{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=4","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=3","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=5","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=383"},"meta":{"pages":{"current_page":4,"next_page":5,"prev_page":3,"total_pages":383,"limit_value":10,"offset_value":30,"total_count":3827,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1556","type":"collection","attributes":{"title":"African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1556#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1556#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1556","ead_ssi":"viu_repositories_3_resources_1556","_root_":"viu_repositories_3_resources_1556","_nest_parent_":"viu_repositories_3_resources_1556","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1556.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190983","title_filing_ssi":"African American Hugh Carr family, River View Farm and the Papers of the Ivy Creek Foundation","title_ssm":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"title_tesim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"unitdate_ssm":["1916-1988"],"unitdate_inclusive_ssm":["1916-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556"],"text":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556","African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation","Charlottesville (Va.) -- History -- 19th Century","African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","This collection is related to MSS 10176 Hugh Carr family papers and River View farm.","The papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.","Included among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. ","Grohskopf article in  Albemarle  Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in  Albemarle  Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in  The Daily Progress .","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556"],"normalized_title_ssm":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"collection_title_tesim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"collection_ssim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"acqinfo_ssim":["This collection was placed on deposit by the President of the Ivy Creek Foundation for the Small Special Collections Library at the University of Virginia Library on the 11 July 1988."],"access_subjects_ssim":["African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet"],"extent_tesim":["0.5 Cubic Feet"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e\n","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e\n","\u003cp\u003eIn 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e\n","\u003cp\u003e\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e\n","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. "],"prefercite_html_tesm":["\u003cp\u003eMSS 10770, African American Hugh Carr Family, River View Farm and the papers of the Ivy Creek Natural Area, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10770, African American Hugh Carr Family, River View Farm and the papers of the Ivy Creek Natural Area, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to MSS 10176 Hugh Carr family papers and River View farm.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to MSS 10176 Hugh Carr family papers and River View farm."],"scopecontent_html_tesm":["\u003cp\u003eThe papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.\u003c/p\u003e\n","\u003cp\u003eIncluded among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. \u003c/p\u003e","\u003cp\u003eGrohskopf article in \u003cemph render=\"italic\"\u003eAlbemarle\u003c/emph\u003e Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in \u003cemph render=\"italic\"\u003eAlbemarle\u003c/emph\u003e Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in \u003cemph render=\"italic\"\u003eThe Daily Progress\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.","Included among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. ","Grohskopf article in  Albemarle  Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in  Albemarle  Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in  The Daily Progress ."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1556","ead_ssi":"viu_repositories_3_resources_1556","_root_":"viu_repositories_3_resources_1556","_nest_parent_":"viu_repositories_3_resources_1556","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1556.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/190983","title_filing_ssi":"African American Hugh Carr family, River View Farm and the Papers of the Ivy Creek Foundation","title_ssm":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"title_tesim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"unitdate_ssm":["1916-1988"],"unitdate_inclusive_ssm":["1916-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556"],"text":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556","African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation","Charlottesville (Va.) -- History -- 19th Century","African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County.","The collection is open for research use.","During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. ","This collection is related to MSS 10176 Hugh Carr family papers and River View farm.","The papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.","Included among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. ","Grohskopf article in  Albemarle  Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in  Albemarle  Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in  The Daily Progress .","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 10770","Archival Resource Key","/repositories/3/resources/1556"],"normalized_title_ssm":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"collection_title_tesim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"collection_ssim":["African American Hugh Carr family, River View Farm, and the Papers of the Ivy Creek Foundation"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century"],"acqinfo_ssim":["This collection was placed on deposit by the President of the Ivy Creek Foundation for the Small Special Collections Library at the University of Virginia Library on the 11 July 1988."],"access_subjects_ssim":["African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County."],"access_subjects_ssm":["African American families","Historic buildings -- Virginia -- Charlottesville.","Dwellings -- Virginia -- Albemarle County."],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Cubic Feet"],"extent_tesim":["0.5 Cubic Feet"],"date_range_isim":[1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eDuring the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.\u003c/p\u003e\n","\u003cp\u003eHe and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. \u003c/p\u003e\n","\u003cp\u003eIn 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.\u003c/p\u003e\n","\u003cp\u003e\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.\u003c/p\u003e\n","\u003cp\u003eThe Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["During the Reconstruction period of Virginia history, Hugh Carr (1843-1914), who was formerly enslaved by Richard Wingfield, began the long process of purchasing various tracts of land that eventually made up the model farm along Ivy Creek known as \"Riverview\" in the Union Ridge Hydraulic Mills community.","He and his wife, Texie Mae Hawkins,(1865-1899) raised seven children at River View Farm: Mary Louise Carr Greer, (1884-1973), Fannie Carr Washington (1887-?), Peachie Carr Jackson (1889-1977), Emma Clorinda Carr (1892-1974), Virginia Carr Brown (1893-1935), Ann Hazel Carr (1895-?), and one son Marshall Hubert Carr (1886-1916).The farm continued to grow and by 1890 it was over 125 acres making Carr among the largest African American landowner in Albemarle County. ","In 1916, Mary Carr married Conly Greer, the first African American extension agent for Albemarle County and the last family member to farm at Riverview Farm. After his death in 1957, Mary Carr Greer continued to live there but the land was rented to local farmers to farm. When she died in 1973, she left the estate to her only child, Evangeline Greer Jones, who in turn sold it.","\nFollowing its sale, the farm was slated to become one of Charlottesville's newest subdivisions with a projected 200 homes. Elizabeth Conant, a biology teacher at the University of Virginia, realized that the land was ideal for a nature preserve. She contacted the Nature Conservancy who bought the farm and held it until the City of Charlottesville and Albemarle County were able to buy the land. The Ivy Creek Foundation was incorporated on May 23, 1979, and the future management of the land lies with them. Paul Saunier, former University of Virginia administrator, was the first president of the Foundation.","The Ivy Creek Natural Area, which currently borders the South Rivanna Reservoir of the City of Charlottesville and consists of 215 acres of forest, field, and stream, was formed from several tracts of land. These include the original tract from the Mary Carr Greer Estate of eighty acres in 1975, a thirty-eight-acre tract from the City of Charlottesville in 1979, the James Fleming tract of eighty-acres in 1981, the Flamenco tract of sixteen acres in 1981, and four tenths of an acre from Bedford Moore in 1981. The Greer property was named the Rann Preserve when purchased by the Nature Conservancy and was renamed the Ivy Creek Natural Area. The organizers of the Ivy Creek Natural Area recognized the history of the Carr family and worked to save and preserve the land as well as the family documents that were found in the farmhouse. "],"prefercite_html_tesm":["\u003cp\u003eMSS 10770, African American Hugh Carr Family, River View Farm and the papers of the Ivy Creek Natural Area, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 10770, African American Hugh Carr Family, River View Farm and the papers of the Ivy Creek Natural Area, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection is related to MSS 10176 Hugh Carr family papers and River View farm.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection is related to MSS 10176 Hugh Carr family papers and River View farm."],"scopecontent_html_tesm":["\u003cp\u003eThe papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.\u003c/p\u003e\n","\u003cp\u003eIncluded among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. \u003c/p\u003e","\u003cp\u003eGrohskopf article in \u003cemph render=\"italic\"\u003eAlbemarle\u003c/emph\u003e Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in \u003cemph render=\"italic\"\u003eAlbemarle\u003c/emph\u003e Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in \u003cemph render=\"italic\"\u003eThe Daily Progress\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers contain correspondence, legal documents (copies), clippings, articles, research material, maps, and photographs concerning the Ivy Creek Natural Area and its history as the River View  Farm owned by the Carr family (African Americans in late nineteenth century), including the original purchase by the Nature Conservancy, the formation of the Ivy Creek Foundation, and its administration of the property.","Included among these is a notebook titled, Ivy Creek Natural Area History and Heritage by Price Smith, and \"The Rann Preserve\" by Elizabeth Conant; a local conservation case study\" by Patricia Farrell; an article \"Legacies: Nature and History at Ivy Creek\" by Bernice Grohskopf; as well as legal and financial papers of former owners Conly and Mary Carr Greer.There are also photographs of the Hugh Carr family. ","Grohskopf article in  Albemarle  Magazine \"about how Hugh Carr rose out of slavery to create the farm that became our 'secret garden.