government"],"creator_ssm":["Kilgore, Harley Martin, 1893-1956"],"creator_ssim":["Kilgore, Harley Martin, 1893-1956"],"creator_persname_ssim":["Kilgore, Harley Martin, 1893-1956"],"creators_ssim":["Kilgore, Harley Martin, 1893-1956"],"places_ssim":["United States -- Politics and government"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Elections","Politics and government.","World War, 1939-1945","Politicians -- United States","West Virginia - Politics and government.","Politicians"],"access_subjects_ssm":["Elections","Politics and government.","World War, 1939-1945","Politicians -- United States","West Virginia - Politics and government.","Politicians"],"has_online_content_ssim":["false"],"extent_ssm":["17.75 Linear Feet 17 ft. 9 1/4 in. (42 document cases, 5 in. each; 1 large flat storage box, 3 in.; 1 folder, 1/4 in.)"],"extent_tesim":["17.75 Linear Feet 17 ft. 9 1/4 in. (42 document cases, 5 in. each; 1 large flat storage box, 3 in.; 1 folder, 1/4 in.)"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eHarley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.\u003c/p\u003e\n","\u003cp\u003eHe taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926. \u003c/p\u003e\n","\u003cp\u003eIn 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).\u003c/p\u003e\n","\u003cp\u003eIn 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harley Martin Kilgore (January 11, 1893 - February 28, 1956) was born in Brown, West Virginia, to Quimby and Laura Martin Kilgore. He received his LL.B. from West Virginia University in 1914 and was admitted to the bar the same year.","He taught school in Hancock, West Virginia in 1914 and 1915. Also in 1915, he organized the first high school in Raleigh County, WV, and served as principal. He established his law practice in Beckley, WV in 1916. During World War I, he served in the infantry from 1917 and was discharged as a captain in 1920. Kilgore married Lois Elaine Lilly in Huntington, WV on May 10, 1921. That same year, he helped organize the West Virginia National Guard, and was promoted to major and appointed commander of 2nd Battalion the following year. He also served as Beckley city recorder in 1922. His son, Robert Martin Kilgore, was born in 1924. His daughter, Elinor Stuart Kilgore, was born in 1926. ","In 1932, Kilgore was assigned to the state headquarters of the National Guard. He was elected judge of the Raleigh County criminal court from 1933 to 1940 on the Democratic ticket. In 1940, he was elected to the U.S. Senate with support from the Neely faction of the Democratic Party, and won reelection in 1946 and 1952. Also in 1940, he was placed on active military duty as judge advocate for West Virginia's Selective Service system until he entered the Senate. A member of the U.S. Senate from 1941 until his death, Kilgore served as chairman of the Judiciary Committee and the Committee to Investigate the National Defense Program. In October 1942, he became chair of the Subcommittee on War Mobilization of the Military Affairs Committee (also known as the Kilgore Committee).","In 1948, Kilgore served as a delegate at the Democratic National Convention, where he was an outspoken supporter of Harry S. Truman. He retired from the West Virginia National Guard as a lieutenant colonel in 1953. He died in 1956 at age 63 at Bethesda Naval Hospital, and was buried at Arlington National Cemetery."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026amp;M 0967, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Harley Martin Kilgore (1893-1956), Senator, Papers, A\u0026M 0967, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e491, 967, 1068, 1108, 1500, 3143, 3335\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["491, 967, 1068, 1108, 1500, 3143, 3335"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, correspondence, printed materials, clippings, broadsides, and a photograph. Topics include congressional bills and legislation on diverse subjects; committees with which Kilgore was involved, including the Senate \nMilitary Affairs Subcommittee on War Mobilization, the Special Committee Investigating the National Defense Program (also known as the Truman Committee), the Committee on Military Affairs, and the Committee on the Judiciary; the National Science Foundation; various presidential speeches; and a wide variety of material relating to West Virginia, including items pertaining to the Charleston Airport, the Parkersburg Flood Wall, the Upper Monongahela Project, and many other topics.\u003c/p\u003e","\u003cp\u003eThis series includes printed bills, correspondence, and other documents pertaining to the bills. All items are filed by bill number under each section of Congress. The subjects in these folders are duplicated in some of the later series.\u003c/p\u003e","\u003cp\u003eThis series includes correspondence, printed bills, memoranda, and other materials bearing on Congressional legislation. Content is arranged alphabetically by folder subject headings.\u003c/p\u003e","\u003cp\u003eContent in this series is arranged by folder subject heading.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, memoranda, and printed materials relating to West Virginia.\u003c/p\u003e","\u003cp\u003eItems related to Series 12.\u003c/p\u003e","\u003cp\u003eSubjects of these photographs include:\u003c/p\u003e\n","\u003cp\u003ethe Hatfield clan\nWoodrow Wilson\nColonel J.M. Kirby, 101st Ohio Regiment\nGeneral William T. Sherman\nStonewall Jackson\nGeneral N.B. Forrest\nFranklin Delano Roosevelt\nthe battleship U.S.S. West Virginia\nPresident Truman addressing a joint session of Congress\na World War II dockyard\nSenator Kilgore's campaign posters\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Harley M. Kilgore, U.S. Senator from West Virginia. Includes typescripts, correspondence, printed materials, clippings, broadsides, and a photograph. Topics include congressional bills and legislation on diverse subjects; committees with which Kilgore was involved, including the Senate \nMilitary Affairs Subcommittee on War Mobilization, the Special Committee Investigating the National Defense Program (also known as the Truman Committee), the Committee on Military Affairs, and the Committee on the Judiciary; the National Science Foundation; various presidential speeches; and a wide variety of material relating to West Virginia, including items pertaining to the Charleston Airport, the Parkersburg Flood Wall, the Upper Monongahela Project, and many other topics.","This series includes printed bills, correspondence, and other documents pertaining to the bills. All items are filed by bill number under each section of Congress. The subjects in these folders are duplicated in some of the later series.","This series includes correspondence, printed bills, memoranda, and other materials bearing on Congressional legislation. Content is arranged alphabetically by folder subject headings.","Content in this series is arranged by folder subject heading.","Includes correspondence, memoranda, and printed materials relating to West Virginia.","Items related to Series 12.","Subjects of these photographs include:","the Hatfield clan\nWoodrow Wilson\nColonel J.M. Kirby, 101st Ohio Regiment\nGeneral William T. Sherman\nStonewall Jackson\nGeneral N.B. Forrest\nFranklin Delano Roosevelt\nthe battleship U.S.S. West Virginia\nPresident Truman addressing a joint session of Congress\na World War II dockyard\nSenator Kilgore's campaign posters"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_eb9085da265d4551b0beb9bea910009e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program","Harriman, W. Averell (William Averell), 1891-1986","Kilgore, Harley Martin, 1893-1956","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"names_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program","Kilgore, Harley Martin, 1893-1956","Harriman, W. Averell (William Averell), 1891-1986","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"corpname_ssim":["West Virginia and Regional History Center","Democratic Party (U.S.)","National Science Foundation (U.S.)","United States. Congress. Senate","United States. Congress. Senate. Committee on Military Affairs","United States. Congress. Senate. Committee on Military Affairs. Subcommittee on War Mobilization.","United States. Congress. Senate. Committee on the Judiciary","United States. Congress. Senate. Special Committee Investigating the National Defense Program"],"persname_ssim":["Kilgore, Harley Martin, 1893-1956","Harriman, W. Averell (William Averell), 1891-1986","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Rosier, Joseph, 1870-1951","Truman, Harry S., 1884-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":248,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:27:00.714Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4017_c10_c79"}},{"id":"viw_repositories_2_resources_8864_c01_c02_c01_c01","type":"File","attributes":{"title":"Yearbook","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8864_c01_c02_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8864_c01_c02_c01_c01","ref_ssm":["viw_repositories_2_resources_8864_c01_c02_c01_c01"],"id":"viw_repositories_2_resources_8864_c01_c02_c01_c01","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864_c01_c02_c01","parent_ssi":"viw_repositories_2_resources_8864_c01_c02_c01","parent_ssim":["viw_repositories_2_resources_8864","viw_repositories_2_resources_8864_c01","viw_repositories_2_resources_8864_c01_c02","viw_repositories_2_resources_8864_c01_c02_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8864","viw_repositories_2_resources_8864_c01","viw_repositories_2_resources_8864_c01_c02","viw_repositories_2_resources_8864_c01_c02_c01"],"parent_unittitles_ssm":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1"],"parent_unittitles_tesim":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1"],"text":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1","Yearbook","Box 1","Folder 12"],"title_filing_ssi":"Yearbook","title_ssm":["Yearbook"],"title_tesim":["Yearbook"],"unitdate_inclusive_ssm":["1947"],"normalized_date_ssm":["1947"],"normalized_title_ssm":["Yearbook"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Jamestown Corporation Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1947],"containers_ssim":["Box 1","Folder 12"],"_nest_path_":"/components#0/components#1/components#0/components#0","timestamp":"2026-05-20T22:44:41.233Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8864","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8864.xml","title_filing_ssi":"Jamestown Corporation Records","title_ssm":["Jamestown Corporation Records"],"title_tesim":["Jamestown Corporation Records"],"unitdate_ssm":["1946-1979"],"unitdate_inclusive_ssm":["1946-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"text":["01/Mss. 77 C73","/repositories/2/resources/8864","Jamestown Corporation Records","Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama","Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Scope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.","Scope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.","Scope and Contents The collection includes scripts of the  Common Glory  from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.","Scope and Contents Director's Copy","Scope and Contents Technical Director's (Al Haaks's) copy.","Scope and Contents Annotated copy","Scope and Contents Narrator's Copy","Scope and Contents Rehearsal","Scope and Contents Rehearsal","Scope and Contents Published Version","Scope and Contents Rehearsal; New Material uncut.","Scope and Contents Rehearsal with notes.","Scope and Contents Paul Green's copy","Scope and Contents Costumer's (S. Sherman's) copy.","Scope and Contents Rehearsal","Scope and Contents Annotated copy.","Scope and Contents Master script 1","Scope and Contents Revised Copy","Scope and Contents Revised Copy","Scope and Contents Stage Manager's copy.","Scope and Contents Author's Corrected Copy","Scope and Contents Paul Green's Copy","Scope and Contents Revisions by Paul Green","Scope and Contents Lighting","Scope and Contents Stage Manager's Copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Maintence of Sound System","Scope and Contents Stage Manager's Copy","Scope and Contents Stage Manager's indoor copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Annotated Version","Scope and Contents Stage Manager's copy","Scope and Contents Lighting","Scope and Contents Lights: Ampitheatre","Scope and Contents Lights; Indoor","Scope and Contents Sound","Scope and Contents For souvenir program","Scope and Contents Outdoor","Scope and Contents Indoor","Scope and Contents Lighting--outdoors","Scope and Contents Lighting","Scope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.","Scope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.","Scope and Contents Version B","Scope and Contents Version C, Act 1","Scope and Contents Version D, 11 Scenes","Scope and Contents Version E, Act 1","Scope and Contents Version E, Act 2","Scope and Contents Version G","Scope and Contents Version H","Scope and Contents Version I","Scope and Contents Version J","Scope and Contents Version K","Scope and Contents Version L, Incomplete","Scope and Contents Rehersal","Scope and Contents Technical Director's Copy","Scope and Contents Lights","Scope and Contents Revised Version","Scope and Contents Scenario and scene layout.","Scope and Contents Paul Green's revisions","Scope and Contents Original","Scope and Contents Final Form","Scope and Contents Script Changes","Scope and Contents Props.","Scope and Contents With corrections","Scope and Contents Programs of The  Common Glory  for the period 1947-1976 and  The Founders  for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for  The Lost Colony  for 1946)","Scope and Contents Souvenir","Scope and Contents 8 Souvenirs and 2 handouts","Scope and Contents 9 souvenirs and 2 handouts","Scope and Contents 7 souvenirs and 2 handouts","Scope and Contents 6 Souvenirs and 2 handouts","Scope and Contents 6 souvenirs and 1 handout.","Scope and Contents 5 Souvenirs and 1 handout","Scope and Contents 3 Souvenirs and 2 handouts.","Scope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.","Scope and Contents Liquidation","Scope and Contents Administrative Forms","Scope and Contents Ampitheatre Blueprints","Scope and Contents C. Darden- Paul Green correspondence","Scope and Contents Audition information and forms","Scope and Contents Box office procedures, policies, and reports","Scope and Contents Contracts- Paul Green","Scope and Contents House Reports","Scope and Contents Impression of seal, letterhead, and postcard","Scope and Contents Entrance lighting and correspondence with lighting suppliers","Scope and Contents Reports on audits","Scope and Contents Reports on stage lighting","Scope and Contents Schedule of accounts","Scope and Contents Special studies of  The Common Glory  by students of \"Theatre 320\" at The College of William and Mary.","Scope and Contents Standardized forms","Scope and Contents Surveys and statistical studies","Scope and Contents Switchboard blueprints","Scope and Contents Choir concert programs","Scope and Contents Dance concert programs","Scope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.","Scope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.","Scope and Contents Notes and sketches","Scope and Contents Indoor production. A set of blueprints.","Outdoor set location design plans.","Indoor set location design.","Outdoors prop list with expenses.","Lighting plot, indoors and outdoors diagrams.","End of the year lighting report (A. L. Cook)","Location-lighting instruments, outdoors","Dimmer schedule, outdoors","Lighting instrument locations, indoors","Lighting follow spot cues, indoors","Lamp inventory (room L)","Indoor dimmer schedule.","Follow spot cues, light tower.","Follow spot cues, sound tower","Sound report including storage (B. Sancetta).","Inventory of office supplies.","Inventory of sound equipment.","Props list for outdoor set, includes cost and location.","Set inventory with measurements.","Instrument inventory, fall 1976.","Follow spot cues, indoors.","Instrument schedule and hook-up sheet, indoors.","Dimmer schedule, indoors.","Instrument schedule and hook-up sheet, outdoors","Dimmer schedule, outdoors.","Follow spot cues, sound tower.","Follow spot cues, light tower.","Worksheets (Boll and Cook).","Light cues, outdoors.","Pre-set sheets, indoors.","Photographs, lighting instruments and placement.","Scope and Contents This series includes costume designs and swatches for  The Common Glory  and most designs for  The Founders,  arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.","The Common Glory costume inventory Fall 1976.","The Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.","The Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.","The Common Glory, Ralph Wormley design sketch.","The Common Glory, Samuel Collier costume desgin sketch with fabric swatches.","Scope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.","The Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.","The Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.","The Founders, Richard Buck costume design with fabric swatches.","The Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.","The Founders, Thomas Dale costume sketches and swatches with actor measurements.","The Founders, Old Edward costume design with swatches and actor measurements.","The Founders, Joan Flinton costume sketch.","The Founders, Temperance Flowerdew costume design sketches with fabric swatches.","The Founders, Lucy Forrest costume design sketches with fabric swatches.","The Founders, Thomas Gates costume sketches and fabric swatches.","The Founders, Custis Glovell costume design with fabric swatches.","The Founders, Aves Glover costume design and fabric swatches.","The Founders, Governor costume design with fabric swatches and actor measurements.","The Founders, Chloe Holland costume design sketches.","The Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.","The Founders, Cicely Jordan costume design sketches with fabric swatches.","The Founders, Ann Laydon costume design sketches with fabric swatches.","The Founders, John Laydon costume design with swatches and actor measurements.","The Founders, Captain John Martin costume design sketch and fabric swatches.","The Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.","The Founders, Dolly Pace costume design sketch. Actress E. Clark.","The Founders, Nathaniel Peacock costume sketches with fabric swatches.","The Founders, George Percy costume design sketch and fabric swatches.","The Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.","The Founders, Pocahontas costume design sketches.","The Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.","The Founders, Jonas Profit costume design sketch.","The Founders, John Ratcliffe costume design sketch with fabric swatches.","The Founders, Goody Redhead costume design sketches with fabric swatches.","The Founders, John Rolfe costume design sketches with fabric swatches.","The Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.","The Founders, Drusilla Wright costume design sketch with fabric swatches.","The Founders, George Yeardley costume design sketches and fabric swatches.","The Founders, sketches of various costumes for women characters with fabric swatches.","The Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.","The Founders, Soldiers costume design sketches with fabric swatches.","The Founders, Colonists costume design sketches with fabric swatches.","The Founders, Workmen costume design sketches with fabric swatches.","The Founders, Sailors costume design sketches with fabric swatches.","Costume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"","The Founders list of characters and character descriptions.","Measurement sheets for The Founders.","The Founders costume swatches.","The Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).","Scope and Contents Audio-visual material includes film, TV spots, and records and tapes of  The Common Glory  and  The Founders.  In this series, contained all within box 14, there are no folders. Box 14 contains the following:","Scope and Contents Film. No sound, black and white, about 40 minutes.","Scope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)","Scope and Contents Film. Collage, no sound, color, about 10 minutes.","Scope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies","Scope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.","Scope and Contents Tape. Dupont Theatre presents The  Common Glory  starring Basil Rathbone. Taken from the original record. 2 copies.","Scope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).","Scope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.","Scope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.","Scope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.","Scope and Contents Records.  The Common Glory . Side 1- Music from  The Common Glory  (musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.","Scope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.","Scope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.","Scope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.","Scope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)","Scope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.","Scope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.","Scope and Contents Records. Marked \"Jamestown.