{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026page=7","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026page=6","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026page=8","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026page=3445"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":3445,"limit_value":10,"offset_value":60,"total_count":34450,"first_page?":false,"last_page?":false}},"data":[{"id":"virmu_repositories_2_resources_8_c02_c03_c03_c31","type":"Item","attributes":{"title":"1189-8","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c02_c03_c03_c31#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt] HAMMER GALLERIES 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c02_c03_c03_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c02_c03_c03_c31","ref_ssm":["virmu_repositories_2_resources_8_c02_c03_c03_c31"],"id":"virmu_repositories_2_resources_8_c02_c03_c03_c31","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c02_c03_c03","parent_ssi":"virmu_repositories_2_resources_8_c02_c03_c03","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c02","virmu_repositories_2_resources_8_c02_c03","virmu_repositories_2_resources_8_c02_c03_c03"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c02","virmu_repositories_2_resources_8_c02_c03","virmu_repositories_2_resources_8_c02_c03_c03"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 2: Hammer Galleries","Series 2.3: Item Descriptions","Folder 10"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 2: Hammer Galleries","Series 2.3: Item Descriptions","Folder 10"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 2: Hammer Galleries","Series 2.3: Item Descriptions","Folder 10","1189-8","Paper","Hammer Galleries","New York (N.Y.)","English","box SC-07 Box 1","folder 10","Item SC07.02.3.161","American--1","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"1189-8","title_ssm":["1189-8"],"title_tesim":["1189-8"],"unitdate_other_ssim":["Jan. , 1941"],"normalized_date_ssm":["1941"],"normalized_title_ssm":["1189-8"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Hammer Galleries"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":588,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1941],"names_ssim":["Hammer Galleries"],"corpname_ssim":["Hammer Galleries"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 10","Item SC07.02.3.161"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#1/components#2/components#2/components#30","timestamp":"2026-05-21T03:30:55.910Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","47.20.412, 47.20.333, 47.20.312","47.20.14, 47.20.284, 47.20.338","47.20.30, 47.20.26, 47.20.28, 47.20.214, 47.20.341, 47.20.363, 47.20.404, 47.20.309","47.20.167, 47.20.72, 47.20.287, 47.20.166, 47.20.346, 47.20.296, 47.20.90, 47.20.95, 47.20.420, 47.20.421, 47.20.85, 47.20.94, 47.20.77, 47.20.74, 47.20.78, 47.20.75, 47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62, 47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87, 47.20.115, 47.20.63, 47.20.83, 47.20.54, 47.20.88, 47.20.130, 47.20.93, 47.20.59, 47.20.56, 47.20.58, 47.20.92, 47.20.96","47.20.4, 47.20.71, 47.20.81, 47.20.70, 47.20.55, 47.20.80, 47.20.76, 47.20.332, 47.20.336, 47.20.397, 47.20.140, 47.20.342, 47.20.281, 47.20.304, 47.20.157","47.20.416, 47.20.349, 47.20.317, 47.20.197","47.20.314, 47.20.313, 47.20.322, 47.20.290, 47.20.251, 47.20.12, 47.20.319, 47.20.184, 47.20.169, 47.20.358, 47.20.350, 47.20.183, 47.20.187, 47.20.141, 47.20.162, 47.20.417, 47.20.329","47.20.173, 47.20.195","47.20.173, 47.20.195","47.20.31, 47.20.291, 47.20.193, 47.20.275, 47.20.181, 47.20.164, 47.20.168, 47.20.27, 47.20.182, 47.20.177, 47.20.196, 47.20.396, 47.20.315, 47.20.337, 47.20.413, 47.20.320","47.20.263, 47.20.353","47.20.310, 47.20.339, 47.20.19, 47.20.282, 47.20.286, 47.20.45, 47.20.348, 47.20.142, 47.20.143, 47.20.128, 47.20.185, 47.20.190, 47.20.180, 47.20.276, 47.20.127","47.20.255, 47.20.294, 47.20.314, 47.20.356, 47.20.414, 47.20.299, 47.20.210,","47.20.22, 47.20.13, 47.20.151, 47.20.279, 47.20.191, 47.20.252, 47.20.7, 47.20.21","47.20.51, 47.20.64, 47.20.493, 47.20.52, 47.20.126, 47.20.278, 47.20.208","47.20.29, 47.20.17","47.20.221, 47.20.265, 47.20.308","47.20.240, 47.20.257, 47.20.256","47.20.306","47.20.292, 47.20.288, 47.20.267","47.20.259, 47.20.311, 47.20.138","47.20.20, 47.20.297, 47.20.351, 47.20.163, 47.20.144, 47.20.220","47.20.215, 47.20.394","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.131","47.20.13","47.20.33","47.20.33","47.20.248, 47.20.249, 47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.373","47.20.209, 47.20.334, 47.20.318, 47.20.102, 47.20.100, 47.20.101","47.20.343, 47.20.344, 47.20.340, 47.20.46, 47.20.148","47.20.495, 47.20.273","47.20.233, 47.20.395","47.20.16","47.20.13","47.20.154, 47.20.205","47.20.379","47.20.383","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.284","47.20.312","47.20.338","47.20.333","47.20.412","47.20.14","47.20.13","47.20.177","47.20.196","47.20.168","47.20.181","47.20.193","47.20.164","47.20.182","47.20.169","47.20.27","47.20.275","47.20.291","47.20.320","47.20.337","47.20.413","47.20.31","47.20.315","47.20.396","47.20.348","47.20.142","47.20.143","47.20.128","47.20.279","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.131","47.20.167","47.20.139","47.20.312","47.20.312","47.20.333","47.20.412","47.20.39","47.20.14","47.20.284","47.20.338","47.20.30","47.20.26","47.20.28","47.20.214","47.20.404","47.20.386","47.20.145","47.20.287","47.20.72","47.20.166","47.20.346","47.20.296","47.20.90","47.20.37","47.20.95, 47.20.85, 47.20.94, 47.20.77, 47.20.59","47.20.74, 47.20.78, 47.20.75, 47.20.63, 47.20.83","47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62","47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87","47.20.115, 47.20.130, 47.20.93, 47.20.56, 47.20.58","47.20.54, 47.20.88, 47.20.92, 47.20.96","47.20.4","47.20.397","47.20.336","47.20.342","47.20.332","47.20.71","47.20.80, 47.20.76","47.20.81, 47.20.70, 47.20.55","47.20.140","47.20.281","47.20.304","47.20.157","47.20.16","47.20.349","47.20.12","47.20.416","47.20.317","47.20.197","47.20.322","47.20.290","47.20.314","47.20.313","47.20.42","47.20.251","47.20.187","47.20.184","47.20.169","47.20.183","47.20.329","47.20.319","47.20.350","47.20.358","47.20.162","47.20.141","47.20.417","47.20.205","47.20.154","47.20.173","47.20.173","47.20.195","47.20.195","47.20.31","47.20.193","47.20.291","47.20.177","47.20.196","47.20.168","47.20.181","47.20.164","47.20.182","47.20.27","47.20.275","47.20.13","47.20.52","47.20.320","47.20.337","47.20.413","47.20.51, 47.20.493, 47.20.64","47.20.315","47.20.396","47.20.126","47.20.208a-b","47.20.278","47.20.353","47.20.263","47.20.348","47.20.142","47.20.143","47.20.128","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.13","47.20.151","47.20.279","47.20.7","47.20.21","47.20.191","47.20.252","47.20.22","47.20.29","47.20.17","47.20.233","47.20.395","47.20.341, 47.20.363","47.20.176","47.20.420, 47.20.421","47.20.20","47.20.340","47.20.418","47.20.33","47.20.255","47.20.294a-b","47.20.314","47.20.138","47.20.356, 47.20.414","47.20.163","47.20.248, 47.20.249","47.20.350","47.20.299","47.20.210","47.20.297","47.20.97?","47.20.144","47.20.221","47.20.220","47.20.240","47.20.257","47.20.267","47.20.256","47.20.265","47.20.379","47.20.308","47.20.311","47.20.374","47.20.259","47.20.216","47.20.110, 47.20.136","47.20.119, 47.20.114, 47.20.120, 47.20.125","47.20.113, 47.20.118, 47.20.112, 47.20.122","47.20.121, 47.20.117","47.20.288","47.20.292","47.20.383.1-6","47.20.343","47.20.273","47.20.46, 47.20.148","47.20.495","47.20.344","47.20.394","47.20.215","47.20.209","47.20.373","47.20.131","47.20.334","47.20.102","47.20.100","47.20.101","47.20.318","47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.306","47.20.351","47.20.270","47.20.18, 47.20.8","47.20.323","47.20.345","47.20.10","47.20.18","47.20.419","47.20.355","47.20.392","47.20.40","47.20.357","47.20.8","47.20.384","47.20.9","47.20.427","47.20.382","47.20.419","47.20.1","47.20.2","47.20.2","47.20.11","47.20.391","47.20.389","47.20.393","47.20.378","47.20.25,47.20.419, 47.20.10, 47.20.11","47.20.392","47.20.398","47.20.381","47.20.419","47.20.355","47.20.391","47.20.9a","47.20.384.1-13","47.20.378","47.20.427","47.20.382","47.20.18","47.20.8","47.20.409","47.20.398","47.20.405","47.20.357","47.20.392","47.20.390","47.20.388.1, 47.20.388.2","47.20.36","47.20.389","47.20.393","47.20.393","47.20.387","47.20.3","47.20.425","47.20.303, 47.20.367","47.20.426","47.20.146","47.20.5","47.20.6","47.20.40","47.20.345","47.20.222","47.20.213","47.20.69","47.20.137","47.20.272","47.20.38","47.20.179","47.20.277a-b","47.20.330","47.20.326","47.20.53","47.20.305","47.20.323","47.20.376.1-42","47.20.271","47.20.269","47.20.244","47.20.268","47.20.152","47.20.15","47.20.165","47.20.327","47.20.328","47.20.41","47.20.293","47.20.47","47.20.48","47.20.49","47.20.50","47.20.65","47.20.66","47.20.67","47.20.68","47.20.98","47.20.250","47.20.161","47.20.325","47.20.227","47.20.235","47.20.231","47.20.211","47.20.207","47.20.202","47.20.324","47.20.228","47.20.241, 47.20.242","47.20.170","47.20.203","47.20.225","47.20.217","47.20.218","47.20.221","47.20.224","47.20.230","47.20.229","47.20.232","47.20.261","47.20.260","47.20.155","47.20.60","47.20.171","47.20.239","47.20.244","47.20.247","47.20.262","47.20.266","47.20.300","47.20.133","47.20.134","47.20.289","47.20.57","47.20.99","47.20.111","47.20.116","47.20.123","47.20.124","47.20.385","47.20.301","47.20.156","47.20.172","47.20.186","47.20.246","47.20.199","47.20.198","47.20.178","47.20.285","47.20.309","47.20.234","47.20.226","47.20.223","47.20.220","47.20.219","47.20.212","47.20.245","47.20.109","47.20.43","47.20.238","47.20.103","47.20.108","47.20.354","47.20.375","47.20.335","47.20.331","47.20.321","47.20.298","47.20.254","47.20.105","47.20.104","47.20.106","47.20.107","47.20.135","47.20.359, 47.20.365","47.20.35","42.19.1","47.20.1, 47.20.2","47.20.11","47.20.25","47.20.10","47.20.419","47.20.32","47.20.32","47.20.32","47.20.32","47.20.32","47.20.357","47.20.409","47.20.303, 47.20.367","47.20.387","47.20.3","47.20.425","47.20.34","47.20.34","47.20.36, 47.20.32, 47.20.34","47.20.17","47.20.17","47.20.17","47.20.348","47.20.21","47.20.21","47.20.176","47.20.36","47.20.32","11061-1, 47.20.33, 47.20.34","11912-2, 47.20.34, 47.20.35, 47.20.32","11912-3, 47.20.34, 47.20.44, 47.20.148","1651, 47.20.235, 47.20.217, 47.20.222","4471, 47.20.214","490M, 47.20.32, 47.20.33","490M-6, 47.20.32","491M-19, 47.20.36, 47.20.231","491M-29, 47.20.148, 47.20.46","544M, 47.20.222, 47.20.217","7852M-10, 47.20.126","7852M-12, 47.20.34, 47.20.17, 47.20.18","7853M-4, 47.20.34, 47.20.32, 47.20.148, 47.20.46","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. 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On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine 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Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. 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Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eWide World Photos, Inc. (NY-33541), Copyright 1937.\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","Ge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Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. 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The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:30:55.910Z","scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.\u003c/p\u003e\n","\u003cp\u003eThe invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. \u003c/p\u003e\n","\u003cp\u003eI have received your note and also the book, and am sorry that you have had this unpleasantness.\u003c/p\u003e\n","\u003cp\u003eI hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, \u003c/p\u003e\n","\u003cp\u003eYours very sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.\u003c/p\u003e\n","\u003cp\u003eI will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.\u003c/p\u003e\n","\u003cp\u003eOr maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.\u003c/p\u003e\n","\u003cp\u003eI am sorry you had to be annoyed paying\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethe freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.\u003c/p\u003e\n","\u003cp\u003eWith best wishes and kindest regards, in which Mrs. Schaffer joins me, I am\u003c/p\u003e\n","\u003cp\u003eYours most sincerely, \nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. \u003c/p\u003e\n","\u003cp\u003eSorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.\u003c/p\u003e\n","\u003cp\u003eI have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. \u003c/p\u003e\n","\u003cp\u003eOn second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see \u003c/p\u003e\n","\u003cp\u003e(over please)\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003eyour things, and at the same time I could measure the egg.\u003c/p\u003e\n","\u003cp\u003eI think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. \u003c/p\u003e\n","\u003cp\u003eThe heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. \u003c/p\u003e\n","\u003cp\u003eHoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexanders S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eJust a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. \u003c/p\u003e\n","\u003cp\u003eSo far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.\u003c/p\u003e\n","\u003cp\u003eBelieve it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. \u003c/p\u003e\n","\u003cp\u003eI would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. \u003c/p\u003e\n","\u003cp\u003eRegarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. \u003c/p\u003e\n","\u003cp\u003eI could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for \u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethis, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, and love from the family, \u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.\u003c/p\u003e\n","\u003cp\u003eI am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.\u003c/p\u003e\n","\u003cp\u003eI am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eIt was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.\u003c/p\u003e\n","\u003cp\u003eIf I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.\u003c/p\u003e\n","\u003cp\u003eMrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and wishes for your speedy recovery,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \u003c/p\u003e\n","\u003cp\u003eTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt, \u003c/p\u003e\n","\u003cp\u003eIt is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. \u003c/p\u003e\n","\u003cp\u003eI am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. \u003c/p\u003e\n","\u003cp\u003eI am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eSeptember 1, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter and check which I have received today.\u003c/p\u003e\n","\u003cp\u003eI was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.\u003c/p\u003e\n","\u003cp\u003eThe raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.\u003c/p\u003e\n","\u003cp\u003eHowever, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.\u003c/p\u003e\n","\u003cp\u003eI am looking forward to seeing you soon.  With kindest regards and best wishes, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eOctober 7, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eWe are very much relieved that you have found the box.  I would have felt miserable otherwise.\u003c/p\u003e\n","\u003cp\u003eI am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.\u003c/p\u003e\n","\u003cp\u003eI hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eP.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eMay 11, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia \u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.\u003c/p\u003e\n","\u003cp\u003eI am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.\u003c/p\u003e\n","\u003cp\u003eI sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.\u003c/p\u003e\n","\u003cp\u003eOf course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.\u003c/p\u003e\n","\u003cp\u003eLooking forward to the pleasure of seeing you soon, with kindest regards, I am\u003c/p\u003e\n","\u003cp\u003eVery sincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: Telephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eAugust 1, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eI was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. \u003c/p\u003e\n","\u003cp\u003eIt is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. \u003c/p\u003e\n","\u003cp\u003eWe are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer \n[signature]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eNovember 2, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.\u003c/p\u003e\n","\u003cp\u003eHave you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.\u003c/p\u003e\n","\u003cp\u003ePaul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.\u003c/p\u003e\n","\u003cp\u003eI hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 15, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.\u003c/p\u003e\n","\u003cp\u003eI am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.\u003c/p\u003e\n","\u003cp\u003eThe silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\nP. S.  The parchment just arrived.  Thank you.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 30, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!\u003c/p\u003e\n","\u003cp\u003eWe both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.\u003c/p\u003e\n","\u003cp\u003eWe do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).\u003c/p\u003e\n","\u003cp\u003eWith kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003e\nNovember 21, 1945\u003c/p\u003e\n","\u003cp\u003eMrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.\u003c/p\u003e\n","\u003cp\u003eI am enclosing a receipt for them.  They all arrived in good condition including the flower.\u003c/p\u003e\n","\u003cp\u003eRegarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.\u003c/p\u003e\n","\u003cp\u003eI am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nCordially yours,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eENC.\nASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003eJune 4, 1946\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003eThe man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.\u003c/p\u003e\n","\u003cp\u003eHe claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.\u003c/p\u003e\n","\u003cp\u003ePlease do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nSincerely,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York\u003c/p\u003e\n","\u003cp\u003eFebruary 3, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your very kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWell, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.\u003c/p\u003e\n","\u003cp\u003eAlex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.\u003c/p\u003e\n","\u003cp\u003eThe children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.\u003c/p\u003e\n","\u003cp\u003eI hope that we'll be seeing you soon.\u003c/p\u003e\n","\u003cp\u003ePeter and Paul send their love, as do I.\u003c/p\u003e\n","\u003cp\u003eSincerely,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.\u003c/p\u003e\n","\u003cp\u003eApril 24, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you very much for your check and letter.  I do appreciate it.\u003c/p\u003e\n","\u003cp\u003eMy husband just went away for a few days to recuperate, as he is still not up to par.\u003c/p\u003e\n","\u003cp\u003eYes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eCordially,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eJuly 5, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your nice letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!\u003c/p\u003e\n","\u003cp\u003eThe children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.\u003c/p\u003e\n","\u003cp\u003eI hope you are taking good care of yourself and keeping well.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eRay Schaffer\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eCopy\u003c/p\u003e\n","\u003cp\u003eDec. 4th '45\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Schaffer – \u003c/p\u003e\n","\u003cp\u003eHerewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.\u003c/p\u003e\n","\u003cp\u003eTell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.\u003c/p\u003e\n","\u003cp\u003eKindest regards, Sincerely yours,\u003c/p\u003e\n","\u003cp\u003e(Signed) Lillian T. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffe [ripped]\n15 West 50th Street [ripped]\u003c/p\u003e\n","\u003cp\u003eCenter Publications, Inc. \nNEW YORK N Y\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e\n","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. \u003c/p\u003e\n","\u003cp\u003eThese eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2443\u003c/p\u003e\n","\u003cp\u003eGolden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.\u003c/p\u003e\n","\u003cp\u003eThis very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN. L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026amp; Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\u003c/p\u003e\n","\u003cp\u003eGOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eThis series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).\u003c/p\u003e\n","\u003cp\u003ePrice tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.\u003c/p\u003e\n","\u003cp\u003eFinally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.\u003c/p\u003e\n","\u003cp\u003eFrom the Collection in the Winter Palace, St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg \nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809\u003c/p\u003e\n","\u003cp\u003eSet of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nHotel McAlpin\nNew York, New York\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.\u003c/p\u003e\n","\u003cp\u003eFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528\u003c/p\u003e\n","\u003cp\u003eAn icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111\u003c/p\u003e\n","\u003cp\u003eA jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.\u003c/p\u003e\n","\u003cp\u003eIt is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019\u003c/p\u003e\n","\u003cp\u003eA jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.\u003c/p\u003e\n","\u003cp\u003eThe box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148\u003c/p\u003e\n","\u003cp\u003eA brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.\u003c/p\u003e\n","\u003cp\u003eIt was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C\u003c/p\u003e\n","\u003cp\u003eA porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.\u003c/p\u003e\n","\u003cp\u003eThe Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \u003c/p\u003e\n","\u003cp\u003eArticle No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62\u003c/p\u003e\n","\u003cp\u003eRare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMarch 6th, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nEaster, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. \u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nAugust 17, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/2\u003c/p\u003e\n","\u003cp\u003eGold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.\u003c/p\u003e\n","\u003cp\u003eIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 29th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nFebruary 8th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay 11th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eLillian T. Pratt\nChristmas, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026amp; Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e\n","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.\u003c/p\u003e","\u003cp\u003eTranscription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677\u003c/p\u003e","\u003cp\u003eTranscription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136\u003c/p\u003e","\u003cp\u003eTranscription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -\u003c/p\u003e","\u003cp\u003eTranscription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 149322\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 159619\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00\u003c/p\u003e","\u003cp\u003eTranscription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026amp; Co.\nFifth Avenue New York\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]\u003c/p\u003e\n","\u003cp\u003e45 00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026amp; Co.\nNew York\u003c/p\u003e\n","\u003cp\u003e[Back]\nB. Altman \u0026amp; Co. New York\n60\n25.00\nOver Treasure Trove tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026amp; Co. New York tag \n45.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026amp; Co. New York\n50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026amp; SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag, Sale\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag [$45.00?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026amp; Col. New York\n[Back] Altman Lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026amp; Co. New York\n[Back] Altman lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52A\nM 98\nB. ALTMAN \u0026amp; CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52-A\nB. ALTMAN \u0026amp; CO.\nS 93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nS93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA4 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nW5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52-A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026amp; Co.\nNew York\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026amp; Co.\nNew York\n[R829 written over company name at bottom]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026amp; Bohemian Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNew York\n165.00 [lined through]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Miller \u0026amp; Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026amp; J. Sloane\n47th \u0026amp; 5th Ave\nN. Y. City\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026amp; Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height\u003c/p\u003e","\u003cp\u003eTranscription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026amp; CO.\nPHILADELPHIA\u003c/p\u003e","\u003cp\u003eTranscription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026amp; E. Wakelin\u003c/p\u003e","\u003cp\u003eTranscription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W\u003c/p\u003e","\u003cp\u003eTranscription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9\u003c/p\u003e","\u003cp\u003eTranscription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026amp; Richard\nSibley\nRRM\u003c/p\u003e","\u003cp\u003eTranscription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427\u003c/p\u003e","\u003cp\u003eTranscription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n10679\nGeo. III\n[lion \u0026amp; unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER\u003c/p\u003e","\u003cp\u003eTranscription: \n2002\n$20.00 (b)\nGeorgian\nMA\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R\u003c/p\u003e","\u003cp\u003eTranscription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32\u003c/p\u003e","\u003cp\u003eTranscription: \nS. \u0026amp; G. GUMP CO.\nSAN FRANCISCO, CAL.\u003c/p\u003e\n","\u003cp\u003eAntique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.\u003c/p\u003e\n","\u003cp\u003eS. \u0026amp; G. GUMP COMPANY\u003c/p\u003e","\u003cp\u003eThis series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.\u003c/p\u003e","\u003cp\u003eTranscription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures\u003c/p\u003e\n","\u003cp\u003eThis remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. \u003c/p\u003e\n","\u003cp\u003eAll Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware\u003c/p\u003e\n","\u003cp\u003eFIFTH FLOOR\u003c/p\u003e\n","\u003cp\u003eThalhimers\u003c/p\u003e","\u003cp\u003eTranscription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel\u003c/p\u003e\n","\u003cp\u003ePart of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention\u003c/p\u003e\n","\u003cp\u003eCzarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. \u003c/p\u003e\n","\u003cp\u003eWhen brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026amp; Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]\u003c/p\u003e","\u003cp\u003eThis series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.\u003c/p\u003e","\u003cp\u003eDescription: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".\u003c/p\u003e","\u003cp\u003eDescription: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.\u003c/p\u003e","\u003cp\u003eDescription: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.\u003c/p\u003e","\u003cp\u003eDescription: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.\u003c/p\u003e","\u003cp\u003eTranscription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY\u003c/p\u003e\n","\u003cp\u003eTO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]\u003c/p\u003e\n","\u003cp\u003ePhotographs - Do Not Bend\u003c/p\u003e","\u003cp\u003eDescription: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eDescription: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.\u003c/p\u003e","\u003cp\u003eTranscription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.\u003c/p\u003e\n","\u003cp\u003e1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003e[Hand drawn and numbered outlines of the heads of all the people in the photograph]\u003c/p\u003e\n","\u003cp\u003e14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.\u003c/p\u003e","\u003cp\u003eDescription: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c02_c03_c03_c31"}},{"id":"viu_repositories_7_resources_157_c01_c18","type":"Item","attributes":{"title":"1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c18","ref_ssm":["viu_repositories_7_resources_157_c01_c18"],"id":"viu_repositories_7_resources_157_c01_c18","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,","box 1","folder 18"],"title_filing_ssi":"1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,","title_ssm":["1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,"],"title_tesim":["1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-18 Showing body of the fornix and the roid plexuses of the lateral ventricles ,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":19,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 1","folder 18"],"_nest_path_":"/components#0/components#17","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c18"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c08_c11","type":"Item","attributes":{"title":"#118 - Smith, Franklin J.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c08_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c08_c11","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c08_c11"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c08_c11","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c08","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c08","parent_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c08"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c08"],"parent_unittitles_ssm":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#108-121"],"parent_unittitles_tesim":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#108-121"],"text":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#108-121","#118 - Smith, Franklin J."],"title_filing_ssi":"#118 - Smith, Franklin J.","title_ssm":["#118 - Smith, Franklin J."],"title_tesim":["#118 - Smith, Franklin J."],"unitdate_inclusive_ssm":["1909-1948"],"normalized_date_ssm":["1909/1948"],"normalized_title_ssm":["#118 - Smith, Franklin J."],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":261,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948],"_nest_path_":"/components#2/components#0/components#7/components#10","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"text":["Ms.1982.002","Bailey-Law Collection","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. ","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"unitid_tesim":["Ms.1982.002"],"normalized_title_ssm":["Bailey-Law Collection"],"collection_title_tesim":["Bailey-Law Collection"],"collection_ssim":["Bailey-Law Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's  The Birds of Florida  were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e\n","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e\n","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e\n","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e\n","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e\n","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e\n","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e\n","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e\n","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e\n","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e\n","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e\n","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e\n","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e\n","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\n\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e\n","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e\n","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c08_c11"}},{"id":"viu_repositories_7_resources_157_c01_c19","type":"Item","attributes":{"title":"1-19 Showing the velum interpositum and chopeduncle of cerebellum,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c19","ref_ssm":["viu_repositories_7_resources_157_c01_c19"],"id":"viu_repositories_7_resources_157_c01_c19","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-19 Showing the velum interpositum and chopeduncle of cerebellum,","box 1","folder 19"],"title_filing_ssi":"1-19 Showing the velum interpositum and chopeduncle of cerebellum,","title_ssm":["1-19 Showing the velum interpositum and chopeduncle of cerebellum,"],"title_tesim":["1-19 Showing the velum interpositum and chopeduncle of cerebellum,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-19 Showing the velum interpositum and chopeduncle of cerebellum,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":20,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 1","folder 19"],"_nest_path_":"/components#0/components#18","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c19"}},{"id":"vaallhs_repositories_2_resources_157_c01_c01","type":"Subseries","attributes":{"title":"1.1: Annual Reports","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_157_c01_c01","ref_ssm":["vaallhs_repositories_2_resources_157_c01_c01"],"id":"vaallhs_repositories_2_resources_157_c01_c01","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157_c01","parent_ssi":"vaallhs_repositories_2_resources_157_c01","parent_ssim":["vaallhs_repositories_2_resources_157","vaallhs_repositories_2_resources_157_c01"],"parent_ids_ssim":["vaallhs_repositories_2_resources_157","vaallhs_repositories_2_resources_157_c01"],"parent_unittitles_ssm":["Alexandria Library Records (MS098)","Series 1: Founding and 20th Century Records"],"parent_unittitles_tesim":["Alexandria Library Records (MS098)","Series 1: Founding and 20th Century Records"],"text":["Alexandria Library Records (MS098)","Series 1: Founding and 20th Century Records","1.1: Annual Reports","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence."],"title_filing_ssi":"1.1: Annual Reports","title_ssm":["1.1: Annual Reports"],"title_tesim":["1.1: Annual Reports"],"unitdate_bulk_ssim":["c.1970s-1990s"],"unitdate_inclusive_ssm":["1938-2014"],"normalized_date_ssm":["1938/2014, bulk 1970/1999"],"normalized_title_ssm":["1.1: Annual Reports"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Library Records (MS098)"],"extent_ssm":["2.64 Cubic Feet"],"extent_tesim":["2.64 Cubic Feet"],"has_online_content_ssim":["false"],"child_component_count_isi":174,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_restrict_tesm":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such."],"date_range_isim":[1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"otherfindaid_html_tesm":["\u003cp\u003e\n  \u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da857c0c-296a-44f7-ab6a-7c2ef7f6321b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\n\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection"],"scopecontent_html_tesm":["\u003cp\u003eThis sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Sub-Series Content Description"],"scopecontent_tesim":["This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence."],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T03:59:46.615Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_157","ead_ssi":"vaallhs_repositories_2_resources_157","_root_":"vaallhs_repositories_2_resources_157","_nest_parent_":"vaallhs_repositories_2_resources_157","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_157.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/157","title_ssm":["Alexandria Library Records (MS098)"],"title_tesim":["Alexandria Library Records (MS098)"],"unitdate_ssm":["1937-2013"],"unitdate_inclusive_ssm":["1937-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS098","/repositories/2/resources/157"],"text":["MS098","/repositories/2/resources/157","Alexandria Library Records (MS098)","Alexandria (Va.)","Alexandria (Va.). Library","Public libraries.","Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use.","This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives","Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website.","Alexandria Library Board Records\n Alexandria Library Company Records (MS002)","This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff","Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).","Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)","English"],"unitid_tesim":["MS098","/repositories/2/resources/157"],"normalized_title_ssm":["Alexandria Library Records (MS098)"],"collection_title_tesim":["Alexandria Library Records (MS098)"],"collection_ssim":["Alexandria Library Records (MS098)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["Alexandria (Va.)"],"geogname_ssim":["Alexandria (Va.)"],"creator_ssm":["Alexandria Library (Alexandria, Va.)"],"creator_ssim":["Alexandria Library (Alexandria, Va.)"],"creator_corpname_ssim":["Alexandria Library (Alexandria, Va.)"],"creators_ssim":["Alexandria Library (Alexandria, Va.)"],"places_ssim":["Alexandria (Va.)"],"access_subjects_ssim":["Alexandria (Va.). Library","Public libraries."],"access_subjects_ssm":["Alexandria (Va.). Library","Public libraries."],"has_online_content_ssim":["false"],"extent_ssm":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"extent_tesim":["13.86 Cubic Feet 30 boxes, 1 oversized box"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.\u003c/p\u003e","\u003cp\u003eThis folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.\u003c/p\u003e","\u003cp\u003eThis site is only accessible to Alexandria Library staff and is not available for public research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Public access to some confidential personnel records is restricted, these materials are noted as such.","This folder contains confidential personnel records. Public access and use of these materials is restricted for 75 years from the date of creation of the document.","This site is only accessible to Alexandria Library staff and is not available for public research use."],"arrangement_html_tesm":["\u003cp\u003eThis finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.\u003c/p\u003e\n","\u003cp\u003eThe \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.\u003c/p\u003e\n","\u003cp\u003eThe physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.\u003c/p\u003e\n","\u003cp\u003e\u003cul\u003e\n\u003cli\u003eSeries 1. Founding and 20th Century Records, 1937-2005\n\u003cul\u003e\n\u003cli\u003eSubseries 1.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 1.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 1.3. Circulation Records\u003c/li\u003e\n\u003cli\u003eSubseries 1.4. History, Programming, and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 1.5. Branch Records\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003cli\u003eSeries 2. 21st Century Records, 1994-present\n\u003cul\u003e\n\u003cli\u003eSubseries 2.1. Annual Reports\u003c/li\u003e\n\u003cli\u003eSubseries 2.2. Administration and Finance\u003c/li\u003e\n\u003cli\u003eSubseries 2.3. Branch Records\u003c/li\u003e\n\u003cli\u003eSubseries 2.4. Programming and Outreach\u003c/li\u003e\n\u003cli\u003eSubseries 2.5. Web Archives\u003c/li\u003e\n\u003c/ul\u003e\n\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Notes on Arrangement"],"arrangement_tesim":["This finding aid describes and documents the updated arrangement of this collection as of 2023. Previously, the collection was organized into the following series: By Laws, Charters, and Agreements; Board; Annual Reports; Administration; Circulation; Construction; History; Publicity; Scrapbooks; Workshops; Queen/Barrett; Robert Robinson; Special Services; and Lloyd House. \"By-Laws, Charters, and Agreements\" and \"Administration\" have been combined into the new Subseries 1.2. Administration and Finance. \"History,\" \"Publicity,\" \"Scrapbooks,\" \"Workshops,\" and \"Photographs\" have been combined into the new Subseries 1.4. History, Programming, and Outreach. \"Construction,\" \"Queen/Barrett,\" \"Robert Robinson,\" \"Special Services,\" and \"Lloyd House,\" have been combined into the new Subseries 1.5. Branch Records.","The \"Board\" series has been separated from MS098 and combined with other records to form a new, separate collection of Alexandria Library Board Records.","The physical and intellectual arrangement of the Alexandria Library Records (MS098) has been updated a few times over the years, while remaining accessible to the public. Thus, the decision was made to maintain, as much as appropriate, the current order of the pre-existing collection as Series 1: Founding and 20th Century Records; and Series 2: 21st Century Records includes the new accretions to the collection as of 2023. Future accretions to this collection will either be added to Series 2 or form a new series.","Series 1. Founding and 20th Century Records, 1937-2005\n Subseries 1.1. Annual Reports Subseries 1.2. Administration and Finance Subseries 1.3. Circulation Records Subseries 1.4. History, Programming, and Outreach Subseries 1.5. Branch Records Series 2. 21st Century Records, 1994-present\n Subseries 2.1. Annual Reports Subseries 2.2. Administration and Finance Subseries 2.3. Branch Records Subseries 2.4. Programming and Outreach Subseries 2.5. Web Archives"],"bioghist_html_tesm":["\u003cp\u003eFounded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.\u003c/p\u003e\n","\u003cp\u003eThe Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum. \u003ca href=\"https://alexlibraryva.org/1939-sit-in\"\u003eMore details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003eThe Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. \u003c/p\u003e\n","\u003cp\u003eThe James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. \u003c/p\u003e\n","\u003cp\u003eThe Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.\u003c/p\u003e\n","\u003cp\u003eThe Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.\u003c/p\u003e\n","\u003cp\u003eIn 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://alexlibraryva.org/about-us#timeline\"\u003eFor a more detailed timeline of the history of Alexandria Library, check out our website.\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Founded as a subscription library in 1794 and serving as the public library of Alexandria, Virginia since 1937 – Alexandria Library has a long legacy of supporting early literacy and lifelong learning in our diverse community. The Alexandria Library builds community through its six branches by providing opportunities to learn, explore, create, and connect.","The Alexandria Library Company (ALC) was founded on July 24, 1794 and operated a subscription library for nearly 150 years. In 1937, the ALC entered an agreement with the City of Alexandria and their collections formed the foundation of the city's first free public library. Since then, the Alexandria Library has grown into a system of six branches which serve the community of Alexandria, Virginia. ","The Kate Waller Barrett Library opened its doors on Queen Street in 1937; this was the first location of the Alexandria Library. It was named after Dr. Kate Waller Barrett – local humanitarian, social crusader, and political reformer. The Society of Friends granted a 99-year lease for use of its old Quaker Burial Ground on Queen Street as the site for the new public library building. This library has undergone several renovations and expansions over the years, in 1954, 1964, and 1993. When the Charles E. Beatley, Jr. Central Library was built, the Barrett Library shifted from being the main library to its current role as a branch library which serves residents of Old Town Alexandria and surrounding neighborhoods.","The Robert Robinson Library, named for a grandson of one of George Washington's slaves, opened in 1940 to serve black residents of Alexandria. The establishment of this new branch library was motivated by a civil rights demonstration and lawsuit brought against the Library and the City of Alexandria. The earliest known civil rights sit-in was held at the Kate Waller Barrett Branch Library in 1939. Alexandria Attorney Samuel W. Tucker and five young African American men demonstrated this act of civil disobedience after being denied library cards. The Sit-In and following legal action resulted in the establishment of a new branch of the library to provide \"separate but equal\" library services to black residents. However, this new library branch never received the same support or funding as the main library and was never able to provide fully equitable services to the local African American community. The Alexandria Library officially integrated for adults in 1959, and for children in 1962. The Robert Robinson Library closed in 1962 and the building is now the site of the Alexandria Black History Museum.  More details about the 1939 sit-in and integration of Alexandria Library, as well as links to additional resources can be found on our website.","The Ellen Coolidge Burke Branch Library opened on Seminary Road in 1968. This branch library was named after Ellen Coolidge Burke (1901-1975), who served as Director of the Alexandria Library from 1948 to 1969. The Burke Branch Library serves residents of the Seminary Hill neighborhood and surrounding areas. ","The James M. Duncan, Jr. Branch Library opened on Commonwealth Avenue in 1969. The Duncan Branch Library serves residents of the Del Ray neighborhood and surrounding areas. This branch was named after James M. Duncan (1897-1967), who served as Chief of the Alexandria Fire Department 1924-1947, member of City Council 1949-1967, and member of the Alexandria Library Board 1950-1967. In 2005 the Duncan Branch Library underwent renovations and became the first City of Alexandria government building to have a \"living\" roof – a Green Infrastructure approach to reducing stormwater runoff and pollution in local waterways. ","The Local History / Special Collections Branch was established in 1976 and first housed at Lloyd House, a historic home on the corner of Queen and North Washington Streets. In 1999, after completion of the most recent round of renovations and expansions, Local History / Special Collections moved into the Kate Waller Barrett Branch Library. Local History / Special Collections stewards many valuable resources documenting the history and culture of Alexandria and Virginia from the colonial period to the present.","The Charles E. Beatley, Jr. Central Library opened on Duke Street in 2000. This new central library was named after former mayor of Alexandria, Charles E. \"Chuck\" Beatley, Jr. (1916-2003). Upon completion of the new main library site, library adminstration offices were moved from the Barrett Library (formerly the central library) to the Beatley Library.","In 2015 the Library took over management of the Alexandria Law Library, located in the basement of the Alexandria Circuit Court on King Street. The Alexandria Law Library provides legal resources for the benefit of the entire Alexandria community, including its citizens, government agencies, local businesses, the judiciary, and members of the bar.","For a more detailed timeline of the history of Alexandria Library, check out our website."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8c5ffb42-5524-4dc7-a8b4-a73f7efd331e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|894c2868-34c0-45cb-bbd7-b6116cb9124d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|da857c0c-296a-44f7-ab6a-7c2ef7f6321b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2775e1f7-a255-42c9-bb05-66ec592b14d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f0eba518-9a04-4088-93a1-f0cd5291c627/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9ab292a5-45ac-48a7-8149-b59f50daf32d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2988ea9f-6da2-4aab-9e64-25c5f5ccba22/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a960a00f-aef4-4102-a090-28ef0e774a1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5e07d27c-0667-496c-9fc9-a759401ea84b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2dd86645-aee7-4dc0-a448-8b1a366ca43d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a7289215-eaca-4f70-9db5-d618c4b4268c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aaecee73-770b-4dc0-a5fb-ad424505e3af/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5b2baaaa-f268-433b-bcd8-f7b58ee756fa/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8f393379-c7c0-4289-aa97-126c07454c2d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|65ba51a6-9980-437c-a0a8-9b812c7bcc1e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3cb9e051-78a0-4171-b705-aa095bc9dc16/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e3006d3f-5648-4960-bfb3-9cde4dbd0ef8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa233c09-5939-412e-ac97-bde4def034fd/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b99e3355-3be7-4288-a295-1b89032f8de2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42d1f5cf-e5b5-4129-abf6-30490e68519e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|32b50591-64c3-4030-995c-1b642c546c40/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|59d54aa3-37dd-419e-897c-f610719602b7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b5be668b-4c36-4186-8982-c16a1e229d20/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5508d012-7643-425b-9b49-31611b2325d6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d3219ad0-703a-41e9-8972-5bfbaed888fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d2bc9b53-ce4d-4869-b028-4ef1fcb073d8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b85331ca-2989-4d5f-a470-b747374c2e26/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|54f81cf7-7e77-4afc-86f0-85ee02d37d9d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|90873c83-9782-4565-bbf8-4ed37cdb2e30/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|8e9971ee-f82c-4f42-a701-f3c0fd9ed4d2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7d24ac36-712a-4d1b-a5c3-39689988ba89/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3898e720-d3d6-4504-aa3c-6ced13f46f0a/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|c930dfaa-faf1-4aaf-802c-aa69bc9d0255/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|42ee1234-2a7a-4586-b695-537409ca618d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b1455d2e-d41b-4e0b-a840-cddafdb00d1f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|939d736b-20ce-4597-91fd-b898bae33ee8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|aa0f3389-f894-4fd8-8646-a6279a20e2e8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bd555e9e-6bd1-4deb-ae8e-29fac38fa0f3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|24ecb5a1-ca62-43cd-82dc-58e78eb5b0a6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ec845170-dd5f-4d9d-a3eb-2f7f54f28c45/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd71f510-2900-4932-b5c8-773d356aa74d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|46aa3cbc-c3ca-428b-a3eb-9f864ded1fbe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1b1a124-cb67-4004-8a52-cabc0540ba50/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|156e31ad-c793-4d9f-95e2-593309eba75f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d5866300-0f94-4c3e-be37-bfafcd4df310/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e7f934e4-04aa-4a51-9c3a-696a98984e7b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|cd7d450f-3958-4cfa-a637-a8e9b5f9a32e/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|78bf04d9-2a23-43c7-9f14-b6a1b23cacad/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|73f914f5-6412-43c7-983d-dec481f0f04b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a5f9bab-d6c2-4194-ba71-5b17d55f7a72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a9ddda38-eeb7-4fdc-946b-729494c91c2c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1a453d9f-7d9f-4a8b-8204-d513852f7af7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37d51356-2123-4ac7-bcf3-9428ed029bd3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e9d4ae49-f62c-4abe-b5ce-d23640fbc58c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|37dc006e-c5f4-459a-bffb-17c61fc31ccf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|684bd62b-8c67-4e5b-a1ba-c1e58e3f39d7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ac73a1cb-67b8-4866-9499-bc01d4094795/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a3c6321-c868-4e7e-8ac4-50406bc2364f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|5c81d4b1-2478-4441-a007-6e226a86dc57/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4f88a2f1-2c40-4dff-8ea4-7d619258ddf2/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|9eea9153-d572-49d3-89e6-5dde9c707fb3/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d26fcf8-3240-42a3-980a-5a9b5c36a799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f5caa20-94ee-4a8c-aa92-4846b9d4bb06/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ccfcc8f-1750-4827-93e5-a48b087f848e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f3ac3b-1b71-4822-b7ab-d385c0745fd6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f9debd1-c9cd-4829-9c4d-faeff29054eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a03f7ca-b38c-4d5a-806a-44e43d2cd07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cd4c4fd-ac94-4ecd-8b1c-ebbf68947ebf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_377eaa24-a27b-4ab8-b9d7-e646dd0acd04/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8c1dbe2-0cd7-4630-8fa7-7c0a3600b2ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad33be2f-988d-46dc-8af1-7570646ec86c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c807fe07-5c93-4f45-b127-f34f69792d14/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1050a027-9948-4d50-a0b8-9ad8209ddf43/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9de17d10-3ff9-4b7a-8ada-bcb8516bbf44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ddb12b6-9660-4beb-8c3e-1cddf6dbc5d6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92648e88-c666-4240-ba23-b63f38c2f7f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baeb425f-988d-4260-b03d-42f14f27ed35/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dd28149-ff59-4338-9377-3b57908d60be/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_306e35f6-f6e4-4dc8-881f-de7789226254/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d923bbd1-f787-40e4-b734-fe774de9d671/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16446faa-6fa3-438c-8d22-508fb5086ea4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4d69cb1-8bfa-4dcf-9fe3-8aba298089ee/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2de9865f-5bba-4df1-823e-09dc3854550b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81823870-b373-467a-bcbd-6da2615b67fa/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757b7a02-74da-4f7d-b452-452b6a1b03d2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08c3f44c-3a27-41ef-84b3-8d1119221242/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08826eda-2d9f-487b-bafe-033492030b15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb5087b-4b70-4dd6-9ce5-47eab9f8cbb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11f0483-c0ae-4bb1-8f7b-5ce0309bcd1a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|1cb336fd-b790-463d-8428-0107d1fb51ed/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a98401b5-cece-43b1-8b86-13ae83f2d5d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7217f04a-471e-4390-947d-d79144bf6bf3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4694a54-c2de-4ce3-a020-1a42ec6dea9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36e0020f-b6e2-4a1e-b595-22b71499d4a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc46310-c142-46af-b700-3c65782a67ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bce1e32-92ea-40ce-b685-781487e455bb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be6795b0-32eb-4cde-b3e0-f0a64366f38a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62d33928-cff8-4acc-a43b-ee03a0f65e9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c0e9d98-b00d-4205-866c-8bd43f29d524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63d1c489-23ca-4587-b414-46d48961c2f9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0216e8ce-4243-4cca-9aa6-9abcc56d58ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_517ff26e-273c-4573-b8aa-aa627c5b0ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29801f28-6292-4b61-872d-b43c8b6d06c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6c9bafe-52e9-433f-8661-0018a88bc75d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66676d3-9a94-46c8-a6ea-15307467d6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a91b309-7768-4318-96f1-3cfbcbebfd01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_047cc9f1-21a6-4413-9fad-423b2a6b1287/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9def87fa-923f-42aa-91d4-d523b217572c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b600ef6a-88a3-4b9c-bf74-544ff932504c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f7a306-87ba-4f8d-8bcb-0b1e585beab4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df338f73-4e79-4e24-ab1a-a79f6a7173ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7ad605a-1b53-4cc0-8c0e-19e79b6eae27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4b38950-b6fc-4069-a664-af4b1ce0f9d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7df4a52c-ca65-42cb-8c2c-09b723adf9b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f521b29-f4d6-4302-8cd8-a1eac6f300e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6c25b7fa-1db7-42c9-8948-7d3805eb7108/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24877cf2-aa65-4b49-aaee-e15fe97595e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3631fba4-c057-4cf9-bbaa-5dda3f2aba99/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36a3db3c-3fdc-4d8f-8605-6b19ca02bbcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_489cc776-71f8-4e02-9e21-c1c0a4f3d7eb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e132f549-c44e-400d-802b-1e0b138dfd87/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3fc3610-a308-41bd-b18d-1d646c686c93/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc756a-5465-41dc-aa80-9bbe20a4e035/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_412c87c9-163e-4d24-9357-34df2d5b2e13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86226d16-3485-4c02-9899-416b154faf4f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d71c63e2-497e-4148-895e-76585974cc7f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e293ccb-6685-4d42-8754-46ad7af35cd5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98258815-7f00-4c3f-9d17-c541d81a5b0d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cec40410-d1be-4bb0-9bab-39f7f1862657/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a69eac6f-09a7-4ee9-8824-29f6b50aaa7c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2489d87-1587-457a-9a0f-c6f94c163579/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d92ea83-e458-4751-9063-9fb3bd142972/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f99b2dd5-b7a3-4b07-a02c-f4841a44a8d0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8273f353-7452-4a28-87e0-ce616e9f2824/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3e2b27f-4697-4fc4-a5ab-bde61ba57cc5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfbbea77-dbaa-4eef-9079-275157ebaf30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65863205-3ff9-4761-84af-7761f2975e01/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1691260a-b4bd-4744-85e2-d1169db31b74/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfaf4395-77de-4b9b-b77b-05a456df6544/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|18e5b879-6f2c-4dc3-89e5-443adff9d573/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a998a6-8b94-42a9-8a79-1581409e01ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c56c7e77-c8f4-4e70-97bc-7514347c11a8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7002486d-6012-4b1e-8b7b-cb949e624ef4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0aa7d5cd-e501-4cba-a140-9205abd05e15/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_15a41923-5fd3-454c-99bc-2c496ecd248d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f02dfee-b8f7-4fde-abd1-6f3963571a2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e165e654-085c-4d9b-bf5e-786ed83b6f30/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bfbbbe62-d9d3-4cf4-8778-a75f1176ded1/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|469929aa-96de-404c-b28a-dad33a3fbf61/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|fd1b19e2-354f-4a0a-b8cb-b7972dfd577d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|e4d695b7-bcb3-4de9-a6da-69868a468dc0/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a27070eb-8bbd-40f6-a778-8a6a471dab0d/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|4b87dab3-2ee7-4afd-acd2-c600aa643096/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|95a9052a-3434-468e-a53e-310b85f4798c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7df764bf-7bf5-4d68-9f36-283a4bd781fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://archive-it.org/collections/20256\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://alexlibraryva.