\" Other articles include \"Story of the Rann Preserve in Charlottesville,\" by Elizabeth Conant; \"The Preservation of Ivy Creek\" in  Albemarle  Magazine by David Field; and \"Nature Preserve Ex-Slave's Legacy\" by Robert Brickhouse, in  The Daily Progress ."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:22.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1556"}},{"id":"wvmturhc_repositories_2_resources_1584","type":"collection","attributes":{"title":"African American Photographic Portraits","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1584#creator","type":"document_value","attributes":{"value":"Cuthbert, John A.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1584#abstract_or_scope","type":"document_value","attributes":{"value":"Twenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1584#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_1584","ead_ssi":"wvmturhc_repositories_2_resources_1584","_root_":"wvmturhc_repositories_2_resources_1584","_nest_parent_":"wvmturhc_repositories_2_resources_1584","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1584.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195860","title_ssm":["African American Photographic Portraits"],"title_tesim":["African American Photographic Portraits"],"unitdate_ssm":["1880-1953"],"unitdate_inclusive_ssm":["1880-1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584"],"text":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584","African American Photographic Portraits","African Americans  -- Photographic portrait","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Twenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Collection","Cuthbert, John A.","English"],"unitid_tesim":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584"],"normalized_title_ssm":["African American Photographic Portraits"],"collection_title_tesim":["African American Photographic Portraits"],"collection_ssim":["African American Photographic Portraits"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"creator_ssim":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"creator_persname_ssim":["Cuthbert, John A."],"creator_corpname_ssim":["West Virginia University. Libraries. West Virginia and Regional History Collection"],"creators_ssim":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans  -- Photographic portrait"],"access_subjects_ssm":["African Americans  -- Photographic portrait"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet Summary: 1 in."],"extent_tesim":["0.1 Linear Feet Summary: 1 in."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], African American Photographic Portraits, A\u0026amp;M 3381, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], African American Photographic Portraits, A\u0026M 3381, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_35b63b0e490a3d4defbf69ba6804deaf\"\u003eTwenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia.\u003c/abstract\u003e"],"abstract_tesim":["Twenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ba57d430a8bef418c7685cf3fffc2274\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Collection","Cuthbert, John A."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Collection"],"persname_ssim":["Cuthbert, John A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:30:25.030Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1584","ead_ssi":"wvmturhc_repositories_2_resources_1584","_root_":"wvmturhc_repositories_2_resources_1584","_nest_parent_":"wvmturhc_repositories_2_resources_1584","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1584.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195860","title_ssm":["African American Photographic Portraits"],"title_tesim":["African American Photographic Portraits"],"unitdate_ssm":["1880-1953"],"unitdate_inclusive_ssm":["1880-1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584"],"text":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584","African American Photographic Portraits","African Americans  -- Photographic portrait","No special access restriction applies.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Twenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Collection","Cuthbert, John A.","English"],"unitid_tesim":["A\u0026M 3381","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1584"],"normalized_title_ssm":["African American Photographic Portraits"],"collection_title_tesim":["African American Photographic Portraits"],"collection_ssim":["African American Photographic Portraits"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"creator_ssim":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"creator_persname_ssim":["Cuthbert, John A."],"creator_corpname_ssim":["West Virginia University. Libraries. West Virginia and Regional History Collection"],"creators_ssim":["Cuthbert, John A.","West Virginia University. Libraries. West Virginia and Regional History Collection"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["African Americans  -- Photographic portrait"],"access_subjects_ssm":["African Americans  -- Photographic portrait"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Feet Summary: 1 in."],"extent_tesim":["0.1 Linear Feet Summary: 1 in."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], African American Photographic Portraits, A\u0026amp;M 3381, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], African American Photographic Portraits, A\u0026M 3381, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_35b63b0e490a3d4defbf69ba6804deaf\"\u003eTwenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia.\u003c/abstract\u003e"],"abstract_tesim":["Twenty-four tintypes and six paper photographic prints featuring formal portraits of mostly African Americans. Includes two tintypes and three prints of Caucasian women. All subjects are unidentified except for Mrs. Null and her daughter Hilda on a print dated October 1953. On evidence of the clothing, the tintypes appear to date from the 1880s. This collection was found in Jefferson County, West Virginia."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ba57d430a8bef418c7685cf3fffc2274\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. Libraries. West Virginia and Regional History Collection","Cuthbert, John A."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. Libraries. 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Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman. All organizations are in Richmond, Virginia.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_249#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_249","ead_ssi":"viu_repositories_3_resources_249","_root_":"viu_repositories_3_resources_249","_nest_parent_":"viu_repositories_3_resources_249","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_249.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/217","title_filing_ssi":"African Americans in Richmond organizations photographs","title_ssm":["African Americans in Richmond organizations photographs"],"title_tesim":["African Americans in Richmond organizations photographs"],"unitdate_ssm":["1940-1959"],"unitdate_inclusive_ssm":["1940-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15967","Archival Resource Key","/repositories/3/resources/249"],"text":["MSS 15967","Archival Resource Key","/repositories/3/resources/249","African Americans in Richmond organizations photographs","photographs","The collection is open for research use.","African Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15967","Archival Resource Key","/repositories/3/resources/249"],"normalized_title_ssm":["African Americans in Richmond organizations photographs"],"collection_title_tesim":["African Americans in Richmond organizations photographs"],"collection_ssim":["African Americans in Richmond organizations photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession 15967 Purchased 24 February 2015; C. Venable Minor Endowment Fund, 2014/2015."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.06 Cubic Feet 2 folders"],"extent_tesim":["0.06 Cubic Feet 2 folders"],"genreform_ssim":["photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003eMSS 15967 African Americans in Richmond organizations photographs, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 15967 African Americans in Richmond organizations photographs, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eAfrican Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["African Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:30.456Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_249","ead_ssi":"viu_repositories_3_resources_249","_root_":"viu_repositories_3_resources_249","_nest_parent_":"viu_repositories_3_resources_249","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_249.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/217","title_filing_ssi":"African Americans in Richmond organizations photographs","title_ssm":["African Americans in Richmond organizations photographs"],"title_tesim":["African Americans in Richmond organizations photographs"],"unitdate_ssm":["1940-1959"],"unitdate_inclusive_ssm":["1940-1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15967","Archival Resource Key","/repositories/3/resources/249"],"text":["MSS 15967","Archival Resource Key","/repositories/3/resources/249","African Americans in Richmond organizations photographs","photographs","The collection is open for research use.","African Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 15967","Archival Resource Key","/repositories/3/resources/249"],"normalized_title_ssm":["African Americans in Richmond organizations photographs"],"collection_title_tesim":["African Americans in Richmond organizations photographs"],"collection_ssim":["African Americans in Richmond organizations photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Accession 15967 Purchased 24 February 2015; C. Venable Minor Endowment Fund, 2014/2015."],"access_subjects_ssim":["photographs"],"access_subjects_ssm":["photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.06 Cubic Feet 2 folders"],"extent_tesim":["0.06 Cubic Feet 2 folders"],"genreform_ssim":["photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003eMSS 15967 African Americans in Richmond organizations photographs, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 15967 African Americans in Richmond organizations photographs, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eAfrican Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["African Americans in Richmond organizations photographs (1940-1959; 0.06 cubic feet) includes the Leigh Street Young Men's Christian Asssociation, Hi-Y Club, Gray Club, B and P Council, Richmond Area Youth, Interracial Seminar, Richmond Basketball, Father-son Banquets, Annual Banquets, Leigh Street Y.M.C.A. camp, [Gradale] Girls, girls playing cricket, and Baskets for the Need(y). Included is a photograph of Dr. J. W. [Banco] and Roscoe Mitchell. Photographs are from the studios of Brodnax with Scott L. Henderson, photographer for Virginia Union and L. H. Freeman.  