\"","Scope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.","Scope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.","Scope and Contents Former cast members.","Scope and Contents Technical Crews","Scope and Contents Actors in rehearsal","Scope and Contents  Common Glory  amphitheatre","Scope and Contents Audience","Scope and Contents Dancers","Scope and Contents Dancers in rehearsal","Scope and Contents Auditions","Scope and Contents Production Staff","Scope and Contents Costume Crew","Scope and Contents Visiting dignitaries","Scope and Contents Act 1, sc 1- terrace at Montecello","Scope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene","Scope and Contents Act 1, sc. 3- St. John's Church, Richmond.","Scope and Contents Act 1, sc 4. House of Burgesses","Scope and Contents Act 1, sc. 5- Before the gaol.","Scope and Contents Act 1, sc 6- Gordon's conspiracy.","Scope and Contents Act 1, sc 7- garden of Gorden's Plantation.","Scope and Contents Act 1, sc. 8- rooming house in Philadelphia.","Scope and Contents Act 1, sc. 9- Palace green in Williamsburg","Scope and Contents Act 2, sc. 1- Virginia montage sequence.","Scope and Contents Act 2, sc. 2, Christmas at Montecello.","Scope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";","Scope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781","Scope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.","Scope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";","Scope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.","Scope and Contents Act 2, sc. 7- battlefield at Yorktown.","Scope and Contents Act 2, sc. 8- finale: somewhere in Virginia.","Scope and Contents Narrator","Scope and Contents Jefferson.","Scope and Contents Jefferson and Martha","Scope and Contents Jefferson with others.","Scope and Contents Jefferson and Franklin","Scope and Contents Franklin","Scope and Contents Gordon and Eileen","Scope and Contents Town crier","Scope and Contents Cephus Sicklemore","Scope and Contents Cephus and Sgt. Jack.","Scope and Contents Widow Huzzitt and Cephus","Scope and Contents Hugh Taylor and Eileen","Scope and Contents Eileen and Corbin","Scope and Contents Hugh Taylor and Patrick Henry","Scope and Contents Pocahontas","Scope and Contents Children actors","Scope and Contents Choir in rehearsal","Scope and Contents Choir in performance","Scope and Contents Choir, group photos","Scope and Contents Dancers, group photos","Scope and Contents The ship","Scope and Contents Cast, good times","Scope and Contents prior to 1947 opening (probably publicity shots).","Scope and Contents Orchestra","Scope and Contents  Life  magazine","Scope and Contents Color transparency, for souvenir program","Scope and Contents 25th reunion","Scope and Contents Community Relations Committee of C\u0026P telephone, volunteer efforts, (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous backstage photos","Scope and Contents More miscellaneous photos","Scope and Contents Publicity photos by VA State Chamber of Commerce","Scope and Contents Additional publicity photos.","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Founders","Scope and Contents index","Scope and Contents #1-14","Scope and Contents #15-16","Scope and Contents #17-19","Scope and Contents # 20, Paul Green","Scope and Contents #21-52","Scope and Contents #53-67","Scope and Contents #68-87","Scope and Contents #88-95","Scope and Contents #96-104","Scope and Contents #106-109","Scope and Contents #110-114","Scope and Contents #115-132","Scope and Contents #133-139","Scope and Contents #146","Scope and Contents #141-149","Scope and Contents #150","Scope and Contents #151-161","Scope and Contents #162","Scope and Contents #163-196","Scope and Contents #197-249","Scope and Contents #250-262","Scope and Contents #263-323","Scope and Contents #324-328","Scope and Contents #329-342","Scope and Contents #343","Scope and Contents #347-362","Scope and Contents #363-383","Scope and Contents #384-405","Scope and Contents  The Founders , Displays and costumes","Scope and Contents  The Founders , Amphitheatre","Scope and Contents  The Founders , Ship","Scope and Contents  The Founders,  Opening afternoon festivities","Scope and Contents  The Founders , Performance","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founder s, Performance","Scope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of  The Common Glory  for a number of years. In addition, the score for  The Founders  is included.","Scope and Contents  The Common Glory , Paul Green's copy","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory , original manuscript","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory , Vocal Dir. copy","Scope and Contents  The Founders , Pt. 1","Scope and Contents  The Founders , Pt. 2","Scope and Contents  The Founders","Scope and Contents  The Common Glory ,  without clarinet","Scope and Contents  The Common Glory , without horn","Scope and Contents  The Common Glory","Scope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.","Scope and Contents Miscellaneous (one choir folder)","Scope and Contents Romances and dances","Scope and Contents Handel's suite from \"Watermusic\";","Scope and Contents Mozart's Symphony #40","Scope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"","Scope and Contents Baccherini Cello Concerto","Scope and Contents Wagner's \"Siegfried Idyll\";","Scope and Contents Haydn's Symphony #104 in D major (London Symphony)","Scope and Contents Mozart's \"Marriage of Figaro\"; Overture","Scope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)","Scope and Contents Griffes' \"Poem for Flute and Orchestra\";","Scope and Contents Schubert's Symphony #5","Scope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to  The Common Glory . The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.","Scope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman","Scope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders","Scope and Contents \"Rebellion\" by Margaret Collins","Scope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw","Scope and Contents \"Thunder of Freedom\" by Benjamin and James Bray","Scope and Contents \"Thunder of Freedom\" revised and rewritten","Scope and Contents \"Madigan's Wedding\" by J.P. Culliman","Scope and Contents \"The Marble Horseman\" by Ramsey Yelvington","Scope and Contents \"The World Turned Upside Down\" four drafts","Scope and Contents Untitled draft by Robert E. Ingham","Scope and Contents \"Battlefield Lounge\" by Robert Ingham","Scope and Contents \"The Blessings of Liberty\" by ?","Scope and Contents Untitled draft by unknown author","Scope and Contents Pocahontas","Scope and Contents \"The Founders\"; sound script. 3 folders.","Scope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the  Common Glory  and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.","Scope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.","Scope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.","Scope and Contents Souvenir programs for the 1948  Common Glory  production.","Scope and Contents Souvenir program for the 1947  Common Glory  production.","Scope and Contents Brochures, programs, newspaper clippings and photographs relating to the  Common Glory  production and  The Founders.","Scope and Contents Photograph of the French frigate, which appeared in the final scene of the  Common Glory  (1975)","Scope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in  The Common Glory  from the  Richmond Times-Dispatch , 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.","Scope and Contents Two programs for the  Common Glory  (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)","Scope and Contents Report on the feasibility of reopening the  Common Glory  Production, 1947-1976. Prepared by Roger Sherman, May 1999.","Scope and Contents 1947 Rehearsal Script for  The Common Glory , 1950  Common Glory  program and undated script.","Scope and Contents  Common Glory  pamphlets","Scope and Contents  Common Glory  program","Scope and Contents Previously unaccessioned material from backlog.","Scope and Contents 1947-1950, 1954 programs for  Common Glory . Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the  Common Glory  Company.","Scope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.","Scope and Contents 1955  Common Glory  Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.","Scope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.","Scope and Contents Eight posters from the  Common Glory, The Founders  and other productions. A few posters are handwritten. Shelved in oversize.","Scope and Contents Script of  Common Glory ; production photographs and negatives.","Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"normalized_title_ssm":["Jamestown Corporation Records"],"collection_title_tesim":["Jamestown Corporation Records"],"collection_ssim":["Jamestown Corporation Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_corpname_ssim":["Jamestown Corporation"],"creators_ssim":["Jamestown Corporation"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts of David Dudley; 18 Feb. 1991, Will Molineux; 24 March 1992, James Bray; 10 No. 1992, Miss Laura Sherman; 12 March 1993, Howard Scammon; 29 April 1993, Mrs. J. E. Pitman; 5 Nov. 1993, and S. F. Royall; 6 Dec. 1993. 1991.11 Gift of David Dudley through Howard Scammon 1992.56 Gift of James Bray 1993.13 Gift of Roger Sherman's daughter Laura 1993.31 was received on 4/29/1993 1993.68 Gift of Mrs. J.E. Pitman 1993.70 Gift of S.F. Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Jamestown_Corporation\" title=\"Jamestown Corporation\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders.\u003c/p\u003e\n","\u003cp\u003e Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e The Paul Green Papers are held by the UNC Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries."],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e","\u003cp\u003eScope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.\u003c/p\u003e","\u003cp\u003eScope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.\u003c/p\u003e","\u003cp\u003eScope and Contents The collection includes scripts of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.\u003c/p\u003e","\u003cp\u003eScope and Contents Director's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Director's (Al Haaks's) copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated copy\u003c/p\u003e","\u003cp\u003eScope and Contents Narrator's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Published Version\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal; New Material uncut.\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's copy\u003c/p\u003e","\u003cp\u003eScope and Contents Costumer's (S. Sherman's) copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Master script 1\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Author's Corrected Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Revisions by Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents Maintence of Sound System\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's indoor copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated Version\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Lights: Ampitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents Lights; Indoor\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents For souvenir program\u003c/p\u003e","\u003cp\u003eScope and Contents Outdoor\u003c/p\u003e","\u003cp\u003eScope and Contents Indoor\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting--outdoors\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.\u003c/p\u003e","\u003cp\u003eScope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.\u003c/p\u003e","\u003cp\u003eScope and Contents Version B\u003c/p\u003e","\u003cp\u003eScope and Contents Version C, Act 1\u003c/p\u003e","\u003cp\u003eScope and Contents Version D, 11 Scenes\u003c/p\u003e","\u003cp\u003eScope and Contents Version E, Act 1\u003c/p\u003e","\u003cp\u003eScope and Contents Version E, Act 2\u003c/p\u003e","\u003cp\u003eScope and Contents Version G\u003c/p\u003e","\u003cp\u003eScope and Contents Version H\u003c/p\u003e","\u003cp\u003eScope and Contents Version I\u003c/p\u003e","\u003cp\u003eScope and Contents Version J\u003c/p\u003e","\u003cp\u003eScope and Contents Version K\u003c/p\u003e","\u003cp\u003eScope and Contents Version L, Incomplete\u003c/p\u003e","\u003cp\u003eScope and Contents Rehersal\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Director's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lights\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Version\u003c/p\u003e","\u003cp\u003eScope and Contents Scenario and scene layout.\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's revisions\u003c/p\u003e","\u003cp\u003eScope and Contents Original\u003c/p\u003e","\u003cp\u003eScope and Contents Final Form\u003c/p\u003e","\u003cp\u003eScope and Contents Script Changes\u003c/p\u003e","\u003cp\u003eScope and Contents Props.\u003c/p\u003e","\u003cp\u003eScope and Contents With corrections\u003c/p\u003e","\u003cp\u003eScope and Contents Programs of The \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e for the period 1947-1976 and\u003cemph render=\"italic\"\u003e The Founders\u003c/emph\u003e for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for \u003cemph render=\"italic\"\u003eThe Lost Colony\u003c/emph\u003e for 1946)\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir\u003c/p\u003e","\u003cp\u003eScope and Contents 8 Souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 9 souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 7 souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 6 Souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 6 souvenirs and 1 handout.\u003c/p\u003e","\u003cp\u003eScope and Contents 5 Souvenirs and 1 handout\u003c/p\u003e","\u003cp\u003eScope and Contents 3 Souvenirs and 2 handouts.\u003c/p\u003e","\u003cp\u003eScope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.\u003c/p\u003e","\u003cp\u003eScope and Contents Liquidation\u003c/p\u003e","\u003cp\u003eScope and Contents Administrative Forms\u003c/p\u003e","\u003cp\u003eScope and Contents Ampitheatre Blueprints\u003c/p\u003e","\u003cp\u003eScope and Contents C. Darden- Paul Green correspondence\u003c/p\u003e","\u003cp\u003eScope and Contents Audition information and forms\u003c/p\u003e","\u003cp\u003eScope and Contents Box office procedures, policies, and reports\u003c/p\u003e","\u003cp\u003eScope and Contents Contracts- Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents House Reports\u003c/p\u003e","\u003cp\u003eScope and Contents Impression of seal, letterhead, and postcard\u003c/p\u003e","\u003cp\u003eScope and Contents Entrance lighting and correspondence with lighting suppliers\u003c/p\u003e","\u003cp\u003eScope and Contents Reports on audits\u003c/p\u003e","\u003cp\u003eScope and Contents Reports on stage lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Schedule of accounts\u003c/p\u003e","\u003cp\u003eScope and Contents Special studies of \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e by students of \"Theatre 320\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Standardized forms\u003c/p\u003e","\u003cp\u003eScope and Contents Surveys and statistical studies\u003c/p\u003e","\u003cp\u003eScope and Contents Switchboard blueprints\u003c/p\u003e","\u003cp\u003eScope and Contents Choir concert programs\u003c/p\u003e","\u003cp\u003eScope and Contents Dance concert programs\u003c/p\u003e","\u003cp\u003eScope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes and sketches\u003c/p\u003e","\u003cp\u003eScope and Contents Indoor production. A set of blueprints.\u003c/p\u003e","\u003cp\u003eOutdoor set location design plans.\u003c/p\u003e","\u003cp\u003eIndoor set location design.\u003c/p\u003e","\u003cp\u003eOutdoors prop list with expenses.\u003c/p\u003e","\u003cp\u003eLighting plot, indoors and outdoors diagrams.\u003c/p\u003e","\u003cp\u003eEnd of the year lighting report (A. L. Cook)\u003c/p\u003e","\u003cp\u003eLocation-lighting instruments, outdoors\u003c/p\u003e","\u003cp\u003eDimmer schedule, outdoors\u003c/p\u003e","\u003cp\u003eLighting instrument locations, indoors\u003c/p\u003e","\u003cp\u003eLighting follow spot cues, indoors\u003c/p\u003e","\u003cp\u003eLamp inventory (room L)\u003c/p\u003e","\u003cp\u003eIndoor dimmer schedule.\u003c/p\u003e","\u003cp\u003eFollow spot cues, light tower.\u003c/p\u003e","\u003cp\u003eFollow spot cues, sound tower\u003c/p\u003e","\u003cp\u003eSound report including storage (B. Sancetta).\u003c/p\u003e","\u003cp\u003eInventory of office supplies.\u003c/p\u003e","\u003cp\u003eInventory of sound equipment.\u003c/p\u003e","\u003cp\u003eProps list for outdoor set, includes cost and location.\u003c/p\u003e","\u003cp\u003eSet inventory with measurements.\u003c/p\u003e","\u003cp\u003eInstrument inventory, fall 1976.\u003c/p\u003e","\u003cp\u003eFollow spot cues, indoors.\u003c/p\u003e","\u003cp\u003eInstrument schedule and hook-up sheet, indoors.\u003c/p\u003e","\u003cp\u003eDimmer schedule, indoors.\u003c/p\u003e","\u003cp\u003eInstrument schedule and hook-up sheet, outdoors\u003c/p\u003e","\u003cp\u003eDimmer schedule, outdoors.\u003c/p\u003e","\u003cp\u003eFollow spot cues, sound tower.\u003c/p\u003e","\u003cp\u003eFollow spot cues, light tower.\u003c/p\u003e","\u003cp\u003eWorksheets (Boll and Cook).\u003c/p\u003e","\u003cp\u003eLight cues, outdoors.\u003c/p\u003e","\u003cp\u003ePre-set sheets, indoors.\u003c/p\u003e","\u003cp\u003ePhotographs, lighting instruments and placement.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes costume designs and swatches for \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e and most designs for \u003cemph render=\"italic\"\u003eThe Founders,\u003c/emph\u003e arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.\u003c/p\u003e","\u003cp\u003eThe Common Glory costume inventory Fall 1976.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Ralph Wormley design sketch.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Samuel Collier costume desgin sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eScope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Richard Buck costume design with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomas Dale costume sketches and swatches with actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Old Edward costume design with swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Joan Flinton costume sketch.\u003c/p\u003e","\u003cp\u003eThe Founders, Temperance Flowerdew costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Lucy Forrest costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomas Gates costume sketches and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Custis Glovell costume design with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Aves Glover costume design and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Governor costume design with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Chloe Holland costume design sketches.\u003c/p\u003e","\u003cp\u003eThe Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Cicely Jordan costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Ann Laydon costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, John Laydon costume design with swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain John Martin costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Dolly Pace costume design sketch. Actress E. Clark.\u003c/p\u003e","\u003cp\u003eThe Founders, Nathaniel Peacock costume sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, George Percy costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Pocahontas costume design sketches.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Jonas Profit costume design sketch.\u003c/p\u003e","\u003cp\u003eThe Founders, John Ratcliffe costume design sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Goody Redhead costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, John Rolfe costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Drusilla Wright costume design sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, George Yeardley costume design sketches and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, sketches of various costumes for women characters with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Soldiers costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Colonists costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Workmen costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Sailors costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eCostume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"\u003c/p\u003e","\u003cp\u003eThe Founders list of characters and character descriptions.\u003c/p\u003e","\u003cp\u003eMeasurement sheets for The Founders.\u003c/p\u003e","\u003cp\u003eThe Founders costume swatches.\u003c/p\u003e","\u003cp\u003eThe Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).\u003c/p\u003e","\u003cp\u003eScope and Contents Audio-visual material includes film, TV spots, and records and tapes of \u003cemph render=\"italic\"\u003eThe Common Glory \u003c/emph\u003eand \u003cemph render=\"italic\"\u003eThe Founders.\u003c/emph\u003e In this series, contained all within box 14, there are no folders. Box 14 contains the following:\u003c/p\u003e","\u003cp\u003eScope and Contents Film. No sound, black and white, about 40 minutes.\u003c/p\u003e","\u003cp\u003eScope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)\u003c/p\u003e","\u003cp\u003eScope and Contents Film. Collage, no sound, color, about 10 minutes.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Tape. Dupont Theatre presents The \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e starring Basil Rathbone. Taken from the original record. 2 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).\u003c/p\u003e","\u003cp\u003eScope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e. Side 1- Music from \u003cemph render=\"italic\"\u003eThe Common Glory \u003c/emph\u003e(musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Marked \"Jamestown.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.\u003c/p\u003e","\u003cp\u003eScope and Contents Former cast members.\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Crews\u003c/p\u003e","\u003cp\u003eScope and Contents Actors in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e amphitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents Audience\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Auditions\u003c/p\u003e","\u003cp\u003eScope and Contents Production Staff\u003c/p\u003e","\u003cp\u003eScope and Contents Costume Crew\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting dignitaries\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 1- terrace at Montecello\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 3- St. John's Church, Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 4. House of Burgesses\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 5- Before the gaol.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 6- Gordon's conspiracy.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 7- garden of Gorden's Plantation.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 8- rooming house in Philadelphia.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 9- Palace green in Williamsburg\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 1- Virginia montage sequence.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 2, Christmas at Montecello.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 7- battlefield at Yorktown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 8- finale: somewhere in Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Narrator\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson.\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson and Martha\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson with others.\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson and Franklin\u003c/p\u003e","\u003cp\u003eScope and Contents Franklin\u003c/p\u003e","\u003cp\u003eScope and Contents Gordon and Eileen\u003c/p\u003e","\u003cp\u003eScope and Contents Town crier\u003c/p\u003e","\u003cp\u003eScope and Contents Cephus Sicklemore\u003c/p\u003e","\u003cp\u003eScope and Contents Cephus and Sgt. Jack.\u003c/p\u003e","\u003cp\u003eScope and Contents Widow Huzzitt and Cephus\u003c/p\u003e","\u003cp\u003eScope and Contents Hugh Taylor and Eileen\u003c/p\u003e","\u003cp\u003eScope and Contents Eileen and Corbin\u003c/p\u003e","\u003cp\u003eScope and Contents Hugh Taylor and Patrick Henry\u003c/p\u003e","\u003cp\u003eScope and Contents Pocahontas\u003c/p\u003e","\u003cp\u003eScope and Contents Children actors\u003c/p\u003e","\u003cp\u003eScope and Contents Choir in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Choir in performance\u003c/p\u003e","\u003cp\u003eScope and Contents Choir, group photos\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers, group photos\u003c/p\u003e","\u003cp\u003eScope and Contents The ship\u003c/p\u003e","\u003cp\u003eScope and Contents Cast, good times\u003c/p\u003e","\u003cp\u003eScope and Contents prior to 1947 opening (probably publicity shots).\u003c/p\u003e","\u003cp\u003eScope and Contents Orchestra\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eLife\u003c/emph\u003e magazine\u003c/p\u003e","\u003cp\u003eScope and Contents Color transparency, for souvenir program\u003c/p\u003e","\u003cp\u003eScope and Contents 25th reunion\u003c/p\u003e","\u003cp\u003eScope and Contents Community Relations Committee of C\u0026amp;P telephone, volunteer efforts, (with negatives, seperate from negatives collection)\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous (with negatives, seperate from negatives collection)\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous backstage photos\u003c/p\u003e","\u003cp\u003eScope and Contents More miscellaneous photos\u003c/p\u003e","\u003cp\u003eScope and Contents Publicity photos by VA State Chamber of Commerce\u003c/p\u003e","\u003cp\u003eScope and Contents Additional publicity photos.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents index\u003c/p\u003e","\u003cp\u003eScope and Contents #1-14\u003c/p\u003e","\u003cp\u003eScope and Contents #15-16\u003c/p\u003e","\u003cp\u003eScope and Contents #17-19\u003c/p\u003e","\u003cp\u003eScope and Contents # 20, Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents #21-52\u003c/p\u003e","\u003cp\u003eScope and Contents #53-67\u003c/p\u003e","\u003cp\u003eScope and Contents #68-87\u003c/p\u003e","\u003cp\u003eScope and Contents #88-95\u003c/p\u003e","\u003cp\u003eScope and Contents #96-104\u003c/p\u003e","\u003cp\u003eScope and Contents #106-109\u003c/p\u003e","\u003cp\u003eScope and Contents #110-114\u003c/p\u003e","\u003cp\u003eScope and Contents #115-132\u003c/p\u003e","\u003cp\u003eScope and Contents #133-139\u003c/p\u003e","\u003cp\u003eScope and Contents #146\u003c/p\u003e","\u003cp\u003eScope and Contents #141-149\u003c/p\u003e","\u003cp\u003eScope and Contents #150\u003c/p\u003e","\u003cp\u003eScope and Contents #151-161\u003c/p\u003e","\u003cp\u003eScope and Contents #162\u003c/p\u003e","\u003cp\u003eScope and Contents #163-196\u003c/p\u003e","\u003cp\u003eScope and Contents #197-249\u003c/p\u003e","\u003cp\u003eScope and Contents #250-262\u003c/p\u003e","\u003cp\u003eScope and Contents #263-323\u003c/p\u003e","\u003cp\u003eScope and Contents #324-328\u003c/p\u003e","\u003cp\u003eScope and Contents #329-342\u003c/p\u003e","\u003cp\u003eScope and Contents #343\u003c/p\u003e","\u003cp\u003eScope and Contents #347-362\u003c/p\u003e","\u003cp\u003eScope and Contents #363-383\u003c/p\u003e","\u003cp\u003eScope and Contents #384-405\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Displays and costumes\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Amphitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Ship\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders,\u003c/emph\u003e Opening afternoon festivities\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Performance\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Publicity photos\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Publicity photos\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founder\u003c/emph\u003es, Performance\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e for a number of years. In addition, the score for \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e is included.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, Paul Green's copy\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, original manuscript\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, Vocal Dir. copy\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Pt. 1\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Pt. 2\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e,  without clarinet\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, without horn\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous (one choir folder)\u003c/p\u003e","\u003cp\u003eScope and Contents Romances and dances\u003c/p\u003e","\u003cp\u003eScope and Contents Handel's suite from \"Watermusic\";\u003c/p\u003e","\u003cp\u003eScope and Contents Mozart's Symphony #40\u003c/p\u003e","\u003cp\u003eScope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Baccherini Cello Concerto\u003c/p\u003e","\u003cp\u003eScope and Contents Wagner's \"Siegfried Idyll\";\u003c/p\u003e","\u003cp\u003eScope and Contents Haydn's Symphony #104 in D major (London Symphony)\u003c/p\u003e","\u003cp\u003eScope and Contents Mozart's \"Marriage of Figaro\"; Overture\u003c/p\u003e","\u003cp\u003eScope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)\u003c/p\u003e","\u003cp\u003eScope and Contents Griffes' \"Poem for Flute and Orchestra\";\u003c/p\u003e","\u003cp\u003eScope and Contents Schubert's Symphony #5\u003c/p\u003e","\u003cp\u003eScope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e. The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rebellion\" by Margaret Collins\u003c/p\u003e","\u003cp\u003eScope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thunder of Freedom\" by Benjamin and James Bray\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thunder of Freedom\" revised and rewritten\u003c/p\u003e","\u003cp\u003eScope and Contents \"Madigan's Wedding\" by J.P. Culliman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Marble Horseman\" by Ramsey Yelvington\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Turned Upside Down\" four drafts\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled draft by Robert E. Ingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"Battlefield Lounge\" by Robert Ingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Blessings of Liberty\" by ?\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled draft by unknown author\u003c/p\u003e","\u003cp\u003eScope and Contents Pocahontas\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Founders\"; sound script. 3 folders.\u003c/p\u003e","\u003cp\u003eScope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.\u003c/p\u003e","\u003cp\u003eScope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir programs for the 1948 \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production.\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir program for the 1947 \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochures, programs, newspaper clippings and photographs relating to the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production and \u003cemph render=\"italic\"\u003eThe Founders.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of the French frigate, which appeared in the final scene of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e (1975)\u003c/p\u003e","\u003cp\u003eScope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e from the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs for the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)\u003c/p\u003e","\u003cp\u003eScope and Contents Report on the feasibility of reopening the \u003cemph render=\"italic\"\u003eCommon Glory \u003c/emph\u003eProduction, 1947-1976. Prepared by Roger Sherman, May 1999.\u003c/p\u003e","\u003cp\u003eScope and Contents 1947 Rehearsal Script for \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, 1950 \u003cemph render=\"italic\"\u003eCommon Glory \u003c/emph\u003eprogram and undated script.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e pamphlets\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e program\u003c/p\u003e","\u003cp\u003eScope and Contents Previously unaccessioned material from backlog.\u003c/p\u003e","\u003cp\u003eScope and Contents 1947-1950, 1954 programs for \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e. Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e Company.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.\u003c/p\u003e","\u003cp\u003eScope and Contents 1955\u003cemph render=\"italic\"\u003e Common Glory\u003c/emph\u003e Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.\u003c/p\u003e","\u003cp\u003eScope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.\u003c/p\u003e","\u003cp\u003eScope and Contents Eight posters from the \u003cemph render=\"italic\"\u003eCommon Glory, The Founders\u003c/emph\u003e and other productions. A few posters are handwritten. Shelved in oversize.\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e; production photographs and negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Scope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.","Scope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.","Scope and Contents The collection includes scripts of the  Common Glory  from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.","Scope and Contents Director's Copy","Scope and Contents Technical Director's (Al Haaks's) copy.","Scope and Contents Annotated copy","Scope and Contents Narrator's Copy","Scope and Contents Rehearsal","Scope and Contents Rehearsal","Scope and Contents Published Version","Scope and Contents Rehearsal; New Material uncut.","Scope and Contents Rehearsal with notes.","Scope and Contents Paul Green's copy","Scope and Contents Costumer's (S. Sherman's) copy.","Scope and Contents Rehearsal","Scope and Contents Annotated copy.","Scope and Contents Master script 1","Scope and Contents Revised Copy","Scope and Contents Revised Copy","Scope and Contents Stage Manager's copy.","Scope and Contents Author's Corrected Copy","Scope and Contents Paul Green's Copy","Scope and Contents Revisions by Paul Green","Scope and Contents Lighting","Scope and Contents Stage Manager's Copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Maintence of Sound System","Scope and Contents Stage Manager's Copy","Scope and Contents Stage Manager's indoor copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Annotated Version","Scope and Contents Stage Manager's copy","Scope and Contents Lighting","Scope and Contents Lights: Ampitheatre","Scope and Contents Lights; Indoor","Scope and Contents Sound","Scope and Contents For souvenir program","Scope and Contents Outdoor","Scope and Contents Indoor","Scope and Contents Lighting--outdoors","Scope and Contents Lighting","Scope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.","Scope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.","Scope and Contents Version B","Scope and Contents Version C, Act 1","Scope and Contents Version D, 11 Scenes","Scope and Contents Version E, Act 1","Scope and Contents Version E, Act 2","Scope and Contents Version G","Scope and Contents Version H","Scope and Contents Version I","Scope and Contents Version J","Scope and Contents Version K","Scope and Contents Version L, Incomplete","Scope and Contents Rehersal","Scope and Contents Technical Director's Copy","Scope and Contents Lights","Scope and Contents Revised Version","Scope and Contents Scenario and scene layout.","Scope and Contents Paul Green's revisions","Scope and Contents Original","Scope and Contents Final Form","Scope and Contents Script Changes","Scope and Contents Props.","Scope and Contents With corrections","Scope and Contents Programs of The  Common Glory  for the period 1947-1976 and  The Founders  for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for  The Lost Colony  for 1946)","Scope and Contents Souvenir","Scope and Contents 8 Souvenirs and 2 handouts","Scope and Contents 9 souvenirs and 2 handouts","Scope and Contents 7 souvenirs and 2 handouts","Scope and Contents 6 Souvenirs and 2 handouts","Scope and Contents 6 souvenirs and 1 handout.","Scope and Contents 5 Souvenirs and 1 handout","Scope and Contents 3 Souvenirs and 2 handouts.","Scope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.","Scope and Contents Liquidation","Scope and Contents Administrative Forms","Scope and Contents Ampitheatre Blueprints","Scope and Contents C. Darden- Paul Green correspondence","Scope and Contents Audition information and forms","Scope and Contents Box office procedures, policies, and reports","Scope and Contents Contracts- Paul Green","Scope and Contents House Reports","Scope and Contents Impression of seal, letterhead, and postcard","Scope and Contents Entrance lighting and correspondence with lighting suppliers","Scope and Contents Reports on audits","Scope and Contents Reports on stage lighting","Scope and Contents Schedule of accounts","Scope and Contents Special studies of  The Common Glory  by students of \"Theatre 320\" at The College of William and Mary.","Scope and Contents Standardized forms","Scope and Contents Surveys and statistical studies","Scope and Contents Switchboard blueprints","Scope and Contents Choir concert programs","Scope and Contents Dance concert programs","Scope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.","Scope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.","Scope and Contents Notes and sketches","Scope and Contents Indoor production. A set of blueprints.","Outdoor set location design plans.","Indoor set location design.","Outdoors prop list with expenses.","Lighting plot, indoors and outdoors diagrams.","End of the year lighting report (A. L. Cook)","Location-lighting instruments, outdoors","Dimmer schedule, outdoors","Lighting instrument locations, indoors","Lighting follow spot cues, indoors","Lamp inventory (room L)","Indoor dimmer schedule.","Follow spot cues, light tower.","Follow spot cues, sound tower","Sound report including storage (B. Sancetta).","Inventory of office supplies.","Inventory of sound equipment.","Props list for outdoor set, includes cost and location.","Set inventory with measurements.","Instrument inventory, fall 1976.","Follow spot cues, indoors.","Instrument schedule and hook-up sheet, indoors.","Dimmer schedule, indoors.","Instrument schedule and hook-up sheet, outdoors","Dimmer schedule, outdoors.","Follow spot cues, sound tower.","Follow spot cues, light tower.","Worksheets (Boll and Cook).","Light cues, outdoors.","Pre-set sheets, indoors.","Photographs, lighting instruments and placement.","Scope and Contents This series includes costume designs and swatches for  The Common Glory  and most designs for  The Founders,  arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.","The Common Glory costume inventory Fall 1976.","The Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.","The Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.","The Common Glory, Ralph Wormley design sketch.","The Common Glory, Samuel Collier costume desgin sketch with fabric swatches.","Scope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.","The Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.","The Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.","The Founders, Richard Buck costume design with fabric swatches.","The Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.","The Founders, Thomas Dale costume sketches and swatches with actor measurements.","The Founders, Old Edward costume design with swatches and actor measurements.","The Founders, Joan Flinton costume sketch.","The Founders, Temperance Flowerdew costume design sketches with fabric swatches.","The Founders, Lucy Forrest costume design sketches with fabric swatches.","The Founders, Thomas Gates costume sketches and fabric swatches.","The Founders, Custis Glovell costume design with fabric swatches.","The Founders, Aves Glover costume design and fabric swatches.","The Founders, Governor costume design with fabric swatches and actor measurements.","The Founders, Chloe Holland costume design sketches.","The Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.","The Founders, Cicely Jordan costume design sketches with fabric swatches.","The Founders, Ann Laydon costume design sketches with fabric swatches.","The Founders, John Laydon costume design with swatches and actor measurements.","The Founders, Captain John Martin costume design sketch and fabric swatches.","The Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.","The Founders, Dolly Pace costume design sketch. Actress E. Clark.","The Founders, Nathaniel Peacock costume sketches with fabric swatches.","The Founders, George Percy costume design sketch and fabric swatches.","The Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.","The Founders, Pocahontas costume design sketches.","The Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.","The Founders, Jonas Profit costume design sketch.","The Founders, John Ratcliffe costume design sketch with fabric swatches.","The Founders, Goody Redhead costume design sketches with fabric swatches.","The Founders, John Rolfe costume design sketches with fabric swatches.","The Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.","The Founders, Drusilla Wright costume design sketch with fabric swatches.","The Founders, George Yeardley costume design sketches and fabric swatches.","The Founders, sketches of various costumes for women characters with fabric swatches.","The Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.","The Founders, Soldiers costume design sketches with fabric swatches.","The Founders, Colonists costume design sketches with fabric swatches.","The Founders, Workmen costume design sketches with fabric swatches.","The Founders, Sailors costume design sketches with fabric swatches.","Costume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"","The Founders list of characters and character descriptions.","Measurement sheets for The Founders.","The Founders costume swatches.","The Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).","Scope and Contents Audio-visual material includes film, TV spots, and records and tapes of  The Common Glory  and  The Founders.  In this series, contained all within box 14, there are no folders. Box 14 contains the following:","Scope and Contents Film. No sound, black and white, about 40 minutes.","Scope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)","Scope and Contents Film. Collage, no sound, color, about 10 minutes.","Scope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies","Scope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.","Scope and Contents Tape. Dupont Theatre presents The  Common Glory  starring Basil Rathbone. Taken from the original record. 2 copies.","Scope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).","Scope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.","Scope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.","Scope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.","Scope and Contents Records.  The Common Glory . Side 1- Music from  The Common Glory  (musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.","Scope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.","Scope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.","Scope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.","Scope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)","Scope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.","Scope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.","Scope and Contents Records. Marked \"Jamestown.