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.facebook.com/AlexLibraryVA/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://instagram.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://twitter.com/alexlibraryva/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.youtube.com/@AlexandriaLibrary\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://outofthestacks.com/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.mightycause.com/organization/Alexandria-Library-Foundation/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://beatleyfriends.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://wayback.archive-it.org/20256/*/https://www.friendsofduncanlibrary.org/\"\u003eClick to view web archives\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital 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Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Other Finding Aids","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials"],"otherfindaid_tesim":["Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital materials in this collection","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital image.","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to 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view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives","Click to view web archives"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Library Records, MS098, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003eAlexandria Library Board Records\n\u003cbr\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/128\"\u003eAlexandria Library Company Records (MS002)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Alexandria Library Board Records\n Alexandria Library Company Records (MS002)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.\u003c/p\u003e\n","\u003cp\u003eThe Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. \u003c/p\u003e","\u003cp\u003eThis series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting circulation statistics of the Library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.\u003c/p\u003e","\u003cp\u003eThis folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435\u003c/p\u003e","\u003cp\u003eColor photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408\u003c/p\u003e","\u003cp\u003eColor portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442\u003c/p\u003e","\u003cp\u003eColor portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460\u003c/p\u003e","\u003cp\u003eThis folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474\u003c/p\u003e","\u003cp\u003eColor candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475\u003c/p\u003e","\u003cp\u003eColor photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480\u003c/p\u003e","\u003cp\u003eColor candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481\u003c/p\u003e","\u003cp\u003eThis folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498\u003c/p\u003e","\u003cp\u003eBlack and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499\u003c/p\u003e","\u003cp\u003eBlack and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500\u003c/p\u003e","\u003cp\u003eThis sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).\u003c/p\u003e","\u003cp\u003eThis folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.\u003c/p\u003e","\u003cp\u003eThis folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.\u003c/p\u003e","\u003cp\u003eThis series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.\u003c/p\u003e","\u003cp\u003eThis sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.\u003c/p\u003e","\u003cp\u003eWebsite of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eFacebook account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eInstagram account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eTwitter account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eYoutube account of the Alexandria Library in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eAlexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults\u003c/p\u003e","\u003cp\u003eOnline donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library\u003c/p\u003e","\u003cp\u003eWebsite of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia\u003c/p\u003e","\u003cp\u003eIntranet website for Alexandria Library staff\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Series Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Sub-Series Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Description","Content Description","Description","Description","Description","Description","Description","Description","Description","Description"],"scopecontent_tesim":["This collection contains the records of the Alexandria Library, documenting the administration and operation of the Library, dating from the founding of the public library in 1937 through the present. Included are administrative records, annual reports, financial records, circulation records, materials documenting the history of the Library, programming and outreach records, and records of the individual branches of the library system. Formats include textual documents, photographs, and ephemera.","The Alexandria Library is an active organization, and so this collection is a living collection which will be periodically added to and updated. Check this collection guide for any future updates to the collection. ","This series contains materials documenting the Alexandria Library, from its founding as a public library in 1937 through the early 2000s. The majority of documents in this series pertain to the decades between 1950 and 2000. These records document the administration and operations of the Library and its individual branches, as well as materials documenting the history of the Alexandria Library. Documents include annual reports, financial records, correspondence, project files, and other administrative documentation. Also included in this series are ephemera and realia, photographs and other graphic materials, and some oversized materials.","This sub-series contains records pertaining to annual reports published by the Alexandria Library system, as well as its individual branches. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1938 through 1942. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1943 through 1946. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1947 through 1948. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1949 through 1950. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1951 through 1953. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1954 through 1956. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1957 through 1959. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1960 through 1961. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This folder contains records pertaining to annual reports published by the Alexandria Library system, dating from 1964. Documents include final copies of annual reports, drafts of annual reports, and related notes and correspondence.","This sub-series contains administrative and financial records of the Alexandria Library. Documents include correspondence, budgets and other financial records, affirmative action records, bylaws and agreements, official city proclamations, gift records, and other administrative materials.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from 1937 through the 1950s. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to administrative and financial dealings of the Alexandria Library system, dating from the 1950s through the 1992. Documents include final copies of bylaws, charters, and agreements as well as draft documents, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action plan put in place for the Alexandria Library system, dating from 1975.","This folder contains records pertaining to the Affirmative Action policy used to create an Affirmative Action plan for the Alexandria Library system, dating from 1976.","This folder contains records pertaining to the Affirmative Action plans for the City of Alexandria, dating from 1976 and 1980. Documents include final Affirmative Action plans from both 1976 and 1980.","This folder contains records pertaining to the Affirmative Action plans for the Alexandria Public Library, dating from 1978 through 1982. Documents include reference material used to create the Affirmative Action plans including OSHA Recordkeeping guidelines and guidelines from the Department of Equal Employment Opportunity for the City of Alexandria. Other documents include Alexandria Public Library's Affirmative Action goals, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1974 through 1976. Documents include final Affirmative Action and Equal Employment Opportunity reports, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1977 through 1980. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Affirmative Action reports for the Alexandria Public Library system, dating from 1981 through 1987. Documents include final Affirmative Action and Equal Employment Opportunity reports, sample forms, membership reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1938 through 1944. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1945 through 1948. Documents include draft material, proposed yearly budgets, final budget reports, press related to the budget, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1949 through 1951. Documents include proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1951 through 1953. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1953 through 1955. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include draft material, proposed yearly budgets, final budget reports, and related notes and correspondence.","This folder contains records pertaining to the Budget for the Alexandria Public Library system, dated from 1955 through 1959. Documents include , proposed yearly budgets, final budget reports, reference materials, and related notes and correspondence.","This folder contains records pertaining to the budget for the City of Alexandria's City Planning and Capital Improvement programs in regard to the Alexandria Public Library system, dated from 1950 through 1961. Documents include final budget reports, proposed budgets, proposed building projects, draft material, reference material, and related notes and correspondence.","This folder contains records pertaining to Rules, Regulations, and Review articles for the Alexandria Public Library system, dated from 1937 through 1955. Documents include inquiries regarding librarian salaries of other Virginia public libraries, proposed rules and regulations for Alexandria Public Library, final rules and regulations for Alexandria Public Library, meeting minutes, library directories, press regarding the library, and related notes and correspondence.","This folder contains a 2014 copy of the introduced House Joint Resolution No. 418 which details the historical significance of the 1939 Alexandria Library Sit-in to the House of Delegates, Mayor of Alexandria, and General Assembly and proposes that this information be conveyed at an upcoming ceremony.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1937 through 1951. Documents included correspondence, press regarding Alexandria Public Library, proposals for the planning and construction of the Robert Robinson Library, and other related notes.","This folder contains records pertaining to correspondence to and from Alexandria Library, dated from 1952 through 1961. Documents include written correspondence, meeting and presentation notes, book acquisitions and acquisition proposals, and other related notes.","This folder contains records pertaining to the professional and nonprofessional duties within public libraries set forth by the American Library Association, dated from 1948. Documents include the preliminary draft of the Descriptive List of Professional and Nonprofessional Duties in Libraries handbook.","This folder contains records pertaining to position descriptions and pay plans for Virginia public libraries, dated from 1950. Documents include a guidebook detailing all positions available with Virginia public libraries, their position descriptions, and recommended qualifications.","This folder contains records pertaining to \"Position Classification and Salary Administration in Libraries\", dated from 1951. Documents include a handbook titled \"Position Classification and Salary Administration in Libraries\", written by the American Library Association, detailing guides and standards for library administrative staff to utilize when creating administrative plans.","This folder contains records pertaining to information and guidelines for new City of Alexandria employees, dated from 1950 to 1986. Documents include guidebooks detailing fundamental information regarding being employed by the City of Alexandria, code of ethics, and guidelines for managers to effectively communicate employee evaluations.","This sub-series contains records documenting circulation statistics of the Library.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include overall number of books circulated during a given year and ledgers detailing the number and genre of Adult books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1937 through 1940. Documents include ledgers detailing the number and genre of Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1941 through 1942. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1943 through 1944. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949 through 1953. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1949. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This folder contains records pertaining to circulation statistics for the Alexandria Library system, dated from 1944 through 1946. Documents include ledgers detailing the number and genre of Adult and Children's books circulated each day of the year that the library was open to the public.","This sub-series contains materials of mixed formats documenting the history of the Library and its programming and outreach work. Documents include scrapbooks, posters, news clippings, correspondence, administrative documents, event programs, and photographs.","This folder contains materials pertaining to Alexandria Library history, dating from 1957-1961. Documents include newspaper clippings from various local newspapers, event photos, correspondence, and other related notes.","This folder contains records pertaining to the history of Alexandria Library, dated from c. 1960. Documents include notes, correspondence, and copies of newspaper articles relating to the library.","This folder contains records pertaining to the history of Alexandria Library. Documents include copies of events schedules, event programs, summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1937 through 1947. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1955 through 1973. Documents include newspaper clippings that detail library history, press, and publicity.","This folder contains records pertaining to the history of Alexandria Library, dated from 1936 through 1954. Documents include summaries of the library's history, copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to the history of Alexandria Library, dated from 1945 through 1985. Documents include copies of newspaper articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to publicity correspondence for Alexandria Library, dated from c. 1954-1986. Documents include correspondence relating to proposed exhibits, cosmetic changes to library branches, research inquiries, proof of membership, thank-you messages, plans for library news releases, and other related notes.","This folder contains records pertaining to press releases for Alexandria Library, dated from 1947-1986. Documents include drafts of news releases, draft 5-year plan documents, descriptions of upcoming library programs, mock-ups for news articles relating to the library, and other related notes and correspondence.","This folder contains records pertaining to events related to Alexandria Library, dated from 1954 through 1992. Documents include programs from library events and other notes and correspondence.","This folder contains biographical research materials about James M. Duncan, Jr. (the namesake of the Duncan Branch) which were collected by branch managers of Duncan Branch. Materials include notes, newsclippings, and photocopies of newsclippings.","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The smiling officials cutting the red ribbon, who include six men and two women, are dressed professionally and each holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that lead up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photo is dated 1995. Photo previously labeled #402","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Eight people, presumed to be library officials, stand on the main floor of the Barrett Branch in front of a seated audience, in the midst of a ribbon cutting ceremony. The officials, who include six men and two women, have not yet cut the red ribbon and are dressed professionally. Each of the eight officials holds their own pair of scissors. Behind them are shelves of library books and a set of stairs that up to the second floor of the library. The seated audience of men and women watches as the ceremony proceeds. The photograph is dated September 10th, 1995. Photo previously labeled #403","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo of men and women milling around the first floor of the Barrett Branch was taken, presumably, after the conclusion of the ceremony. Some of the people pictured are in conversation with one another, while others are taking in their surroundings. In the foreground is a podium framed on either side by yellow flowers and an American flag. In the background are library books shelves and a set of stairs that lead up to the second floor of the library. The photo is dated 1995. Photo previously labeled #404","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This candid photo was taken amidst a crowd of people attending the ceremony on the main floor of the Barrett Branch Library. The men and women of various ages stand milling around the space. Some are in conversation with one another while others look in many directions, taking in their surroundings. Visible in the background is the entrance to the library that consists of floor to ceiling windows allowing natural daylight to stream in. The photo is dated 1995. Photo previously labeled #405","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of several people standing around on the main floor of the Barrett Branch Library. The three men and one woman in the foreground are in conversation with each other but only the two men on the right have realized the group is being photographed. The two men on the right are looking at the camera and smiling, while the women is still speaking and the third man is looking to his right with his back to the photographer. In the background are other people, some in conversation and some not, as well as empty chairs set up against filled bookshelves. The photo is dated 1995. Photo previously labeled #406","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A large audience of men and women have filled the main floor of the Barrett Branch, presumably watching as the ceremony unfolds. Some of the people are sitting in the middle of the space while the rest of the crowd have filled the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the room, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #407","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Two women stand posing for a picture, on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. With their arms around each other, the woman on the left looks directly at the camera while the women on the right smiles at something out of frame on the left. In the background are more people, men and women, milling around the large indoor space. Some are in conversation with one another and others are simply moving about the space. The photo is dated 1995. Photo previously labeled #409","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of two smiling men and a young child posing for a picture together. On the left, the young child stands holding the hand of the man in the middle who has brown hair and mustache, is wearing glasses and is dressed in a dark-colored suit with a white shirt and red patterned tie. The man on the right, who stands with his hand on the shoulder of the man in the middle, has white hair and is wearing glasses and a dark-colored suit with a white shirt and blue tie. All three stand under a half visible, gold-framed, painted portrait of Kate Waller Barrett that is hanging on the wall behind them. The photo is dated 1995. Photo previously labeled #410","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together. The three men are all wearing dark-colored suits with light-colored shirts and ties. The two children, one boy and one girl, stand in front of the men in the middle and on the right. The boy wears a light-colored button-down shirt and striped dress pants while the girl wears a striped, long-sleeve dress with black tights and black shoes with pink shoelaces. All five smile at the camera as they pose under a gold-framed, painted portrait of Kate Waller Barrett. The woman in the portrait has her white hair tied back in a bun and sits, posed in profile, and is wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #411","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. A woman stands posing for a picture with the portrait of Kate Waller Barrett hanging near the entrance of the Barrett Branch Library. The woman, dressed in a red blazer and skirt, smiles as she looks to left at something just out of frame. She stands below the gold-framed, painted portrait of Kate Waller Barrett. In the portrait, Kate Waller Barrett has her white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant hangs from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #412","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Three men and two children stand posing for a picture together under the portrait of Kate Waller Barrett that hangs near the entrance of the Barrett Branch Library. The man on the left has white hair and is wearing glasses, a dark-colored suit, a light-colored shirt and blue tie. He has his hand on the shoulder of the little girl to the right of him who wears a striped long-sleeve dress with black tights and black shoes with pink laces. The little girl holds the hand of the man in the middle who wears a dark-colored suit with a light-colored shirt and dark patterned tie. Next to him, on the right, stands the little boy who wears a light-colored button-down shirt and striped dress pants. The little boy holds the hand of the last man on the right who has brown hair and mustache, glasses, and wears a dark-colored suit with a light-colored shirt and red patterned tie. All five stand beneath the gold-framed, painted portrait of Kate Waller Barrett who has her white hair tied back into a bun. She sits, posed in profile, and is wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. The photo is dated 1995. Photo previously labeled #413","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of four men standing in front of the portrait of Kate Waller Barrett that hangs near the entrance to the library. The two men on the left are greeting each other and the two men on the right are standing separately both looking in opposite directions towards things just out of frame. All the men are dressed in suits and ties and three out of four are wearing glasses. The leftmost man is holding multiple pairs of scissors and the second man from the right is holding an event program. Behind them, hanging on the wall is the gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents, with a gold cross pendant hanging from her neck and a brooch pinned to her chest. Also in the background, off to the left, is a child, seemingly in motion, appearing blurry in the photograph. The photo is dated 1995. Photo previously labeled #414","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of a group of men and women standing around a table of computers on the main floor of the Barrett Branch Library. On the round table there are four white computers, each with their own keyboard and mouse. Two of the computers are in use, one by a man in dark dress pants and white shirt and the other by two people, a woman and young man, working together. In the background are other people milling about as well as library bookshelves and a set of stairs leading to the second floor of the library. The photo is dated 1995. Photo previously labeled #415","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The candid photograph is of two groups of men and women, some sitting and some standing, inside of the library presumably before the ceremony begins. To left is a group of seated people, partially blocked from view by a desk, and to the right is a group of men standing together in conversation. Between the two groups sits a small stage with an American flag, bordered at the front by small pots of yellow flowers. In the background are rows of both tall and short bookshelves in front of a glass-front room. The photo is dated 1995. Photo previously labeled #416","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of two women and one man standing in conversation with one another. The two women are both in light-colored dresses and the woman on the right faces away from the camera and carries a purse. The man wears glasses and is dressed in a light-colored suit with a white dress shirt and patterned tie. The woman on the left looks across to the woman on the right as she and the man in the middle are looking at each other. The photo is dated 1995. Photo previously labeled #417","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of men and women milling about inside the Barrett Branch. The people in the foreground seem to be in conversation with each other while others are having separate conversations in the background. The photo is being taken from behind a bookshelf decorated with a potted plant whose leaves have just started to come in to frame on the right side of the photo. Behind the people are more bookshelves, decorated with flowers, and a glass-front room. The photo is dated 1995. Photo previously labeled #418","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of four men, one woman, and two children. Every person pictured is looking in a different direction, some seeming to be moving towards different parts of the room and appearing blurry in the photo. All of the men are dressed in suits, the woman wears a pink buttoned jacket, the little boy wears a light-color button-down, and the little girl wears a striped long-sleeve dress. Behind them on the wall hangs a gold-framed, painted portrait of Kate Waller Barrett who has white hair tied back into a bun and sits, posed in profile, wearing dark-colored clothes, with floral accents. A gold cross pendant is hanging from her neck and a brooch is pinned to her chest. The photo is dated 1995. Photo previously labeled #419","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch Library. In the library stands many men, women, and children milling about the space. Some are in conversation with one another, while others take in their surroundings or speak to people sitting behind the circulation desk to the left of the photo. To the right of the photo is the beginning of a staircase that leads to the second floor of the library. Visible from the balcony, the second floor is filled with bookshelves. In the background, on the lower level, stands a small stage and podium framed by small pots of yellow flowers and an American flag as well as a glass-front room whose windows are letting in bright daylight. The photo is dated 1995. Photo previously labeled #420","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. The photo is of the main floor of the Barrett Branch and there are men and women milling around in the space, some in conversation with one another and others taking in their surroundings. On the right side of the picture, some of the people stand in front of the circulation desk, decorated with pots of yellow and orange flowers. On the left side of the picture are some glass display cases displaying open books. In the background are the floor to ceiling windows of the entrance vestibule that are providing bright, natural light to the room. The photo is dated 1995. Photo previously labeled #421","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Pictured is a large audience of men and women on the main floor of the Barrett Branch. Some of the people are sitting in the middle of the room while the rest of the crowd have begun filling in the available standing room, even standing in the sunlight filled entrance vestibule, at the back of the crowd, to catch a glimpse through the floor to ceiling windows. Regardless of placement, almost all the audience members have their attentions set on the events happening behind the camera, just out of frame. The photo is dated 1995. Photo previously labeled #422","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women, of differing ages, standing around a table of computers. At the round table, there are two people with their backs to the camera sharing the same computer, to their right is one woman at the next computer, and the next computer has a group of four sharing the same computer. In the foreground is a shelf that has been decorated with a pot of flowers, that have taken up the left side of the picture. In the background, behind the group of people at the computers is glass-front room and a few people within. Inside the room are bookshelves on the left wall and tables and chairs filling the middle. The windows on the back wall have had their blinds drawn to shade the interior from the bright daylight shining through. The photo is dated 1995. Photo previously labeled #423","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of some people, both men and women, looking at the available materials on the bookshelves around them on the second floor of the Barrett Branch Library. Some of the men and women are browsing the shelves while others have begun reading their chosen materials. In the foreground are shorter bookshelves, with one man crouching to get a better look at the offerings on the bottom shelf. In the background are taller bookshelves, that almost reach from floor to ceiling. Behind the taller bookshelves are some tables and chairs that have been backlit by the daylight coming through the windows on the back wall. The photo is dated 1995. Photo previously labeled #424","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience facing a group of people who seem like library officials seated at the front of the room. The seated audience is facing away from the camera and the group of men and women at the front of the room are applauding in welcome to the man who is standing at the front of the room. He has brown hair and mustache, is wearing glasses and a grey suit with dark tie. Off to the right of the photo is a staircase that leads to the second floor whose balcony sits above the group of clapping men and women. Behind them stands bookshelves, completely filled, that almost reach from floor to ceiling. The photo is dated 1995. Photo previously labeled #425","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking to an audience from an elevated podium. The woman, dressed in a red blazer and white shirt, is looking through her glasses out over the audience. Behind her is both short and tall bookshelves, as well as a wall of glass, and to the left stands an American flag. The woman at the podium stands below the second-floor balcony of the Barrett Branch where three musicians sit with music stands in front of them and bookshelves at their back. In the foreground, somewhat blocking the view of the seated audience, is the circulation desk topped with stacks of paper. The photo is dated 1995. Photo previously labeled #426","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a seated audience, extending out of frame, who have their attention on a man speaking from an elevated podium. The man at podium, dressed in a dark-colored suit with a white shirt and red tie, is looking down at the podium through his glasses. Behind the podium are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The man at the podium stands beneath the second-floor balcony of the Barrett Branch Library. Visible through the balcony's railing are filled bookshelves. The photo is dated 1995. Photo previously labeled #427","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking from behind a podium. The man is standing, dressed in a dark-colored suit with a white shirt and dark patterned tie, looking down at the podium through his dark tinted glasses. Behind him are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The podium stands below the second-floor balcony of the Barrett Branch Library where three chairs and two music stands are set up. The right most chair is occupied by a person in white shirt and dark pants. The photo is dated 1995. Photo previously labeled #428","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium. The woman, dressed in a blue dress and matching blue jacket, looks out to an audience just out of frame and she is observed by a small panel of professionally dressed men and women, presumed to be other library officials, on the right side of the picture. The picture is being taken from behind the circulation desk, complete with computer, receipt printer, and landline phone. A pot of yellow, orange and red flowers sits atop the desk, partially blocking an American flag from view. The photo is dated 1995. Photo previously labeled #429","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium in front of an audience of people that extends out of frame. The woman, dressed in a pink blazer over a dark patterned dress with a string of pearls around her neck, is looking down at the podium while the audience listens. Behind her are rows of book shelves, both short and tall with some decorated with flowers, as well as a glass-front room. The speaker and podium stand beneath an the second-floor balcony of the Barrett Branch Library, where three chairs, music stands, and musicians are seated and viewable through the balcony's railing. The photo is dated 1995. Photo previously labeled #430","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a man speaking to an audience, extending out of frame, from an elevated podium. The man, dressed in a dark-colored suit with white shirt and dark patterned tie, is looking down at the podium while holding up a closed book in his right hand and paper in his left hand. Behind him are rows of short and tall bookshelves, some decorated with flowers, in front of a glass-front room. Above the podium sits the second-floor balcony of the Barrett Branch Library. Through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, on the left side of the picture, is the circulation desk topped with stacks of papers. The photo is dated from 1995. Photo previously labeled #431","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a woman speaking from an elevated podium to audience, which extends out of frame. The woman is dressed in a matching blue jacket and dress, and looks out over the audience at something not visible as the audience turns to follow her gaze. To her left and right are men in dark-colored suits and ties that also follow her line-of-sight. Behind her are bookshelves, both tall and short, and a glass-front room. Above the podium is the second-floor balcony and through the railing, three chairs, music stands, and musicians can be seen in front of filled bookshelves. In the foreground, blocking some of the audience from view, is the circulation desk with a computer and piles of paper. The photo is dated from 1995. Photo previously labeled #432","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. This slightly out of focus, color candid photograph is of a woman speaking from an elevated podium to an audience that is seated just out of frame. The woman, dressed in a pink jacket over a dark, patterned dress, is bordered by a group of seated men and women, presumed to be other library officials, on the right and an American flag on the left. Above the woman at the podium is the second-floor balcony and behind her are tall bookshelves and a glass front room. The photo is being taken from behind the circulation desk which has a computer and a pot of yellow, red and orange flowers. The photo is dated from 1995. Photo previously labeled #433","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women in conversation with each other amidst the ribbon cutting ceremony. The group consists of four men and two women, presumed to be library officials, who trade smiles and handshakes in front of a clapping audience. Some of the members of the group are still holding scissors and the pieces of red ribbon that were cut as part of the ceremony. Behind them are bookshelves that extend backward into the space. The photo is dated from 1995. Photo previously labeled #434","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photograph of a group of men and women amidst the ribbon cutting ceremony. The group consists of three men and two women, some still holding scissors and pieces of the red ribbon cut during the ceremony. The smiling woman in the middle has offered a handshake to the man to the left of her as the audience applauds them. Behind the ribbon cutters are tall and short bookshelves that extend backwards into the space. The photo is dated from 1995. Photo previously labeled #435","Color photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Candid photo of a group of three men and one woman, presumed to be library officials, are trading smiles and the woman offers a handshake to the man on the far left. The woman has grey hair and wears a matching blue jacket and dress. The men are dressed professionally in suits and ties. They stand in front of a small stage and podium, lined with small pots of yellow flowers and decorated by an American flag. Behind them are bookshelves, both tall and short, that extend backwards toward a glass-front room. The photo is dated 1995. Photo previously labeled #436","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. This candid photograph depicts several people standing behind the main circulation desk on the first floor of the Barrett Branch. In the foreground of the photo is a woman wearing a magenta dress and holding two books. The photo is dated 1995. Photo previously labeled #408","Color portrait of an outdoor sign from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library after renovations were completed in 1995. On a bright, sunny day at the corner of a red-brick building sits a white sign that reads \"The 200 Block of North Columbus St. Welcomes the New Library\" and just below that it reads \"Thank You\". Propped up on a wooden easel, the sign is decorated by a single gold, metallic balloon that is moving with the wind. Behind the sign to the right are row houses and a parked car. The photo is dated 1995. Photo previously labeled #441","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library officials sit next to a stage and listen to the woman speaking from the podium. The woman has white hair and is dressed in a matching blue jacket and dress turns her head to welcome another woman who making her way to an empty chair among the group of officials. The woman being welcomed has tied back, brown hair and glasses and is wearing a colorful dress and black, t-strap shoes. Some of the men and women in the group of officials clap while others offer warm smiles to the approaching woman. Behind them is a small circulation desk and filled bookshelves. The photo is dated 1995. Photo previously labeled #442","Color portrait photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, a group of presumed library staff stand behind the circulation desk and smile at the camera. Four women are directly behind the desk and five more seem to be coming out of the room just behind the desk. Some of the other women have realized their picture is being taken and look at the camera, while others have not and continue their conversations with one another. One man stands in front of the desk and has turned to face the camera while a final woman seems to being walking past him. Folding chairs are set up and extend out of frame and because each still has a paper program on it, it is likely the event has not yet started. The photo is dated 1995. Photo previously labeled #443","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two group of presumed library officials both sit and stand next to a small stage. Though not all the chairs are filled, the seated group includes three women and four men, all dressed professionally, who seem to be waiting for the event to start. The standing group, consisting of three men and two women, are all in conversation with one another. The woman in the middle with white hair, blue dress and light-colored purse is speaking and the remainder of the standing group leans in to listen. Behind them is the stage, decorated with an American flag, and both tall and short bookshelves that extend out of frame. The photo is dated 1995. Photo previously labeled #444","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera aims at the circulation desk and the people that stand around it. Presumed to be library staff, four women stand together and all but one is smiling up at the camera. Other people, presumed to be library staff and officials, stand around the desk. Some are in conversation and others are looking in different directions around the room. In front of the circulation desk, extending out of frame, are rows of folding chairs each with a paper program on the seats. The photo is dated 1995. Photo previously labeled #445","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Set up on the second-floor balcony of the Barrett Branch, are three female musicians in the midst of performing. All three are wearing white dress shirts and black bottoms and each sit in her own wooden chair across from sheet music on a music stand and plays from a flute. Behind them are a man and a woman in conversation leaning over the balcony railing to get a better view of what is going on the floor below. The photo is dated 1995. Photo previously labeled #446","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, pictured is a man in a dark suit and tie speaking from a podium on a small elevated stage, which he shares with an American flag. Bordering the front of the stage are small pots of yellow flowers. To the left and right of the stage sit two groups of men and women, presumably library officials who have their attention on the man speaking. Behind them are rows of both tall and short bookshelves that extend back into the room and out of frame. The photo is dated 1995. Photo previously labeled #447","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Men and women of varying ages stand milling around the main floor of the Barrett Branch library seeming after the conclusion of the ceremony. In the foreground, one man sits at a table with his hands on a computer keyboard and converses with the two women who are speaking to him. The woman on the left has short brown hair and wears a blue jacket and the woman on the right has short greying hair and wears a white shirt, denim bottoms, and carries a small purse. In the background is a larger group pf men and women, gathered around a table of computers. Behind are bookshelves that extend to the other side of the room where more people sit at tables in conversation. The photo is dated 1995. Photo previously labeled #448","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Outside the front entrance of the Barrett Branch Library, in the shade of a tree, is a group of men and women who seem to be waiting for the library to open and for the ceremony to begin. On the front doors, illuminated by the sun, two signs read \"Re-opening\" and \"Sept. 10, 2PM\". Some of the group are sitting on the red brick retaining wall outside of the library while other stand in conversation closer to the entrance. The building is red brick, with white columns and white doors. A large, half-moon shaped windows sits atop the doors allowing natural light to fill the entrance vestibule within. The photo is dated 1995. Photo previously labeled #449","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The photo is aimed at the circulation desk where some people have begun to converse with the library staff behind the desk. In front of the desk, the main floor of the Barrett Branch Library has been filled with folding chairs where a few people have begun to sit. There are folded programs on each of the folding chairs, suggesting that the ceremony has not yet begun. On the right side of the picture are bookshelves that fill the space at the back of the main floor as well as the second floor, which is visible through the balcony railing. The photo is dated 1995. Photo previously labeled #450","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the picture is focused on the group of men and women standing against the wall behind the circulation desk. There are nine women and two men visible, dressed professionally, and most of them seem to have their attention on something happening just out of frame on the right. In front of the desk on the left is the beginnings of a seated audience and starting from the circulation desk extending out of frame across the front of the audience stretches the red ribbon that has yet to be cut. The photo is dated 1995. Photo previously labeled #451","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. A group of two men, one woman, and one young man are standing in conversation with each other next to a round table that currently holds computers, of which only the keyboards and mice are visible. The young man has dark hair and wears a blue collared shirt and the woman he is next to has short brown hair and wears a blue patterned dress and carries a white purse. The two men are both dressed in dark suits with light dress shirts. The man with glasses wears a dark tie. Behind them are some table and chairs separating the group from the tall book shelves that extend out passed both sides of frame. The photo is dated 1995. Photo previously labeled #452","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, two men are pictured in conversation with each other while standing behind a podium on a small elevated stage. The men both wear suits with light-colored shirts, and the viewer is clearly able to see that the man on the left is wearing glasses and a tie. The man on the right has his back to the camera because his attention is on the other man who seems to be explaining something while pointing to something just out of sight on the left. In front of the stage are small pots of yellow flowers and beside the stage are rows of wooden chairs that have yet to be filled. Each chair has a folded program that seems to suggest the ceremony has yet to begin. Behind the men and the stage are bookshelves, both tall and short, that are filled with material. The photo is dated 1995. Photo previously labeled #453","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Pointed toward the interior entrance of the Barrett Branch, taken from the opposite end of the main floor, men and women are milling about the space presumably after the conclusion of the ribbon cutting. In the foreground are men and women using the available computers and in front of them is a large gathering of people milling around the main floor of the Barrett Branch Library. Some seem to be in conversation with one another, while other seem to simply be moving around the space. The photo is dated 1995. Photo previously labeled #454","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at where the ceremony will be held. A large seated audience of men and women is forming behind a red ribbon that has been stretched from the circulation desk to the staircase's railing on the opposite side of the room. The men and women standing behind the circulation desk are, presumably, library staff and the few men and women that stand on the other side of the red ribbon from the audience are the library officials that will be speaking during the ceremony. The library officials seem to be looking at someone just out of frame and two of them are waving to try and get their attention. The photo is dated 1995. Photo previously labeled #455","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch where folding chairs have been set up in the middle of the room for an audience that has begun filing in. Men and women of varying ages and dress are coming in through the bright, naturally lit entrance vestibule, stopping at the circulation desk, before finding an empty seat. The men and women behind the circulation desk are, presumably, library staff who are either in conversation with one another or watching the people who are filing into the library. Just in front of the audience, stretching from the circulation desk to the railing of the staircase at the opposite of the room, is a red ribbon that is being handled by a woman in a dark top and patterned skirt. The photo is dated 1995. Photo previously labeled #456","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points at a small group of men and women who are seated in wooden chairs to the left of a small stage with a podium. Seated in two rows, the group consists of four women and three men, and are presumed to be library officials. They are all in professional dress, either in suits and ties or dresses and blazers, and the front row seems to be conversation with each other. Just behind them, extending backward into the space, are filled bookshelves. The photo is dated 1995. Photo previously labeled #457","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man speaking from a podium on a small elevated stage. The man, wearing glasses and dressed in a grey-colored suit with a white shirt and dark-colored tie, holds a book in one hand and paper in the other as he looks out at the audience in front of him. The men and women seated next to the stage, who are presumed to be library officials, have their attention on the speaker. The stage is bordered in the front by small pots of yellow flowers and framed in the back by bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #458","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. The men and women, presumed to be library officials, stand with their hands over their hearts as they face the American flag that sits on the stage. All professionally dressed, only one man and one woman stand on the stage while the others stand to either side as they seem to recite the Pledge of Allegiance. Behind the stage are rows of bookshelves that extend backwards and out of frame. Above the stage is the second-floor balcony of the Barrett Branch. The photo is dated 1995. Photo previously labeled #459","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the men and women that surround it. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her just out of view. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #460","This folder contains photographs of the 1995 ribbon cutting ceremony celebrating the re-opening of the Kate Waller Barrett Branch after renovations.","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. Although the picture is out of focusing, appearing blurry, a woman with red hair and glasses, wearing a red blazer and skirt, can be seen speaking from the podium. With their attention on the speaker at the podium, the men and women that sit next to the stage are presumed to be library officials. The stage, framed at the front by small pots of yellow flowers, backs up to rows of short bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #461","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small elevated stage and podium and the people that surround it. On the stage, standing at the podium, is a man with glasses wearing a dark-colored suit and tie with a red pocket square. He looks down at the paper on the podium as he speaks to the audience in front of him, sitting just out of view. The men and women sitting next to the stage, presumed to be library officials, are dressed professionally as some turn their attention toward the speaker. The front of the stage is framed by small pots of yellow flowers and rows of short bookshelves sit at the back of the stage. The photo is dated 1995. Photo previously labeled #462","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the left side of the picture, many men and women sit in folding chairs as they listen to the man speaking from the small elevated stage and podium in front of them. Stretching from the circulation desk, across the room, to the railing of the staircase is a red ribbon that separates the audience from the men and women on and around the stage. There are also men and women that stand behind the circulation desk, presumed to be library staff, that have their attention on the man at the podium, who is dressed in a dark-colored suit with a light-colored shirt. On either side of the stage, separated from the general audience, sit other men and women who are presumed to be library officials. The photo is dated 1995. Photo previously labeled #463","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down on the main floor of the Barrett Branch Library where the audience sits as the ribbon ceremony goes on. On the right side of the picture sits a large audience of men and women that extends backwards out if frame. They are separated from the small stage and podium by a red ribbon that stretches from the circulation desk, across the room, to the railing of the staircase that leads to the second floor. Behind the circulation desk stands a few men and women, who are presumed to be library staff, who have their attention on the man that speaks from the podium. The speaker, dressed in a dark-colored suit and tie, looks down at the paper on the podium as he addresses the audience in front of him. The people sitting to left and right of the stage, who are separate from the general audience, are presumed to be library officials who are part of the ceremony proceedings. The photo is dated 1995. Photo previously labeled #464","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a man standing in behind a podium on a small elevated stage. The man, dressed in a grey-colored suit and glasses, seems to have his head tilted down in pause to accept the applause he is receiving from the people around him. Next to the stage sits a group of men and women who are presumed to be library officials. One man and one woman can be seen clapping for the man on the stage. The front of the stage is framed by small pots of yellow flowers and the back of the stage is bordered by short bookshelves that extend backward out of view. The photo is dated 1995. Photo previously labeled #465","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a woman standing behind a podium on a small elevate stage. The woman has grey hair, dressed in a matching blue dress and blazer, and looks out at the audience seated in front of her, just out of view. There is a group of men and women seated in three rows next to the stage, presumed to be library officials, who look and listen to the woman speaking from the podium. Behind the stage and the group of library officials are some tall and short bookshelves that extend backward into the space and out of frame. The photo is dated 1995. Photo previously labeled #466","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library where men and women are milling around presumably after the ribbon has been cut officially opening the library. The men and women, of all ages and in varying dress, are either in conversation with one another or are on the move to a different part of the space. Some are making their way up the stairs and past whomever is taking the picture while others are moving towards the rows of bookshelves that extend backward out of frame. Barely visible amongst the people is a small stage and podium where library officials had spoken during the ceremony. The photo is dated 1995. Photo previously labeled #467","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and the men and women that surround it. On the stage, standing behind a podium, is grey-haired woman in a matching blue dress and blazer who speaks to the audience seated in front of her, just out of view. On either side of the stage where the woman in blue is speaking from, sits two groups of men and women, presumed to be library officials, who have attention on the woman in blue. The front of the stage is framed with small pots of yellow flowers and the back is bordered by short bookshelves that extend backward into the space. The photo is dated 1995. Photo previously labeled #468","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch where people have begun to move about the space, presumably, at the conclusion of the ribbon cutting ceremony. Some of the men and women are in conversation with each other while others have begun exploring the space and materials available. Visible among the crowd is the circulation desk, with a few staff members working from behind it. Across the room, also visible among the crowd, is the small stage and podium that library officials spoke from during the ceremony. Above the crowd, on the right side of the picture, is the second-floor balcony which has been populated by more exploring people. The photo is dated from 1995. Photo previously labeled #469","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after renovations were completed in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium. Standing behind the podium is a man with glasses, wearing a dark-colored suit and tie, who is looking down at the papers on the podium in front of him. To one side of the stage is small group of men and women who are seated in three rows, all in professional dress. This small group of people are presumed to be library officials, as is the man in a grey-colored suit that is seated behind the stage. Behind the stage are short bookshelves that extend backward out of frame and the front of the stage is line with small pots of yellow flowers. The photo is dated 1995. Photo previously labeled #470","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a brown-haired woman, wearing a floral-patterned dress and pink blazer, speaking from a podium to the audience that sits in front of her. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the woman at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #471","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barret Branch wear a stage sits before a large seated audience. Separating the audience from the stage is a long red ribbon stretching from the circulation desk across the room to the staircase's railing. Behind the circulation desk, standing with their backs to the wall, are men and women who seem to be part of the library staff. On the stage stands a man with glasses, wearing a grey-colored suit, speaking from a podium to the audience that sits in front of him. On either side of the stage sits other men and women, presumed to be library officials, who have their attention on the man at the podium. Framing the front of the stage are small pots of yellow flowers and behind the stage, extending backwards out of frame, are bookshelves. The photo is dated 1995. Photo previously labeled #472","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small stage and podium as well as the people that surround it. Speaking from the podium stands a man with glasses, in a grey-colored suit and tie, who looks down at the paper in front of him. On either side of the stage sits two small groups of men and women, presumed to be library officials, who have their attention on the man on stage. All are professionally dressed and some hold programs probably pertaining to the ceremony. The front of the stage is lined with small pots of yellow flows and behind the stage are rows of short and tall books shelves. The photo is dated 1995. Photo previously labeled #473","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at two groups of men and women on the main floor of the Barrett Branch Library. The group closest to the camera consists of six men and two women who are professionally dressed and seem to be library officials. Each woman shakes the hand of one of the men in the group. Behind them is a small stage and podium, that is lined with small pots of yellow flowers along the front. In the other side of the stage is another small group of men and women, also thought to be library officials. One woman seated at the front of the group, with white hair and patterned dress, is leaning forward to greet a woman with brown hair, black jacket, and skirt standing in front of her. Behind the two groups and the stage are bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #474","Color candid photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a small group of men and women who are standing, in conversation with each other. The group, consisting of two women and five men, are all professionally dressed and seem to be library officials. Facing away from the camera, one woman with a pink jacket is shaking hands with a man in a dark colored suit and patterned tie. Behind this group is a small, unoccupied stage and podium and on the other side of the stage is another group of seated, presumed, library officials. Behind the stage are bookshelves that extend backwards out of frame. The photo is dated 1995. Photo previously labeled #475","Color photograph from the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. In the foreground of the picture, two unidentified women smile at the camera. The woman on the left has short blond hair, glasses, and wears a patterned collared dress. The woman in the left has dark brown hair and wears a dark blue top with a high neck. Behind them are more men and women who are milling about on the main floor of the Barrett Branch, presumably after the conclusion of the ceremony. The photo is dated 1995. Photo previously labeled #476","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. The camera is pointed at the line of men and women standing at the circulation desk at the Barrett Branch Library. Presumably, these are members of the public who attended the ribbon cutting and are now exploring the new space after the conclusion of the ceremony. On the upper right-side of the picture, visible through the railing, is the second-floor balcony where people a standing amongst the bookshelves. The photo is dated 1995. Photo previously labeled #477","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man standing on a small stage, behind a podium. Though the camera is unfocused and the photo appears slightly blurry it can be determined that the man, dressed in a dark-colored suit with a white pocket square, looks down at the papers on the podium as the small group of men and women seated on the other side of the stage have their attention on him. The small group of men and women, who are dressed professionally, are presumed to be library officials that are part of the ribbon cutting ceremony. One other presumed official is seated behind the stage and is reading a piece of paper. Also, behind the stage and the small group of library officials, are rows of bookshelves that extend backward out of frame. The photo is dated 1995. Photo previously labeled #478","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a line of people who stand facing a seated audience of men and women. The line of people is professionally dressed men and women, presumably library officials, who each hold onto a red ribbon that stretches across the room from the circulation desk to the railing of the staircase. The seated audience and the men and women standing behind the circulation desk smile at the line of officials as they cut the ribbon. One woman, with grey hair and blue dress, holds up her scissors and her portion of the red ribbon in celebration. The photo is dated 1995. Photo previously labeled #479","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at a man in a grey-colored suit who stands on a small stage. Looking down at the orange-handled scissors in hand, he faces a small group of men and women, presumed to be library officials, as they walk towards the left side of the photo. The man on the stage is handing out pairs of scissors to members of the ribbon cutting ceremony as they make their way towards the ribbon that is just out of view. Behind the man and the stage, is another small group of men and women seated in front of bookshelves who watch as the other officials make their way to the ribbon. The photo is dated 1995. Photo previously labeled #480","Color candid photograph of the ribbon cutting ceremony at the Kate Waller Barrett Branch Library to celebrate the reopening of the branch after the completion of renovations in 1995. Taken from a higher vantage point, the camera points down at the main floor of the Barrett Branch Library and the men and women who are filing in before the start of the ceremony. There are folding chairs set up in the middle of the room that a being filled by people coming from the entrance vestibule at the back of the space. Behind the circulation desk stands many men and women, presumed to be library staff, who watch as members of the public take their seats. In front of the audience stretching across the room, from the circulation desk to the railing of the staircase, is a long red ribbon. The photo is dated 1995. Photo previously labeled #481","This folder contains black and white photographs pertaining to the Robert H. Robinson Library, dated from 1946 to 1950. The photos capture the Robert H. Robinson Library building, staff, and various events.","Black and white photograph of Sara Murphy Carr sitting at her desk in the Robert Robinson Branch of Alexandria Library. Carr has short, dark hair and is wearing a light-colored blazer and a dark-colored top underneath. She looks directly at the camera from a chair behind her wooden desk, which is topped with file folders, a box of catalog cards, a folded newspaper, and other items. Behind her is a cart filled books and behind her further are filled bookshelves, some are topped with more books or other décor. The photo is dated c.1948. Photo previously labeled as #494","Black and white photograph of Sara Murphy Carr posing for a picture in the doorway of the Robert Robinson Library. Carr has short, dark hair and is wearing a light-color jacket, dark-colored top, light-colored knee length skirt, with dark-colored shoes. She stands facing the camera and seems to have her hand on the knob of the front door that is slightly ajar behind her. A stoop and front step lead up to the front of the brick building and above the white trimmed door is a sign that reads \"Robert Robinson Library\" in dark letters. The photo is dated c.1948. Photo previously labeled as #495","Black and white candid photograph taken outside the Robert Robinson Library as Miss Bracie enters the building. Facing the front of the library, the photo captures a woman, identified as Miss Bracie, stepping up to the front door of the building. With her back to the camera, Miss Bracie wears a light-colored jacket and skirt, a much lighter-colored hat with black sash, and carries a dark-colored hand bag. The building, made of brick with a dark-colored metal roof, has one brick chimney on the left side and four narrow windows that are evenly separated by the white trimmed front door. Above the front door, just under an outdoor light, is a sign that reads \"Robert Robinson Library\" in dark letters. A cement walkway leads up to the door and is bordered on either side by shrubbery and grass. The photo is dated c.1950. Photo previously labeled as #496","Black and white photograph of Story Hour at Robert Robinson Library. Robinson Librarian Minnie N. Fuller, sits and reads to twelve children who either sit in chairs or kneel on the carpeted floor in front of her. Fuller has short, dark hair and is wearing a light-colored dress with light-colored shoes. Her head is tilted down and away from the camera as she reads the book and the children, both boys and girls, are turned to face her. Behind the children are three windows that have their blinds open. The photo is dated 1950. Photo previously labeled as #497","Black and white photograph of a group of men and women, presumably attending an event, at the Robert H. Robinson Library. Posed in two rows, nine women and three men are pictured together with some looking directly at the camera and others facing in different directions. All are dressed up, with the women in dresses and dress hats and the men in suits. One clergyman stands in the second row and is dressed in a clerical collar. One woman is identified as Alexandria Library Director Ellen Coolidge Burke (first row, second from the left) and she is dressed in a dark jacket, light-colored shirt, light-colored skirt, and dark-colored hat. Behind the group is a wall with a bookshelf and closed door. The photo is dated 1950. Photo previously labeled #498","Black and white candid photograph taken of Story Hour at Robert Robinson Library. Twenty-three children, listen as Robinson Librarian Sara Murphy Carr reads a picture book. Carr is wearing a light-colored outfit and dark-colored shoes. Her hair has been tied back away from her face and she looks down at the open book through her glasses. Many of the children have realized they are being photographed and have turned to face the camera, but a few have their gazes turned elsewhere. The space where the group sits is lined on three sides by filled bookshelves, some topped with more books or other décor. The photo is dated April 1946. Photo previously labeled as #499","Black and white photo of the 10th Anniversary of the Robert H. +Robinson Library. Seated in five rows, a group of men and women, some young and some old, pose for a picture inside the Robert Robinson Library. Not everyone looks directly at the camera, but all are dressed professionally. Some women can be seen wearing hats and dress gloves while the men can be seen in suit and tie. One clergyman sits in the back dressed in his clerical collar. Behind the group, the walls are lined with bookshelves that have been decorated with original art work of varying sizes. The photo is dated 1950. Photo previously labeled as #500","This sub-series contains records documenting the branches and divisions of the Alexandria Library system including the construction of the branches and information regarding their operations. The branches represented here include the Kate Waller Barrett Branch Library, the James M. Duncan Branch Library, the Ellen Coolidge Burke Branch Library, the Robert H. Robinson Library, the \"New Branch\" (later known as the Charles E. Beatley, Jr. Central Library), the Special Services Division, and the Lloyd House (later known as Local History and Special Collections).","This folder contains miscellaneous records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of contracts, proof of insurance, and other notes and correspondence related to the proposed addition to the Barrett branch.","This folder contains records pertaining to the construction specifications for the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include the Specifications report, prepared by the Alexandria Library Board, detailing the proposed requirements for the construction of the addition to the Barrett branch.","This folder contains financial records pertaining to the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of vendor invoices, reports of money spent, and other related notes and correspondence.","This folder contains records pertaining to the process of selecting bids for which construction agency would carry out the construction of the building addition to the Kate Waller Barrett branch of Alexandria Library in 1954. Documents include copies of proposals, meeting minutes, press material, and other related notes and correspondence.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from December 1947 to December 1951. Documents include monthly reports on branch statistics, yearly fiscal report, discard lists, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1952 to December 1955. Documents include monthly reports on branch statistics, and other related notes.","This folder contains records pertaining to monthly reports regarding the Robert Robinson branch of Alexandria Library, dating from January 1956 to May 1959. Documents include monthly reports on branch statistics, and other related notes.","This series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series is currently being processed and is not yet available for research use. Please contact Local History / Special Collections staff for more details.","This sub-series contains web-published resources that were created by, or are directly related to, the Alexandria Library in Alexandria, Virginia. This includes the Library website, Library social media accounts, Library blog, and the websites of Library friends' groups.","Website of the Alexandria Library in Alexandria, Virginia","Facebook account of the Alexandria Library in Alexandria, Virginia","Instagram account of the Alexandria Library in Alexandria, Virginia","Twitter account of the Alexandria Library in Alexandria, Virginia","Youtube account of the Alexandria Library in Alexandria, Virginia","Alexandria Library's blog which focuses on adult programs, events, and services including news and updates about the Library's collection, services, resources, and programs for adults","Online donation portal for the Alexandria Library Foundation, Inc. The Alexandria Library Foundation is a non-profit organization which provides funding for the Alexandria Library System in Alexandria, Virginia","Website of the Friends of the Beatley Central Library in Alexandria, Virginia. The Friends are a volunteer organizations which works to promote the interests and programs of the Library","Website of the Friends of Duncan Library. The Friends are a volunteer organization that supports the operations of the Duncan Branch Library, located in the Del Ray neighborhood of Alexandria, Virginia","Intranet website for Alexandria Library staff"],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials relating to the Alexandria Library Board have been moved from MS098 to the Alexandria Library Board Records (MS416)."],"names_coll_ssim":["Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)","Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Alexandria Library (Alexandria, Va.)","Alexandria Library Company","Alexandria Library Association (1897-1937)","Alexandria Library Society (1937-1953)"],"persname_ssim":["Burke, Ellen Coolidge","Duncan, James M., Jr. (James Morton), 1897-1967","Barrett, Kate Waller, Dr., 1858-1925","Beatley, Charles E., Jr., 1916-2003","Robinson, Robert Henry, Rev. (1824-1909)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":523,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:46.615Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_157_c01_c01"}},{"id":"wvmturhc_repositories_2_resources_5371_c04_c07","type":"File","attributes":{"title":"11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5371_c04_c07","ref_ssm":["wvmturhc_repositories_2_resources_5371_c04_c07"],"id":"wvmturhc_repositories_2_resources_5371_c04_c07","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371_c04","parent_ssi":"wvmturhc_repositories_2_resources_5371_c04","parent_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5371","wvmturhc_repositories_2_resources_5371_c04"],"parent_unittitles_ssm":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"parent_unittitles_tesim":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape"],"text":["James E. Davis, Artist, Papers and Artworks","Series 4. Artwork -- Landscape","11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)","Box 34","Folder unfoldered"],"title_filing_ssi":"11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)","title_ssm":["11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)"],"title_tesim":["11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)"],"unitdate_inclusive_ssm":["1939-1944"],"normalized_date_ssm":["1939/1944"],"normalized_title_ssm":["11 oil on illustration board, 20 in. x 30 in. (with titles and dates recorded to reverse of paintings)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":174,"parent_access_restrict_tesm":["Special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1939,1940,1941,1942,1943,1944],"containers_ssim":["Box 34","Folder unfoldered"],"_nest_path_":"/components#3/components#6","timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371_c04_c07"}},{"id":"viu_repositories_7_resources_157_c01_c01","type":"Item","attributes":{"title":"1-1 Surface of head with guiding lines drawn ,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c01","ref_ssm":["viu_repositories_7_resources_157_c01_c01"],"id":"viu_repositories_7_resources_157_c01_c01","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-1 Surface of head with guiding lines drawn ,","box 1","folder 1"],"title_filing_ssi":"1-1 Surface of head with guiding lines drawn ,","title_ssm":["1-1 Surface of head with guiding lines drawn ,"],"title_tesim":["1-1 Surface of head with guiding lines drawn ,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-1 Surface of head with guiding lines drawn ,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 1","folder 1"],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c01"}},{"id":"viblbv_repositories_2_resources_1974_c04_c97","type":"File","attributes":{"title":"11th Virginia Infantry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c97#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1974_c04_c97","ref_ssm":["viblbv_repositories_2_resources_1974_c04_c97"],"id":"viblbv_repositories_2_resources_1974_c04_c97","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974_c04","parent_ssi":"viblbv_repositories_2_resources_1974_c04","parent_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_ids_ssim":["viblbv_repositories_2_resources_1974","viblbv_repositories_2_resources_1974_c04"],"parent_unittitles_ssm":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"parent_unittitles_tesim":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records"],"text":["James I. Robertson Jr. Papers","Series IV: Virginia Unit Records","11th Virginia Infantry","box 41","folder 32"],"title_filing_ssi":"11th Virginia Infantry","title_ssm":["11th Virginia Infantry"],"title_tesim":["11th Virginia Infantry"],"unitdate_inclusive_ssm":["n.d., 1861-1865, 1979, 1984, 1986, 1999"],"normalized_date_ssm":["1861/1999"],"normalized_title_ssm":["11th Virginia Infantry"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["James I. Robertson Jr. Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":443,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"containers_ssim":["box 41","folder 32"],"_nest_path_":"/components#3/components#96","timestamp":"2026-05-21T02:15:46.743Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1974","ead_ssi":"viblbv_repositories_2_resources_1974","_root_":"viblbv_repositories_2_resources_1974","_nest_parent_":"viblbv_repositories_2_resources_1974","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1974.xml","title_filing_ssi":"Robertson, James I., Papers","title_ssm":["James I. Robertson Jr. Papers"],"title_tesim":["James I. Robertson Jr. Papers"],"unitdate_ssm":["1849-2011"],"unitdate_inclusive_ssm":["1849-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.021"],"text":["Ms.1994.021","James I. Robertson Jr. Papers","Virginia","Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History","Collection is open to research.","Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. ","American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. ","The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.","The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus","The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr.","The materials in the collection are in English."],"unitid_tesim":["Ms.1994.021"],"normalized_title_ssm":["James I. Robertson Jr. Papers"],"collection_title_tesim":["James I. Robertson Jr. Papers"],"collection_ssim":["James I. Robertson Jr. Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Virginia"],"geogname_ssim":["Virginia"],"creator_ssm":["Robertson, James I., Jr."],"creator_ssim":["Robertson, James I., Jr."],"creator_persname_ssim":["Robertson, James I., Jr."],"creators_ssim":["Robertson, James I., Jr."],"places_ssim":["Virginia"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Robertson Papers were donated by James I. and Elizabeth Robertson in several accessions from 1992 until 2016."],"access_subjects_ssim":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"access_subjects_ssm":["Civil War","Faculty and staff","United States -- History -- Civil War, 1861-1865","University History"],"has_online_content_ssim":["false"],"extent_ssm":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"extent_tesim":["30.4 Cubic Feet 43 boxes and 1 oversize folder"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries I: Writings, 1981-2004\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for \u003ctitle render=\"italic\"\u003eJackson \u0026amp; Lee\u003c/title\u003e, for example, contains only a typescript draft of a single chapter. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries II: General Materials, 1862-1996\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries III: Virginia County Records, 1852-2005\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries IV: Virginia Unit Records, 1849-2011\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries V: Oversize Materials, [1982?]-2000, n.d.\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003e This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I: Writings, 1981-2004  This series contains research notes, manuscript and typescript drafts, edited working copies, master copies and galley proofs for 10 books and two articles published between 1982 and 2004. The series is arranged by the works' chronological order of publication. The materials for each work are arranged in chronological order, according to the dates supplied. (Where dates were unavailable, the sequence was determined by comparing the different drafts.) The drafts include revisions made by Robertson and others (identified in the individual folder descriptions, when possible). The series' holdings are not comprehensive and do not include every draft of every work. The subseries for  Jackson \u0026 Lee , for example, contains only a typescript draft of a single chapter. ","Series II: General Materials, 1862-1996  All materials not directly related to the writing and publication of Robertson's works are assembled within this series, which includes items pertaining to the preservation of lands adjacent to Manassas National Battlefield Park, manuscript drafts for various speeches made by Robertson, a list of articles written by Robertson and assorted ephemera. Materials are arranged by function. ","Series III: Virginia County Records, 1852-2005  This series contains records of Virginia counties during and after the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series IV: Virginia Unit Records, 1849-2011  This series contains records of Virginia  units during the American Civil War, including xeroxed sets of letters as well as additional records of individuals and other ephemeral material.","Series V: Oversize Materials, [1982?]-2000, n.d.  This series consists of oversize galley proofs which were too large to be filed in Series I. Items in this series are arranged according to the order in which they would have been filed had they remained in Series I. "],"bioghist_html_tesm":["\u003cp\u003eAmerican Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. \u003c/p\u003e\n","\u003cp\u003eRobertson has authored many award-winning scholarly books on Civil War-related topics, including \u003ctitle render=\"italic\"\u003eSoldiers Blue and Gray\u003c/title\u003e (1988) (nominated for the Pulitzer Prize in History), \u003ctitle render=\"italic\"\u003eCivil War Virginia: Battleground for a Nation\u003c/title\u003e (1991), \u003ctitle render=\"italic\"\u003eGeneral A. P. Hill: The Story of a Confederate Warrior\u003c/title\u003e; and \u003ctitle render=\"italic\"\u003eStonewall Jackson: The Man, the Soldier, the Legend\u003c/title\u003e (1997). He has also written two books for younger readers: \u003ctitle render=\"italic\"\u003eCivil War! America Becomes One Nation\u003c/title\u003e (1992) and \u003ctitle render=\"italic\"\u003eStanding Like a Stone Wall: the Life of General Thomas J. Jackson\u003c/title\u003e (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["American Civil War historian and Alumni Distinguished Professor of History at Virginia Tech, James I. \"Bud\" Robertson, Jr. (1930-2019) was born in Danville, Virginia. After graduating from Randolph-Macon College (B.A., 1955), Robertson obtained his M.A. (1956) and Ph.D. (1959) at Emory University and served as a teaching fellow (instructor in history) at Emory from 1958 to 1959. From 1959 to 1961, Robertson served as editor of Civil War History, a quarterly journal published by the University of Iowa. In 1961, he was appointed executive director of the National Civil War Centennial Commission by President John F. Kennedy and served until 1965, supervising the national observance of the Civil War centenary. Robertson served as professor of history at the University of Montana from 1965 until 1967, when he joined the faculty of Virginia Tech. He served as History Department head from 1969 to 1977, and was C. P. Miles Professor of History from 1977 to 1992. He became Alumni Distinguished Professor of History in 1992. ","Robertson has authored many award-winning scholarly books on Civil War-related topics, including  Soldiers Blue and Gray  (1988) (nominated for the Pulitzer Prize in History),  Civil War Virginia: Battleground for a Nation  (1991),  General A. P. Hill: The Story of a Confederate Warrior ; and  Stonewall Jackson: The Man, the Soldier, the Legend  (1997). He has also written two books for younger readers:  Civil War! America Becomes One Nation  (1992) and  Standing Like a Stone Wall: the Life of General Thomas J. Jackson  (2001). Robertson has been a contributing author and editor for several other works; his articles, too numerous to list here, have appeared in many encyclopedias, Civil War magazines and historical society journals. "],"odd_html_tesm":["\u003cp\u003eThe guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the James I. Robertson Jr. Papers, Accession by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], James I. Robertson Jr. Papers, Accession, Ms1994-021, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eAccession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Accession I was processed in May 1996 by Helen Harrison, student assistant, and Laura Katz Smith, manuscripts curator. Processing, arrangement and description of Accession II commenced in September 2002 and was completed in November 2002. The two accessions were merged at this time. Additional accessions processed by Miles Abernethy from Janruary to May 2022 and August 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.\u003c/p\u003e","\u003cp\u003eIntroduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Robert Krick and Ed Raus\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by Dennis Frye\u003c/p\u003e","\u003cp\u003ewith corrections by Richard Harwell\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown\u003c/p\u003e","\u003cp\u003ewith corrections by Beth Brown and Chris Calkins\u003c/p\u003e","\u003cp\u003ewith author's final corrections; 4 folders\u003c/p\u003e","\u003cp\u003ewith publisher's final corrections; 2 folders\u003c/p\u003e","\u003cp\u003ewith publisher's comments\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by Ludwell Johnson (chapters 1-5 only)\u003c/p\u003e","\u003cp\u003ewith corrections by Charles Roland\u003c/p\u003e","\u003cp\u003ewith corrections by Gary Gallagher\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003eincorporating publisher's revisions\u003c/p\u003e","\u003cp\u003ewith publisher's comments; 2 folders\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by Lowell Reidenbaugh\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by author\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003ewith corrections by unidentified person\u003c/p\u003e","\u003cp\u003elimited edition signed print by Brian Kraus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["The papers of James I. Robertson Jr., American Civil War historian, author, and Alumni Distinguished Professor of History at Virginia Tech, span the dates 1849 to 2011 and are comprised of writings, research papers, and collected original materials for the Civil War and the Commonwealth of Virginia. The writings consist of materials (research notes, manuscript drafts, typescript drafts and galley proofs) related to the writing and publication of a portion of Robertson's books and articles between 1982 and 2004, a large collection of notes and records of Virginia county and Civil War activity, and a collection of Virginia Civil War unit notes, records, and correspondence. Some general materials includes items related to the preservation of lands adjacent to Manassas National Battlefield Park and a few manuscript drafts for various speeches made by Robertson.","Introduction; Pre-1848; Post-Mexican War; Coming of War; Williamsburg; Promotion to Brigadier General; Mechanicsville; Gaines' Mill; Frayser's Farm; End of Seven Days' Campaign; Cedar Mountain; Second Manassas; Antietam Creek; Fredericksburg; Chancellorsville; Gettysburg; Bristoe Station; Wilderness; Petersburg; 1865","with corrections by Elizabeth Robertson, Beth Brown, Richard Harwell and Random House","with corrections by Richard Harwell","with corrections by Richard Harwell","with corrections by Beth Brown","with corrections by Richard Harwell","with corrections by Ed Raus","with corrections by Robert Krick and Ed Raus","with corrections by Richard Harwell","with corrections by Dennis Frye","with corrections by Richard Harwell","with corrections by author","with corrections by Elizabeth Robertson, Harry Pfanz and Beth Brown","with corrections by Beth Brown and Chris Calkins","with author's final corrections; 4 folders","with publisher's final corrections; 2 folders","with publisher's comments","with corrections by author","with corrections by Ludwell Johnson (chapters 1-5 only)","with corrections by Charles Roland","with corrections by Gary Gallagher","with publisher's comments; 2 folders","incorporating publisher's revisions","with publisher's comments; 2 folders","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by Lowell Reidenbaugh","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by author","with corrections by unidentified person","with corrections by unidentified person","limited edition signed print by Brian Kraus"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:\u003c/p\u003e\n","\u003cp\u003eBarringer, Paul B. \u003ctitle render=\"italic\"\u003eNarrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968\u003c/title\u003e ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eEchoes of 1861-1961\u003c/title\u003e ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eJohnston, J. Ambler. \u003ctitle render=\"italic\"\u003eThe Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table\u003c/title\u003e ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec\u003c/p\u003e\n","\u003cp\u003eWilshin, Francis. \u003ctitle render=\"italic\"\u003eManassas (Bull Run) National Battlefield Park, Virginia\u003c/title\u003e (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications have been separated to the Rare Books Collection of VT Special Collections and University Archives:","Barringer, Paul B.  Narrative of Pilgrimage to Cedar Mountain and Manassas Battlefields, September 4-5, 1968  ([Richmond?: s.n., 1968?]) E472.183 N377 1968 Civil War Spec","Johnston, J. Ambler.  Echoes of 1861-1961  ([Richmond]: privately printed, 1970) F227 .J6 1970 c.3 Civil War Spec","Johnston, J. Ambler.  The Civil War 1861-1865 in Arkansas and Missouri: Notes on the April, 1967 Trip of the Chicago Civil War Round Table  ([Richmond]: Distributed by the Virginia State Penitentiary, 1967) E470.4 .J647 1967 c.2 Civil War Spec","Wilshin, Francis.  Manassas (Bull Run) National Battlefield Park, Virginia  (Washington D.C., 1957) Docs I 29.58:15/2 Civil War Spec"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_591a58887f476736372340a2230c0d66\" label=\"Abstract\"\u003eThis collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes research notes, manuscripts, typescript drafts, working copies and galley proofs for books and articles written by Virginia Tech's Alumni Distinguished Professor of History James I. Robertson Jr., 1982-2001. Large collection of notes, papers, and correspondence relateing to Virginia Civil War counties and units. Also contains a small set of general materials which includes items related to the preservation of lands adjacent to Manassas National Battlefield Park."],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Robertson, James I., Jr."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)"],"persname_ssim":["Robertson, James I., Jr."],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:46.743Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1974_c04_c97"}},{"id":"viu_repositories_4_resources_93_c01_c02_c62","type":"File","attributes":{"title":"12.0 Anonymous Witnesses (C) - Relevant Cases","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_93_c01_c02_c62#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eContains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_93_c01_c02_c62#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_93_c01_c02_c62","ref_ssm":["viu_repositories_4_resources_93_c01_c02_c62"],"id":"viu_repositories_4_resources_93_c01_c02_c62","ead_ssi":"viu_repositories_4_resources_93","_root_":"viu_repositories_4_resources_93","_nest_parent_":"viu_repositories_4_resources_93_c01_c02","parent_ssi":"viu_repositories_4_resources_93_c01_c02","parent_ssim":["viu_repositories_4_resources_93","viu_repositories_4_resources_93_c01","viu_repositories_4_resources_93_c01_c02"],"parent_ids_ssim":["viu_repositories_4_resources_93","viu_repositories_4_resources_93_c01","viu_repositories_4_resources_93_c01_c02"],"parent_unittitles_ssm":["Monroe Leigh papers","International Criminal Court (ICC)","ABA War Crimes Task Force - Yugoslavia"],"parent_unittitles_tesim":["Monroe Leigh papers","International Criminal Court (ICC)","ABA War Crimes Task Force - Yugoslavia"],"text":["Monroe Leigh papers","International Criminal Court (ICC)","ABA War Crimes Task Force - Yugoslavia","12.0 Anonymous Witnesses (C) - Relevant Cases","MSS 04-2, Box 22","folder 1","Contains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases"],"title_filing_ssi":"12.0 Anonymous Witnesses (C) - Relevant Cases","title_ssm":["12.0 Anonymous Witnesses (C) - Relevant Cases"],"title_tesim":["12.0 Anonymous Witnesses (C) - Relevant Cases"],"unitdate_inclusive_ssm":["1931 - 1996"],"normalized_date_ssm":["1931/1996"],"normalized_title_ssm":["12.0 Anonymous Witnesses (C) - Relevant Cases"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Monroe Leigh papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":323,"date_range_isim":[1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996],"containers_ssim":["MSS 04-2, Box 22","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eContains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases"],"_nest_path_":"/components#0/components#1/components#61","timestamp":"2026-05-24T23:27:31.849Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_93","ead_ssi":"viu_repositories_4_resources_93","_root_":"viu_repositories_4_resources_93","_nest_parent_":"viu_repositories_4_resources_93","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_93.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/107018","title_ssm":["Monroe Leigh papers"],"title_tesim":["Monroe Leigh papers"],"unitdate_ssm":["1941-2001"],"unitdate_inclusive_ssm":["1941-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.04.2","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/93"],"text":["MSS.04.2","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/93","Monroe Leigh papers","Arbitration (International law)","Defense (International criminal procedure)","Humanitarian law","Immunities of foreign states","International crimes","International criminal courts","International law","Law  -- Study and teaching","Yugoslav War Crime Trials, Hague, Netherlands, 1994-","War crime trials -- Yugoslavia","Water rights (International law)","Restrictions apply.","These three files were found in the Moore's documents. Special Collections staff decided to access them with Monroe Leigh's in 2021.","Transferred from Papers of John Norton Moore, MSS 85-17b in 2021.","Summary article on adoption of ICC Statute by Committee of the Whole of the Rome Conference","With handwritten edits, report and ICC statute summary attached","Contains notes, highlights, limited markup","Forwarded to Paul R Williams, Executive Director of Public International Law and Policy Group for Carnegie Endowment for International Peace","July 20, 1998 ABA article, July 16, 1998 Cato Institute article by Gary Dempsey, August 24, 1998 Forbes magazine commentary, May 1999 American Society of International Law \"In Brief\"","1943 Cornell L.R. article by Robert E. Cushman - \"Ex Parte Quirin et Al - the Nazi Saboteur Case\", Except on international courts from Louis Henkin, Foreign Affairs and the United States Constitution (1996)","Handwritten notes and edits included","Note attached, Forwarded via fax to Henry Marshall at U.S. DOJ","No markings so removed from collection. Other copy may be found in Box 1 folder 18, in the library or through online academic journal databases such as WestLaw and LexisNexus.","Association of the Bar of the City of New York, Section of Criminal Justice, Section Individual Rights and Responsiblities, and Standing Committee on World Order Under Law","Sent from Maury Shenk to Monroe Leigh and including contact information for U.S. delegation in Rome,","Includes \"Law Without Borders: The Constitutionality of an International Criminal Court\" by Paul D. Marquardt, Columbia Journal of Transnatianal Law, 33:73, 1995, Handwritten notes and copies of relevant cases attached","Report on the Proposed ICC by The Committee on International Law and the Committee on International Human Rights, \"Current Developments\" by James C. O'Brien, separate summary by Peter Bekker, and \"Proposal for an International Criminal Court\" by Quincy Wright from American Journal of Int'l Law.","Forwarded to law firm librarian for distribution by Marion A Ott, Administrative Office of the U.S. Courts","April 4, 1998 draft by Maury Shenk re: Jurisdiction of International Criminal Court Over U.S. Persons, February 11,1998 draft re: Constitutional objection to International Criminal Court","With handwritten edits and comments","Contains checkmarks","Response to questions on collaboration for ICC Rules of Procedure and Evidence","Enclosures: Paper Presented by Michael P. Scharf (\"The ICC's Jurisdiction Over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" at August 1999 ABA Section of International Law and Practice, Letter from Monroe Leigh to Samuel Burger regarding acceptance of Rome treaty establishing ICC (with attachments)","Enclosures: ABA Resolution as approved February 1998, August 1998 Report to ABA Section of International Law and Practice","Attachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998","With handwritten notes and edits from Maury D. Shenk","No indication of what document was forwarded","Noting that U.S. would not sign the ICC Treaty and attaching October 20, 1999 Statement Before U.N. General Assembly Sixth Committee re: The Rome Treaty on the International Criminal Court","With some handwritten notes/markings","Post-it attached indicating forwarded from David Aaronson to Monroe Leigh on July 14, 1999","Page flagged","Handwritten notes and highlighting and page flagged","Handwritten notes and markings, Extensive notes on back","1) \"The Case for a Permanent War Crimes Court\", 2) \"Fiddling in Rome: America and the International Criminal Court\", 3) \"The International Criminal Court: An American View\", 4) \"Achieving a Wider Consensus Through the 'Ithaca Package,\", 5) \"Courting Disaster: The U.S. Takes a Stand\"","Attaching \"International Criminal Tribunals: An Institution the United States Can Support\" by Diane F. Orentlicher","Handwritten notes and markings","Handwritten notes and markings","Signature: Monroe Leigh","Enclosures, both with markings as photocopied: \"The ICC's Jurisdiction over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" by Michael P. Scharf, as presented October 28, 1999 at Natioanl Security Law in a Changing World: The Ninth Annual Review of the Field, and DRAFT of \"High Crimes and Misconceptions: The ICC and Non-Party States\" by Madeline Morris","Duplicate of article in Series I: ICC, Subseries A: ABA, Box 2 Folder 8","With note from David","With handwritten markings, flagged and note attached - \"The Institute for Global Legal Studies Inaugural Colloqium: The UN and the Protection of Human Rights: Introduction\" by Stephen H. Legomsky for the Washington University Journal of Law \u0026,amp, Policy, \"International Court Should Try Defendants\" by Leila Sadat, St. Louis-Post Dispatch, \"ICC Establishment Pushed by Experts\" for BusinessWorld, \"International Court is Not 'War Menace' \" by Stephen Rickard as letter to the editor, Washington Times, \"The Need for Global Justice\" by Rob Gaudet, The Stanford Daily, \"Fate of bin Laden Strengthens Case for Permanet UN Court\" for Agence France Presse, \"Our Opinion: Even Superpowers Still Need Friends\" editorial for The Atlanta Journal and Constitution, \"A New International Spirit, If the U.S. Can Combat Terrorism, It Can Cooperate to Pursue Justice\" by Diane Marie Amann, The San Francisco Chronicle, \"Court Order\" by David J. Scheffer, letter to the editor, Foreign Affairs, \"Time to Recognise Courts Not Bombs\" by Rob Bennett, Morning Star","With highlighting","Forwarding information from the World Federalist on Washington Post announcement","Forwarding June 14, 1998 article from the New York Times, \"An Old Scourage fo War Becomes Its Latest Crime\" by Barbara Crossette","Forwarding information on 2 articles in The Economist, June 13, 1998 on ICC","Photocopy, \"U.S. Argues Against Strongly Independent War Crimes Prosecutor\" by Alessandra Stanley, \"A Strong International Court\" editorial","Photocopy, \"Clout Without a Country: The Power of International Lobbies\" by Charles Trueheart, brief, \"U.S. at Odds with Allies Over Court\"","Forwarding June 22, 1998 press information from U.N. Court Watch","Photocopy, \"U.S. Presses Allies to Rein in Proposed War Crimes Court\" by Alessandra Stanley, brief, \"Undermining an International Court\"","\"Clinton Urges Others to Give Ground on Court\" and \"War Crimes Conference Remains Divided\"","\"Torch-Light March\", \"Treaty? What Treaty\",","\"U.N. War Crimes Court Agreed\" by James Blitz, July 18, \"U.S. Faces Test on War Crimes Court\" by James Blitz, July 16, with highlighting - \"Diplomats Deliver Judgments on New War Crimes Court\" by James Blitz, July 20","\"America Avoids the Stand\" by Thomas Lippman, Op-Ed, \"The Trouble with the War Crimes Court\" by Fred Hiatt","\"Sorry isn't enough\", \"A challenge to impunity\", \"Latin lessons for Asian banks\"","Forwarding with comment International Institute for Strategic Studies article \"Creating an International Criminal Court\" and other assorted articles from July 27 and 28","Forwarding July 31, 1998 letter to the editor by Jeff Laurenti","With copy of article attached","post-it attached indicating \"Do not send this letter to Ed Dick\"","Contains handwritten markup","Contains handwritten markup","[Copy available at Law INT38.R4253]","1. to Washington Post, 2. to NYTimes (with penciled edits), 3. to Wall Street Journal","Attached letters: November 29, 2000 letter from Lawrence EagleBurger, former Secretary of State, Brent Scowcroft, formder National Security Advisor, Caspar WeinBurger, former Secretary of Defense, Zbigniew Brezezinski, former National Security Advisor, R. James Woolsey, former Director of Central Intelligence, Jeane Kirkpatrick, former Ambassador to the UN, Henry Kissinger, former Secretary of State, Donald Rumsfeld, former Secretary of Defense, Richard V. Allen, former National Security Advisor, George Shultz, former Secretary of State, James A. Baker III, former Secretary of State, and Robert M. Gates, former Director of Central Intelligence, December 22, 2000 letter to Secretary of Defense William S. Cohen and Chairman of the Joint Chiefs of Staff GEneral Henry H. Shelton from Senators Jesse Helms, Chairman of Committee on Foreign Relations and John Warner, Chariman of Committee on Armed Services","Signed by Senators Patrick Leahy, Dianne Feinstein, Allen Specter, Daniel Patrick Moynihan, Christopher Dodd, John F. Kerry, Joseph I. Lieberman, James M. Jeffords, Richard J. Durbin, Tom Harkin, Herb Kohl, Charles E. Schumer, Frank R. Lautenberg, Paul Wellstone, Barbara Boxer, Patty Murray, Edward M. Kennedy, Paul S. Sarbanes","Signees include Rev. Michael Dodd, Columban Fathers' Justice \u0026,amp, Peace Office, Rev. Lonnie Turner, Cooperativer (sic) Baptist Fellowship Washington Office, Rabbi David Saperstein, Co-Director of Commission on Social Action of Reform Judaism, Gary Baldridge, Co-Coordinator of Global Missions for the Cooperative Bapatist Fellowship, and Rev. David O. Selzer (Chair), Janey G. Chisholm (Vice Chair), Verna M. Fausey (Secretary), Christopher Pottle (Treasurer), Mary H. MIller (Executive Secretary) of the Episcopal Peace Fellowship","Signees: Patrick J. Kennedy, Sam Farr, Michael Capuano, Pete Stark, Dennis Kucinich, James McGovern, Sherrod Brown, Albert Wynn, Bill Parscrell, Jr., Jan Schakowsky, Barbara Lee, Barney Frank, Maurice Hinchey, Maxine Waters, Carolyn Maloney, Jesse Jackson, Jr., William Delahunt, Shelia Jackson Lee, Tim Holden, Nancy Pelosi, Eddie Bernice Johnson, Chaka Fattah, Edolphus Towns, Tammy Baldwin, Lucille Royball-Allard, Donald Payne, Major Owens, John Lewis, Jerrold Nalder, John Tierney, Bobby Rush, Lynn Woolsey","Signees: Rear Admiral Eugene J. Carroll, Jr., Lieutenant General Robert G. Gard, Jr., Lieutenant Robert O. Muller, Chaplain (Major General) Kermit D. Johnson, Colonel Daniel Smith, Major General John B. Kidd, and Vice Admiral John J. Shanahan","With handwritten notes","(contains flags and handwritten notes), 1. Memo from Lee Caplan re: The Right to Trial by Jury in US Military Courts - Martial, August 11, 2000, 2. 727 Military Triers of Fact: Needless Deprivation of Constitutional Protections? By Gary Michael Heil in Hastings College of the Law 1982, 3. 103 The Court-Martial Panel Selection Process: A Critical Analysis by Major Stephen A. Lamb in Military Law Review, Summer 1992, 4. 