All organizations are in Richmond, Virginia."],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:43:30.456Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_249"}},{"id":"viu_repositories_3_resources_1830","type":"collection","attributes":{"title":"African Americans in rural Virginia photographs","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830#creator","type":"document_value","attributes":{"value":"Max Rambod","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026amp; [ ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. \u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1830","ead_ssi":"viu_repositories_3_resources_1830","_root_":"viu_repositories_3_resources_1830","_nest_parent_":"viu_repositories_3_resources_1830","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1830.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230530","title_filing_ssi":"African Americans in rural Virginia photographs","title_ssm":["African Americans in rural Virginia photographs"],"title_tesim":["African Americans in rural Virginia photographs"],"unitdate_ssm":["C. 1940s"],"unitdate_inclusive_ssm":["C. 1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830"],"text":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830","African Americans in rural Virginia photographs","Virginia -- History -- 20th century","African American families","African American children","African Americans -- Virginia","photographs","This collection is open for research.","This collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026 [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. ","Genealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. ","The pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"unitid_tesim":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830"],"normalized_title_ssm":["African Americans in rural Virginia photographs"],"collection_title_tesim":["African Americans in rural Virginia photographs"],"collection_ssim":["African Americans in rural Virginia photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Virginia -- History -- 20th century"],"geogname_ssim":["Virginia -- History -- 20th century"],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"places_ssim":["Virginia -- History -- 20th century"],"acqinfo_ssim":["This collection was a purchase from Max Rambod to the Small Special Collections Library at the University of Virginia Library on 10 July 2025."],"access_subjects_ssim":["African American families","African American children","African Americans -- Virginia","photographs"],"access_subjects_ssm":["African American families","African American children","African Americans -- Virginia","photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet 1 letter folder"],"extent_tesim":[".03 Cubic Feet 1 letter folder"],"genreform_ssim":["photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16923, African Americans in rural Virginia photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16923, African Americans in rural Virginia photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026amp; [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. \u003c/p\u003e\n","\u003cp\u003eGenealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. \u003c/p\u003e\n","\u003cp\u003eOther photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026 [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. ","Genealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. ","The pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:37.131Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1830","ead_ssi":"viu_repositories_3_resources_1830","_root_":"viu_repositories_3_resources_1830","_nest_parent_":"viu_repositories_3_resources_1830","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1830.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/230530","title_filing_ssi":"African Americans in rural Virginia photographs","title_ssm":["African Americans in rural Virginia photographs"],"title_tesim":["African Americans in rural Virginia photographs"],"unitdate_ssm":["C. 1940s"],"unitdate_inclusive_ssm":["C. 1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830"],"text":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830","African Americans in rural Virginia photographs","Virginia -- History -- 20th century","African American families","African American children","African Americans -- Virginia","photographs","This collection is open for research.","This collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026 [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. ","Genealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. ","The pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street.","Albert and Shirley Small Special Collections Library","Max Rambod","English"],"unitid_tesim":["MSS 16923","Archival Resource Key","/repositories/3/resources/1830"],"normalized_title_ssm":["African Americans in rural Virginia photographs"],"collection_title_tesim":["African Americans in rural Virginia photographs"],"collection_ssim":["African Americans in rural Virginia photographs"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Virginia -- History -- 20th century"],"geogname_ssim":["Virginia -- History -- 20th century"],"creator_ssm":["Max Rambod"],"creator_ssim":["Max Rambod"],"creator_corpname_ssim":["Max Rambod"],"creators_ssim":["Max Rambod"],"places_ssim":["Virginia -- History -- 20th century"],"acqinfo_ssim":["This collection was a purchase from Max Rambod to the Small Special Collections Library at the University of Virginia Library on 10 July 2025."],"access_subjects_ssim":["African American families","African American children","African Americans -- Virginia","photographs"],"access_subjects_ssm":["African American families","African American children","African Americans -- Virginia","photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".03 Cubic Feet 1 letter folder"],"extent_tesim":[".03 Cubic Feet 1 letter folder"],"genreform_ssim":["photographs"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eMSS 16923, African Americans in rural Virginia photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library.\u003c/p\u003e"],"prefercite_tesim":["MSS 16923, African Americans in rural Virginia photographs, Albert and Shirley Small Special Collections Library, University of Virginia Library."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026amp; [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. \u003c/p\u003e\n","\u003cp\u003eGenealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. \u003c/p\u003e\n","\u003cp\u003eOther photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection contains twenty black and white photographs, approximately 9 x 7 inches, depicting African American life, presumably in a segregated area in rural Virginia. The pictures have no annotations on the back, and the photographer is unknown. The location is also unclear; however, it may be somewhere near or in Fauquier County, Virginia. This location possibility is based on a photograph that depicts several storefronts, including a beauty salon which has two names painted on the window, Green \u0026 [  ] Beauty Salon. Juline Turner and Helen Blackwell, are presumably the proprietors of the salon. ","Genealogy research uncovered a birth certificate for Juline Turner's daughter, Katie Ross, born in 1917. The birth certificate notes that Juline was twenty years old, indicating her birth year to be 1897, and that she was born in Fauquier County, Virginia. ","The pictures depict a Black, rural neighborhood that includes pick-up trucks, overalls and work boots, humble dwellings, and vegetation. One photograph depicts a main street of the town, which includes telephone poles and a few businesses, including a small convenience store with signs of Coca Cola, Pepsi, Camel cigarettes, Model \"sporting tobacco\" (a brand native to Virginia), and other daily necessities. ","Other photographs depict several Black people standing or seated with family members in front of wooden homes. There are photographs of children playing games, including a young boy with a holstered toy revolver on his hip, kids playing stickball, and standing on railroad tracks. The photographs also show men, women, and children performing household chores, including cleaning and hanging up the laundry to dry, making meals for the family, and one photograph shows a father in work clothes, dishing out a meal for himself and his three young children. Another photograph depicts an older man showing his cellar and a cistern. Many of the homes have elevated porches in many of the dwellings along the main street. Two photographs show a white man in a suit who strikes up a conversation with the residents of the town, including a mother on her front porch and a young man along the main street."],"names_coll_ssim":["Max Rambod"],"names_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"corpname_ssim":["Albert and Shirley Small Special Collections Library","Max Rambod"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:37.131Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1830"}},{"id":"vilxw_repositories_5_resources_1174","type":"collection","attributes":{"title":"African and African American photograph collection","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1174#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:07:48.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1174","ead_ssi":"vilxw_repositories_5_resources_1174","_root_":"vilxw_repositories_5_resources_1174","_nest_parent_":"vilxw_repositories_5_resources_1174","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1174.xml","title_filing_ssi":"African and African American photograph collection","title_ssm":["African and African American photograph collection"],"title_tesim":["African and African American photograph collection"],"unitdate_ssm":["circa 1850s-1945"],"unitdate_inclusive_ssm":["circa 1850s-1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0552","/repositories/5/resources/1174"],"text":["WLU.Coll.0552","/repositories/5/resources/1174","African and African American photograph collection","African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers","This collection is open for research use.","This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.","The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.","Washington and Lee University, University Library Special Collections and Archives","English"],"unitid_tesim":["WLU.Coll.0552","/repositories/5/resources/1174"],"normalized_title_ssm":["African and African American photograph collection"],"collection_title_tesim":["African and African American photograph collection"],"collection_ssim":["African and African American photograph collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"access_terms_ssm":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source."],"acqinfo_ssim":["Purchases in November 2023 and June 2024"],"access_subjects_ssim":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"access_subjects_ssm":["African American children","African Americans","Carte de visite photographs","Tintype","Ambrotype","African American women","African American men","African American soldiers"],"has_online_content_ssim":["false"],"extent_ssm":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"extent_tesim":["2.5 Linear Feet one document case, 1 folder in a shared box, 1 oversize folder"],"date_range_isim":[1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], African and African American Photograph Collection (WLU Coll. 0552), Special Collections and Archives, James G. Leyburn Library, Washington and Lee University, Lexington, VA"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.