\"","Scope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.","Scope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.","Scope and Contents Former cast members.","Scope and Contents Technical Crews","Scope and Contents Actors in rehearsal","Scope and Contents  Common Glory  amphitheatre","Scope and Contents Audience","Scope and Contents Dancers","Scope and Contents Dancers in rehearsal","Scope and Contents Auditions","Scope and Contents Production Staff","Scope and Contents Costume Crew","Scope and Contents Visiting dignitaries","Scope and Contents Act 1, sc 1- terrace at Montecello","Scope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene","Scope and Contents Act 1, sc. 3- St. John's Church, Richmond.","Scope and Contents Act 1, sc 4. House of Burgesses","Scope and Contents Act 1, sc. 5- Before the gaol.","Scope and Contents Act 1, sc 6- Gordon's conspiracy.","Scope and Contents Act 1, sc 7- garden of Gorden's Plantation.","Scope and Contents Act 1, sc. 8- rooming house in Philadelphia.","Scope and Contents Act 1, sc. 9- Palace green in Williamsburg","Scope and Contents Act 2, sc. 1- Virginia montage sequence.","Scope and Contents Act 2, sc. 2, Christmas at Montecello.","Scope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";","Scope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781","Scope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.","Scope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";","Scope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.","Scope and Contents Act 2, sc. 7- battlefield at Yorktown.","Scope and Contents Act 2, sc. 8- finale: somewhere in Virginia.","Scope and Contents Narrator","Scope and Contents Jefferson.","Scope and Contents Jefferson and Martha","Scope and Contents Jefferson with others.","Scope and Contents Jefferson and Franklin","Scope and Contents Franklin","Scope and Contents Gordon and Eileen","Scope and Contents Town crier","Scope and Contents Cephus Sicklemore","Scope and Contents Cephus and Sgt. Jack.","Scope and Contents Widow Huzzitt and Cephus","Scope and Contents Hugh Taylor and Eileen","Scope and Contents Eileen and Corbin","Scope and Contents Hugh Taylor and Patrick Henry","Scope and Contents Pocahontas","Scope and Contents Children actors","Scope and Contents Choir in rehearsal","Scope and Contents Choir in performance","Scope and Contents Choir, group photos","Scope and Contents Dancers, group photos","Scope and Contents The ship","Scope and Contents Cast, good times","Scope and Contents prior to 1947 opening (probably publicity shots).","Scope and Contents Orchestra","Scope and Contents  Life  magazine","Scope and Contents Color transparency, for souvenir program","Scope and Contents 25th reunion","Scope and Contents Community Relations Committee of C\u0026P telephone, volunteer efforts, (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous backstage photos","Scope and Contents More miscellaneous photos","Scope and Contents Publicity photos by VA State Chamber of Commerce","Scope and Contents Additional publicity photos.","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Founders","Scope and Contents index","Scope and Contents #1-14","Scope and Contents #15-16","Scope and Contents #17-19","Scope and Contents # 20, Paul Green","Scope and Contents #21-52","Scope and Contents #53-67","Scope and Contents #68-87","Scope and Contents #88-95","Scope and Contents #96-104","Scope and Contents #106-109","Scope and Contents #110-114","Scope and Contents #115-132","Scope and Contents #133-139","Scope and Contents #146","Scope and Contents #141-149","Scope and Contents #150","Scope and Contents #151-161","Scope and Contents #162","Scope and Contents #163-196","Scope and Contents #197-249","Scope and Contents #250-262","Scope and Contents #263-323","Scope and Contents #324-328","Scope and Contents #329-342","Scope and Contents #343","Scope and Contents #347-362","Scope and Contents #363-383","Scope and Contents #384-405","Scope and Contents  The Founders , Displays and costumes","Scope and Contents  The Founders , Amphitheatre","Scope and Contents  The Founders , Ship","Scope and Contents  The Founders,  Opening afternoon festivities","Scope and Contents  The Founders , Performance","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founder s, Performance","Scope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of  The Common Glory  for a number of years. In addition, the score for  The Founders  is included.","Scope and Contents  The Common Glory , Paul Green's copy","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory , original manuscript","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory , Vocal Dir. copy","Scope and Contents  The Founders , Pt. 1","Scope and Contents  The Founders , Pt. 2","Scope and Contents  The Founders","Scope and Contents  The Common Glory ,  without clarinet","Scope and Contents  The Common Glory , without horn","Scope and Contents  The Common Glory","Scope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.","Scope and Contents Miscellaneous (one choir folder)","Scope and Contents Romances and dances","Scope and Contents Handel's suite from \"Watermusic\";","Scope and Contents Mozart's Symphony #40","Scope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"","Scope and Contents Baccherini Cello Concerto","Scope and Contents Wagner's \"Siegfried Idyll\";","Scope and Contents Haydn's Symphony #104 in D major (London Symphony)","Scope and Contents Mozart's \"Marriage of Figaro\"; Overture","Scope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)","Scope and Contents Griffes' \"Poem for Flute and Orchestra\";","Scope and Contents Schubert's Symphony #5","Scope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to  The Common Glory . The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.","Scope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman","Scope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders","Scope and Contents \"Rebellion\" by Margaret Collins","Scope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw","Scope and Contents \"Thunder of Freedom\" by Benjamin and James Bray","Scope and Contents \"Thunder of Freedom\" revised and rewritten","Scope and Contents \"Madigan's Wedding\" by J.P. Culliman","Scope and Contents \"The Marble Horseman\" by Ramsey Yelvington","Scope and Contents \"The World Turned Upside Down\" four drafts","Scope and Contents Untitled draft by Robert E. Ingham","Scope and Contents \"Battlefield Lounge\" by Robert Ingham","Scope and Contents \"The Blessings of Liberty\" by ?","Scope and Contents Untitled draft by unknown author","Scope and Contents Pocahontas","Scope and Contents \"The Founders\"; sound script. 3 folders.","Scope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the  Common Glory  and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.","Scope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.","Scope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.","Scope and Contents Souvenir programs for the 1948  Common Glory  production.","Scope and Contents Souvenir program for the 1947  Common Glory  production.","Scope and Contents Brochures, programs, newspaper clippings and photographs relating to the  Common Glory  production and  The Founders.","Scope and Contents Photograph of the French frigate, which appeared in the final scene of the  Common Glory  (1975)","Scope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in  The Common Glory  from the  Richmond Times-Dispatch , 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.","Scope and Contents Two programs for the  Common Glory  (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)","Scope and Contents Report on the feasibility of reopening the  Common Glory  Production, 1947-1976. Prepared by Roger Sherman, May 1999.","Scope and Contents 1947 Rehearsal Script for  The Common Glory , 1950  Common Glory  program and undated script.","Scope and Contents  Common Glory  pamphlets","Scope and Contents  Common Glory  program","Scope and Contents Previously unaccessioned material from backlog.","Scope and Contents 1947-1950, 1954 programs for  Common Glory . Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the  Common Glory  Company.","Scope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.","Scope and Contents 1955  Common Glory  Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.","Scope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.","Scope and Contents Eight posters from the  Common Glory, The Founders  and other productions. A few posters are handwritten. Shelved in oversize.","Scope and Contents Script of  Common Glory ; production photographs and negatives."],"separatedmaterial_html_tesm":["\u003cp\u003eBox 14 transferred to the artifact collection in 2009.\u003c/p\u003e\n","\u003cp\u003e All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"corpname_ssim":["Special Collections Research Center","Jamestown Corporation"],"names_coll_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"persname_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"language_ssim":["English"],"total_component_count_is":633,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:44:41.233Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8864_c01_c02_c01_c01"}},{"id":"viw_repositories_2_resources_8864_c01_c02_c01_c02","type":"File","attributes":{"title":"Yearbook","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8864_c01_c02_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8864_c01_c02_c01_c02","ref_ssm":["viw_repositories_2_resources_8864_c01_c02_c01_c02"],"id":"viw_repositories_2_resources_8864_c01_c02_c01_c02","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864_c01_c02_c01","parent_ssi":"viw_repositories_2_resources_8864_c01_c02_c01","parent_ssim":["viw_repositories_2_resources_8864","viw_repositories_2_resources_8864_c01","viw_repositories_2_resources_8864_c01_c02","viw_repositories_2_resources_8864_c01_c02_c01"],"parent_ids_ssim":["viw_repositories_2_resources_8864","viw_repositories_2_resources_8864_c01","viw_repositories_2_resources_8864_c01_c02","viw_repositories_2_resources_8864_c01_c02_c01"],"parent_unittitles_ssm":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1"],"parent_unittitles_tesim":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1"],"text":["Jamestown Corporation Records","Series 1: Mss. 77 C73","Yearbooks","Box 1","Yearbook","Box 1","Folder 13"],"title_filing_ssi":"Yearbook","title_ssm":["Yearbook"],"title_tesim":["Yearbook"],"unitdate_inclusive_ssm":["1947"],"normalized_date_ssm":["1947"],"normalized_title_ssm":["Yearbook"],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Jamestown Corporation Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1947],"containers_ssim":["Box 1","Folder 13"],"_nest_path_":"/components#0/components#1/components#0/components#1","timestamp":"2026-05-20T22:44:41.233Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8864","ead_ssi":"viw_repositories_2_resources_8864","_root_":"viw_repositories_2_resources_8864","_nest_parent_":"viw_repositories_2_resources_8864","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8864.xml","title_filing_ssi":"Jamestown Corporation Records","title_ssm":["Jamestown Corporation Records"],"title_tesim":["Jamestown Corporation Records"],"unitdate_ssm":["1946-1979"],"unitdate_inclusive_ssm":["1946-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01/Mss. 77 C73","/repositories/2/resources/8864"],"text":["01/Mss. 77 C73","/repositories/2/resources/8864","Jamestown Corporation Records","Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama","Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.","The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries.","Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Scope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.","Scope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.","Scope and Contents The collection includes scripts of the  Common Glory  from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.","Scope and Contents Director's Copy","Scope and Contents Technical Director's (Al Haaks's) copy.","Scope and Contents Annotated copy","Scope and Contents Narrator's Copy","Scope and Contents Rehearsal","Scope and Contents Rehearsal","Scope and Contents Published Version","Scope and Contents Rehearsal; New Material uncut.","Scope and Contents Rehearsal with notes.","Scope and Contents Paul Green's copy","Scope and Contents Costumer's (S. Sherman's) copy.","Scope and Contents Rehearsal","Scope and Contents Annotated copy.","Scope and Contents Master script 1","Scope and Contents Revised Copy","Scope and Contents Revised Copy","Scope and Contents Stage Manager's copy.","Scope and Contents Author's Corrected Copy","Scope and Contents Paul Green's Copy","Scope and Contents Revisions by Paul Green","Scope and Contents Lighting","Scope and Contents Stage Manager's Copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Maintence of Sound System","Scope and Contents Stage Manager's Copy","Scope and Contents Stage Manager's indoor copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Annotated Version","Scope and Contents Stage Manager's copy","Scope and Contents Lighting","Scope and Contents Lights: Ampitheatre","Scope and Contents Lights; Indoor","Scope and Contents Sound","Scope and Contents For souvenir program","Scope and Contents Outdoor","Scope and Contents Indoor","Scope and Contents Lighting--outdoors","Scope and Contents Lighting","Scope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.","Scope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.","Scope and Contents Version B","Scope and Contents Version C, Act 1","Scope and Contents Version D, 11 Scenes","Scope and Contents Version E, Act 1","Scope and Contents Version E, Act 2","Scope and Contents Version G","Scope and Contents Version H","Scope and Contents Version I","Scope and Contents Version J","Scope and Contents Version K","Scope and Contents Version L, Incomplete","Scope and Contents Rehersal","Scope and Contents Technical Director's Copy","Scope and Contents Lights","Scope and Contents Revised Version","Scope and Contents Scenario and scene layout.","Scope and Contents Paul Green's revisions","Scope and Contents Original","Scope and Contents Final Form","Scope and Contents Script Changes","Scope and Contents Props.","Scope and Contents With corrections","Scope and Contents Programs of The  Common Glory  for the period 1947-1976 and  The Founders  for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for  The Lost Colony  for 1946)","Scope and Contents Souvenir","Scope and Contents 8 Souvenirs and 2 handouts","Scope and Contents 9 souvenirs and 2 handouts","Scope and Contents 7 souvenirs and 2 handouts","Scope and Contents 6 Souvenirs and 2 handouts","Scope and Contents 6 souvenirs and 1 handout.","Scope and Contents 5 Souvenirs and 1 handout","Scope and Contents 3 Souvenirs and 2 handouts.","Scope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.","Scope and Contents Liquidation","Scope and Contents Administrative Forms","Scope and Contents Ampitheatre Blueprints","Scope and Contents C. Darden- Paul Green correspondence","Scope and Contents Audition information and forms","Scope and Contents Box office procedures, policies, and reports","Scope and Contents Contracts- Paul Green","Scope and Contents House Reports","Scope and Contents Impression of seal, letterhead, and postcard","Scope and Contents Entrance lighting and correspondence with lighting suppliers","Scope and Contents Reports on audits","Scope and Contents Reports on stage lighting","Scope and Contents Schedule of accounts","Scope and Contents Special studies of  The Common Glory  by students of \"Theatre 320\" at The College of William and Mary.","Scope and Contents Standardized forms","Scope and Contents Surveys and statistical studies","Scope and Contents Switchboard blueprints","Scope and Contents Choir concert programs","Scope and Contents Dance concert programs","Scope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.","Scope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.","Scope and Contents Notes and sketches","Scope and Contents Indoor production. A set of blueprints.","Outdoor set location design plans.","Indoor set location design.","Outdoors prop list with expenses.","Lighting plot, indoors and outdoors diagrams.","End of the year lighting report (A. L. Cook)","Location-lighting instruments, outdoors","Dimmer schedule, outdoors","Lighting instrument locations, indoors","Lighting follow spot cues, indoors","Lamp inventory (room L)","Indoor dimmer schedule.","Follow spot cues, light tower.","Follow spot cues, sound tower","Sound report including storage (B. Sancetta).","Inventory of office supplies.","Inventory of sound equipment.","Props list for outdoor set, includes cost and location.","Set inventory with measurements.","Instrument inventory, fall 1976.","Follow spot cues, indoors.","Instrument schedule and hook-up sheet, indoors.","Dimmer schedule, indoors.","Instrument schedule and hook-up sheet, outdoors","Dimmer schedule, outdoors.","Follow spot cues, sound tower.","Follow spot cues, light tower.","Worksheets (Boll and Cook).","Light cues, outdoors.","Pre-set sheets, indoors.","Photographs, lighting instruments and placement.","Scope and Contents This series includes costume designs and swatches for  The Common Glory  and most designs for  The Founders,  arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.","The Common Glory costume inventory Fall 1976.","The Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.","The Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.","The Common Glory, Ralph Wormley design sketch.","The Common Glory, Samuel Collier costume desgin sketch with fabric swatches.","Scope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.","The Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.","The Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.","The Founders, Richard Buck costume design with fabric swatches.","The Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.","The Founders, Thomas Dale costume sketches and swatches with actor measurements.","The Founders, Old Edward costume design with swatches and actor measurements.","The Founders, Joan Flinton costume sketch.","The Founders, Temperance Flowerdew costume design sketches with fabric swatches.","The Founders, Lucy Forrest costume design sketches with fabric swatches.","The Founders, Thomas Gates costume sketches and fabric swatches.","The Founders, Custis Glovell costume design with fabric swatches.","The Founders, Aves Glover costume design and fabric swatches.","The Founders, Governor costume design with fabric swatches and actor measurements.","The Founders, Chloe Holland costume design sketches.","The Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.","The Founders, Cicely Jordan costume design sketches with fabric swatches.","The Founders, Ann Laydon costume design sketches with fabric swatches.","The Founders, John Laydon costume design with swatches and actor measurements.","The Founders, Captain John Martin costume design sketch and fabric swatches.","The Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.","The Founders, Dolly Pace costume design sketch. Actress E. Clark.","The Founders, Nathaniel Peacock costume sketches with fabric swatches.","The Founders, George Percy costume design sketch and fabric swatches.","The Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.","The Founders, Pocahontas costume design sketches.","The Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.","The Founders, Jonas Profit costume design sketch.","The Founders, John Ratcliffe costume design sketch with fabric swatches.","The Founders, Goody Redhead costume design sketches with fabric swatches.","The Founders, John Rolfe costume design sketches with fabric swatches.","The Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.","The Founders, Drusilla Wright costume design sketch with fabric swatches.","The Founders, George Yeardley costume design sketches and fabric swatches.","The Founders, sketches of various costumes for women characters with fabric swatches.","The Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.","The Founders, Soldiers costume design sketches with fabric swatches.","The Founders, Colonists costume design sketches with fabric swatches.","The Founders, Workmen costume design sketches with fabric swatches.","The Founders, Sailors costume design sketches with fabric swatches.","Costume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"","The Founders list of characters and character descriptions.","Measurement sheets for The Founders.","The Founders costume swatches.","The Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).","Scope and Contents Audio-visual material includes film, TV spots, and records and tapes of  The Common Glory  and  The Founders.  In this series, contained all within box 14, there are no folders. Box 14 contains the following:","Scope and Contents Film. No sound, black and white, about 40 minutes.","Scope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)","Scope and Contents Film. Collage, no sound, color, about 10 minutes.","Scope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies","Scope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.","Scope and Contents Tape. Dupont Theatre presents The  Common Glory  starring Basil Rathbone. Taken from the original record. 2 copies.","Scope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).","Scope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.","Scope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.","Scope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.","Scope and Contents Records.  The Common Glory . Side 1- Music from  The Common Glory  (musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.","Scope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.","Scope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.","Scope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.","Scope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)","Scope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.","Scope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.","Scope and Contents Records. Marked \"Jamestown.