1 He Called ofr his Pipe, and he called for his bowl, and he called for his members three - selection of military juries by the sovereign: Impediment to Military Justice by Major Guy P. Glazier in Military Law Revew, October 1998, 5. Citations list, Database JLR","Correspondents include: Monroe Leigh, Brian Newquist, Lea Browning, Barbara L. Stone, Cynthia Price, David Stoelting, John Washburn, Martha W. Barnett, Bruce Swartz, contains numerous handwritten notes, markup, edits, and personal correspondence regarding drafts","1. ML to ICTY Office of Public Information Services, The Hague, re: Request for Copy of ICTY Judges' Submission to the Fourth Session of the U.N. Preparatory Commission for the International Criminal Court Regarding Rules of Evidence and Procedue, April 12, 2000, 2. ML to Lloyd N. Cutler re: Barbara Crossette's NYTimes article on Pres. signing treaty before end of year, December 11, 2000, 3. Samuel Burger to David Stoelting re: US policy towards ICC and the Rome Treaty, November 9, 2000, 4. ML to Samuel Burger re: ABA adn ICC and US acceptance of Rome Treaty, October 13, 1999","1. Daniel Magraw to [cc. ML], 2. ML to Edison Dick","1. Rona Mears to Thoams Allen, 2. Rona Mears to ML","Handwritten in blue ink","Handwritten comments on some, highlights,","Not all of the documents appear to be extra copies","Contains markup, post-it notes, and notations","Contains notations, 1. Part 6 of the Rome Statute, 2. ABA Recommendation re: ICC, 3. Australian Rule 92, 4. Proposed Rules of Procedure and Evidence for the ICC, 5. Rules of Procedure and Evidence of the ICC (Australian Draft)","1. Re: ICC: Rules of Procedure and Evidence, 2. Re: Proposed Rules for Siracusa Meeting","Copies cc'd with notes sent to: Michael Johnson \u0026,amp, Neal Sonnett, David Stoelting, James Silkenat, Gerold Libby, William Hannay","Contains handwritten notations and markup","Contains markup, notations, post-its, 1. ABA Section of Interantional Law and Practice Report to the House of Delegates Recommenation, 2. Proposed ABA Resolution concerning participation by the United Staets, 3. Report to Section, Re: draft report on the PrepCom, 4. Minutes of the Meeting of the Council of the ABA Section of International Law and Practice, 5. Revised Rules on Part 6, 6. Proposed rules for Special proceedings to Protect a Victim, Witness, or Accused, 7. Draft Basic Principles and Guidelines on the Right to a Remedy and Reparations for Victims of Violations of International Human Rights and Humanitarian Law, 8. ICC Rules of Procedure and Evidence comments, 9. July 12 draft rules on in camera evidence and electronic testimony, 10. In Camera Proceedings and Testimony by Electronic Means: Proposed Revised Rules, 11. Revised rules to replace ABA Rule 72 as well as Australian Rules 88 \u0026,amp, 89 and French Rule 38.1, 12. Subsection 2. Rules of Evidence, 13. International Seminar on victim's access to the ICC, 14. Discussion Paper on Rules for PArt 6, 15. Draft Resolution for Consideration by the Section of International Law adn Practice at the Toronto Meeting","Contains post-it notes, highlights, notations, Correspondents include: Monroe Leigh, WICC group, Robert Stein, M. Cherif Bassiouni, Bruce Swartz, Barbara M.G. Lynn, William Hannay, Lea Browning, Jerome Shestack, Greg Stanton, David Stoelting, Edison Dick","Contains handwritten notes, markup, notations","1. Rules relating to defense counsel, victims and witnesses, 2. Remarks made by Judge Gabrielle Kirk McDonald, Pres. Of the International Criminal Tirbunal for the former Yugoslavia, to the Perparatory Commission for the ICC","Contains handwritten notes, Correspondencts include: Thomas Allen, Rhona Mears, Monroe Leigh, James Silkenat, Karin Calvo-Goller, Greg Stanton, Roland Homet, Bruce Swartz,","Contains markup, handwritten notes and post-it notes, Safeguards for US Personnel under the Rome Treaty for the ICC, ABA Recommendation on ICC (multiple versions), Draft Statement (Dec. 8, 2000), Report on the Proposed ICC (multiple versions)","Contains markup and notes, ASPA draft bill text, APA Model Code of Judicial Conduct, Policy fo the Nixon Administration as Revealed in Public Statements, Expropriation in International Law, Ratification of the Rome Statue of the International Criminal Court by Germany Statement, ABA Recommendation on ICC, Fall 2000 Retreat ICC Report with Recommendation, Ambassador Scheffer's Statement at the Human Rights Caucus, State of Monroe Leigh re: HR 4654, Panel on Foreign Policy Gridlock at Annual Meeting of Association, WICC group contacts, Remarks at House of Delegates Meeting Nashville,","From: DefenseNews.com, Cato Institute, Diplomat, Foreign Affairs, Military Law Review, American Society of International Law, Federal News Service, American Journal of International Law, Wall Street Journal, Washington Times, Reuters, New Yrok times, Congressional Testimony, The International Lawyer","Correspondents include: Monroe Leigh, Cynthia Price, WICC email list, Benmamin Ferencz, Carl Christol, Heather Hamilton, Stephen Rickard, Michael Capuano, Henry Hyde, Burns Weston, David Stoelting, Jerome Shestack, Jackson Diehl, Keithe Nelson, Enid Adler, John Washburn, Daniel Magraw, Willaim Hannay, David Scheffer","Contains handwritten notes and post-it notes. 1. 893 F. Supp.65, 1995 US Dist., Civil Action No. 95-1097 (RCL), August 31, 1995, 2. 1996 US App., Docket No. 95-2462, Decided August 29, 1996","Handwritten notes in pencil and ink","Contains post-it notes","Contains highlights and post-it notes","Contains handwritten post-it notes and notations","Contains markup, post-it notes, and notations","1. Reservation Confirmation, 2. Provisional Work Plan, 3. Predicted Ratified Dates, 4. Programme: Independent Defence before the ICC, 5.1999 Human Rights Day Community Awards Luncheon, 6. ABA Reps on Preparatory Comm.","Contains some markup, 1. PCNICC/1999/DP.8/Add.2/Rev.1, 2. PCNICC/1999/WGRPE(4)/DP.2, 3. PCNICC/1999/L.4, 4. PCNICC/1999/L.4, 5. PCNICC/1999/WGRPE/RT.5/Rev.1, 6. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.1/Corr.1, 7. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.2, 8. PCNICC/1999/WGRPE/RT.7, 9. PCNICC/1999/WGRPE(4)/Rt.1, 10. PCNICC/1999/WGRPE(4)/DP.3/Rev.1, 11. PCNICC/1999/WGEC/INF/3, 12. PCNICC/1999/WGEC/DP.27","Contains markup, 1. PCNICC/1999/L.4/Add.1, 2. US Statement before the UN General Assembly Sixth Committee, The Rome Treaty on the ICC, October 21, 1999, 3. (same as 2 w/different markup), 4. Senate Foreign Relations Comm Hearing, October 20, 1999, 5. PCNICC/1999/L.4, 6. Activity Report 1997-1999 Conference on Independent Defence before the ICC, 1-2 November 1999, The Hague, Netherlands, 7. A Strong Defense Before the International Criminal Court, Presentation for the ABA, August 10, 1999, by Elise Groulx","1. Excerpt from \"The Price of Terror: One bomb. One Plane. 270 Lives. The History-Making Struggle for Justice After Pan Am 103\" by Allan Gerson and Jerry Adler (HarperCollins Publishers), 2. \"The Constitution and Jrisdiction over Foreign States: The 1996 Amendments to the Foreign Sovereign Immunities Act in Perspective\" by Lee M. Caplan (contains flagged pages)","1. Testimoney of Jamison s. Borek before the subcommittee on Courts and Adminsitrative Practice of the Committee on the Judiciary United States Senate on S. 825, June 21, 1994 (contains post-it message from Mark Said and comments within text), 2. Fax re: Draft letter to Sen. Biden supporting FSIA aka S. 735, June 2, 1995","1. Mark S. Said correspondence, June 1, 1995 (contains business card), 2. Re: ILA, European Convention on State Immunity and FSIA., November 13, 2000, 3. Re: Proposed Amendments to FSIA, October 17, 2000 (contains markup)","1. Section Reports with Receommendations, Council Summary (contains inserts), 2. Draft Recommendation and Report on the US Foreign Sovereign Immunities Act, 2000 (contains Monroe Leigh signature)","Many photocopies, Contains post-it notes, handwritten notes, underlines","Handwritten notes in blue ink, Correspondent's include Monroe Leigh, William Reece Smith, Jr., Andrew Goodpasture, William Hannay, Brooksley Born, Leigh Middleditch, Jr., Mary Hoinkes, Diane Wood, Martha Barnett, Jerome Shestack, James Silkenat, Elizabeth Parker, David Stoelting, Keithe Nelson, Jennifer Dabson, Robert MacCrateLori Damrosch","Contains post-its and handwritten markup, 1. ABA Section of International Law and Practice Recommendation, 2. European Parliament Texts Adopted at the sitting of Thursday 18 January 2001, 3. Resolution of Section of Criminal Justice on ISS (Dec 21, 2000), 4. Report with Recommendation re: this country's becoming a part to the Rome Treaty to establish the ICC","Contains post-its, handwritten markup and notes, 1. ABA Criminal Justice Section, House of Delegates, Recommendation, 2. Relevant transcript parts of Colin Powell's confirmation hearin, 3. Substitute for paragraph 1 of the Resolution, 4. Talking points for House of Delegates debate on ICC, 5. Letters to House on misconceptions of proposed ICC, 6. Transcript (with penciled notes) of Colin Powell's confirmation hearing, 7. Prepared statement of Colin Powell for confirmation, 8. Talking points prepared for Martha Barnett on ICC, 9. Copies of letters re: ICC and upcoming House debate","Contains some notes, 1. Washington Times \"Proposed international court will protect civil liberties\" Dec 30, 2000, 2. Washington Times \"International court pressures and perils\" Dec 26, 2000, 3. Washington Post \"Powell Reverses Albright Choice of Judge\" Feb 4, 2001, 4. Letter to Martha Barnett re: two previous Washington Times articles and \"The United States and the Statute of Rome article in The American Journal of International Law\" (Vol. 95, 2001)","Contains handwritten markup","contains: press release \"Helms, GOP Offer Bill to Protect Ameircans From Prosecution by UN Court\", Statement by Senate Foreign Relations Committee Chairman Jesse Helms Hearing on \"The American Servicemen's Protection Act\", newspaper photocopies about hearing, letter from Helms to Louis Freeh (Dir, FBI) re: US officials traveling abroad","Contains handwritten markup","Contains highlighting","1. \"Helms 'Losing the Battle' on International Court\", 2. \"'Scare Tactics' on International Court Denounced\"","also contains a brief bio from American Enterprise Institute for Public Policy Research","Contains signature, tagged page, and handwritten edits in booklet","duplicates removed","removed as a duplicate","Handwritten in blue ink","removed as can be found in journal","Correspondents include: Rochelle Evans, David Stoelting, Myrna S. Raeder, Monroe Leigh, James Silkenat, William Hannay, Gerald Libby, Cynthia Price, Michael Johnson, Neal R. Sonnett, Jerome Shestack, Bruce Swartz, Lewis Morgan, contains numerous handwritten notes, markup, edits","1. To President William Clinton re: Rome Statute, 2. From James Silkenat re: Criminal Justice Section Resolutoin on ICC, 3. From Monroe Leigh re: President signing the ICC treaty, 4. From David Stoelting re: Section of Criminal Justice, R/R re ICC, 5. From Cynthia Price re: Section of Criminal Justice, R/R re ICC","1. Newsletter on Section of International Law and Practice, 2. AP article \"Campaign Launched Against UN Court\"","1. Votes and Comments on resolutions, 2. Report No. 105C, 3. Re: Section of Criminal Justice, Report with Recommendation on ICC, 4. Report ABA on ICC draft, 5. ABA Criminal Justice Section, House of Delegates Recommendation","note: \"my working copy\", includes revision from August 29, '00","duplicates removed","duplicates removed","duplicates removed","signed Monroe Leigh","Handwritten notes on all three statements: 1. David J. Scheffer, Ambassador-at-large for War Crimes Issues and Head of the US Delegation to the United Nations Preparatory Commission for the Internatioanl Criminal Court, 2. John R. Bolton, Senior Vice President, American Enterprise Institute, 3. Monroe Leigh","removed since its just a copy of the bill text","1. Letter to Monroe Leigh from John B. Anderson (signed) re: Washington Working Group 2000 meeting and HR 4654, July 28, 2000, 2. DRAFT statement re: ICC, 3. Washington Working Group on the ICC meeting Agenda, September 13, 2000, 4. Washington Working Group on hte ICC Information Packet American Servicemembers' Protection Act of 2000, 5. Washington Working Group on the ICC Directory","1. Candidate Responses to ICC Questions as fo 9/13/00, 2. Memo Re: CHRC Member's Briefing: International Criminal Court! From Hans Hogrefe, Septembr 12, 2000, 3. Lobbying letter from Represenatives… to Colleague re: \"Oppose the 'War Criminal Protection Act'\", 4. Handwritten notes about bill and language, 5. Letter from Monroe Leigh to Craig Stuart Powers re: Representative Constance A. Morella and HR 4654 (contains handwritten notes), September 11, 2000, 6. UN-USA Action Alert re: Communications to Congress Concerning the \"American Servicemembers' Protection Act\", August 2000, 7. Agenda for August 29, 2000 meetings with various Representatives","Handwritten post-it and comments on article","1. Letter to Jerome Shestack re: ABA resolutions draft letter to Ben Gilman, August 2, 2000, 2. Fax to Jerry Fowler re: Leigh statement on HR 4654, August 16, 2000, 3. Fax to John Washburn re: Leigh Testimony to committee, July 13, 2000, 4. Fax to John Washburn re: Draft Statement on Statute of Rome, December 8, 2000","Attachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998, Comparison table of Rome Treaty and U.S. Constitution","Handwritten notes","Handwritten comments and edits","Handwritten edits","Some contain highlighting","Pages flagged with post-it notes, March 3, 2000 email from Brian Newquist to Monroe Leigh re: anonymous witnesses and March 6, 2000 fax from Bruce Swartz, U.S. DOJ office of the Deputy Assistant Attorney General interspersed","signed Monroe Leigh","Contains handwritten post-it and notations","Pages flagged","Includes handwritten post it from Brian J. Newquist to Monroe Leigh","Handwritten post-it \"Monroe - FYI, Just Released - Brian\", includes pages of notes as well","1. To Jerome J. Shestack re: Rome language to Helms' bill, June 9, 1998, 2. From Pat Hanrahan re: International Criminal Court Conference Call, June 9, 1998, 3. From Jerome Shestack to Kofi Annan re: Representatives from ABA to Rome Conference, June 11, 1998, 4. From Pat Hanraham re: ICC Conference in Rome (info, news clippings, etc), June 18, 1998, 5. From Lea Browning re: letter re constitutionality of ICC, July 7, 1998 (contains post-it \u0026,amp, handwritten notes), 6. From Giovanni Nardulli re: ABA Representatives to the ICC Treaty Negotiations in Rome, June 18, 1998 (contains handwritten notes)7. To John Lane, Charles Renfrew, David Stoetling, Jerome Shestack re: International Criminal Court, July 20, 1998","1. Rome Statute of the ICC (A/Conf.183/9*) signed ML w/notations, 2. Non-Governmental Organizations Accredited to Participate in the Conference (A/Conf.183/INF/3, 3. Committee of the Whole Bureau Proposal, 4. Draft Statute for the ICC Compendium of Draft Articles referred to the drafting committee by the committee of the whole as of 9 July 1998, 5. Draft Statute: UN Diplomatic Conference of Plenipotentiaries on the Establishment of an International Criminal Court signed ML w/notations and post-its","1. Information for Participants, 2. Handwritten notes re: John Washburn, 3. News - Rome Diplomatic Conference for an International Criminal Court by Michael P. Scharf, 3. On the Record ICC Conference news","Another copy may be found in Box","Correspondents include: Monroe Leigh, Lea Browning, Bruce Swartz, Donald Munro, Maury Shenk, Thomas Wingfield, William Hannay, Robert Lutz, David Stoetling,","Handwritten edits and notes","Contains three pages of handwritten notes on looseleaf paper","Removed because all materials can be found online or in the library","Contains highlighting \u0026,amp, signature of Monroe Leigh","3 different versions, all contains markeup, edits, highlights, and notes","Contains some pencil markup","Contains handwritten notes, Monroe Leigh signature, markup and edits, highlights, Correspondents include: Monroe Leigh, David Stoelting, John F. Murphy, Louis B. Sohn, Timothy L. Dickinson, Harry Marshall, Peter H. F. Bekker","Contains handwritten notes, markup and edits, post-it note markers, Correspondents include: Monroe Leigh, David Stoelting, Michael A. Cardozo, Elizabeth Defeis, Joan Davis, John Murphy, Robert E. Lutz II, Louis B. Sohn, Peter H. F. Bekker, David J. Scheffer, Harry R. Marshall, Jr., Ken Harris","Contains \"ABA World Order Under Law Reporter, Vol. 5, No. 1, Summer / Fall 1997\" Newsletter, Draft UN Document: A/AC.249/1997/WG.3/CRP.2 13 August 1997","Contains handwritten notes, newspapers, journals, press releases, Amnesty International \"Establishing a Just, Fair, and Effective International Criminal Court\" October 1994, \"War Crimes and the Nuremberg Principle by Waldemar A. Solf\" International Security Law (Moore, Turner, \u0026,amp, Tipson, eds. 1990), \"The Need for an International Criminal Court in the New International World Order,\" by M. Cherif Bassiouni and Christopher L. Blakesley in 25 Vand. J. Transant'l L. 151, 1992, \"The Time Has Come for an International Criminal Court\" by M. Cherif Bassiouni in 1 INd. Int'l \u0026,amp, Comp. L. Rev. 1, 1991","Contains \"Testimony of Jamison S. Borek, Deputy Legal Adviser, U.S. Department of State, Before the Committee on Foreign Relations, U.S. Senate, September 15, 1998,\" Text of letter sent to President William J. Clinton on May 15, 1998 supporting ICC, Text of S. Con. Res. 78, 105th Congress, 2d Session","Contains handwritten edits","Contains Monroe Leigh signature, Correspondents include: Monroe Leigh, Jerome J. Shestack, John Murphy, M. Cherif Bassiouni, Maury Shenk, George E. Bushnell, Jr., Lucinda Low, Michael D. Sandler,","Correspondents include Monroe Leigh, Richard L. Gaines, George E. Bushnell, Jr., Christopher Keith Hall, Willaim M. Hannay, and Stuart H. Deming","Summaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC","Contains handwritten notes","Contains handwritten notes","Contains underlining, handwritten markup, background materials on interested lobbyists, congressional politicians, presidential administrators","Contains handwritten pages of notes, markup, remarks, post-it notes","Contains handwritten pages of notes, markup, correspondents including: Francisco Jose Aguilar-Urbina, Conrad K. Harper, H. E. Boutros Boutros-Ghali, Marvin E. Frankel, Michael Posner","Contains post-it markers and underlines, Includes: Text of Treaty: \"No. 1021. Convention on the Prevention and Punishment of the Crime of Genocide. Adopted by the General Assembly of the United Nations on 9 December 1948, UN Security Council Official Documents, ABA Reports with Recommendations to the House of Delegates of the Task Force on an International Criminal Court of the American Bar Association and the New York State Bar Association","Contains names, addressed, phone numbers","Contains handwritten notes, highlights, memos","Contains highlights and handwritten notes","Contains markup, handwritten notes, post-it notes, highlighting","Contains handwritten notes, post-its, highlighting, comments","Contains highlights and notes","Contains post-its and notations","Contains edits, highlights, underlining, post-it notes, looseleaf pages","Contains handwritten notes, looseleaf pages,","Contains post-its, notes, markings","Handwritten message","Contains handwritten looseleaf notes","Contains post-it note \"Master Copy\" \u0026,amp, Monroe Leigh signature","Contains post-it notes, handwritten edits, flags","Contains memo correspondence, handwritten notes, edits","Contains flags, handwritten notes, edits, correspondence page","Contains Leigh signature, handwritten edits","Contains memo correspondence","Correspondents include: Monroe Leigh, Mary M. Devlin, Willaim M. Hannay, Jonathan Gluck, contains flags, handwritten notes, post-it notes, penciled edits","Correspondents include: Monroe Leigh, Diane F. Orentlicher, Stuart H. Deming, Richard B. Lillich, Larry A. Hammond, Charles R. Norberg, Jeffrey M. Lindy, William Geary, William D. Denson, David A. Martin, John Jay Douglass, Martin C. Loesch, Sushan Demirjian, Contains highlights, Leigh signature, handwritten edits","Correspondents include: Monroe Leigh, Allen Ryan, Kenneth B. Reisenfeld, Jay Vogelson, Alaire Bretz Rieffel, Susan Bright, Contains handwritten edits","Correspondents include: Monroe Leigh, Marcia Warren, Antonio Cassesse, Douglas Stringer, Peter Lichtenbaum, Mark S. Ellis, Valerie Brion, Susan E. Magalhaes, Robert F. Drinan, Barbara Stone, Richard J. Goldstone, Larry A. Hammond, Stuart H. Deming, Alaire Bretz Rieffel, Jonathan Gluck, Elizabeth R. Rindskopf, Daniel B. Magraw, Jerome J. Shestack, Osborn Maledon, Contains highlights, post-it notes, handwritten edits, memos, Leigh signature, looseleaf pages of notes","Correspondents include: Monroe Leigh, Mark J. Hartwig, David N. Lindley, Susan A. Ehrlich, Larry Johnson, David G. Keyko, Hamid Sabi, Anna Ascher, Gonzalo Parra-Aranguren, Mary M. Devlin, Larry A. Hammond, Conrad Harper, Georg Ress, John Heffernan, Barbara Kagan, Michael D. Sandler, Louise Arbour, William Hannay, Sushan Demirjian, John Noyes, Barbara Stone, Contains highlights, looseleaf pages of notes, handwritten notes, post-its, flags, edits","Correspondents include: Monroe Leigh, Gabrielle Kirk McDonald, John Heffernan, Nina Bang-Jensen, Valerie Brion, Michael Scharf, Douglas Stringer, Marilou Righini, Alaire Bretz Rieffel, Bob Lutz, J. S. Weigand, Contains handwritten notes, business cards, memos, Leigh signature","Correspondents include: Monroe Leigh, Gabrielle Kirk McDonald, Willaim Hannay, Gary A. Marek, Professor Mischa Wladimiroff, Adrienne A. Cook, Contains handwritten messages, Leigh signature, annotations","Correspondents include: Monroe Leigh, Reid Bauman, Richard J. Goldstone, Barbara Stone, John Heffernan, David Roll, Contains: Leigh signature, handwritten memos, flags","Correspondents include: Monroe Leigh, Ramadan Gashi, Gerold W. Libby, John Crook, Louise Arbour, Graham T. Blewitt, Contains: Leigh signature, handwritten notes","Correspondents include: Monroe Leigh, Cristian M. DeFrancia, Contains: ICTY application paper \"The Use of Anonymous Witnesses in War Crimes Trials: the Legal Background\", Cristian M. DeFranica signature","Contains photocopies","Contains handwritten notations and comments","Contains handwritten notations","Contains post-its, handwritten comments, underlines","Contains post-it notes/markers, handwritten comments","Contains post-it notes/markers, handwritten comments, underlining, 3 1/2 floppy disk labelled \"Tadic decision re witnesses\"","Contains tabs","Contains post-it markes and pages of handwritten looseleaf comments","Contains fax message","Contains correspondence between Mornoe Leigh and David Stoelting, highlights, pencil comments","Contains highlights, notations, edits, post-it note markers","Includes: The Queen v. Secretary of State for the Home Department, ex parte: John Gerald Gallagher, Mobil Oil Libya Ltd. V Secretariat of Petroleum and the Governmnet of the Socialist People's Libyan Arab Jamahiriyah, \"Tadic, the Anonymous Witness and the Sources of International Procedural Law\" by Natasha A. Affolder, \"To 'Establish Incredible Events by Credible Evidence': The Use of Affidavit Testimony in Yugoslavia War Crimes Tribunal Proceedings\" by Patricia M. Wald","Contains decisions for Ontario High Court of Justice (06/26/1989, 07/10/1989), Ontario Court of Appeal (04/29/1992), Supreme Court of Canada (03/24/1994), Includes highlights, underlines, post-it markers, post-it notes with notations","Contains handwritten notes, memos, business card, newspaper clippings, and proceedings related to Doe v. Karadzic","Contains checkmarks, handwritten notes","Contains highlights, underlines, checkmarks, handwritten notations, edits","Contains edits, handwritten notations, post-it note markers","Contains highlights, personal notes, post-it markers","Contains highlights, underlines, checkmarks, handwritten notations, edits, post-it notes","Contains highlights, underlines, checkmarks, handwritten notations, edits, Monroe Leigh signature, Correspondents include: Monroe Leigh, Ted Meron, Detlav Vagts, Ian E. Davidson, Harry Marshall, Stephanos Stavros, Stanislaw Pomorski, David Bederman, Joseph Dellapenna, Daniel G. Partan, Andrew Vollmer, Larry A. Hammond, Stuart Deming, Jonathan Gluck, Jeremy McBride, Mary Devlin, Mark Zaid, David E. Aaronson, Alaire Rieffel, William L. Robinson, Lawrence Collins, Herbert Smith","Contains highlights, underlines, checkmarks, handwritten notations, edits, markers","Contains handwriting on copy of \"Human Rights Brief\" by the Center for Human Rights and Humanitarian Law newsletter, Volume 4, Number 1, Fall 1996","Contains highlights, markings, correspondence, handwritten notes, 1. Bulletin of Human Rights, Special Issue: Fortieth Anniversary of the Universal Declaration of Human Rights, Centre for Human Rights, United Nations, 1988, 2. \"Hearsay and the European Court of Human Rights, by Craig Osborne, The Criminal Law Review, 1993, 3. \"Constitutional Cooperation\" by Henry J. Reske, ABA Journal, October 1996, 4. \"Victims and Voyeurs at the Criminal Trial\" by Paul Gerwitz, Northwestern Univeristy Law Review, Spring 1996, 5. \"Emphasizing Victims' Rights at the Sentencing Phase of Criminal Proceedings\" by Ilana Subar, Maryland Law Review, 1996, 6. \"Constitutional Amendment for Crime Victims Urged\", The Wall Street Journal, June 26, 1996, 7. \"Rule of Law: A Bill of Rights for Crime Victims\" by Paul G. Cassell and Steven J. Twist, The Wall Street Journal, April 24, 1996, 8. \"Making Amends\" Transcript, Online News Hour, PBS, June 25, 1996, 9. \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confont Witnesses\" by Patricia Bennett, Wayne Law Review, 1993","Contains highlights, underlines, handwriting, correspondence, thank you card, memorandum re: \"The Right of a Defendant to Cross Examine Witnesses against him as articulated in the Senate Legislative History on Article 14 of the International Covenant on Civil and Political Rights\", brief on \"International Tribunal for the Prosecuction of Persons Responsible for Serious Violations of International Humanitarian Law Committed in the Territory of Former Yugoslavia Since 1991\"","Contains highlights, handwritten notes, post-it notes, underlines, government documents from the U.S, Great Britain, New Zealand, Latin America, Japan","Contains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases","Summaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC","Contains cases and articles with highlights, underlines, comments, post-it markers","Contains articles and summaries with highlights, underlines, comments, looseleaf paper notes, post-it markers, Monroe Leigh signature","Contains correspondence with John W Heffernan, Thomas Warrick, Mark Levine, Monroe Leigh, handwritten notes","Contains correspondence with Professor Robert Lutz, Douglas Stringer, Monroe Leigh, Stuart Deming, references Human Rights cases and gives summaries","Contains handwritten notes, correspondence with Maury D. Shenk, Monroe Leigh, Michael Scharf, Joseph F. Murphy, post-it notes, business card, and notations","Contains hadnwritten notes, highlights, post-it notes, newspaper clippings","Contains correspondence with Nina Bang-Jensen, Kelly Goss, and Monroe Leigh","Contains handwritten memo, correspondence with Maury D. Shenk, Monroe Leigh, Kevin A. Doherty","Contains correspondence with David Stoelting and Monroe Leigh, Presentation of an Indictment for Review and Application for Warrants of Arrest and for Related Orders, Indictment, Decision on Review of Indictment and Application for Consequential Orders, Statement by Justice Arbour","Contains letter from Paul R. Williams","Contains Monroe Leigh signature","Contains index of authorities 1 - 9 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 10 - 16 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 17 - 25 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 26 - 33 (International court cases, Tribunal materials, ABA materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 34 - 42 (UN materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 43 - 50 (International Agreements, Charters and Treaties) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 51 - 60 (International statutes, US Legislative - Federal statutes, US Legislative - State statutes, US Legislative History) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 61 - 75 (Books, Articles \u0026,amp, Pamphlets) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 76 - 85 (Books, Articles, Pamphlets, Statements, Addresses \u0026,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 86 - 93 (Books, Articles, Pamphlets, Statements, Addresses \u0026,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains letter from Inman Deming to Monroe Leigh, \"The Year In Review: International Criminal Tribunal for the Former Yugoslavia\" by Douglas Stringer, \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confront Witnessess\" by Patricia W. Bennett, \"The Predicament of Peacekeeping in Bosnia\" by Tibor Varady","Contains highlights","Includes copies of following resolutions: H. Con. Res. 42, S. J. Res. 20, H. Res. 1368, H. Res. 103, S. J. Res. 12, H. Con. Res. 29, H. R. 647, S. 720","Contains letter from John Norton Moore to Monroe Leigh","Contains highlights","Contains handwritten notes on sheets of looseleaf","Contains index to Vol. 1 - Vol. 4, Annotated Agenda, Notice of meeting with questions, Meron article, US Proposal, Secretary General's Report, Membership List, Outline of ABA Report, Minutes of May 19, 1993 Meeting, Notices of Second Meeting of Task Force (Mary 24, 1993, May 27, 1993, June 1, 1993), Preliminary Draft Report, Minutes of June 2d Meeting, June 8 letter to Rashkow Re Chief Prosecutor Recommendations, Monroe Leigh signature, check marks, handwritten notations, post-it notes","Contains June 10 Memo on Meeting June 14 (bound separately) - Proposed agenda, Second draft including executive summary and red lined copy of report, Memo on role of federal judge in grand jury proceedings and military justice practice, Monroe Leigh signature, handwritten notations, edits","Contains June 17 memo on Meeting June 25 (Proposed Agenda, Revised Executive Summary of Report, Revised draft resolution), Minutes of June 14 meeting, June 22 memo transmitting final draft, Minutes of June 25 meeting, June 25 memo advising of further meeting on Monday, June 28 to finish report, Minutes of June 28 meeting, June 29 memo advising of meeting Thursday, July 1 to finalize report, Monroe Leigh signature, underlinds, handwritten edits, notations","Contains June 30 memo transmitting final draft and advising of meeting July 1 with agenda, June 30 memo transmitting Dod Draft of Procedural Rules for the Tribunal, June 30 memo listing recommendations for Judges of Tribunal, Minutes of July 1 meeting, June 12 memo enclosing final version of the Task Force Report and mintues for meetings of June 25, June 28 and July 1. (Final version is velo bound separate document), Monroe Leigh signature","Contains resumes of potential members of the task force, a copy of the New York Times Magazine April 21, 1991 Section 6 \"Capture of a Terrorist\" by Steven Emerson sent by Victoria Toensing to Monroe Leigh, highlights, edits, checkmarks, memos","Includes post-it indicated item is on disk","Handwritten comments and highlighting","no markup and can find online at: http://www.un.org/law/n9810105.pdf","Contains underlining, check marks, and Monroe Leigh's signature, notecard from M. Cherif Bassiouni","2 copies. 1 - Handwritten comments on a few pages, 2 - Different formatting and tabs","Handwritten notes and markup","including notes and addendum (duplicate copy has been removed)","includes newspaper clippings and Leigh's responses","1. \"Slay This Monster\" by Senator Jesse Helms, Financial Times, July 30, 1998, 2. \"For Clinton's Last Act\" by Robert S. McNamara \u0026,amp, Benajmin B. Ferencz, NYTimes Op-Ed, Dec. 12, 2000, 3. \"Internaitonal Court Pressures and Perils\" by Ted Galen Carpenter, Washington Times Od-Ed, Dec. 26, 2000, 4. \"Proposed International Court Will Protect Civil Liberties\" by Monroe Leigh, Washington Times, Dec. 30, 2000 [duplicate copies of 3 \u0026,amp,4 removed]","1. State Immunity Act 1978 (United Kingdom), 2. Foreign Sovereign Immunities Act of 1976 (United States)","Contains Stephen M. Schwebel signature","1. Sovereign Immunity, Act of State, OPEC, April 1980, 2. Draft Articles for a Convention on Sovereign Immunity, February 9, 1982","Contains Monroe Leigh signature","Contains October 9, 1980 letter inserted into pages from James Crawford to Monroe Leigh regarding previous correspondence on immunity","Contains Business Card of Beverly May Carl with handwritten message \"With best regards\"","From Najbee Samie, Contains handwritten memo to Najbee Samie with questions","Removed because all materials can be found online or in the library","Contains correspondence between Monroe Leigh and Myres S. McDougal, as well as edits","Contains highlights, Memo stationary from Najeeb Samie","Removed because all materials can be found online or in the library","Contains underlining","Contains memorandum to Monroe Leigh re: Comments on suitability for publication, edits","Contains note.","Note: \"With the compliments of the author\"","Removed because all materials can be found online or in the library","1. \"Decisions of British Courts During 1974-1975 Involving Questions of Public and Private Interntainal Law A. Public International Law\" by Dr. James Crawford, 2. \"Decisions of British Courts During 1974-1975 invovling Questions of Public and Private International Law A. Public International Law\" by James Crawford, 3. \"Decisions of British Courts During 1978 Involving Questions of Public and Private International Law\" by James Crawford, 4. \"Decisions of British Courts During 1980 Involving Questiosn of Public International Law\" by James Crawford","Contains note from James Crawford.","Contains note from James Crawford.","Contains letter from James Crawford to Monroe Leigh","Contains correspondence between Monroe Leigh and James Crawford.","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Contains note \u0026 business card from Michael Brandon","Contains memo note from William E. Hannaford to Monroe Leigh","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Contains Monroe Leigh signature","Contains business card and note from Michael Brandon to Monroe Leigh","Contains note \"With the Compliments of Michael Brandon\"","Contains correspondence between Stephen M. Schwebel and Monroe Leigh","Contains note \"With the Compliments of Michael Brandon\"","Contains memorandum, correspondence, post-it notes,","Contains looseleaf paper, notes","Contains handwritten memorandum, briefs, newspaper articles and transcripts of proceedings","Contains memrondum, brief, transcripts","Contains transcipts and newspaper articles","Contains transcripts and handwritten memos0000000000","Contains handwritten notes, underlines, articles","1. Brief of Plaintiff-Appellant, 2. Reply Brief of Plaintiff-Appellant, 3. Brief of Defendant-Appellee, 4. Joint Appendix","Contains handwritten notes and yellow pad pages, Agenda and Participants","1. Report on Developments in United States Sovereign Immunity Practice submitted by Monroe Leigh, September 28, 1989, 2. Interim Report Committee on State Immunity by Monroe Leigh, Draft June 17, 1988","1. AJIL International Decisions Section, 2. Summary of research on state immunity doctrine - case law, 3. Attachment and Execution of Property and Foreign Sovereign Immunity, 4. Foreign State Immunity: Summary of Law Review Articles Relevant to the American Experience with the Seven Questions Proposed in the Warsaw Report of the International Law Association Committee on State Immunity","Reports from: Georg Ress, Ajit Kumar Sengupta, Tara Kishore Prasad, Tibor Varady, Gamal Badr, Christopher H. Schreuer, C.C.A. Voskuil, Renata Sonnenfeld, Lady Fox, Giovanni de Sangro,","Contains pencil markup and comments","Contains Monroe Leigh signature","Contains notations","Contains pencil markup and comments","Contains pencil markup and comments","Contains handwritten notes and diagram of setting arrangement","Contains signature of Monroe Leigh","Contains post-it notes and handwritten comments, Correspondents include: Monroe Leigh, F. L. de May, Pierre Lalive, Ian Brownlie, B. Osorio, Ricardo R. Balestra, Silvia Maureen Williams, Georg Ress, Sueo Ikehara, Finn Syerstad, Tibor Varady, James Crawford, Rodney N. Purvis, Najeeb Samie, Edward Gordon, Gamal Badr, Kanae Taijudo, O. V. Bogdanov, Helmut SteinBurger, Ian Sinclair, Lars Hjerner, Michael M. Gondwe, K. M Ioannou","Contains handwritten note pages, post-it notes, comments","Contains post-it notes and instructions for Summer associates","1. Interim Report Committee on State Immunity, 6/15/88, 2. International Law Assoication Montreal Conference (1982) International Committee on State Immunity Report","Contains post-its and handwritten notes, Correspondents include: Monroe Leigh, Georg Ress, Barbara Osorio, Najeeb Samie, F. L. de May, K. W. Cuperus, Ian Brownlie,","1. 3 alternate resolutions for the Queensland Conference, 2. Review of Professor Ress's Preliminary Report on Developments in State Immunity (Montreal Draft Convention)","1. Report for the ILA Conference in Queensland, 2. Amendment to the Foreign Sovereign Immunities Act and the Berman Bill from the House of Representatives, 3. Injunctions under sovereign immunity law, 4. Summary of Law Review Articles relevant to the American Experience with the Seven Questions Proposed in teh Warsaw Report of the International Law Association Committee on State Immunity.","Contains handwritten notations","Signature: Monroe Leigh, Correspondents include: Jiri Zemanek, Monroe Leigh, Georg Ress, Christine De Witt,","List of Participants and Agenda for April 4 - 6, 1991 Meeting","Contains mark-up, post-its, handwritten notes","Contains diagrams of seating arrangment as well as notes about panels and discussions","Contains post-it, Participants for ILA Committee on State Immunity April 4-6, 1991, Cairo Conference 1992 Guidelines for Reports","Contains handwritten notes, markup, Correspondents include: Monroe Leigh, Raul Vinuesa, Georg Ress, P.J. O'Keefe, Jurgen Brohmer, Catherin Kessedjian, Christoph Schreuer, Jiri Zemanek, Tibor Varady,","Contains post-its, handwritten notes, edits, markup, 1. UN: International Law Commission Report on the Draft Aricles Adopted at its 43rd Session, 2. Committee on Cultural Heritage Law, ILA, Report and Draft Convention for Consideration at the 1992 Conference, 3. Montreal Draft Article I/ILC Draft Article 2 (versions and edits), 4. ILA, State Immunity - Dissenting opinion, 5. Jurisdictional Immunities of States and their Property (UN, A/CN.4/L.457)","Contains post-its, handwritten markup and notes","Contains post-its, handwritten markup and notes","Contains post-its, markup, notes, and handwritten comments","Contains signature of Monroe Leigh, handwritten notes, edits","Contains handwritten notes and highlights, Correspondents include: Alfred P. Rubin, Anthony D'Amato, Monroe Leigh, Jim Nafziger, Cynthia Lichtenstein, Michael Sandler, Jounral Articles (with notes): 1. \"What does Tel-Oren Tell Lawyers?\" By Anthony D'Amato in \"The American Journal of International Law,\" 79:1, January 1985, 2. \"Revising the Law of 'Piracy'\" by Alfred P. Ruin, California Western International Law Journal, 21:1, 1990-1991.","Contains business cards, letters, post-it notes, notations, highlights, underlines, markers, Includes: \"Report of the Task Force on an International Criminal Court of the American Bar Association\" 1994, Military Law Review, Vol. 149, Summer 1995 [including: \"Evaluating Present Options for an International Criminal Court\" by Monroe Leigh], \"The Proposed Permanent International Criminal Court: An Appraisal\" by Leila Sadat Wexler from the Cornell International Law Journal, Vol. 29, No. 3, 1996, \"From 'Kidnapped' Witness to Released Accused 'for Humanitarian Reasons': The Case of the Late General Djordje Djukic\" by Paul J.I.M. de Waart from the Leiden Journal of Internal Law 9, 1996, \"Surrender of Fugitives to the War Crimes Tribunals for Yugoslavia and Rwanda: Squaring International Legal Obligations with the U.S. Constitution\" by Kenneth J. Harris and Robert Kushen from Criminal Law Forum Vol. 7 No. 3, 1996, \"Promoting the right to reparation for survivors of torture: What role for a permanent international criminal court?\" publication from Redress, \"The Case for a Permanent International Truth Commission\" by Michael P. Scharf from Duke Journal of Comparative \u0026,amp, International Law, Vol. 7 No. 2, 1997, \"The International Criminal Court: Observations and Issues Before the 1997 - 98 Preparatory Committee, And Administrative adn Financial Implications\" a joint project of International Association of Penal Law, International Human Rights Law Institute, DePaul University, International Institute of Higher Studies in Criminal Sciences, International Law Association, American Branch, Committee on ICC, 1997","Contains correspondence from M. Cherif Bassiouni, draft guidelines for Combating Impunity for International Crimes, Joinet Report from UN on question of the impunity of perpetrators of human rights violations (civil and political)","Nothing of note (no markups or highlights), Removed because can be found through catalog","Contains underlines, highlights, handwritten notations","Contains Monroe Leigh signature, check marks and edits, highlights, handwritten revisions, post-it notes, draft program, draft list of participants","Contains highlights, Correspondence with Monroe Leigh, Jerome J. Shestack, Christopher Keith Hall, \"The ILC's Draft Statute for an International Criminal Tribunal\" by James Crawford in The American Jounral of Internaional Law, Vol. 88 No. 140, January 1994","Contains underlines, handwritten notations, handwritten pages of notes (including questions), highlights","Contains dividing markers","Contains post-it markers","Contains notation \"without common articles\"","Missing Articles 1 - 3","Contains checkmarks and pencilied notations","Handwritten edits included","Redline draft attached","Handwritten edits included","No edits, does not appear to be cited in AJIL article - keep?","Page marked with a post-it, Keep? Pin-cited in ICC Editorial Comment","Handwritten notes/edits by Monroe Leigh and edits by AJIL included","Draft of editorial comment attached","Attached revision of ICC Editorial Comment and noting recent proposal in policy, Handwritten edits marked with post-its","Includes handwritten edits","Includes handwritten edits","Includes handwritten markings","Includes handwritten markings","Printed November 29, 2000, includes highlighting","Printed November 29, 2000, includes highlighting and post-it note flagged page","Keep? No personal markings indicated (though some present as copied from original) and does not appear to be cited in his article","Attaching additional comments and edits on article \"International Law Societies and the Development of International Law\"","Requesting receipts for reimbursement purposes","Additional footnotes and consent to publication attached","Handwritten edits and notes from Monroe Leigh, Maury attached","With handwritten edits from Mohammed Z. Hafez","1999, Cornell International Law Journal article, \"The Amnesty Exception ot the Jurisdiction of the International Criminal Court\" by Michael P. Scharf, October 2000 offprint copy from International and Comparative Law Quarterly of UK House of Commons Foreign Affairs Committee Report, June 2000, 1987 publication by Council of Europe on Legal Affairs, \"Expression of consent by states to be bound by a treaty\"","Requesting copy of Cannon 2 of the ABA Model of Judicial Conduct, 1991 edition","Enclosing articles on ICC and humanitarian intervention","Includes newspaper excerpts, speech, attendance lists for ceremony, Monroe Leigh resume, press release, copy of section from congressional record daily digest when appointed, confidential statement of employment and financial interests, statement of nominee to the US Senate Committee on Foreign Relations, correspondence, booklet containing information for appointment, The International Telephone and Telegraph Company and Chile, 1970-71: Report to the Committee on Foreign Relations, United States Senate by the Subcommittee on Multinational Corporations -June 21, 1973, Declaration on Principles of International Law concerning Friendly Relations and Co-operation among States in accordance with the Charter of the United Nations brochure, The Constitution of the United States of America, Nomination of John R. Stevenson hearing before the Committee on Foreign Relations United States Senate - July 31, 1973","Contains correspondence, looseleaf notes, memos, documents with underlines, newspaper clippings, biographical and financial forms that are filled out by hand, confirmation hearing materials, campaign contribution information, hearing transcript, questions","Contains Press Release regarding appointment, numerous invitation lists, correspondence, speech, photograph of swearing in","Correspondents include: Monroe Leigh, Kenneth S. Levinson, Francis O. Wilcox, Malcolm Richard Wilkey, Seymour J. Rubin, James V. Dolan, Thomas M. Franck, Oscar Schachter, John LeMoyne Ellicott, Gordon Gray, Loy W. Henderson, Philip W. Buchen, William Lang, Edward J. Gerrity, Jr., Bradford Morse, Washington Opportunities for Women, Carl F. Salans, Hamilton Carothers, Cecil, David C. Acheson, Willis L. M. Reese, Timothy W. Stanley, Harry W. Fawcett, Steven Landon, Kenneth M. Spang, H. Lane Kneedler, Jane Sommerich, James E. O'Brien, George P. Armour, Dante B. Fascell, Oscar Victor, Abram Chayes, James C. McKay, Samuel R. Dorrance, Smith College, John N. Hazard, Harry A. Inman, Ralph W. Dorius, Richard B. Bilder, Richard C. Allison, Betty Posniak, Lester Nurick, Lyman M. Tondel, Jr., William J. Martin, Jr., John H. Riggs, Jr., Richard S. Lombard, John Hopkins Heires, Norma, Andreas F. Lowenfeld, Thomas E. Drumm, Jr., John B. Henderson, Lewis Hoffacker, Will E. Leonard, Jr., James T. Lynn, John Maktos, Myer Rashish, Walter Sterling Surrey, Frank M. Wozencraft, James R. Offutt, Isaac Shapiro, John F. Ryan, Alexander D. Calhoun, Jr., Douglas W. Laird, Raymond F. Conkling, G. W. Haight, Robert Murphy, Andrew R. Cecil, Mike Minder, H. A. H. Cortazzi, Mason Willrich, John S. Battle, Jr., Walter A. Slowinski, Jeffrey M. Lang, MAnsfield D. Sprague, Totton P. Heffelfinger, II","Correspondetns include: Monroe Leigh, William C. Olson, Francisco Orrego Vicuna, W. T. Mallison, Alwyn V. Freeman, Wilbur L. Fulgate, W. T. Ketcham, Jr., Hardy Dillard, Yehuda Blum, Amelito R. Mutuc, William W. Dunn, Robert S. Dillon, William H. Weiland, W. Gibson Harris, Willis L. M. Reese, John D. Epperly, Anthony A. Rascio, Adam Yarmolinsky, Paul A. Wolkin, David Sarre, Joseph Modeste Sweeney, Robert W. Lawson, Jr., Thomas S. Busha, Richard W. Edwards, Jr., Howard S. Levie, Miriam Theresa Rooney, Edward Dumbauld, Gordon H. Barrows, Covey T. Oliver, John P. Furman, Howard J. Taubenfeld, Michael F. Butler, Raymond L. Brittenham, Leslie A. Grant, Jose A. Cabranes, Cesar Sepulveda, Maxwell Cohen, John M. Howell, Thomas Ehrlich, Edward J. Lawler, Sidney Jacoby, Harry L. Freeman, Arthur R. Albrecht, F. Trowbridge vom Baur, Joseph H. Guttentag, Carl O. Christol, Maurice Wolf, Richard Young, John G. Kester, Charles S. Rhyne, Charles Robert Norberg, John M. Raymond, Gen Kajitani, Walter Sheble, George Yamaoka, Richard S. Reid, James N. Hyde, David D. Newsom, Alfred H. Von Klemperer, James A. R. Nafziger, John Scali, Herman Phleger, Eric Stein, Polly M. Lead, Bayless Manning, Edward D. Re, Stephen Hearst, Marshall V. Miller, Alan Wm. Wolff, H. Francis Shattuck, Jr., W. Tapley Bennett, Jr.","Includes transfer of records itemized listing, memos, brochures, appointment papers, newspaper clippings, travel itineraries and receipts for a trip to Brussels, correspondence, looseleaf notes, First Semiannual Report by the President to the Commission on Security and Cooperation in Europe: Report submitted to the Committee on International Relations - December 1976, Report of the Study Mission and Cooperation in Europe - Washington, DC - December 2, 1976","Includes earnings and leave statement, correspondence ,memos, contacts card, inventory of boxes sent to Steptoe \u0026 Johnson, photocopies of newspaper articles, notice of resignation","Includes: \"The Foreign Affairs Advice Privilege\" by Gordon B. Baldwin, Wisconsin Law Review, Vol. 1976, No. 1, pp16 - 46 (w/note: \"To Monroe: With Grateful appreciation for affording the opportunity, Gordon\"), Q\u0026A for Leigh from Pike Committee, Draft Report citing Henry A. Kissinger (State, 40 Committee, and SALT), Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Statement of the Facts, Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, Looseleaf notes, Memo from George H. Aldrich to Mr. Maw re: Pike Committee Hearings - Indications of White House Staff Attitudes, News reports, Memorandum re: Legislative History of 2 United States Code 192, Statement by Henry A. Kissinger Secretary of State before the Select Committee on Intelligence House of Representatives, October 31, 1975, Buchen Draft, 11/18/75, Memorandum to Phillip W. Buchen, Antonin Scalia, Carlyle E. Maw, 11/18/75, Memorandum to Phillip W. Buchen, Rex E. Lee, Antonin Scalia, 11/17/75, Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Call's Draft, Alternative speeches, Chronology with Respect to State Department Subpoena, Summons to appear before Pike Committee, Alternative Draft - Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, 11/17/75, Copy of public law 93 - 190, Copy of Title 2 - The Congress, Codes 190 - 198","Contains handwritten notes, signatures, underlines, Correspondents include: Monroe Leigh, D. Jeffrey Hirschberg, Michael D. Sandler, John Lewis Smith, Jr., George W. Calhoun, Harold R. Tyler, Jr., Carlyle E. Maw, Thomas Crocker, Peter W. Rodman, Tom Johnson, Edward S. Christenbury, Henry E. Petersen, George H. Aldirch,","Includes Motion of Plaintiffs for an order to permit public filing of their motion for summary judgment against the individual defendants, Memorandum of law in support of plaintiffs' motion for summary judgment against the individual defendants, photocopy of list of jobs of William A. K. Lake, Kissinger SFRC Testimony - July 10, 1974, Motion by Plaintiffs for summary judgment against the individual defendants","Includes: Petition for write of Ceriorari to the US Court of Appeals for the District of Columbia Circuit (w/letter from David Ginsburg and business card of James E. Wesner), Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Brief for Respondents Military Audi Project, et. al, Reply Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Appendix, Syllabus (w/handwritten note, \"Thank you\"), Supreme Court Decisions","Contains handwritten notations, edits, underlines, signatures, Correspondents include: Monroe Leigh, Jeffrey H. Smith, Lawrence S. EagleBurger, John S. Pruden, James B. Rhoads, Henry R. Kissinger, Jack Brooks, Don Oberdorfer, Jock Covey, Donald P. Young, Helmut C. Sonnenfeldt, James E. Wesner, David Ginsberg","Contains newspaper clippings, journal articles, photocopies of newspapers","Includes materials regarding the donation of Kissinger's Papers to the Library of Congress, looseleaf notes, notations","Article re: Hedrick Smith v. Nixon case from \"The Daily Washington Law Reporter\" Vol. 106, No. 97, pg. 913 - 918","Correspondents include: Monroe Leigh, The Editor - Washington Post, Mike Sandler, David Ginsburg, James E. Wesner","Contains photocopies of docments: US Court of Appeals for DC Circuit list of relevant case numbers \u0026 memorandum, Proceedings transcript, delivered opinion (2 copies), Plaintiffs reply memorandum of points and authorities in support of their motion for a preliminary injunction, memorandum of points and authorities in support of plaintiffs' motions for summary judgment and, alternatively, a preliminary injunction, Affidavit of William E. Leuchtenburg, Affidavit of Nat Hentoff, Affidavit of William Safire, Affidavit of Donald G. Herzberg, Memorandum of points and authorities in opposition to plaintiffs' motions for summary judgment and in support of defendant Henry A. Kissinger's cross-motion for summary judgment, Opposition to plaintiffs' motions for summary judgment, Cross-motion for summary judgment by defendant Henry A. Kissinger, Memorandum of points and authorities in opposition to plaintiffs' motion for a preliminary injunction, Second Affidavit of Henry A. Kissinger, Order, Certificate of Service, Affidavit of Monroe Leigh, Memorandum of points and authorities in opposition to plaintiffs' motion for summary judgment and in support of defendant Henry A. Kissinger's cross motion for summary judgment, Complaint","Correspondents include: Monroe Leigh, George H. Aldrich, President Ronald Reagan, Sen. Arlen Specter, Henry A. Kissinger, Pamela B. Gann, Erwin N. Griswold, Mark R. Joelson, Stephen S. Rosenfeld,","Correspondents include: Monroe Leigh, Malcolm R. Wilkey, William W. Bishop, Jr., memorandum for Mary Lee re: Suggested Paragraph for Chairman Moore's Letter, John R. Stevenson","Correspondents include: Monroe Leigh, Geoffrey C. Hazard, Jr., Abraham D. Sofaer, Memorandum for Restatement File, Richard L. Fischer, Frank P. Jones, Jr., Jennifer L. Hall, John Norton Moore","Contains highlights, underlines, markers, newspaper photocopies, newspaper clippings, journal excerpts, articles","Excerpts from the American Journal of International Law re: The Permanent Court of Arbitration for 1961, 1963, 1969, \"Nomination of Thomas J. Meskill\" Report from the Committee on the Judiciary United States Senate together with Individual News, 1975, pamphlet: \"Standing Committee on the Federal Judiciary: What it is and How it Works\" American Bar Association, 1977, UN General Assembly Security Council A/33/223 S/12830 19 October 1978: Curricula vitae of candidates nominated by national groups Note by the Secretary General, text of EO 12059, 11 May 1978,","Contains 4 reports with Monroe Leigh signature, in French language, also includes UN Gen. Assembly Security Council A/33/223/Rev. 1, 25 October 1978: Curricula vitae of candidates nominated by national groups - Note by Secretary General","Contains correspondence, envelopes, memos, note cards, looseleaf notes, notations, table of U. S. members since 1938, Election of Judges to the International Court of Justice, 1981 - Sri Lanka's Candidate - Mr. H. W. Jayewardene, Correspondents include: Monroe Leigh, Cyrus Vance, Austin Pulle, Jorge A. Aja Espil, G. W. Haight, H. W. Jayewardene, Marshall Mays, Robert B. von Mehren, Roberts B. Owen, Willis L. M. Reese, Ernest A. Gross, Cecil J. Olmstead, Francis T. P. Plimpton, William W. Scranton, Stephen Schwebel, Hardy C. Dillard, Timothy B. Atekson, Marco C. E. J. Bronckers, Abram Chayes, William W. Bishop, Jr., Edison W. Dick, Richard C. Allison, Philip C. Jessup, Lyon L. Brinsmade","Contains signatures, memos, edits, notations, highlights, articles, looseleaf notes, newsletters, resumes, Correspondents include: Monroe Leigh, Herbert Brownwell, William W. Bishop, Jr., Carlyle E. Maw, Cecil J. Olmstead, Herbert W. Briggs, John R. Stevenson, Seymour Rubin, Warren E. Burger, Walter Sterling Surrey, Adrian W. De Wind, John N. Hazard, Robert Coulson, Eugene F. Scoles, Henry T. King, Jr., Austin Pulle, Richard (Dick) R. Baxter, Herbt J. Hansell, Cyrus R. Vance, Stephen M. Schwebel, Hardy C. Dillard, Erik Suy, Vanden Huevel, Millard H. Ruud, Norris Darrell, Howared M. Holtzmann, Kurt Waldheim","Contains memos, handwritten notes, eidts, looseleaf notes, articles, signatures, highlights, background information, reports, Correspondents include: Monroe Leigh, Carlyle E. Maw, Stephen M. Schwebel, William D. Rogers, Herbert Brownell, William W. Bishop, Jr., Herbert J. Hensell, Warren E. Burger, Cyrus Vance, Henry T. King, Jr., John Nolan, Alan Cranston, Joseph J. Sisco, Carole Smith, Millard H. Ruud, James O. Eastland, John R. Stevenson, E. Donald Shapiro, Don Wallace, Jr., Daniel P. Moynihan, Philip C. Jessup, Robert Coulson, Robert L. Trescher, W. M. Reisman, Hugo B. Margain, Eugene V. Rostow, Thomas M. Franck","Contains memos, handwritten notes, edits, underlines, table of US memebers since 1938, articles, Correspondents include: Monroe Leigh, Herbert J. Hansell, Kurt Waldheim, Cyrus Vance, Joseph S. Lord, III, Herbert Brownell, William W. Bishop, Jr., Alan M. Dershowitz, Richard (Dick) R. Baxter, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, Damon J. Keith, Walter J. Cummings, Maurice Copithorne, Carlyle E. Maw, Leonard C. Meeker, Timothy B. Atkeson, Henry T. King, Warren E. Burger, William D. Rogers","Contains various drafts of letters re: International Court of Justice and Cyrus R. Vance, supporting materials, notations, highlights, memos, table of U.S. members since 1946, table fo U.S. members since 1938, routing slips, and correspondence indicating that ML had requested materials be returned and then the returned copies are included, articles, Correspondents include: Monroe Leigh, Cyrus R. Vance, Henry T. King, Jr., Millard H. Ruud, Gerald Asken,","Contains transcripts, scripts, underlines, edits, comments, signatures, Who's Who in America excerpted photocopies, Who's Who in the World excerpted photocopies, Directory of American Scholars excerpted photocopies, The International Who's Who excerpted photocopies, newspaper clippings, Correspondents include: Monroe Leigh, Pegi McLaughlin, Arthur J. Goldberg","Materials for correspondence with Kurt Waldeim, Secretary General of the United Nations, from William W. Bishop, Jr., Herbert Brownell, Herbert J. Hansell, Monroe Leigh","Contains memos, signatures, photocopies of telegrams, handwritten letters, transcripts of speeches, resumes, draft press release, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, Herbert J. Hansell, Alan J. Kreczko, Leonard v. B. Sutton, Seymour J. Rubin, Adrian W. DeWind, John Scott, Hardy Dillard, John R. Stevenson, Stephen M. Schwebel, Warren E. Burger, John N Hazard, Robert Coulson, Henry T. King, Millard H. Ruud, William W. Bishop, Jr., Arthur J. Goldberg,","Contains handwritten notations, photocopies, agendas, correspondents include: Monroe Leigh, Robert H. Mundheim, Austin Pulle, J. Wallace Hopkins, Jr., Michael Bradfield, Carlyle E. Maw, Stephen M. Schwebel, Max Frankel, Richard R. Baxter, Cyrus Vance, Cecil J. Olmstead, Herbert J. Hansell","Contains index, memos, looseleaf notes, envelopes, markup, edits, mailing lists, messenger requests, Correspondents include: Monroe Leigh, J. Varekamp, Roberts B. Owen, Keith Highet, William W. Bishop, Jr., Edmund S. Muskie, Lyon L. Brinsmade, Hardy Dillard, Eric Stein, Richard L. McCall, John J. McCloy, Michael Reisman, R. Ammi Cutter, Daniel J. Boorstin, James E. O'Brien, Stephen M. Schwebel, Leonard C. Meeker, W. Graham Claytor, Jr., Seymour J. Rubin, Abdulloh El-Erain, Erik Suy, Abram Chayes, George J. Alexander, Richard H. Ullman, Michael I. Sovern, Adrian S. Fisher, Warren E. Burger, Herbert W. Briggs, Al Freeman, Oscar M. Ruebhausen, Robert M. von Mehren, Albert M. Sacks, Robert Coulson, Merrell E. Clark, Jr., Austin Pulle, Herb Hansell","Contains handwritten comments, notes, signature, underlines, Foreign Affairs Manual Circular, Vol. 3 - Personnel (1980 and 1981), Presidential Ranks - Score Sheet, Panel B, Correspondents include: Monroe Leigh, Joan M. Clark, John H. Rouse,","Contains pencil markup, \"Preliminary Summary of Support by Groups Consulted, for U. S. nominee to ICJ\"","Names include: Roberto Ago (Italy), Jiminez De Arechaga (Uruguay), Abdullah El-Erian (Egypt), Antonio Gomez Robledo (Mexico), L. Ignacio-Pinto (Benin), H. W. Jayewaredene (Sri Lanka), Eero J. Manner (Finland), Jose Sette Camara (Brazil)","b. May 26, 1907 according to original file container, Contains correspondence (2 letters) regarding Robert Ago of Italy between John R. Stevenson, Herbert W. Briggs, Don Wallace, Jr., Millard H. Rudd, includes highlights and notations","Contains correspondence (2 letters) regarding Jiminez De Arechaga (Uruguary) between Monroe Leigh, William D. Rogers, John R. Stevenson, Herbert W. Briggs","b. March 21, 1920 according to original file container, Contains resume, correspondence (1 letter) regarding Abdullah El-Erian between Monroe Leigh, Philip C. Jessup","b. November 17, 1908 according to original file container, Contains curriculum vitae, highlights, correspondence (3 letters) regarding Antonio Gomez Robledo (Mexico) between Hugo B. Margain, Monroe Leigh, the Department of State, John R. Stevenson, Herbert W. Briggs","b. 1916 according to original file container, Contains resume, highlights, pencil mark-up, correspondence regarding H. W. Jayewaredene (Sri Lanka) between Cyrus R. Vance, A. C. S. Hameed, the Department of State, the Permanent Mission of Sri Lanka to the U.N.","b. June 21, 1903 according to original file container, Contains handwritten memo, correspondence (1 letter) regarding Louis Ignacio-Pinto (Benin) between Monroe Leigh, William D. Rogers","b. July 16, 1913 according to original file container, Contains curriculum vitae, correspondence (2 letters) regarding Eero J. Manner (Finland) between John R. Stevenson, Herbert W. Briggs, the Department of State, the Embassy of Finland","b. April 14, 1920 according to original file container, Contains highlights, resume, Correspondence (3 letters) regarding Jose Sette Camara (Brazil) between the Department of State, the Permanent Mission of Brazil to the U. N., Vanden Huevel, John R. Stevenson, Herbert W. Briggs","Names include: Richard R. Baxter, Nathan R. Berke, Hardy C. Dillard, Walter Ely, Arthur J. Goldberg, Leo Gross, Louis Henkin, Myres S. McDougal, Robert B. McKay, Carlyle E. Maw, Russell D. Niles, Covey T. Oliber, Oscar Schachter, Bernard G. Segal, Louis B. Sohn, William B. Spong, Jr., John R. Stevenson","Contains highlights, letter from Warren E. Burger to Monroe Leigh","Contains highlights, letter from Henry T. King, Jr., to Monroe Leigh","Contains highlights, press release and letter (dated 29 June 1978) from William D. Rogers to Monroe Leigh","Contains highlights, letter from Carlyle E. Maw to Monroe Leigh","Contains highlights, letter from Millard H. Ruud to Monroe Leigh","Contains highlights, personal note, letter from Herbert Brownell to Monroe Leigh","Contains highlights, letter from Robert Coulson to Monroe Leigh","b. February 14, 1921 according to original file container, contains highlights, correspondence regarding Richard R. Baxter, background information, bibliographies, letters of support, resume, Correspondents include: Monroe Leigh, Herbert J. Hansell, Millard H. Ruud, Don Wallace, Jr., Carlyle E. Maw, William D. Rogers, Robert Coulson, Thomas M. Franck, Henry T. King, Jr.,","Contains correspondence (2 letters) regarding Nathan R. Berke between Monroe Leigh, Alan Cranston, Douglas J. Bennet, Jr., President Jimmy Carter","Contains highlights, letter regarding Hardy C. Dillard between Monroe Leigh and Warren E. Burger","Contains highlights, correspondence (2 letters) regarding Walter Ely between Herbert Brownell, Robert L. Trescher, Shirley M. Hufstedler","b. August 8, 1908 according to original file container, contains highlights, underlines, resume, biographical information, correspondence regarding Arthur J. Goldberg, Correspondents include: Herbert J. Hansell, Fred J. Cassibry, Alfonso J. Zirpoli, Julius J. Hoffman, James B. Parsons, Walter E. Craig, Joseph S. Lord, III, Alan M. Dershowitz, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, William J. Campbell, Hubert H. Humphrey, Howard H. Baker, Frank Church, President Jimmy Carter, Damon J. Keith, Walter J. Cummings, Leonard C. Meeker, Joseph J. Sisco","b. April 6, 1903 according to original file container, contains highlights, resume, biographical information, correspondence regarding Leo Gross, Correspondents include: Millard H. Ruud, Edward Gordon, Daniel P. Moynihan, Monroe Leigh","Contains highlights, letter regarding Louis Henkin between Leonard C. Meeker and Monroe Leigh","Contains highlights, letter regarding Carlyle E. Maw between Herbert Brownwell and Monroe Leigh","b. November 23. 