{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=5\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=4\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=6\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026page=3474\u0026view=list"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":3474,"limit_value":10,"offset_value":40,"total_count":34731,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_7_resources_157_c01_c295","type":"Item","attributes":{"title":"10-8 Temporal bone. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. 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The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c296"}},{"id":"viblbv_repositories_2_resources_3408_c02_c1033_c04","type":"Item","attributes":{"title":"10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3408_c02_c1033_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3408_c02_c1033_c04","ref_ssm":["viblbv_repositories_2_resources_3408_c02_c1033_c04"],"id":"viblbv_repositories_2_resources_3408_c02_c1033_c04","ead_ssi":"viblbv_repositories_2_resources_3408","_root_":"viblbv_repositories_2_resources_3408","_nest_parent_":"viblbv_repositories_2_resources_3408_c02_c1033","parent_ssi":"viblbv_repositories_2_resources_3408_c02_c1033","parent_ssim":["viblbv_repositories_2_resources_3408","viblbv_repositories_2_resources_3408_c02","viblbv_repositories_2_resources_3408_c02_c1033"],"parent_ids_ssim":["viblbv_repositories_2_resources_3408","viblbv_repositories_2_resources_3408_c02","viblbv_repositories_2_resources_3408_c02_c1033"],"parent_unittitles_ssm":["Pocahontas Mines Collection","Series II. Unscanned rolls and documents","Amonate (Folder 3 of 3)"],"parent_unittitles_tesim":["Pocahontas Mines Collection","Series II. Unscanned rolls and documents","Amonate (Folder 3 of 3)"],"text":["Pocahontas Mines Collection","Series II. Unscanned rolls and documents","Amonate (Folder 3 of 3)","10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia","box 643"],"title_filing_ssi":"10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia","title_ssm":["10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia"],"title_tesim":["10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia"],"unitdate_other_ssim":["1946/02/22"],"normalized_date_ssm":["1946"],"normalized_title_ssm":["10 ft 2 Stage Aerovane Fan plan and section drawing for Pocahontas No. 38 mine Amonate, Virginia"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Pocahontas Mines Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1158,"parent_access_restrict_tesm":["The collection is open for research. A few files are restricted for confidentiality, and these are identified in the inventory."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1946],"containers_ssim":["box 643"],"_nest_path_":"/components#1/components#1032/components#3","timestamp":"2026-05-21T02:01:34.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3408","ead_ssi":"viblbv_repositories_2_resources_3408","_root_":"viblbv_repositories_2_resources_3408","_nest_parent_":"viblbv_repositories_2_resources_3408","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3408.xml","title_filing_ssi":"Pocahontas Mines Collection","title_ssm":["Pocahontas Mines Collection"],"title_tesim":["Pocahontas Mines Collection"],"unitdate_ssm":["1883-1997"],"unitdate_inclusive_ssm":["1883-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2004.002"],"text":["Ms.2004.002","Pocahontas Mines Collection","Tazewell County (Va.)","Virginia","West Virginia","Coal mines and mining","The collection is open for research. A few files are restricted for confidentiality, and these are identified in the inventory.","RESTRICTED ACCESS: Social Security Numbers","Digital copies of items in Series I, Scanned Rolls are available.  An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections and University Archives to request a copy of an image.","Several items in the collection were deaccessioned: a slip screen, assorted hardware and pencils, paper wrappers and sleeves, blank forms, blank columnar pads, blank substitution cards, blank hardback maps, and blank ledgers.","The Pocahontas Mines Collection is divided into series based on material type:","Series I. Scanned rolls, 1891-1992 \nSeries II. Unscanned rolls and documents, 1883-1997 \nSeries III. Books, 1914-1995 \nSeries IV. Ledgers, 1916-1993","Named for its proximity to Pocahontas, Virginia, and Great Flat Top Mountain in West Virginia, the Pocahontas Coalfield or Flat Top-Pocahontas Coalfield spans 900 square miles along the Virginia-West Virginia border. Discovered in the mid-1800s, the coalfield was eventually mined in the 1860s, when local blacksmith Jordan Nelson started selling coal from his land. Cartographer Jedidiah Hotchkiss began boasting about the coalfield in his publications, and he engaged Isaiah A. Welch to survey the resources in the area. ","In 1876, Hotchkiss had the coal exhibited at the Philadelphia Centennial Exposition by Thomas Graham, who banded several Philadelphia businessmen together to exploit the resources of the coalfield. They expanded the Norfolk \u0026 Western Railroad (later Norfolk \u0026 Western Railway) to transport coal out of the coalfield, established the Flat-Top Trust (later Flat-Top Coal Land Association) to manage land holdings, and formed the Southwest Virginia Improvement Company (later Pocahontas Colleries Company) to develop mining operations.","In 1882, the town of Pocahontas, Virginia, was founded to support the mining operations, and the first mine in the coalfield was opened to Pocahontas Seam #3 (now known as Pocahontas Mine No. 1 or Baby Mine). A number of competing mining and land companies developed in the 1880s around the Pocahontas Coalfield. John Cooper formed the Mill Creek Coal \u0026 Coke Company in 1884, J.P. Bowen founded the Booth-Bowen Coal \u0026 Coke Company, and William McQuail operated the Turkey Gap Coal \u0026 Coke Company. Jenkin Jones established the Pocahontas Consolidated Collieries Company, Inc. of West Virginia (later Pocahontas Fuel Co., Inc.), by merging the Pocahontas Colleries Company and other companies together in 1907.","In 1901, the Flat-Top Coal Land Association, a subsidiary of Norfolk \u0026 Western Railway, reorganized as the Pocahontas Coal \u0026 Coke Company of New Jersey. The next year, the Railway leased land to U.S. Steel in a deal granting it acreage to form the United States Coal \u0026 Coke Company at Gary, West Virginia. In 1939, Pocahontas Coal \u0026 Coke became Pocahontas Land Corporation, chartered in Virginia, and, in 1977, the company chartered the Pocahontas Kentucky Corporation (later Pocahontas Development Corporation). In 1982, Norfolk \u0026 Western merged with the Southern Railway to become Norfolk Southern.","In 1860, several Maryland coal operators merged their companies into the Consolidation Coal Company. The company began mining operations in West Virginia when it acquired the Fairmont Coal Company in 1903. After further expansion, Consolidation Coal merged with the Pittsburgh Coal Company into the Pittsburgh Consolidation Coal Company in 1945. In 1956, the company acquired the Pocahontas Fuel Co., Inc., and in 1991, DuPont Energy and RWE A.G. acquired and changed the company's name to CONSOL Energy, Inc.","Sources Bailey, Kenneth R. \"Pocahontas Land Corporation.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/1877 . CONSOL Energy Inc. \"Our History.\" Accessed November 2014.  http://www.consolenergy.com/about/our-history .
 McGehee, C. Stuart. \"Pocahontas No. 3 Coal Seam.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/1880 . McGehee, C. Stuart. \"U.S. Coal \u0026 Coke Company.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/844 . McGehee, Stuart, and Eva McGuire.  A Century of Stewardship: The History of Pocahontas Land Corporation . Bluefield, WV: Pocahontas Land Corporation, [2001].
 \"Pocahontas Mine No. 1.\" National Register Information System ID #94001651, National Register of Historic Places, Accessed June 28, 2021.  https://npgallery.nps.gov/NRHP/AssetDetail?assetID=031d4c80-95d8-49ae-b10a-dcc828d079f7 . Wikipedia. \"Consol Energy.\" Accessed June 28, 2021.  https://en.wikipedia.org/wiki/Consol_Energy . Wikipedia. \"Pocahontas Fuel Company Store and Office Buildings.\" Accessed November 2016.  https://en.wikipedia.org/wiki/Pocahontas_Fuel_Company_Store_and_Office_Buildings .