\u003c/p\u003e","\u003cp\u003eCased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.\u003c/p\u003e","\u003cp\u003eCased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.\u003c/p\u003e","\u003cp\u003eTwenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. \u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.\u003c/p\u003e\n","\u003cp\u003eTintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.\u003c/p\u003e\n","\u003cp\u003eTintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.\u003c/p\u003e\n","\u003cp\u003eThere are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.\u003c/p\u003e\n","\u003cp\u003eCarte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.\u003c/p\u003e\n","\u003cp\u003eThere is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"\u003c/p\u003e","\u003cp\u003eTintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.\u003c/p\u003e","\u003cp\u003eCarte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eCarte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"\u003c/p\u003e","\u003cp\u003eFull length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.\u003c/p\u003e","\u003cp\u003ePublished by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026amp; Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"\u003c/p\u003e","\u003cp\u003eSepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.\u003c/p\u003e","\u003cp\u003eCopyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.\u003c/p\u003e","\u003cp\u003eGelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.\u003c/p\u003e","\u003cp\u003eGelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"\u003c/p\u003e\n","\u003cp\u003eThese students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.\u003c/p\u003e","\u003cp\u003ePublished by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eSepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.\u003c/p\u003e","\u003cp\u003eGelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.\u003c/p\u003e","\u003cp\u003eGelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.\u003c/p\u003e","\u003cp\u003eTintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.\u003c/p\u003e","\u003cp\u003eSixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.\u003c/p\u003e","\u003cp\u003eStudio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.\u003c/p\u003e","\u003cp\u003eLarge albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.\u003c/p\u003e","\u003cp\u003ePanoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains images of both African and African American individuals. The subjects photographed include military personnel, men, women, and children. Some individuals were photographed inside of a photographer's studio. The images vary in size and format and range in date from circa 1850s-1945. Each item has a description at the file level.","Cased ambrotype photograph of a young woman who is posted standing. Her left arm is resting beside a book on a round table. The image is almost a full portrait.","Cased tintype of a girl who appears to be in her teenage years. She is posed sitting in a high back chair. She is holding a hat in her lap.","Carte de visite full-portrait image of a woman. She is posed standing with her left hand resting on a chair. Her right hand is holding a hat. Photography studio was Christmas and Zay's of Mansfield, Ohio.","Twenty-nine images dating from circa 1860s-1870s of the Patterson family in Richmond, Virginia. There are twenty tintypes and nine carte de visites. ","Tintype full-portrait of a woman. She is posed standing with her left hand resting on an object on a table top. Her right hand is hold the handle of a parasol. She is wearing a hat and a sash. The sash has been hand colored. Photographer was C. Campbell of Richmond.","Tintype full-portrait of a man. He is posed standing with his right arm resting against a stand. He is wearing a hat. Photographer was C. Campbell of Richmond.","Tintype portrait of a young woman. She is wearing a net bonnet with a ribbon and a necklace (choker).","Tintype portrait of a young woman. She is posed sitting in a chair. Her left hand is resting on the chair's arm, and she is wearing a ring on her left hand pointer finger. Her right hand is resting in her lap. She is wearing a hat, a brooch, and earrings.","Tintype portrait of a young man. His suit jacket is buttoned, and he is wearing a tie.","Tintype portrait of an older man. He is posed sitting down. His right hand is holding his jacket lapel. He is wearing a vest and a tie. His pocket watch fob chain is visible.","Tintype portrait of a young woman. She is posed sitting down. Her left arm is resting on a table top. She is wearing a bonnet with flowers. The flowers have been hand colored. She is wearing a ring on each hand.","Tintype portrait of a young man. He is posed sitting down with his left arm resting against a table top. The middle button on his vest is undone. His cheeks appear to have been hand colored.","Tintype portrait of a young man. He is posted sitting down. His pocket watch fob chain is visit. It appears his cheeks have been hand colored. He is wearing a ring on his left pinky finger. It also looks like he is wearing a stick pin in the lapel of his vest. The back of the tintype frame has been covered by newsprint.","Tintype portrait of a young man. His cheeks appear to have been hand colored. His tie tack is visible. There is writing on the back that may be his name, but it's hard to make out.","Tintype portrait of an older man. He is posed sitting down. His right arm is resting on the chair arm. His left arm is resting on his lap. His pocket watch fob chain is visible.","Tintype full-portrait of a young man. He is posed standing behind a chair with is left hand fingers touching the chair back. He is wearing a hat.","Tintype full-portrait of a girl. She is posed standing beside a prop which looks like a wooden fence. Her right hand is resting on the prop. She has bows in her hair.","Tintype full-portrait of an older woman. She is posed sitting on what looks to be crates draped in fabric. She is wearing a head scarf. It appears she is also wearing earrings and maybe a cuff bracelet on her left wrist.","Tintype portrait of a young woman. She is posed sitting. Her right arm is resting on a pile of two books. She is wearing what looks like a hair band.","Tintype full-portrait of a girl. She is posed standing between a tree stump prop and a chair. Her left arm is resting on the chair. She is wearing a ring on her left hand.","Tintype full-portrait of a young woman. She is posed standing next to a prop. Her left arm is resting on the prop. She has a kerchief around her neck and a hat or head covering.","Tintype portrait of a young man. He is posed seated with his left arm resting on the chair arm. He is wearing a tie tack and a ring on the pinky finger of his left hand.","Tintype portrait of a young man. His cheeks appear to have been hand colored. He is posed seated with his left hand holding onto the chair arm. He is holding something in his right hand. His pocket watch fob chain is visible as is a tie tack.","Tintype portrait of a young woman. She may be wearing a brooch. She is wearing earrings. She is identified as Laura Johnson.","Carte de visite portrait of a young man. His cheeks appear to have been hand colored. He is posed sitting down with his right arm resting on top of the back of the chair. He may be wearing a ring on the pinky finger of his left hand. The photographer was P. E. Gibbs of Richmond.","Carte de visite portrait of a young woman. Her cheeks appear to have been hand colored. She is posed standing with her arms crossed and resting on a prop. She is wearing a wedding band. The photographer was G. W. Davis of Richmond.","Carte de visite portrait of a young woman. There is spotting on the image. She is wearing a necklace and appears to have pin keeping her collar closed. She is identified as Estelle Patterson of Richmond. The photographer was Campbell's Photographic Gallery in Richmond.","There are six additional carte de visites which are believed to be associated with the Pattersons but in an unclear way. One or two of the subjects may be mixed race but the others are caucasian.","Carte de visite portrait of a young woman. There is some hand coloring on her face and hat. She is wearing a brooch. The photographer was Campbell's Photographic Art Gallery of Richmond.","Carte de visite portait of a young woman. Likely a copy of an earlier image. She is wearing earrings. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young woman. Likely a copy of an earlier image. She is wearing a net bonnet. She may be wearing earrings. She is identified as \"Cousin Mollie.\" The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite portrait of a young man/older boy. Likely a copy of an earlier image. Photographer was Lee Gallery of Richmond.","Carte de visite full-portrait of a girl. She is posed sitting down wither her legs crossed and feet resting on a stool. Her left hand is pressed against the left side of her jaw and her left elbow is resting on a table top. She is holdin a book in her right hand. The photographer was C. R. Rees and Bro. of Richmond.","Carte de visite full-portrait of a baby. Likely a copy of an earlier image. The photographer was Frayser of Richmond.","There is also a ticket for 1/2 pound of coffee from the Canton Tea Compnay located in Richmond. On the back is stamped the name \"L. T. Robertson.\"","Tintype full-body portrait of a young boy. He is posed standing next to a stand with a round top. His right hand is resting on top of a pile of two books. His feet are bare.","Carte de visite full-portrait image of an elderly man. He is posed sitting in a chair. He is holding a cane with this left hand. A top hat is laying upside down on the floor beside him. The photograph was made by Manchester Bros. of Providence, Rhode Island.","Carte de visite of an elderly woman. It is not a full-portrait image and is likely a copy made from an earlier image. She is wearing a bonnet. Writing on the back indicates this photograph was once in an album. Someone has written a name on the back \"Mrs. [indecipherable] Gather.\"","Full length portrait of Nancy Wilson wearing a dress with one hand resting on a chair. There is a handwritten note on the back of the photograph that reads, \"My Mother, Nancy Wilson born 1844. 66 years old when she passed.\" The note is dated 1910.","Sepia-toned gelatin silver photograph mounted on cardstock. The image is of a woman posed standing with her right hand resting on a wicker chair.","Published by Strohmeyer and Wyman of New York, NY and sold by Underwood \u0026 Underwood, this stereoview shows five African American children sitting on a floor and eating watermelon. The reverse includes an ink inscription \"Anna E. Ward, July 18, 1894, from 'Papa.'