1906 according to original file container, contains highlights, biographical and bibliographical information, correspondence regarding Myres S. McDougal, Correspondents include: Elliott Goldstein, Herbert J. Hansell, President Jimmy Carter, John C. Stennis, James O. Eastland, Monroe Leigh, W. M. Reisman, Eugene V. Rostow, William W. Bishop, Jr., E. Donald Shapiro, Millard H. Ruud, Edward Gordon, Emerson G. Spies, Frank Moore,","Contains highlights, letter regarding Robert B. McKay between Monroe Leigh and Herbert Brownwell","Contains highlights, letter regarding Russell D. Niles between Monroe Leigh and Warren E. Burger","b. April 21, 1913 according to original file container, contains highlights, AALS Directory of Law Teachers excerpt, Who's Who in America excerpt, letter dated 9 June 1978 regarding Covey T. Oliver between Monroe Leigh and Millard H. Ruud","Contains highlights, correspondence (2 letters) regarding Oscar Schachter between John R. Stevenson, Herbert W. Briggs, Millard H. Ruud, Edward Gordon","Contains highlights, letter regarding Bernard G. Segal between Monroe Leigh and Warren E. Burger","b. March 1, 1974 according to original file container, contains highlights, biographical and bibliographical information, correspondence regaridng Louis B. Sohn, Correspondents include: Herbt J. Hansell, Henry T. King, Jr., Monroe Leigh, Robert Coulson","Contains highlights, letter regarding William B. Spong, Jr. between Monroe Leigh and Warren E. Burger","Contains highlights, letter regarding John R. Stevenson between Monroe Leigh and Herbt Brownwell","Contains supporting documents, underlines, Correspondents include: Monroe Leigh, Austin Pulle, Arthur J. Goldberg, William W. Bishop, Jr.","Contains underlines, handwritten notations, PCA reports starting in 1900","Contains underlines, handwritten notations, articles about the PCA","Index: Statute of the International Court of Justice, Present Members of the International Court of Justice, Procedure for Election of Judges, American Candidates, Foreign Candidates (Ambassador El-Erian (Egypt), Mr. Razafindralambro (Madagascar), Ambassador Sette Camara (Brazil), Dr. Gomez Robledo (Mexico), Professor Robert Ago (Italy), Judge Manner (Finland), Mr. Jayawardene (Sri Lanka)), Past Nominations by the US National Group","Contains \"Guide for National Red Cross Societies on their Role as Auxiliaries of the Army Medical and Civil Defence Services\" - Geneva, 1952 and Memorandum re: Summary of Participation and Probable Voting Position of Governments and National Red Cross Societies as of October 18, 1957","Contains notations, signatures, Correspondents include: U. S. Delegation, Orlando Pedragosa Nadal (Delegate of Uruguay), Dr. Muhlenhover (Delgate of Germany, Amrit Kaur (Chairman, XIXth International Red Cross Conference), General Gruenther, James T. Nicholson, Mr. Boissier, Ellsworth Bunker, Robert McClintock (Delegate of USA), George M. Elsey, John Foster Dulles","Contains notations, schedules for each day of the Conference (28 Oct - 7 Nov), list of delegates, governing rules","Contians notations, edits, markup, copies of various drafts and resolutions proposed by different countries in attendance at the Conference","Removed to collections in library because there were no markings","Removed because all materials can be found online or in the library [Law Basement - Oceans 13.6.I6146P","Issued by the Embassy of Pakistan, Washington, D.C.","Contains inked edits and markings in the footnotes, Leigh signature","Contains Leigh signature, minor edits and markup","Contains edits, markup, notations","Contains edits, markup, notations, attached notes","Contains markup, notations, looseleaf notes, briefs","Contains markup, notations","Contains 1 document with two attachments, including 1 - The Development of the Murray River and 2 - Synopsis of Report of the Inter-State Royal Commission on the River Murray (1902)","Contains 1 document titled: \"Recommendations of International Joint Commission on Diversion from Watershed in Its Final Report on the Lake of the Woods Reference\"","Contains markup, handwritten notations, circled areas regarding the relevant aspects to international water rights vis-à-vis the St. Lawrence Seaway between Canada and the US. Includes Public Law 358, 83d Congress, Chapter 201, 2d Session, S. 2150 (July 1957), \"Report on the Committee on Public Works on S.2150: A Bill providing for creation of the St. Lawrence Seaway Development Corporation to Construct part of the St. Lawrence Seaway in United States Territory and for other purposes,\" House Report No. 1215, 83d Congress, 2d Session (February 19, 1954), Senate Report No. 441 (same name House Report No. 1215), 83d Congress, 1st Session (June 16, 1953)","Contains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions","Contains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions","Contains initials ML","Contains cases American Hawaiian Steamship Co. v. United States, Baltimore Steam Packet v. United States, Cors v. United States","Contains cases Eastern Steamship Lines v. United States, Kendall v. United States, Lex Laboratories, Inc. v. United States","Contains cases National Bulk Carriers v. United States, North American Shipping Company v. United States, Olive J. Olson \u0026 Company v. United States, Ozanic v. United States, Petition of Grace Lines, Smith-Douglass Company v. United States, Trailerships Inc. v. United States, Wilson Lines v. United States","Contains an overview of legislation and cases related to Just Compensation","Contains summary of compromise settlement offer of just compensation for five Danish vessels requisitioned July 12, 1941, including the Alssund, Brosund, Columbia, Lundby, Olympia","Contains draft \"Report for H. Graham Morison, Assistant Attorney General, Claims Division, Department of Justice","Contains memorandum for Mr. Bressor, Message for Mr. Howard, Memorandum for Mr. Laylin","Contains memorandum for Conference with Paul Umoff, Memorandum of Conference with J. G. Comyn, Memorandum of Conference with H. A. Stevenson, Memorandum of Conference with George Davies","Contains Deposition of Hans Christian Brodersen and the Deposition of Hugo Lund for Dampskibsselskabet \"Haffnia\" Aktieselskab, et al vs. The United States in the United States Court of Claims","Binder with 16 sections regarding \"Christiani Visa Matter\" that deals with citizenship and whether or not Henning Christiani was a collaborator with the Germans during World War II. Sections include: Memorandum for Mr. Laylin, 1. Christiani and Nielsen Memorandum, 2. letter to Henning Christiani, 3. Memo of a conversation between Mr. Steger and Mr. Hyde at the U.S. Consulate on 12th January 1948, 4. Telephone conversation of December 11, 1947 with Francis Cunningham of State Department, concerning visas, 5. Translation of Depostition made by former Prime Minister Erik Scavenius before the investigating committee of hte Engineering Society in the matter of the investigation of the conduct of its member, Dr. Rud. Christiani, during the late war, 6. \"Danish Saboteurs Wreck Nazi Plants\" text from New York Times article dated Sunday, February 21, 1943, 7. \"Nazis Hinted Giving Up Norway and Denmark\" text from New York World-Telegram article dated Thursday, February 3, 1944, 8. \"Nazis Plan to Leave Norway, Denmark\" text from The London Daily Sketch artcled dated Thursday, February 3, 1944, 9. Statement (from Christiani?), 10. Translation of Memorandum on the Work of Ardal, 11. Translation of Letter of Auugst 19, 1949, from Dr. Christiani to Mr. Henning O. Christiani, New York, in excerpt, 12. Translation of memorandum from Mr. C. L. David, barrister to the Supreme Court, to Mr. Steglich-Petersen, barrister to the Supreme Court, regarding Dr. Rud. Christiani vs. The Danish Engineering Society dated August 15, 1949, in excerpt, 13. Translation of letter of April 20, 1949, from the Ministry of Justice to Mr. Steglich-Petersen, attorney for Dr. Rud Christiani, informing Mr. Steglich-Petersen that the Ministry of Justice has written the Attorney General that they accept his recommendation that hte Ministry not take up again the matter of violation of hte ex post facto laws relating to association with the enemy during the occupation of which Dr. Christiani was absolved of February 7, 1947, -- in spite of additional relevant data extracted by the investigating committee of the Danish Engineering Society, 14. Translation Royal Danish Legation letter, 15. Translation of letter of June 13, 1949, from Dr. Rud. Christiani to Mr. Henning O. Christiani, care of Christiani \u0026 Nielsen Ltda, Bogota, Colombia, in excerpt, 16. Translation of letter between Henning O. Christiani and Christiani \u0026 Nielsen / Rud Christiani","Contains facts of the case, memorandum, notes, supplemental memorandum, Brief of Claimant on Motion to Dismiss, H.R. 5200 (80th Congress, 2d Session), markup, looseleaf handwritten notes, edits [Case revolves around the question of \"whether an individual who is an American citizen by American law and at the same time a German citizen by German law, may recover property seized by the Alien Property Custodian during WWII\"]","Contains handwritten looseleaf notes, drafts, edits, markup","Contains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945","Contains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945","Contains orders, memorandum, handwritten notations, looseleaf notes,","Contains handwritten looseleaf notes, drafts, edits, markup","Involves rights of ships and the Federal Government, contains Abstracts of Cases for Cors Argument, memorandum, handwritten notations, looseleaf notes, edits, discussions on the authority of \"the Maritime Commission to requisition ships of foreign registry lying idle in American ports,\" the \"enhancement clause,\" Report: Inquiry into operations, policies, and affairs of United States shipping board and emergency fleet corporation by the House of Representatives, 69th Congress, 1st Sesstion (Report No. 2)","Contains printed proceedings of case, court documents (both for the Court of Claims phase and the US Supreme Court phase), includes markup, handwritten notations","Includes copies of 5 wills for Adda M. Allen, Janet H. C. Meade, Jane Kelley Caskey, Howard T. Karsner, Frank R. Jelleff,","Contains memoranda, court documents, depositions, handwritten notes, looseleaf notes, edits, markup, drafts, discussion of \"whether the Commissioner of Baseball may not be deemed a one-man voluntary association,\" national law of unfair competition, piracy complaint in connection with world series broadcast, copyright problems involved in televising the Cinema","Contains memoranda, index cards, handwritten notations, looseleaf notes, discusses questions re: \"whether the President proceeding under his executive powers may cancel the certificates of public convenience and necessity issued to certain domestic air carriers authorizing them to fly to Mexico City.\"","Contains drafts, edits, markup, looseleaf handwritten notes, newspaper clippings","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains 27 index cards with summaries of relevant cases for precedent purposes under the headings of arbitration, Condemnation, Contract, Fiscal Year, Lease, Reimbursement,","Contains notes by Monroe Leigh, Orem W. Ketchum, J. K. M., H. R. S., W. S. S., D. V. H., Jr., C. J. S., includes markup, adites, handwritten notes, looseleaf notes, index card","Contains \"Progress of Bankruptcy\" framed cartoon (n.d.), University of London Presentation Ceremony for Recipients fo Higher Degrees and Reception by the Vice-Chancellor program (21 March 1952), \"Law Notes\" notebook that lists persons met/present at social functions and those who sent Monroe Leigh Christmas Cards, The University of Virginia and the Spirit of Honor by Robert K. Gooch, An address to the entering students, 19 Sept 1955","Contains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, Gerald I. A. D. Draper, Dietrich Oehler, Howard E. Hensleigh, Old Ivy Inn, Robert Hubbard, Jr., Raymond F. Loving, Farmington Country Club, John R. Dykema, Hardy C. Dillard, Arthur J. Walters, Bumpus Book Store, Richard (Dick) R. Baxter, Donald P. Ray, Helen M. Hill, Roger Fisher, Lindsey Cowen, R. D. G. Ribble, Marjorie Merritt, Channing Harrison, E. Ham. Welbourn, John S. Voorhees, Michael H. Cardozo, Adam Yarmolinsky, Davidson Sommers, Walter H. Glass, Louis Henkin, Department of Motor Vehicles, Alan Burroughs, Klemens von Klemperer, William H. Smith, Robert W. Tucker, Charles T. Berry, Evans B. Brasfield, F. Aley Allan, Reverend Daniel E. Power, Comptroller of the Treasury, Office of the Assessor, District Collector of Internal Revenue, Henry Saunders, F. A. Cardman, Joseph Burchenal, London Life Association Ltd, Robert Haydock","Contains looseleaf notes, Conclusions in response document, French Republic in the Name of the French People document, handwritten notations and edits in french, Correspondents include: Jane Lang McGrew, Norman Frauenheim, F. A. Mann, Monroe Leigh, Trustee Department - General Accident, Fire and Life Assurance Corporation, Ltd.,","Contains note cards, newspaper clippings, handwritten letters, letter drafts, envelopes, Correspondents include: Monroe Leigh, U. S. Department of Commerce, Vincent Burke, John N. Irwin II, George W. Hickman, Nugroho, Joseph C. Robert, Robert H. Knight, David Bruce, Paul Kaplowitz, Wilmington Trust Company, Donald E. Claudy, Robert Dechert, Manhattan Traffic Court, Robert Fearey, Paul A. Wolkin, John R. Dykema, Heyward Isham, Totton P. Heffelfinger II, Union Trust Company, Her Majesty's Stationary Office, Belgian Consul General, Tom W. Leigh, Roy D. Russell, Benjamin Forman, Regal Shoe Shop, Nicholas deB. Katzenbach, R. E. Booker, G. Vernon Leopold, R. E. Bauer, Howard Hensleigh, John D. Epperly, Walter, Glass, Superintendent of Documents, John N. Bathrick, Leonard J. Ganse, John Haskell, Bumpus Book Store, George Hsu \u0026 Company, Blackwell's, Sheldon Z. Kaplan, Philip O'Neill, Jimmy, John McGlynn, Sherman Baldwin, Catharine Gallaher, Wilson E. Schmidt, Jere H. Dkyema, John D. Epperly, Henry W. Sawyer, III, Joseph M. Snee, Edwin G. Schuck, Luke Marbury, Carl, Z. Lewis Dalby, J. W. Lentz, Jack Osborne, Charles Davis, Folger, Nolan, Fleming - W. B. Hibbs \u0026 Co., Inc., Gerald I. A. D. Draper, Mansfield D. Sprague, William Gallaher, Arthur H. Phillips, Frank Shakelford, O. M. Scott, Robert G. Harper, David Bruce, Edwin McElwain, Lyttleton Fox, Myres S. McDougal, H. M. Stationary Office, Don V. Harris, Jr., Marshal, Stephen Hearst, Roland, John B. Henderson, Edward Lee Arapian, Dillard Crinkley, William W. Arbuckle, Thomas Armat, Jr., Mrs. Hugh Gallaher, Gianni (Johnny) Manca, Robert (Bob) Haydock, Ammi Cutter, H. Marshall Peter, Charlie Maechling, Father James F. Cunningham,","Contains signatures, handwritten comments, enclosures, looseleaf notes, pamphlets, brochures, Correspondents include: Monroe Leigh, Daingerfield L. Ashton, Benjamin Forman, Marjorie Merritt, John D. Randall, Richard R. Baxter, Stephen Hearst, Jackson Martindell, Tracy S. Voorhees, The Ronald Press Company, M. W. Oettershagen, Little Falls Swimming Club, Thomas P. Peardon, Nugroho, Michael H. Cardozo, Gerald I. A. D. Draper, Howard E. Hensleigh, John F. Furman, Blackwell's Music Shop, F. Warrington Dawson, J. Vincent Burke, Jr., F. J. Dymond, Leonard C. Meeker, Irving Lipkowitz, J. W. Iliff, Wallace Dempsey, Lybrand, Ross Brothers \u0026 Montgomery, Walter Herzfeld, Ercole Graziadei, Mrs. McCannon, E. Earl Pugh, Robert W. Berry, Siesta Motel, Louis C. Krauthoff, Byron S. Adams, Simeon B. Dunlap Smith, Rene-Jean Wilhelm, Joseph Burchenal, T. A. Grillo, Tyler Thompson, Phillip I.Blumberg, I. Austin Heyman, Lyttleton Fox, Brockenbrough Lamb, The Old Ivy Inn, George W. Hickman, Jr., Jackson K. Judy, Jerome P. Facher, George R. Fetter, Robert M. Scott, Sam Clammer, L. L. Lemnitzer, Sidney Morton, Ernest A. Jaffray, E. Hambleton Welbourn, Jr., Hugh Gallaher, Theodore C. Achilles, Alan S. Boyd, Anna Barringer, Henry W. Sawyer, III, Harvard Law Review, William Leigh Taylor, Walter Glass, Edwin Martin, W. T. M. Beale, Jr., James Fulton, Joseph Barbash, Ben Bruce Blakeney, Leonard J. Saccio, Vester T. Hughes, Jr., Conrad Philos, G. Gale Roberson, Jr., Frank Boas, Chase Manhattan Bank, J \u0026 E Bumpus, Ltd., John Cheeseright, Charles Foster Moore,","Contains signatures, handwritten comments, underlines, Correpondents include: Monroe Leigh, Warrington Dawson, Walton Folk, Marjorie G. McCannon, Elliott B. Strauss, Lewis H. Van Dusen, John B. Rehm, John G. Burnett, K. H. Friedman, Charles Rhyne, Norman P. Seagrave, Herbert F. Goodrich, Leslie A. Boosey, E. J. O'Donnell, J. Vincent Burke, Jr., Benjamin Forman, John B. Henderson, Roger Ernst, Richard R. Baxter, William E. Perdew, Samuel L. Eggleston, Herman C. Marshall, Gerald Draper, Bill, Blackwell's Book Store, Tracy S. Voorhees, A. W. H. Nicholson, Lewis H. Van Dusen, Jr., Thomas P. Peardon, William McC. Martin, Jr., D. Webster, Mansfield Sprague, Lynn Ungoed-Thomas, Bankers Trust Company, Stephen Hearst, G. I. A. D. Draper, Comptroller of the Treasury, Joseph T. Trotter, A. E. Kraus, Madeleine Provinzano, Lyman L. Lemintzer, Max G. Coulson, Doubleday Book Shop, Union Trust Company, Rene-Jean Wilhelm, Howard E. Hensleigh, H \u0026 P Manufacturing Company, F. Trowbridge vom Bauer, Herbert J. Blitz, Lyttleton Fox, E. Hambleton Welbourn, Jr.","Contains underlines, handwritten notations, signatures, Correspondents include: Julia and Gerald I. A. D. L. Al Forge, Draper, Monroe Leigh,","Contains handwritten letters, looseleaf pages, envelopes, enclosures, resumes, newspaper clippings, Correspondents include: Sidney Morton, SCM, Mr. Guiher, Mr. Morris, Charles Donahue, Donald J. Hardenbrook, William C. Bauknight, Julius Kaplan, Richard C. Bergen, Walter H. Glass, Charles H. Shuff, Robert A. Marmet, John N. Regan, Dumond Peck Hill, Market Tire Company, Macon M. Arthur, Gustave M. Hauser, Adam Yarmolinsky, Union Trust Company, Perkins McGuire, Aley Allan, Joel Barlow, Edward D. Re, Nicholas Katzenbach, John E. Hayes, Wallace G. Dempsey, Arthur H. Phillips, Stanley Surrey, John Dykema, Robert W. Lawson, Jr., Edward S. Smith, J. W. Weaver, Samuel Efron, Eastern Airlines, K. H. Friedman, Tracy S. Voorhees, Peter von Teufenstein, John Stuart Higgins Jr., Martin Domke, Alfred von Klemperer, Helen Claggett, John B. Huffaker, Dan Marquarder, H. F. Arps, William J. Schrenk, Jr., John Carey, Mansfield D. Sprague, Federal Trade Commission, Better Business Bureau, Washington Post, Department of Licenses \u0026 Inspection, William H. Watts, Stephen C. Reville, Jr., George C. Denney, Clovis E. Byers, Lawrence Hargie, Philip D. Saxon, Marjorie Merritt, Dick van Wagener, Philip D. Saxony, Richard (Dick) R. Baxter, John Stewart Higgins, Jr., Richard M. Buxbaum, Seymour J. Rubin, Hubert A. Schneider, Herbert Briggs, William Roy Vallance, Clovis Byers, John D. Epperly, Howard S. Levie, Charles R. Norberg, George Farah, Jacob L. Holtzmann, Irving Lipkowitz, Gerald I. A. D. Draper, Rev. Oscar deWolf Randolph, Phillip I. Blumberg, Jefferson B. Fordham, Robert Dechert, R. Granville Curry, Alan G. Kirk II, Bernard G. Heinzen, L. Niederlehner, Frank M. Wozencraft, Michael Cardozo, E. Fontaine Broun, C. Severin Buschmann, Jr., James C. Sargent, Alan S. Boyd, Daggett (Bud) Howard, Her Majesty's Stationary Office, Benjamin Forman, Charles L. Decker, Virginia Law Review Association, Collins Denny, III, Conrad Philos, Old Ivy Inn, Max Lehrer, L. Addison Lanier, Hudon's, J. Jacobs Shannen, Fisher Radio Warehouse, Georg Hukman, Z. Lewis Dalby, Glenn R. Winters, Alfred H. Von Klemperer, Brentano's, Blackwell's, John G. Burnett, Frank L. Dennis, A. Rushton, George W. Hickman, Lewis H. Van Dusen, George M. Coburn, Paul Nitze,","Contains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, David I. Johnston, Rodrigo Llorente, James R. Patton, Jr., Virginia Law Review Association, Henry Dolz, Allen Communications, Lindsey Cowen, Walter Sterling Surrey, John B. Henderson, J. de Tender, Hugh Calkins, Richard (Dick) R. Baxter, Samuel B. Sterrett, James R. Patton, Tatlana Guldberg, Robert H. Knight, E. Hambleton (Ham) Welbourn, Jr., Norman Seagrave, Epsilon of Chi Phi, Secretary to General Gruenther, K. H. Friedman, Ralph Immell, Edwin Martin, Alfred M. Gruenther, Howard S. Levie, Sweet \u0026 Maxwell Ltd., A. Moreni, Robert H. Haden, Abram Chayes, Stevens and Sons, Vada Horsch, Wagons-Lits, American Airlines, Richard Swift, Messrs. Guiher and Morris, Walter H. Glass, Royal Little, Russell Baird Adams, F. Aley Allan, Douglass Cater, G. O. J. van Tets, Hubert A. Schneider, Mr. William Merriam, Henry F. Butler, Ralph Wesley Golby, Secretary - Metropolitan Club, Maxwell M. Caskie, Jr., Jerome P. Facher, Roger Fisher, Noyes Thompson (Tom) Powers, Stanley V. Malcuit, Guerin Todd, Wallace G. Dempsey, Gertrude C. Whitaker, Lewis Matacia, James Sargent, C. Richard Locke, Juraj L. J. Slavik, John Andrews King, Jr., Bourke B. Hickenloper, Rufus King, Ina Walker, Nugroho, Sidney Morton, Jack H. Pender, Frank Shackelford, John B. Henderson, Daggett (Bud) H. Howard, Ray Brittinham, The Treasurer - Metropolitan Club, Stephen C. Hopkins, Sr., Stephen Reville, George M. Pavia, Leon Lipson, John P. Furman, James P. Sullivan, Cecil J. Olmstead, Herman Finkelstein, John King, Jr., Louis C. Krauthoff, Nicholas deB. Katzenbach, John DeHardit, Chesapeake \u0026 Potomac Telephons, Harvard Business Review, Judson T. Vaughan, Jr., Phillip D. Jackson, Hart Perry, Warren Lee Pierson, Palmer S. Rutherford, Jr., John Emerson, Chris Nolde, Irving Lipkowitz, William Barron, Harry Catlin, Mrs. Hugh Gallaher, Ed Stern, Ken Hadow, Robert H. Haden, Henry Dolz","Contains invitations, notecards, envelopes,newspaper clippings, Correspendents include: Monroe Leigh, Riggs National Bank, Robert Haydock, First National City Bank, Michael H. Cardozo, George W. Ray, Jr., District Director of Internal Revenue, Sidney E. King, Vester T. Hughes, Jr., Herman Marshall, Raymond O. Mulvany, John Richardson, John Langstaff, Don V. Harris, Jr., Morgan Guaranty Trust Company of New York, Rita E. Hauser, Philip I. Blumberg, Clive L. DuVal, II, Walter H. Glass, Elbert Cox, Thomas E. Gilmer, Robert Dechert, Stephen Reville, Jr., James E. Edmunds, The Strad Office, Chase Manhattan Bank, Allan E. Walker, Jr., W. Taylor Reveley, Jr., William Thomas, Walter A. Willson, III, Robert Anthoine, Howard Marshall Holtzmann, R. M. Eager, Cecil J. Olmstead, Janet H. C. Mead, Ed Fish, Jesse Guy Benson, Philip S. Bowie, Vincent J. Hearing, Frank Shackelford, Benjamin Montmorency Tench, Jr., Carol Sue Richard, John W. Leatherman, Fannie J. Klein, Richard Baxter, Aunt Bee, Robert A. Falise, Henry B. Smythe, John H. Fanning, Phillip Blumberg, William Bryan, Mrs. William Denson, Controller of the Treasury, Messrs F. Trobridge vom Baur, Spencer M. Beresford \u0026 George M. Coburn, Howard Hensleigh, Charles L. Decker, Hugh Calkins, Eugene B. Thomas, Romer McPhee, David Johnston, Richard Young, Alfred M. Gruenther","Contains handwritten notes, Gen Kajitani resume, signatures, underlines, comments, Memorandum - Reform of the AntiDumping Act in 1965, Correspondents include: Monroe Leigh, Gen Kajitani, Richard O. Duvall, Andrew R. Cecil, G. W. Capley, The Harvard Law Review Association, Mr. Guiher, Mr. Lawson, Dean and Mrs. Allan F. Smith, Willis O. S., Louis A. Johnson, Frank E. Samuel, Alexander D. Calhoun, Jr., James Lee Kauffman, Takeo Kajitani, Richard R. Baxter, Graham James \u0026 Rolph, LaForest E. Phillips, Jr., Charles G. Williamson, Jr.,","Includes envelopes, notecards, invitations, resumes, receipts, bills, Correspondents include: Mornoe Leigh, John Warden, Secretary of Agriculture, Mansfield (Mannie) D. Sprague, Edgar Stedman, Wallace Holbrook, George W. Ray, Jr., Sidney Kramer, Carl Norden, Richard (Dick) Baxter, E. Ross Adair, Ray Dickey, Coutnry Club of Virginia, Inc., Mrs. L. F. Leigh (Mother), Thomas Leigh, J. Purcell Jones, Miss Donna Smith, Gerald Draper, E. Barrett Prettyman, Jr., Mrs. Nicholson, Howard Tucker, William R. Merriam, Lloyd N. Cutler, James C. Sargent, Philip W. Amram, Macon M. Arthur, Louis Henkin, F. Allan Kelly, Louis B. Sohn, Kenneth B. Wentzel, Mrs. Harry Catlin, George H. Long, Myers S. McDougal, Miss Louise Savage, Cesare Sclarandis, Harrison Hancock, Chase Manhattan Bank, The Univesity Club, John H. Calhoun, William G. Moore, Virginia Journal of International Law, Edward D. re, John S. Higgins, Jr., George S. Buschmann, Phillip I. Blumberg, Virginia P. Trenka, Robert (Bob) McCaw, Willis L. M. Reese, Georgia Pinnick, Andrew R. Cecil, Velma H. LeRoy, W. C. (Bill) Mott, Bernard G. Heinzen, Stanley C. Morris, Sr., C. R. Locke, Veterans Administration, New York Historical Society, William A. Lashley, Edward M. Smith, Bernard J. Wald, William E. Miller, University Club, Messrs. Lear \u0026 Scoutt, Riggs National Bank, Guerin Todd,","Includes envelopes, notecards, invitations, receipts, bills, Correspondents include: Stanley Surrey, Robert Dechert, Roger Fisher, Stephen T. Bolmer, Texaco Ind., Robert F. Grabb, Cecil J. Olmstead, Raymond L. Brittenham, Hardy C. Dillard, Henry T. Wickham, Stephen R. Tisa, Richard B. Lillich, Marvin J. Colangelo, Najeeb Halaby, Capital Map Company, Jerome P. Facher, Robert Huntington Knight, John G. Buchanan, William B. Spong Jr., Parvez Hassan, H. Dudley Ives, Mrs. Fletcher Plumley, Maxwell M. Caskie, Jr., Virginia Department of Conservation and Economic Development, John Laylin, S. A. Gersten, Herman Marshall, Jasper S. Baker, Leonard C. Meeker, John McCoid, Vester J. Huges, Jr., Nicholas deB. Katzenbach, Techbuilt, Inc., Mrs. Velma H. LeRoy, Helen Newman, Covey T. Oliver","Materials related to Edward D. Re's consideration for appointment as a Federal Judge in the Eastern Distict of New York, handwritten notes, form, biographical clipping, Correspondents include: Monroe Leigh, Ernest C. Friesen, Jr., Robert F. Kennedy, Nicholas de B. Katzenbach, Committee on Membership - The American Law Institute, Warren E. Buger, Francis M. Bird,","Includes Western Union telegram photocopy, envelopes, wedding invitation, signatures, Western Union telegram, memos, Buschlinger resume, handwritten comments, Correspondents include: Monroe Leigh, Gerold Buschlinger, William A. Sackman, Conner, Lyman Hamilton, Richard A. Whiting,","Includes envelopes, notecards, invitations, programs, recipts, bills, Wilton Park 1966 Conference materials, newspaper clippings, Correspondents include: Monroe Leigh, Columbia Kennels and Pet Center, Mr. Claudy, G. C. Harcourt, William C. Olson, American Security \u0026 Trust Company, The Clerk - Putnam County Court, Appeal Printing Company, Inc., K. Westrick, Don Bagwell, Tom Farmer, Sleep Center, Don E. Burch, Egbert Giles Leigh, III, Richard B. Lillich, Vada Horsch, Sears, Roebuck \u0026 Co., Mason Willrich, Alan Boyd, Harry Catlin, Riccardo Dalla Vedova, William E. Miller, S. Frisa, Marvin J. Colangelo, Thomas Tuttle, K. H. Friedmann, Rawle Deland, Daggett H. Howard, A. C. Epps, Stephen Reville, Jr., Charles K. Hepner, Richard Whiting, Edward J. Gerrity, Jr., Carol Laise, Francis J. Larkin, Nellie R. Bair, Sam D. Eggleston, Jr., Manhattan Laundry \u0026 Dry Cleaning, H. C. L. Merillat, C. Kriss, Goodspeed's Book Store, William B. Spong, Jr., Craig Colgate, Jr., The Recording Laboratory - Library of Congress, George C. Rawlings, Jr., W. Leigh Taylor, John W. Tuthill, James N. Wilson, Walter Herzfeld, Hastings Keith, Murray Camarow, Myres S. McDougal, Donald C. Alexander, Richard (Dick) Baxter, Jacob D. Beam, Howard Aibel, Larry L. Skeen, The Heckman Bindery, Inc., Hechinger, Jerome P. Lipper, Matthew Hale, John P. Furman, Franklin Federal Savings and Loan Association, Comptroller of the Treasury, District Director Internal Revenue Service, Virginia Law Weekly, R. W. Rose, Robert H. Knight, Fontaine Broun, Lowell Davis, Mrs. Hugh Gallaher, Jack P. Jefferies, Howard S. Levie, Ralph Gilbert, Fred B. Smith, Revelation, Norman Seagrave, W. E. Griffin, Frank M. Wozencraft, L. Roger Williams, Peggy Cole, Columbia Broadcasting System, Inc., Stephen R. Tisa, F. Taylor Ostrander, Superintendent of Documents - US Government Printing Office, E. P. Geibig, University of Virginia - Legal Research Group, Morse Dial, Wallace Dempsey, William Moore, Robert D. Thorington, William C. Hill, Allen W. Dulles, S. L. Simmons, Pat Monroe, Wilson Anderson, James H. Pipkin, C. R. Locke","Contains personal receipts of Monroe Leigh from various companies","Includes materials related to Atkeson's application to appear before the Supreme Court, copy of US Court of Appeals for 2d Circuit Docket No. 30341 case, Resume of Timothy B. Atkeson, signatures, handwritten notations, newspaper clippings, Correspondents include: Timothy B. Atkeson, Monroe Leigh, Franklin Davis, Elliot L. Richardson, Arthur H. Dean, Thomas M. Franck, Lewis Kimball,","Contains The Department of State Bulletin, Vol. LXII, No. 1599, February 16, 1970, a copy of the Mayo Diet - 2 weeks, envelopes, newspaper clippings, invitations, receipts, bills, Correspondents include: Monroe Leigh, Norman P. Seagrave, Edward M. Harris, Seymour St. John, Howard Tucker, John M. Raymond, Gerold H. Buschlinger, Gardner Defoe, Helen T. McDonald, Logan Fulrath, Mary S. Churchill, George W. Haight, Franklin Federal Savings and Loan Association, Howard Tucker, Darby Bowman, Stanley D. Metzger, John C. Bullitt, Outward Bound, Inc., Lucien Wulsin, Riccardo Gor-Montanelli, Hechinger, Virginia Law Weekly, Hyman Zimmerman, William R. Felts, Mr. Beale, Christopher H. Phillips, John S. Tennant, John A. Wise, Donald G. Agger, Austin P. Montgomery, Dnaiel M. Federman, Mary Fry, John G. Tritsch, David Rice, Henry S. Villard, Jere H. Dykema, Alan Boyd, John E. Stephen, E. Hambleton Welbourn, Jr., Donald G. Agger, Walter D. Sohier, Harvard Law Review Association, Vada Horsch, Joan Fulton, William H. Draper, Jr., John Shelton Bair, Robert Matteson, William A. Sackmann, M. Z. Khaiser, Francis O. Wilcox, Jerry H. Weiss","Contains envelopes, invitations, receipts, bills, newspaper clippings, Correspondents include: Monroe Leigh, Robert Murphy, Governmetn Employees Insurance Co., John B. Rehm, State Planters Bank, J. C. Clatterbuck, Potomac School, Harold Johnson, W. E. Griffin, Jerry H. Weiss, Chevy Chase Club, Keyboard Immortals, Oscar Schachter, Irving Lipkowitz, Derzy Michalowski, Totton P. Heffelfinger, Chariman - Joint Economic Comimttee, J. William Doolittle, University Club, Franklin Federal Savings and Loan Association, Stephen Hearst, Douglas Cater, John Warner, Stanley D. Metzger, Women's National Democratic Club, Phillippe Bodin, Miguel Gomez Guerra, Riccardo Dalla Vedova, Ward C. Humphreys, John A. Wise, Jr., Herman F. Scheurer, Richard Falk, James L. Billinger, Govert van Tets, Herbert R. Stokes, Robert Krause, Colonel B. Jablonski, Jan Chowaniec, Westerly Marine Construction, Hechinger's, John M. Raymond, Phyllis T. Piotrow, Michael H. Cardozo, Leonard Unger, Mason Willrich, Harry W. Geiglein, Hardy C. Dillard, Alden R. Kuhlthau, Frank S. Phillips, Inc., Warren M. Christopher, Gardner Defoe, Gerold H. Buschlinger, John R. Garson, Judith Gellert, Richard B. Lillich, Edward M. Harris, Hnery S. Palau","Contains handwritten notes, memorandum, meeting minutes, IRS and Organizational forms, Articles of Incorporation document, agendas, Correspondents include: Monroe Leigh, Carl F. Norden, Wallace (Wally) E. Whitmore, Ellen H. Norden,","Contains invitations, notecards, envelopes, looseleaf paper, Correspondents include: Monroe Leigh, Robert B. McCaw, Jerry H. Weiss, Lucien Wulsin, Monrad G. Paulsen, Ralph Cunningham, Richard B. Lillich, Leonard v. B. Sutton, Lewis H. Van Dusen, Jr., LIndsey Cowen, Stanley D. Heckman, D. R. Mummery, Richard R. Baxter, Joseph M. Sweeney, Hotel Tarabya, Hotel Istanbul Hilton, American Wood Council, Luke W. Finlay, Mason Willrich, Jeremiah D. Lambert, William H. Draper, Jr., Chalres B. Ruttenberg, Scott Heuer, Jr., Hardy C. Dillard, William C. Battle, Alexandre Kafka, Robert J. Muscat, Alexis I. duPont Bayard, Myres S. McDougal, Mrs. Hugh Gallaher, Superintendent of Documents, F. Bradford Morse, Vester T. Hughes, Jr., Francis O. Wilcox, John B. Rhinelander, Eric E. Bergsten, Carrington Williams, Linda K. Lee, Edwin M. Zimmerman, J. T. C. Hewison, George M. Coburn, Lewis J. Moorman, Jr., John S. Voorhees, Marie J. Pampley, Neil Carothers III, Thomas W. Leigh, Monard G. Paulsen, Robert Hadock, Jr., Horizon Books, Hal J. Wright, Charles Donahue, C. Burke Elbrick, Addison Lanier, Maurice Flynn, William W. Lancaster, Jack Baranson, C. R. Locke, Frances Farmer, Clarence J. Galligan, Alan S. Boyd, Norman Frauenheim, Marvin J. Colangelo, Walter Wadlington, Betty C. Armstrong, Marshall Green, Information Officer - Foreign Claims Settlement Commission, David Rapaport, Dante Fascell, Mrs. Littleton Fox, L. L. LeBlanc, Howard Tucker, Edwin S. Cohen, Rita E. Hauser, Edward D. Re, Stowe Area Association, John G. Wall, Peter Low, Virginia Law Review Association, Russell E. Train, Joseph W. Bartlett, Robert Lawson, Adrian S. Fisher, Edward J. Grenier, Jr., Tracy S. Vooorhees, Betty C. Lynch, Meredith's, Hudson's, Herman Marshall, John Washburn, William Howell, Gen Kajitani, Gerald P. Johnston, Robert Krones, Jacques Futrelle, Elliot L. Richardson, William P. Macht, Frank Jones, Ron Romines,","Contains program and supporting materials for the Regional Meeting of the American Society of International Law, March 13 - 14, 1970 at the University of Virginia School of Law, Co-Sponsored by the John Bassett Moore Society of International Law, titled \"Foreign Investment in Latin America: Past Policies and Future Trends.\" Monroe Leigh was a participant. These materials cover supporting documentation for his role, background information, and relevant materials for this subject matter.","Contains envelopes, resumes, invitations, receipts, bills, Correspondents include: Monroe Leigh, Hugh Calkins, Richard L. Fischer, Mr. Charles M. and Mrs. Sydney Spofford, William P. Macht, Irving Lipkowitz, Malcolm Richard Wilkey, Kenneth R. Mason, Jerry H. Weiss, Helen and Ed Cohen, John Norton Moore, John A. Wise, Jr., Philip Elman, John A. McVickar, Charles Kent, Jerome Lipper, Edward D. Re, Bray \u0026 Scarff Sales, Inc., Marshall T. Mays, Covey T. Oliver, Richard R. Baxter, Downs, Mason Willrich, Stephen R. Tisa, Edd Hyde, David Fleming, G. O. J. van Tets, Ruth Eggleston, Mrs. Maxwell M. Caskie, Jr., Thomas Leigh Williams, Robert Dechert, Don Wallace, Jr., Alastair K. Maxwell, Barry Sullivan, William Harvey Reeves, The New Yorker Magazine, Gustave M. Hauser, Mr. and Mrs. Jan Chowaniec, Joseph H. McConnell, Senator Byrd, Senator Spong, E. W. Hackett, Stanley J. Glod, Elliott L. Richardson, Mrs. Philip Levy, Ball \u0026 Ball, Sturbridge Yankee Workshop, United Virginia Bank/State Planters, Tracy Voorhees, David M. Gooder, Murray J. Belman, The Virginia Law Weekly, David I. Granger, Don V. Harris, Jr., BP Oil Corporation, Grinnell Morris, George Kovacs, Mrs. John (Florence) Riley, Virginia Law Review Association, Hardy C. Dillard, Dallas W. Smythe, C. R. Locke, Markham Ball, Monrad G. Paulsen, James E. Edmunds, Donald E. Claudy, Lyle S. Garlock, Rodger W. Klein, Richard L. Fischer","Contains transcript of remarks, looseleaf notes, program, photocopy of newspaper clippings, schedule, Correspondents include: Monroe Leigh, Robert K. Goldman, Richard B. Lillich","Contains handwritte notes, underlines, correspondence re: Robert College, outline for prospective teachers and information regarding Trinity College for his son Edward M. Leigh, Jr., Correspondents include: Monroe Leigh, Catherin Scott Rose, Lloyd E. Smail, W. Howie Muir, Del A. Shilkret, Elenor G. Reid","Contains envelopes, invitations, receipts, bills, resumes, Correspondents include: Monroe Leigh, The Musical Review, Jerry H. Weiss, Mr. Edmund and Mrs. Helen Cohen, Richard L. Fischer, Jon Pickel, Ralph Cunningham, Hardy Dillard, Alastair K. Maxwell, Benjamin P Labmerton, Jay Norris Corp., Carrington Williams, Livingston Hartley, R. Dennis McArver, Stephen M. Schwebel, Rosemary G. Conley, Eastern Federal Savings and Loan Association, John N. Plakias, Ed A. Evanson, Benjamin Forman, Jerry R. Goldstein, Frederick S. Hill, L. Thomas Galloway, R. D. Plant, C. Richard Locke, Mr. and Mrs. Ralph P. Cunningham, John A. Hartman, Jr., Minnesota Outward Bound, Della Sullivan, John A. McVickar, Alexander D. Calhoun, Jr., Tractor Supply Company, National Symphony Orchestra, Herbert P. Fales, Justice and Mrs. R. Ammi Cutter, Herbert Rubin, Myres S. McDougal, Mrs. Hugh (Anne) Calkins, Bob McNeil, Covey T. Oliver, James A. Dixon, Dumond Peck Hill, Norman Frauenheim, Beltsville Forest Insect Laboratory, G. Schirmer, Inc., Helga Ruof, Kitty? Guy, Richard Baxter, Phillip I. Blumberg, Russell N. Shewmaker, John Shugars, Richard L. Tavrow, Robert Chira, F. Gerald Toye, Marshall T. Mays, Robert Brown Glenn, Jr., Thomas Galloway, Photo Duplication Service, Ed Burns, W. Graham Claytor, Jr., Joseph P. Downer, William H. Taylor, Robert F. Dobbin, Keyboard Immortals, Zeltz Fish Hatcheries, Lewis E. Kimball, Jr., The Virginia Law Review Association, Mason Willrich, Michael J. Deutch, Farmington Country Club, Marshall V. Miller, Eric R. Fox, James E. Edmunds, Karl E. Bakke, Dickson Phillips, Gustave M. Hauser, Frank P. Jones, Jr.","Contains signatures, envelopes, handwritten notes, Correspondents include: Monroe Leigh, Stephen Ailes, Jonathan Moore, Elliot L. Richardson, Pierre Lalive, John H. Jackson, Norman Frauenheim, Phillip I. Blumberg, Hardy, Mozelle Archer, Fesco, Inc., R. Jordan, Percy W. Aycock, Frank M. Wozencraft, Andrew R. Cecil, R. Bruce MacWhorter, John Edwards, Mrs. Edward [Bertie] G. Howard, Frederick S. Hill, Ted Stevens, W. H. Booth, Walter W. Regirer, Ronald S. Katz, Lucien Wulsin, John B. Rhinelander, Catherine Scott Rose, Mario Beltramo, Riccardo Gori-Montanelli, Francisco Orrego Vicuna, Lester Nurik, Newell W. Ellison, Gianni Manca, William H. Howell, Eli Lauterpacht, Hugh Calkins, The Homestead - Hot Springs, Virginia, Sigmund Timberg, Michael Sandler, John A. McVickar, Michael Reisman, Malcolm L. Monroe, Vester T. Hughes, Jr., Linda K. Lee, John B. Rehm, Guido Brosio, The Editor and Managing Board - The Virginia Law Review Association, Monrad G. Paulsen, James C. Conner, William P. Macht,","Correspondents include: Monroe Leigh, Mr. Nugroho (3 letters)","Includes envelopes, personal letters, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, John N. Irwin, III,","Contains Foreign Service Journal, October 1973, Department of State Newsletter, January 1974, No. 152, looseleaf notes, pay charts, Department of Agriculture rates of pay memorandum to all employees, Department of State Newsletter January 1974 photocopy, Correspondents include: Monroe Leigh, Samuel O. Ruff,","Contains invitations, signatures, envelopes, programs, article photocopies, looseleaf notes, press releases, invitations, Correspondents include: Kazys Skirpa, Monroe Leigh, Legal Directories Publishing Company, F. David Lake, Jr., David Small, Ronald S. Katz, Gerard R. Aquilina, John A. McVickar, Rosemary G. Conley, Harold J. Berman, William B. Beirce, Robert A. Rabbino, Jr., Oscar Schachter, Joseph Barbash, J. Dapray Muir, James R. Offutt, Office fo Noise Abatement attn: Mr. Purnell, William D. Rogers, G. Richard Dunnells, John M. Hennessy, Mason Willrich, Tracy S. Voorhees, Leonard B. Terr, Jose A. Cabranes, Adrian S. Fisher, Gustave M. Hauser, Robertogod Goldman, Edwin G. Schuck, John Jay Douglass, James C. Conner, Michael Bradfield, Mr. Kenneth, and Mrs. Hebe Redden, Martin R. Hoffman, Horace J. DePodwin, Howard S. Levie, Paul A. Wolkin, Jerry H. Weiss, R. S. Katz, DAvid Gregg, III, David H. Popper, James L. Wolf, David D. Newsom, Arthur A. Hartman, Bob D. Mannis, Frank P. Jones, Jr., James N. Hyde, Lic. Cesar Sepulveda, Alwyn V. Freeman, Yehuda Z. Blum, Barbara M. Rossotti, William H. Morris, G. Richard Dunnells, Richard B. Lillich, Lewis H. Van Dusen, Jr., John Hopkins Heires, Stanley Nehmer, Alan Wm. Wolff, Mark R. Finkelstein, Secretary - U. S. Tariff Commission, Albert J. Beveridge, III, George P. Armour, E. Thomas Sullivan, Carl F. Salans, Scott H. Marston, Joseph E. Toochin, Gaetano Arangio-Ruiz, Theodore R. Gates, Mary Lou Richini, Murray J. Belman, Michael Waelbroeck, Barbara M. Rossotti, David A. Walsh, Lindsey Cowen, Ibrahim F. I. Shihata, Ewell E. Murphy, Jr., William C. Gifford, Jr.,","Contains signatures, handwritten notes, Correspondents include: Monroe Leigh, Richard L. Fischer, Frank P. Jones, Jr., James C. Conner, Irving Lipkowitz, James F. Lawrence, Virginia Dunmire, Mr. Henry w. and Mrs. Grace Sawyer, Mrs. John [Nicky] Emerson, Wardeen P. P. [Paul] Streeten, Thomas W. Leigh, The Epsilon Chapter - Chi Phi Fraternity - Hampden-Sydney College, Riccardo Gori-Montanelli, Mozelle Archer, Secretary - R. J. Reynolds Industries, Inc., Mrs. Vernon E. [Elizabeth] Reynolds, Norman Frauenheim, Charles McC. Mathias, Jr., Stephen M. Schwebel, Carrington Williams, Jerry H. Weiss, William J. Flather, III,","Contains Yale Law Report, Spring 1973, FacultyProfile","Contains signatures, handwritten notes, looseleaf notes, business cards, resume, Correspondents include: Monroe Leigh, Eli Lauterpacht, Ammi Cutter, Frank P. Jones, Jr., Jasper S. Baker, Jerry H. Weiss, Carl F. Norden, Richard L. Fischer, New York Review of Books, Judith Bello, Robert A. Fearey, Louis Lefkowitz, Epsilon Chapter of Chi Phi, Carlyle E. Maw, Mays Behrman, Peter Lemell, Sir William Hawthorne, John N. Irwin, Henry W. Sawyer, III, F. L. P. White, Ted Stevens, George C. Denney, Jr, Whittet \u0026 Shepperson, Dover Publications, Mrs. Conley - American Society of International Law, Shopsmith, Inc., Lucien Wulsin,","Contains numerous iterations and versions of his resume with edits, revisions, markup, as well as other articles and documentation about his biography (including Who's Who in the South and Southwest excerpt)","Contains signatures, note cards, Christmas cards, invitations, handwritten notations, newspaper articles photocopies, resumes, envelopes, Correspondents include: Christian A. Herter, Jr., Mornoe Leigh, John Hardin Young, John M. Raymond, Maurice D. Capithorne, Gerald Aksen, Malcolm Richard Wilkey, Harry Tyson Carter, Betty Esau, William C. Brewer, Jr., Edward D. Re, Rita E. Hauser, Eva C. Domke, Elliot L. Richardson, Henry P. de Vries, David Gill, Noor Mohammad, K. Scott Gudgeon, World Champion Horse Equipment, Inc., Michael J. Hershman, J. Peter A. Bernhardt, Robert MacCrate, Jack P. Jefferies, Morris H. Wolff, Charles Hopkins, Andres Cuneo Macchiavello, Henry A. Kissinger, Timothy W. Stanley, Lawrence S. Eagleburger, Donald E. deKieffer, Circulation Manager - Horseman Magazine, Joseph P. Downer, Betty Calambokidis, Michael Sandler, Dr. Kalliopi Koufa, Michael J. Glennon, Richard Williams, R. Ammi Cutter, Jim McHugh, Howard S. Levie, Andrew R. Cecil, John Norton Moore, John O. Marsh, Jr., Charles E. Barnett, III, Hardy C. Dillard, Mr. Carlyle E. and Mrs. Margo Maw, Deborah M. Levy, Roger McCollester, John Hertz, Marshall V. Miller, Emerson G. Spies, Richard L. Fisher, Frank P. Jones, Jr., Sheikh Salah Al-Hejailan, Robert J. Lipshutz, C. L. Haslam, A. M. Reynolds, P.Y. M. Hartog, John A. Washington, Edward Gordon, Charles Maechling, Jr., Michael K. Wyatt, Robert L. Keuch, Mason Willrich, John E. Howell, Wallace L. Timmeny, Leonard H. W. van Sandick, William W. Bishop, Jr., Irwin M. Stelzer, Takashi Watanabe, Steven L. Meltzer, John E. Howell","Contains signatures, handwritten notations, newspaper article photocopies, looseleaf notes, invitations, Correspondents include: G. P. Thukov, Monroe Leigh, Robert J. Corber, Geoverts O. J. Van Tets, C. Euguene Webb, Willis L. M. Reese, Paul A. Pavlis, Richard Combs, John R. Cooke, Jr., U.S. Department of Transportation, George W. Coombe, Jr., Samuel D. Engle, Michael H. Cardozo, C. Barrie Cook, Mr. and Mrs. Heribert Golsong, Edward Gordon, Toby S. Myerson, Franz M. Oppenheimer, Yale Club Library,Mr. Gerals and Mrs. Julia Draper, Louis S. Emery, John Hannaway, John Heinz, J. Howard Settle, Howard Holtzmann, Lindsey Cowen, Hart Perry, Edward Dumbauld, Philip C. Jessup, Lawrence Collins, Peter C. Manson, Malcolm R. Pfunder, John A Westberg, Malcolm R. Wilkey, Ms. Haas - Circle 8 Ranch, Joseph P. Griffin, James E. Edmunds, Mary Gardiner Jones, Robert M. Flanagan, Robert Womack, Hardy C. Dillard, Davis R. Robinson, William R. Bailey, Aron Broches, Paul J. Stadtler, William R. Bailey, Terry L. Leitzell, Department of Highways, Robert Womack, John C. Roots, Betty Esau, Ignaz Seidl-Hohenveldern, Rosalyn Higgins, Mark B. Feldman, David Schachter, Robert O. Blake, Joseph A. Greenwald, Pierce McCrary, Mrs. E. Miles Herter, John Lehman, Adele Herter Seroude, Walter J. Stoessel, Jr., John D. Epperly, John O. Marsh, Jr., Phillip R. Trimble, Jerry H. Weiss, Tariq Hassan, John Lehman, Christian A. Herter, Jr., Harold H. Saunders, Roberts B. Owen, Michael Brnadon, J. Peter A. Bernhard, Maurice D. Copithorne, Takashi Watanabe, Mason Willrich","Contains signatures, handwritten notations, post-it notes, article photocopies, envelopes, invitations, draft article letter responses resumes, correspondents include: Monroe Leigh, Comptroller of the Treasury - Income Tax Division, M. D. Copithorne, Richard M. Hammer, Frank W. Swacker, Juk H. van Maanen, Jerry H. Weiss, Orm Ketcham, Sidney Picker, Jr., Mustafa Sayid, Board of Directors - Hamlet Place Owners, Inc., Harry Tyson Carter, Robert B. Oakley, Byron Farwell, Virginia M. Dondy, C. Karen Troy, Aron (Ronnie) Broches, James M. Michel, Fomad? Riad?, Mr. Riddle, Kempton B. Jenkins, Walking Horse Report, Voice of the Tennessee Walking Horse, Walking Horse Report, Arthur R. Albrecht, Francis A. Boyle, Daivd A. Greenburg, William T. England, Chevy Chase Chevrolet, Elisabeth Zoller, Roland de Kergorlay, William R. Felts, Chester H. Brandon, Charles G. Williamson, Jr., Dante B. Fascell, Jacqueline A. McCard, Scott Heuer, Jr., William W. Dunn, John D. Epperly, Michio Mizoguchi, Internal Revenue Service Center, Maryland Income Tax Division, Harry W. Fawcett, Paul Brothers, Inc., Justice Lewis F. Powell, Jr., Bruno A. Ristau, Ronald S. Katz, Sam Eggleston, Jr., Arthur J. Rothkopf, Henry A. Kissinger, Kathleen Sylvester, John R. Cooke, Department of Parking and Transportation Services, J. Stewart McClendon, Peter Auery, Chevrolet Motor Division, Timothy W. Stanley, Herbert D. Spivack, R. W. Munro, Interstate Federal Savings and Loan Association, Mr. and Mrs. Joseph Prendergast, Kanenori Oshikiri, Geico","Contains signatures, handwritten notations, looseleaf notes, invitations, resumes, newspaper clippings, post-it notes, Correspondents include: Monroe Leigh, Gamal M. Badr, William J. Flather, III, Yukio Takeuchi, Kanenori Oshikiri, Margo Grant, David Gregg, III, Phillip I. Blumberg, Walter W. Brooks, Jr., Morris I. Leibman, Joseph E. Lombardi, Michael A. Daniels, Toby S. Myerson, Howard B. Hill, Father Joseph Snee, Craig Mathews, Franz M. Oppenheimer, George H. and Rosemary Aldrich, Dan S. Cross, John R. Stevenson, Nan Oldham, George P. Armour, Bob Jordan, Gerald and Julia Draper, Jeswald W. Salacuse, Colonial Parking, Inc., Victoria E. Marmorstein, Arthur R. Albrecht, Gustave M. Hauser, Edward G. Aldrich, Philip Kinkaid, Barbara Anderson - Flather \u0026 Hayes Company, K. Martin Worthy, Arthur W. Rovine, Guido Brosio, M. D. Cppithorne, Edward D. Re, Dean Koerth, Pascale Abdelmour, Roy Hamlin Johnson, H. James Conaway, Irene Savanis, Richard (Pokie) Edmunds, Virginia State Highway Commission, Stefan A. Riesenfeld, Werner Hein, Derek M. D. Thomas, James H. Michel, Eugene V. Rostow, Mrs. Wilson (Peggy) Anderson, W. E. Mussman, James C. Conner, Elisabeth Zoller, Julius Kaplan, Marvin J. Colangelo, John F. Murphy, R. Shuman,","Contains signatures, looseleaf notes, handwritten notations, newspaper clippings/photocopies, envelopes, highlights, pamphlets, Correspondents include: Hernan Felipe Errazuriz, Monroe Leigh, William J. Flather, III, George H. Aldrich, Parking and Traffic - American University, W. Richard Mason, Photoduplication Service - Library of Congress, Sidney Picker, Jr., John Hanley, Henry A. Kissinger, S. L. Gidden, Ronald A. Jacks, Brice M. Clagett, Richard Wilberforce, Peter D. Trooboff, Michael Axelrod, Marsha T. Rogers, Holly A. Nelson, Mark E. Ellis, Dante B. Fascell, Friedrich Schwank, Wally Brooks, Gillian Jones, John Ritchie, Gerald M. Finkel, Phillip I. Blumberg, William H. Berman, Heribert Golsong, Jeffrey H. Smith, Raymond J. Waldmann, Rodric Braithwaite, Hitchcock Shoes, Inc.","Contains signatures, photocopies, revisions, Correspondents include: Mark Warner, Monroe Leigh, Chris T. Antoniou, Henry T. King, Jr., Stuart H. Deming, Richard C. Allison, Sabine Schlemmer-Schulte, Transamerica Occidental Life Insurance Company, Ted Meron, Jennifer Schwebel, Lowell Satler, Aetna Life Insurance Co., Glenn Sedam, Liza Phillips, Budget Rent-A-Car, Roger Warin, Mary Keane, Euro-Motor, Nations Bank","Contains handwritten notes, signatures, markup, post-it notes, photocopies, Correspondents include: Monroe Leigh, William H. Webster, Sir Adam Bulter DL, Alex Morrison, William C. Mott, Howell Raines, Antonio Cassese, Conrad K. Harper, Selena J. Linde, Elizabeth A. Snodgrass, Eugene H. Matthews, Frank W. Swacker, University Press of Virginia, Daniel J. Meador, Lawrence Collins, Marcia Warren, David C. Gill","Contains handwritten notes, highlights, photocopies, transcriptions, signatures, appraisal of applicant for Georgetown University Law Center, Correspondents include: Alan K. Simpson, Edward M. Kennedy, Monroe Leigh, Timothy Clancy, David Ibbeken, Admissions Club - Cosmos Club, Fiona A. Brophy, Francisco Orrego Vicuna, Ernest C. Mead, Jr., Mr. Klemens and Mrs. Betty von Klemperer, Paul Ure, James Crawford, John Norton Moore, Albert R. Turnball, James Milligan, Jennifer Schwebel, John Wesley, Malcolm R. Wilkey, University of Virginia - Printing and Copying Services, Joseph M. Sweeney, John W. Heffernan, Hume Boggis-Rolfe, Stephen M. Schwebel, Marco C.E.J. Bronckers, Thomas J. Nicastro","Contains signatures, handwritten notes, Correspondents include: Monroe Leigh, Theodor Meron, Detlev Vagts, John J. Dugard, James Crawford, Wolfson College Cambridge Properties Limited, Charles N. Brower, Mr. John and Mrs. Barbara Moore, Roberts B. Owen, Charles M. Mathias, Marco C.E.J. Bronckers, Gerog Ress, Yuji Iwasawa, Hannah Scott, Gordon Johnson, Eli Lauterpacht, Anna Ascher, Chairman - Membership Committee - American Law Institute, Judah Best, Robert H. Craft, Jr., Sebastian Alegrett, Elliot L. Richardson, Andy