","The guide to the Pocahontas Mines Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Includes CON165, CON 926-CON932","Includes CON2469","Detailed strata layer data from diamond drilling.","Surveyors Traverse data including Azimuths and Closure Calculations.","Church was built using by Pocahontas Fuel Co., Inc.","Shows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.","Shows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.","Multiple sheet photocopies of very large map.","Scanned by VTSC (no CON#)","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Misc.\"]","Includes CON1032-1036","Identical to CON2690","Fragile!","Includes CON1709","Color coded, similar to CON2501.","See also CON149, CON1141-CON1142.","See also CON153.","Includes CON1102 and CON1103","Includes CON1224_1, CON1224_2, and CON1225","Includes CON2674","Includes CON1077-1079","Includes CON1114-1116","Has two orange stickers marking benchmark grid coordinates.","Marytown, West Virginia shown on map.","Depicts property, water, and timber rights and leases of Pocahontas Coal \u0026 Coke Co. to Various operators on West Virginia/Virginia Border.","Shows extent of mining in closing days of operations at mine.","Fragile!","Large USGS map with coal reserve estimation shown.","Map shows placement of equipment power cables, conveyor belts, the mine Fan and air shafts. Most likely used by mine electricians and shift foremen.","Map of contour mining showing geological cross-sections of coal outcrops.","Large roll is 95% blank.","[Removed from map case drawer entitled \"All Collieries\".]","Great list of all of Pocahontas Fuel Co., Inc. mines and data on those mines.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","Annotated by engineer and shows bore holes and Property lines for Moore Coal Co. and has \"A\" and \"B\" cross section line.","Cross Sectional diagrams of coal seams in Tennessee.","Cross Sectional diagrams of coal seams in Tennessee.","Process flow diagram of a Coal Tipple.","Map refers to USGS Map that has been annotated by engineer.","[Removed from map case drawer entitled \"A.E. Sadler\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Boissevain\".]","[Removed from map case drawer entitled \"Ritter Lands\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Shows profile and estimated cost to develop seam with all need tunneling and equipment. [Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Drawing of an engineered part with notes for Machinist. [Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Graphs showing World War 2 Era production of all Pocahontas Fuel Co., Inc. mines.","[Removed from map case drawer name with no title.]","Caption says \"Sandstone cover UPPER MERCER SEAM. 8 Feet and one inch (all coal). Opening on Alkire and \u0026 Perrine Farm. 1/4th mile north of Laurel Branch of Little Kanawha River.","[Removed from map case drawer name with no title.]","[Removed from map case drawer name with no title.]","Table showing the alternative names given to the same coal bed in different areas.","Tabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.","Tabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.","Listings of all coal operations in the Pocahontas district and give good data on each mine.","Detailed index and listing of all maps from Itmann by job number.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","There are images on VT ImageBase of this prep plant.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Sagamore\".]","[Removed from map case drawer entitled \"Sagamore\".]","[Removed from map case drawer entitled \"Supplies\".]","Map has draftsman's doodle art of a Native woman in middle of a blank space.","Fragile!","Includes several floor plans for local churches and company stores.","Has a chart detailing the operating mines of Pocahontas Fuel Co., Inc. and data about each mine. Including coal sample analysis.","RESTRICTED ACCESS: Personnel Records","(19 ledgers)","(5 ledgers)","(2 ledgers)","(8 ledgers)","(19 vols.)","(17 vols.)","(17 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 ledgers)","(20 ledgers)","(16 vols.)","(1 ledgers)","(1 ledgers)","(12 vols.)","(4 vols.)","(3 vols.)","(8 vols.)","(8 vols.)","(1 vol.)","(3 vols.)","(1 ledgers)","(1 vol.)","(1 ledgers)","(1 vol.)","(4 vols.)","(1 ledgers)","(7 vols.)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(35 vols.)","(1 ledgers)","(5 vols.)","(16 vols.)","(1 ledgers)","(24 vols.)","(5 vols.)","(1 ledgers)","(15 vols.)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(9 vols.)","(10 vols.)","(3 vols.)","(4 vols.)","(2 vols.)","(4 vols.)","(5 vols.)","(9 vols.)","(11 ledgers)","(12 ledgers)","(9 ledgers)","(15 ledgers)","(18 vols.)","(1 ledgers)","(1 ledgers)","(7 vols.)","(2 vols.)","(6 vols.)","(17 vols.)","(4 vols.)","(5 ledgers)","(20 ledgers)","(20 ledgers)","(8 ledgers)","(17 ledgers)","(1 ledgers)","(7 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(13 ledgers)","(8 ledgers)","(9 ledgers)","(10 ledgers)","(12 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(3 ledgers)","(1 ledgers)","(4 ledgers)","(2 ledgers)","(2 ledgers)","(3 ledgers)","(5 ledgers)","(1 ledgers)","(1 ledgers)","(6 ledgers)","(1 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(11 ledgers)","(20 ledgers)","(11 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(17 ledgers)","(8 ledgers)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(13 ledgers)","(7 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(11 ledgers)","(31 ledgers)","(8 ledgers)","(3 ledgers)","(24 ledgers)","(8 ledgers)","(1 ledgers)","(5 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(5 ledgers)","(5 ledgers)","(3 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(5 ledgers)","(5 vols.)","(7 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(19 vols.)","(6 vols.)","(1 ledgers)","(9 vols.)","(58 ledgers)","(31 ledgers)","(1 ledgers)","(3 ledgers)","(5 ledgers)","(3 ledgers)","(1 ledgers)","(3 ledgers)","(5 ledgers)","(3 ledgers)","(7 ledgers)","(6 vols.)","(6 ledgers)","(6 vols.)","(11 vols.)","(5 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 vols.)","(3 vols.)","(6 vols.)","(5 vols.)","(15 vols.)","(1 vol.)","(2 vols.)","(1 vol.)","(3 ledgers)","(3 vols.)","(3 ledgers)","(7 ledgers)","(1 ledgers)","(50 ledgers)","(10 vols.)","(8 vols.)","(33 vols.)","(1 vol.)","(1 ledgers)","(1 vol.)","(25 ledgers)","(24 ledgers)","(3 vols.)","(11 vols.)","(6 ledgers)","(4 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 ledgers)","(3 ledgers)","(1 ledgers)","(7 vols.)","(8 vols.)","(11 vols.)","(22 vols.)","(3 vols.)","(1 vol.)","(1 vol.)","(1 vol.)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(3 ledgers)","(26 ledgers)","(1 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(6 ledgers)","(3 ledgers)","(3 ledgers)","(1 ledgers)","(2 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(2 ledgers)","(1 ledgers)","(3 ledgers)","(3 ledgers)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 vols.)","(2 ledgers)","(2 ledgers)","(2 ledgers)","(3 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(5 vols.)","(5 vols.)","(5 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(20 ledgers)","(20 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(1 ledgers)","(2 vols.)","(2 vols.)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 vol.)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(10 vols.)","(7 ledgers)","(17 ledgers)","(8 ledgers)","(1 ledgers)","(2 vols.)","(1 ledgers)","(25 vols.)","(4 ledgers)","(4 vols.)","(65 vols.)","(29 vols.)","(5 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(18 vols.)","(18 ledgers)","(17 ledgers)","(6 ledgers)","(1 ledgers)","(16 ledgers)","(1 ledgers)","(21 ledgers)","(12 vols.)","(1 ledgers)","(16 vols.)","(4 vols.)","(34 vols.)","(22 vols.)","(4 vols.)","(18 ledgers)","(20 ledgers)","(9 ledgers)","(7 vols.)","(9 vols.)","(5 vols.)","(4 vols.)","(6 vols.)","(2 vols.)","(4 vols.)","(2 vols.)","(15 vols.)","(1 vol.)","(1 vol.)","(47 ledgers)","(19 ledgers)","(19 ledgers)","(15 ledgers)","(4 ledgers)","(4 ledgers)","(2 ledgers)","(4 ledgers)","(3 ledgers)","(19 vols.)","(7 vols.)","(2 ledgers)","(1 ledgers)","(2 ledgers)","(3 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(8 ledgers)","(2 vols.)","(5 vols.)","(3 vols.)","(18 vols.)","(6 ledgers)","(10 ledgers)","(5 ledgers)","(4 ledgers)","(3 ledgers)","(2 ledgers)","(1 ledgers)","(8 ledgers)","(13 ledgers)","(6 ledgers)","(2 vols.)","(2 vols.)","(2 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(3 vols.)","(2 vols.)","(2 vols.)","(2 ledgers)","(2 ledgers)","(2 ledgers)","(1 ledgers)","(8 ledgers)","(2 ledgers)","(4 ledgers)","(8 ledgers)","(8 ledgers)","(7 ledgers)","(3 ledgers)","(3 ledgers)","(4 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 ledgers)","(4 ledgers)","(2 ledgers)","(2 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(5 ledgers)","(6 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(2 ledgers)","(6 vols.)","(5 vols.)","(5 vols.)","(6 vols.)","(5 vols.)","(2 vols.)","(19 ledgers)","(8 ledgers)","(9 ledgers)","(10 ledgers)","(4 vols.)","(3 vols.)","(3 vols.)","(1 ledgers)","(14 vols.)","(57 vols.)","(9 vols.)","(3 ledgers)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 vols.)","(7 vols.)","(2 ledgers)","(2 vols.)","(3 vols.)","(2 vols.)","(2 vols.)","(5 vols.)","(3 vols.)","(2 vols.)","(14 vols.)","(6 vols.)","(5 vols.)","(5 vols.)","(3 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(2 vols.)","(12 vols.)","(5 ledgers)","(8 vols.)","(1 ledgers)","(17 vols.)","(23 vols.)","(6 vols.)","(2 vols.)","(2 vols.)","(2 vols.)","(5 vols.)","(29 vols.)","(10 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(11 vols.)","(18 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","The processing, arrangement, and description of the Pocahontas Mines Collection was completed in 2018. The historical note and sources were revised in 2021. Additional ledgers were integrated in November 2023.","VT Special Collections and University Archives maintains several collections from related coal mining companies and the Norfolk \u0026 Western Railway.","The  Archives \u0026 Special Collections in the University of Pittsburgh Library System  has two collections from CONSOL Energy Inc. related to mining operations in Pennsylvania,  CONSOL Energy, Inc. Mine Maps and Records, 1857-2010, AIS.1991.16  and  Consolidation Coal Company Records, 1854-1971, AIS.2011.03 .","The Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. ","The collection is divided into four series based on type: I. Scanned rolls, II. Unscanned rolls and documents, III. Books, and IV. Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys. ","Series I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totaling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.","Please note: An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections to request a copy of an image.","Series II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topo maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").","Series III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.","Series IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026S) and of Departure (E\u0026W), Remarks.  N.B.:  TT looks like pi sometimes.","Series I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totalling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.","Please note: An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections and University Archives to request a copy of an image.","Series II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topographical maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").","Series III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.","Series IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026S) and of Departure (E\u0026W), Remarks.  N.B.:  TT looks like pi sometimes.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. The collection is divided into four series based on type: Scanned rolls, Unscanned rolls and documents, Books, and Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc.","The materials in the collection are in English."],"unitid_tesim":["Ms.2004.002"],"normalized_title_ssm":["Pocahontas Mines Collection"],"collection_title_tesim":["Pocahontas Mines Collection"],"collection_ssim":["Pocahontas Mines Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Tazewell County (Va.)","Virginia","West Virginia"],"geogname_ssim":["Tazewell County (Va.)","Virginia","West Virginia"],"creator_ssm":["Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"creator_ssim":["Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"creator_corpname_ssim":["Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"creators_ssim":["Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"places_ssim":["Tazewell County (Va.)","Virginia","West Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Pocahontas Mines Collection was donated to Special Collections and University Archives between 2004 and 2009."],"access_subjects_ssim":["Coal mines and mining"],"access_subjects_ssm":["Coal mines and mining"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 605 Cubic Feet 802 boxes"],"extent_tesim":["ca. 605 Cubic Feet 802 boxes"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. A few files are restricted for confidentiality, and these are identified in the inventory.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eRESTRICTED ACCESS: Social Security Numbers\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. A few files are restricted for confidentiality, and these are identified in the inventory.","RESTRICTED ACCESS: Social Security Numbers"],"altformavail_html_tesm":["\u003cp\u003eDigital copies of items in Series I, Scanned Rolls are available. \u003ca target=\"_blank\" href=\"https://docs.google.com/spreadsheets/d/1lKo9SV53oqtCRUOmOZiCQSyYeYYuFIZ79dIKyw9uyEs/edit?usp=sharing\"\u003eAn inventory of the scanned rolls is available to view online; descriptions are currently in progress.\u003c/a\u003e Please contact Special Collections and University Archives to request a copy of an image.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Digital copies of items in Series I, Scanned Rolls are available.  An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections and University Archives to request a copy of an image."],"appraisal_html_tesm":["\u003cp\u003eSeveral items in the collection were deaccessioned: a slip screen, assorted hardware and pencils, paper wrappers and sleeves, blank forms, blank columnar pads, blank substitution cards, blank hardback maps, and blank ledgers.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Several items in the collection were deaccessioned: a slip screen, assorted hardware and pencils, paper wrappers and sleeves, blank forms, blank columnar pads, blank substitution cards, blank hardback maps, and blank ledgers."],"arrangement_html_tesm":["\u003cp\u003eThe Pocahontas Mines Collection is divided into series based on material type:\u003c/p\u003e\n","\u003cp\u003eSeries I. Scanned rolls, 1891-1992\u003clb\u003e\u003c/lb\u003e\nSeries II. Unscanned rolls and documents, 1883-1997\u003clb\u003e\u003c/lb\u003e\nSeries III. Books, 1914-1995\u003clb\u003e\u003c/lb\u003e\nSeries IV. Ledgers, 1916-1993\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Pocahontas Mines Collection is divided into series based on material type:","Series I. Scanned rolls, 1891-1992 \nSeries II. Unscanned rolls and documents, 1883-1997 \nSeries III. Books, 1914-1995 \nSeries IV. Ledgers, 1916-1993"],"bioghist_html_tesm":["\u003cp\u003eNamed for its proximity to Pocahontas, Virginia, and Great Flat Top Mountain in West Virginia, the Pocahontas Coalfield or Flat Top-Pocahontas Coalfield spans 900 square miles along the Virginia-West Virginia border. Discovered in the mid-1800s, the coalfield was eventually mined in the 1860s, when local blacksmith Jordan Nelson started selling coal from his land. Cartographer Jedidiah Hotchkiss began boasting about the coalfield in his publications, and he engaged Isaiah A. Welch to survey the resources in the area. \u003c/p\u003e\n","\u003cp\u003eIn 1876, Hotchkiss had the coal exhibited at the Philadelphia Centennial Exposition by Thomas Graham, who banded several Philadelphia businessmen together to exploit the resources of the coalfield. They expanded the Norfolk \u0026amp; Western Railroad (later Norfolk \u0026amp; Western Railway) to transport coal out of the coalfield, established the Flat-Top Trust (later Flat-Top Coal Land Association) to manage land holdings, and formed the Southwest Virginia Improvement Company (later Pocahontas Colleries Company) to develop mining operations.\u003c/p\u003e\n","\u003cp\u003eIn 1882, the town of Pocahontas, Virginia, was founded to support the mining operations, and the first mine in the coalfield was opened to Pocahontas Seam #3 (now known as Pocahontas Mine No. 1 or Baby Mine). A number of competing mining and land companies developed in the 1880s around the Pocahontas Coalfield. John Cooper formed the Mill Creek Coal \u0026amp; Coke Company in 1884, J.P. Bowen founded the Booth-Bowen Coal \u0026amp; Coke Company, and William McQuail operated the Turkey Gap Coal \u0026amp; Coke Company. Jenkin Jones established the Pocahontas Consolidated Collieries Company, Inc. of West Virginia (later Pocahontas Fuel Co., Inc.), by merging the Pocahontas Colleries Company and other companies together in 1907.\u003c/p\u003e\n","\u003cp\u003eIn 1901, the Flat-Top Coal Land Association, a subsidiary of Norfolk \u0026amp; Western Railway, reorganized as the Pocahontas Coal \u0026amp; Coke Company of New Jersey. The next year, the Railway leased land to U.S. Steel in a deal granting it acreage to form the United States Coal \u0026amp; Coke Company at Gary, West Virginia. In 1939, Pocahontas Coal \u0026amp; Coke became Pocahontas Land Corporation, chartered in Virginia, and, in 1977, the company chartered the Pocahontas Kentucky Corporation (later Pocahontas Development Corporation). In 1982, Norfolk \u0026amp; Western merged with the Southern Railway to become Norfolk Southern.\u003c/p\u003e\n","\u003cp\u003eIn 1860, several Maryland coal operators merged their companies into the Consolidation Coal Company. The company began mining operations in West Virginia when it acquired the Fairmont Coal Company in 1903. After further expansion, Consolidation Coal merged with the Pittsburgh Coal Company into the Pittsburgh Consolidation Coal Company in 1945. In 1956, the company acquired the Pocahontas Fuel Co., Inc., and in 1991, DuPont Energy and RWE A.G. acquired and changed the company's name to CONSOL Energy, Inc.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSources\u003c/head\u003e\n      \u003citem\u003eBailey, Kenneth R. \"Pocahontas Land Corporation.\" \u003ctitle render=\"italic\"\u003eThe West Virginia Encyclopedia\u003c/title\u003e. Accessed June 28, 2021. \u003ca target=\"_blank\" href=\"https://www.wvencyclopedia.org/articles/1877\"\u003ehttps://www.wvencyclopedia.org/articles/1877\u003c/a\u003e.\u003c/item\u003e\n      \u003citem\u003eCONSOL Energy Inc. \"Our History.\" Accessed November 2014. \u003ca target=\"_blank\" href=\"http://www.consolenergy.com/about/our-history\"\u003ehttp://www.consolenergy.com/about/our-history\u003c/a\u003e.