\"","Scope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.","Scope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.","Scope and Contents Former cast members.","Scope and Contents Technical Crews","Scope and Contents Actors in rehearsal","Scope and Contents  Common Glory  amphitheatre","Scope and Contents Audience","Scope and Contents Dancers","Scope and Contents Dancers in rehearsal","Scope and Contents Auditions","Scope and Contents Production Staff","Scope and Contents Costume Crew","Scope and Contents Visiting dignitaries","Scope and Contents Act 1, sc 1- terrace at Montecello","Scope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene","Scope and Contents Act 1, sc. 3- St. John's Church, Richmond.","Scope and Contents Act 1, sc 4. House of Burgesses","Scope and Contents Act 1, sc. 5- Before the gaol.","Scope and Contents Act 1, sc 6- Gordon's conspiracy.","Scope and Contents Act 1, sc 7- garden of Gorden's Plantation.","Scope and Contents Act 1, sc. 8- rooming house in Philadelphia.","Scope and Contents Act 1, sc. 9- Palace green in Williamsburg","Scope and Contents Act 2, sc. 1- Virginia montage sequence.","Scope and Contents Act 2, sc. 2, Christmas at Montecello.","Scope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";","Scope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781","Scope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.","Scope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";","Scope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.","Scope and Contents Act 2, sc. 7- battlefield at Yorktown.","Scope and Contents Act 2, sc. 8- finale: somewhere in Virginia.","Scope and Contents Narrator","Scope and Contents Jefferson.","Scope and Contents Jefferson and Martha","Scope and Contents Jefferson with others.","Scope and Contents Jefferson and Franklin","Scope and Contents Franklin","Scope and Contents Gordon and Eileen","Scope and Contents Town crier","Scope and Contents Cephus Sicklemore","Scope and Contents Cephus and Sgt. Jack.","Scope and Contents Widow Huzzitt and Cephus","Scope and Contents Hugh Taylor and Eileen","Scope and Contents Eileen and Corbin","Scope and Contents Hugh Taylor and Patrick Henry","Scope and Contents Pocahontas","Scope and Contents Children actors","Scope and Contents Choir in rehearsal","Scope and Contents Choir in performance","Scope and Contents Choir, group photos","Scope and Contents Dancers, group photos","Scope and Contents The ship","Scope and Contents Cast, good times","Scope and Contents prior to 1947 opening (probably publicity shots).","Scope and Contents Orchestra","Scope and Contents  Life  magazine","Scope and Contents Color transparency, for souvenir program","Scope and Contents 25th reunion","Scope and Contents Community Relations Committee of C\u0026P telephone, volunteer efforts, (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous backstage photos","Scope and Contents More miscellaneous photos","Scope and Contents Publicity photos by VA State Chamber of Commerce","Scope and Contents Additional publicity photos.","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Founders","Scope and Contents index","Scope and Contents #1-14","Scope and Contents #15-16","Scope and Contents #17-19","Scope and Contents # 20, Paul Green","Scope and Contents #21-52","Scope and Contents #53-67","Scope and Contents #68-87","Scope and Contents #88-95","Scope and Contents #96-104","Scope and Contents #106-109","Scope and Contents #110-114","Scope and Contents #115-132","Scope and Contents #133-139","Scope and Contents #146","Scope and Contents #141-149","Scope and Contents #150","Scope and Contents #151-161","Scope and Contents #162","Scope and Contents #163-196","Scope and Contents #197-249","Scope and Contents #250-262","Scope and Contents #263-323","Scope and Contents #324-328","Scope and Contents #329-342","Scope and Contents #343","Scope and Contents #347-362","Scope and Contents #363-383","Scope and Contents #384-405","Scope and Contents  The Founders , Displays and costumes","Scope and Contents  The Founders , Amphitheatre","Scope and Contents  The Founders , Ship","Scope and Contents  The Founders,  Opening afternoon festivities","Scope and Contents  The Founders , Performance","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founder s, Performance","Scope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of  The Common Glory  for a number of years. In addition, the score for  The Founders  is included.","Scope and Contents  The Common Glory , Paul Green's copy","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory , original manuscript","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory , Vocal Dir. copy","Scope and Contents  The Founders , Pt. 1","Scope and Contents  The Founders , Pt. 2","Scope and Contents  The Founders","Scope and Contents  The Common Glory ,  without clarinet","Scope and Contents  The Common Glory , without horn","Scope and Contents  The Common Glory","Scope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.","Scope and Contents Miscellaneous (one choir folder)","Scope and Contents Romances and dances","Scope and Contents Handel's suite from \"Watermusic\";","Scope and Contents Mozart's Symphony #40","Scope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"","Scope and Contents Baccherini Cello Concerto","Scope and Contents Wagner's \"Siegfried Idyll\";","Scope and Contents Haydn's Symphony #104 in D major (London Symphony)","Scope and Contents Mozart's \"Marriage of Figaro\"; Overture","Scope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)","Scope and Contents Griffes' \"Poem for Flute and Orchestra\";","Scope and Contents Schubert's Symphony #5","Scope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to  The Common Glory . The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.","Scope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman","Scope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders","Scope and Contents \"Rebellion\" by Margaret Collins","Scope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw","Scope and Contents \"Thunder of Freedom\" by Benjamin and James Bray","Scope and Contents \"Thunder of Freedom\" revised and rewritten","Scope and Contents \"Madigan's Wedding\" by J.P. Culliman","Scope and Contents \"The Marble Horseman\" by Ramsey Yelvington","Scope and Contents \"The World Turned Upside Down\" four drafts","Scope and Contents Untitled draft by Robert E. Ingham","Scope and Contents \"Battlefield Lounge\" by Robert Ingham","Scope and Contents \"The Blessings of Liberty\" by ?","Scope and Contents Untitled draft by unknown author","Scope and Contents Pocahontas","Scope and Contents \"The Founders\"; sound script. 3 folders.","Scope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the  Common Glory  and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.","Scope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.","Scope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.","Scope and Contents Souvenir programs for the 1948  Common Glory  production.","Scope and Contents Souvenir program for the 1947  Common Glory  production.","Scope and Contents Brochures, programs, newspaper clippings and photographs relating to the  Common Glory  production and  The Founders.","Scope and Contents Photograph of the French frigate, which appeared in the final scene of the  Common Glory  (1975)","Scope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in  The Common Glory  from the  Richmond Times-Dispatch , 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.","Scope and Contents Two programs for the  Common Glory  (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)","Scope and Contents Report on the feasibility of reopening the  Common Glory  Production, 1947-1976. Prepared by Roger Sherman, May 1999.","Scope and Contents 1947 Rehearsal Script for  The Common Glory , 1950  Common Glory  program and undated script.","Scope and Contents  Common Glory  pamphlets","Scope and Contents  Common Glory  program","Scope and Contents Previously unaccessioned material from backlog.","Scope and Contents 1947-1950, 1954 programs for  Common Glory . Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the  Common Glory  Company.","Scope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.","Scope and Contents 1955  Common Glory  Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.","Scope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.","Scope and Contents Eight posters from the  Common Glory, The Founders  and other productions. A few posters are handwritten. Shelved in oversize.","Scope and Contents Script of  Common Glory ; production photographs and negatives.","Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory","English"],"unitid_tesim":["01/Mss. 77 C73","/repositories/2/resources/8864"],"normalized_title_ssm":["Jamestown Corporation Records"],"collection_title_tesim":["Jamestown Corporation Records"],"collection_ssim":["Jamestown Corporation Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"geogname_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"creator_ssm":["Jamestown Corporation"],"creator_ssim":["Jamestown Corporation"],"creator_corpname_ssim":["Jamestown Corporation"],"creators_ssim":["Jamestown Corporation"],"places_ssim":["Jamestown (Va.)--History--Drama","Williamsburg (Va.)--History--Drama"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts of David Dudley; 18 Feb. 1991, Will Molineux; 24 March 1992, James Bray; 10 No. 1992, Miss Laura Sherman; 12 March 1993, Howard Scammon; 29 April 1993, Mrs. J. E. Pitman; 5 Nov. 1993, and S. F. Royall; 6 Dec. 1993. 1991.11 Gift of David Dudley through Howard Scammon 1992.56 Gift of James Bray 1993.13 Gift of Roger Sherman's daughter Laura 1993.31 was received on 4/29/1993 1993.68 Gift of Mrs. J.E. Pitman 1993.70 Gift of S.F. Royall 1994.04 Gift of Jones Library, Lynchburg 1994.23 Gift of Howard Scammon 1994.54 Gift of Howard Scammon 1999.24 Gift of Roger Sherman 2001.20 Gift of Frances Robb and unknown. 2003.22 Came in with material given to University Archives. 2008.90 Richard Krown 2010.387 Gift of David Dudley"],"access_subjects_ssim":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"access_subjects_ssm":["Drama--20th century","Green, Paul, 1894-1981. The Founders","Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"has_online_content_ssim":["false"],"extent_ssm":["21.75 Linear Feet"],"extent_tesim":["21.75 Linear Feet"],"genreform_ssim":["Certificates","Correspondence","Design drawings","Financial records","Minutes","Negatives","Photographs","Posters","Programs"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Jamestown_Corporation\" title=\"Jamestown Corporation\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The Jamestown Corporation was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" \"The Common Glory\" ran from 1947 to 1976 and \"The Founders\" was produced in 1957, 1958, and 1964. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eJamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Jamestown Corporation Records, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and folder list for series 1 completed by Alex Dodd, SCRC student, in February 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eThe papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders.\u003c/p\u003e\n","\u003cp\u003e Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e\n","\u003cp\u003e The Paul Green Papers are held by the UNC Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The papers of Carl A. \"Pappy\" Fehr (UA 6.017) include programs from The Common Glory and The Founders."," Audiocassettes, phonograph records, and reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection."," The Paul Green Papers are held by the UNC Libraries."],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).\u003c/p\u003e","\u003cp\u003eScope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.\u003c/p\u003e","\u003cp\u003eScope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.\u003c/p\u003e","\u003cp\u003eScope and Contents The collection includes scripts of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.\u003c/p\u003e","\u003cp\u003eScope and Contents Director's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Director's (Al Haaks's) copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated copy\u003c/p\u003e","\u003cp\u003eScope and Contents Narrator's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Published Version\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal; New Material uncut.\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's copy\u003c/p\u003e","\u003cp\u003eScope and Contents Costumer's (S. Sherman's) copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Master script 1\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Author's Corrected Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Revisions by Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents Maintence of Sound System\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's indoor copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents Annotated Version\u003c/p\u003e","\u003cp\u003eScope and Contents Stage Manager's copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Lights: Ampitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents Lights; Indoor\u003c/p\u003e","\u003cp\u003eScope and Contents Sound\u003c/p\u003e","\u003cp\u003eScope and Contents For souvenir program\u003c/p\u003e","\u003cp\u003eScope and Contents Outdoor\u003c/p\u003e","\u003cp\u003eScope and Contents Indoor\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting--outdoors\u003c/p\u003e","\u003cp\u003eScope and Contents Lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.\u003c/p\u003e","\u003cp\u003eScope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.\u003c/p\u003e","\u003cp\u003eScope and Contents Version B\u003c/p\u003e","\u003cp\u003eScope and Contents Version C, Act 1\u003c/p\u003e","\u003cp\u003eScope and Contents Version D, 11 Scenes\u003c/p\u003e","\u003cp\u003eScope and Contents Version E, Act 1\u003c/p\u003e","\u003cp\u003eScope and Contents Version E, Act 2\u003c/p\u003e","\u003cp\u003eScope and Contents Version G\u003c/p\u003e","\u003cp\u003eScope and Contents Version H\u003c/p\u003e","\u003cp\u003eScope and Contents Version I\u003c/p\u003e","\u003cp\u003eScope and Contents Version J\u003c/p\u003e","\u003cp\u003eScope and Contents Version K\u003c/p\u003e","\u003cp\u003eScope and Contents Version L, Incomplete\u003c/p\u003e","\u003cp\u003eScope and Contents Rehersal\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Director's Copy\u003c/p\u003e","\u003cp\u003eScope and Contents Lights\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Version\u003c/p\u003e","\u003cp\u003eScope and Contents Scenario and scene layout.\u003c/p\u003e","\u003cp\u003eScope and Contents Paul Green's revisions\u003c/p\u003e","\u003cp\u003eScope and Contents Original\u003c/p\u003e","\u003cp\u003eScope and Contents Final Form\u003c/p\u003e","\u003cp\u003eScope and Contents Script Changes\u003c/p\u003e","\u003cp\u003eScope and Contents Props.\u003c/p\u003e","\u003cp\u003eScope and Contents With corrections\u003c/p\u003e","\u003cp\u003eScope and Contents Programs of The \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e for the period 1947-1976 and\u003cemph render=\"italic\"\u003e The Founders\u003c/emph\u003e for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for \u003cemph render=\"italic\"\u003eThe Lost Colony\u003c/emph\u003e for 1946)\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir\u003c/p\u003e","\u003cp\u003eScope and Contents 8 Souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 9 souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 7 souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 6 Souvenirs and 2 handouts\u003c/p\u003e","\u003cp\u003eScope and Contents 6 souvenirs and 1 handout.\u003c/p\u003e","\u003cp\u003eScope and Contents 5 Souvenirs and 1 handout\u003c/p\u003e","\u003cp\u003eScope and Contents 3 Souvenirs and 2 handouts.\u003c/p\u003e","\u003cp\u003eScope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.\u003c/p\u003e","\u003cp\u003eScope and Contents Liquidation\u003c/p\u003e","\u003cp\u003eScope and Contents Administrative Forms\u003c/p\u003e","\u003cp\u003eScope and Contents Ampitheatre Blueprints\u003c/p\u003e","\u003cp\u003eScope and Contents C. Darden- Paul Green correspondence\u003c/p\u003e","\u003cp\u003eScope and Contents Audition information and forms\u003c/p\u003e","\u003cp\u003eScope and Contents Box office procedures, policies, and reports\u003c/p\u003e","\u003cp\u003eScope and Contents Contracts- Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents House Reports\u003c/p\u003e","\u003cp\u003eScope and Contents Impression of seal, letterhead, and postcard\u003c/p\u003e","\u003cp\u003eScope and Contents Entrance lighting and correspondence with lighting suppliers\u003c/p\u003e","\u003cp\u003eScope and Contents Reports on audits\u003c/p\u003e","\u003cp\u003eScope and Contents Reports on stage lighting\u003c/p\u003e","\u003cp\u003eScope and Contents Schedule of accounts\u003c/p\u003e","\u003cp\u003eScope and Contents Special studies of \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e by students of \"Theatre 320\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Standardized forms\u003c/p\u003e","\u003cp\u003eScope and Contents Surveys and statistical studies\u003c/p\u003e","\u003cp\u003eScope and Contents Switchboard blueprints\u003c/p\u003e","\u003cp\u003eScope and Contents Choir concert programs\u003c/p\u003e","\u003cp\u003eScope and Contents Dance concert programs\u003c/p\u003e","\u003cp\u003eScope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes and sketches\u003c/p\u003e","\u003cp\u003eScope and Contents Indoor production. A set of blueprints.\u003c/p\u003e","\u003cp\u003eOutdoor set location design plans.\u003c/p\u003e","\u003cp\u003eIndoor set location design.\u003c/p\u003e","\u003cp\u003eOutdoors prop list with expenses.\u003c/p\u003e","\u003cp\u003eLighting plot, indoors and outdoors diagrams.\u003c/p\u003e","\u003cp\u003eEnd of the year lighting report (A. L. Cook)\u003c/p\u003e","\u003cp\u003eLocation-lighting instruments, outdoors\u003c/p\u003e","\u003cp\u003eDimmer schedule, outdoors\u003c/p\u003e","\u003cp\u003eLighting instrument locations, indoors\u003c/p\u003e","\u003cp\u003eLighting follow spot cues, indoors\u003c/p\u003e","\u003cp\u003eLamp inventory (room L)\u003c/p\u003e","\u003cp\u003eIndoor dimmer schedule.\u003c/p\u003e","\u003cp\u003eFollow spot cues, light tower.\u003c/p\u003e","\u003cp\u003eFollow spot cues, sound tower\u003c/p\u003e","\u003cp\u003eSound report including storage (B. Sancetta).\u003c/p\u003e","\u003cp\u003eInventory of office supplies.\u003c/p\u003e","\u003cp\u003eInventory of sound equipment.\u003c/p\u003e","\u003cp\u003eProps list for outdoor set, includes cost and location.\u003c/p\u003e","\u003cp\u003eSet inventory with measurements.\u003c/p\u003e","\u003cp\u003eInstrument inventory, fall 1976.\u003c/p\u003e","\u003cp\u003eFollow spot cues, indoors.\u003c/p\u003e","\u003cp\u003eInstrument schedule and hook-up sheet, indoors.\u003c/p\u003e","\u003cp\u003eDimmer schedule, indoors.\u003c/p\u003e","\u003cp\u003eInstrument schedule and hook-up sheet, outdoors\u003c/p\u003e","\u003cp\u003eDimmer schedule, outdoors.\u003c/p\u003e","\u003cp\u003eFollow spot cues, sound tower.\u003c/p\u003e","\u003cp\u003eFollow spot cues, light tower.\u003c/p\u003e","\u003cp\u003eWorksheets (Boll and Cook).\u003c/p\u003e","\u003cp\u003eLight cues, outdoors.\u003c/p\u003e","\u003cp\u003ePre-set sheets, indoors.\u003c/p\u003e","\u003cp\u003ePhotographs, lighting instruments and placement.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes costume designs and swatches for \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e and most designs for \u003cemph render=\"italic\"\u003eThe Founders,\u003c/emph\u003e arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.\u003c/p\u003e","\u003cp\u003eThe Common Glory costume inventory Fall 1976.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Ralph Wormley design sketch.\u003c/p\u003e","\u003cp\u003eThe Common Glory, Samuel Collier costume desgin sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eScope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Richard Buck costume design with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomas Dale costume sketches and swatches with actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Old Edward costume design with swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Joan Flinton costume sketch.\u003c/p\u003e","\u003cp\u003eThe Founders, Temperance Flowerdew costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Lucy Forrest costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomas Gates costume sketches and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Custis Glovell costume design with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Aves Glover costume design and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Governor costume design with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Chloe Holland costume design sketches.\u003c/p\u003e","\u003cp\u003eThe Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Cicely Jordan costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Ann Laydon costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, John Laydon costume design with swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain John Martin costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Dolly Pace costume design sketch. Actress E. Clark.\u003c/p\u003e","\u003cp\u003eThe Founders, Nathaniel Peacock costume sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, George Percy costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Pocahontas costume design sketches.\u003c/p\u003e","\u003cp\u003eThe Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Jonas Profit costume design sketch.\u003c/p\u003e","\u003cp\u003eThe Founders, John Ratcliffe costume design sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Goody Redhead costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, John Rolfe costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.\u003c/p\u003e","\u003cp\u003eThe Founders, Drusilla Wright costume design sketch with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, George Yeardley costume design sketches and fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, sketches of various costumes for women characters with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Soldiers costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Colonists costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Workmen costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eThe Founders, Sailors costume design sketches with fabric swatches.\u003c/p\u003e","\u003cp\u003eCostume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"\u003c/p\u003e","\u003cp\u003eThe Founders list of characters and character descriptions.\u003c/p\u003e","\u003cp\u003eMeasurement sheets for The Founders.\u003c/p\u003e","\u003cp\u003eThe Founders costume swatches.\u003c/p\u003e","\u003cp\u003eThe Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).\u003c/p\u003e","\u003cp\u003eScope and Contents Audio-visual material includes film, TV spots, and records and tapes of \u003cemph render=\"italic\"\u003eThe Common Glory \u003c/emph\u003eand \u003cemph render=\"italic\"\u003eThe Founders.\u003c/emph\u003e In this series, contained all within box 14, there are no folders. Box 14 contains the following:\u003c/p\u003e","\u003cp\u003eScope and Contents Film. No sound, black and white, about 40 minutes.\u003c/p\u003e","\u003cp\u003eScope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)\u003c/p\u003e","\u003cp\u003eScope and Contents Film. Collage, no sound, color, about 10 minutes.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.\u003c/p\u003e","\u003cp\u003eScope and Contents Tape. Dupont Theatre presents The \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e starring Basil Rathbone. Taken from the original record. 2 copies.\u003c/p\u003e","\u003cp\u003eScope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).\u003c/p\u003e","\u003cp\u003eScope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e. Side 1- Music from \u003cemph render=\"italic\"\u003eThe Common Glory \u003c/emph\u003e(musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Marked \"Jamestown.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.\u003c/p\u003e","\u003cp\u003eScope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.\u003c/p\u003e","\u003cp\u003eScope and Contents Former cast members.\u003c/p\u003e","\u003cp\u003eScope and Contents Technical Crews\u003c/p\u003e","\u003cp\u003eScope and Contents Actors in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e amphitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents Audience\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Auditions\u003c/p\u003e","\u003cp\u003eScope and Contents Production Staff\u003c/p\u003e","\u003cp\u003eScope and Contents Costume Crew\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting dignitaries\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 1- terrace at Montecello\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 3- St. John's Church, Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 4. House of Burgesses\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 5- Before the gaol.