\"","Sepia-toned image is mounted on thick cardstock. The young woman is in a light colored dress and seated on a porch. Her right arm is draped around the dog.","Copyrighted in 1896 by B. W. Kilbourn of Littleton, New Hampshire, this stereoview image shows 24 African men, women, and children posed with statues and musical instruments. They are gathered under a decorative umbrella at the 1895 Cotton States International Exposition. This was the third and final Cotton Exposition held in Atlanta. Its purpose was to foster trade between southern states and South American nations as well as to show the products and facilities of the region to the rest of the nation and to Europe.","Gelatin silver full-length postcard photograph of two young cowboys. One is wearing chaps, a white shirt, and a bandana tied around his neck. He is also wearing a gun holster. He's holding a revolver in his right hand. The other individual is wearing denim pants and a white shirt. He is holding a rifle in his right hand. Both are wearing cowboy hats but neither is wearing cowboy boots.","Gelatin silver print photograph mounted on cardstock. Cheyne's Studio of Hampton, Virginia is stamped on the lower mount. The image features seven Hampton Normal School students posted for a professional portrait in 1916. Hampton Normal School is now Hampton University. The male students are both African American and Indigenous. They are all dressed in the same military uniform, some with ranks on their sleeves. Five of the students are standing in a formal pose with their hands at their sides. Two students are seating in chairs with hands clasped. Placed between the seated students is a large potted plant on a stand. At the base of the stand is a lettered sign that reads: \"Success / Agr\" with a pictorial vignette of a white plow, a growing plant, and a white cloud and \"1916 / Crowns Labor.\"","These students may have been the first class of ROTC cadets. ROTC started in 1916 at Hampton.","Published by the Keystone View Company in circa 1918, this stereoview card was issued as 19118. The caption reads \"Uncle Sam Provides for Comfort of His Soldiers. Colored Troops En Route to France. Taking Train Rest at Railway Division Front.\" The reverse provides two paragraphs of text about the photograph.","Sepia-toned gelatin silver photograph of a young woman wearing an overcoat and holding a hat. She is posed standing beside a chair with her right arm leaning against the top. The photographer was Benjamin Blakemore at his studio in Staunton, Virginia.","Sepia-toned gelatin silver photograph of a young woman posed seated with a child on her lap and a child seated on her left. This image might have been taken a studio in Staunton, Virginia.","Gelatin silver print that has been hand-tinted. The image is of two men. One man is a sailor with the U. S. Navy. He's wearing a blue sailor's uniform including the beret. He is wearing a white carnation. The other man is wearing a gray pinstriped suit and a fedora. He is also wearing a white carnation. The image appears to have been take in a photographer's studio.","Gelatin silver print of a USMC platoon likely taken during basic training. The USMC established a segregated basic training camp at Camp Lejeune, NC called Montford Point. The photographer's stamp on the back is for Henry Renfrew of Jacksonville, North Carolina, which means this platoon was likely at Montford Point, circa 1943-1943. The marines are wearing their Summer Service uniform, including sabres. Most have rifles at their side. Many of the marines are indentified in pencil on the back. A few are identified in ink on the front.","Tintype studio photograph of a couple. The woman has shoulder-length curly hair and wears a tiered longsleeve dress with a brooch at the collar. The man dresses in a suit and tie with a long sportcoat. He has short hair and a goatee. Their elbows rest on a column with a decoration on top.","Sixth plate tintype studio image of a woman and a young girl. The woman wears a light-colored patterned gown and a straw hat. She sits on a chair. A young girl stands beside her and rests a hand on her shoulder. The young girl wears a white dress and boots. They are posed before a painted backdrop of a garden. The ground is covered in grass and leaves.","Studio portrait of an unidentified officer in the Uniform Rank of the Knights of Pythias. The photograph is from the C. W. Borah studio in Columbus, Ohio. The man is photographed in full regalia. He wears a double-breasted frock coat which features two vertical rows of polished brass buttons, shoulder epaulets, and a high collar. He wears a chapeau with a folded brim and a side plume. A ceremonial sword rests in his gloved hand. He wears several medals and ribbons.","Large albumen photograph of African American barbers. Photograph shows five men in white coats and bow ties standing beside velvet upholstered barber's chairs lining a long counter, ornate mirrors above each station. The men rest their hands on the chairs.","Panoramic sepia toned gelatin silver photograph of a group of unidentified African American soldiers in the U. S. Army during the circa 1940s. The photograph features 88 soldiers along with 5 white officers."],"userestrict_html_tesm":["\u003cp\u003eThe materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The materials from Washington and Lee University Special Collections are made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. 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Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events. Some of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_14#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_14","ead_ssi":"viw_repositories_2_resources_14","_root_":"viw_repositories_2_resources_14","_nest_parent_":"viw_repositories_2_resources_14","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_14.xml","title_filing_ssi":"Dawson, Agnes, Letters","title_ssm":["Agnes Dawson letters"],"title_tesim":["Agnes Dawson letters"],"unitdate_ssm":["1941 July 25-1946 June 14"],"unitdate_inclusive_ssm":["1941 July 25-1946 June 14"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00795.Acc. 2009.227","/repositories/2/resources/14"],"text":["SC 00795.Acc. 2009.227","/repositories/2/resources/14","Agnes Dawson letters","Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged chronologically.","Agnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. ","At the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo.","Accessioned and processed in June and September 2009 by SCRC staff.","Letters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.","The more detailed description below provided by the seller and has not been verified for accuracy:"," \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.","\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. ","\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. ","\"She mentions having lunch with Orson Wells, meeting Andres Segovia and talks about her and her husband's close relationship with Col. de Basil, the leader of the Ballet Russe, and that troupe's dancers. \nThere is material about meeting the two of Uruguay's leader and other Uruguayan dignitaries, as well as meeting officials and diplomats from around the world. ","\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972","English"],"unitid_tesim":["SC 00795.Acc. 2009.227","/repositories/2/resources/14"],"normalized_title_ssm":["Agnes Dawson letters"],"collection_title_tesim":["Agnes Dawson letters"],"collection_ssim":["Agnes Dawson letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Dawson, Agnes Balloch Bready"],"creator_ssim":["Dawson, Agnes Balloch Bready"],"creator_persname_ssim":["Dawson, Agnes Balloch Bready"],"creators_ssim":["Dawson, Agnes Balloch Bready"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase."],"access_subjects_ssim":["Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)"],"access_subjects_ssm":["Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Foot 1 folder"],"extent_tesim":["0.1 Linear Foot 1 folder"],"genreform_ssim":["Letters (correspondence)"],"date_range_isim":[1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eAgnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. \u003c/p\u003e\n","\u003cp\u003eAt the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Agnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. ","At the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo."],"prefercite_html_tesm":["\u003cp\u003eAgnes Dawson Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Agnes Dawson Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and processed in June and September 2009 by SCRC staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and processed in June and September 2009 by SCRC staff."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.\u003c/p\u003e\n","\u003cp\u003eThe more detailed description below provided by the seller and has not been verified for accuracy:\u003c/p\u003e\n","\u003cp\u003e \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.\u003c/p\u003e\n","\u003cp\u003e\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. \u003c/p\u003e\n","\u003cp\u003e\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. \u003c/p\u003e\n","\u003cp\u003e\"She mentions having lunch with Orson Wells, meeting Andres Segovia and talks about her and her husband's close relationship with Col. de Basil, the leader of the Ballet Russe, and that troupe's dancers. \nThere is material about meeting the two of Uruguay's leader and other Uruguayan dignitaries, as well as meeting officials and diplomats from around the world. \u003c/p\u003e\n","\u003cp\u003e\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.","The more detailed description below provided by the seller and has not been verified for accuracy:"," \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.","\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. ","\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. ","\"She mentions having lunch with Orson Wells, meeting Andres Segovia and talks about her and her husband's close relationship with Col. de Basil, the leader of the Ballet Russe, and that troupe's dancers. \nThere is material about meeting the two of Uruguay's leader and other Uruguayan dignitaries, as well as meeting officials and diplomats from around the world. ","\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Dawson, William, Jr., 1885-1972"],"persname_ssim":["Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:24:45.199Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_14","ead_ssi":"viw_repositories_2_resources_14","_root_":"viw_repositories_2_resources_14","_nest_parent_":"viw_repositories_2_resources_14","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_14.xml","title_filing_ssi":"Dawson, Agnes, Letters","title_ssm":["Agnes Dawson letters"],"title_tesim":["Agnes Dawson letters"],"unitdate_ssm":["1941 July 25-1946 June 14"],"unitdate_inclusive_ssm":["1941 July 25-1946 June 14"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 00795.Acc. 2009.227","/repositories/2/resources/14"],"text":["SC 00795.Acc. 2009.227","/repositories/2/resources/14","Agnes Dawson letters","Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged chronologically.","Agnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. ","At the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo.","Accessioned and processed in June and September 2009 by SCRC staff.","Letters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.","The more detailed description below provided by the seller and has not been verified for accuracy:"," \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.","\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. ","\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. 