\u003c/item\u003e\n      \u003citem\u003eMcGehee, C. Stuart. \"Pocahontas No. 3 Coal Seam.\" \u003ctitle render=\"italic\"\u003eThe West Virginia Encyclopedia\u003c/title\u003e. Accessed June 28, 2021. \u003ca target=\"_blank\" href=\"https://www.wvencyclopedia.org/articles/1880\"\u003ehttps://www.wvencyclopedia.org/articles/1880\u003c/a\u003e.\u003c/item\u003e\n      \u003citem\u003eMcGehee, C. Stuart. \"U.S. Coal \u0026amp; Coke Company.\" \u003ctitle render=\"italic\"\u003eThe West Virginia Encyclopedia\u003c/title\u003e. Accessed June 28, 2021. \u003ca target=\"_blank\" href=\"https://www.wvencyclopedia.org/articles/844\"\u003ehttps://www.wvencyclopedia.org/articles/844\u003c/a\u003e.\u003c/item\u003e\n      \u003citem\u003eMcGehee, Stuart, and Eva McGuire. \u003ctitle render=\"italic\"\u003eA Century of Stewardship: The History of Pocahontas Land Corporation\u003c/title\u003e. Bluefield, WV: Pocahontas Land Corporation, [2001].
\u003c/item\u003e\n      \u003citem\u003e\"Pocahontas Mine No. 1.\" National Register Information System ID #94001651, National Register of Historic Places, Accessed June 28, 2021. \u003ca target=\"_blank\" href=\"https://npgallery.nps.gov/NRHP/AssetDetail?assetID=031d4c80-95d8-49ae-b10a-dcc828d079f7\"\u003ehttps://npgallery.nps.gov/NRHP/AssetDetail?assetID=031d4c80-95d8-49ae-b10a-dcc828d079f7\u003c/a\u003e.\u003c/item\u003e\n      \u003citem\u003eWikipedia. \"Consol Energy.\" Accessed June 28, 2021. \u003ca target=\"_blank\" href=\"https://en.wikipedia.org/wiki/Consol_Energy\"\u003ehttps://en.wikipedia.org/wiki/Consol_Energy\u003c/a\u003e.\u003c/item\u003e\n      \u003citem\u003eWikipedia. \"Pocahontas Fuel Company Store and Office Buildings.\" Accessed November 2016. \u003ca target=\"_blank\" href=\"https://en.wikipedia.org/wiki/Pocahontas_Fuel_Company_Store_and_Office_Buildings\"\u003ehttps://en.wikipedia.org/wiki/Pocahontas_Fuel_Company_Store_and_Office_Buildings\u003c/a\u003e.
\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Named for its proximity to Pocahontas, Virginia, and Great Flat Top Mountain in West Virginia, the Pocahontas Coalfield or Flat Top-Pocahontas Coalfield spans 900 square miles along the Virginia-West Virginia border. Discovered in the mid-1800s, the coalfield was eventually mined in the 1860s, when local blacksmith Jordan Nelson started selling coal from his land. Cartographer Jedidiah Hotchkiss began boasting about the coalfield in his publications, and he engaged Isaiah A. Welch to survey the resources in the area. ","In 1876, Hotchkiss had the coal exhibited at the Philadelphia Centennial Exposition by Thomas Graham, who banded several Philadelphia businessmen together to exploit the resources of the coalfield. They expanded the Norfolk \u0026 Western Railroad (later Norfolk \u0026 Western Railway) to transport coal out of the coalfield, established the Flat-Top Trust (later Flat-Top Coal Land Association) to manage land holdings, and formed the Southwest Virginia Improvement Company (later Pocahontas Colleries Company) to develop mining operations.","In 1882, the town of Pocahontas, Virginia, was founded to support the mining operations, and the first mine in the coalfield was opened to Pocahontas Seam #3 (now known as Pocahontas Mine No. 1 or Baby Mine). A number of competing mining and land companies developed in the 1880s around the Pocahontas Coalfield. John Cooper formed the Mill Creek Coal \u0026 Coke Company in 1884, J.P. Bowen founded the Booth-Bowen Coal \u0026 Coke Company, and William McQuail operated the Turkey Gap Coal \u0026 Coke Company. Jenkin Jones established the Pocahontas Consolidated Collieries Company, Inc. of West Virginia (later Pocahontas Fuel Co., Inc.), by merging the Pocahontas Colleries Company and other companies together in 1907.","In 1901, the Flat-Top Coal Land Association, a subsidiary of Norfolk \u0026 Western Railway, reorganized as the Pocahontas Coal \u0026 Coke Company of New Jersey. The next year, the Railway leased land to U.S. Steel in a deal granting it acreage to form the United States Coal \u0026 Coke Company at Gary, West Virginia. In 1939, Pocahontas Coal \u0026 Coke became Pocahontas Land Corporation, chartered in Virginia, and, in 1977, the company chartered the Pocahontas Kentucky Corporation (later Pocahontas Development Corporation). In 1982, Norfolk \u0026 Western merged with the Southern Railway to become Norfolk Southern.","In 1860, several Maryland coal operators merged their companies into the Consolidation Coal Company. The company began mining operations in West Virginia when it acquired the Fairmont Coal Company in 1903. After further expansion, Consolidation Coal merged with the Pittsburgh Coal Company into the Pittsburgh Consolidation Coal Company in 1945. In 1956, the company acquired the Pocahontas Fuel Co., Inc., and in 1991, DuPont Energy and RWE A.G. acquired and changed the company's name to CONSOL Energy, Inc.","Sources Bailey, Kenneth R. \"Pocahontas Land Corporation.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/1877 . CONSOL Energy Inc. \"Our History.\" Accessed November 2014.  http://www.consolenergy.com/about/our-history .
 McGehee, C. Stuart. \"Pocahontas No. 3 Coal Seam.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/1880 . McGehee, C. Stuart. \"U.S. Coal \u0026 Coke Company.\"  The West Virginia Encyclopedia . Accessed June 28, 2021.  https://www.wvencyclopedia.org/articles/844 . McGehee, Stuart, and Eva McGuire.  A Century of Stewardship: The History of Pocahontas Land Corporation . Bluefield, WV: Pocahontas Land Corporation, [2001].