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 6- Gordon's conspiracy.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc 7- garden of Gorden's Plantation.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 8- rooming house in Philadelphia.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 1, sc. 9- Palace green in Williamsburg\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 1- Virginia montage sequence.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 2, Christmas at Montecello.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 7- battlefield at Yorktown.\u003c/p\u003e","\u003cp\u003eScope and Contents Act 2, sc. 8- finale: somewhere in Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Narrator\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson.\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson and Martha\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson with others.\u003c/p\u003e","\u003cp\u003eScope and Contents Jefferson and Franklin\u003c/p\u003e","\u003cp\u003eScope and Contents Franklin\u003c/p\u003e","\u003cp\u003eScope and Contents Gordon and Eileen\u003c/p\u003e","\u003cp\u003eScope and Contents Town crier\u003c/p\u003e","\u003cp\u003eScope and Contents Cephus Sicklemore\u003c/p\u003e","\u003cp\u003eScope and Contents Cephus and Sgt. Jack.\u003c/p\u003e","\u003cp\u003eScope and Contents Widow Huzzitt and Cephus\u003c/p\u003e","\u003cp\u003eScope and Contents Hugh Taylor and Eileen\u003c/p\u003e","\u003cp\u003eScope and Contents Eileen and Corbin\u003c/p\u003e","\u003cp\u003eScope and Contents Hugh Taylor and Patrick Henry\u003c/p\u003e","\u003cp\u003eScope and Contents Pocahontas\u003c/p\u003e","\u003cp\u003eScope and Contents Children actors\u003c/p\u003e","\u003cp\u003eScope and Contents Choir in rehearsal\u003c/p\u003e","\u003cp\u003eScope and Contents Choir in performance\u003c/p\u003e","\u003cp\u003eScope and Contents Choir, group photos\u003c/p\u003e","\u003cp\u003eScope and Contents Dancers, group photos\u003c/p\u003e","\u003cp\u003eScope and Contents The ship\u003c/p\u003e","\u003cp\u003eScope and Contents Cast, good times\u003c/p\u003e","\u003cp\u003eScope and Contents prior to 1947 opening (probably publicity shots).\u003c/p\u003e","\u003cp\u003eScope and Contents Orchestra\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eLife\u003c/emph\u003e magazine\u003c/p\u003e","\u003cp\u003eScope and Contents Color transparency, for souvenir program\u003c/p\u003e","\u003cp\u003eScope and Contents 25th reunion\u003c/p\u003e","\u003cp\u003eScope and Contents Community Relations Committee of C\u0026amp;P telephone, volunteer efforts, (with negatives, seperate from negatives collection)\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous (with negatives, seperate from negatives collection)\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous backstage photos\u003c/p\u003e","\u003cp\u003eScope and Contents More miscellaneous photos\u003c/p\u003e","\u003cp\u003eScope and Contents Publicity photos by VA State Chamber of Commerce\u003c/p\u003e","\u003cp\u003eScope and Contents Additional publicity photos.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents index\u003c/p\u003e","\u003cp\u003eScope and Contents #1-14\u003c/p\u003e","\u003cp\u003eScope and Contents #15-16\u003c/p\u003e","\u003cp\u003eScope and Contents #17-19\u003c/p\u003e","\u003cp\u003eScope and Contents # 20, Paul Green\u003c/p\u003e","\u003cp\u003eScope and Contents #21-52\u003c/p\u003e","\u003cp\u003eScope and Contents #53-67\u003c/p\u003e","\u003cp\u003eScope and Contents #68-87\u003c/p\u003e","\u003cp\u003eScope and Contents #88-95\u003c/p\u003e","\u003cp\u003eScope and Contents #96-104\u003c/p\u003e","\u003cp\u003eScope and Contents #106-109\u003c/p\u003e","\u003cp\u003eScope and Contents #110-114\u003c/p\u003e","\u003cp\u003eScope and Contents #115-132\u003c/p\u003e","\u003cp\u003eScope and Contents #133-139\u003c/p\u003e","\u003cp\u003eScope and Contents #146\u003c/p\u003e","\u003cp\u003eScope and Contents #141-149\u003c/p\u003e","\u003cp\u003eScope and Contents #150\u003c/p\u003e","\u003cp\u003eScope and Contents #151-161\u003c/p\u003e","\u003cp\u003eScope and Contents #162\u003c/p\u003e","\u003cp\u003eScope and Contents #163-196\u003c/p\u003e","\u003cp\u003eScope and Contents #197-249\u003c/p\u003e","\u003cp\u003eScope and Contents #250-262\u003c/p\u003e","\u003cp\u003eScope and Contents #263-323\u003c/p\u003e","\u003cp\u003eScope and Contents #324-328\u003c/p\u003e","\u003cp\u003eScope and Contents #329-342\u003c/p\u003e","\u003cp\u003eScope and Contents #343\u003c/p\u003e","\u003cp\u003eScope and Contents #347-362\u003c/p\u003e","\u003cp\u003eScope and Contents #363-383\u003c/p\u003e","\u003cp\u003eScope and Contents #384-405\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Displays and costumes\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Amphitheatre\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Ship\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders,\u003c/emph\u003e Opening afternoon festivities\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Performance\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Publicity photos\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Publicity photos\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founder\u003c/emph\u003es, Performance\u003c/p\u003e","\u003cp\u003eScope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e for a number of years. In addition, the score for \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e is included.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, Paul Green's copy\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, original manuscript\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, Vocal Dir. copy\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Pt. 1\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e, Pt. 2\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Founders\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e,  without clarinet\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, without horn\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.\u003c/p\u003e","\u003cp\u003eScope and Contents Miscellaneous (one choir folder)\u003c/p\u003e","\u003cp\u003eScope and Contents Romances and dances\u003c/p\u003e","\u003cp\u003eScope and Contents Handel's suite from \"Watermusic\";\u003c/p\u003e","\u003cp\u003eScope and Contents Mozart's Symphony #40\u003c/p\u003e","\u003cp\u003eScope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Baccherini Cello Concerto\u003c/p\u003e","\u003cp\u003eScope and Contents Wagner's \"Siegfried Idyll\";\u003c/p\u003e","\u003cp\u003eScope and Contents Haydn's Symphony #104 in D major (London Symphony)\u003c/p\u003e","\u003cp\u003eScope and Contents Mozart's \"Marriage of Figaro\"; Overture\u003c/p\u003e","\u003cp\u003eScope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)\u003c/p\u003e","\u003cp\u003eScope and Contents Griffes' \"Poem for Flute and Orchestra\";\u003c/p\u003e","\u003cp\u003eScope and Contents Schubert's Symphony #5\u003c/p\u003e","\u003cp\u003eScope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e. The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rebellion\" by Margaret Collins\u003c/p\u003e","\u003cp\u003eScope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thunder of Freedom\" by Benjamin and James Bray\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thunder of Freedom\" revised and rewritten\u003c/p\u003e","\u003cp\u003eScope and Contents \"Madigan's Wedding\" by J.P. Culliman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Marble Horseman\" by Ramsey Yelvington\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Turned Upside Down\" four drafts\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled draft by Robert E. Ingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"Battlefield Lounge\" by Robert Ingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Blessings of Liberty\" by ?\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled draft by unknown author\u003c/p\u003e","\u003cp\u003eScope and Contents Pocahontas\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Founders\"; sound script. 3 folders.\u003c/p\u003e","\u003cp\u003eScope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.\u003c/p\u003e","\u003cp\u003eScope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir programs for the 1948 \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production.\u003c/p\u003e","\u003cp\u003eScope and Contents Souvenir program for the 1947 \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochures, programs, newspaper clippings and photographs relating to the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e production and \u003cemph render=\"italic\"\u003eThe Founders.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of the French frigate, which appeared in the final scene of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e (1975)\u003c/p\u003e","\u003cp\u003eScope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e from the \u003cemph render=\"italic\"\u003eRichmond Times-Dispatch\u003c/emph\u003e, 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs for the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)\u003c/p\u003e","\u003cp\u003eScope and Contents Report on the feasibility of reopening the \u003cemph render=\"italic\"\u003eCommon Glory \u003c/emph\u003eProduction, 1947-1976. Prepared by Roger Sherman, May 1999.\u003c/p\u003e","\u003cp\u003eScope and Contents 1947 Rehearsal Script for \u003cemph render=\"italic\"\u003eThe Common Glory\u003c/emph\u003e, 1950 \u003cemph render=\"italic\"\u003eCommon Glory \u003c/emph\u003eprogram and undated script.\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e pamphlets\u003c/p\u003e","\u003cp\u003eScope and Contents \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e program\u003c/p\u003e","\u003cp\u003eScope and Contents Previously unaccessioned material from backlog.\u003c/p\u003e","\u003cp\u003eScope and Contents 1947-1950, 1954 programs for \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e. Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e Company.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.\u003c/p\u003e","\u003cp\u003eScope and Contents 1955\u003cemph render=\"italic\"\u003e Common Glory\u003c/emph\u003e Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.\u003c/p\u003e","\u003cp\u003eScope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.\u003c/p\u003e","\u003cp\u003eScope and Contents Eight posters from the \u003cemph render=\"italic\"\u003eCommon Glory, The Founders\u003c/emph\u003e and other productions. A few posters are handwritten. Shelved in oversize.\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \u003cemph render=\"italic\"\u003eCommon Glory\u003c/emph\u003e; production photographs and negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records, 1946-1979, of the Jamestown Corporation which was responsible for two of Paul Green's outdoor dramas, \"The Common Glory,\" and \"The Founders.\" Includes certificate of incorporation, by-laws, minutes, yearbooks, scripts, programs, ground plans, costume designs audio-visual materials, photographs, music and loose papers (correspondence and budgets).","Scope and Contents The minutes of the exectutive committee and the Boards of Trustees and Directors are arranged chronologically by year. Also included in this series is material on the organization of the Jamestown Corporation and its By laws and Certificate of Incorporation.","Scope and Contents Each year from 1947 to 1975 the Jamestown Corporation prepared a yearbook in which such materials as promotional material, financial reports, Paul Green correspondence, production material, and Board correspondence were arranged systematically. The Yearbooks are arranged chronologically and the original order of the material has been maintained.","Scope and Contents The collection includes scripts of the  Common Glory  from 1947-1976 and scripts of The Founders for the years 1957, 1958, and 1964. Included are scripts of the Stage Manager, the Technical Director, the Director, playwrite Paul Green, and of the lights and sound crews.","Scope and Contents Director's Copy","Scope and Contents Technical Director's (Al Haaks's) copy.","Scope and Contents Annotated copy","Scope and Contents Narrator's Copy","Scope and Contents Rehearsal","Scope and Contents Rehearsal","Scope and Contents Published Version","Scope and Contents Rehearsal; New Material uncut.","Scope and Contents Rehearsal with notes.","Scope and Contents Paul Green's copy","Scope and Contents Costumer's (S. Sherman's) copy.","Scope and Contents Rehearsal","Scope and Contents Annotated copy.","Scope and Contents Master script 1","Scope and Contents Revised Copy","Scope and Contents Revised Copy","Scope and Contents Stage Manager's copy.","Scope and Contents Author's Corrected Copy","Scope and Contents Paul Green's Copy","Scope and Contents Revisions by Paul Green","Scope and Contents Lighting","Scope and Contents Stage Manager's Copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Maintence of Sound System","Scope and Contents Stage Manager's Copy","Scope and Contents Stage Manager's indoor copy","Scope and Contents Lighting","Scope and Contents Sound","Scope and Contents Annotated Version","Scope and Contents Stage Manager's copy","Scope and Contents Lighting","Scope and Contents Lights: Ampitheatre","Scope and Contents Lights; Indoor","Scope and Contents Sound","Scope and Contents For souvenir program","Scope and Contents Outdoor","Scope and Contents Indoor","Scope and Contents Lighting--outdoors","Scope and Contents Lighting","Scope and Contents Outline and synopsis of proposed \"Jamestown Drama\" by Paul Green, with Allen Mathew's criticism.","Scope and Contents 1st synopsis of The Jamestown Play, Nov 11 1954, sent to Allen Mathews and Samuel Bemis.","Scope and Contents Version B","Scope and Contents Version C, Act 1","Scope and Contents Version D, 11 Scenes","Scope and Contents Version E, Act 1","Scope and Contents Version E, Act 2","Scope and Contents Version G","Scope and Contents Version H","Scope and Contents Version I","Scope and Contents Version J","Scope and Contents Version K","Scope and Contents Version L, Incomplete","Scope and Contents Rehersal","Scope and Contents Technical Director's Copy","Scope and Contents Lights","Scope and Contents Revised Version","Scope and Contents Scenario and scene layout.","Scope and Contents Paul Green's revisions","Scope and Contents Original","Scope and Contents Final Form","Scope and Contents Script Changes","Scope and Contents Props.","Scope and Contents With corrections","Scope and Contents Programs of The  Common Glory  for the period 1947-1976 and  The Founders  for 1957, 1958, and 1964 are arranged chronologically by year. (Also included is a program for  The Lost Colony  for 1946)","Scope and Contents Souvenir","Scope and Contents 8 Souvenirs and 2 handouts","Scope and Contents 9 souvenirs and 2 handouts","Scope and Contents 7 souvenirs and 2 handouts","Scope and Contents 6 Souvenirs and 2 handouts","Scope and Contents 6 souvenirs and 1 handout.","Scope and Contents 5 Souvenirs and 1 handout","Scope and Contents 3 Souvenirs and 2 handouts.","Scope and Contents The loose papers are arranged chronologically by year and also by subject. The dated folders contain such material as correspondence of the General Manager, the Executive Vice President, the President of the Jamestown Corporation, Paul Green letters, budget reports, and momorandums between the Corporation and those involved in production. The subject folders are arranged by such topics as administratitive forms, box office procdures, contracts with Paul Green, etc.","Scope and Contents Liquidation","Scope and Contents Administrative Forms","Scope and Contents Ampitheatre Blueprints","Scope and Contents C. Darden- Paul Green correspondence","Scope and Contents Audition information and forms","Scope and Contents Box office procedures, policies, and reports","Scope and Contents Contracts- Paul Green","Scope and Contents House Reports","Scope and Contents Impression of seal, letterhead, and postcard","Scope and Contents Entrance lighting and correspondence with lighting suppliers","Scope and Contents Reports on audits","Scope and Contents Reports on stage lighting","Scope and Contents Schedule of accounts","Scope and Contents Special studies of  The Common Glory  by students of \"Theatre 320\" at The College of William and Mary.","Scope and Contents Standardized forms","Scope and Contents Surveys and statistical studies","Scope and Contents Switchboard blueprints","Scope and Contents Choir concert programs","Scope and Contents Dance concert programs","Scope and Contents Publicity material includes correspondence and other papers and press clippings. the correspondence and other papers are arranged chronologically in folders dated from 1946 to 1976, and include letters to members of the press and radio and tv, reports of the publicity directors, press releases, and promotional material. Press clippings have been xeroxed on permalife paper and are arranged chronologically in folders and dated from 1947 to 1976. In addition, there is a folder of undated clippings and a folder for publicity pamphlets.","Scope and Contents This series includes ground plans for both the outdoor and indoor shows as well as documents pertaining to the technical aspects of the show-- lighting, sound, and props.","Scope and Contents Notes and sketches","Scope and Contents Indoor production. A set of blueprints.","Outdoor set location design plans.","Indoor set location design.","Outdoors prop list with expenses.","Lighting plot, indoors and outdoors diagrams.","End of the year lighting report (A. L. Cook)","Location-lighting instruments, outdoors","Dimmer schedule, outdoors","Lighting instrument locations, indoors","Lighting follow spot cues, indoors","Lamp inventory (room L)","Indoor dimmer schedule.","Follow spot cues, light tower.","Follow spot cues, sound tower","Sound report including storage (B. Sancetta).","Inventory of office supplies.","Inventory of sound equipment.","Props list for outdoor set, includes cost and location.","Set inventory with measurements.","Instrument inventory, fall 1976.","Follow spot cues, indoors.","Instrument schedule and hook-up sheet, indoors.","Dimmer schedule, indoors.","Instrument schedule and hook-up sheet, outdoors","Dimmer schedule, outdoors.","Follow spot cues, sound tower.","Follow spot cues, light tower.","Worksheets (Boll and Cook).","Light cues, outdoors.","Pre-set sheets, indoors.","Photographs, lighting instruments and placement.","Scope and Contents This series includes costume designs and swatches for  The Common Glory  and most designs for  The Founders,  arranged by character or scene. It also includes character notes by the designer, S. Sherman, as well as some actor measurements and an inventory recorded in 1976.","The Common Glory costume inventory Fall 1976.","The Common Glory, Garden Party. Artist costume design sketches with accompanying fabric swatches.","The Common Glory, townswomen. Costume design sketches with fabric swatches and dressing room check list sheets. Features designs for the parts of Mrs. Gordon, Mrs. Lee, Eileen, and Mammy Huzzitt among others.","The Common Glory, Ralph Wormley design sketch.","The Common Glory, Samuel Collier costume desgin sketch with fabric swatches.","Scope and Contents The Founder, Jeffery Abbott costume design sketches with fabric swatches.","The Founders, Barbara Bluett costume design with fabric swatches, Linda Lavin measurements.","The Founders, Capt. Brewster costume sketches and fabric swatches with Robert E. Gaines measurements.","The Founders, Richard Buck costume design with fabric swatches.","The Founders, Auston Cooms costume sketches with fabric swatches and actor measurments.","The Founders, Thomas Dale costume sketches and swatches with actor measurements.","The Founders, Old Edward costume design with swatches and actor measurements.","The Founders, Joan Flinton costume sketch.","The Founders, Temperance Flowerdew costume design sketches with fabric swatches.","The Founders, Lucy Forrest costume design sketches with fabric swatches.","The Founders, Thomas Gates costume sketches and fabric swatches.","The Founders, Custis Glovell costume design with fabric swatches.","The Founders, Aves Glover costume design and fabric swatches.","The Founders, Governor costume design with fabric swatches and actor measurements.","The Founders, Chloe Holland costume design sketches.","The Founders, Rev. Robert Hunt costume sketches with fabric swatches and actor measurements.","The Founders, Cicely Jordan costume design sketches with fabric swatches.","The Founders, Ann Laydon costume design sketches with fabric swatches.","The Founders, John Laydon costume design with swatches and actor measurements.","The Founders, Captain John Martin costume design sketch and fabric swatches.","The Founders, Captain Christopher Newport costume design sketches with fabric swatches and actor measurements.","The Founders, Dolly Pace costume design sketch. Actress E. Clark.","The Founders, Nathaniel Peacock costume sketches with fabric swatches.","The Founders, George Percy costume design sketch and fabric swatches.","The Founders, Pharoh Perkins costume design sketch with fabric swatches and actor measurements.","The Founders, Pocahontas costume design sketches.","The Founders, Captain Nathaniel Powell costume design sketch and fabric swatches.","The Founders, Jonas Profit costume design sketch.","The Founders, John Ratcliffe costume design sketch with fabric swatches.","The Founders, Goody Redhead costume design sketches with fabric swatches.","The Founders, John Rolfe costume design sketches with fabric swatches.","The Founders, Thomasine Utley costume design sketches with fabric swatches and actress measurements.","The Founders, Drusilla Wright costume design sketch with fabric swatches.","The Founders, George Yeardley costume design sketches and fabric swatches.","The Founders, sketches of various costumes for women characters with fabric swatches.","The Founders, Gentlemen and Townsmen costume design sketches with fabric swatches.","The Founders, Soldiers costume design sketches with fabric swatches.","The Founders, Colonists costume design sketches with fabric swatches.","The Founders, Workmen costume design sketches with fabric swatches.","The Founders, Sailors costume design sketches with fabric swatches.","Costume paint and make-up designs for Native American characters in The Founders. The tribal nations are not described and the characters are referred to as \"indians.