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","\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n ","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972","English"],"unitid_tesim":["SC 00795.Acc. 2009.227","/repositories/2/resources/14"],"normalized_title_ssm":["Agnes Dawson letters"],"collection_title_tesim":["Agnes Dawson letters"],"collection_ssim":["Agnes Dawson letters"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Dawson, Agnes Balloch Bready"],"creator_ssim":["Dawson, Agnes Balloch Bready"],"creator_persname_ssim":["Dawson, Agnes Balloch Bready"],"creators_ssim":["Dawson, Agnes Balloch Bready"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase."],"access_subjects_ssim":["Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)"],"access_subjects_ssm":["Diplomat's spouses--Uruguay--Correspondence","Diplomats--1940-1970","Uruguay--History--20th century--Sources","World War, 1939-1945--Diplomatic history--Sources","Letters (correspondence)"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Linear Foot 1 folder"],"extent_tesim":["0.1 Linear Foot 1 folder"],"genreform_ssim":["Letters (correspondence)"],"date_range_isim":[1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. 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The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eAgnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. \u003c/p\u003e\n","\u003cp\u003eAt the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Agnes Balloch Bready married United State Diplomat William Dawson, Jr. (1885-1972) in 1926.  William Dawson was one of the most important American diplomats of the first half of the 20th century. He served as a vice and deputy consul in Barcelona (Spain), Frankfurt (Germany), Rosario (Argentina), Montievedo (Uruguay), Danzig (Poland) and Munich (Germany) before serving as US consul-general of Mexico, Ecuador, Columbia, Uruguay and as US ambassador to Panama and Uruguay. At the end of his career, he was the first US Ambassador to the Organization of American States. ","At the time the letters were written William Dawson was the US Ambassador to Uruguay and the Dawsons resided in Montevideo."],"prefercite_html_tesm":["\u003cp\u003eAgnes Dawson Letters, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Agnes Dawson Letters, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAccessioned and processed in June and September 2009 by SCRC staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Accessioned and processed in June and September 2009 by SCRC staff."],"scopecontent_html_tesm":["\u003cp\u003eLetters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.\u003c/p\u003e\n","\u003cp\u003eThe more detailed description below provided by the seller and has not been verified for accuracy:\u003c/p\u003e\n","\u003cp\u003e \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.\u003c/p\u003e\n","\u003cp\u003e\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. \u003c/p\u003e\n","\u003cp\u003e\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. \u003c/p\u003e\n","\u003cp\u003e\"She mentions having lunch with Orson Wells, meeting Andres Segovia and talks about her and her husband's close relationship with Col. de Basil, the leader of the Ballet Russe, and that troupe's dancers. \nThere is material about meeting the two of Uruguay's leader and other Uruguayan dignitaries, as well as meeting officials and diplomats from around the world. \u003c/p\u003e\n","\u003cp\u003e\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Letters, 1941-1946 written by Agnes Balloch Dawson from the American Embassy in Montevideo, Uruguay to her father and 'Omie' (mother?).  Agnes Balloch Dawson talks in detail about her and her husband William Dawson Jr.'s (1885-1972) life in Uruguay, describing their social and professional interactions, and commenting on politics and events.\nSome of the people she met and mentions in her letters are Walt Disney, Aaron Copland and Orson Wells.","The more detailed description below provided by the seller and has not been verified for accuracy:"," \n \"Letters of \"Agnes Balloch Dawson, the wife of well-known US diplomat, William Dawson, and grand-daughter of Civil War General, George W. Balloch. \nAgnes Balloch Dawson, wrote to their family as her husband served as Ambassador to Uruguay during WWII. She was a highly educated and accomplished woman herself, well regarded in diplomatic circles and a well-known figure in the arts.","\"The letters, most of them signed, detail the goings-on of her and her husband, giving a thorough account of their day-to-day business; her conversations with people she met, the art scene and performances she attended, etc. There is, for example, a two-page letter devoted almost entirely to her meetings and conversations with Walt Disney when he visited Montevideo for the opening of Fantasia. ","\"There are several pages of her discussions with American composer Aaron Copland, when he headed a musical conference in Montevideo, including material about music theory. ","\"She mentions having lunch with Orson Wells, meeting Andres Segovia and talks about her and her husband's close relationship with Col. de Basil, the leader of the Ballet Russe, and that troupe's dancers. \nThere is material about meeting the two of Uruguay's leader and other Uruguayan dignitaries, as well as meeting officials and diplomats from around the world. ","\"There is a WW II component, in the mentionings about UK and US ships and soldiers passing through on their way to the Japanese front.\"\n "],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Dawson, William, Jr., 1885-1972"],"persname_ssim":["Dawson, Agnes Balloch Bready","Dawson, William, Jr., 1885-1972"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:24:45.199Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_14"}},{"id":"viu_repositories_3_resources_777","type":"collection","attributes":{"title":"Agnes Patone scrapbook","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_777#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Agnes Panton scrapbook (1944-1945; 0.25 cubic feet) is a World War II scrapbook documenting a female marine's experiences. It contains memorabilia, invitations, greeting cards, and newspaper clippings. Also included are shoulder stripe patches for a male and female officer. Second Headquarters Battalion stationed in Washington D.C. area.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_777#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_777","ead_ssi":"viu_repositories_3_resources_777","_root_":"viu_repositories_3_resources_777","_nest_parent_":"viu_repositories_3_resources_777","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_777.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/685","title_filing_ssi":"Patone, Agnes, Woman Marine scrapbook","title_ssm":["Agnes Patone scrapbook"],"title_tesim":["Agnes Patone scrapbook"],"unitdate_ssm":["1944-1945"],"unitdate_inclusive_ssm":["1944-1945"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["MSS 16397","Archival Resource Key","/repositories/3/resources/777"],"text":["MSS 16397","Archival Resource Key","/repositories/3/resources/777","Agnes Patone scrapbook","World War, 1939-1945","Scrapbooks","The collection is open for research use.","The Agnes Panton scrapbook (1944-1945; 0.25 cubic feet) is a World War II scrapbook documenting a female marine's experiences.  It contains memorabilia, invitations, greeting cards, and newspaper clippings. Also included are shoulder stripe patches for a male and female officer. Second Headquarters Battalion stationed in Washington D.C. area.","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16397","Archival Resource Key","/repositories/3/resources/777"],"normalized_title_ssm":["Agnes Patone scrapbook"],"collection_title_tesim":["Agnes Patone scrapbook"],"collection_ssim":["Agnes Patone scrapbook"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["2018-0001, purchased, 27 November 2017, Alfred Henry Byrd Endowment Fund."],"access_subjects_ssim":["World War, 1939-1945","Scrapbooks"],"access_subjects_ssm":["World War, 1939-1945","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["0.25 Cubic Feet 1 volume"],"extent_tesim":["0.25 Cubic Feet 1 volume"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"prefercite_html_tesm":["\u003cp\u003eMSS 16397 Agnes Patone scrapbook, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16397 Agnes Patone scrapbook, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Agnes Panton scrapbook (1944-1945; 0.25 cubic feet) is a World War II scrapbook documenting a female marine's experiences.  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It contains memorabilia, invitations, greeting cards, and newspaper clippings. Also included are shoulder stripe patches for a male and female officer. 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The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books: the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3629#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3629","ead_ssi":"wvmturhc_repositories_2_resources_3629","_root_":"wvmturhc_repositories_2_resources_3629","_nest_parent_":"wvmturhc_repositories_2_resources_3629","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3629.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197468","title_ssm":["Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications"],"title_tesim":["Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications"],"unitdate_ssm":["circa 1920s-1970s"],"unitdate_inclusive_ssm":["circa 1920s-1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4177","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3629"],"text":["A\u0026M 4177","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3629","Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications","This collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Mahoney, Sarah Anderson, 2016/04/21"],"has_online_content_ssim":["false"],"extent_ssm":["5.88 Linear Feet 5 ft. 10.5 in. (2 document cases, 5 in. each; 6 boxes, 5 ft. 0.5 in. total)"],"extent_tesim":["5.88 Linear Feet 5 ft. 10.5 in. (2 document cases, 5 in. each; 6 boxes, 5 ft. 0.5 in. total)"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026amp; Regional History Center for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications, A\u0026amp;M 4177, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications, A\u0026M 4177, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba5ba5db2058a5b6ed2c18d7b552242e\"\u003ePapers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed.\u003c/abstract\u003e"],"abstract_tesim":["Papers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a8ac083034322a0c1d92e768abd1101e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:10:38.687Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3629","ead_ssi":"wvmturhc_repositories_2_resources_3629","_root_":"wvmturhc_repositories_2_resources_3629","_nest_parent_":"wvmturhc_repositories_2_resources_3629","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3629.