 \"Pocahontas Mine No. 1.\" National Register Information System ID #94001651, National Register of Historic Places, Accessed June 28, 2021.  https://npgallery.nps.gov/NRHP/AssetDetail?assetID=031d4c80-95d8-49ae-b10a-dcc828d079f7 . Wikipedia. \"Consol Energy.\" Accessed June 28, 2021.  https://en.wikipedia.org/wiki/Consol_Energy . Wikipedia. \"Pocahontas Fuel Company Store and Office Buildings.\" Accessed November 2016.  https://en.wikipedia.org/wiki/Pocahontas_Fuel_Company_Store_and_Office_Buildings .
"],"odd_html_tesm":["\u003cp\u003eThe guide to the Pocahontas Mines Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e","\u003cp\u003eIncludes CON165, CON 926-CON932\u003c/p\u003e","\u003cp\u003eIncludes CON2469\u003c/p\u003e","\u003cp\u003eDetailed strata layer data from diamond drilling.\u003c/p\u003e","\u003cp\u003eSurveyors Traverse data including Azimuths and Closure Calculations.\u003c/p\u003e","\u003cp\u003eChurch was built using by Pocahontas Fuel Co., Inc.\u003c/p\u003e","\u003cp\u003eShows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.\u003c/p\u003e","\u003cp\u003eShows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.\u003c/p\u003e","\u003cp\u003eMultiple sheet photocopies of very large map.\u003c/p\u003e","\u003cp\u003eScanned by VTSC (no CON#)\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries – Scales\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Misc.\"]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Misc.\"]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Misc.\"]\u003c/p\u003e","\u003cp\u003eIncludes CON1032-1036\u003c/p\u003e","\u003cp\u003eIdentical to CON2690\u003c/p\u003e","\u003cp\u003eFragile!\u003c/p\u003e","\u003cp\u003eIncludes CON1709\u003c/p\u003e","\u003cp\u003eColor coded, similar to CON2501.\u003c/p\u003e","\u003cp\u003eSee also CON149, CON1141-CON1142.\u003c/p\u003e","\u003cp\u003eSee also CON153.\u003c/p\u003e","\u003cp\u003eIncludes CON1102 and CON1103\u003c/p\u003e","\u003cp\u003eIncludes CON1224_1, CON1224_2, and CON1225\u003c/p\u003e","\u003cp\u003eIncludes CON2674\u003c/p\u003e","\u003cp\u003eIncludes CON1077-1079\u003c/p\u003e","\u003cp\u003eIncludes CON1114-1116\u003c/p\u003e","\u003cp\u003eHas two orange stickers marking benchmark grid coordinates.\u003c/p\u003e","\u003cp\u003eMarytown, West Virginia shown on map.\u003c/p\u003e","\u003cp\u003eDepicts property, water, and timber rights and leases of Pocahontas Coal \u0026amp; Coke Co. to Various operators on West Virginia/Virginia Border.\u003c/p\u003e","\u003cp\u003eShows extent of mining in closing days of operations at mine.\u003c/p\u003e","\u003cp\u003eFragile!\u003c/p\u003e","\u003cp\u003eLarge USGS map with coal reserve estimation shown.\u003c/p\u003e","\u003cp\u003eMap shows placement of equipment power cables, conveyor belts, the mine Fan and air shafts. Most likely used by mine electricians and shift foremen.\u003c/p\u003e","\u003cp\u003eMap of contour mining showing geological cross-sections of coal outcrops.\u003c/p\u003e","\u003cp\u003eLarge roll is 95% blank.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003eGreat list of all of Pocahontas Fuel Co., Inc. mines and data on those mines.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003eAnnotated by engineer and shows bore holes and Property lines for Moore Coal Co. and has \"A\" and \"B\" cross section line.\u003c/p\u003e","\u003cp\u003eCross Sectional diagrams of coal seams in Tennessee.\u003c/p\u003e","\u003cp\u003eCross Sectional diagrams of coal seams in Tennessee.\u003c/p\u003e","\u003cp\u003eProcess flow diagram of a Coal Tipple.\u003c/p\u003e","\u003cp\u003eMap refers to USGS Map that has been annotated by engineer.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"A.E. Sadler\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Amonate\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Amonate\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Amonate\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Boissevain\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Ritter Lands\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003eShows profile and estimated cost to develop seam with all need tunneling and equipment. [Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003eDrawing of an engineered part with notes for Machinist. [Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"All Collieries\".]\u003c/p\u003e","\u003cp\u003eGraphs showing World War 2 Era production of all Pocahontas Fuel Co., Inc. mines.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer name with no title.]\u003c/p\u003e","\u003cp\u003eCaption says \"Sandstone cover UPPER MERCER SEAM. 8 Feet and one inch (all coal). Opening on Alkire and \u0026amp; Perrine Farm. 1/4th mile north of Laurel Branch of Little Kanawha River.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer name with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer name with no title.]\u003c/p\u003e","\u003cp\u003eTable showing the alternative names given to the same coal bed in different areas.\u003c/p\u003e","\u003cp\u003eTabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.\u003c/p\u003e","\u003cp\u003eTabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.\u003c/p\u003e","\u003cp\u003eListings of all coal operations in the Pocahontas district and give good data on each mine.\u003c/p\u003e","\u003cp\u003eDetailed index and listing of all maps from Itmann by job number.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003eThere are images on VT ImageBase of this prep plant.\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer with no title.]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Itmann\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Misc.\"]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Prospecting\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Prospecting\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Misc.\"]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Prospecting\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Sagamore\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Sagamore\".]\u003c/p\u003e","\u003cp\u003e[Removed from map case drawer entitled \"Supplies\".]\u003c/p\u003e","\u003cp\u003eMap has draftsman's doodle art of a Native woman in middle of a blank space.\u003c/p\u003e","\u003cp\u003eFragile!\u003c/p\u003e","\u003cp\u003eIncludes several floor plans for local churches and company stores.\u003c/p\u003e","\u003cp\u003eHas a chart detailing the operating mines of Pocahontas Fuel Co., Inc. and data about each mine. Including coal sample analysis.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eRESTRICTED ACCESS: Personnel Records\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e(19 ledgers)\u003c/p\u003e","\u003cp\u003e(5 ledgers)\u003c/p\u003e","\u003cp\u003e(2 ledgers)\u003c/p\u003e","\u003cp\u003e(8 ledgers)\u003c/p\u003e","\u003cp\u003e(19 vols.)\u003c/p\u003e","\u003cp\u003e(17 vols.)\u003c/p\u003e","\u003cp\u003e(17 vols.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(12 ledgers)\u003c/p\u003e","\u003cp\u003e(20 ledgers)\u003c/p\u003e","\u003cp\u003e(16 vols.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(12 vols.)\u003c/p\u003e","\u003cp\u003e(4 vols.)\u003c/p\u003e","\u003cp\u003e(3 vols.)\u003c/p\u003e","\u003cp\u003e(8 vols.)\u003c/p\u003e","\u003cp\u003e(8 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vols.)\u003c/p\u003e","\u003cp\u003e(1 vol.)\u003c/p\u003e","\u003cp\u003e(2 vols.)\u003c/p\u003e","\u003cp\u003e(1 vol.)\u003c/p\u003e","\u003cp\u003e(3 ledgers)\u003c/p\u003e","\u003cp\u003e(3 vols.)\u003c/p\u003e","\u003cp\u003e(3 ledgers)\u003c/p\u003e","\u003cp\u003e(7 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(50 ledgers)\u003c/p\u003e","\u003cp\u003e(10 vols.)\u003c/p\u003e","\u003cp\u003e(8 vols.)\u003c/p\u003e","\u003cp\u003e(33 vols.)\u003c/p\u003e","\u003cp\u003e(1 vol.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 vol.)\u003c/p\u003e","\u003cp\u003e(25 ledgers)\u003c/p\u003e","\u003cp\u003e(24 ledgers)\u003c/p\u003e","\u003cp\u003e(3 vols.)\u003c/p\u003e","\u003cp\u003e(11 vols.)\u003c/p\u003e","\u003cp\u003e(6 ledgers)\u003c/p\u003e","\u003cp\u003e(4 ledgers)\u003c/p\u003e","\u003cp\u003e(2 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 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vols.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(17 vols.)\u003c/p\u003e","\u003cp\u003e(23 vols.)\u003c/p\u003e","\u003cp\u003e(6 vols.)\u003c/p\u003e","\u003cp\u003e(2 vols.)\u003c/p\u003e","\u003cp\u003e(2 vols.)\u003c/p\u003e","\u003cp\u003e(2 vols.)\u003c/p\u003e","\u003cp\u003e(5 vols.)\u003c/p\u003e","\u003cp\u003e(29 vols.)\u003c/p\u003e","\u003cp\u003e(10 vols.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(2 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(11 vols.)\u003c/p\u003e","\u003cp\u003e(18 vols.)