Mayer, Jennifer Schwebel, Dean of Admissions - Harvard Law School, Dean of Admissions - New York University School of Law, Dean of Admissions - National Law Center - The George Washington University, Dean of Admissions - The Washington College of Law - The American University, Dean of Admissions - Vanderbilt University - School of Law, Louis Henkin, Thomas M. Franck, Louis Sohn, Robert K. Goldman, Jonathan Charney, Edith Brown-Weiss, John N. Moore, Dean of Admissions - College of Arts and Sciences - University of Virginia","Contains signatures, handwritten notes, notifications, Correspondents include: Monroe Leigh, Rollin Amore, Theodor Meron, Detlev Vagts, Charles Brower, Walter and Sara - Wolfson College, Lise - Hewlett-Packard, Professor J. Dugard, Andrew C. Mayer - Woflson College, Helene Cohen - The American Law Institute, Branch Manager - Citicorp, George C. Freeman, Visa First Card, Geico - Auto Insurance Renewal Questionnaire, David, Elizabeth F. Leigh, Auto Rental Insurance, Ms. Snyder, Department of Financial Services - County of Loudoun, Hower Bowie, Lawrence Collins, Marco C.E.J. Bronckers, Edward M. Leigh, Jr., G. E. Capital Insurance Services Group, Al Rubin, Delta Skymiles Center, Kevin Olivera, Howard E. Hensleigh, Richard Lillich, Maija S. Blauberga","Contains signatures, newspaper photocopies, Correspondents include: Monroe Leigh, Dr. A. Vaughan and Sally Lowe, Fadi Makki, Jack L. Goldsmith, Lord Richard Wilberforce, Denis Dejersey-Lowney, Rolan Amore, Thomas N. Connally, Jennifer Raney, Mary Druce, Carol Rhees, Paul H. Dulaney, Jr., James E. Edmunds, Brussells Family, Theodor Meron, Wolfson College, Edward M. Leigh, Jr., Thomas P. Nigra, Mrs. Glen Howard, Henry McFarland, Malcolm N. Shaw, Frank Dawson, Clive DuVal, Social Security Administration, Treasurer - Loudoun County, Paul Lovejoy, Marion Barry, Catherine Kessedjian, John Dugard, James Crawford, Cambridge Friends of Development Office, VISA World Access Service Corporation, GE Capital Insurance Services Group, Charlene Barshefsky, Frank Griffith Dawson, Clint N. Smith, State Street Bank \u0026 Trust Company","Contains signatures, newspaper photocopies, tax and revenue information, handwritten notes, registration photocopies, Who's Who in America photocopy, Correspondents include: Madeline K. Albright, Monroe Leigh, Mary Leigh, Edward M. Leigh, Jr., The New York Review of Books, Moore, Clemens \u0026 Co., Inc., Roland Amore, Todd Kern, Charles Jones, Stephen M. Schwebel, Harry G. Barnes, Jr., Eli Lauterpacht, Department of Financial Services - County of Loudoun, John F. Murphy, Bob Jones, Ted Meron, Virginia G. Watkin, The Admissions Committee - Cosmos Club, Patrick Coyne, Roy Hamlin Johnson, Time Life Books, Mileage Plus First Card, Jennifer L. Krieger, Hertz International, Forte-Agip Hotel, Eleanor D. Acheson, Shara L. Aranoff, Dr. A. Vaughn and Mrs. Sally Lowe, Michael Scharf, Jeremy P. Carver, Lord and Lady Wilberforce, Julia Draper, Patricia McGinnis, David T. Link, Thomas D. Grant, Barbara Stone, Cairo Robb, Raymond Shafer, Gianni Manca, Andrew C. Mayer, Amerigas, Misha Meijers, Calvin H. Cobb, Jr., Meineke Hotel, Verena Weinstabl, Christopher R. Wall, Secretary - Board of Governors - Metropolitan Club, Michael D. Sandler, Thelma Guerra, Dr. h. c. M. Necati Munir Ertekun, Jessica T. Matthews, Denis Dejersey-Lowney, Francisco Orrego Vicuna, John Waters, Douglass C. Crummett, Christian R. Bartholomew, Christina M. Deane, Jonathan M .Beart, Leslie Douglas, John Shattuck, Brice Clagett, Heffers Booksellers, Jane Edmonds Penner, Ernest C. Mead, Jr, M. Cherif Bassiouni, Cally Jordan, William Fugate, Ian Brownlie, James Crawford, William D. Denson, Mr. Hillen, Jennifer Raney, Charles Maechling, Jr.,","Contains signatures, newspaper photocopies, Correspondents include: Frank Sieverts, Monroe Leigh, Mrs. William D. [Huschi] Denson, Constance A. Morella, Lord Richard Wilbeforce, Edwin Williamson, Charles L. McCormick, III, James [Jimmie] and Sylvia Symington, E. Ralph Coon, Jr., Malcolm R. Wilkey, The Washington Institute of Foreign Affairs, F.L.P. [Peter] and Jeanne White, Edward M. Leigh, Jr., Charles Jones, Edgar A. Prichard, Thomas N. Connally, Rollin Amore, Lawrence S. Eagleburger, Bartram S. Brown, Robert Scott, Secretary - Board of Governors - Chevy Chase Club, James E. Edmunds, Jennifer Raney, Michael C. G. Dunner, Yuji Iwasawa, Henry A. Kissinger, Nicholas Grace, William Brewer, Sara Marley, Tedson J. Meyers, Admissions Committee - Cosmos Club, Charles Jones, Moore Clemens \u0026 Company, Inc., Jack Chorowsky, Alexander Leigh","Sensitive material - Grades, contains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 13 students including R. P. Borsody, D. F. Carlson, W. M. Dickey, B. H. Hill, E. P. Humann, R. W. Klein, B. L. Lau, W. P. Maloney, J. T. Martin, R. Minshall, J. H. Riggs, R. K. Rudolph, Meemmery, Correspondents include: Edward A. Mearns, Jr., Monroe Leigh, Hardy C. Dillard, Virginia Haith, N. Thompson Powers, John Rehm, L. H. Rhinelander, Christopher A. Leventis, Frances Farmer, Lindsey Cowen, Paul J. Jenkins, Weldon Cooper, Edgar F. Shannon, Jr.","Contains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, newspaper clippings, handwritten notations, 12 students including Beard, Bruce, Crawford, Garofalo, Haskell, Hemschoot, Lamberton, Logan, McAllister, Piassick, Raiser, Ranom, Correspondents include: The West Publishing Company, C. Victor Raiser, II, Paul J. Hemschoot, Jr., Claude Crawford, Virginia Haigh, W. Robert Beard, Galbreath E. Palmer, Richard E. Speidel, Hardy C. Dillard, Mason Willrich, Frances Farmer, Roger F. Noreen, Peter W. Low, Edgar F. Shannon, Jr., Thomas S. Currier, Bevin Alexander, Murray Belman, L. H. Rhinelander, Izaak Glasser, Edward A. Mearns, Jr.,","Sensitive material - Grades, Contains roster (handwritten) with attendance, course materials and outlines, handwritten notations, correspondence, 7 students including Deddish, Haith, Hsia, Kennedy, Lang, Perce, Hausen, Correspondents include: Charles R. Titus, Monroe Leigh, Mason Willrich, Robert H. Knight, Murray Belman, Robert Perce, Frank L. Hereford, Jr., Hardy C. Dillard, Michael R. Deddish, Jr., James C. Conner","contains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, 12 students including R. E. Bresler, G. G. Davis, R. S. Davis, D. M. DeWilde, S. S. Dye, D. S. Fitzpatrick, W. P. Macht, G. Palmer, G. K. Stewart, M. Sullivan, F. T. Tuttle, T. C. Williams, correspondents include: Frances Farmer, Monroe Leigh, Hardy C. Dillard, Virginia Haigh, David M. DeWilde, Murray Belman, Peter Manson, Robert S. Davis, Carrol D. Hammer, William P. Macht, Stuart S. Dye, D. S. Fitzpatrick, G. G. Davis, G. Palmer, R. F. Loving, William E. Miller, David E. Plymire, Peter W. Low","Sensitive material - Grades, contains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, newspaper clippings, looseleaf notes, 13 students including G. D. Best, Ralph C. Bresler, S. W. Faber, L. Goetz, J. S. Hannon, W. W. Kirtley, E. A. Kratovil, S. Lengthaisong, J. D. Mollica, W. R. Pearson, W. Taylor Reveley, III, K. T. Watson, Sheppard, Correspondents include: Monroe Leigh, Taylor Reveley, III, Virginia Haigh, Ralph C. Bresler, Murray J. Belman, James Evans, William H. Weiland, Mason Willrich, David E. Plymire, G. D. Best, Peter C. Manson, Board Head Inn, William E. Miller, R. F. Loving, James C. Conner, James G. Evans, Jr., Frances Farmer, Peter Low, Frank L. Hereford, Jr.,","Sensitive Material - Grades, contains roster with attendance, correspondence, course materials and outlines, handwritten notations, looseleaf notes, 9 students including W. J. Beerworth, M. R. Bromley, H. E. Jennings, J. L. McDougal, Miss Susan M. Sharpley, Randolph W. Urmston, William H. Weiland, Maj. Stanley J. Glod, P. T. Zieman, Correspondents include: Monroe Leigh, H. Lane Kneedler, Virginia Haigh, Roy G. Bowman, Alexandre Kafka, Susan Sharpley, Jan Chowaniec, R. F. Loving, Randolph W. Urmston, William H. Weiland, Shelby J. Conley, John Rhinelander, Harry E. Jennings, Jr., Hazel Key, William C. Hill, Farmington Country Club, William E. Miller, Frances Farmer, Jerome Stone, Peter W. Low, Little Brown and Company, Maj. Stanley J. Glod, Mason Willrich, Frank L. Hereford, Jr., Monrad G. Paulsen, Hardy C. Dillard","Contains roster with attendance, correspondence, course materials and outlines, handwritten notations, 9 students including R. M. Glenn, W. H. Heritage, L. E. Leonoff, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, J. A. Mullins, J. M. Naboco, R. C. White, Correspondents include Virginia Haigh, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, Frances Farmer, William G. Christopher, H. Lane Kneedler, Monrad G. Paulsen, Peter C. Manson","Contains roster with attendance, correspondence, newspaper clippings, looseleaf notes, course materials and outlines, handwritten notations, 12 students including Beninati, Boswell, Cowles, Gearhart, Harper, Holland, Lemmer, Macleod, John A. McVickar, L. Thomas Galloway, Nicklin, Correspondents include: Virginia Haigh, Monroe Leigh, L. Thomas Galloway, William D. Broderick, John A. McVickar, William V. Lawson, Robert D. Wallick, William E. Miller, Alice Crane, The Colonnade Club, H. Lane Kneedler, The Dean's Office, Monrad G. Paulsen","Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 9 students including Capt. Royal Daniel, Col. John Jay Douglass, Dennis Fenwick, David Goodman, Roger H. Hull, Louis Verbeke, John Hardin Young, Leonard L. McCants, Mrs. Dulcey Fowler, Correspondents include: John H. Young, Monroe Leigh, Roger H. Hull, Stanley D. Metzger, Virginia Haigh, Leonard L. McCants, Charles Runyon, III, Col. John Jay Douglass, Capt. Royal Daniel, Louis Verbeke, Frances Farmer, Alexandre Kafka, Monrad G. Paulsen","Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, newspaper clippings, 7 students including Margaret Ashby, P. B. Fitzpatrick, J. E. Hadley, David Patton Parker, A. Pillet, John M. Skonberg, Patrick Vaghi, Correspondents include: John Skonberg, Monroe Leigh, Virginia Haigh, Frank G. Robertson, H. Lane Kneedler, J. Dapray Muir, J. E. Hadley, Paul P. Streeten, David Patton Parker, Alice Crane, William E. Miller, J. M. Skonberg, R. F. Loving, S. Margeton, B. Esau, Margaret S. Taylor, Monrad G. Paulsen","Sensitive material - Grades, Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 7 students including Barry, Halkyard, Raymond Hanzlik, Kyld, Wayne Smith, Whitman, Richard de Wilde, correspondents include: Virginia Haigh, Richard (Dick) de Wilde, Murray J. Belman, H. Lane Kneedler, Betty Esaue, Monroe Leigh, Farmington Country Club attn: Alice Crane, William E. Miller, Mary Frye, Frances Farmer, Henry C. Ikenberry, Richard Frank, Rayburn Hanzlik, Alexandre Kafka, R. F. Loving, Mrs. Barnett, Marian R. Macbeth, Ray C. Hunt, Jr., Monrad G. Paulsen","Contains memos, course materials and outlines, Correspondents include Monrad Paulsen, Morton Pomeranz, Monroe Leigh, Mr. Mickey, Mr. Cunningham, Mr. Plaine, Timothy Atkeson, H. Lane Kneedler, Chester R. Titus","Sensitive material - Grades, taught with Royal Daniel, correspondence, roster with attendance, memos, course materials and outlines, looseleaf notes, handwritten notations, 12 students including Ann Marie Anawaty, Robert Arkin, Debra Bowen, David Brown, M. C. Cramer, Daniel Duval, Patrick Hamilton, Helen Kelley, Randall Kirk, Vicki Marmostein, Kenneth Peoples, Henry Stopford, Correspondents include: Royal Daniel, Monroe Leigh, Richard B. Lillich, Virginia Haigh, Vicki E. Marmorstein, Debra L. Bowen, Daniel Duval, Carole Smith, David S. Brown, Jon Hines, Lane Kneedler, Robert D. Arkin, Betty Esau, Philip Stopford, Henry C. Ikenberry, Alice Crane, Colonnade Club, Chester R. Titus, Larry B. Wenger","Sensitive material - Grades, taught with Alexandre Kafka, Contains Harvard Law School pamphlet and letter re: Functions and Procedures of the Visiting Committees (1975 - 76), photocopies, articles, roster with attendance, correspondence, memos, course materials and outlines, evaluations, envelopes, looseleaf notes, handwritten notations, 13 students including Anthony Anderson, Wild Chang, G. Rich Eiselt, Peter Hartog, Frances Henderson, Orlan Lee, Tom McDonald, Bryan Parker, Daniel Rhoads, Gilles Sion, Charles Tribbett, Tim Woodhouse, Douglas Woodworth, Correspondents include: Monroe Leigh, Detlev F. Vagts, Peter Hartog, Alexandre Kafka, Dean Spies, Robert Lillich, Paul Johnson, Betty Esau, H. Lane Kneedler, Virginia Haigh, Orlan Lee, Douglas C. Woodworth, Mary Jo White, Gilles Sion, Royal Daniel, Debra L. Bowen, Larry B. Wenger, Carole Smith, Colonnade Club, West Publishing Company","Sensitive material - Grades, taught with Alexandre Kafka, Contains roster with attendance, memos, course materials and outlines, signatures, handwritten notations, correspondence with faculty and students, looseleaf notes, 11 Students including: Ziad A. Al-Sudairy, David J. Carol, Jon P. Cramer, Milan Ganik, Michael M. Gondwe, Jo Ann Miles, Frederic C. Rich, Dennis Bisong Tambe, W. Gary Vause, Roger B. Wagner, Daniel Zavala, Correspondents include: Monroe Leigh, Hugh Smith, Virginia Haigh, Lane Kneedler, David Carol, Milan Ganik, Law Council, Elizabeth Lowe, Jo Ann Miles, Roger Wagner, Colonnade Club, Daniel Zavala","Offered Spring 1981 with Alexandre Kafka of the IMF, Contains memos, course planning materials, handwritten notes, Correspondents include: Monroe Leigh, Alexandre Kafka, Elizabeth B. Lowe, Lane Kneedler, Royal Daniel, Bettie Hall","Sensitive material - Grades, Contains memos, roster with attendance, course materials and outlines, signatures, handwritten notations, looseleaf notes, evaluations, envelopes, correspondence with faculty and students, newspaper articles photocopies, 13 students including: Ellen Cone, Jim Croker, Michael Dalton, Hazen Dempster, Joyce Elden, Amelia C. Fawcett, Edmond M. Ianni, Ken Lee, Wendell Maddrey, Richard P. Merski, Elizabeth Springer, D. Karen Troy, Peter Adler, Correspondents include: Elizabeth B. Lowe, Lane Kneedler, Monroe Leigh, Paul Stephan, Ed Ianni, S. S. Reddy, Virginia Haigh, Kenneth Lee, Hazen H. Dempster, Richard Merski, Carole Milks, Alexandre Kafka, Bettie H. Hall, John H. Jackson","Contains a couple of pages of handwritten notes. Added to collection / Donated in 2005.","Arthur J. Morris Law Library Special Collections","American Bar Association","International Criminal Court","Permanent Court of Arbitration","Leigh, Monroe, 1919-2001","English"],"unitid_tesim":["MSS.04.2","Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/93"],"normalized_title_ssm":["Monroe Leigh papers"],"collection_title_tesim":["Monroe Leigh papers"],"collection_ssim":["Monroe Leigh papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Leigh, Monroe, 1919-2001"],"creator_ssim":["Leigh, Monroe, 1919-2001"],"creator_persname_ssim":["Leigh, Monroe, 1919-2001"],"creators_ssim":["Leigh, Monroe, 1919-2001"],"access_subjects_ssim":["Arbitration (International law)","Defense (International criminal procedure)","Humanitarian law","Immunities of foreign states","International crimes","International criminal courts","International law","Law  -- Study and teaching","Yugoslav War Crime Trials, Hague, Netherlands, 1994-","War crime trials -- Yugoslavia","Water rights (International law)"],"access_subjects_ssm":["Arbitration (International law)","Defense (International criminal procedure)","Humanitarian law","Immunities of foreign states","International crimes","International criminal courts","International law","Law  -- Study and teaching","Yugoslav War Crime Trials, Hague, Netherlands, 1994-","War crime trials -- Yugoslavia","Water rights (International law)"],"has_online_content_ssim":["false"],"extent_ssm":["22.4 Linear Feet 56 archival boxes"],"extent_tesim":["22.4 Linear Feet 56 archival boxes"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"odd_html_tesm":["\u003cp\u003eRestrictions apply.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Restrictions apply."],"processinfo_html_tesm":["\u003cp\u003eThese three files were found in the Moore's documents. Special Collections staff decided to access them with Monroe Leigh's in 2021.\u003c/p\u003e","\u003cp\u003eTransferred from Papers of John Norton Moore, MSS 85-17b in 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["These three files were found in the Moore's documents. Special Collections staff decided to access them with Monroe Leigh's in 2021.","Transferred from Papers of John Norton Moore, MSS 85-17b in 2021."],"scopecontent_html_tesm":["\u003cp\u003eSummary article on adoption of ICC Statute by Committee of the Whole of the Rome Conference\u003c/p\u003e","\u003cp\u003eWith handwritten edits, report and ICC statute summary attached\u003c/p\u003e","\u003cp\u003eContains notes, highlights, limited markup\u003c/p\u003e","\u003cp\u003eForwarded to Paul R Williams, Executive Director of Public International Law and Policy Group for Carnegie Endowment for International Peace\u003c/p\u003e","\u003cp\u003eJuly 20, 1998 ABA article, July 16, 1998 Cato Institute article by Gary Dempsey, August 24, 1998 Forbes magazine commentary, May 1999 American Society of International Law \"In Brief\"\u003c/p\u003e","\u003cp\u003e1943 Cornell L.R. article by Robert E. Cushman - \"Ex Parte Quirin et Al - the Nazi Saboteur Case\", Except on international courts from Louis Henkin, Foreign Affairs and the United States Constitution (1996)\u003c/p\u003e","\u003cp\u003eHandwritten notes and edits included\u003c/p\u003e","\u003cp\u003eNote attached, Forwarded via fax to Henry Marshall at U.S. DOJ\u003c/p\u003e","\u003cp\u003eNo markings so removed from collection. Other copy may be found in Box 1 folder 18, in the library or through online academic journal databases such as WestLaw and LexisNexus.\u003c/p\u003e","\u003cp\u003eAssociation of the Bar of the City of New York, Section of Criminal Justice, Section Individual Rights and Responsiblities, and Standing Committee on World Order Under Law\u003c/p\u003e","\u003cp\u003eSent from Maury Shenk to Monroe Leigh and including contact information for U.S. delegation in Rome,\u003c/p\u003e","\u003cp\u003eIncludes \"Law Without Borders: The Constitutionality of an International Criminal Court\" by Paul D. Marquardt, Columbia Journal of Transnatianal Law, 33:73, 1995, Handwritten notes and copies of relevant cases attached\u003c/p\u003e","\u003cp\u003eReport on the Proposed ICC by The Committee on International Law and the Committee on International Human Rights, \"Current Developments\" by James C. O'Brien, separate summary by Peter Bekker, and \"Proposal for an International Criminal Court\" by Quincy Wright from American Journal of Int'l Law.\u003c/p\u003e","\u003cp\u003eForwarded to law firm librarian for distribution by Marion A Ott, Administrative Office of the U.S. Courts\u003c/p\u003e","\u003cp\u003eApril 4, 1998 draft by Maury Shenk re: Jurisdiction of International Criminal Court Over U.S. Persons, February 11,1998 draft re: Constitutional objection to International Criminal Court\u003c/p\u003e","\u003cp\u003eWith handwritten edits and comments\u003c/p\u003e","\u003cp\u003eContains checkmarks\u003c/p\u003e","\u003cp\u003eResponse to questions on collaboration for ICC Rules of Procedure and Evidence\u003c/p\u003e","\u003cp\u003eEnclosures: Paper Presented by Michael P. Scharf (\"The ICC's Jurisdiction Over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" at August 1999 ABA Section of International Law and Practice, Letter from Monroe Leigh to Samuel Burger regarding acceptance of Rome treaty establishing ICC (with attachments)\u003c/p\u003e","\u003cp\u003eEnclosures: ABA Resolution as approved February 1998, August 1998 Report to ABA Section of International Law and Practice\u003c/p\u003e","\u003cp\u003eAttachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998\u003c/p\u003e","\u003cp\u003eWith handwritten notes and edits from Maury D. Shenk\u003c/p\u003e","\u003cp\u003eNo indication of what document was forwarded\u003c/p\u003e","\u003cp\u003eNoting that U.S. would not sign the ICC Treaty and attaching October 20, 1999 Statement Before U.N. General Assembly Sixth Committee re: The Rome Treaty on the International Criminal Court\u003c/p\u003e","\u003cp\u003eWith some handwritten notes/markings\u003c/p\u003e","\u003cp\u003ePost-it attached indicating forwarded from David Aaronson to Monroe Leigh on July 14, 1999\u003c/p\u003e","\u003cp\u003ePage flagged\u003c/p\u003e","\u003cp\u003eHandwritten notes and highlighting and page flagged\u003c/p\u003e","\u003cp\u003eHandwritten notes and markings, Extensive notes on back\u003c/p\u003e","\u003cp\u003e1) \"The Case for a Permanent War Crimes Court\", 2) \"Fiddling in Rome: America and the International Criminal Court\", 3) \"The International Criminal Court: An American View\", 4) \"Achieving a Wider Consensus Through the 'Ithaca Package,\", 5) \"Courting Disaster: The U.S. Takes a Stand\"\u003c/p\u003e","\u003cp\u003eAttaching \"International Criminal Tribunals: An Institution the United States Can Support\" by Diane F. Orentlicher\u003c/p\u003e","\u003cp\u003eHandwritten notes and markings\u003c/p\u003e","\u003cp\u003eHandwritten notes and markings\u003c/p\u003e","\u003cp\u003eSignature: Monroe Leigh\u003c/p\u003e","\u003cp\u003eEnclosures, both with markings as photocopied: \"The ICC's Jurisdiction over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" by Michael P. Scharf, as presented October 28, 1999 at Natioanl Security Law in a Changing World: The Ninth Annual Review of the Field, and DRAFT of \"High Crimes and Misconceptions: The ICC and Non-Party States\" by Madeline Morris\u003c/p\u003e","\u003cp\u003eDuplicate of article in Series I: ICC, Subseries A: ABA, Box 2 Folder 8\u003c/p\u003e","\u003cp\u003eWith note from David\u003c/p\u003e","\u003cp\u003eWith handwritten markings, flagged and note attached - \"The Institute for Global Legal Studies Inaugural Colloqium: The UN and the Protection of Human Rights: Introduction\" by Stephen H. Legomsky for the Washington University Journal of Law \u0026amp;,amp, Policy, \"International Court Should Try Defendants\" by Leila Sadat, St. Louis-Post Dispatch, \"ICC Establishment Pushed by Experts\" for BusinessWorld, \"International Court is Not 'War Menace' \" by Stephen Rickard as letter to the editor, Washington Times, \"The Need for Global Justice\" by Rob Gaudet, The Stanford Daily, \"Fate of bin Laden Strengthens Case for Permanet UN Court\" for Agence France Presse, \"Our Opinion: Even Superpowers Still Need Friends\" editorial for The Atlanta Journal and Constitution, \"A New International Spirit, If the U.S. Can Combat Terrorism, It Can Cooperate to Pursue Justice\" by Diane Marie Amann, The San Francisco Chronicle, \"Court Order\" by David J. Scheffer, letter to the editor, Foreign Affairs, \"Time to Recognise Courts Not Bombs\" by Rob Bennett, Morning Star\u003c/p\u003e","\u003cp\u003eWith highlighting\u003c/p\u003e","\u003cp\u003eForwarding information from the World Federalist on Washington Post announcement\u003c/p\u003e","\u003cp\u003eForwarding June 14, 1998 article from the New York Times, \"An Old Scourage fo War Becomes Its Latest Crime\" by Barbara Crossette\u003c/p\u003e","\u003cp\u003eForwarding information on 2 articles in The Economist, June 13, 1998 on ICC\u003c/p\u003e","\u003cp\u003ePhotocopy, \"U.S. Argues Against Strongly Independent War Crimes Prosecutor\" by Alessandra Stanley, \"A Strong International Court\" editorial\u003c/p\u003e","\u003cp\u003ePhotocopy, \"Clout Without a Country: The Power of International Lobbies\" by Charles Trueheart, brief, \"U.S. at Odds with Allies Over Court\"\u003c/p\u003e","\u003cp\u003eForwarding June 22, 1998 press information from U.N. Court Watch\u003c/p\u003e","\u003cp\u003ePhotocopy, \"U.S. Presses Allies to Rein in Proposed War Crimes Court\" by Alessandra Stanley, brief, \"Undermining an International Court\"\u003c/p\u003e","\u003cp\u003e\"Clinton Urges Others to Give Ground on Court\" and \"War Crimes Conference Remains Divided\"\u003c/p\u003e","\u003cp\u003e\"Torch-Light March\", \"Treaty? What Treaty\",\u003c/p\u003e","\u003cp\u003e\"U.N. War Crimes Court Agreed\" by James Blitz, July 18, \"U.S. Faces Test on War Crimes Court\" by James Blitz, July 16, with highlighting - \"Diplomats Deliver Judgments on New War Crimes Court\" by James Blitz, July 20\u003c/p\u003e","\u003cp\u003e\"America Avoids the Stand\" by Thomas Lippman, Op-Ed, \"The Trouble with the War Crimes Court\" by Fred Hiatt\u003c/p\u003e","\u003cp\u003e\"Sorry isn't enough\", \"A challenge to impunity\", \"Latin lessons for Asian banks\"\u003c/p\u003e","\u003cp\u003eForwarding with comment International Institute for Strategic Studies article \"Creating an International Criminal Court\" and other assorted articles from July 27 and 28\u003c/p\u003e","\u003cp\u003eForwarding July 31, 1998 letter to the editor by Jeff Laurenti\u003c/p\u003e","\u003cp\u003eWith copy of article attached\u003c/p\u003e","\u003cp\u003epost-it attached indicating \"Do not send this letter to Ed Dick\"\u003c/p\u003e","\u003cp\u003eContains handwritten markup\u003c/p\u003e","\u003cp\u003eContains handwritten markup\u003c/p\u003e","\u003cp\u003e[Copy available at Law INT38.R4253]\u003c/p\u003e","\u003cp\u003e1. to Washington Post, 2. to NYTimes (with penciled edits), 3. to Wall Street Journal\u003c/p\u003e","\u003cp\u003eAttached letters: November 29, 2000 letter from Lawrence EagleBurger, former Secretary of State, Brent Scowcroft, formder National Security Advisor, Caspar WeinBurger, former Secretary of Defense, Zbigniew Brezezinski, former National Security Advisor, R. James Woolsey, former Director of Central Intelligence, Jeane Kirkpatrick, former Ambassador to the UN, Henry Kissinger, former Secretary of State, Donald Rumsfeld, former Secretary of Defense, Richard V. Allen, former National Security Advisor, George Shultz, former Secretary of State, James A. Baker III, former Secretary of State, and Robert M. Gates, former Director of Central Intelligence, December 22, 2000 letter to Secretary of Defense William S. Cohen and Chairman of the Joint Chiefs of Staff GEneral Henry H. Shelton from Senators Jesse Helms, Chairman of Committee on Foreign Relations and John Warner, Chariman of Committee on Armed Services\u003c/p\u003e","\u003cp\u003eSigned by Senators Patrick Leahy, Dianne Feinstein, Allen Specter, Daniel Patrick Moynihan, Christopher Dodd, John F. Kerry, Joseph I. Lieberman, James M. Jeffords, Richard J. Durbin, Tom Harkin, Herb Kohl, Charles E. Schumer, Frank R. Lautenberg, Paul Wellstone, Barbara Boxer, Patty Murray, Edward M. Kennedy, Paul S. Sarbanes\u003c/p\u003e","\u003cp\u003eSignees include Rev. Michael Dodd, Columban Fathers' Justice \u0026amp;,amp, Peace Office, Rev. Lonnie Turner, Cooperativer (sic) Baptist Fellowship Washington Office, Rabbi David Saperstein, Co-Director of Commission on Social Action of Reform Judaism, Gary Baldridge, Co-Coordinator of Global Missions for the Cooperative Bapatist Fellowship, and Rev. David O. Selzer (Chair), Janey G. Chisholm (Vice Chair), Verna M. Fausey (Secretary), Christopher Pottle (Treasurer), Mary H. MIller (Executive Secretary) of the Episcopal Peace Fellowship\u003c/p\u003e","\u003cp\u003eSignees: Patrick J. Kennedy, Sam Farr, Michael Capuano, Pete Stark, Dennis Kucinich, James McGovern, Sherrod Brown, Albert Wynn, Bill Parscrell, Jr., Jan Schakowsky, Barbara Lee, Barney Frank, Maurice Hinchey, Maxine Waters, Carolyn Maloney, Jesse Jackson, Jr., William Delahunt, Shelia Jackson Lee, Tim Holden, Nancy Pelosi, Eddie Bernice Johnson, Chaka Fattah, Edolphus Towns, Tammy Baldwin, Lucille Royball-Allard, Donald Payne, Major Owens, John Lewis, Jerrold Nalder, John Tierney, Bobby Rush, Lynn Woolsey\u003c/p\u003e","\u003cp\u003eSignees: Rear Admiral Eugene J. Carroll, Jr., Lieutenant General Robert G. Gard, Jr., Lieutenant Robert O. Muller, Chaplain (Major General) Kermit D. Johnson, Colonel Daniel Smith, Major General John B. Kidd, and Vice Admiral John J. Shanahan\u003c/p\u003e","\u003cp\u003eWith handwritten notes\u003c/p\u003e","\u003cp\u003e(contains flags and handwritten notes), 1. Memo from Lee Caplan re: The Right to Trial by Jury in US Military Courts - Martial, August 11, 2000, 2. 727 Military Triers of Fact: Needless Deprivation of Constitutional Protections? By Gary Michael Heil in Hastings College of the Law 1982, 3. 103 The Court-Martial Panel Selection Process: A Critical Analysis by Major Stephen A. Lamb in Military Law Review, Summer 1992, 4. 1 He Called ofr his Pipe, and he called for his bowl, and he called for his members three - selection of military juries by the sovereign: Impediment to Military Justice by Major Guy P. Glazier in Military Law Revew, October 1998, 5. Citations list, Database JLR\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Brian Newquist, Lea Browning, Barbara L. Stone, Cynthia Price, David Stoelting, John Washburn, Martha W. Barnett, Bruce Swartz, contains numerous handwritten notes, markup, edits, and personal correspondence regarding drafts\u003c/p\u003e","\u003cp\u003e1. ML to ICTY Office of Public Information Services, The Hague, re: Request for Copy of ICTY Judges' Submission to the Fourth Session of the U.N. Preparatory Commission for the International Criminal Court Regarding Rules of Evidence and Procedue, April 12, 2000, 2. ML to Lloyd N. Cutler re: Barbara Crossette's NYTimes article on Pres. signing treaty before end of year, December 11, 2000, 3. Samuel Burger to David Stoelting re: US policy towards ICC and the Rome Treaty, November 9, 2000, 4. ML to Samuel Burger re: ABA adn ICC and US acceptance of Rome Treaty, October 13, 1999\u003c/p\u003e","\u003cp\u003e1. Daniel Magraw to [cc. ML], 2. ML to Edison Dick\u003c/p\u003e","\u003cp\u003e1. Rona Mears to Thoams Allen, 2. Rona Mears to ML\u003c/p\u003e","\u003cp\u003eHandwritten in blue ink\u003c/p\u003e","\u003cp\u003eHandwritten comments on some, highlights,\u003c/p\u003e","\u003cp\u003eNot all of the documents appear to be extra copies\u003c/p\u003e","\u003cp\u003eContains markup, post-it notes, and notations\u003c/p\u003e","\u003cp\u003eContains notations, 1. Part 6 of the Rome Statute, 2. ABA Recommendation re: ICC, 3. Australian Rule 92, 4. Proposed Rules of Procedure and Evidence for the ICC, 5. Rules of Procedure and Evidence of the ICC (Australian Draft)\u003c/p\u003e","\u003cp\u003e1. Re: ICC: Rules of Procedure and Evidence, 2. Re: Proposed Rules for Siracusa Meeting\u003c/p\u003e","\u003cp\u003eCopies cc'd with notes sent to: Michael Johnson \u0026amp;,amp, Neal Sonnett, David Stoelting, James Silkenat, Gerold Libby, William Hannay\u003c/p\u003e","\u003cp\u003eContains handwritten notations and markup\u003c/p\u003e","\u003cp\u003eContains markup, notations, post-its, 1. ABA Section of Interantional Law and Practice Report to the House of Delegates Recommenation, 2. Proposed ABA Resolution concerning participation by the United Staets, 3. Report to Section, Re: draft report on the PrepCom, 4. Minutes of the Meeting of the Council of the ABA Section of International Law and Practice, 5. Revised Rules on Part 6, 6. Proposed rules for Special proceedings to Protect a Victim, Witness, or Accused, 7. Draft Basic Principles and Guidelines on the Right to a Remedy and Reparations for Victims of Violations of International Human Rights and Humanitarian Law, 8. ICC Rules of Procedure and Evidence comments, 9. July 12 draft rules on in camera evidence and electronic testimony, 10. In Camera Proceedings and Testimony by Electronic Means: Proposed Revised Rules, 11. Revised rules to replace ABA Rule 72 as well as Australian Rules 88 \u0026amp;,amp, 89 and French Rule 38.1, 12. Subsection 2. Rules of Evidence, 13. International Seminar on victim's access to the ICC, 14. Discussion Paper on Rules for PArt 6, 15. Draft Resolution for Consideration by the Section of International Law adn Practice at the Toronto Meeting\u003c/p\u003e","\u003cp\u003eContains post-it notes, highlights, notations, Correspondents include: Monroe Leigh, WICC group, Robert Stein, M. Cherif Bassiouni, Bruce Swartz, Barbara M.G. Lynn, William Hannay, Lea Browning, Jerome Shestack, Greg Stanton, David Stoelting, Edison Dick\u003c/p\u003e","\u003cp\u003eContains handwritten notes, markup, notations\u003c/p\u003e","\u003cp\u003e1. Rules relating to defense counsel, victims and witnesses, 2. Remarks made by Judge Gabrielle Kirk McDonald, Pres. Of the International Criminal Tirbunal for the former Yugoslavia, to the Perparatory Commission for the ICC\u003c/p\u003e","\u003cp\u003eContains handwritten notes, Correspondencts include: Thomas Allen, Rhona Mears, Monroe Leigh, James Silkenat, Karin Calvo-Goller, Greg Stanton, Roland Homet, Bruce Swartz,\u003c/p\u003e","\u003cp\u003eContains markup, handwritten notes and post-it notes, Safeguards for US Personnel under the Rome Treaty for the ICC, ABA Recommendation on ICC (multiple versions), Draft Statement (Dec. 8, 2000), Report on the Proposed ICC (multiple versions)\u003c/p\u003e","\u003cp\u003eContains markup and notes, ASPA draft bill text, APA Model Code of Judicial Conduct, Policy fo the Nixon Administration as Revealed in Public Statements, Expropriation in International Law, Ratification of the Rome Statue of the International Criminal Court by Germany Statement, ABA Recommendation on ICC, Fall 2000 Retreat ICC Report with Recommendation, Ambassador Scheffer's Statement at the Human Rights Caucus, State of Monroe Leigh re: HR 4654, Panel on Foreign Policy Gridlock at Annual Meeting of Association, WICC group contacts, Remarks at House of Delegates Meeting Nashville,\u003c/p\u003e","\u003cp\u003eFrom: DefenseNews.com, Cato Institute, Diplomat, Foreign Affairs, Military Law Review, American Society of International Law, Federal News Service, American Journal of International Law, Wall Street Journal, Washington Times, Reuters, New Yrok times, Congressional Testimony, The International Lawyer\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Cynthia Price, WICC email list, Benmamin Ferencz, Carl Christol, Heather Hamilton, Stephen Rickard, Michael Capuano, Henry Hyde, Burns Weston, David Stoelting, Jerome Shestack, Jackson Diehl, Keithe Nelson, Enid Adler, John Washburn, Daniel Magraw, Willaim Hannay, David Scheffer\u003c/p\u003e","\u003cp\u003eContains handwritten notes and post-it notes. 1. 893 F. Supp.65, 1995 US Dist., Civil Action No. 95-1097 (RCL), August 31, 1995, 2. 1996 US App., Docket No. 95-2462, Decided August 29, 1996\u003c/p\u003e","\u003cp\u003eHandwritten notes in pencil and ink\u003c/p\u003e","\u003cp\u003eContains post-it notes\u003c/p\u003e","\u003cp\u003eContains highlights and post-it notes\u003c/p\u003e","\u003cp\u003eContains handwritten post-it notes and notations\u003c/p\u003e","\u003cp\u003eContains markup, post-it notes, and notations\u003c/p\u003e","\u003cp\u003e1. Reservation Confirmation, 2. Provisional Work Plan, 3. Predicted Ratified Dates, 4. Programme: Independent Defence before the ICC, 5.1999 Human Rights Day Community Awards Luncheon, 6. ABA Reps on Preparatory Comm.\u003c/p\u003e","\u003cp\u003eContains some markup, 1. PCNICC/1999/DP.8/Add.2/Rev.1, 2. PCNICC/1999/WGRPE(4)/DP.2, 3. PCNICC/1999/L.4, 4. PCNICC/1999/L.4, 5. PCNICC/1999/WGRPE/RT.5/Rev.1, 6. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.1/Corr.1, 7. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.2, 8. PCNICC/1999/WGRPE/RT.7, 9. PCNICC/1999/WGRPE(4)/Rt.1, 10. PCNICC/1999/WGRPE(4)/DP.3/Rev.1, 11. PCNICC/1999/WGEC/INF/3, 12. PCNICC/1999/WGEC/DP.27\u003c/p\u003e","\u003cp\u003eContains markup, 1. PCNICC/1999/L.4/Add.1, 2. US Statement before the UN General Assembly Sixth Committee, The Rome Treaty on the ICC, October 21, 1999, 3. (same as 2 w/different markup), 4. Senate Foreign Relations Comm Hearing, October 20, 1999, 5. PCNICC/1999/L.4, 6. Activity Report 1997-1999 Conference on Independent Defence before the ICC, 1-2 November 1999, The Hague, Netherlands, 7. A Strong Defense Before the International Criminal Court, Presentation for the ABA, August 10, 1999, by Elise Groulx\u003c/p\u003e","\u003cp\u003e1. Excerpt from \"The Price of Terror: One bomb. One Plane. 270 Lives. The History-Making Struggle for Justice After Pan Am 103\" by Allan Gerson and Jerry Adler (HarperCollins Publishers), 2. \"The Constitution and Jrisdiction over Foreign States: The 1996 Amendments to the Foreign Sovereign Immunities Act in Perspective\" by Lee M. Caplan (contains flagged pages)\u003c/p\u003e","\u003cp\u003e1. Testimoney of Jamison s. Borek before the subcommittee on Courts and Adminsitrative Practice of the Committee on the Judiciary United States Senate on S. 825, June 21, 1994 (contains post-it message from Mark Said and comments within text), 2. Fax re: Draft letter to Sen. Biden supporting FSIA aka S. 735, June 2, 1995\u003c/p\u003e","\u003cp\u003e1. Mark S. Said correspondence, June 1, 1995 (contains business card), 2. Re: ILA, European Convention on State Immunity and FSIA., November 13, 2000, 3. Re: Proposed Amendments to FSIA, October 17, 2000 (contains markup)\u003c/p\u003e","\u003cp\u003e1. Section Reports with Receommendations, Council Summary (contains inserts), 2. Draft Recommendation and Report on the US Foreign Sovereign Immunities Act, 2000 (contains Monroe Leigh signature)\u003c/p\u003e","\u003cp\u003eMany photocopies, Contains post-it notes, handwritten notes, underlines\u003c/p\u003e","\u003cp\u003eHandwritten notes in blue ink, Correspondent's include Monroe Leigh, William Reece Smith, Jr., Andrew Goodpasture, William Hannay, Brooksley Born, Leigh Middleditch, Jr., Mary Hoinkes, Diane Wood, Martha Barnett, Jerome Shestack, James Silkenat, Elizabeth Parker, David Stoelting, Keithe Nelson, Jennifer Dabson, Robert MacCrateLori Damrosch\u003c/p\u003e","\u003cp\u003eContains post-its and handwritten markup, 1. ABA Section of International Law and Practice Recommendation, 2. European Parliament Texts Adopted at the sitting of Thursday 18 January 2001, 3. Resolution of Section of Criminal Justice on ISS (Dec 21, 2000), 4. Report with Recommendation re: this country's becoming a part to the Rome Treaty to establish the ICC\u003c/p\u003e","\u003cp\u003eContains post-its, handwritten markup and notes, 1. ABA Criminal Justice Section, House of Delegates, Recommendation, 2. Relevant transcript parts of Colin Powell's confirmation hearin, 3. Substitute for paragraph 1 of the Resolution, 4. Talking points for House of Delegates debate on ICC, 5. Letters to House on misconceptions of proposed ICC, 6. Transcript (with penciled notes) of Colin Powell's confirmation hearing, 7. Prepared statement of Colin Powell for confirmation, 8. Talking points prepared for Martha Barnett on ICC, 9. Copies of letters re: ICC and upcoming House debate\u003c/p\u003e","\u003cp\u003eContains some notes, 1. Washington Times \"Proposed international court will protect civil liberties\" Dec 30, 2000, 2. Washington Times \"International court pressures and perils\" Dec 26, 2000, 3. Washington Post \"Powell Reverses Albright Choice of Judge\" Feb 4, 2001, 4. Letter to Martha Barnett re: two previous Washington Times articles and \"The United States and the Statute of Rome article in The American Journal of International Law\" (Vol. 95, 2001)\u003c/p\u003e","\u003cp\u003eContains handwritten markup\u003c/p\u003e","\u003cp\u003econtains: press release \"Helms, GOP Offer Bill to Protect Ameircans From Prosecution by UN Court\", Statement by Senate Foreign Relations Committee Chairman Jesse Helms Hearing on \"The American Servicemen's Protection Act\", newspaper photocopies about hearing, letter from Helms to Louis Freeh (Dir, FBI) re: US officials traveling abroad\u003c/p\u003e","\u003cp\u003eContains handwritten markup\u003c/p\u003e","\u003cp\u003eContains highlighting\u003c/p\u003e","\u003cp\u003e1. \"Helms 'Losing the Battle' on International Court\", 2. \"'Scare Tactics' on International Court Denounced\"\u003c/p\u003e","\u003cp\u003ealso contains a brief bio from American Enterprise Institute for Public Policy Research\u003c/p\u003e","\u003cp\u003eContains signature, tagged page, and handwritten edits in booklet\u003c/p\u003e","\u003cp\u003eduplicates removed\u003c/p\u003e","\u003cp\u003eremoved as a duplicate\u003c/p\u003e","\u003cp\u003eHandwritten in blue ink\u003c/p\u003e","\u003cp\u003eremoved as can be found in journal\u003c/p\u003e","\u003cp\u003eCorrespondents include: Rochelle Evans, David Stoelting, Myrna S. Raeder, Monroe Leigh, James Silkenat, William Hannay, Gerald Libby, Cynthia Price, Michael Johnson, Neal R. Sonnett, Jerome Shestack, Bruce Swartz, Lewis Morgan, contains numerous handwritten notes, markup, edits\u003c/p\u003e","\u003cp\u003e1. To President William Clinton re: Rome Statute, 2. From James Silkenat re: Criminal Justice Section Resolutoin on ICC, 3. From Monroe Leigh re: President signing the ICC treaty, 4. From David Stoelting re: Section of Criminal Justice, R/R re ICC, 5. From Cynthia Price re: Section of Criminal Justice, R/R re ICC\u003c/p\u003e","\u003cp\u003e1. Newsletter on Section of International Law and Practice, 2. AP article \"Campaign Launched Against UN Court\"\u003c/p\u003e","\u003cp\u003e1. Votes and Comments on resolutions, 2. Report No. 105C, 3. Re: Section of Criminal Justice, Report with Recommendation on ICC, 4. Report ABA on ICC draft, 5. ABA Criminal Justice Section, House of Delegates Recommendation\u003c/p\u003e","\u003cp\u003enote: \"my working copy\", includes revision from August 29, '00\u003c/p\u003e","\u003cp\u003eduplicates removed\u003c/p\u003e","\u003cp\u003eduplicates removed\u003c/p\u003e","\u003cp\u003eduplicates removed\u003c/p\u003e","\u003cp\u003esigned Monroe Leigh\u003c/p\u003e","\u003cp\u003eHandwritten notes on all three statements: 1. David J. Scheffer, Ambassador-at-large for War Crimes Issues and Head of the US Delegation to the United Nations Preparatory Commission for the Internatioanl Criminal Court, 2. John R. Bolton, Senior Vice President, American Enterprise Institute, 3. Monroe Leigh\u003c/p\u003e","\u003cp\u003eremoved since its just a copy of the bill text\u003c/p\u003e","\u003cp\u003e1. Letter to Monroe Leigh from John B. Anderson (signed) re: Washington Working Group 2000 meeting and HR 4654, July 28, 2000, 2. DRAFT statement re: ICC, 3. Washington Working Group on the ICC meeting Agenda, September 13, 2000, 4. Washington Working Group on hte ICC Information Packet American Servicemembers' Protection Act of 2000, 5. Washington Working Group on the ICC Directory\u003c/p\u003e","\u003cp\u003e1. Candidate Responses to ICC Questions as fo 9/13/00, 2. Memo Re: CHRC Member's Briefing: International Criminal Court! From Hans Hogrefe, Septembr 12, 2000, 3. Lobbying letter from Represenatives… to Colleague re: \"Oppose the 'War Criminal Protection Act'\", 4. Handwritten notes about bill and language, 5. Letter from Monroe Leigh to Craig Stuart Powers re: Representative Constance A. Morella and HR 4654 (contains handwritten notes), September 11, 2000, 6. UN-USA Action Alert re: Communications to Congress Concerning the \"American Servicemembers' Protection Act\", August 2000, 7. Agenda for August 29, 2000 meetings with various Representatives\u003c/p\u003e","\u003cp\u003eHandwritten post-it and comments on article\u003c/p\u003e","\u003cp\u003e1. Letter to Jerome Shestack re: ABA resolutions draft letter to Ben Gilman, August 2, 2000, 2. Fax to Jerry Fowler re: Leigh statement on HR 4654, August 16, 2000, 3. Fax to John Washburn re: Leigh Testimony to committee, July 13, 2000, 4. Fax to John Washburn re: Draft Statement on Statute of Rome, December 8, 2000\u003c/p\u003e","\u003cp\u003eAttachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998, Comparison table of Rome Treaty and U.S. Constitution\u003c/p\u003e","\u003cp\u003eHandwritten notes\u003c/p\u003e","\u003cp\u003eHandwritten comments and edits\u003c/p\u003e","\u003cp\u003eHandwritten edits\u003c/p\u003e","\u003cp\u003eSome contain highlighting\u003c/p\u003e","\u003cp\u003ePages flagged with post-it notes, March 3, 2000 email from Brian Newquist to Monroe Leigh re: anonymous witnesses and March 6, 2000 fax from Bruce Swartz, U.S. DOJ office of the Deputy Assistant Attorney General interspersed\u003c/p\u003e","\u003cp\u003esigned Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains handwritten post-it and notations\u003c/p\u003e","\u003cp\u003ePages flagged\u003c/p\u003e","\u003cp\u003eIncludes handwritten post it from Brian J. Newquist to Monroe Leigh\u003c/p\u003e","\u003cp\u003eHandwritten post-it \"Monroe - FYI, Just Released - Brian\", includes pages of notes as well\u003c/p\u003e","\u003cp\u003e1. To Jerome J. Shestack re: Rome language to Helms' bill, June 9, 1998, 2. From Pat Hanrahan re: International Criminal Court Conference Call, June 9, 1998, 3. From Jerome Shestack to Kofi Annan re: Representatives from ABA to Rome Conference, June 11, 1998, 4. From Pat Hanraham re: ICC Conference in Rome (info, news clippings, etc), June 18, 1998, 5. From Lea Browning re: letter re constitutionality of ICC, July 7, 1998 (contains post-it \u0026amp;,amp, handwritten notes), 6. From Giovanni Nardulli re: ABA Representatives to the ICC Treaty Negotiations in Rome, June 18, 1998 (contains handwritten notes)7. To John Lane, Charles Renfrew, David Stoetling, Jerome Shestack re: International Criminal Court, July 20, 1998\u003c/p\u003e","\u003cp\u003e1. Rome Statute of the ICC (A/Conf.183/9*) signed ML w/notations, 2. Non-Governmental Organizations Accredited to Participate in the Conference (A/Conf.183/INF/3, 3. Committee of the Whole Bureau Proposal, 4. Draft Statute for the ICC Compendium of Draft Articles referred to the drafting committee by the committee of the whole as of 9 July 1998, 5. Draft Statute: UN Diplomatic Conference of Plenipotentiaries on the Establishment of an International Criminal Court signed ML w/notations and post-its\u003c/p\u003e","\u003cp\u003e1. Information for Participants, 2. Handwritten notes re: John Washburn, 3. News - Rome Diplomatic Conference for an International Criminal Court by Michael P. Scharf, 3. On the Record ICC Conference news\u003c/p\u003e","\u003cp\u003eAnother copy may be found in Box\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Lea Browning, Bruce Swartz, Donald Munro, Maury Shenk, Thomas Wingfield, William Hannay, Robert Lutz, David Stoetling,\u003c/p\u003e","\u003cp\u003eHandwritten edits and notes\u003c/p\u003e","\u003cp\u003eContains three pages of handwritten notes on looseleaf paper\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eContains highlighting \u0026amp;,amp, signature of Monroe Leigh\u003c/p\u003e","\u003cp\u003e3 different versions, all contains markeup, edits, highlights, and notes\u003c/p\u003e","\u003cp\u003eContains some pencil markup\u003c/p\u003e","\u003cp\u003eContains handwritten notes, Monroe Leigh signature, markup and edits, highlights, Correspondents include: Monroe Leigh, David Stoelting, John F. Murphy, Louis B. Sohn, Timothy L. Dickinson, Harry Marshall, Peter H. F. Bekker\u003c/p\u003e","\u003cp\u003eContains handwritten notes, markup and edits, post-it note markers, Correspondents include: Monroe Leigh, David Stoelting, Michael A. Cardozo, Elizabeth Defeis, Joan Davis, John Murphy, Robert E. Lutz II, Louis B. Sohn, Peter H. F. Bekker, David J. Scheffer, Harry R. Marshall, Jr., Ken Harris\u003c/p\u003e","\u003cp\u003eContains \"ABA World Order Under Law Reporter, Vol. 5, No. 1, Summer / Fall 1997\" Newsletter, Draft UN Document: A/AC.249/1997/WG.3/CRP.2 13 August 1997\u003c/p\u003e","\u003cp\u003eContains handwritten notes, newspapers, journals, press releases, Amnesty International \"Establishing a Just, Fair, and Effective International Criminal Court\" October 1994, \"War Crimes and the Nuremberg Principle by Waldemar A. Solf\" International Security Law (Moore, Turner, \u0026amp;,amp, Tipson, eds. 1990), \"The Need for an International Criminal Court in the New International World Order,\" by M. Cherif Bassiouni and Christopher L. Blakesley in 25 Vand. J. Transant'l L. 151, 1992, \"The Time Has Come for an International Criminal Court\" by M. Cherif Bassiouni in 1 INd. Int'l \u0026amp;,amp, Comp. L. Rev. 1, 1991\u003c/p\u003e","\u003cp\u003eContains \"Testimony of Jamison S. Borek, Deputy Legal Adviser, U.S. Department of State, Before the Committee on Foreign Relations, U.S. Senate, September 15, 1998,\" Text of letter sent to President William J. Clinton on May 15, 1998 supporting ICC, Text of S. Con. Res. 78, 105th Congress, 2d Session\u003c/p\u003e","\u003cp\u003eContains handwritten edits\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature, Correspondents include: Monroe Leigh, Jerome J. Shestack, John Murphy, M. Cherif Bassiouni, Maury Shenk, George E. Bushnell, Jr., Lucinda Low, Michael D. Sandler,\u003c/p\u003e","\u003cp\u003eCorrespondents include Monroe Leigh, Richard L. Gaines, George E. Bushnell, Jr., Christopher Keith Hall, Willaim M. Hannay, and Stuart H. Deming\u003c/p\u003e","\u003cp\u003eSummaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC\u003c/p\u003e","\u003cp\u003eContains handwritten notes\u003c/p\u003e","\u003cp\u003eContains handwritten notes\u003c/p\u003e","\u003cp\u003eContains underlining, handwritten markup, background materials on interested lobbyists, congressional politicians, presidential administrators\u003c/p\u003e","\u003cp\u003eContains handwritten pages of notes, markup, remarks, post-it notes\u003c/p\u003e","\u003cp\u003eContains handwritten pages of notes, markup, correspondents including: Francisco Jose Aguilar-Urbina, Conrad K. Harper, H. E. Boutros Boutros-Ghali, Marvin E. Frankel, Michael Posner\u003c/p\u003e","\u003cp\u003eContains post-it markers and underlines, Includes: Text of Treaty: \"No. 1021. Convention on the Prevention and Punishment of the Crime of Genocide. Adopted by the General Assembly of the United Nations on 9 December 1948, UN Security Council Official Documents, ABA Reports with Recommendations to the House of Delegates of the Task Force on an International Criminal Court of the American Bar Association and the New York State Bar Association\u003c/p\u003e","\u003cp\u003eContains names, addressed, phone numbers\u003c/p\u003e","\u003cp\u003eContains handwritten notes, highlights, memos\u003c/p\u003e","\u003cp\u003eContains highlights and handwritten notes\u003c/p\u003e","\u003cp\u003eContains markup, handwritten notes, post-it notes, highlighting\u003c/p\u003e","\u003cp\u003eContains handwritten notes, post-its, highlighting, comments\u003c/p\u003e","\u003cp\u003eContains highlights and notes\u003c/p\u003e","\u003cp\u003eContains post-its and notations\u003c/p\u003e","\u003cp\u003eContains edits, highlights, underlining, post-it notes, looseleaf pages\u003c/p\u003e","\u003cp\u003eContains handwritten notes, looseleaf pages,\u003c/p\u003e","\u003cp\u003eContains post-its, notes, markings\u003c/p\u003e","\u003cp\u003eHandwritten message\u003c/p\u003e","\u003cp\u003eContains handwritten looseleaf notes\u003c/p\u003e","\u003cp\u003eContains post-it note \"Master Copy\" \u0026amp;,amp, Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains post-it notes, handwritten edits, flags\u003c/p\u003e","\u003cp\u003eContains memo correspondence, handwritten notes, edits\u003c/p\u003e","\u003cp\u003eContains flags, handwritten notes, edits, correspondence page\u003c/p\u003e","\u003cp\u003eContains Leigh signature, handwritten edits\u003c/p\u003e","\u003cp\u003eContains memo correspondence\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Mary M. Devlin, Willaim M. Hannay, Jonathan Gluck, contains flags, handwritten notes, post-it notes, penciled edits\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Diane F. Orentlicher, Stuart H. Deming, Richard B. Lillich, Larry A. Hammond, Charles R. Norberg, Jeffrey M. Lindy, William Geary, William D. Denson, David A. Martin, John Jay Douglass, Martin C. Loesch, Sushan Demirjian, Contains highlights, Leigh signature, handwritten edits\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Allen Ryan, Kenneth B. Reisenfeld, Jay Vogelson, Alaire Bretz Rieffel, Susan Bright, Contains handwritten edits\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Marcia Warren, Antonio Cassesse, Douglas Stringer, Peter Lichtenbaum, Mark S. Ellis, Valerie Brion, Susan E. Magalhaes, Robert F. Drinan, Barbara Stone, Richard J. Goldstone, Larry A. Hammond, Stuart H. Deming, Alaire Bretz Rieffel, Jonathan Gluck, Elizabeth R. Rindskopf, Daniel B. Magraw, Jerome J. Shestack, Osborn Maledon, Contains highlights, post-it notes, handwritten edits, memos, Leigh signature, looseleaf pages of notes\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Mark J. Hartwig, David N. Lindley, Susan A. Ehrlich, Larry Johnson, David G. Keyko, Hamid Sabi, Anna Ascher, Gonzalo Parra-Aranguren, Mary M. Devlin, Larry A. Hammond, Conrad Harper, Georg Ress, John Heffernan, Barbara Kagan, Michael D. Sandler, Louise Arbour, William Hannay, Sushan Demirjian, John Noyes, Barbara Stone, Contains highlights, looseleaf pages of notes, handwritten notes, post-its, flags, edits\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Gabrielle Kirk McDonald, John Heffernan, Nina Bang-Jensen, Valerie Brion, Michael Scharf, Douglas Stringer, Marilou Righini, Alaire Bretz Rieffel, Bob Lutz, J. S. Weigand, Contains handwritten notes, business cards, memos, Leigh signature\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Gabrielle Kirk McDonald, Willaim Hannay, Gary A. Marek, Professor Mischa Wladimiroff, Adrienne A. Cook, Contains handwritten messages, Leigh signature, annotations\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Reid Bauman, Richard J. Goldstone, Barbara Stone, John Heffernan, David Roll, Contains: Leigh signature, handwritten memos, flags\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Ramadan Gashi, Gerold W. Libby, John Crook, Louise Arbour, Graham T. Blewitt, Contains: Leigh signature, handwritten notes\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Cristian M. DeFrancia, Contains: ICTY application paper \"The Use of Anonymous Witnesses in War Crimes Trials: the Legal Background\", Cristian M. DeFranica signature\u003c/p\u003e","\u003cp\u003eContains photocopies\u003c/p\u003e","\u003cp\u003eContains handwritten notations and comments\u003c/p\u003e","\u003cp\u003eContains handwritten notations\u003c/p\u003e","\u003cp\u003eContains post-its, handwritten comments, underlines\u003c/p\u003e","\u003cp\u003eContains post-it notes/markers, handwritten comments\u003c/p\u003e","\u003cp\u003eContains post-it notes/markers, handwritten comments, underlining, 3 1/2 floppy disk labelled \"Tadic decision re witnesses\"\u003c/p\u003e","\u003cp\u003eContains tabs\u003c/p\u003e","\u003cp\u003eContains post-it markes and pages of handwritten looseleaf comments\u003c/p\u003e","\u003cp\u003eContains fax message\u003c/p\u003e","\u003cp\u003eContains correspondence between Mornoe Leigh and David Stoelting, highlights, pencil comments\u003c/p\u003e","\u003cp\u003eContains highlights, notations, edits, post-it note markers\u003c/p\u003e","\u003cp\u003eIncludes: The Queen v. Secretary of State for the Home Department, ex parte: John Gerald Gallagher, Mobil Oil Libya Ltd. V Secretariat of Petroleum and the Governmnet of the Socialist People's Libyan Arab Jamahiriyah, \"Tadic, the Anonymous Witness and the Sources of International Procedural Law\" by Natasha A. Affolder, \"To 'Establish Incredible Events by Credible Evidence': The Use of Affidavit Testimony in Yugoslavia War Crimes Tribunal Proceedings\" by Patricia M. Wald\u003c/p\u003e","\u003cp\u003eContains decisions for Ontario High Court of Justice (06/26/1989, 07/10/1989), Ontario Court of Appeal (04/29/1992), Supreme Court of Canada (03/24/1994), Includes highlights, underlines, post-it markers, post-it notes with notations\u003c/p\u003e","\u003cp\u003eContains handwritten notes, memos, business card, newspaper clippings, and proceedings related to Doe v. Karadzic\u003c/p\u003e","\u003cp\u003eContains checkmarks, handwritten notes\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, checkmarks, handwritten notations, edits\u003c/p\u003e","\u003cp\u003eContains edits, handwritten notations, post-it note markers\u003c/p\u003e","\u003cp\u003eContains highlights, personal notes, post-it markers\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, checkmarks, handwritten notations, edits, post-it notes\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, checkmarks, handwritten notations, edits, Monroe Leigh signature, Correspondents include: Monroe Leigh, Ted Meron, Detlav Vagts, Ian E. Davidson, Harry Marshall, Stephanos Stavros, Stanislaw Pomorski, David Bederman, Joseph Dellapenna, Daniel G. Partan, Andrew Vollmer, Larry A. Hammond, Stuart Deming, Jonathan Gluck, Jeremy McBride, Mary Devlin, Mark Zaid, David E. Aaronson, Alaire Rieffel, William L. Robinson, Lawrence Collins, Herbert Smith\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, checkmarks, handwritten notations, edits, markers\u003c/p\u003e","\u003cp\u003eContains handwriting on copy of \"Human Rights Brief\" by the Center for Human Rights and Humanitarian Law newsletter, Volume 4, Number 1, Fall 1996\u003c/p\u003e","\u003cp\u003eContains highlights, markings, correspondence, handwritten notes, 1. Bulletin of Human Rights, Special Issue: Fortieth Anniversary of the Universal Declaration of Human Rights, Centre for Human Rights, United Nations, 1988, 2. \"Hearsay and the European Court of Human Rights, by Craig Osborne, The Criminal Law Review, 1993, 3. \"Constitutional Cooperation\" by Henry J. Reske, ABA Journal, October 1996, 4. \"Victims and Voyeurs at the Criminal Trial\" by Paul Gerwitz, Northwestern Univeristy Law Review, Spring 1996, 5. \"Emphasizing Victims' Rights at the Sentencing Phase of Criminal Proceedings\" by Ilana Subar, Maryland Law Review, 1996, 6. \"Constitutional Amendment for Crime Victims Urged\", The Wall Street Journal, June 26, 1996, 7. \"Rule of Law: A Bill of Rights for Crime Victims\" by Paul G. Cassell and Steven J. Twist, The Wall Street Journal, April 24, 1996, 8. \"Making Amends\" Transcript, Online News Hour, PBS, June 25, 1996, 9. \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confont Witnesses\" by Patricia Bennett, Wayne Law Review, 1993\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, handwriting, correspondence, thank you card, memorandum re: \"The Right of a Defendant to Cross Examine Witnesses against him as articulated in the Senate Legislative History on Article 14 of the International Covenant on Civil and Political Rights\", brief on \"International Tribunal for the Prosecuction of Persons Responsible for Serious Violations of International Humanitarian Law Committed in the Territory of Former Yugoslavia Since 1991\"\u003c/p\u003e","\u003cp\u003eContains highlights, handwritten notes, post-it notes, underlines, government documents from the U.S, Great Britain, New Zealand, Latin America, Japan\u003c/p\u003e","\u003cp\u003eContains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases\u003c/p\u003e","\u003cp\u003eSummaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC\u003c/p\u003e","\u003cp\u003eContains cases and articles with highlights, underlines, comments, post-it markers\u003c/p\u003e","\u003cp\u003eContains articles and summaries with highlights, underlines, comments, looseleaf paper notes, post-it markers, Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains correspondence with John W Heffernan, Thomas Warrick, Mark Levine, Monroe Leigh, handwritten notes\u003c/p\u003e","\u003cp\u003eContains correspondence with Professor Robert Lutz, Douglas Stringer, Monroe Leigh, Stuart Deming, references Human Rights cases and gives summaries\u003c/p\u003e","\u003cp\u003eContains handwritten notes, correspondence with Maury D. Shenk, Monroe Leigh, Michael Scharf, Joseph F. Murphy, post-it notes, business card, and notations\u003c/p\u003e","\u003cp\u003eContains hadnwritten notes, highlights, post-it notes, newspaper clippings\u003c/p\u003e","\u003cp\u003eContains correspondence with Nina Bang-Jensen, Kelly Goss, and Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains handwritten memo, correspondence with Maury D. Shenk, Monroe Leigh, Kevin A. Doherty\u003c/p\u003e","\u003cp\u003eContains correspondence with David Stoelting and Monroe Leigh, Presentation of an Indictment for Review and Application for Warrants of Arrest and for Related Orders, Indictment, Decision on Review of Indictment and Application for Consequential Orders, Statement by Justice Arbour\u003c/p\u003e","\u003cp\u003eContains letter from Paul R. Williams\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains index of authorities 1 - 9 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 10 - 16 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 17 - 25 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 26 - 33 (International court cases, Tribunal materials, ABA materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 34 - 42 (UN materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 43 - 50 (International Agreements, Charters and Treaties) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 51 - 60 (International statutes, US Legislative - Federal statutes, US Legislative - State statutes, US Legislative History) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 61 - 75 (Books, Articles \u0026amp;,amp, Pamphlets) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 76 - 85 (Books, Articles, Pamphlets, Statements, Addresses \u0026amp;,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains index of authorities 86 - 93 (Books, Articles, Pamphlets, Statements, Addresses \u0026amp;,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols\u003c/p\u003e","\u003cp\u003eContains letter from Inman Deming to Monroe Leigh, \"The Year In Review: International Criminal Tribunal for the Former Yugoslavia\" by Douglas Stringer, \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confront Witnessess\" by Patricia W. Bennett, \"The Predicament of Peacekeeping in Bosnia\" by Tibor Varady\u003c/p\u003e","\u003cp\u003eContains highlights\u003c/p\u003e","\u003cp\u003eIncludes copies of following resolutions: H. Con. Res. 42, S. J. Res. 20, H. Res. 1368, H. Res. 103, S. J. Res. 12, H. Con. Res. 29, H. R. 647, S. 720\u003c/p\u003e","\u003cp\u003eContains letter from John Norton Moore to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights\u003c/p\u003e","\u003cp\u003eContains handwritten notes on sheets of looseleaf\u003c/p\u003e","\u003cp\u003eContains index to Vol. 1 - Vol. 4, Annotated Agenda, Notice of meeting with questions, Meron article, US Proposal, Secretary General's Report, Membership List, Outline of ABA Report, Minutes of May 19, 1993 Meeting, Notices of Second Meeting of Task Force (Mary 24, 1993, May 27, 1993, June 1, 1993), Preliminary Draft Report, Minutes of June 2d Meeting, June 8 letter to Rashkow Re Chief Prosecutor Recommendations, Monroe Leigh signature, check marks, handwritten notations, post-it notes\u003c/p\u003e","\u003cp\u003eContains June 10 Memo on Meeting June 14 (bound separately) - Proposed agenda, Second draft including executive summary and red lined copy of report, Memo on role of federal judge in grand jury proceedings and military justice practice, Monroe Leigh signature, handwritten notations, edits\u003c/p\u003e","\u003cp\u003eContains June 17 memo on Meeting June 25 (Proposed Agenda, Revised Executive Summary of Report, Revised draft resolution), Minutes of June 14 meeting, June 22 memo transmitting final draft, Minutes of June 25 meeting, June 25 memo advising of further meeting on Monday, June 28 to finish report, Minutes of June 28 meeting, June 29 memo advising of meeting Thursday, July 1 to finalize report, Monroe Leigh signature, underlinds, handwritten edits, notations\u003c/p\u003e","\u003cp\u003eContains June 30 memo transmitting final draft and advising of meeting July 1 with agenda, June 30 memo transmitting Dod Draft of Procedural Rules for the Tribunal, June 30 memo listing recommendations for Judges of Tribunal, Minutes of July 1 meeting, June 12 memo enclosing final version of the Task Force Report and mintues for meetings of June 25, June 28 and July 1. (Final version is velo bound separate document), Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains resumes of potential members of the task force, a copy of the New York Times Magazine April 21, 1991 Section 6 \"Capture of a Terrorist\" by Steven Emerson sent by Victoria Toensing to Monroe Leigh, highlights, edits, checkmarks, memos\u003c/p\u003e","\u003cp\u003eIncludes post-it indicated item is on disk\u003c/p\u003e","\u003cp\u003eHandwritten comments and highlighting\u003c/p\u003e","\u003cp\u003eno markup and can find online at: http://www.un.org/law/n9810105.pdf\u003c/p\u003e","\u003cp\u003eContains underlining, check marks, and Monroe Leigh's signature, notecard from M. Cherif Bassiouni\u003c/p\u003e","\u003cp\u003e2 copies. 