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197468","title_ssm":["Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications"],"title_tesim":["Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications"],"unitdate_ssm":["circa 1920s-1970s"],"unitdate_inclusive_ssm":["circa 1920s-1970s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4177","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3629"],"text":["A\u0026M 4177","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3629","Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications","This collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Mahoney, Sarah Anderson, 2016/04/21"],"has_online_content_ssim":["false"],"extent_ssm":["5.88 Linear Feet 5 ft. 10.5 in. (2 document cases, 5 in. each; 6 boxes, 5 ft. 0.5 in. total)"],"extent_tesim":["5.88 Linear Feet 5 ft. 10.5 in. (2 document cases, 5 in. each; 6 boxes, 5 ft. 0.5 in. total)"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThis collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026amp; Regional History Center for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection cannot be retrieved for use at this time. Please contact the West Virginia \u0026 Regional History Center for more information."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications, A\u0026amp;M 4177, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Correspondence, Manuscripts, and Publications, A\u0026M 4177, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ba5ba5db2058a5b6ed2c18d7b552242e\"\u003ePapers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed.\u003c/abstract\u003e"],"abstract_tesim":["Papers of author Agnes Smith of Harrison and Marion Counties, West Virginia. The collection includes manuscripts of writings such as essays and stories, personal and professional correspondence, photographs, diaries (1969-1973), her diploma from Fairmont State Teachers College (1932), speeches (1959-1963), and publications. Publications include published copies of essays and articles as well as Smith's books:  the award-winning Edge of the Forest (1959) and The Bluegreen Tree (1977), both children's books, and Speaking as a Writer (1978), a collection of essays. This collection is minimally processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a8ac083034322a0c1d92e768abd1101e\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:10:38.687Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3629"}},{"id":"wvmturhc_repositories_2_resources_3526","type":"collection","attributes":{"title":"Agnes Smith (1906-1994), Author, Literary Manuscripts","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3526#creator","type":"document_value","attributes":{"value":"Smith, Agnes, 1906-1994","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3526#abstract_or_scope","type":"document_value","attributes":{"value":"Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3526#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_3526","ead_ssi":"wvmturhc_repositories_2_resources_3526","_root_":"wvmturhc_repositories_2_resources_3526","_nest_parent_":"wvmturhc_repositories_2_resources_3526","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3526.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197371","title_ssm":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"title_tesim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"unitdate_ssm":["ca. 1930-1970"],"unitdate_inclusive_ssm":["ca. 1930-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526"],"text":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526","Agnes Smith (1906-1994), Author, Literary Manuscripts","Authors, American -- West Virginia","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Author Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.","\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.","\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]","Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.","Contents List:","\nbox 1; Short Stories; The Professor","\nbox 1; Short Stories; The Gilt Chair","\nbox 1; Short Stories; The Morning After","\nbox 1; Short Stories; Mrs. Clarkson and Zona","\nbox 1; Short Stories; Brush Field","\nbox 1; Short Stories; Phoebus Apollo","\nbox 1; Short Stories; Across the Street","\nbox 1; Short Stories; The Old Gentleman","\nbox 1; Short Stories; The Last Language","\nbox 1; Novella; Sinbad and the Twins (for children)","\nbox 1; Play; The Revolt of the Marionettes","\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)","\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)","\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)","\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)","\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)","\nbox 5; Stories About Ridgeville; A View of the River","\nbox 5; Stories About Ridgeville; The Middle Distance","\nbox 5; Stories About Ridgeville; The Wavingwalkers' War","\nbox 6; Stories About Ridgeville; The Wooden Dancer","\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery","\nbox 6; Other Manuscripts by Agnes Smith","\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple","\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Smith, Agnes, 1906-1994","English"],"unitid_tesim":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526"],"normalized_title_ssm":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"collection_title_tesim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"collection_ssim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Smith, Agnes, 1906-1994"],"creator_ssim":["Smith, Agnes, 1906-1994"],"creator_persname_ssim":["Smith, Agnes, 1906-1994"],"creators_ssim":["Smith, Agnes, 1906-1994"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Authors, American -- West Virginia"],"access_subjects_ssm":["Authors, American -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet Summary: 7 ft. 6 in. (6 record cartons, 15 in. each)","0.71 Gigabytes 18 files, formats include .jpg, .wav, .mp4"],"extent_tesim":["7.5 Linear Feet Summary: 7 ft. 6 in. (6 record cartons, 15 in. each)","0.71 Gigabytes 18 files, formats include .jpg, .wav, .mp4"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eAuthor Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.\u003c/p\u003e\n","\u003cp\u003e\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.\u003c/p\u003e\n","\u003cp\u003e\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Author Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.","\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.","\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Literary Manuscripts, A\u0026amp;M 4080, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Literary Manuscripts, A\u0026M 4080, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eContents List:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Professor\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Gilt Chair\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Morning After\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Mrs. Clarkson and Zona\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Brush Field\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Phoebus Apollo\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Across the Street\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Old Gentleman\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Last Language\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Novella; Sinbad and the Twins (for children)\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Play; The Revolt of the Marionettes\u003c/p\u003e\n","\u003cp\u003e\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)\u003c/p\u003e\n","\u003cp\u003e\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)\u003c/p\u003e\n","\u003cp\u003e\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)\u003c/p\u003e\n","\u003cp\u003e\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; A View of the River\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Middle Distance\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Wavingwalkers' War\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Stories About Ridgeville; The Wooden Dancer\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Other Manuscripts by Agnes Smith\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.","Contents List:","\nbox 1; Short Stories; The Professor","\nbox 1; Short Stories; The Gilt Chair","\nbox 1; Short Stories; The Morning After","\nbox 1; Short Stories; Mrs. Clarkson and Zona","\nbox 1; Short Stories; Brush Field","\nbox 1; Short Stories; Phoebus Apollo","\nbox 1; Short Stories; Across the Street","\nbox 1; Short Stories; The Old Gentleman","\nbox 1; Short Stories; The Last Language","\nbox 1; Novella; Sinbad and the Twins (for children)","\nbox 1; Play; The Revolt of the Marionettes","\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)","\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)","\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)","\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)","\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)","\nbox 5; Stories About Ridgeville; A View of the River","\nbox 5; Stories About Ridgeville; The Middle Distance","\nbox 5; Stories About Ridgeville; The Wavingwalkers' War","\nbox 6; Stories About Ridgeville; The Wooden Dancer","\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery","\nbox 6; Other Manuscripts by Agnes Smith","\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple","\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_654dc2dac3248ccadf7d31e678033cc7\"\u003eLiterary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail.\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f603b2ee86c1c8473db5a35359a5a48d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Smith, Agnes, 1906-1994"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Smith, Agnes, 1906-1994"],"persname_ssim":["Smith, Agnes, 1906-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:06:32.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3526","ead_ssi":"wvmturhc_repositories_2_resources_3526","_root_":"wvmturhc_repositories_2_resources_3526","_nest_parent_":"wvmturhc_repositories_2_resources_3526","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3526.