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e","\u003cp\u003e(1 ledgers)\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["The guide to the Pocahontas Mines Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Includes CON165, CON 926-CON932","Includes CON2469","Detailed strata layer data from diamond drilling.","Surveyors Traverse data including Azimuths and Closure Calculations.","Church was built using by Pocahontas Fuel Co., Inc.","Shows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.","Shows proposed Changes to plant operations to include a coal slurry impoundment and Mine waste water capture ponds.","Multiple sheet photocopies of very large map.","Scanned by VTSC (no CON#)","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"All Collieries – Scales\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer entitled \"Delta - Lick Branch / Bottom Creek – Peerless - Eckman\".]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Itmann and Deerfield – Work Under Construction\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Misc.\"]","Includes CON1032-1036","Identical to CON2690","Fragile!","Includes CON1709","Color coded, similar to CON2501.","See also CON149, CON1141-CON1142.","See also CON153.","Includes CON1102 and CON1103","Includes CON1224_1, CON1224_2, and CON1225","Includes CON2674","Includes CON1077-1079","Includes CON1114-1116","Has two orange stickers marking benchmark grid coordinates.","Marytown, West Virginia shown on map.","Depicts property, water, and timber rights and leases of Pocahontas Coal \u0026 Coke Co. to Various operators on West Virginia/Virginia Border.","Shows extent of mining in closing days of operations at mine.","Fragile!","Large USGS map with coal reserve estimation shown.","Map shows placement of equipment power cables, conveyor belts, the mine Fan and air shafts. Most likely used by mine electricians and shift foremen.","Map of contour mining showing geological cross-sections of coal outcrops.","Large roll is 95% blank.","[Removed from map case drawer entitled \"All Collieries\".]","Great list of all of Pocahontas Fuel Co., Inc. mines and data on those mines.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","Annotated by engineer and shows bore holes and Property lines for Moore Coal Co. and has \"A\" and \"B\" cross section line.","Cross Sectional diagrams of coal seams in Tennessee.","Cross Sectional diagrams of coal seams in Tennessee.","Process flow diagram of a Coal Tipple.","Map refers to USGS Map that has been annotated by engineer.","[Removed from map case drawer entitled \"A.E. Sadler\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Amonate\".]","[Removed from map case drawer entitled \"Boissevain\".]","[Removed from map case drawer entitled \"Ritter Lands\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Shows profile and estimated cost to develop seam with all need tunneling and equipment. [Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Drawing of an engineered part with notes for Machinist. [Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","[Removed from map case drawer entitled \"All Collieries\".]","Graphs showing World War 2 Era production of all Pocahontas Fuel Co., Inc. mines.","[Removed from map case drawer name with no title.]","Caption says \"Sandstone cover UPPER MERCER SEAM. 8 Feet and one inch (all coal). Opening on Alkire and \u0026 Perrine Farm. 1/4th mile north of Laurel Branch of Little Kanawha River.","[Removed from map case drawer name with no title.]","[Removed from map case drawer name with no title.]","Table showing the alternative names given to the same coal bed in different areas.","Tabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.","Tabulated data for coal production data from all producers of coal in the Pocahontas coal field from 1913 to 1952.","Listings of all coal operations in the Pocahontas district and give good data on each mine.","Detailed index and listing of all maps from Itmann by job number.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","There are images on VT ImageBase of this prep plant.","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer with no title.]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Itmann\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Misc.\"]","[Removed from map case drawer entitled \"Prospecting\".]","[Removed from map case drawer entitled \"Sagamore\".]","[Removed from map case drawer entitled \"Sagamore\".]","[Removed from map case drawer entitled \"Supplies\".]","Map has draftsman's doodle art of a Native woman in middle of a blank space.","Fragile!","Includes several floor plans for local churches and company stores.","Has a chart detailing the operating mines of Pocahontas Fuel Co., Inc. and data about each mine. Including coal sample analysis.","RESTRICTED ACCESS: Personnel Records","(19 ledgers)","(5 ledgers)","(2 ledgers)","(8 ledgers)","(19 vols.)","(17 vols.)","(17 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 ledgers)","(20 ledgers)","(16 vols.)","(1 ledgers)","(1 ledgers)","(12 vols.)","(4 vols.)","(3 vols.)","(8 vols.)","(8 vols.)","(1 vol.)","(3 vols.)","(1 ledgers)","(1 vol.)","(1 ledgers)","(1 vol.)","(4 vols.)","(1 ledgers)","(7 vols.)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(35 vols.)","(1 ledgers)","(5 vols.)","(16 vols.)","(1 ledgers)","(24 vols.)","(5 vols.)","(1 ledgers)","(15 vols.)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(9 vols.)","(10 vols.)","(3 vols.)","(4 vols.)","(2 vols.)","(4 vols.)","(5 vols.)","(9 vols.)","(11 ledgers)","(12 ledgers)","(9 ledgers)","(15 ledgers)","(18 vols.)","(1 ledgers)","(1 ledgers)","(7 vols.)","(2 vols.)","(6 vols.)","(17 vols.)","(4 vols.)","(5 ledgers)","(20 ledgers)","(20 ledgers)","(8 ledgers)","(17 ledgers)","(1 ledgers)","(7 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(13 ledgers)","(8 ledgers)","(9 ledgers)","(10 ledgers)","(12 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(3 ledgers)","(1 ledgers)","(4 ledgers)","(2 ledgers)","(2 ledgers)","(3 ledgers)","(5 ledgers)","(1 ledgers)","(1 ledgers)","(6 ledgers)","(1 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(11 ledgers)","(20 ledgers)","(11 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(17 ledgers)","(8 ledgers)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(13 ledgers)","(7 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(11 ledgers)","(31 ledgers)","(8 ledgers)","(3 ledgers)","(24 ledgers)","(8 ledgers)","(1 ledgers)","(5 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(5 ledgers)","(5 ledgers)","(3 ledgers)","(4 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(5 ledgers)","(5 vols.)","(7 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(19 vols.)","(6 vols.)","(1 ledgers)","(9 vols.)","(58 ledgers)","(31 ledgers)","(1 ledgers)","(3 ledgers)","(5 ledgers)","(3 ledgers)","(1 ledgers)","(3 ledgers)","(5 ledgers)","(3 ledgers)","(7 ledgers)","(6 vols.)","(6 ledgers)","(6 vols.)","(11 vols.)","(5 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 vols.)","(3 vols.)","(6 vols.)","(5 vols.)","(15 vols.)","(1 vol.)","(2 vols.)","(1 vol.)","(3 ledgers)","(3 vols.)","(3 ledgers)","(7 ledgers)","(1 ledgers)","(50 ledgers)","(10 vols.)","(8 vols.)","(33 vols.)","(1 vol.)","(1 ledgers)","(1 vol.)","(25 ledgers)","(24 ledgers)","(3 vols.)","(11 vols.)","(6 ledgers)","(4 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 ledgers)","(3 ledgers)","(1 ledgers)","(7 vols.)","(8 vols.)","(11 vols.)","(22 vols.)","(3 vols.)","(1 vol.)","(1 vol.)","(1 vol.)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(3 ledgers)","(26 ledgers)","(1 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(6 ledgers)","(3 ledgers)","(3 ledgers)","(1 ledgers)","(2 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(2 ledgers)","(1 ledgers)","(3 ledgers)","(3 ledgers)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 vols.)","(2 ledgers)","(2 ledgers)","(2 ledgers)","(3 ledgers)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(5 vols.)","(5 vols.)","(5 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(20 ledgers)","(20 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(1 ledgers)","(2 vols.)","(2 vols.)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 vol.)","(3 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(10 vols.)","(7 ledgers)","(17 ledgers)","(8 ledgers)","(1 ledgers)","(2 vols.)","(1 ledgers)","(25 vols.)","(4 ledgers)","(4 vols.)","(65 vols.)","(29 vols.)","(5 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(18 vols.)","(18 ledgers)","(17 ledgers)","(6 ledgers)","(1 ledgers)","(16 ledgers)","(1 ledgers)","(21 ledgers)","(12 vols.)","(1 ledgers)","(16 vols.)","(4 vols.)","(34 vols.)","(22 vols.)","(4 vols.)","(18 ledgers)","(20 ledgers)","(9 ledgers)","(7 vols.)","(9 vols.)","(5 vols.)","(4 vols.)","(6 vols.)","(2 vols.)","(4 vols.)","(2 vols.)","(15 vols.)","(1 vol.)","(1 vol.)","(47 ledgers)","(19 ledgers)","(19 ledgers)","(15 ledgers)","(4 ledgers)","(4 ledgers)","(2 ledgers)","(4 ledgers)","(3 ledgers)","(19 vols.)","(7 vols.)","(2 ledgers)","(1 ledgers)","(2 ledgers)","(3 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(8 ledgers)","(2 vols.)","(5 vols.)","(3 vols.)","(18 vols.)","(6 ledgers)","(10 ledgers)","(5 ledgers)","(4 ledgers)","(3 ledgers)","(2 ledgers)","(1 ledgers)","(8 ledgers)","(13 ledgers)","(6 ledgers)","(2 vols.)","(2 vols.)","(2 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(3 vols.)","(2 vols.)","(2 vols.)","(2 ledgers)","(2 ledgers)","(2 ledgers)","(1 ledgers)","(8 ledgers)","(2 ledgers)","(4 ledgers)","(8 ledgers)","(8 ledgers)","(7 ledgers)","(3 ledgers)","(3 ledgers)","(4 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(4 ledgers)","(4 ledgers)","(2 ledgers)","(2 vols.)