1 - Handwritten comments on a few pages, 2 - Different formatting and tabs\u003c/p\u003e","\u003cp\u003eHandwritten notes and markup\u003c/p\u003e","\u003cp\u003eincluding notes and addendum (duplicate copy has been removed)\u003c/p\u003e","\u003cp\u003eincludes newspaper clippings and Leigh's responses\u003c/p\u003e","\u003cp\u003e1. \"Slay This Monster\" by Senator Jesse Helms, Financial Times, July 30, 1998, 2. \"For Clinton's Last Act\" by Robert S. McNamara \u0026amp;,amp, Benajmin B. Ferencz, NYTimes Op-Ed, Dec. 12, 2000, 3. \"Internaitonal Court Pressures and Perils\" by Ted Galen Carpenter, Washington Times Od-Ed, Dec. 26, 2000, 4. \"Proposed International Court Will Protect Civil Liberties\" by Monroe Leigh, Washington Times, Dec. 30, 2000 [duplicate copies of 3 \u0026amp;,amp,4 removed]\u003c/p\u003e","\u003cp\u003e1. State Immunity Act 1978 (United Kingdom), 2. Foreign Sovereign Immunities Act of 1976 (United States)\u003c/p\u003e","\u003cp\u003eContains Stephen M. Schwebel signature\u003c/p\u003e","\u003cp\u003e1. Sovereign Immunity, Act of State, OPEC, April 1980, 2. Draft Articles for a Convention on Sovereign Immunity, February 9, 1982\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains October 9, 1980 letter inserted into pages from James Crawford to Monroe Leigh regarding previous correspondence on immunity\u003c/p\u003e","\u003cp\u003eContains Business Card of Beverly May Carl with handwritten message \"With best regards\"\u003c/p\u003e","\u003cp\u003eFrom Najbee Samie, Contains handwritten memo to Najbee Samie with questions\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eContains correspondence between Monroe Leigh and Myres S. McDougal, as well as edits\u003c/p\u003e","\u003cp\u003eContains highlights, Memo stationary from Najeeb Samie\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eContains underlining\u003c/p\u003e","\u003cp\u003eContains memorandum to Monroe Leigh re: Comments on suitability for publication, edits\u003c/p\u003e","\u003cp\u003eContains note.\u003c/p\u003e","\u003cp\u003eNote: \"With the compliments of the author\"\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003e1. \"Decisions of British Courts During 1974-1975 Involving Questions of Public and Private Interntainal Law A. Public International Law\" by Dr. James Crawford, 2. \"Decisions of British Courts During 1974-1975 invovling Questions of Public and Private International Law A. Public International Law\" by James Crawford, 3. \"Decisions of British Courts During 1978 Involving Questions of Public and Private International Law\" by James Crawford, 4. \"Decisions of British Courts During 1980 Involving Questiosn of Public International Law\" by James Crawford\u003c/p\u003e","\u003cp\u003eContains note from James Crawford.\u003c/p\u003e","\u003cp\u003eContains note from James Crawford.\u003c/p\u003e","\u003cp\u003eContains letter from James Crawford to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains correspondence between Monroe Leigh and James Crawford.\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eContains note \u0026amp; business card from Michael Brandon\u003c/p\u003e","\u003cp\u003eContains memo note from William E. Hannaford to Monroe Leigh\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains business card and note from Michael Brandon to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains note \"With the Compliments of Michael Brandon\"\u003c/p\u003e","\u003cp\u003eContains correspondence between Stephen M. Schwebel and Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains note \"With the Compliments of Michael Brandon\"\u003c/p\u003e","\u003cp\u003eContains memorandum, correspondence, post-it notes,\u003c/p\u003e","\u003cp\u003eContains looseleaf paper, notes\u003c/p\u003e","\u003cp\u003eContains handwritten memorandum, briefs, newspaper articles and transcripts of proceedings\u003c/p\u003e","\u003cp\u003eContains memrondum, brief, transcripts\u003c/p\u003e","\u003cp\u003eContains transcipts and newspaper articles\u003c/p\u003e","\u003cp\u003eContains transcripts and handwritten memos0000000000\u003c/p\u003e","\u003cp\u003eContains handwritten notes, underlines, articles\u003c/p\u003e","\u003cp\u003e1. Brief of Plaintiff-Appellant, 2. Reply Brief of Plaintiff-Appellant, 3. Brief of Defendant-Appellee, 4. Joint Appendix\u003c/p\u003e","\u003cp\u003eContains handwritten notes and yellow pad pages, Agenda and Participants\u003c/p\u003e","\u003cp\u003e1. Report on Developments in United States Sovereign Immunity Practice submitted by Monroe Leigh, September 28, 1989, 2. Interim Report Committee on State Immunity by Monroe Leigh, Draft June 17, 1988\u003c/p\u003e","\u003cp\u003e1. AJIL International Decisions Section, 2. Summary of research on state immunity doctrine - case law, 3. Attachment and Execution of Property and Foreign Sovereign Immunity, 4. Foreign State Immunity: Summary of Law Review Articles Relevant to the American Experience with the Seven Questions Proposed in the Warsaw Report of the International Law Association Committee on State Immunity\u003c/p\u003e","\u003cp\u003eReports from: Georg Ress, Ajit Kumar Sengupta, Tara Kishore Prasad, Tibor Varady, Gamal Badr, Christopher H. Schreuer, C.C.A. Voskuil, Renata Sonnenfeld, Lady Fox, Giovanni de Sangro,\u003c/p\u003e","\u003cp\u003eContains pencil markup and comments\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature\u003c/p\u003e","\u003cp\u003eContains notations\u003c/p\u003e","\u003cp\u003eContains pencil markup and comments\u003c/p\u003e","\u003cp\u003eContains pencil markup and comments\u003c/p\u003e","\u003cp\u003eContains handwritten notes and diagram of setting arrangement\u003c/p\u003e","\u003cp\u003eContains signature of Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains post-it notes and handwritten comments, Correspondents include: Monroe Leigh, F. L. de May, Pierre Lalive, Ian Brownlie, B. Osorio, Ricardo R. Balestra, Silvia Maureen Williams, Georg Ress, Sueo Ikehara, Finn Syerstad, Tibor Varady, James Crawford, Rodney N. Purvis, Najeeb Samie, Edward Gordon, Gamal Badr, Kanae Taijudo, O. V. Bogdanov, Helmut SteinBurger, Ian Sinclair, Lars Hjerner, Michael M. Gondwe, K. M Ioannou\u003c/p\u003e","\u003cp\u003eContains handwritten note pages, post-it notes, comments\u003c/p\u003e","\u003cp\u003eContains post-it notes and instructions for Summer associates\u003c/p\u003e","\u003cp\u003e1. Interim Report Committee on State Immunity, 6/15/88, 2. International Law Assoication Montreal Conference (1982) International Committee on State Immunity Report\u003c/p\u003e","\u003cp\u003eContains post-its and handwritten notes, Correspondents include: Monroe Leigh, Georg Ress, Barbara Osorio, Najeeb Samie, F. L. de May, K. W. Cuperus, Ian Brownlie,\u003c/p\u003e","\u003cp\u003e1. 3 alternate resolutions for the Queensland Conference, 2. Review of Professor Ress's Preliminary Report on Developments in State Immunity (Montreal Draft Convention)\u003c/p\u003e","\u003cp\u003e1. Report for the ILA Conference in Queensland, 2. Amendment to the Foreign Sovereign Immunities Act and the Berman Bill from the House of Representatives, 3. Injunctions under sovereign immunity law, 4. Summary of Law Review Articles relevant to the American Experience with the Seven Questions Proposed in teh Warsaw Report of the International Law Association Committee on State Immunity.\u003c/p\u003e","\u003cp\u003eContains handwritten notations\u003c/p\u003e","\u003cp\u003eSignature: Monroe Leigh, Correspondents include: Jiri Zemanek, Monroe Leigh, Georg Ress, Christine De Witt,\u003c/p\u003e","\u003cp\u003eList of Participants and Agenda for April 4 - 6, 1991 Meeting\u003c/p\u003e","\u003cp\u003eContains mark-up, post-its, handwritten notes\u003c/p\u003e","\u003cp\u003eContains diagrams of seating arrangment as well as notes about panels and discussions\u003c/p\u003e","\u003cp\u003eContains post-it, Participants for ILA Committee on State Immunity April 4-6, 1991, Cairo Conference 1992 Guidelines for Reports\u003c/p\u003e","\u003cp\u003eContains handwritten notes, markup, Correspondents include: Monroe Leigh, Raul Vinuesa, Georg Ress, P.J. O'Keefe, Jurgen Brohmer, Catherin Kessedjian, Christoph Schreuer, Jiri Zemanek, Tibor Varady,\u003c/p\u003e","\u003cp\u003eContains post-its, handwritten notes, edits, markup, 1. UN: International Law Commission Report on the Draft Aricles Adopted at its 43rd Session, 2. Committee on Cultural Heritage Law, ILA, Report and Draft Convention for Consideration at the 1992 Conference, 3. Montreal Draft Article I/ILC Draft Article 2 (versions and edits), 4. ILA, State Immunity - Dissenting opinion, 5. Jurisdictional Immunities of States and their Property (UN, A/CN.4/L.457)\u003c/p\u003e","\u003cp\u003eContains post-its, handwritten markup and notes\u003c/p\u003e","\u003cp\u003eContains post-its, handwritten markup and notes\u003c/p\u003e","\u003cp\u003eContains post-its, markup, notes, and handwritten comments\u003c/p\u003e","\u003cp\u003eContains signature of Monroe Leigh, handwritten notes, edits\u003c/p\u003e","\u003cp\u003eContains handwritten notes and highlights, Correspondents include: Alfred P. Rubin, Anthony D'Amato, Monroe Leigh, Jim Nafziger, Cynthia Lichtenstein, Michael Sandler, Jounral Articles (with notes): 1. \"What does Tel-Oren Tell Lawyers?\" By Anthony D'Amato in \"The American Journal of International Law,\" 79:1, January 1985, 2. \"Revising the Law of 'Piracy'\" by Alfred P. Ruin, California Western International Law Journal, 21:1, 1990-1991.\u003c/p\u003e","\u003cp\u003eContains business cards, letters, post-it notes, notations, highlights, underlines, markers, Includes: \"Report of the Task Force on an International Criminal Court of the American Bar Association\" 1994, Military Law Review, Vol. 149, Summer 1995 [including: \"Evaluating Present Options for an International Criminal Court\" by Monroe Leigh], \"The Proposed Permanent International Criminal Court: An Appraisal\" by Leila Sadat Wexler from the Cornell International Law Journal, Vol. 29, No. 3, 1996, \"From 'Kidnapped' Witness to Released Accused 'for Humanitarian Reasons': The Case of the Late General Djordje Djukic\" by Paul J.I.M. de Waart from the Leiden Journal of Internal Law 9, 1996, \"Surrender of Fugitives to the War Crimes Tribunals for Yugoslavia and Rwanda: Squaring International Legal Obligations with the U.S. Constitution\" by Kenneth J. Harris and Robert Kushen from Criminal Law Forum Vol. 7 No. 3, 1996, \"Promoting the right to reparation for survivors of torture: What role for a permanent international criminal court?\" publication from Redress, \"The Case for a Permanent International Truth Commission\" by Michael P. Scharf from Duke Journal of Comparative \u0026amp;,amp, International Law, Vol. 7 No. 2, 1997, \"The International Criminal Court: Observations and Issues Before the 1997 - 98 Preparatory Committee, And Administrative adn Financial Implications\" a joint project of International Association of Penal Law, International Human Rights Law Institute, DePaul University, International Institute of Higher Studies in Criminal Sciences, International Law Association, American Branch, Committee on ICC, 1997\u003c/p\u003e","\u003cp\u003eContains correspondence from M. Cherif Bassiouni, draft guidelines for Combating Impunity for International Crimes, Joinet Report from UN on question of the impunity of perpetrators of human rights violations (civil and political)\u003c/p\u003e","\u003cp\u003eNothing of note (no markups or highlights), Removed because can be found through catalog\u003c/p\u003e","\u003cp\u003eContains underlines, highlights, handwritten notations\u003c/p\u003e","\u003cp\u003eContains Monroe Leigh signature, check marks and edits, highlights, handwritten revisions, post-it notes, draft program, draft list of participants\u003c/p\u003e","\u003cp\u003eContains highlights, Correspondence with Monroe Leigh, Jerome J. Shestack, Christopher Keith Hall, \"The ILC's Draft Statute for an International Criminal Tribunal\" by James Crawford in The American Jounral of Internaional Law, Vol. 88 No. 140, January 1994\u003c/p\u003e","\u003cp\u003eContains underlines, handwritten notations, handwritten pages of notes (including questions), highlights\u003c/p\u003e","\u003cp\u003eContains dividing markers\u003c/p\u003e","\u003cp\u003eContains post-it markers\u003c/p\u003e","\u003cp\u003eContains notation \"without common articles\"\u003c/p\u003e","\u003cp\u003eMissing Articles 1 - 3\u003c/p\u003e","\u003cp\u003eContains checkmarks and pencilied notations\u003c/p\u003e","\u003cp\u003eHandwritten edits included\u003c/p\u003e","\u003cp\u003eRedline draft attached\u003c/p\u003e","\u003cp\u003eHandwritten edits included\u003c/p\u003e","\u003cp\u003eNo edits, does not appear to be cited in AJIL article - keep?\u003c/p\u003e","\u003cp\u003ePage marked with a post-it, Keep? Pin-cited in ICC Editorial Comment\u003c/p\u003e","\u003cp\u003eHandwritten notes/edits by Monroe Leigh and edits by AJIL included\u003c/p\u003e","\u003cp\u003eDraft of editorial comment attached\u003c/p\u003e","\u003cp\u003eAttached revision of ICC Editorial Comment and noting recent proposal in policy, Handwritten edits marked with post-its\u003c/p\u003e","\u003cp\u003eIncludes handwritten edits\u003c/p\u003e","\u003cp\u003eIncludes handwritten edits\u003c/p\u003e","\u003cp\u003eIncludes handwritten markings\u003c/p\u003e","\u003cp\u003eIncludes handwritten markings\u003c/p\u003e","\u003cp\u003ePrinted November 29, 2000, includes highlighting\u003c/p\u003e","\u003cp\u003ePrinted November 29, 2000, includes highlighting and post-it note flagged page\u003c/p\u003e","\u003cp\u003eKeep? No personal markings indicated (though some present as copied from original) and does not appear to be cited in his article\u003c/p\u003e","\u003cp\u003eAttaching additional comments and edits on article \"International Law Societies and the Development of International Law\"\u003c/p\u003e","\u003cp\u003eRequesting receipts for reimbursement purposes\u003c/p\u003e","\u003cp\u003eAdditional footnotes and consent to publication attached\u003c/p\u003e","\u003cp\u003eHandwritten edits and notes from Monroe Leigh, Maury attached\u003c/p\u003e","\u003cp\u003eWith handwritten edits from Mohammed Z. Hafez\u003c/p\u003e","\u003cp\u003e1999, Cornell International Law Journal article, \"The Amnesty Exception ot the Jurisdiction of the International Criminal Court\" by Michael P. Scharf, October 2000 offprint copy from International and Comparative Law Quarterly of UK House of Commons Foreign Affairs Committee Report, June 2000, 1987 publication by Council of Europe on Legal Affairs, \"Expression of consent by states to be bound by a treaty\"\u003c/p\u003e","\u003cp\u003eRequesting copy of Cannon 2 of the ABA Model of Judicial Conduct, 1991 edition\u003c/p\u003e","\u003cp\u003eEnclosing articles on ICC and humanitarian intervention\u003c/p\u003e","\u003cp\u003eIncludes newspaper excerpts, speech, attendance lists for ceremony, Monroe Leigh resume, press release, copy of section from congressional record daily digest when appointed, confidential statement of employment and financial interests, statement of nominee to the US Senate Committee on Foreign Relations, correspondence, booklet containing information for appointment, The International Telephone and Telegraph Company and Chile, 1970-71: Report to the Committee on Foreign Relations, United States Senate by the Subcommittee on Multinational Corporations -June 21, 1973, Declaration on Principles of International Law concerning Friendly Relations and Co-operation among States in accordance with the Charter of the United Nations brochure, The Constitution of the United States of America, Nomination of John R. Stevenson hearing before the Committee on Foreign Relations United States Senate - July 31, 1973\u003c/p\u003e","\u003cp\u003eContains correspondence, looseleaf notes, memos, documents with underlines, newspaper clippings, biographical and financial forms that are filled out by hand, confirmation hearing materials, campaign contribution information, hearing transcript, questions\u003c/p\u003e","\u003cp\u003eContains Press Release regarding appointment, numerous invitation lists, correspondence, speech, photograph of swearing in\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Kenneth S. Levinson, Francis O. Wilcox, Malcolm Richard Wilkey, Seymour J. Rubin, James V. Dolan, Thomas M. Franck, Oscar Schachter, John LeMoyne Ellicott, Gordon Gray, Loy W. Henderson, Philip W. Buchen, William Lang, Edward J. Gerrity, Jr., Bradford Morse, Washington Opportunities for Women, Carl F. Salans, Hamilton Carothers, Cecil, David C. Acheson, Willis L. M. Reese, Timothy W. Stanley, Harry W. Fawcett, Steven Landon, Kenneth M. Spang, H. Lane Kneedler, Jane Sommerich, James E. O'Brien, George P. Armour, Dante B. Fascell, Oscar Victor, Abram Chayes, James C. McKay, Samuel R. Dorrance, Smith College, John N. Hazard, Harry A. Inman, Ralph W. Dorius, Richard B. Bilder, Richard C. Allison, Betty Posniak, Lester Nurick, Lyman M. Tondel, Jr., William J. Martin, Jr., John H. Riggs, Jr., Richard S. Lombard, John Hopkins Heires, Norma, Andreas F. Lowenfeld, Thomas E. Drumm, Jr., John B. Henderson, Lewis Hoffacker, Will E. Leonard, Jr., James T. Lynn, John Maktos, Myer Rashish, Walter Sterling Surrey, Frank M. Wozencraft, James R. Offutt, Isaac Shapiro, John F. Ryan, Alexander D. Calhoun, Jr., Douglas W. Laird, Raymond F. Conkling, G. W. Haight, Robert Murphy, Andrew R. Cecil, Mike Minder, H. A. H. Cortazzi, Mason Willrich, John S. Battle, Jr., Walter A. Slowinski, Jeffrey M. Lang, MAnsfield D. Sprague, Totton P. Heffelfinger, II\u003c/p\u003e","\u003cp\u003eCorrespondetns include: Monroe Leigh, William C. Olson, Francisco Orrego Vicuna, W. T. Mallison, Alwyn V. Freeman, Wilbur L. Fulgate, W. T. Ketcham, Jr., Hardy Dillard, Yehuda Blum, Amelito R. Mutuc, William W. Dunn, Robert S. Dillon, William H. Weiland, W. Gibson Harris, Willis L. M. Reese, John D. Epperly, Anthony A. Rascio, Adam Yarmolinsky, Paul A. Wolkin, David Sarre, Joseph Modeste Sweeney, Robert W. Lawson, Jr., Thomas S. Busha, Richard W. Edwards, Jr., Howard S. Levie, Miriam Theresa Rooney, Edward Dumbauld, Gordon H. Barrows, Covey T. Oliver, John P. Furman, Howard J. Taubenfeld, Michael F. Butler, Raymond L. Brittenham, Leslie A. Grant, Jose A. Cabranes, Cesar Sepulveda, Maxwell Cohen, John M. Howell, Thomas Ehrlich, Edward J. Lawler, Sidney Jacoby, Harry L. Freeman, Arthur R. Albrecht, F. Trowbridge vom Baur, Joseph H. Guttentag, Carl O. Christol, Maurice Wolf, Richard Young, John G. Kester, Charles S. Rhyne, Charles Robert Norberg, John M. Raymond, Gen Kajitani, Walter Sheble, George Yamaoka, Richard S. Reid, James N. Hyde, David D. Newsom, Alfred H. Von Klemperer, James A. R. Nafziger, John Scali, Herman Phleger, Eric Stein, Polly M. Lead, Bayless Manning, Edward D. Re, Stephen Hearst, Marshall V. Miller, Alan Wm. Wolff, H. Francis Shattuck, Jr., W. Tapley Bennett, Jr.\u003c/p\u003e","\u003cp\u003eIncludes transfer of records itemized listing, memos, brochures, appointment papers, newspaper clippings, travel itineraries and receipts for a trip to Brussels, correspondence, looseleaf notes, First Semiannual Report by the President to the Commission on Security and Cooperation in Europe: Report submitted to the Committee on International Relations - December 1976, Report of the Study Mission and Cooperation in Europe - Washington, DC - December 2, 1976\u003c/p\u003e","\u003cp\u003eIncludes earnings and leave statement, correspondence ,memos, contacts card, inventory of boxes sent to Steptoe \u0026amp; Johnson, photocopies of newspaper articles, notice of resignation\u003c/p\u003e","\u003cp\u003eIncludes: \"The Foreign Affairs Advice Privilege\" by Gordon B. Baldwin, Wisconsin Law Review, Vol. 1976, No. 1, pp16 - 46 (w/note: \"To Monroe: With Grateful appreciation for affording the opportunity, Gordon\"), Q\u0026amp;A for Leigh from Pike Committee, Draft Report citing Henry A. Kissinger (State, 40 Committee, and SALT), Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Statement of the Facts, Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, Looseleaf notes, Memo from George H. Aldrich to Mr. Maw re: Pike Committee Hearings - Indications of White House Staff Attitudes, News reports, Memorandum re: Legislative History of 2 United States Code 192, Statement by Henry A. Kissinger Secretary of State before the Select Committee on Intelligence House of Representatives, October 31, 1975, Buchen Draft, 11/18/75, Memorandum to Phillip W. Buchen, Antonin Scalia, Carlyle E. Maw, 11/18/75, Memorandum to Phillip W. Buchen, Rex E. Lee, Antonin Scalia, 11/17/75, Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Call's Draft, Alternative speeches, Chronology with Respect to State Department Subpoena, Summons to appear before Pike Committee, Alternative Draft - Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, 11/17/75, Copy of public law 93 - 190, Copy of Title 2 - The Congress, Codes 190 - 198\u003c/p\u003e","\u003cp\u003eContains handwritten notes, signatures, underlines, Correspondents include: Monroe Leigh, D. Jeffrey Hirschberg, Michael D. Sandler, John Lewis Smith, Jr., George W. Calhoun, Harold R. Tyler, Jr., Carlyle E. Maw, Thomas Crocker, Peter W. Rodman, Tom Johnson, Edward S. Christenbury, Henry E. Petersen, George H. Aldirch,\u003c/p\u003e","\u003cp\u003eIncludes Motion of Plaintiffs for an order to permit public filing of their motion for summary judgment against the individual defendants, Memorandum of law in support of plaintiffs' motion for summary judgment against the individual defendants, photocopy of list of jobs of William A. K. Lake, Kissinger SFRC Testimony - July 10, 1974, Motion by Plaintiffs for summary judgment against the individual defendants\u003c/p\u003e","\u003cp\u003eIncludes: Petition for write of Ceriorari to the US Court of Appeals for the District of Columbia Circuit (w/letter from David Ginsburg and business card of James E. Wesner), Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Brief for Respondents Military Audi Project, et. al, Reply Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Appendix, Syllabus (w/handwritten note, \"Thank you\"), Supreme Court Decisions\u003c/p\u003e","\u003cp\u003eContains handwritten notations, edits, underlines, signatures, Correspondents include: Monroe Leigh, Jeffrey H. Smith, Lawrence S. EagleBurger, John S. Pruden, James B. Rhoads, Henry R. Kissinger, Jack Brooks, Don Oberdorfer, Jock Covey, Donald P. Young, Helmut C. Sonnenfeldt, James E. Wesner, David Ginsberg\u003c/p\u003e","\u003cp\u003eContains newspaper clippings, journal articles, photocopies of newspapers\u003c/p\u003e","\u003cp\u003eIncludes materials regarding the donation of Kissinger's Papers to the Library of Congress, looseleaf notes, notations\u003c/p\u003e","\u003cp\u003eArticle re: Hedrick Smith v. Nixon case from \"The Daily Washington Law Reporter\" Vol. 106, No. 97, pg. 913 - 918\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, The Editor - Washington Post, Mike Sandler, David Ginsburg, James E. Wesner\u003c/p\u003e","\u003cp\u003eContains photocopies of docments: US Court of Appeals for DC Circuit list of relevant case numbers \u0026amp; memorandum, Proceedings transcript, delivered opinion (2 copies), Plaintiffs reply memorandum of points and authorities in support of their motion for a preliminary injunction, memorandum of points and authorities in support of plaintiffs' motions for summary judgment and, alternatively, a preliminary injunction, Affidavit of William E. Leuchtenburg, Affidavit of Nat Hentoff, Affidavit of William Safire, Affidavit of Donald G. Herzberg, Memorandum of points and authorities in opposition to plaintiffs' motions for summary judgment and in support of defendant Henry A. Kissinger's cross-motion for summary judgment, Opposition to plaintiffs' motions for summary judgment, Cross-motion for summary judgment by defendant Henry A. Kissinger, Memorandum of points and authorities in opposition to plaintiffs' motion for a preliminary injunction, Second Affidavit of Henry A. Kissinger, Order, Certificate of Service, Affidavit of Monroe Leigh, Memorandum of points and authorities in opposition to plaintiffs' motion for summary judgment and in support of defendant Henry A. Kissinger's cross motion for summary judgment, Complaint\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, George H. Aldrich, President Ronald Reagan, Sen. Arlen Specter, Henry A. Kissinger, Pamela B. Gann, Erwin N. Griswold, Mark R. Joelson, Stephen S. Rosenfeld,\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Malcolm R. Wilkey, William W. Bishop, Jr., memorandum for Mary Lee re: Suggested Paragraph for Chairman Moore's Letter, John R. Stevenson\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Geoffrey C. Hazard, Jr., Abraham D. Sofaer, Memorandum for Restatement File, Richard L. Fischer, Frank P. Jones, Jr., Jennifer L. Hall, John Norton Moore\u003c/p\u003e","\u003cp\u003eContains highlights, underlines, markers, newspaper photocopies, newspaper clippings, journal excerpts, articles\u003c/p\u003e","\u003cp\u003eExcerpts from the American Journal of International Law re: The Permanent Court of Arbitration for 1961, 1963, 1969, \"Nomination of Thomas J. Meskill\" Report from the Committee on the Judiciary United States Senate together with Individual News, 1975, pamphlet: \"Standing Committee on the Federal Judiciary: What it is and How it Works\" American Bar Association, 1977, UN General Assembly Security Council A/33/223 S/12830 19 October 1978: Curricula vitae of candidates nominated by national groups Note by the Secretary General, text of EO 12059, 11 May 1978,\u003c/p\u003e","\u003cp\u003eContains 4 reports with Monroe Leigh signature, in French language, also includes UN Gen. Assembly Security Council A/33/223/Rev. 1, 25 October 1978: Curricula vitae of candidates nominated by national groups - Note by Secretary General\u003c/p\u003e","\u003cp\u003eContains correspondence, envelopes, memos, note cards, looseleaf notes, notations, table of U. S. members since 1938, Election of Judges to the International Court of Justice, 1981 - Sri Lanka's Candidate - Mr. H. W. Jayewardene, Correspondents include: Monroe Leigh, Cyrus Vance, Austin Pulle, Jorge A. Aja Espil, G. W. Haight, H. W. Jayewardene, Marshall Mays, Robert B. von Mehren, Roberts B. Owen, Willis L. M. Reese, Ernest A. Gross, Cecil J. Olmstead, Francis T. P. Plimpton, William W. Scranton, Stephen Schwebel, Hardy C. Dillard, Timothy B. Atekson, Marco C. E. J. Bronckers, Abram Chayes, William W. Bishop, Jr., Edison W. Dick, Richard C. Allison, Philip C. Jessup, Lyon L. Brinsmade\u003c/p\u003e","\u003cp\u003eContains signatures, memos, edits, notations, highlights, articles, looseleaf notes, newsletters, resumes, Correspondents include: Monroe Leigh, Herbert Brownwell, William W. Bishop, Jr., Carlyle E. Maw, Cecil J. Olmstead, Herbert W. Briggs, John R. Stevenson, Seymour Rubin, Warren E. Burger, Walter Sterling Surrey, Adrian W. De Wind, John N. Hazard, Robert Coulson, Eugene F. Scoles, Henry T. King, Jr., Austin Pulle, Richard (Dick) R. Baxter, Herbt J. Hansell, Cyrus R. Vance, Stephen M. Schwebel, Hardy C. Dillard, Erik Suy, Vanden Huevel, Millard H. Ruud, Norris Darrell, Howared M. Holtzmann, Kurt Waldheim\u003c/p\u003e","\u003cp\u003eContains memos, handwritten notes, eidts, looseleaf notes, articles, signatures, highlights, background information, reports, Correspondents include: Monroe Leigh, Carlyle E. Maw, Stephen M. Schwebel, William D. Rogers, Herbert Brownell, William W. Bishop, Jr., Herbert J. Hensell, Warren E. Burger, Cyrus Vance, Henry T. King, Jr., John Nolan, Alan Cranston, Joseph J. Sisco, Carole Smith, Millard H. Ruud, James O. Eastland, John R. Stevenson, E. Donald Shapiro, Don Wallace, Jr., Daniel P. Moynihan, Philip C. Jessup, Robert Coulson, Robert L. Trescher, W. M. Reisman, Hugo B. Margain, Eugene V. Rostow, Thomas M. Franck\u003c/p\u003e","\u003cp\u003eContains memos, handwritten notes, edits, underlines, table of US memebers since 1938, articles, Correspondents include: Monroe Leigh, Herbert J. Hansell, Kurt Waldheim, Cyrus Vance, Joseph S. Lord, III, Herbert Brownell, William W. Bishop, Jr., Alan M. Dershowitz, Richard (Dick) R. Baxter, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, Damon J. Keith, Walter J. Cummings, Maurice Copithorne, Carlyle E. Maw, Leonard C. Meeker, Timothy B. Atkeson, Henry T. King, Warren E. Burger, William D. Rogers\u003c/p\u003e","\u003cp\u003eContains various drafts of letters re: International Court of Justice and Cyrus R. Vance, supporting materials, notations, highlights, memos, table of U.S. members since 1946, table fo U.S. members since 1938, routing slips, and correspondence indicating that ML had requested materials be returned and then the returned copies are included, articles, Correspondents include: Monroe Leigh, Cyrus R. Vance, Henry T. King, Jr., Millard H. Ruud, Gerald Asken,\u003c/p\u003e","\u003cp\u003eContains transcripts, scripts, underlines, edits, comments, signatures, Who's Who in America excerpted photocopies, Who's Who in the World excerpted photocopies, Directory of American Scholars excerpted photocopies, The International Who's Who excerpted photocopies, newspaper clippings, Correspondents include: Monroe Leigh, Pegi McLaughlin, Arthur J. Goldberg\u003c/p\u003e","\u003cp\u003eMaterials for correspondence with Kurt Waldeim, Secretary General of the United Nations, from William W. Bishop, Jr., Herbert Brownell, Herbert J. Hansell, Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains memos, signatures, photocopies of telegrams, handwritten letters, transcripts of speeches, resumes, draft press release, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, Herbert J. Hansell, Alan J. Kreczko, Leonard v. B. Sutton, Seymour J. Rubin, Adrian W. DeWind, John Scott, Hardy Dillard, John R. Stevenson, Stephen M. Schwebel, Warren E. Burger, John N Hazard, Robert Coulson, Henry T. King, Millard H. Ruud, William W. Bishop, Jr., Arthur J. Goldberg,\u003c/p\u003e","\u003cp\u003eContains handwritten notations, photocopies, agendas, correspondents include: Monroe Leigh, Robert H. Mundheim, Austin Pulle, J. Wallace Hopkins, Jr., Michael Bradfield, Carlyle E. Maw, Stephen M. Schwebel, Max Frankel, Richard R. Baxter, Cyrus Vance, Cecil J. Olmstead, Herbert J. Hansell\u003c/p\u003e","\u003cp\u003eContains index, memos, looseleaf notes, envelopes, markup, edits, mailing lists, messenger requests, Correspondents include: Monroe Leigh, J. Varekamp, Roberts B. Owen, Keith Highet, William W. Bishop, Jr., Edmund S. Muskie, Lyon L. Brinsmade, Hardy Dillard, Eric Stein, Richard L. McCall, John J. McCloy, Michael Reisman, R. Ammi Cutter, Daniel J. Boorstin, James E. O'Brien, Stephen M. Schwebel, Leonard C. Meeker, W. Graham Claytor, Jr., Seymour J. Rubin, Abdulloh El-Erain, Erik Suy, Abram Chayes, George J. Alexander, Richard H. Ullman, Michael I. Sovern, Adrian S. Fisher, Warren E. Burger, Herbert W. Briggs, Al Freeman, Oscar M. Ruebhausen, Robert M. von Mehren, Albert M. Sacks, Robert Coulson, Merrell E. Clark, Jr., Austin Pulle, Herb Hansell\u003c/p\u003e","\u003cp\u003eContains handwritten comments, notes, signature, underlines, Foreign Affairs Manual Circular, Vol. 3 - Personnel (1980 and 1981), Presidential Ranks - Score Sheet, Panel B, Correspondents include: Monroe Leigh, Joan M. Clark, John H. Rouse,\u003c/p\u003e","\u003cp\u003eContains pencil markup, \"Preliminary Summary of Support by Groups Consulted, for U. S. nominee to ICJ\"\u003c/p\u003e","\u003cp\u003eNames include: Roberto Ago (Italy), Jiminez De Arechaga (Uruguay), Abdullah El-Erian (Egypt), Antonio Gomez Robledo (Mexico), L. Ignacio-Pinto (Benin), H. W. Jayewaredene (Sri Lanka), Eero J. Manner (Finland), Jose Sette Camara (Brazil)\u003c/p\u003e","\u003cp\u003eb. May 26, 1907 according to original file container, Contains correspondence (2 letters) regarding Robert Ago of Italy between John R. Stevenson, Herbert W. Briggs, Don Wallace, Jr., Millard H. Rudd, includes highlights and notations\u003c/p\u003e","\u003cp\u003eContains correspondence (2 letters) regarding Jiminez De Arechaga (Uruguary) between Monroe Leigh, William D. Rogers, John R. Stevenson, Herbert W. Briggs\u003c/p\u003e","\u003cp\u003eb. March 21, 1920 according to original file container, Contains resume, correspondence (1 letter) regarding Abdullah El-Erian between Monroe Leigh, Philip C. Jessup\u003c/p\u003e","\u003cp\u003eb. November 17, 1908 according to original file container, Contains curriculum vitae, highlights, correspondence (3 letters) regarding Antonio Gomez Robledo (Mexico) between Hugo B. Margain, Monroe Leigh, the Department of State, John R. Stevenson, Herbert W. Briggs\u003c/p\u003e","\u003cp\u003eb. 1916 according to original file container, Contains resume, highlights, pencil mark-up, correspondence regarding H. W. Jayewaredene (Sri Lanka) between Cyrus R. Vance, A. C. S. Hameed, the Department of State, the Permanent Mission of Sri Lanka to the U.N.\u003c/p\u003e","\u003cp\u003eb. June 21, 1903 according to original file container, Contains handwritten memo, correspondence (1 letter) regarding Louis Ignacio-Pinto (Benin) between Monroe Leigh, William D. Rogers\u003c/p\u003e","\u003cp\u003eb. July 16, 1913 according to original file container, Contains curriculum vitae, correspondence (2 letters) regarding Eero J. Manner (Finland) between John R. Stevenson, Herbert W. Briggs, the Department of State, the Embassy of Finland\u003c/p\u003e","\u003cp\u003eb. April 14, 1920 according to original file container, Contains highlights, resume, Correspondence (3 letters) regarding Jose Sette Camara (Brazil) between the Department of State, the Permanent Mission of Brazil to the U. N., Vanden Huevel, John R. Stevenson, Herbert W. Briggs\u003c/p\u003e","\u003cp\u003eNames include: Richard R. Baxter, Nathan R. Berke, Hardy C. Dillard, Walter Ely, Arthur J. Goldberg, Leo Gross, Louis Henkin, Myres S. McDougal, Robert B. McKay, Carlyle E. Maw, Russell D. Niles, Covey T. Oliber, Oscar Schachter, Bernard G. Segal, Louis B. Sohn, William B. Spong, Jr., John R. Stevenson\u003c/p\u003e","\u003cp\u003eContains highlights, letter from Warren E. Burger to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter from Henry T. King, Jr., to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, press release and letter (dated 29 June 1978) from William D. Rogers to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter from Carlyle E. Maw to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter from Millard H. Ruud to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, personal note, letter from Herbert Brownell to Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter from Robert Coulson to Monroe Leigh\u003c/p\u003e","\u003cp\u003eb. February 14, 1921 according to original file container, contains highlights, correspondence regarding Richard R. Baxter, background information, bibliographies, letters of support, resume, Correspondents include: Monroe Leigh, Herbert J. Hansell, Millard H. Ruud, Don Wallace, Jr., Carlyle E. Maw, William D. Rogers, Robert Coulson, Thomas M. Franck, Henry T. King, Jr.,\u003c/p\u003e","\u003cp\u003eContains correspondence (2 letters) regarding Nathan R. Berke between Monroe Leigh, Alan Cranston, Douglas J. Bennet, Jr., President Jimmy Carter\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Hardy C. Dillard between Monroe Leigh and Warren E. Burger\u003c/p\u003e","\u003cp\u003eContains highlights, correspondence (2 letters) regarding Walter Ely between Herbert Brownell, Robert L. Trescher, Shirley M. Hufstedler\u003c/p\u003e","\u003cp\u003eb. August 8, 1908 according to original file container, contains highlights, underlines, resume, biographical information, correspondence regarding Arthur J. Goldberg, Correspondents include: Herbert J. Hansell, Fred J. Cassibry, Alfonso J. Zirpoli, Julius J. Hoffman, James B. Parsons, Walter E. Craig, Joseph S. Lord, III, Alan M. Dershowitz, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, William J. Campbell, Hubert H. Humphrey, Howard H. Baker, Frank Church, President Jimmy Carter, Damon J. Keith, Walter J. Cummings, Leonard C. Meeker, Joseph J. Sisco\u003c/p\u003e","\u003cp\u003eb. April 6, 1903 according to original file container, contains highlights, resume, biographical information, correspondence regarding Leo Gross, Correspondents include: Millard H. Ruud, Edward Gordon, Daniel P. Moynihan, Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Louis Henkin between Leonard C. Meeker and Monroe Leigh\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Carlyle E. Maw between Herbert Brownwell and Monroe Leigh\u003c/p\u003e","\u003cp\u003eb. November 23. 1906 according to original file container, contains highlights, biographical and bibliographical information, correspondence regarding Myres S. McDougal, Correspondents include: Elliott Goldstein, Herbert J. Hansell, President Jimmy Carter, John C. Stennis, James O. Eastland, Monroe Leigh, W. M. Reisman, Eugene V. Rostow, William W. Bishop, Jr., E. Donald Shapiro, Millard H. Ruud, Edward Gordon, Emerson G. Spies, Frank Moore,\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Robert B. McKay between Monroe Leigh and Herbert Brownwell\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Russell D. Niles between Monroe Leigh and Warren E. Burger\u003c/p\u003e","\u003cp\u003eb. April 21, 1913 according to original file container, contains highlights, AALS Directory of Law Teachers excerpt, Who's Who in America excerpt, letter dated 9 June 1978 regarding Covey T. Oliver between Monroe Leigh and Millard H. Ruud\u003c/p\u003e","\u003cp\u003eContains highlights, correspondence (2 letters) regarding Oscar Schachter between John R. Stevenson, Herbert W. Briggs, Millard H. Ruud, Edward Gordon\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding Bernard G. Segal between Monroe Leigh and Warren E. Burger\u003c/p\u003e","\u003cp\u003eb. March 1, 1974 according to original file container, contains highlights, biographical and bibliographical information, correspondence regaridng Louis B. Sohn, Correspondents include: Herbt J. Hansell, Henry T. King, Jr., Monroe Leigh, Robert Coulson\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding William B. Spong, Jr. between Monroe Leigh and Warren E. Burger\u003c/p\u003e","\u003cp\u003eContains highlights, letter regarding John R. Stevenson between Monroe Leigh and Herbt Brownwell\u003c/p\u003e","\u003cp\u003eContains supporting documents, underlines, Correspondents include: Monroe Leigh, Austin Pulle, Arthur J. Goldberg, William W. Bishop, Jr.\u003c/p\u003e","\u003cp\u003eContains underlines, handwritten notations, PCA reports starting in 1900\u003c/p\u003e","\u003cp\u003eContains underlines, handwritten notations, articles about the PCA\u003c/p\u003e","\u003cp\u003eIndex: Statute of the International Court of Justice, Present Members of the International Court of Justice, Procedure for Election of Judges, American Candidates, Foreign Candidates (Ambassador El-Erian (Egypt), Mr. Razafindralambro (Madagascar), Ambassador Sette Camara (Brazil), Dr. Gomez Robledo (Mexico), Professor Robert Ago (Italy), Judge Manner (Finland), Mr. Jayawardene (Sri Lanka)), Past Nominations by the US National Group\u003c/p\u003e","\u003cp\u003eContains \"Guide for National Red Cross Societies on their Role as Auxiliaries of the Army Medical and Civil Defence Services\" - Geneva, 1952 and Memorandum re: Summary of Participation and Probable Voting Position of Governments and National Red Cross Societies as of October 18, 1957\u003c/p\u003e","\u003cp\u003eContains notations, signatures, Correspondents include: U. S. Delegation, Orlando Pedragosa Nadal (Delegate of Uruguay), Dr. Muhlenhover (Delgate of Germany, Amrit Kaur (Chairman, XIXth International Red Cross Conference), General Gruenther, James T. Nicholson, Mr. Boissier, Ellsworth Bunker, Robert McClintock (Delegate of USA), George M. Elsey, John Foster Dulles\u003c/p\u003e","\u003cp\u003eContains notations, schedules for each day of the Conference (28 Oct - 7 Nov), list of delegates, governing rules\u003c/p\u003e","\u003cp\u003eContians notations, edits, markup, copies of various drafts and resolutions proposed by different countries in attendance at the Conference\u003c/p\u003e","\u003cp\u003eRemoved to collections in library because there were no markings\u003c/p\u003e","\u003cp\u003eRemoved because all materials can be found online or in the library [Law Basement - Oceans 13.6.I6146P\u003c/p\u003e","\u003cp\u003eIssued by the Embassy of Pakistan, Washington, D.C.\u003c/p\u003e","\u003cp\u003eContains inked edits and markings in the footnotes, Leigh signature\u003c/p\u003e","\u003cp\u003eContains Leigh signature, minor edits and markup\u003c/p\u003e","\u003cp\u003eContains edits, markup, notations\u003c/p\u003e","\u003cp\u003eContains edits, markup, notations, attached notes\u003c/p\u003e","\u003cp\u003eContains markup, notations, looseleaf notes, briefs\u003c/p\u003e","\u003cp\u003eContains markup, notations\u003c/p\u003e","\u003cp\u003eContains 1 document with two attachments, including 1 - The Development of the Murray River and 2 - Synopsis of Report of the Inter-State Royal Commission on the River Murray (1902)\u003c/p\u003e","\u003cp\u003eContains 1 document titled: \"Recommendations of International Joint Commission on Diversion from Watershed in Its Final Report on the Lake of the Woods Reference\"\u003c/p\u003e","\u003cp\u003eContains markup, handwritten notations, circled areas regarding the relevant aspects to international water rights vis-à-vis the St. Lawrence Seaway between Canada and the US. Includes Public Law 358, 83d Congress, Chapter 201, 2d Session, S. 2150 (July 1957), \"Report on the Committee on Public Works on S.2150: A Bill providing for creation of the St. Lawrence Seaway Development Corporation to Construct part of the St. Lawrence Seaway in United States Territory and for other purposes,\" House Report No. 1215, 83d Congress, 2d Session (February 19, 1954), Senate Report No. 441 (same name House Report No. 1215), 83d Congress, 1st Session (June 16, 1953)\u003c/p\u003e","\u003cp\u003eContains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions\u003c/p\u003e","\u003cp\u003eContains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions\u003c/p\u003e","\u003cp\u003eContains initials ML\u003c/p\u003e","\u003cp\u003eContains cases American Hawaiian Steamship Co. v. United States, Baltimore Steam Packet v. United States, Cors v. United States\u003c/p\u003e","\u003cp\u003eContains cases Eastern Steamship Lines v. United States, Kendall v. United States, Lex Laboratories, Inc. v. United States\u003c/p\u003e","\u003cp\u003eContains cases National Bulk Carriers v. United States, North American Shipping Company v. United States, Olive J. Olson \u0026amp; Company v. United States, Ozanic v. United States, Petition of Grace Lines, Smith-Douglass Company v. United States, Trailerships Inc. v. United States, Wilson Lines v. United States\u003c/p\u003e","\u003cp\u003eContains an overview of legislation and cases related to Just Compensation\u003c/p\u003e","\u003cp\u003eContains summary of compromise settlement offer of just compensation for five Danish vessels requisitioned July 12, 1941, including the Alssund, Brosund, Columbia, Lundby, Olympia\u003c/p\u003e","\u003cp\u003eContains draft \"Report for H. Graham Morison, Assistant Attorney General, Claims Division, Department of Justice\u003c/p\u003e","\u003cp\u003eContains memorandum for Mr. Bressor, Message for Mr. Howard, Memorandum for Mr. Laylin\u003c/p\u003e","\u003cp\u003eContains memorandum for Conference with Paul Umoff, Memorandum of Conference with J. G. Comyn, Memorandum of Conference with H. A. Stevenson, Memorandum of Conference with George Davies\u003c/p\u003e","\u003cp\u003eContains Deposition of Hans Christian Brodersen and the Deposition of Hugo Lund for Dampskibsselskabet \"Haffnia\" Aktieselskab, et al vs. The United States in the United States Court of Claims\u003c/p\u003e","\u003cp\u003eBinder with 16 sections regarding \"Christiani Visa Matter\" that deals with citizenship and whether or not Henning Christiani was a collaborator with the Germans during World War II. Sections include: Memorandum for Mr. Laylin, 1. Christiani and Nielsen Memorandum, 2. letter to Henning Christiani, 3. Memo of a conversation between Mr. Steger and Mr. Hyde at the U.S. Consulate on 12th January 1948, 4. Telephone conversation of December 11, 1947 with Francis Cunningham of State Department, concerning visas, 5. Translation of Depostition made by former Prime Minister Erik Scavenius before the investigating committee of hte Engineering Society in the matter of the investigation of the conduct of its member, Dr. Rud. Christiani, during the late war, 6. \"Danish Saboteurs Wreck Nazi Plants\" text from New York Times article dated Sunday, February 21, 1943, 7. \"Nazis Hinted Giving Up Norway and Denmark\" text from New York World-Telegram article dated Thursday, February 3, 1944, 8. \"Nazis Plan to Leave Norway, Denmark\" text from The London Daily Sketch artcled dated Thursday, February 3, 1944, 9. Statement (from Christiani?), 10. Translation of Memorandum on the Work of Ardal, 11. Translation of Letter of Auugst 19, 1949, from Dr. Christiani to Mr. Henning O. Christiani, New York, in excerpt, 12. Translation of memorandum from Mr. C. L. David, barrister to the Supreme Court, to Mr. Steglich-Petersen, barrister to the Supreme Court, regarding Dr. Rud. Christiani vs. The Danish Engineering Society dated August 15, 1949, in excerpt, 13. Translation of letter of April 20, 1949, from the Ministry of Justice to Mr. Steglich-Petersen, attorney for Dr. Rud Christiani, informing Mr. Steglich-Petersen that the Ministry of Justice has written the Attorney General that they accept his recommendation that hte Ministry not take up again the matter of violation of hte ex post facto laws relating to association with the enemy during the occupation of which Dr. Christiani was absolved of February 7, 1947, -- in spite of additional relevant data extracted by the investigating committee of the Danish Engineering Society, 14. Translation Royal Danish Legation letter, 15. Translation of letter of June 13, 1949, from Dr. Rud. Christiani to Mr. Henning O. Christiani, care of Christiani \u0026amp; Nielsen Ltda, Bogota, Colombia, in excerpt, 16. Translation of letter between Henning O. Christiani and Christiani \u0026amp; Nielsen / Rud Christiani\u003c/p\u003e","\u003cp\u003eContains facts of the case, memorandum, notes, supplemental memorandum, Brief of Claimant on Motion to Dismiss, H.R. 5200 (80th Congress, 2d Session), markup, looseleaf handwritten notes, edits [Case revolves around the question of \"whether an individual who is an American citizen by American law and at the same time a German citizen by German law, may recover property seized by the Alien Property Custodian during WWII\"]\u003c/p\u003e","\u003cp\u003eContains handwritten looseleaf notes, drafts, edits, markup\u003c/p\u003e","\u003cp\u003eContains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945\u003c/p\u003e","\u003cp\u003eContains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945\u003c/p\u003e","\u003cp\u003eContains orders, memorandum, handwritten notations, looseleaf notes,\u003c/p\u003e","\u003cp\u003eContains handwritten looseleaf notes, drafts, edits, markup\u003c/p\u003e","\u003cp\u003eInvolves rights of ships and the Federal Government, contains Abstracts of Cases for Cors Argument, memorandum, handwritten notations, looseleaf notes, edits, discussions on the authority of \"the Maritime Commission to requisition ships of foreign registry lying idle in American ports,\" the \"enhancement clause,\" Report: Inquiry into operations, policies, and affairs of United States shipping board and emergency fleet corporation by the House of Representatives, 69th Congress, 1st Sesstion (Report No. 2)\u003c/p\u003e","\u003cp\u003eContains printed proceedings of case, court documents (both for the Court of Claims phase and the US Supreme Court phase), includes markup, handwritten notations\u003c/p\u003e","\u003cp\u003eIncludes copies of 5 wills for Adda M. Allen, Janet H. C. Meade, Jane Kelley Caskey, Howard T. Karsner, Frank R. Jelleff,\u003c/p\u003e","\u003cp\u003eContains memoranda, court documents, depositions, handwritten notes, looseleaf notes, edits, markup, drafts, discussion of \"whether the Commissioner of Baseball may not be deemed a one-man voluntary association,\" national law of unfair competition, piracy complaint in connection with world series broadcast, copyright problems involved in televising the Cinema\u003c/p\u003e","\u003cp\u003eContains memoranda, index cards, handwritten notations, looseleaf notes, discusses questions re: \"whether the President proceeding under his executive powers may cancel the certificates of public convenience and necessity issued to certain domestic air carriers authorizing them to fly to Mexico City.