\"","The Founders list of characters and character descriptions.","Measurement sheets for The Founders.","The Founders costume swatches.","The Founders costume design sketches and fabric swatches for Weston, Fop, and James Blumfield (not in the program).","Scope and Contents Audio-visual material includes film, TV spots, and records and tapes of  The Common Glory  and  The Founders.  In this series, contained all within box 14, there are no folders. Box 14 contains the following:","Scope and Contents Film. No sound, black and white, about 40 minutes.","Scope and Contents Film. No sound, black and white, about 10-15 minutes. (Cast members include K. Zimmer, V. Bray, and Z. Friedman.)","Scope and Contents Film. Collage, no sound, color, about 10 minutes.","Scope and Contents TV Spots--Promotional Film. Sound and color. 60 seconds, filmed by Colonial Williamsburg. 3 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 28 seconds, filmed by Colonial Wiliamsburg. 3 copies","Scope and Contents TV Spots--Promotional Film. Sound and color, 60 seconds, 2 copies.","Scope and Contents TV Spots--Promotional Film. Sound and color, 30 seconds. 1 copy.","Scope and Contents Tape. Dupont Theatre presents The  Common Glory  starring Basil Rathbone. Taken from the original record. 2 copies.","Scope and Contents Recorded by the Ray Charles Singers. EP-101 (78 speed).","Scope and Contents Records. \"Diggers and Reapers\"; (Sides C and D) on Presto Records.","Scope and Contents Records. Side A-Montage, Reapers and Sowers, Ballet. Side B- Weary ones, on Audiodisc Record.","Scope and Contents Records. Side A- Sowers and Reapers, Diggers-Orch. Side B-Yankee Doodle, on Audiodisc Record.","Scope and Contents Records.  The Common Glory . Side 1- Music from  The Common Glory  (musical Synopsis). Side 2- The Common Glory Concert Choir. RCA Victor records.","Scope and Contents Records. 1 side--\"We Dig This Iron\"; on Audiodisc Record.","Scope and Contents Records. Side 1-Dunmore Ballet, Aleemonde, Gallop. Side 2 Country Dance, D Scarlotti, on Audiodisc Record.","Scope and Contents Records. Side 1 and 2-Dunmore Ballet, Rainy Night. On Presto Record.","Scope and Contents Records. Side 1- Dunmore Ballet, Scarlotti. Side 2-Allemonde, Gallop, Country Dance, on Audiodisc Record. (Marked \"rehearsal- 1970\";)","Scope and Contents Records. Marked on record \"Country Dance\";; on jacket \"Dun, 9AR, Finale 1.\" On Audiodisc Record.","Scope and Contents Records.Dunmore, Bouree, Fireworks (marked \"too fast\";), 78 speed, on Audiodisc Record.","Scope and Contents Records. Marked \"Jamestown.\"","Scope and Contents Records. By R.B. Tisdale. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde, Country Dance. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Side 1- Ballet, Allemonde. Side 2- Reap and Sow, Diggers, Weary Ones. Colonial Williamsburg Audio-Visual Department.","Scope and Contents Records. Unmarked (except for 33 1/2 RPM.) One is on Recoton Record.","Scope and Contents This series includes 8x10 glossy photographs, proof sheets, and negatives. The 8x10 photos are arranged (by Howard Scammon) according to subject, while the proof sheets are arranged chronologically by year. The negatives are arranged in files numbered 1-405, and arrangement is both by subject and date. An index to the negatives is included in the first folder marked \"negatives\";.","Scope and Contents Former cast members.","Scope and Contents Technical Crews","Scope and Contents Actors in rehearsal","Scope and Contents  Common Glory  amphitheatre","Scope and Contents Audience","Scope and Contents Dancers","Scope and Contents Dancers in rehearsal","Scope and Contents Auditions","Scope and Contents Production Staff","Scope and Contents Costume Crew","Scope and Contents Visiting dignitaries","Scope and Contents Act 1, sc 1- terrace at Montecello","Scope and Contents Act 1, sc. 2- ballroom in the Govenor's Palace, Dunmore scene","Scope and Contents Act 1, sc. 3- St. John's Church, Richmond.","Scope and Contents Act 1, sc 4. House of Burgesses","Scope and Contents Act 1, sc. 5- Before the gaol.","Scope and Contents Act 1, sc 6- Gordon's conspiracy.","Scope and Contents Act 1, sc 7- garden of Gorden's Plantation.","Scope and Contents Act 1, sc. 8- rooming house in Philadelphia.","Scope and Contents Act 1, sc. 9- Palace green in Williamsburg","Scope and Contents Act 2, sc. 1- Virginia montage sequence.","Scope and Contents Act 2, sc. 2, Christmas at Montecello.","Scope and Contents Act 2, sc 3- room in the Governor's Palace, \"Shame the shame\";","Scope and Contents Act 2, sc 4,- London, council room in the palace of George III, 1781","Scope and Contents Act 2, sc, 4- Ruined churchyard, Jamestown.","Scope and Contents Act 2, sc 5- outside Burton Parish church, \"Washington montage\";","Scope and Contents Act 2, sc. 6- interior of a farmhouse, Yorktown.","Scope and Contents Act 2, sc. 7- battlefield at Yorktown.","Scope and Contents Act 2, sc. 8- finale: somewhere in Virginia.","Scope and Contents Narrator","Scope and Contents Jefferson.","Scope and Contents Jefferson and Martha","Scope and Contents Jefferson with others.","Scope and Contents Jefferson and Franklin","Scope and Contents Franklin","Scope and Contents Gordon and Eileen","Scope and Contents Town crier","Scope and Contents Cephus Sicklemore","Scope and Contents Cephus and Sgt. Jack.","Scope and Contents Widow Huzzitt and Cephus","Scope and Contents Hugh Taylor and Eileen","Scope and Contents Eileen and Corbin","Scope and Contents Hugh Taylor and Patrick Henry","Scope and Contents Pocahontas","Scope and Contents Children actors","Scope and Contents Choir in rehearsal","Scope and Contents Choir in performance","Scope and Contents Choir, group photos","Scope and Contents Dancers, group photos","Scope and Contents The ship","Scope and Contents Cast, good times","Scope and Contents prior to 1947 opening (probably publicity shots).","Scope and Contents Orchestra","Scope and Contents  Life  magazine","Scope and Contents Color transparency, for souvenir program","Scope and Contents 25th reunion","Scope and Contents Community Relations Committee of C\u0026P telephone, volunteer efforts, (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous (with negatives, seperate from negatives collection)","Scope and Contents Miscellaneous backstage photos","Scope and Contents More miscellaneous photos","Scope and Contents Publicity photos by VA State Chamber of Commerce","Scope and Contents Additional publicity photos.","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Founders","Scope and Contents index","Scope and Contents #1-14","Scope and Contents #15-16","Scope and Contents #17-19","Scope and Contents # 20, Paul Green","Scope and Contents #21-52","Scope and Contents #53-67","Scope and Contents #68-87","Scope and Contents #88-95","Scope and Contents #96-104","Scope and Contents #106-109","Scope and Contents #110-114","Scope and Contents #115-132","Scope and Contents #133-139","Scope and Contents #146","Scope and Contents #141-149","Scope and Contents #150","Scope and Contents #151-161","Scope and Contents #162","Scope and Contents #163-196","Scope and Contents #197-249","Scope and Contents #250-262","Scope and Contents #263-323","Scope and Contents #324-328","Scope and Contents #329-342","Scope and Contents #343","Scope and Contents #347-362","Scope and Contents #363-383","Scope and Contents #384-405","Scope and Contents  The Founders , Displays and costumes","Scope and Contents  The Founders , Amphitheatre","Scope and Contents  The Founders , Ship","Scope and Contents  The Founders,  Opening afternoon festivities","Scope and Contents  The Founders , Performance","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founders , Publicity photos","Scope and Contents  The Founder s, Performance","Scope and Contents This series includes the songbook, Paul Green's copy of the original score, and the organ, choral, and orchestra music of  The Common Glory  for a number of years. In addition, the score for  The Founders  is included.","Scope and Contents  The Common Glory , Paul Green's copy","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory , original manuscript","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Common Glory","Scope and Contents  The Founders","Scope and Contents  The Common Glory , Vocal Dir. copy","Scope and Contents  The Founders , Pt. 1","Scope and Contents  The Founders , Pt. 2","Scope and Contents  The Founders","Scope and Contents  The Common Glory ,  without clarinet","Scope and Contents  The Common Glory , without horn","Scope and Contents  The Common Glory","Scope and Contents Including \"Oh God, Our Help\";, \"Onward Christian Soldiers\";, and  \"God of our Fathers\";.","Scope and Contents Miscellaneous (one choir folder)","Scope and Contents Romances and dances","Scope and Contents Handel's suite from \"Watermusic\";","Scope and Contents Mozart's Symphony #40","Scope and Contents Shreck's Symphony \"Christ lag in Tobesbanden.\"","Scope and Contents Baccherini Cello Concerto","Scope and Contents Wagner's \"Siegfried Idyll\";","Scope and Contents Haydn's Symphony #104 in D major (London Symphony)","Scope and Contents Mozart's \"Marriage of Figaro\"; Overture","Scope and Contents Haydn's Symphony #94 in G major (Suprise Symphony)","Scope and Contents Griffes' \"Poem for Flute and Orchestra\";","Scope and Contents Schubert's Symphony #5","Scope and Contents In 1956 the Jamestown Corporation sponsored a playwriting contest as a means of finding alternatives to  The Common Glory . The Collection includes these scripts as well as others submitted to the corporation in later years. The scripts are arranged chronologically (except for the first script of the series), with undated ones at the end of the series.","Scope and Contents \"The World Turned Upside Down\" by L.E. Watkin sent to R. Sherman","Scope and Contents \"Better the Crisis Now\" by Priscilla Thompson Sanders","Scope and Contents \"Rebellion\" by Margaret Collins","Scope and Contents \"Snow Feather and the Captain\" by Clara Crenshaw","Scope and Contents \"Thunder of Freedom\" by Benjamin and James Bray","Scope and Contents \"Thunder of Freedom\" revised and rewritten","Scope and Contents \"Madigan's Wedding\" by J.P. Culliman","Scope and Contents \"The Marble Horseman\" by Ramsey Yelvington","Scope and Contents \"The World Turned Upside Down\" four drafts","Scope and Contents Untitled draft by Robert E. Ingham","Scope and Contents \"Battlefield Lounge\" by Robert Ingham","Scope and Contents \"The Blessings of Liberty\" by ?","Scope and Contents Untitled draft by unknown author","Scope and Contents Pocahontas","Scope and Contents \"The Founders\"; sound script. 3 folders.","Scope and Contents Correspondence, publicity, scripts, and newspaper clippings relating to the  Common Glory  and Paul Green. Among the correspondents are Paul Green, Carl A. Fehr, Roger D. Sherman, Jim Bray, and Howard Scammon. There are 3 folders.","Scope and Contents Script of \"What Price Common Glory\"; by Stephen Lopez, a farce on the \"Common Glory\";. Written by a cast member of the \"Common Glory\"; and produced by the company members to other company members and friends in 1961.","Scope and Contents 27 photographs, 43 color negatives ( 1 3/8\"; x 3/4\";), and 13 color negatives ( 3 3/4\"; x 5\";) of the Common Glory.","Scope and Contents Souvenir programs for the 1948  Common Glory  production.","Scope and Contents Souvenir program for the 1947  Common Glory  production.","Scope and Contents Brochures, programs, newspaper clippings and photographs relating to the  Common Glory  production and  The Founders.","Scope and Contents Photograph of the French frigate, which appeared in the final scene of the  Common Glory  (1975)","Scope and Contents Newspaper clipping of Howard Scammon, replacing Walter Brooke in the role of Thomas Jefferson in  The Common Glory  from the  Richmond Times-Dispatch , 1948 September 5 accompanying note by James S. Kelly of the Office of the President, College of William and Mary.","Scope and Contents Two programs for the  Common Glory  (1967). One program for The Founders (1964). Black and white photograph of a posed picture called the Dunmore Scene. (Shelved with oversize material)","Scope and Contents Report on the feasibility of reopening the  Common Glory  Production, 1947-1976. Prepared by Roger Sherman, May 1999.","Scope and Contents 1947 Rehearsal Script for  The Common Glory , 1950  Common Glory  program and undated script.","Scope and Contents  Common Glory  pamphlets","Scope and Contents  Common Glory  program","Scope and Contents Previously unaccessioned material from backlog.","Scope and Contents 1947-1950, 1954 programs for  Common Glory . Three programs for \"Dark of the Moon\"(1950) a play presented by the members of the  Common Glory  Company.","Scope and Contents Blueprints of designer's elevations. Charles M. Majors, architect.","Scope and Contents 1955  Common Glory  Magazine. Five cassettes, three are called \"band music,\" one is called \"30's music\" and one is called \"Flute/nature music.\" Cassettes transferred to the Audio-Visual Collection.","Scope and Contents 1955 program, 1957 pamphlet, newspaper articles, copy of 1947 photograph of narator Ronald King, drawing #3 of the ship's elevation for The Founders and \"Memorandum on the Historical Characteristics of The Common Glory\" by Douglass Adair \"being the Report to the Jamestown Corporation by the Committee to Review the Script\"; circa 1948.","Scope and Contents Eight posters from the  Common Glory, The Founders  and other productions. A few posters are handwritten. Shelved in oversize.","Scope and Contents Script of  Common Glory ; production photographs and negatives."],"separatedmaterial_html_tesm":["\u003cp\u003eBox 14 transferred to the artifact collection in 2009.\u003c/p\u003e\n","\u003cp\u003e All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Box 14 transferred to the artifact collection in 2009."," All audiovisual material from this collection has been moved to the Manuscripts Audiovisual Collection."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Jamestown Corporation","Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"corpname_ssim":["Special Collections Research Center","Jamestown Corporation"],"names_coll_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"persname_ssim":["Green, Paul, 1894-1981","Green, Paul, 1894-1981. Common Glory"],"language_ssim":["English"],"total_component_count_is":633,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:44:41.233Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8864_c01_c02_c01_c02"}},{"id":"vaallhs_repositories_2_resources_1_c02_c01","type":"File","attributes":{"title":"Yearbook","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_1_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_1_c02_c01","ref_ssm":["vaallhs_repositories_2_resources_1_c02_c01"],"id":"vaallhs_repositories_2_resources_1_c02_c01","ead_ssi":"vaallhs_repositories_2_resources_1","_root_":"vaallhs_repositories_2_resources_1","_nest_parent_":"vaallhs_repositories_2_resources_1_c02","parent_ssi":"vaallhs_repositories_2_resources_1_c02","parent_ssim":["vaallhs_repositories_2_resources_1","vaallhs_repositories_2_resources_1_c02"],"parent_ids_ssim":["vaallhs_repositories_2_resources_1","vaallhs_repositories_2_resources_1_c02"],"parent_unittitles_ssm":["Beverly Hills Women's Club Collection (MS298)","Series II: Yearbooks"],"parent_unittitles_tesim":["Beverly Hills Women's Club Collection (MS298)","Series II: Yearbooks"],"text":["Beverly Hills Women's Club Collection (MS298)","Series II: Yearbooks","Yearbook","box 2","folder 1"],"title_filing_ssi":"Yearbook","title_ssm":["Yearbook"],"title_tesim":["Yearbook"],"unitdate_inclusive_ssm":["1947-1948"],"normalized_date_ssm":["1947/1948"],"normalized_title_ssm":["Yearbook"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Beverly Hills Women's Club Collection (MS298)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_terms_tesm":["Copyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the opyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1947,1948],"containers_ssim":["box 2","folder 1"],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T03:58:50.090Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_1","ead_ssi":"vaallhs_repositories_2_resources_1","_root_":"vaallhs_repositories_2_resources_1","_nest_parent_":"vaallhs_repositories_2_resources_1","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_1.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/1","title_ssm":["Beverly Hills Women's Club Collection (MS298)"],"title_tesim":["Beverly Hills Women's Club Collection (MS298)"],"unitdate_ssm":["1946-1999"],"unitdate_inclusive_ssm":["1946-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS298"],"text":["MS298","Beverly Hills Women's Club Collection (MS298)","Alexandria (Va.) -- Social life and customs","Women civic leaders.","Beverly Hills Women's Club","The Beverly Hills Women's Club grew out of a small group of women who met regularly starting in 1944 to knit and sew for the Red Cross. The club consisted of women in their late 20's or early 30's, with young children, seeking to get together for recreation and friendship. While the informal club began at Florence Dempsey's on South Overlook Dr., the club became official in 1945, with a constitution and a slate of officers selected, with Mrs. Raymond (Florence) Pfeiffer as president, and 40 charter members. The meetings were bimonthly, no dues were collected, but an offering was taken up for expenses and the rest given to the Red Cross. Because of overwhelming popularity, membership was limited to 75, and a boundary set to Beverly Hills. In 1955, due to an interest in the garden section of the club, membership was extended to persons outside of Beverly Hills. The Garden section eventually split off in 1955, and became a sister club. However, interest was still so great, that by 1962, meetings needed to be held in public auditoriums (e.g. Westminster Presbyterian Church, the Pepco Building, the No. 3 Firehouse, the Woodward and Lothrop Building, and Trinity Methodist Church).  \n    The club served not only as an outlet, but as a civic organization. The club sponsored beautification projects, advocated for road safety, raised money for playgrounds, and began a Christmas decoration contest that attracted national attention. In addition to its civic work, the club sponsored programs and groups dedicated to special interests, such as: bridge, antiques, needlework, books, etc.","The collection consists of account books, yearbooks, organizational laws, correspondence, news clippings, history, scrapbooks, financial reports, meeting minutes, and photos. It has been organized into the following series: financial material, yearbooks, club communications, press, meeting minutes, and photographs.","Series I includes account books, check book records, and treasurer's reports.","Series II includes yearbooks which contain a list of members, programs, bylaws, clubs, and committees.","Series III includes press for club activities, membership communication, and club scrapbooks.","Series IV includes the club meeting minutes from 1963 to 1999.","Series V consists of photos of club activities, parties, meetings, and officers.","Copyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the opyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Local History and Special Collections Branch, Alexandria Library","Beverly Hills Women's Club","English \n.    "],"unitid_tesim":["MS298"],"normalized_title_ssm":["Beverly Hills Women's Club Collection (MS298)"],"collection_title_tesim":["Beverly Hills Women's Club Collection (MS298)"],"collection_ssim":["Beverly Hills Women's Club Collection (MS298)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.) -- Social life and customs"],"geogname_ssim":["Alexandria (Va.) -- Social life and customs"],"creator_ssm":["Beverly Hills Women's Club"],"creator_ssim":["Beverly Hills Women's Club"],"creator_corpname_ssim":["Beverly Hills Women's Club"],"creators_ssim":["Beverly Hills Women's Club"],"places_ssim":["Alexandria (Va.) -- Social life and customs"],"access_terms_ssm":["Copyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the opyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["Women civic leaders.","Beverly Hills Women's Club"],"access_subjects_ssm":["Women civic leaders.","Beverly Hills Women's Club"],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Cubic Feet 6 Boxes"],"extent_tesim":["2.1 Cubic Feet 6 Boxes"],"physfacet_tesim":["Items include photographs (color and b/w), newsprint, checkbooks, yearbooks, correspondence"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"bioghist_html_tesm":["\u003cp\u003eThe Beverly Hills Women's Club grew out of a small group of women who met regularly starting in 1944 to knit and sew for the Red Cross. The club consisted of women in their late 20's or early 30's, with young children, seeking to get together for recreation and friendship. While the informal club began at Florence Dempsey's on South Overlook Dr., the club became official in 1945, with a constitution and a slate of officers selected, with Mrs. Raymond (Florence) Pfeiffer as president, and 40 charter members. The meetings were bimonthly, no dues were collected, but an offering was taken up for expenses and the rest given to the Red Cross. Because of overwhelming popularity, membership was limited to 75, and a boundary set to Beverly Hills. In 1955, due to an interest in the garden section of the club, membership was extended to persons outside of Beverly Hills. The Garden section eventually split off in 1955, and became a sister club. However, interest was still so great, that by 1962, meetings needed to be held in public auditoriums (e.g. Westminster Presbyterian Church, the Pepco Building, the No. 3 Firehouse, the Woodward and Lothrop Building, and Trinity Methodist Church).  \n    The club served not only as an outlet, but as a civic organization. The club sponsored beautification projects, advocated for road safety, raised money for playgrounds, and began a Christmas decoration contest that attracted national attention. In addition to its civic work, the club sponsored programs and groups dedicated to special interests, such as: bridge, antiques, needlework, books, etc.