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(5 ledgers)","(6 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(6 ledgers)","(1 ledgers)","(1 ledgers)","(2 vols.)","(2 ledgers)","(6 vols.)","(5 vols.)","(5 vols.)","(6 vols.)","(5 vols.)","(2 vols.)","(19 ledgers)","(8 ledgers)","(9 ledgers)","(10 ledgers)","(4 vols.)","(3 vols.)","(3 vols.)","(1 ledgers)","(14 vols.)","(57 vols.)","(9 vols.)","(3 ledgers)","(2 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(12 vols.)","(7 vols.)","(2 ledgers)","(2 vols.)","(3 vols.)","(2 vols.)","(2 vols.)","(5 vols.)","(3 vols.)","(2 vols.)","(14 vols.)","(6 vols.)","(5 vols.)","(5 vols.)","(3 vols.)","(3 vols.)","(3 vols.)","(4 vols.)","(2 vols.)","(12 vols.)","(5 ledgers)","(8 vols.)","(1 ledgers)","(17 vols.)","(23 vols.)","(6 vols.)","(2 vols.)","(2 vols.)","(2 vols.)","(5 vols.)","(29 vols.)","(10 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(2 ledgers)","(1 ledgers)","(11 vols.)","(18 vols.)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)","(1 ledgers)"],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Pocahontas Mines Collection, Ms2004-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Pocahontas Mines Collection, Ms2004-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Pocahontas Mines Collection was completed in 2018. The historical note and sources were revised in 2021. Additional ledgers were integrated in November 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Pocahontas Mines Collection was completed in 2018. The historical note and sources were revised in 2021. Additional ledgers were integrated in November 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eVT Special Collections and University Archives maintains several collections from related coal mining companies and the Norfolk \u0026amp; Western Railway.\u003c/p\u003e\n","\u003cp\u003eThe \u003ca target=\"_blank\" href=\"https://www.library.pitt.edu/archives-special-collections\"\u003eArchives \u0026amp; Special Collections in the University of Pittsburgh Library System\u003c/a\u003e has two collections from CONSOL Energy Inc. related to mining operations in Pennsylvania, \u003ca target=\"_blank\" href=\"https://digital.library.pitt.edu/islandora/object/pitt%3AUS-PPiU-ais199116/viewer\"\u003eCONSOL Energy, Inc. Mine Maps and Records, 1857-2010, AIS.1991.16\u003c/a\u003e and \u003ca target=\"_blank\" href=\"https://digital.library.pitt.edu/islandora/object/pitt:US-PPiU-ais201103/viewer\"\u003eConsolidation Coal Company Records, 1854-1971, AIS.2011.03\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["VT Special Collections and University Archives maintains several collections from related coal mining companies and the Norfolk \u0026 Western Railway.","The  Archives \u0026 Special Collections in the University of Pittsburgh Library System  has two collections from CONSOL Energy Inc. related to mining operations in Pennsylvania,  CONSOL Energy, Inc. Mine Maps and Records, 1857-2010, AIS.1991.16  and  Consolidation Coal Company Records, 1854-1971, AIS.2011.03 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into four series based on type: I. Scanned rolls, II. Unscanned rolls and documents, III. Books, and IV. Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys. \u003c/p\u003e\n","\u003cp\u003eSeries I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totaling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e \u003ca target=\"_blank\" href=\"https://docs.google.com/spreadsheets/d/1lKo9SV53oqtCRUOmOZiCQSyYeYYuFIZ79dIKyw9uyEs/edit?usp=sharing\"\u003eAn inventory of the scanned rolls is available to view online; descriptions are currently in progress.\u003c/a\u003e Please contact Special Collections to request a copy of an image.\u003c/p\u003e\n","\u003cp\u003eSeries II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topo maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").\u003c/p\u003e\n","\u003cp\u003eSeries III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026amp;S) and of Departure (E\u0026amp;W), Remarks. \u003cemph render=\"italic\"\u003eN.B.:\u003c/emph\u003e TT looks like pi sometimes.\u003c/p\u003e","\u003cp\u003eSeries I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totalling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e \u003ca actuate=\"onRequest\" show=\"new\" href=\"https://docs.google.com/spreadsheets/d/1lKo9SV53oqtCRUOmOZiCQSyYeYYuFIZ79dIKyw9uyEs/edit?usp=sharing\"\u003eAn inventory of the scanned rolls is available to view online; descriptions are currently in progress.\u003c/a\u003e Please contact Special Collections and University Archives to request a copy of an image.\u003c/p\u003e","\u003cp\u003eSeries II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topographical maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").\u003c/p\u003e","\u003cp\u003eSeries III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.\u003c/p\u003e","\u003cp\u003eSeries IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026amp;S) and of Departure (E\u0026amp;W), Remarks. \u003cemph render=\"italic\"\u003eN.B.:\u003c/emph\u003e TT looks like pi sometimes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. ","The collection is divided into four series based on type: I. Scanned rolls, II. Unscanned rolls and documents, III. Books, and IV. Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys. ","Series I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totaling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.","Please note: An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections to request a copy of an image.","Series II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topo maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").","Series III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.","Series IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026S) and of Departure (E\u0026W), Remarks.  N.B.:  TT looks like pi sometimes.","Series I. Scanned rolls, 1891-1992, contain 3475 maps in 261 boxes, totalling approximately 135 cu. ft. Most of these rolls are mining or mine survey maps, and when possible, the maps are identified with title, company, coalbed, mine name, county, state, USGS quadrangle, dates, and notes. Related scanned rolls are identified by CON number, and some related items are unscanned and identified in Series II. The items in this series have been scanned, and their digital file ids are the CON# (e.g. CON1_1 or CON3209) assigned by the DMME. Some maps also have OSM Doc, MSHA, and/or USBM numbers.","Please note: An inventory of the scanned rolls is available to view online; descriptions are currently in progress.  Please contact Special Collections and University Archives to request a copy of an image.","Series II. Unscanned rolls and documents, 1883-1997, contains 464 boxes, totaling approximately 360 cu. ft. Most rolls are mining and topographical maps, mechanical and architectural drawings, and photographs that have not been scanned. Some rolls may be duplicates, very similar to, or of the same mine/area as scanned maps in Series I and are noted when possible by identifying the CON digital file number (e.g. \"similar to CON2501\" or \"see also CON153\").","Series III. Books, 1914-1995, contains 2940 vols. in 62 boxes, totaling 64.48 cu. ft. It consists of mainly field notebooks from mine surveys and some related papers for surveys. There are publications in boxes B61 and B62.","Series IV. Ledgers, 1916-1993, contains 42 boxes, totaling 45.02 cu. ft. It primarily consists of survey record books (not field notebooks). Many record \"Survey By\", \"Traverse by\", Notebook No., Page No., Station, Azimuth, Reduced Vernier, Cosine, Horizontal Distances, Sine, Latitude (North and South), Departure (East and West), Sums of Latitude (N\u0026S) and of Departure (E\u0026W), Remarks.  N.B.:  TT looks like pi sometimes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_05df6dc8647f32fb0cccd4fb0e012461\" label=\"Abstract\"\u003eThe Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. The collection is divided into four series based on type: Scanned rolls, Unscanned rolls and documents, Books, and Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys.\u003c/abstract\u003e"],"abstract_tesim":["The Pocahontas Mines Collection, 1883-1997, documents the mining operations of CONSOL Energy, Inc. and its predecessor coal mining companies in the Pocahontas, Virginia, area, including numerous counties in southwest Virginia and eastern West Virginia. The collection is divided into four series based on type: Scanned rolls, Unscanned rolls and documents, Books, and Ledgers. The scanned and unscanned rolls are primarily of mining maps and related oversized items, such as mechanical building and equipment drawings, plats, and topographic maps. The books and ledgers generally relate to mining surveys."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee2d1a6b6c2b2e5f072d0c6b7635b921\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Consolidated Coal Company (Luzerne County, Pa.)","Pocahontas Fuel Company, Inc."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2404,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:01:34.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3408_c02_c1033_c04"}},{"id":"wvmturhc_repositories_2_resources_5371_c21_c02","type":"File","attributes":{"title":"10 letters","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c21_c02","ref_ssm":["wvmturhc_repositories_2_resources_5371_c21_c02"],"id":"wvmturhc_repositories_2_resources_5371_c21_c02","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c21","parent_ssi":"wvmturhc_repositories_2_resources_5371_c21","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c21"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c21"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence"],"text":["James E. Davis, Artist, Papers and Artworks","Addendum of 1995/01/30, Series 9. Virginia M. Wood Correspondence","10 letters","Box 1995/01/30 8","Folder 2"],"title_filing_ssi":"10 letters","title_ssm":["10 letters"],"title_tesim":["10 letters"],"unitdate_inclusive_ssm":["1944-1949"],"normalized_date_ssm":["1944/1949"],"normalized_title_ssm":["10 letters"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":820,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946,1947,1948,1949],"containers_ssim":["Box 1995/01/30 8","Folder 2"],"_nest_path_":"/components#20/components#1","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c21_c02"}},{"id":"wvmturhc_repositories_2_resources_5371_c04_c15","type":"File","attributes":{"title":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c04_c15","ref_ssm":["wvmturhc_repositories_2_resources_5371_c04_c15"],"id":"wvmturhc_repositories_2_resources_5371_c04_c15","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c04","parent_ssi":"wvmturhc_repositories_2_resources_5371_c04","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"text":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape","10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","Box 42","Folder 1"],"title_filing_ssi":"10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)","title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"title_tesim":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"unitdate_inclusive_ssm":["1939-1956"],"normalized_date_ssm":["1939/1956"],"normalized_title_ssm":["10 pastel and pencil studies for watercolors, various sizes (with titles, dates, and signatures)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":182,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"containers_ssim":["Box 42","Folder 1"],"_nest_path_":"/components#3/components#14","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c15"}},{"id":"wvmturhc_repositories_2_resources_5371_c02_c23","type":"File","attributes":{"title":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c23#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c02_c23","ref_ssm":["wvmturhc_repositories_2_resources_5371_c02_c23"],"id":"wvmturhc_repositories_2_resources_5371_c02_c23","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c02","parent_ssi":"wvmturhc_repositories_2_resources_5371_c02","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"text":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract","10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","Box 15","Folder unfoldered"],"title_filing_ssi":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"title_tesim":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"unitdate_inclusive_ssm":["1943-1947"],"normalized_date_ssm":["1943/1947"],"normalized_title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":103,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1943,1944,1945,1946,1947],"containers_ssim":["Box 15","Folder unfoldered"],"_nest_path_":"/components#1/components#22","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c23"}},{"id":"wvmturhc_repositories_2_resources_5371_c02_c24","type":"File","attributes":{"title":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c24#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c02_c24","ref_ssm":["wvmturhc_repositories_2_resources_5371_c02_c24"],"id":"wvmturhc_repositories_2_resources_5371_c02_c24","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c02","parent_ssi":"wvmturhc_repositories_2_resources_5371_c02","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"text":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract","10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","Box 16","Folder unfoldered"],"title_filing_ssi":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"title_tesim":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"unitdate_inclusive_ssm":["1944-1946"],"normalized_date_ssm":["1944/1946"],"normalized_title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":104,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946],"containers_ssim":["Box 16","Folder unfoldered"],"_nest_path_":"/components#1/components#23","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c24"}},{"id":"wvmturhc_repositories_2_resources_5371_c02_c25","type":"File","attributes":{"title":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c02_c25","ref_ssm":["wvmturhc_repositories_2_resources_5371_c02_c25"],"id":"wvmturhc_repositories_2_resources_5371_c02_c25","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c02","parent_ssi":"wvmturhc_repositories_2_resources_5371_c02","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c02"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract"],"text":["James E. Davis, Artist, Papers and Artworks","Series 2. Artwork -- Abstract","10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","Box 17","Folder unfoldered"],"title_filing_ssi":"10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)","title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"title_tesim":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"unitdate_inclusive_ssm":["1944-1947"],"normalized_date_ssm":["1944/1947"],"normalized_title_ssm":["10 \"Path of Motion\" oil on cardboard, 20 in. x 30 in. (with titles, dates, and artist signature recorded to the reverse of paintings)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":105,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1944,1945,1946,1947],"containers_ssim":["Box 17","Folder unfoldered"],"_nest_path_":"/components#1/components#24","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c02_c25"}},{"id":"viblbv_repositories_2_resources_1974_c04_c66","type":"File","attributes":{"title":"10th Virginia Cavalry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c66","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c66"],"id":"viblbv_repositories_2_resources_1974_c04_c66","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","10th Virginia Cavalry","box 41","folder 1"],"title_filing_ssi":"10th Virginia Cavalry","title_ssm":["10th Virginia Cavalry"],"title_tesim":["10th Virginia Cavalry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1969"],"normalized_date_ssm":["1861/1969"],"normalized_title_ssm":["10th Virginia Cavalry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":412,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["box 41","folder 1"],"_nest_path_":"/components#3/components#65","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c66"}},{"id":"viu_repositories_7_resources_157_c01_c10","type":"Item","attributes":{"title":"1-10 Brain shown in relation to the surface lines on the scalp,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c10","ref_ssm":["viu_repositories_7_resources_157_c01_c10"],"id":"viu_repositories_7_resources_157_c01_c10","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-10 Brain shown in relation to the surface lines on the scalp,","box 1","folder 10"],"title_filing_ssi":"1-10 Brain shown in relation to the surface lines on the scalp,","title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,"],"title_tesim":["1-10 Brain shown in relation to the surface lines on the scalp,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-10 Brain shown in relation to the surface lines on the scalp,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":11,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. 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