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197371","title_ssm":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"title_tesim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"unitdate_ssm":["ca. 1930-1970"],"unitdate_inclusive_ssm":["ca. 1930-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526"],"text":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526","Agnes Smith (1906-1994), Author, Literary Manuscripts","Authors, American -- West Virginia","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Author Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.","\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.","\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]","Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.","Contents List:","\nbox 1; Short Stories; The Professor","\nbox 1; Short Stories; The Gilt Chair","\nbox 1; Short Stories; The Morning After","\nbox 1; Short Stories; Mrs. Clarkson and Zona","\nbox 1; Short Stories; Brush Field","\nbox 1; Short Stories; Phoebus Apollo","\nbox 1; Short Stories; Across the Street","\nbox 1; Short Stories; The Old Gentleman","\nbox 1; Short Stories; The Last Language","\nbox 1; Novella; Sinbad and the Twins (for children)","\nbox 1; Play; The Revolt of the Marionettes","\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)","\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)","\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)","\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)","\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)","\nbox 5; Stories About Ridgeville; A View of the River","\nbox 5; Stories About Ridgeville; The Middle Distance","\nbox 5; Stories About Ridgeville; The Wavingwalkers' War","\nbox 6; Stories About Ridgeville; The Wooden Dancer","\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery","\nbox 6; Other Manuscripts by Agnes Smith","\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple","\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Smith, Agnes, 1906-1994","English"],"unitid_tesim":["A\u0026M 4080","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3526"],"normalized_title_ssm":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"collection_title_tesim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"collection_ssim":["Agnes Smith (1906-1994), Author, Literary Manuscripts"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Smith, Agnes, 1906-1994"],"creator_ssim":["Smith, Agnes, 1906-1994"],"creator_persname_ssim":["Smith, Agnes, 1906-1994"],"creators_ssim":["Smith, Agnes, 1906-1994"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Authors, American -- West Virginia"],"access_subjects_ssm":["Authors, American -- West Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet Summary: 7 ft. 6 in. (6 record cartons, 15 in. each)","0.71 Gigabytes 18 files, formats include .jpg, .wav, .mp4"],"extent_tesim":["7.5 Linear Feet Summary: 7 ft. 6 in. (6 record cartons, 15 in. each)","0.71 Gigabytes 18 files, formats include .jpg, .wav, .mp4"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eAuthor Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.\u003c/p\u003e\n","\u003cp\u003e\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.\u003c/p\u003e\n","\u003cp\u003e\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Author Agnes Clifford Smith (October 18, 1906-January 11, 1994) was born in Clarksburg, grew up in Clarksburg and Charleston, and finished high school at the Academy of St. Joseph in Brentwood, New York. She graduated from Fairmont State College with a degree in English, and in 1936 married Fairmont native Richard Bruce Parrish, who for many years was editor of the city's afternoon newspaper, The West Virginian.","\nFollowing graduation from college she pursued her interest in writing, among other activities. Her major work, An Edge of the Forest, was published by Viking Press in 1959; it won the Aurianne Award of the American Library Association, a children's book award. Smith went on to publish two additional works, The Bluegreen Tree, also a children's book, and a collection of essays titled Speaking as a Writer. She passed away in Fairmont.","\n[This historical note was adapted from an article in the West Virginia Encyclopedia authored by Eleanor Mahoney.]"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Literary Manuscripts, A\u0026amp;M 4080, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Agnes Smith (1906-1994), Author, Literary Manuscripts, A\u0026M 4080, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eLiterary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eContents List:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Professor\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Gilt Chair\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Morning After\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Mrs. Clarkson and Zona\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Brush Field\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Phoebus Apollo\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; Across the Street\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Old Gentleman\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Short Stories; The Last Language\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Novella; Sinbad and the Twins (for children)\u003c/p\u003e\n","\u003cp\u003e\nbox 1; Play; The Revolt of the Marionettes\u003c/p\u003e\n","\u003cp\u003e\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)\u003c/p\u003e\n","\u003cp\u003e\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)\u003c/p\u003e\n","\u003cp\u003e\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)\u003c/p\u003e\n","\u003cp\u003e\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; A View of the River\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Middle Distance\u003c/p\u003e\n","\u003cp\u003e\nbox 5; Stories About Ridgeville; The Wavingwalkers' War\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Stories About Ridgeville; The Wooden Dancer\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Other Manuscripts by Agnes Smith\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple\u003c/p\u003e\n","\u003cp\u003e\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post as well as digital photographs of Agnes Smith Parrish, digitized copies of home video footage of West Wind Farm, and a digital copy of a radio program titled \"Know Your State\" in which Parrish talks about \"An Edge of the Forest.\" This collection is minimally unprocessed.","Contents List:","\nbox 1; Short Stories; The Professor","\nbox 1; Short Stories; The Gilt Chair","\nbox 1; Short Stories; The Morning After","\nbox 1; Short Stories; Mrs. Clarkson and Zona","\nbox 1; Short Stories; Brush Field","\nbox 1; Short Stories; Phoebus Apollo","\nbox 1; Short Stories; Across the Street","\nbox 1; Short Stories; The Old Gentleman","\nbox 1; Short Stories; The Last Language","\nbox 1; Novella; Sinbad and the Twins (for children)","\nbox 1; Play; The Revolt of the Marionettes","\nbox 2; Stories From Where, Volume 1 (The Bridge and How Avenue, Counter Clockwise, at least 6 parts)","\nboxes 3 and 4; Stories From Where, Volume 2 (The Bridge and How Avenue, Clockwise, at least 6 parts)","\nbox 4; Stories From Where, Volume 3 (The Village, at least 4 parts)","\nbox 4; Stories From Where, Volume 4 (The Village, More About Where and River Road District)","\nbox 5; Stories About Ridgeville; The Colors Are Still Bright -- A Chronicle (Prologue, A Tree Has Hope)","\nbox 5; Stories About Ridgeville; A View of the River","\nbox 5; Stories About Ridgeville; The Middle Distance","\nbox 5; Stories About Ridgeville; The Wavingwalkers' War","\nbox 6; Stories About Ridgeville; The Wooden Dancer","\nbox 6; Stories About Ridgeville; Mark Tabour's Recovery","\nbox 6; Other Manuscripts by Agnes Smith","\nbox 6; Short Story by Melville Davisson Post; The Unknown Disciple","\nbox 6; Short Story by Melville Davisson Post; The Paint Horses -- A Phase of the Nativity"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_654dc2dac3248ccadf7d31e678033cc7\"\u003eLiterary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail.\u003c/abstract\u003e"],"abstract_tesim":["Literary manuscripts authored by Agnes Clifford Smith, an award winning author of two published children's books and a published book of essays. The collection includes short stories, a novella, a play, and other material. There are also two short story manuscripts by West Virginia author Melville Davisson Post. This collection is unprocessed. See scope and content note for more detail."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f603b2ee86c1c8473db5a35359a5a48d\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Smith, Agnes, 1906-1994"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Smith, Agnes, 1906-1994"],"persname_ssim":["Smith, Agnes, 1906-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:06:32.890Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3526"}},{"id":"viblbv_repositories_2_resources_3179","type":"collection","attributes":{"title":"Agricultural Extension Service Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3179#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of files compiled in preparing the history of the Cooperative Extension Service entitled College of the Fields: Highlights of the Virginia Cooperative Extension Service, 1914-1980. 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Hutcheson; photographs of home demonstration work and the people involved; publications consulted for the history; and a rough draft of the history with margin notes and editing.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3179#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_3179","ead_ssi":"viblbv_repositories_2_resources_3179","_root_":"viblbv_repositories_2_resources_3179","_nest_parent_":"viblbv_repositories_2_resources_3179","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3179.xml","title_ssm":["Agricultural Extension Service Records"],"title_tesim":["Agricultural Extension Service Records"],"unitdate_ssm":["1914-1980"],"unitdate_inclusive_ssm":["1914-1980"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.26.02"],"text":["RG.26.02","Agricultural Extension Service Records","The Agricultural Extension began with the passage of the Smith-Lever Act in 1914, but can trace its roots back to 1906 when extension work in agriculture and home economics began in Virginia. In 1966, the Agricultural Extension Service became the Cooperative Extension Service as part of the overall Extension Division of Virginia Tech. For a complete history, see  College of the Fields: Some Highlights of the Virginia Cooperative Extension Service, 1914-1980 .","This collection consists of files compiled in preparing the history of the Cooperative Extension Service entitled College of the Fields: Highlights of the Virginia Cooperative Extension Service, 1914-1980. Included in the collection are: lists of county agents (1914-80); correspondence, articles, speeches and other items from the files of Ella Agnew, first home demonstration agent in the U.S.; information on Seaman Knapp, T.O. Sandy, Maude Wallace, and other pioneers of extension work; information on Negro extension work, 4-H, Black Extension Homemakers Club, Virginia Extension Homemakers Council, and home demonstration work; typed manuscripts of articles and speeches by John R. Hutcheson; photographs of home demonstration work and the people involved; publications consulted for the history; and a rough draft of the history with margin notes and editing.","Special Collections and University Archives, Virginia Tech","English \n.    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Hutcheson; photographs of home demonstration work and the people involved; publications consulted for the history; and a rough draft of the history with margin notes and editing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of files compiled in preparing the history of the Cooperative Extension Service entitled College of the Fields: Highlights of the Virginia Cooperative Extension Service, 1914-1980. Included in the collection are: lists of county agents (1914-80); correspondence, articles, speeches and other items from the files of Ella Agnew, first home demonstration agent in the U.S.; information on Seaman Knapp, T.O. Sandy, Maude Wallace, and other pioneers of extension work; information on Negro extension work, 4-H, Black Extension Homemakers Club, Virginia Extension Homemakers Council, and home demonstration work; typed manuscripts of articles and speeches by John R. 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