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Beverly Hills Women's Club grew out of a small group of women who met regularly starting in 1944 to knit and sew for the Red Cross. The club consisted of women in their late 20's or early 30's, with young children, seeking to get together for recreation and friendship. While the informal club began at Florence Dempsey's on South Overlook Dr., the club became official in 1945, with a constitution and a slate of officers selected, with Mrs. Raymond (Florence) Pfeiffer as president, and 40 charter members. The meetings were bimonthly, no dues were collected, but an offering was taken up for expenses and the rest given to the Red Cross. Because of overwhelming popularity, membership was limited to 75, and a boundary set to Beverly Hills. In 1955, due to an interest in the garden section of the club, membership was extended to persons outside of Beverly Hills. The Garden section eventually split off in 1955, and became a sister club. However, interest was still so great, that by 1962, meetings needed to be held in public auditoriums (e.g. Westminster Presbyterian Church, the Pepco Building, the No. 3 Firehouse, the Woodward and Lothrop Building, and Trinity Methodist Church).  \n    The club served not only as an outlet, but as a civic organization. The club sponsored beautification projects, advocated for road safety, raised money for playgrounds, and began a Christmas decoration contest that attracted national attention. In addition to its civic work, the club sponsored programs and groups dedicated to special interests, such as: bridge, antiques, needlework, books, etc."],"prefercite_html_tesm":["\u003cp\u003e[item identification], Beverly Hills Women's Club Collection, MS298, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[item identification], Beverly Hills Women's Club Collection, MS298, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of account books, yearbooks, organizational laws, correspondence, news clippings, history, scrapbooks, financial reports, meeting minutes, and photos. It has been organized into the following series: financial material, yearbooks, club communications, press, meeting minutes, and photographs.\u003c/p\u003e","\u003cp\u003eSeries I includes account books, check book records, and treasurer's reports.\u003c/p\u003e","\u003cp\u003eSeries II includes yearbooks which contain a list of members, programs, bylaws, clubs, and committees.\u003c/p\u003e","\u003cp\u003eSeries III includes press for club activities, membership communication, and club scrapbooks.\u003c/p\u003e","\u003cp\u003eSeries IV includes the club meeting minutes from 1963 to 1999.\u003c/p\u003e","\u003cp\u003eSeries V consists of photos of club activities, parties, meetings, and officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of account books, yearbooks, organizational laws, correspondence, news clippings, history, scrapbooks, financial reports, meeting minutes, and photos. It has been organized into the following series: financial material, yearbooks, club communications, press, meeting minutes, and photographs.","Series I includes account books, check book records, and treasurer's reports.","Series II includes yearbooks which contain a list of members, programs, bylaws, clubs, and committees.","Series III includes press for club activities, membership communication, and club scrapbooks.","Series IV includes the club meeting minutes from 1963 to 1999.","Series V consists of photos of club activities, parties, meetings, and officers."],"userestrict_html_tesm":["\u003cp\u003eCopyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the opyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the opyright has not been assigned to the Alexandria Library. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Alexandria Library. Permission for publication is given on behalf of the Alexandria Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Beverly Hills Women's Club"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Beverly Hills Women's Club"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:58:50.090Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_1_c02_c01"}},{"id":"vihart_repositories_4_resources_451_c01_c20","type":"File","attributes":{"title":"Yearbook clippings","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_451_c01_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_451_c01_c20","ref_ssm":["vihart_repositories_4_resources_451_c01_c20"],"id":"vihart_repositories_4_resources_451_c01_c20","ead_ssi":"vihart_repositories_4_resources_451","_root_":"vihart_repositories_4_resources_451","_nest_parent_":"vihart_repositories_4_resources_451_c01","parent_ssi":"vihart_repositories_4_resources_451_c01","parent_ssim":["vihart_repositories_4_resources_451","vihart_repositories_4_resources_451_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_451","vihart_repositories_4_resources_451_c01"],"parent_unittitles_ssm":["Stratford Players Records","Administrative Files"],"parent_unittitles_tesim":["Stratford Players Records","Administrative Files"],"text":["Stratford Players Records","Administrative Files","Yearbook clippings","box 4","folder 1"],"title_filing_ssi":"Yearbook clippings","title_ssm":["Yearbook clippings"],"title_tesim":["Yearbook clippings"],"unitdate_inclusive_ssm":["1914-1978"],"normalized_date_ssm":["1914/1978"],"normalized_title_ssm":["Yearbook clippings"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Stratford Players Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":21,"parent_access_restrict_tesm":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"containers_ssim":["box 4","folder 1"],"_nest_path_":"/components#0/components#19","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_451","ead_ssi":"vihart_repositories_4_resources_451","_root_":"vihart_repositories_4_resources_451","_nest_parent_":"vihart_repositories_4_resources_451","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_451.xml","title_ssm":["Stratford Players Records"],"title_tesim":["Stratford Players Records"],"unitdate_ssm":["1920-1993"],"unitdate_inclusive_ssm":["1920-1993"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0029","/repositories/4/resources/451"],"text":["UA 0029","/repositories/4/resources/451","Stratford Players Records","Harrisonburg (Va.) -- History","College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books","Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982","Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. ","The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.","The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History","English"],"unitid_tesim":["UA 0029","/repositories/4/resources/451"],"normalized_title_ssm":["Stratford Players Records"],"collection_title_tesim":["Stratford Players Records"],"collection_ssim":["Stratford Players Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["Harrisonburg (Va.) -- History"],"geogname_ssim":["Harrisonburg (Va.) -- History"],"places_ssim":["Harrisonburg (Va.) -- History"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was placed on deposit by contract signed by Jane Rupp, then-president of the Stratford Players, on September 25, 1997. The program and playbill file weas added from a vertical file in May 2018."],"access_subjects_ssim":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"access_subjects_ssm":["College and school drama, American","Performing arts","Theater","Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"has_online_content_ssim":["false"],"extent_ssm":["1.82 cubic feet 5 boxes"],"extent_tesim":["1.82 cubic feet 5 boxes"],"genreform_ssim":["Membership lists","Minutes (administrative records)","Scrapbooks","Letters (correspondence)","Photographs","Newspaper clippings","Scripts (documents)","Playbills","Account books"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection open to research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in two series. Series are arranged chronologically.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1920-1980\u003c/item\u003e\n      \u003citem\u003ePhotographs, 1920-1982\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in two series. Series are arranged chronologically.","Administrative Files, 1920-1980 Photographs, 1920-1982"],"bibliography_html_tesm":["\u003cbibref\u003eSmith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.\u003c/bibref\u003e","\u003cbibref\u003eTheater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. \u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Smith, August, \"JMU Centennial Celebration – The Stratford Players,\" James Madison University Centennial Celebration: Madison Century 1908-2008. Accessed February 5, 2018. https://www.jmu.edu/centennialcelebration/stratford.shtml.","Theater and Dance APR Self-Study, October 1996,\" Box 8, Academic Affairs: Academic Program Reviews, 1976 - present (bulk 1992 - present), UA 0002, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA. "],"bioghist_html_tesm":["\u003cp\u003eThe Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.\u003c/p\u003e\n","\u003cp\u003eThe Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The Stratford Literary Society was formed in 1914 when members of the Lanier and Lee Literary Societies at the State Normal and Industrial School for Women at Harrisonburg joined to form an organization dedicated to the dramatic arts. At the time of founding, the organization's primary focus was on reading theatrical works. In 1919, the Stratford Literary Society was reconstituted to form the Stratford Dramatic Club, or Sigma Delta Chi, and began to hold yearly performances at the New Virginia Theater in downtown Harrisonburg. On April 4, 1950, the group changed its name to Stratford Players.","The Stratford Players – and theater in general – was initially an extracurricular activity, supervised by faculty in the English department. However, when the Department of Speech and Drama was established in 1966, the Stratford Players came under the direction of theater faculty. In 1986, the Department of Theatre and Dance was formed in the College of Fine Arts, where the Stratford Players is now housed. Though the Stratford Players is not independent from the Department of Theatre and Dance, its membership is open to majors and non-majors alike, and members have a voice in play selection and budget decisions.","The Stratford Players have had many faculty advisors over the years, including: James C. Johnston (1919-1921), Ruth Hudson (1921-1965), Argus Tressider (1935-1939), Leland Shubert (1939-1943), Ainslee Harris (1944-1945), Dr. Mary E. Lattimer (1946-1960), James O. Link (1960-1964), Nancy O'Hare (1964), and Horace Burr (1965-1973). In 1973, Stratford Players leadership changed from a single advisor to a team of faculty, which in the early 1970s, included Allen Lyndrup, Thomas L. King, Pam Johnson, Phil S. Grayson and Roger Hall."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Stratford Players Records, 1920-1983, UA 0029, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\"\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The original finding aid was created in 1998 by Whitney Anne Naman, a theater student at James Madison University from 1994-1998, and assigned the collection number SP 98-0211. The finding aid was edited in June 2008 by Special Collections staff. In February 2018 the finding aid was revised, a new collection number was assigned, and the collection was updated to include record books and other materials originally held in collection SU 93-0031, \"Students: Memorabilia and General.\""],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.","The following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n 1930 - BAB 1931 - When Grandma Pulls the Strings, Modesty,  1932-1933 - The Blossoming of Mary Anne, The Charm School 1936 - The Late Christopher Bean, Mrs. Pim Passes By 1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord 1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman 1937-1938 - The Ninth Guest, Glee Plays the Game 1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller 1939-1940 - Ladies in Waiting, Our Town 1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum 1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942 1942-1943 - The Princess Marries the Page, Alice Sit by the Fire 1944 - Brief Music 1945 - The Romantic Young Lady 1946 - The Clock, Lavender and Red Peppers, Shubert Alley 1947 - Fortinbras in Plain Clothes, Kind Lady 1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor 1949 - Ice Bound, Taming of the Shrew 1950 - Dear Brutus, Fashion 1951 - Moor Born, Cheaper by the Dozen 1952 - Night Must Fall, Blithe Spirit 1953 - Taming of the Shrew, The Silver Whistle 1954 - The Night of January 16th, I Remember Mama 1955 - Suspect, Stage Door 1956 - Summer House, Bernardino, Outward Bound 1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden 1960 - Our Town, Mad Woman of Chaillot 1961 - Diary of Anne Frank, Antigone, Summer and Smoke 1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba,  1963 - USA 1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids 1965 - Death Takes a Holiday 1966 - Ways and Means 1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight 1969 - Outward Bound, Three Sisters 1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30 1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom 1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running 1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite 1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead 1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings 1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance 1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean, 1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde 1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever 1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon 1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star","This series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. ","The scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. ","The Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. It contains photographs, news clippings from The Breeze and the Daily News-Record, seasonal performance information, audition information, programs, posters, advertisements, and news letters from 1932-1976.","The news clippings and yearbooks files contain photocopies of articles about Stratford Players' performances and activities.","The photographs document Stratford Players' performance preparation and events."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_576cb997a9778e728f5a62f83122457d\"\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/abstract\u003e"],"abstract_tesim":["The Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, programs and playbills, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983."],"names_coll_ssim":["James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University -- History","Madison College -- Students -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","State Normal and Industrial School for Women (Harrisonburg, Va.) -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":49,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z","scopecontent_html_tesm":["\u003cp\u003eThe Stratford Players Records is comprised of record books, scrapbooks, correspondence, photographs, newspaper clippings, rehearsal scripts, and copies of yearbook pages, documenting the activities of the Stratford Players (formerly known as the Stratford Literary Society and the Stratford Dramatic Club), from 1914-1983.\u003c/p\u003e\n","\u003cp\u003eThe following plays are mentioned in the collection. This is not an exhaustive list, and it is advised to include a two-year margin of error when looking for information on a particular play. \n\u003col\u003e\n\u003cli\u003e1930 - BAB\u003c/li\u003e\n\u003cli\u003e1931 - When Grandma Pulls the Strings, Modesty, \u003c/li\u003e\n\u003cli\u003e1932-1933 - The Blossoming of Mary Anne, The Charm School\u003c/li\u003e\n\u003cli\u003e1936 - The Late Christopher Bean, Mrs. Pim Passes By\u003c/li\u003e\n\u003cli\u003e1937-1938 - Danse Macabre, The Maker of Dreams, Lady Luck, The Silver Cord\u003c/li\u003e\n\u003cli\u003e1938 - The Stolen Prince, My Lady Dreams, Rehearsal, The Torch Bearers, Every Woman\u003c/li\u003e\n\u003cli\u003e1937-1938 - The Ninth Guest, Glee Plays the Game\u003c/li\u003e\n\u003cli\u003e1939 - Sorority Phantom, I'll Leave it to You, The Fortune Teller\u003c/li\u003e\n\u003cli\u003e1939-1940 - Ladies in Waiting, Our Town\u003c/li\u003e\n\u003cli\u003e1940-1941 - Alls Well that Ends, What a Life, Love in the Curriculum\u003c/li\u003e\n\u003cli\u003e1941-1942 - Ladies in Retirement, Stage Door, Madison Follies of 1942\u003c/li\u003e\n\u003cli\u003e1942-1943 - The Princess Marries the Page, Alice Sit by the Fire\u003c/li\u003e\n\u003cli\u003e1944 - Brief Music\u003c/li\u003e\n\u003cli\u003e1945 - The Romantic Young Lady\u003c/li\u003e\n\u003cli\u003e1946 - The Clock, Lavender and Red Peppers, Shubert Alley\u003c/li\u003e\n\u003cli\u003e1947 - Fortinbras in Plain Clothes, Kind Lady\u003c/li\u003e\n\u003cli\u003e1948 - Ladies of the Jury, A Half Hour, Suppressed Desires, The Plot to Overthrow Christmas, Theatre of the Soul, Thank you, Doctor\u003c/li\u003e\n\u003cli\u003e1949 - Ice Bound, Taming of the Shrew\u003c/li\u003e\n\u003cli\u003e1950 - Dear Brutus, Fashion\u003c/li\u003e\n\u003cli\u003e1951 - Moor Born, Cheaper by the Dozen\u003c/li\u003e\n\u003cli\u003e1952 - Night Must Fall, Blithe Spirit\u003c/li\u003e\n\u003cli\u003e1953 - Taming of the Shrew, The Silver Whistle\u003c/li\u003e\n\u003cli\u003e1954 - The Night of January 16th, I Remember Mama\u003c/li\u003e\n\u003cli\u003e1955 - Suspect, Stage Door\u003c/li\u003e\n\u003cli\u003e1956 - Summer House, Bernardino, Outward Bound\u003c/li\u003e\n\u003cli\u003e1958 - Mary Stuart, Mary of Scotland, Arsenic and Old Lace, Theatre of the Soul, Chalk Garden\u003c/li\u003e\n\u003cli\u003e1960 - Our Town, Mad Woman of Chaillot\u003c/li\u003e\n\u003cli\u003e1961 - Diary of Anne Frank, Antigone, Summer and Smoke\u003c/li\u003e\n\u003cli\u003e1962 - Skin of Our Teeth, Everyman, The Birds, The House of Bernarda Alba, \u003c/li\u003e\n\u003cli\u003e1963 - USA\u003c/li\u003e\n\u003cli\u003e1964 - The Glass Menagerie, Measures Taken, Waiting for Godot, The Bald Soprano, The Maids\u003c/li\u003e\n\u003cli\u003e1965 - Death Takes a Holiday\u003c/li\u003e\n\u003cli\u003e1966 - Ways and Means\u003c/li\u003e\n\u003cli\u003e1967 - Rashoman, Prelude to a Tragedy, The Male Animal, Barefoot in the Park, All's Well That Ends Well, Idiot's Delight\u003c/li\u003e\n\u003cli\u003e1969 - Outward Bound, Three Sisters\u003c/li\u003e\n\u003cli\u003e1970 - Odd Couple, The Mad Woman of Challoit, Good News, How Green was my 10%, Dark of the Moon, The Hairy Falsetto, Tonight at 8:30\u003c/li\u003e\n\u003cli\u003e1971 - The Taming of the Shrew, The Rivals, Stop the World I Want to Get Off, Private Lives, Ten Nights in a Barroom\u003c/li\u003e \n\u003cli\u003e1972 - Lion in Winter, Who's Afraid of Virginia Woolf, Lysistrata, You Know I Can't Hear You When the Water's Running\u003c/li\u003e\n\u003cli\u003e1973 - The Boys in the Band, Our Town, Anna Christie, Lovers and Other Strangers, Plaza Suite\u003c/li\u003e \n\u003cli\u003e1974 - Cabaret, Blithe Spirit, Summer and Smoke, Rosencrantz and Guilderstern are Dead\u003c/li\u003e\n\u003cli\u003e1975 - King Lear, What the Butler Saw, The Drunkard, How to Succeed in Business without really Trying, Carnival, The Pursuit of Happiness, Pots, Pans, and the Piper, Hair, Comings and Goings\u003c/li\u003e\n\u003cli\u003e1976 - The Pursuit of Happiness, The Night Thoreau Spent in Jail, Captain Jones of the Horse Marines, The Diary of Adam and Eve, Apple Tree, Come Sweet Death, One Man's Vision of a Dream, Boccaccio, The Wonder Hat, Hot L Baltimore, Skiddaddle Tales, Guys and Dolls, Death of a Salesman, The Rainmaker, In Performance\u003c/li\u003e\n\u003cli\u003e1977 - The Importance of Being Earnest, Woyzeck, Cinderella, A Delicate Balance, Twelfth Night, Endgame, Miss Reardon Drinks a Little, Menachmi, Happy Birthday Wanda Jean,\u003c/li\u003e\n\u003cli\u003e1978 - Heracles, The Effects of Gamma Rays on Man in the Moon Marigolds, La Perichole, Mouse Trap, Bus Stop, Fancies, The Runner Stumbles, The Empty Cradle, Loot, Bump in the Night, Bables, The Sanguinery Chasm, A Man for All Seasons, Scapino, La Ronde\u003c/li\u003e\n\u003cli\u003e1979 - Of Mice and Men, Henry IV, Oklahoma, Down the Line, Fever\u003c/li\u003e\n\u003cli\u003e1980 - Black Comedy, Man of La Mancha, The Chalk Garden, Punch Henry's Jazz Funeral, Pendragon\u003c/li\u003e\n\u003cli\u003e1982-1983 - Macbeth, Marriage of Figaro, Knuckles, Bent, Shop Talk, Look Back in Anger, Out of the Reach of Children, Waiting for Godot, Taming of the Shrew, Lion in Winter, The Diviners, Comedy by Feiffer Allen, Living Fantasy, Bird Bath, Diary of Anne Frank, Hedda Gabler, Hay Fever, Wiley and the Hairy Man, Lone Star\u003c/li\u003e\n\u003c/ol\u003e\u003c/p\u003e","\u003cp\u003eThis series is comprised of materials that record the routine activities of the Stratford Players, and document its history. The record books include meeting minutes, agenda items, dues and accounting information, membership lists, itemized budget information, cast lists and various iterations of the organization's constitution. \u003c/p\u003e\n","\u003cp\u003eThe scrapbooks contain playbills, photographs, newspaper clippings and promotional material documenting performances that occurred in a given year. Scrapbook 1962-1963 contains photographs, programs, tickets, advertisements, show pictures, decorative masks, and a rehearsal schedule for the Glass Menagerie. Scrapbook 1967-1968 contains programs, show information, invitations, a map to a cast party, news clippings, photographs, letters, and information on accusations of violating campus regulations. Scrapbook 1970-1971 contains programs, articles, photographs, audition sheets, show posters, and show information. Scrapbook 1982-1983 contains labeled photographs, show information, programs, news articles, and posters. \u003c/p\u003e\n","\u003cp\u003eThe Bridges Scrapbook, 1932-1976, was created in 1978 by JMU student Steven R. Bridges, the chair of the Library Committee of the Stratford Players. 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