\"\u003c/p\u003e","\u003cp\u003eContains drafts, edits, markup, looseleaf handwritten notes, newspaper clippings\u003c/p\u003e","\u003cp\u003eContains drafts, edits, looseleaf handwritten notes, handwritten notations\u003c/p\u003e","\u003cp\u003eContains drafts, edits, looseleaf handwritten notes, handwritten notations\u003c/p\u003e","\u003cp\u003eContains drafts, edits, looseleaf handwritten notes, handwritten notations\u003c/p\u003e","\u003cp\u003eContains drafts, edits, looseleaf handwritten notes, handwritten notations\u003c/p\u003e","\u003cp\u003eContains 27 index cards with summaries of relevant cases for precedent purposes under the headings of arbitration, Condemnation, Contract, Fiscal Year, Lease, Reimbursement,\u003c/p\u003e","\u003cp\u003eContains notes by Monroe Leigh, Orem W. Ketchum, J. K. M., H. R. S., W. S. S., D. V. H., Jr., C. J. S., includes markup, adites, handwritten notes, looseleaf notes, index card\u003c/p\u003e","\u003cp\u003eContains \"Progress of Bankruptcy\" framed cartoon (n.d.), University of London Presentation Ceremony for Recipients fo Higher Degrees and Reception by the Vice-Chancellor program (21 March 1952), \"Law Notes\" notebook that lists persons met/present at social functions and those who sent Monroe Leigh Christmas Cards, The University of Virginia and the Spirit of Honor by Robert K. Gooch, An address to the entering students, 19 Sept 1955\u003c/p\u003e","\u003cp\u003eContains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, Gerald I. A. D. Draper, Dietrich Oehler, Howard E. Hensleigh, Old Ivy Inn, Robert Hubbard, Jr., Raymond F. Loving, Farmington Country Club, John R. Dykema, Hardy C. Dillard, Arthur J. Walters, Bumpus Book Store, Richard (Dick) R. Baxter, Donald P. Ray, Helen M. Hill, Roger Fisher, Lindsey Cowen, R. D. G. Ribble, Marjorie Merritt, Channing Harrison, E. Ham. Welbourn, John S. Voorhees, Michael H. Cardozo, Adam Yarmolinsky, Davidson Sommers, Walter H. Glass, Louis Henkin, Department of Motor Vehicles, Alan Burroughs, Klemens von Klemperer, William H. Smith, Robert W. Tucker, Charles T. Berry, Evans B. Brasfield, F. Aley Allan, Reverend Daniel E. Power, Comptroller of the Treasury, Office of the Assessor, District Collector of Internal Revenue, Henry Saunders, F. A. Cardman, Joseph Burchenal, London Life Association Ltd, Robert Haydock\u003c/p\u003e","\u003cp\u003eContains looseleaf notes, Conclusions in response document, French Republic in the Name of the French People document, handwritten notations and edits in french, Correspondents include: Jane Lang McGrew, Norman Frauenheim, F. A. Mann, Monroe Leigh, Trustee Department - General Accident, Fire and Life Assurance Corporation, Ltd.,\u003c/p\u003e","\u003cp\u003eContains note cards, newspaper clippings, handwritten letters, letter drafts, envelopes, Correspondents include: Monroe Leigh, U. S. Department of Commerce, Vincent Burke, John N. Irwin II, George W. Hickman, Nugroho, Joseph C. Robert, Robert H. Knight, David Bruce, Paul Kaplowitz, Wilmington Trust Company, Donald E. Claudy, Robert Dechert, Manhattan Traffic Court, Robert Fearey, Paul A. Wolkin, John R. Dykema, Heyward Isham, Totton P. Heffelfinger II, Union Trust Company, Her Majesty's Stationary Office, Belgian Consul General, Tom W. Leigh, Roy D. Russell, Benjamin Forman, Regal Shoe Shop, Nicholas deB. Katzenbach, R. E. Booker, G. Vernon Leopold, R. E. Bauer, Howard Hensleigh, John D. Epperly, Walter, Glass, Superintendent of Documents, John N. Bathrick, Leonard J. Ganse, John Haskell, Bumpus Book Store, George Hsu \u0026amp; Company, Blackwell's, Sheldon Z. Kaplan, Philip O'Neill, Jimmy, John McGlynn, Sherman Baldwin, Catharine Gallaher, Wilson E. Schmidt, Jere H. Dkyema, John D. Epperly, Henry W. Sawyer, III, Joseph M. Snee, Edwin G. Schuck, Luke Marbury, Carl, Z. Lewis Dalby, J. W. Lentz, Jack Osborne, Charles Davis, Folger, Nolan, Fleming - W. B. Hibbs \u0026amp; Co., Inc., Gerald I. A. D. Draper, Mansfield D. Sprague, William Gallaher, Arthur H. Phillips, Frank Shakelford, O. M. Scott, Robert G. Harper, David Bruce, Edwin McElwain, Lyttleton Fox, Myres S. McDougal, H. M. Stationary Office, Don V. Harris, Jr., Marshal, Stephen Hearst, Roland, John B. Henderson, Edward Lee Arapian, Dillard Crinkley, William W. Arbuckle, Thomas Armat, Jr., Mrs. Hugh Gallaher, Gianni (Johnny) Manca, Robert (Bob) Haydock, Ammi Cutter, H. Marshall Peter, Charlie Maechling, Father James F. Cunningham,\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten comments, enclosures, looseleaf notes, pamphlets, brochures, Correspondents include: Monroe Leigh, Daingerfield L. Ashton, Benjamin Forman, Marjorie Merritt, John D. Randall, Richard R. Baxter, Stephen Hearst, Jackson Martindell, Tracy S. Voorhees, The Ronald Press Company, M. W. Oettershagen, Little Falls Swimming Club, Thomas P. Peardon, Nugroho, Michael H. Cardozo, Gerald I. A. D. Draper, Howard E. Hensleigh, John F. Furman, Blackwell's Music Shop, F. Warrington Dawson, J. Vincent Burke, Jr., F. J. Dymond, Leonard C. Meeker, Irving Lipkowitz, J. W. Iliff, Wallace Dempsey, Lybrand, Ross Brothers \u0026amp; Montgomery, Walter Herzfeld, Ercole Graziadei, Mrs. McCannon, E. Earl Pugh, Robert W. Berry, Siesta Motel, Louis C. Krauthoff, Byron S. Adams, Simeon B. Dunlap Smith, Rene-Jean Wilhelm, Joseph Burchenal, T. A. Grillo, Tyler Thompson, Phillip I.Blumberg, I. Austin Heyman, Lyttleton Fox, Brockenbrough Lamb, The Old Ivy Inn, George W. Hickman, Jr., Jackson K. Judy, Jerome P. Facher, George R. Fetter, Robert M. Scott, Sam Clammer, L. L. Lemnitzer, Sidney Morton, Ernest A. Jaffray, E. Hambleton Welbourn, Jr., Hugh Gallaher, Theodore C. Achilles, Alan S. Boyd, Anna Barringer, Henry W. Sawyer, III, Harvard Law Review, William Leigh Taylor, Walter Glass, Edwin Martin, W. T. M. Beale, Jr., James Fulton, Joseph Barbash, Ben Bruce Blakeney, Leonard J. Saccio, Vester T. Hughes, Jr., Conrad Philos, G. Gale Roberson, Jr., Frank Boas, Chase Manhattan Bank, J \u0026amp; E Bumpus, Ltd., John Cheeseright, Charles Foster Moore,\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten comments, underlines, Correpondents include: Monroe Leigh, Warrington Dawson, Walton Folk, Marjorie G. McCannon, Elliott B. Strauss, Lewis H. Van Dusen, John B. Rehm, John G. Burnett, K. H. Friedman, Charles Rhyne, Norman P. Seagrave, Herbert F. Goodrich, Leslie A. Boosey, E. J. O'Donnell, J. Vincent Burke, Jr., Benjamin Forman, John B. Henderson, Roger Ernst, Richard R. Baxter, William E. Perdew, Samuel L. Eggleston, Herman C. Marshall, Gerald Draper, Bill, Blackwell's Book Store, Tracy S. Voorhees, A. W. H. Nicholson, Lewis H. Van Dusen, Jr., Thomas P. Peardon, William McC. Martin, Jr., D. Webster, Mansfield Sprague, Lynn Ungoed-Thomas, Bankers Trust Company, Stephen Hearst, G. I. A. D. Draper, Comptroller of the Treasury, Joseph T. Trotter, A. E. Kraus, Madeleine Provinzano, Lyman L. Lemintzer, Max G. Coulson, Doubleday Book Shop, Union Trust Company, Rene-Jean Wilhelm, Howard E. Hensleigh, H \u0026amp; P Manufacturing Company, F. Trowbridge vom Bauer, Herbert J. Blitz, Lyttleton Fox, E. Hambleton Welbourn, Jr.\u003c/p\u003e","\u003cp\u003eContains underlines, handwritten notations, signatures, Correspondents include: Julia and Gerald I. A. D. L. Al Forge, Draper, Monroe Leigh,\u003c/p\u003e","\u003cp\u003eContains handwritten letters, looseleaf pages, envelopes, enclosures, resumes, newspaper clippings, Correspondents include: Sidney Morton, SCM, Mr. Guiher, Mr. Morris, Charles Donahue, Donald J. Hardenbrook, William C. Bauknight, Julius Kaplan, Richard C. Bergen, Walter H. Glass, Charles H. Shuff, Robert A. Marmet, John N. Regan, Dumond Peck Hill, Market Tire Company, Macon M. Arthur, Gustave M. Hauser, Adam Yarmolinsky, Union Trust Company, Perkins McGuire, Aley Allan, Joel Barlow, Edward D. Re, Nicholas Katzenbach, John E. Hayes, Wallace G. Dempsey, Arthur H. Phillips, Stanley Surrey, John Dykema, Robert W. Lawson, Jr., Edward S. Smith, J. W. Weaver, Samuel Efron, Eastern Airlines, K. H. Friedman, Tracy S. Voorhees, Peter von Teufenstein, John Stuart Higgins Jr., Martin Domke, Alfred von Klemperer, Helen Claggett, John B. Huffaker, Dan Marquarder, H. F. Arps, William J. Schrenk, Jr., John Carey, Mansfield D. Sprague, Federal Trade Commission, Better Business Bureau, Washington Post, Department of Licenses \u0026amp; Inspection, William H. Watts, Stephen C. Reville, Jr., George C. Denney, Clovis E. Byers, Lawrence Hargie, Philip D. Saxon, Marjorie Merritt, Dick van Wagener, Philip D. Saxony, Richard (Dick) R. Baxter, John Stewart Higgins, Jr., Richard M. Buxbaum, Seymour J. Rubin, Hubert A. Schneider, Herbert Briggs, William Roy Vallance, Clovis Byers, John D. Epperly, Howard S. Levie, Charles R. Norberg, George Farah, Jacob L. Holtzmann, Irving Lipkowitz, Gerald I. A. D. Draper, Rev. Oscar deWolf Randolph, Phillip I. Blumberg, Jefferson B. Fordham, Robert Dechert, R. Granville Curry, Alan G. Kirk II, Bernard G. Heinzen, L. Niederlehner, Frank M. Wozencraft, Michael Cardozo, E. Fontaine Broun, C. Severin Buschmann, Jr., James C. Sargent, Alan S. Boyd, Daggett (Bud) Howard, Her Majesty's Stationary Office, Benjamin Forman, Charles L. Decker, Virginia Law Review Association, Collins Denny, III, Conrad Philos, Old Ivy Inn, Max Lehrer, L. Addison Lanier, Hudon's, J. Jacobs Shannen, Fisher Radio Warehouse, Georg Hukman, Z. Lewis Dalby, Glenn R. Winters, Alfred H. Von Klemperer, Brentano's, Blackwell's, John G. Burnett, Frank L. Dennis, A. Rushton, George W. Hickman, Lewis H. Van Dusen, George M. Coburn, Paul Nitze,\u003c/p\u003e","\u003cp\u003eContains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, David I. Johnston, Rodrigo Llorente, James R. Patton, Jr., Virginia Law Review Association, Henry Dolz, Allen Communications, Lindsey Cowen, Walter Sterling Surrey, John B. Henderson, J. de Tender, Hugh Calkins, Richard (Dick) R. Baxter, Samuel B. Sterrett, James R. Patton, Tatlana Guldberg, Robert H. Knight, E. Hambleton (Ham) Welbourn, Jr., Norman Seagrave, Epsilon of Chi Phi, Secretary to General Gruenther, K. H. Friedman, Ralph Immell, Edwin Martin, Alfred M. Gruenther, Howard S. Levie, Sweet \u0026amp; Maxwell Ltd., A. Moreni, Robert H. Haden, Abram Chayes, Stevens and Sons, Vada Horsch, Wagons-Lits, American Airlines, Richard Swift, Messrs. Guiher and Morris, Walter H. Glass, Royal Little, Russell Baird Adams, F. Aley Allan, Douglass Cater, G. O. J. van Tets, Hubert A. Schneider, Mr. William Merriam, Henry F. Butler, Ralph Wesley Golby, Secretary - Metropolitan Club, Maxwell M. Caskie, Jr., Jerome P. Facher, Roger Fisher, Noyes Thompson (Tom) Powers, Stanley V. Malcuit, Guerin Todd, Wallace G. Dempsey, Gertrude C. Whitaker, Lewis Matacia, James Sargent, C. Richard Locke, Juraj L. J. Slavik, John Andrews King, Jr., Bourke B. Hickenloper, Rufus King, Ina Walker, Nugroho, Sidney Morton, Jack H. Pender, Frank Shackelford, John B. Henderson, Daggett (Bud) H. Howard, Ray Brittinham, The Treasurer - Metropolitan Club, Stephen C. Hopkins, Sr., Stephen Reville, George M. Pavia, Leon Lipson, John P. Furman, James P. Sullivan, Cecil J. Olmstead, Herman Finkelstein, John King, Jr., Louis C. Krauthoff, Nicholas deB. Katzenbach, John DeHardit, Chesapeake \u0026amp; Potomac Telephons, Harvard Business Review, Judson T. Vaughan, Jr., Phillip D. Jackson, Hart Perry, Warren Lee Pierson, Palmer S. Rutherford, Jr., John Emerson, Chris Nolde, Irving Lipkowitz, William Barron, Harry Catlin, Mrs. Hugh Gallaher, Ed Stern, Ken Hadow, Robert H. Haden, Henry Dolz\u003c/p\u003e","\u003cp\u003eContains invitations, notecards, envelopes,newspaper clippings, Correspendents include: Monroe Leigh, Riggs National Bank, Robert Haydock, First National City Bank, Michael H. Cardozo, George W. Ray, Jr., District Director of Internal Revenue, Sidney E. King, Vester T. Hughes, Jr., Herman Marshall, Raymond O. Mulvany, John Richardson, John Langstaff, Don V. Harris, Jr., Morgan Guaranty Trust Company of New York, Rita E. Hauser, Philip I. Blumberg, Clive L. DuVal, II, Walter H. Glass, Elbert Cox, Thomas E. Gilmer, Robert Dechert, Stephen Reville, Jr., James E. Edmunds, The Strad Office, Chase Manhattan Bank, Allan E. Walker, Jr., W. Taylor Reveley, Jr., William Thomas, Walter A. Willson, III, Robert Anthoine, Howard Marshall Holtzmann, R. M. Eager, Cecil J. Olmstead, Janet H. C. Mead, Ed Fish, Jesse Guy Benson, Philip S. Bowie, Vincent J. Hearing, Frank Shackelford, Benjamin Montmorency Tench, Jr., Carol Sue Richard, John W. Leatherman, Fannie J. Klein, Richard Baxter, Aunt Bee, Robert A. Falise, Henry B. Smythe, John H. Fanning, Phillip Blumberg, William Bryan, Mrs. William Denson, Controller of the Treasury, Messrs F. Trobridge vom Baur, Spencer M. Beresford \u0026amp; George M. Coburn, Howard Hensleigh, Charles L. Decker, Hugh Calkins, Eugene B. Thomas, Romer McPhee, David Johnston, Richard Young, Alfred M. Gruenther\u003c/p\u003e","\u003cp\u003eContains handwritten notes, Gen Kajitani resume, signatures, underlines, comments, Memorandum - Reform of the AntiDumping Act in 1965, Correspondents include: Monroe Leigh, Gen Kajitani, Richard O. Duvall, Andrew R. Cecil, G. W. Capley, The Harvard Law Review Association, Mr. Guiher, Mr. Lawson, Dean and Mrs. Allan F. Smith, Willis O. S., Louis A. Johnson, Frank E. Samuel, Alexander D. Calhoun, Jr., James Lee Kauffman, Takeo Kajitani, Richard R. Baxter, Graham James \u0026amp; Rolph, LaForest E. Phillips, Jr., Charles G. Williamson, Jr.,\u003c/p\u003e","\u003cp\u003eIncludes envelopes, notecards, invitations, resumes, receipts, bills, Correspondents include: Mornoe Leigh, John Warden, Secretary of Agriculture, Mansfield (Mannie) D. Sprague, Edgar Stedman, Wallace Holbrook, George W. Ray, Jr., Sidney Kramer, Carl Norden, Richard (Dick) Baxter, E. Ross Adair, Ray Dickey, Coutnry Club of Virginia, Inc., Mrs. L. F. Leigh (Mother), Thomas Leigh, J. Purcell Jones, Miss Donna Smith, Gerald Draper, E. Barrett Prettyman, Jr., Mrs. Nicholson, Howard Tucker, William R. Merriam, Lloyd N. Cutler, James C. Sargent, Philip W. Amram, Macon M. Arthur, Louis Henkin, F. Allan Kelly, Louis B. Sohn, Kenneth B. Wentzel, Mrs. Harry Catlin, George H. Long, Myers S. McDougal, Miss Louise Savage, Cesare Sclarandis, Harrison Hancock, Chase Manhattan Bank, The Univesity Club, John H. Calhoun, William G. Moore, Virginia Journal of International Law, Edward D. re, John S. Higgins, Jr., George S. Buschmann, Phillip I. Blumberg, Virginia P. Trenka, Robert (Bob) McCaw, Willis L. M. Reese, Georgia Pinnick, Andrew R. Cecil, Velma H. LeRoy, W. C. (Bill) Mott, Bernard G. Heinzen, Stanley C. Morris, Sr., C. R. Locke, Veterans Administration, New York Historical Society, William A. Lashley, Edward M. Smith, Bernard J. Wald, William E. Miller, University Club, Messrs. Lear \u0026amp; Scoutt, Riggs National Bank, Guerin Todd,\u003c/p\u003e","\u003cp\u003eIncludes envelopes, notecards, invitations, receipts, bills, Correspondents include: Stanley Surrey, Robert Dechert, Roger Fisher, Stephen T. Bolmer, Texaco Ind., Robert F. Grabb, Cecil J. Olmstead, Raymond L. Brittenham, Hardy C. Dillard, Henry T. Wickham, Stephen R. Tisa, Richard B. Lillich, Marvin J. Colangelo, Najeeb Halaby, Capital Map Company, Jerome P. Facher, Robert Huntington Knight, John G. Buchanan, William B. Spong Jr., Parvez Hassan, H. Dudley Ives, Mrs. Fletcher Plumley, Maxwell M. Caskie, Jr., Virginia Department of Conservation and Economic Development, John Laylin, S. A. Gersten, Herman Marshall, Jasper S. Baker, Leonard C. Meeker, John McCoid, Vester J. Huges, Jr., Nicholas deB. Katzenbach, Techbuilt, Inc., Mrs. Velma H. LeRoy, Helen Newman, Covey T. Oliver\u003c/p\u003e","\u003cp\u003eMaterials related to Edward D. Re's consideration for appointment as a Federal Judge in the Eastern Distict of New York, handwritten notes, form, biographical clipping, Correspondents include: Monroe Leigh, Ernest C. Friesen, Jr., Robert F. Kennedy, Nicholas de B. Katzenbach, Committee on Membership - The American Law Institute, Warren E. Buger, Francis M. Bird,\u003c/p\u003e","\u003cp\u003eIncludes Western Union telegram photocopy, envelopes, wedding invitation, signatures, Western Union telegram, memos, Buschlinger resume, handwritten comments, Correspondents include: Monroe Leigh, Gerold Buschlinger, William A. Sackman, Conner, Lyman Hamilton, Richard A. Whiting,\u003c/p\u003e","\u003cp\u003eIncludes envelopes, notecards, invitations, programs, recipts, bills, Wilton Park 1966 Conference materials, newspaper clippings, Correspondents include: Monroe Leigh, Columbia Kennels and Pet Center, Mr. Claudy, G. C. Harcourt, William C. Olson, American Security \u0026amp; Trust Company, The Clerk - Putnam County Court, Appeal Printing Company, Inc., K. Westrick, Don Bagwell, Tom Farmer, Sleep Center, Don E. Burch, Egbert Giles Leigh, III, Richard B. Lillich, Vada Horsch, Sears, Roebuck \u0026amp; Co., Mason Willrich, Alan Boyd, Harry Catlin, Riccardo Dalla Vedova, William E. Miller, S. Frisa, Marvin J. Colangelo, Thomas Tuttle, K. H. Friedmann, Rawle Deland, Daggett H. Howard, A. C. Epps, Stephen Reville, Jr., Charles K. Hepner, Richard Whiting, Edward J. Gerrity, Jr., Carol Laise, Francis J. Larkin, Nellie R. Bair, Sam D. Eggleston, Jr., Manhattan Laundry \u0026amp; Dry Cleaning, H. C. L. Merillat, C. Kriss, Goodspeed's Book Store, William B. Spong, Jr., Craig Colgate, Jr., The Recording Laboratory - Library of Congress, George C. Rawlings, Jr., W. Leigh Taylor, John W. Tuthill, James N. Wilson, Walter Herzfeld, Hastings Keith, Murray Camarow, Myres S. McDougal, Donald C. Alexander, Richard (Dick) Baxter, Jacob D. Beam, Howard Aibel, Larry L. Skeen, The Heckman Bindery, Inc., Hechinger, Jerome P. Lipper, Matthew Hale, John P. Furman, Franklin Federal Savings and Loan Association, Comptroller of the Treasury, District Director Internal Revenue Service, Virginia Law Weekly, R. W. Rose, Robert H. Knight, Fontaine Broun, Lowell Davis, Mrs. Hugh Gallaher, Jack P. Jefferies, Howard S. Levie, Ralph Gilbert, Fred B. Smith, Revelation, Norman Seagrave, W. E. Griffin, Frank M. Wozencraft, L. Roger Williams, Peggy Cole, Columbia Broadcasting System, Inc., Stephen R. Tisa, F. Taylor Ostrander, Superintendent of Documents - US Government Printing Office, E. P. Geibig, University of Virginia - Legal Research Group, Morse Dial, Wallace Dempsey, William Moore, Robert D. Thorington, William C. Hill, Allen W. Dulles, S. L. Simmons, Pat Monroe, Wilson Anderson, James H. Pipkin, C. R. Locke\u003c/p\u003e","\u003cp\u003eContains personal receipts of Monroe Leigh from various companies\u003c/p\u003e","\u003cp\u003eIncludes materials related to Atkeson's application to appear before the Supreme Court, copy of US Court of Appeals for 2d Circuit Docket No. 30341 case, Resume of Timothy B. Atkeson, signatures, handwritten notations, newspaper clippings, Correspondents include: Timothy B. Atkeson, Monroe Leigh, Franklin Davis, Elliot L. Richardson, Arthur H. Dean, Thomas M. Franck, Lewis Kimball,\u003c/p\u003e","\u003cp\u003eContains The Department of State Bulletin, Vol. LXII, No. 1599, February 16, 1970, a copy of the Mayo Diet - 2 weeks, envelopes, newspaper clippings, invitations, receipts, bills, Correspondents include: Monroe Leigh, Norman P. Seagrave, Edward M. Harris, Seymour St. John, Howard Tucker, John M. Raymond, Gerold H. Buschlinger, Gardner Defoe, Helen T. McDonald, Logan Fulrath, Mary S. Churchill, George W. Haight, Franklin Federal Savings and Loan Association, Howard Tucker, Darby Bowman, Stanley D. Metzger, John C. Bullitt, Outward Bound, Inc., Lucien Wulsin, Riccardo Gor-Montanelli, Hechinger, Virginia Law Weekly, Hyman Zimmerman, William R. Felts, Mr. Beale, Christopher H. Phillips, John S. Tennant, John A. Wise, Donald G. Agger, Austin P. Montgomery, Dnaiel M. Federman, Mary Fry, John G. Tritsch, David Rice, Henry S. Villard, Jere H. Dykema, Alan Boyd, John E. Stephen, E. Hambleton Welbourn, Jr., Donald G. Agger, Walter D. Sohier, Harvard Law Review Association, Vada Horsch, Joan Fulton, William H. Draper, Jr., John Shelton Bair, Robert Matteson, William A. Sackmann, M. Z. Khaiser, Francis O. Wilcox, Jerry H. Weiss\u003c/p\u003e","\u003cp\u003eContains envelopes, invitations, receipts, bills, newspaper clippings, Correspondents include: Monroe Leigh, Robert Murphy, Governmetn Employees Insurance Co., John B. Rehm, State Planters Bank, J. C. Clatterbuck, Potomac School, Harold Johnson, W. E. Griffin, Jerry H. Weiss, Chevy Chase Club, Keyboard Immortals, Oscar Schachter, Irving Lipkowitz, Derzy Michalowski, Totton P. Heffelfinger, Chariman - Joint Economic Comimttee, J. William Doolittle, University Club, Franklin Federal Savings and Loan Association, Stephen Hearst, Douglas Cater, John Warner, Stanley D. Metzger, Women's National Democratic Club, Phillippe Bodin, Miguel Gomez Guerra, Riccardo Dalla Vedova, Ward C. Humphreys, John A. Wise, Jr., Herman F. Scheurer, Richard Falk, James L. Billinger, Govert van Tets, Herbert R. Stokes, Robert Krause, Colonel B. Jablonski, Jan Chowaniec, Westerly Marine Construction, Hechinger's, John M. Raymond, Phyllis T. Piotrow, Michael H. Cardozo, Leonard Unger, Mason Willrich, Harry W. Geiglein, Hardy C. Dillard, Alden R. Kuhlthau, Frank S. Phillips, Inc., Warren M. Christopher, Gardner Defoe, Gerold H. Buschlinger, John R. Garson, Judith Gellert, Richard B. Lillich, Edward M. Harris, Hnery S. Palau\u003c/p\u003e","\u003cp\u003eContains handwritten notes, memorandum, meeting minutes, IRS and Organizational forms, Articles of Incorporation document, agendas, Correspondents include: Monroe Leigh, Carl F. Norden, Wallace (Wally) E. Whitmore, Ellen H. Norden,\u003c/p\u003e","\u003cp\u003eContains invitations, notecards, envelopes, looseleaf paper, Correspondents include: Monroe Leigh, Robert B. McCaw, Jerry H. Weiss, Lucien Wulsin, Monrad G. Paulsen, Ralph Cunningham, Richard B. Lillich, Leonard v. B. Sutton, Lewis H. Van Dusen, Jr., LIndsey Cowen, Stanley D. Heckman, D. R. Mummery, Richard R. Baxter, Joseph M. Sweeney, Hotel Tarabya, Hotel Istanbul Hilton, American Wood Council, Luke W. Finlay, Mason Willrich, Jeremiah D. Lambert, William H. Draper, Jr., Chalres B. Ruttenberg, Scott Heuer, Jr., Hardy C. Dillard, William C. Battle, Alexandre Kafka, Robert J. Muscat, Alexis I. duPont Bayard, Myres S. McDougal, Mrs. Hugh Gallaher, Superintendent of Documents, F. Bradford Morse, Vester T. Hughes, Jr., Francis O. Wilcox, John B. Rhinelander, Eric E. Bergsten, Carrington Williams, Linda K. Lee, Edwin M. Zimmerman, J. T. C. Hewison, George M. Coburn, Lewis J. Moorman, Jr., John S. Voorhees, Marie J. Pampley, Neil Carothers III, Thomas W. Leigh, Monard G. Paulsen, Robert Hadock, Jr., Horizon Books, Hal J. Wright, Charles Donahue, C. Burke Elbrick, Addison Lanier, Maurice Flynn, William W. Lancaster, Jack Baranson, C. R. Locke, Frances Farmer, Clarence J. Galligan, Alan S. Boyd, Norman Frauenheim, Marvin J. Colangelo, Walter Wadlington, Betty C. Armstrong, Marshall Green, Information Officer - Foreign Claims Settlement Commission, David Rapaport, Dante Fascell, Mrs. Littleton Fox, L. L. LeBlanc, Howard Tucker, Edwin S. Cohen, Rita E. Hauser, Edward D. Re, Stowe Area Association, John G. Wall, Peter Low, Virginia Law Review Association, Russell E. Train, Joseph W. Bartlett, Robert Lawson, Adrian S. Fisher, Edward J. Grenier, Jr., Tracy S. Vooorhees, Betty C. Lynch, Meredith's, Hudson's, Herman Marshall, John Washburn, William Howell, Gen Kajitani, Gerald P. Johnston, Robert Krones, Jacques Futrelle, Elliot L. Richardson, William P. Macht, Frank Jones, Ron Romines,\u003c/p\u003e","\u003cp\u003eContains program and supporting materials for the Regional Meeting of the American Society of International Law, March 13 - 14, 1970 at the University of Virginia School of Law, Co-Sponsored by the John Bassett Moore Society of International Law, titled \"Foreign Investment in Latin America: Past Policies and Future Trends.\" Monroe Leigh was a participant. These materials cover supporting documentation for his role, background information, and relevant materials for this subject matter.\u003c/p\u003e","\u003cp\u003eContains envelopes, resumes, invitations, receipts, bills, Correspondents include: Monroe Leigh, Hugh Calkins, Richard L. Fischer, Mr. Charles M. and Mrs. Sydney Spofford, William P. Macht, Irving Lipkowitz, Malcolm Richard Wilkey, Kenneth R. Mason, Jerry H. Weiss, Helen and Ed Cohen, John Norton Moore, John A. Wise, Jr., Philip Elman, John A. McVickar, Charles Kent, Jerome Lipper, Edward D. Re, Bray \u0026amp; Scarff Sales, Inc., Marshall T. Mays, Covey T. Oliver, Richard R. Baxter, Downs, Mason Willrich, Stephen R. Tisa, Edd Hyde, David Fleming, G. O. J. van Tets, Ruth Eggleston, Mrs. Maxwell M. Caskie, Jr., Thomas Leigh Williams, Robert Dechert, Don Wallace, Jr., Alastair K. Maxwell, Barry Sullivan, William Harvey Reeves, The New Yorker Magazine, Gustave M. Hauser, Mr. and Mrs. Jan Chowaniec, Joseph H. McConnell, Senator Byrd, Senator Spong, E. W. Hackett, Stanley J. Glod, Elliott L. Richardson, Mrs. Philip Levy, Ball \u0026amp; Ball, Sturbridge Yankee Workshop, United Virginia Bank/State Planters, Tracy Voorhees, David M. Gooder, Murray J. Belman, The Virginia Law Weekly, David I. Granger, Don V. Harris, Jr., BP Oil Corporation, Grinnell Morris, George Kovacs, Mrs. John (Florence) Riley, Virginia Law Review Association, Hardy C. Dillard, Dallas W. Smythe, C. R. Locke, Markham Ball, Monrad G. Paulsen, James E. Edmunds, Donald E. Claudy, Lyle S. Garlock, Rodger W. Klein, Richard L. Fischer\u003c/p\u003e","\u003cp\u003eContains transcript of remarks, looseleaf notes, program, photocopy of newspaper clippings, schedule, Correspondents include: Monroe Leigh, Robert K. Goldman, Richard B. Lillich\u003c/p\u003e","\u003cp\u003eContains handwritte notes, underlines, correspondence re: Robert College, outline for prospective teachers and information regarding Trinity College for his son Edward M. Leigh, Jr., Correspondents include: Monroe Leigh, Catherin Scott Rose, Lloyd E. Smail, W. Howie Muir, Del A. Shilkret, Elenor G. Reid\u003c/p\u003e","\u003cp\u003eContains envelopes, invitations, receipts, bills, resumes, Correspondents include: Monroe Leigh, The Musical Review, Jerry H. Weiss, Mr. Edmund and Mrs. Helen Cohen, Richard L. Fischer, Jon Pickel, Ralph Cunningham, Hardy Dillard, Alastair K. Maxwell, Benjamin P Labmerton, Jay Norris Corp., Carrington Williams, Livingston Hartley, R. Dennis McArver, Stephen M. Schwebel, Rosemary G. Conley, Eastern Federal Savings and Loan Association, John N. Plakias, Ed A. Evanson, Benjamin Forman, Jerry R. Goldstein, Frederick S. Hill, L. Thomas Galloway, R. D. Plant, C. Richard Locke, Mr. and Mrs. Ralph P. Cunningham, John A. Hartman, Jr., Minnesota Outward Bound, Della Sullivan, John A. McVickar, Alexander D. Calhoun, Jr., Tractor Supply Company, National Symphony Orchestra, Herbert P. Fales, Justice and Mrs. R. Ammi Cutter, Herbert Rubin, Myres S. McDougal, Mrs. Hugh (Anne) Calkins, Bob McNeil, Covey T. Oliver, James A. Dixon, Dumond Peck Hill, Norman Frauenheim, Beltsville Forest Insect Laboratory, G. Schirmer, Inc., Helga Ruof, Kitty? Guy, Richard Baxter, Phillip I. Blumberg, Russell N. Shewmaker, John Shugars, Richard L. Tavrow, Robert Chira, F. Gerald Toye, Marshall T. Mays, Robert Brown Glenn, Jr., Thomas Galloway, Photo Duplication Service, Ed Burns, W. Graham Claytor, Jr., Joseph P. Downer, William H. Taylor, Robert F. Dobbin, Keyboard Immortals, Zeltz Fish Hatcheries, Lewis E. Kimball, Jr., The Virginia Law Review Association, Mason Willrich, Michael J. Deutch, Farmington Country Club, Marshall V. Miller, Eric R. Fox, James E. Edmunds, Karl E. Bakke, Dickson Phillips, Gustave M. Hauser, Frank P. Jones, Jr.\u003c/p\u003e","\u003cp\u003eContains signatures, envelopes, handwritten notes, Correspondents include: Monroe Leigh, Stephen Ailes, Jonathan Moore, Elliot L. Richardson, Pierre Lalive, John H. Jackson, Norman Frauenheim, Phillip I. Blumberg, Hardy, Mozelle Archer, Fesco, Inc., R. Jordan, Percy W. Aycock, Frank M. Wozencraft, Andrew R. Cecil, R. Bruce MacWhorter, John Edwards, Mrs. Edward [Bertie] G. Howard, Frederick S. Hill, Ted Stevens, W. H. Booth, Walter W. Regirer, Ronald S. Katz, Lucien Wulsin, John B. Rhinelander, Catherine Scott Rose, Mario Beltramo, Riccardo Gori-Montanelli, Francisco Orrego Vicuna, Lester Nurik, Newell W. Ellison, Gianni Manca, William H. Howell, Eli Lauterpacht, Hugh Calkins, The Homestead - Hot Springs, Virginia, Sigmund Timberg, Michael Sandler, John A. McVickar, Michael Reisman, Malcolm L. Monroe, Vester T. Hughes, Jr., Linda K. Lee, John B. Rehm, Guido Brosio, The Editor and Managing Board - The Virginia Law Review Association, Monrad G. Paulsen, James C. Conner, William P. Macht,\u003c/p\u003e","\u003cp\u003eCorrespondents include: Monroe Leigh, Mr. Nugroho (3 letters)\u003c/p\u003e","\u003cp\u003eIncludes envelopes, personal letters, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, John N. Irwin, III,\u003c/p\u003e","\u003cp\u003eContains Foreign Service Journal, October 1973, Department of State Newsletter, January 1974, No. 152, looseleaf notes, pay charts, Department of Agriculture rates of pay memorandum to all employees, Department of State Newsletter January 1974 photocopy, Correspondents include: Monroe Leigh, Samuel O. Ruff,\u003c/p\u003e","\u003cp\u003eContains invitations, signatures, envelopes, programs, article photocopies, looseleaf notes, press releases, invitations, Correspondents include: Kazys Skirpa, Monroe Leigh, Legal Directories Publishing Company, F. David Lake, Jr., David Small, Ronald S. Katz, Gerard R. Aquilina, John A. McVickar, Rosemary G. Conley, Harold J. Berman, William B. Beirce, Robert A. Rabbino, Jr., Oscar Schachter, Joseph Barbash, J. Dapray Muir, James R. Offutt, Office fo Noise Abatement attn: Mr. Purnell, William D. Rogers, G. Richard Dunnells, John M. Hennessy, Mason Willrich, Tracy S. Voorhees, Leonard B. Terr, Jose A. Cabranes, Adrian S. Fisher, Gustave M. Hauser, Robertogod Goldman, Edwin G. Schuck, John Jay Douglass, James C. Conner, Michael Bradfield, Mr. Kenneth, and Mrs. Hebe Redden, Martin R. Hoffman, Horace J. DePodwin, Howard S. Levie, Paul A. Wolkin, Jerry H. Weiss, R. S. Katz, DAvid Gregg, III, David H. Popper, James L. Wolf, David D. Newsom, Arthur A. Hartman, Bob D. Mannis, Frank P. Jones, Jr., James N. Hyde, Lic. Cesar Sepulveda, Alwyn V. Freeman, Yehuda Z. Blum, Barbara M. Rossotti, William H. Morris, G. Richard Dunnells, Richard B. Lillich, Lewis H. Van Dusen, Jr., John Hopkins Heires, Stanley Nehmer, Alan Wm. Wolff, Mark R. Finkelstein, Secretary - U. S. Tariff Commission, Albert J. Beveridge, III, George P. Armour, E. Thomas Sullivan, Carl F. Salans, Scott H. Marston, Joseph E. Toochin, Gaetano Arangio-Ruiz, Theodore R. Gates, Mary Lou Richini, Murray J. Belman, Michael Waelbroeck, Barbara M. Rossotti, David A. Walsh, Lindsey Cowen, Ibrahim F. I. Shihata, Ewell E. Murphy, Jr., William C. Gifford, Jr.,\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notes, Correspondents include: Monroe Leigh, Richard L. Fischer, Frank P. Jones, Jr., James C. Conner, Irving Lipkowitz, James F. Lawrence, Virginia Dunmire, Mr. Henry w. and Mrs. Grace Sawyer, Mrs. John [Nicky] Emerson, Wardeen P. P. [Paul] Streeten, Thomas W. Leigh, The Epsilon Chapter - Chi Phi Fraternity - Hampden-Sydney College, Riccardo Gori-Montanelli, Mozelle Archer, Secretary - R. J. Reynolds Industries, Inc., Mrs. Vernon E. [Elizabeth] Reynolds, Norman Frauenheim, Charles McC. Mathias, Jr., Stephen M. Schwebel, Carrington Williams, Jerry H. Weiss, William J. Flather, III,\u003c/p\u003e","\u003cp\u003eContains Yale Law Report, Spring 1973, FacultyProfile\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notes, looseleaf notes, business cards, resume, Correspondents include: Monroe Leigh, Eli Lauterpacht, Ammi Cutter, Frank P. Jones, Jr., Jasper S. Baker, Jerry H. Weiss, Carl F. Norden, Richard L. Fischer, New York Review of Books, Judith Bello, Robert A. Fearey, Louis Lefkowitz, Epsilon Chapter of Chi Phi, Carlyle E. Maw, Mays Behrman, Peter Lemell, Sir William Hawthorne, John N. Irwin, Henry W. Sawyer, III, F. L. P. White, Ted Stevens, George C. Denney, Jr, Whittet \u0026amp; Shepperson, Dover Publications, Mrs. Conley - American Society of International Law, Shopsmith, Inc., Lucien Wulsin,\u003c/p\u003e","\u003cp\u003eContains numerous iterations and versions of his resume with edits, revisions, markup, as well as other articles and documentation about his biography (including Who's Who in the South and Southwest excerpt)\u003c/p\u003e","\u003cp\u003eContains signatures, note cards, Christmas cards, invitations, handwritten notations, newspaper articles photocopies, resumes, envelopes, Correspondents include: Christian A. Herter, Jr., Mornoe Leigh, John Hardin Young, John M. Raymond, Maurice D. Capithorne, Gerald Aksen, Malcolm Richard Wilkey, Harry Tyson Carter, Betty Esau, William C. Brewer, Jr., Edward D. Re, Rita E. Hauser, Eva C. Domke, Elliot L. Richardson, Henry P. de Vries, David Gill, Noor Mohammad, K. Scott Gudgeon, World Champion Horse Equipment, Inc., Michael J. Hershman, J. Peter A. Bernhardt, Robert MacCrate, Jack P. Jefferies, Morris H. Wolff, Charles Hopkins, Andres Cuneo Macchiavello, Henry A. Kissinger, Timothy W. Stanley, Lawrence S. Eagleburger, Donald E. deKieffer, Circulation Manager - Horseman Magazine, Joseph P. Downer, Betty Calambokidis, Michael Sandler, Dr. Kalliopi Koufa, Michael J. Glennon, Richard Williams, R. Ammi Cutter, Jim McHugh, Howard S. Levie, Andrew R. Cecil, John Norton Moore, John O. Marsh, Jr., Charles E. Barnett, III, Hardy C. Dillard, Mr. Carlyle E. and Mrs. Margo Maw, Deborah M. Levy, Roger McCollester, John Hertz, Marshall V. Miller, Emerson G. Spies, Richard L. Fisher, Frank P. Jones, Jr., Sheikh Salah Al-Hejailan, Robert J. Lipshutz, C. L. Haslam, A. M. Reynolds, P.Y. M. Hartog, John A. Washington, Edward Gordon, Charles Maechling, Jr., Michael K. Wyatt, Robert L. Keuch, Mason Willrich, John E. Howell, Wallace L. Timmeny, Leonard H. W. van Sandick, William W. Bishop, Jr., Irwin M. Stelzer, Takashi Watanabe, Steven L. Meltzer, John E. Howell\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notations, newspaper article photocopies, looseleaf notes, invitations, Correspondents include: G. P. Thukov, Monroe Leigh, Robert J. Corber, Geoverts O. J. Van Tets, C. Euguene Webb, Willis L. M. Reese, Paul A. Pavlis, Richard Combs, John R. Cooke, Jr., U.S. Department of Transportation, George W. Coombe, Jr., Samuel D. Engle, Michael H. Cardozo, C. Barrie Cook, Mr. and Mrs. Heribert Golsong, Edward Gordon, Toby S. Myerson, Franz M. Oppenheimer, Yale Club Library,Mr. Gerals and Mrs. Julia Draper, Louis S. Emery, John Hannaway, John Heinz, J. Howard Settle, Howard Holtzmann, Lindsey Cowen, Hart Perry, Edward Dumbauld, Philip C. Jessup, Lawrence Collins, Peter C. Manson, Malcolm R. Pfunder, John A Westberg, Malcolm R. Wilkey, Ms. Haas - Circle 8 Ranch, Joseph P. Griffin, James E. Edmunds, Mary Gardiner Jones, Robert M. Flanagan, Robert Womack, Hardy C. Dillard, Davis R. Robinson, William R. Bailey, Aron Broches, Paul J. Stadtler, William R. Bailey, Terry L. Leitzell, Department of Highways, Robert Womack, John C. Roots, Betty Esau, Ignaz Seidl-Hohenveldern, Rosalyn Higgins, Mark B. Feldman, David Schachter, Robert O. Blake, Joseph A. Greenwald, Pierce McCrary, Mrs. E. Miles Herter, John Lehman, Adele Herter Seroude, Walter J. Stoessel, Jr., John D. Epperly, John O. Marsh, Jr., Phillip R. Trimble, Jerry H. Weiss, Tariq Hassan, John Lehman, Christian A. Herter, Jr., Harold H. Saunders, Roberts B. Owen, Michael Brnadon, J. Peter A. Bernhard, Maurice D. Copithorne, Takashi Watanabe, Mason Willrich\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notations, post-it notes, article photocopies, envelopes, invitations, draft article letter responses resumes, correspondents include: Monroe Leigh, Comptroller of the Treasury - Income Tax Division, M. D. Copithorne, Richard M. Hammer, Frank W. Swacker, Juk H. van Maanen, Jerry H. Weiss, Orm Ketcham, Sidney Picker, Jr., Mustafa Sayid, Board of Directors - Hamlet Place Owners, Inc., Harry Tyson Carter, Robert B. Oakley, Byron Farwell, Virginia M. Dondy, C. Karen Troy, Aron (Ronnie) Broches, James M. Michel, Fomad? Riad?, Mr. Riddle, Kempton B. Jenkins, Walking Horse Report, Voice of the Tennessee Walking Horse, Walking Horse Report, Arthur R. Albrecht, Francis A. Boyle, Daivd A. Greenburg, William T. England, Chevy Chase Chevrolet, Elisabeth Zoller, Roland de Kergorlay, William R. Felts, Chester H. Brandon, Charles G. Williamson, Jr., Dante B. Fascell, Jacqueline A. McCard, Scott Heuer, Jr., William W. Dunn, John D. Epperly, Michio Mizoguchi, Internal Revenue Service Center, Maryland Income Tax Division, Harry W. Fawcett, Paul Brothers, Inc., Justice Lewis F. Powell, Jr., Bruno A. Ristau, Ronald S. Katz, Sam Eggleston, Jr., Arthur J. Rothkopf, Henry A. Kissinger, Kathleen Sylvester, John R. Cooke, Department of Parking and Transportation Services, J. Stewart McClendon, Peter Auery, Chevrolet Motor Division, Timothy W. Stanley, Herbert D. Spivack, R. W. Munro, Interstate Federal Savings and Loan Association, Mr. and Mrs. Joseph Prendergast, Kanenori Oshikiri, Geico\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notations, looseleaf notes, invitations, resumes, newspaper clippings, post-it notes, Correspondents include: Monroe Leigh, Gamal M. Badr, William J. Flather, III, Yukio Takeuchi, Kanenori Oshikiri, Margo Grant, David Gregg, III, Phillip I. Blumberg, Walter W. Brooks, Jr., Morris I. Leibman, Joseph E. Lombardi, Michael A. Daniels, Toby S. Myerson, Howard B. Hill, Father Joseph Snee, Craig Mathews, Franz M. Oppenheimer, George H. and Rosemary Aldrich, Dan S. Cross, John R. Stevenson, Nan Oldham, George P. Armour, Bob Jordan, Gerald and Julia Draper, Jeswald W. Salacuse, Colonial Parking, Inc., Victoria E. Marmorstein, Arthur R. Albrecht, Gustave M. Hauser, Edward G. Aldrich, Philip Kinkaid, Barbara Anderson - Flather \u0026amp; Hayes Company, K. Martin Worthy, Arthur W. Rovine, Guido Brosio, M. D. Cppithorne, Edward D. Re, Dean Koerth, Pascale Abdelmour, Roy Hamlin Johnson, H. James Conaway, Irene Savanis, Richard (Pokie) Edmunds, Virginia State Highway Commission, Stefan A. Riesenfeld, Werner Hein, Derek M. D. Thomas, James H. Michel, Eugene V. Rostow, Mrs. Wilson (Peggy) Anderson, W. E. Mussman, James C. Conner, Elisabeth Zoller, Julius Kaplan, Marvin J. Colangelo, John F. Murphy, R. Shuman,\u003c/p\u003e","\u003cp\u003eContains signatures, looseleaf notes, handwritten notations, newspaper clippings/photocopies, envelopes, highlights, pamphlets, Correspondents include: Hernan Felipe Errazuriz, Monroe Leigh, William J. Flather, III, George H. Aldrich, Parking and Traffic - American University, W. Richard Mason, Photoduplication Service - Library of Congress, Sidney Picker, Jr., John Hanley, Henry A. Kissinger, S. L. Gidden, Ronald A. Jacks, Brice M. Clagett, Richard Wilberforce, Peter D. Trooboff, Michael Axelrod, Marsha T. Rogers, Holly A. Nelson, Mark E. Ellis, Dante B. Fascell, Friedrich Schwank, Wally Brooks, Gillian Jones, John Ritchie, Gerald M. Finkel, Phillip I. Blumberg, William H. Berman, Heribert Golsong, Jeffrey H. Smith, Raymond J. Waldmann, Rodric Braithwaite, Hitchcock Shoes, Inc.\u003c/p\u003e","\u003cp\u003eContains signatures, photocopies, revisions, Correspondents include: Mark Warner, Monroe Leigh, Chris T. Antoniou, Henry T. King, Jr., Stuart H. Deming, Richard C. Allison, Sabine Schlemmer-Schulte, Transamerica Occidental Life Insurance Company, Ted Meron, Jennifer Schwebel, Lowell Satler, Aetna Life Insurance Co., Glenn Sedam, Liza Phillips, Budget Rent-A-Car, Roger Warin, Mary Keane, Euro-Motor, Nations Bank\u003c/p\u003e","\u003cp\u003eContains handwritten notes, signatures, markup, post-it notes, photocopies, Correspondents include: Monroe Leigh, William H. Webster, Sir Adam Bulter DL, Alex Morrison, William C. Mott, Howell Raines, Antonio Cassese, Conrad K. Harper, Selena J. Linde, Elizabeth A. Snodgrass, Eugene H. Matthews, Frank W. Swacker, University Press of Virginia, Daniel J. Meador, Lawrence Collins, Marcia Warren, David C. Gill\u003c/p\u003e","\u003cp\u003eContains handwritten notes, highlights, photocopies, transcriptions, signatures, appraisal of applicant for Georgetown University Law Center, Correspondents include: Alan K. Simpson, Edward M. Kennedy, Monroe Leigh, Timothy Clancy, David Ibbeken, Admissions Club - Cosmos Club, Fiona A. Brophy, Francisco Orrego Vicuna, Ernest C. Mead, Jr., Mr. Klemens and Mrs. Betty von Klemperer, Paul Ure, James Crawford, John Norton Moore, Albert R. Turnball, James Milligan, Jennifer Schwebel, John Wesley, Malcolm R. Wilkey, University of Virginia - Printing and Copying Services, Joseph M. Sweeney, John W. Heffernan, Hume Boggis-Rolfe, Stephen M. Schwebel, Marco C.E.J. Bronckers, Thomas J. Nicastro\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notes, Correspondents include: Monroe Leigh, Theodor Meron, Detlev Vagts, John J. Dugard, James Crawford, Wolfson College Cambridge Properties Limited, Charles N. Brower, Mr. John and Mrs. Barbara Moore, Roberts B. Owen, Charles M. Mathias, Marco C.E.J. Bronckers, Gerog Ress, Yuji Iwasawa, Hannah Scott, Gordon Johnson, Eli Lauterpacht, Anna Ascher, Chairman - Membership Committee - American Law Institute, Judah Best, Robert H. Craft, Jr., Sebastian Alegrett, Elliot L. Richardson, Andy Mayer, Jennifer Schwebel, Dean of Admissions - Harvard Law School, Dean of Admissions - New York University School of Law, Dean of Admissions - National Law Center - The George Washington University, Dean of Admissions - The Washington College of Law - The American University, Dean of Admissions - Vanderbilt University - School of Law, Louis Henkin, Thomas M. Franck, Louis Sohn, Robert K. Goldman, Jonathan Charney, Edith Brown-Weiss, John N. Moore, Dean of Admissions - College of Arts and Sciences - University of Virginia\u003c/p\u003e","\u003cp\u003eContains signatures, handwritten notes, notifications, Correspondents include: Monroe Leigh, Rollin Amore, Theodor Meron, Detlev Vagts, Charles Brower, Walter and Sara - Wolfson College, Lise - Hewlett-Packard, Professor J. Dugard, Andrew C. Mayer - Woflson College, Helene Cohen - The American Law Institute, Branch Manager - Citicorp, George C. Freeman, Visa First Card, Geico - Auto Insurance Renewal Questionnaire, David, Elizabeth F. Leigh, Auto Rental Insurance, Ms. Snyder, Department of Financial Services - County of Loudoun, Hower Bowie, Lawrence Collins, Marco C.E.J. Bronckers, Edward M. Leigh, Jr., G. E. Capital Insurance Services Group, Al Rubin, Delta Skymiles Center, Kevin Olivera, Howard E. Hensleigh, Richard Lillich, Maija S. Blauberga\u003c/p\u003e","\u003cp\u003eContains signatures, newspaper photocopies, Correspondents include: Monroe Leigh, Dr. A. Vaughan and Sally Lowe, Fadi Makki, Jack L. Goldsmith, Lord Richard Wilberforce, Denis Dejersey-Lowney, Rolan Amore, Thomas N. Connally, Jennifer Raney, Mary Druce, Carol Rhees, Paul H. Dulaney, Jr., James E. Edmunds, Brussells Family, Theodor Meron, Wolfson College, Edward M. Leigh, Jr., Thomas P. Nigra, Mrs. Glen Howard, Henry McFarland, Malcolm N. Shaw, Frank Dawson, Clive DuVal, Social Security Administration, Treasurer - Loudoun County, Paul Lovejoy, Marion Barry, Catherine Kessedjian, John Dugard, James Crawford, Cambridge Friends of Development Office, VISA World Access Service Corporation, GE Capital Insurance Services Group, Charlene Barshefsky, Frank Griffith Dawson, Clint N. Smith, State Street Bank \u0026amp; Trust Company\u003c/p\u003e","\u003cp\u003eContains signatures, newspaper photocopies, tax and revenue information, handwritten notes, registration photocopies, Who's Who in America photocopy, Correspondents include: Madeline K. Albright, Monroe Leigh, Mary Leigh, Edward M. Leigh, Jr., The New York Review of Books, Moore, Clemens \u0026amp; Co., Inc., Roland Amore, Todd Kern, Charles Jones, Stephen M. Schwebel, Harry G. Barnes, Jr., Eli Lauterpacht, Department of Financial Services - County of Loudoun, John F. Murphy, Bob Jones, Ted Meron, Virginia G. Watkin, The Admissions Committee - Cosmos Club, Patrick Coyne, Roy Hamlin Johnson, Time Life Books, Mileage Plus First Card, Jennifer L. Krieger, Hertz International, Forte-Agip Hotel, Eleanor D. Acheson, Shara L. Aranoff, Dr. A. Vaughn and Mrs. Sally Lowe, Michael Scharf, Jeremy P. Carver, Lord and Lady Wilberforce, Julia Draper, Patricia McGinnis, David T. Link, Thomas D. Grant, Barbara Stone, Cairo Robb, Raymond Shafer, Gianni Manca, Andrew C. Mayer, Amerigas, Misha Meijers, Calvin H. Cobb, Jr., Meineke Hotel, Verena Weinstabl, Christopher R. Wall, Secretary - Board of Governors - Metropolitan Club, Michael D. Sandler, Thelma Guerra, Dr. h. c. M. Necati Munir Ertekun, Jessica T. Matthews, Denis Dejersey-Lowney, Francisco Orrego Vicuna, John Waters, Douglass C. Crummett, Christian R. Bartholomew, Christina M. Deane, Jonathan M .Beart, Leslie Douglas, John Shattuck, Brice Clagett, Heffers Booksellers, Jane Edmonds Penner, Ernest C. Mead, Jr, M. Cherif Bassiouni, Cally Jordan, William Fugate, Ian Brownlie, James Crawford, William D. Denson, Mr. Hillen, Jennifer Raney, Charles Maechling, Jr.,\u003c/p\u003e","\u003cp\u003eContains signatures, newspaper photocopies, Correspondents include: Frank Sieverts, Monroe Leigh, Mrs. William D. [Huschi] Denson, Constance A. Morella, Lord Richard Wilbeforce, Edwin Williamson, Charles L. McCormick, III, James [Jimmie] and Sylvia Symington, E. Ralph Coon, Jr., Malcolm R. Wilkey, The Washington Institute of Foreign Affairs, F.L.P. [Peter] and Jeanne White, Edward M. Leigh, Jr., Charles Jones, Edgar A. Prichard, Thomas N. Connally, Rollin Amore, Lawrence S. Eagleburger, Bartram S. Brown, Robert Scott, Secretary - Board of Governors - Chevy Chase Club, James E. Edmunds, Jennifer Raney, Michael C. G. Dunner, Yuji Iwasawa, Henry A. Kissinger, Nicholas Grace, William Brewer, Sara Marley, Tedson J. Meyers, Admissions Committee - Cosmos Club, Charles Jones, Moore Clemens \u0026amp; Company, Inc., Jack Chorowsky, Alexander Leigh\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, contains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 13 students including R. P. Borsody, D. F. Carlson, W. M. Dickey, B. H. Hill, E. P. Humann, R. W. Klein, B. L. Lau, W. P. Maloney, J. T. Martin, R. Minshall, J. H. Riggs, R. K. Rudolph, Meemmery, Correspondents include: Edward A. Mearns, Jr., Monroe Leigh, Hardy C. Dillard, Virginia Haith, N. Thompson Powers, John Rehm, L. H. Rhinelander, Christopher A. Leventis, Frances Farmer, Lindsey Cowen, Paul J. Jenkins, Weldon Cooper, Edgar F. Shannon, Jr.\u003c/p\u003e","\u003cp\u003eContains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, newspaper clippings, handwritten notations, 12 students including Beard, Bruce, Crawford, Garofalo, Haskell, Hemschoot, Lamberton, Logan, McAllister, Piassick, Raiser, Ranom, Correspondents include: The West Publishing Company, C. Victor Raiser, II, Paul J. Hemschoot, Jr., Claude Crawford, Virginia Haigh, W. Robert Beard, Galbreath E. Palmer, Richard E. Speidel, Hardy C. Dillard, Mason Willrich, Frances Farmer, Roger F. Noreen, Peter W. Low, Edgar F. Shannon, Jr., Thomas S. Currier, Bevin Alexander, Murray Belman, L. H. Rhinelander, Izaak Glasser, Edward A. Mearns, Jr.,\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, Contains roster (handwritten) with attendance, course materials and outlines, handwritten notations, correspondence, 7 students including Deddish, Haith, Hsia, Kennedy, Lang, Perce, Hausen, Correspondents include: Charles R. Titus, Monroe Leigh, Mason Willrich, Robert H. Knight, Murray Belman, Robert Perce, Frank L. Hereford, Jr., Hardy C. Dillard, Michael R. Deddish, Jr., James C. Conner\u003c/p\u003e","\u003cp\u003econtains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, 12 students including R. E. Bresler, G. G. Davis, R. S. Davis, D. M. DeWilde, S. S. Dye, D. S. Fitzpatrick, W. P. Macht, G. Palmer, G. K. Stewart, M. Sullivan, F. T. Tuttle, T. C. Williams, correspondents include: Frances Farmer, Monroe Leigh, Hardy C. Dillard, Virginia Haigh, David M. DeWilde, Murray Belman, Peter Manson, Robert S. Davis, Carrol D. Hammer, William P. Macht, Stuart S. Dye, D. S. Fitzpatrick, G. G. Davis, G. Palmer, R. F. Loving, William E. Miller, David E. Plymire, Peter W. Low\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, contains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, newspaper clippings, looseleaf notes, 13 students including G. D. Best, Ralph C. Bresler, S. W. Faber, L. Goetz, J. S. Hannon, W. W. Kirtley, E. A. Kratovil, S. Lengthaisong, J. D. Mollica, W. R. Pearson, W. Taylor Reveley, III, K. T. Watson, Sheppard, Correspondents include: Monroe Leigh, Taylor Reveley, III, Virginia Haigh, Ralph C. Bresler, Murray J. Belman, James Evans, William H. Weiland, Mason Willrich, David E. Plymire, G. D. Best, Peter C. Manson, Board Head Inn, William E. Miller, R. F. Loving, James C. Conner, James G. Evans, Jr., Frances Farmer, Peter Low, Frank L. Hereford, Jr.,\u003c/p\u003e","\u003cp\u003eSensitive Material - Grades, contains roster with attendance, correspondence, course materials and outlines, handwritten notations, looseleaf notes, 9 students including W. J. Beerworth, M. R. Bromley, H. E. Jennings, J. L. McDougal, Miss Susan M. Sharpley, Randolph W. Urmston, William H. Weiland, Maj. Stanley J. Glod, P. T. Zieman, Correspondents include: Monroe Leigh, H. Lane Kneedler, Virginia Haigh, Roy G. Bowman, Alexandre Kafka, Susan Sharpley, Jan Chowaniec, R. F. Loving, Randolph W. Urmston, William H. Weiland, Shelby J. Conley, John Rhinelander, Harry E. Jennings, Jr., Hazel Key, William C. Hill, Farmington Country Club, William E. Miller, Frances Farmer, Jerome Stone, Peter W. Low, Little Brown and Company, Maj. Stanley J. Glod, Mason Willrich, Frank L. Hereford, Jr., Monrad G. Paulsen, Hardy C. Dillard\u003c/p\u003e","\u003cp\u003eContains roster with attendance, correspondence, course materials and outlines, handwritten notations, 9 students including R. M. Glenn, W. H. Heritage, L. E. Leonoff, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, J. A. Mullins, J. M. Naboco, R. C. White, Correspondents include Virginia Haigh, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, Frances Farmer, William G. Christopher, H. Lane Kneedler, Monrad G. Paulsen, Peter C. Manson\u003c/p\u003e","\u003cp\u003eContains roster with attendance, correspondence, newspaper clippings, looseleaf notes, course materials and outlines, handwritten notations, 12 students including Beninati, Boswell, Cowles, Gearhart, Harper, Holland, Lemmer, Macleod, John A. McVickar, L. Thomas Galloway, Nicklin, Correspondents include: Virginia Haigh, Monroe Leigh, L. Thomas Galloway, William D. Broderick, John A. McVickar, William V. Lawson, Robert D. Wallick, William E. Miller, Alice Crane, The Colonnade Club, H. Lane Kneedler, The Dean's Office, Monrad G. Paulsen\u003c/p\u003e","\u003cp\u003eContains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 9 students including Capt. Royal Daniel, Col. John Jay Douglass, Dennis Fenwick, David Goodman, Roger H. Hull, Louis Verbeke, John Hardin Young, Leonard L. McCants, Mrs. Dulcey Fowler, Correspondents include: John H. Young, Monroe Leigh, Roger H. Hull, Stanley D. Metzger, Virginia Haigh, Leonard L. McCants, Charles Runyon, III, Col. John Jay Douglass, Capt. Royal Daniel, Louis Verbeke, Frances Farmer, Alexandre Kafka, Monrad G. Paulsen\u003c/p\u003e","\u003cp\u003eContains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, newspaper clippings, 7 students including Margaret Ashby, P. B. Fitzpatrick, J. E. Hadley, David Patton Parker, A. Pillet, John M. Skonberg, Patrick Vaghi, Correspondents include: John Skonberg, Monroe Leigh, Virginia Haigh, Frank G. Robertson, H. Lane Kneedler, J. Dapray Muir, J. E. Hadley, Paul P. Streeten, David Patton Parker, Alice Crane, William E. Miller, J. M. Skonberg, R. F. Loving, S. Margeton, B. Esau, Margaret S. Taylor, Monrad G. Paulsen\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 7 students including Barry, Halkyard, Raymond Hanzlik, Kyld, Wayne Smith, Whitman, Richard de Wilde, correspondents include: Virginia Haigh, Richard (Dick) de Wilde, Murray J. Belman, H. Lane Kneedler, Betty Esaue, Monroe Leigh, Farmington Country Club attn: Alice Crane, William E. Miller, Mary Frye, Frances Farmer, Henry C. Ikenberry, Richard Frank, Rayburn Hanzlik, Alexandre Kafka, R. F. Loving, Mrs. Barnett, Marian R. Macbeth, Ray C. Hunt, Jr., Monrad G. Paulsen\u003c/p\u003e","\u003cp\u003eContains memos, course materials and outlines, Correspondents include Monrad Paulsen, Morton Pomeranz, Monroe Leigh, Mr. Mickey, Mr. Cunningham, Mr. Plaine, Timothy Atkeson, H. Lane Kneedler, Chester R. Titus\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, taught with Royal Daniel, correspondence, roster with attendance, memos, course materials and outlines, looseleaf notes, handwritten notations, 12 students including Ann Marie Anawaty, Robert Arkin, Debra Bowen, David Brown, M. C. Cramer, Daniel Duval, Patrick Hamilton, Helen Kelley, Randall Kirk, Vicki Marmostein, Kenneth Peoples, Henry Stopford, Correspondents include: Royal Daniel, Monroe Leigh, Richard B. Lillich, Virginia Haigh, Vicki E. Marmorstein, Debra L. Bowen, Daniel Duval, Carole Smith, David S. Brown, Jon Hines, Lane Kneedler, Robert D. Arkin, Betty Esau, Philip Stopford, Henry C. Ikenberry, Alice Crane, Colonnade Club, Chester R. Titus, Larry B. Wenger\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, taught with Alexandre Kafka, Contains Harvard Law School pamphlet and letter re: Functions and Procedures of the Visiting Committees (1975 - 76), photocopies, articles, roster with attendance, correspondence, memos, course materials and outlines, evaluations, envelopes, looseleaf notes, handwritten notations, 13 students including Anthony Anderson, Wild Chang, G. Rich Eiselt, Peter Hartog, Frances Henderson, Orlan Lee, Tom McDonald, Bryan Parker, Daniel Rhoads, Gilles Sion, Charles Tribbett, Tim Woodhouse, Douglas Woodworth, Correspondents include: Monroe Leigh, Detlev F. Vagts, Peter Hartog, Alexandre Kafka, Dean Spies, Robert Lillich, Paul Johnson, Betty Esau, H. Lane Kneedler, Virginia Haigh, Orlan Lee, Douglas C. Woodworth, Mary Jo White, Gilles Sion, Royal Daniel, Debra L. Bowen, Larry B. Wenger, Carole Smith, Colonnade Club, West Publishing Company\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, taught with Alexandre Kafka, Contains roster with attendance, memos, course materials and outlines, signatures, handwritten notations, correspondence with faculty and students, looseleaf notes, 11 Students including: Ziad A. Al-Sudairy, David J. Carol, Jon P. Cramer, Milan Ganik, Michael M. Gondwe, Jo Ann Miles, Frederic C. Rich, Dennis Bisong Tambe, W. Gary Vause, Roger B. Wagner, Daniel Zavala, Correspondents include: Monroe Leigh, Hugh Smith, Virginia Haigh, Lane Kneedler, David Carol, Milan Ganik, Law Council, Elizabeth Lowe, Jo Ann Miles, Roger Wagner, Colonnade Club, Daniel Zavala\u003c/p\u003e","\u003cp\u003eOffered Spring 1981 with Alexandre Kafka of the IMF, Contains memos, course planning materials, handwritten notes, Correspondents include: Monroe Leigh, Alexandre Kafka, Elizabeth B. Lowe, Lane Kneedler, Royal Daniel, Bettie Hall\u003c/p\u003e","\u003cp\u003eSensitive material - Grades, Contains memos, roster with attendance, course materials and outlines, signatures, handwritten notations, looseleaf notes, evaluations, envelopes, correspondence with faculty and students, newspaper articles photocopies, 13 students including: Ellen Cone, Jim Croker, Michael Dalton, Hazen Dempster, Joyce Elden, Amelia C. Fawcett, Edmond M. Ianni, Ken Lee, Wendell Maddrey, Richard P. Merski, Elizabeth Springer, D. Karen Troy, Peter Adler, Correspondents include: Elizabeth B. Lowe, Lane Kneedler, Monroe Leigh, Paul Stephan, Ed Ianni, S. S. Reddy, Virginia Haigh, Kenneth Lee, Hazen H. Dempster, Richard Merski, Carole Milks, Alexandre Kafka, Bettie H. Hall, John H. Jackson\u003c/p\u003e","\u003cp\u003eContains a couple of pages of handwritten notes. Added to collection / Donated in 2005.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Summary article on adoption of ICC Statute by Committee of the Whole of the Rome Conference","With handwritten edits, report and ICC statute summary attached","Contains notes, highlights, limited markup","Forwarded to Paul R Williams, Executive Director of Public International Law and Policy Group for Carnegie Endowment for International Peace","July 20, 1998 ABA article, July 16, 1998 Cato Institute article by Gary Dempsey, August 24, 1998 Forbes magazine commentary, May 1999 American Society of International Law \"In Brief\"","1943 Cornell L.R. article by Robert E. Cushman - \"Ex Parte Quirin et Al - the Nazi Saboteur Case\", Except on international courts from Louis Henkin, Foreign Affairs and the United States Constitution (1996)","Handwritten notes and edits included","Note attached, Forwarded via fax to Henry Marshall at U.S. DOJ","No markings so removed from collection. Other copy may be found in Box 1 folder 18, in the library or through online academic journal databases such as WestLaw and LexisNexus.","Association of the Bar of the City of New York, Section of Criminal Justice, Section Individual Rights and Responsiblities, and Standing Committee on World Order Under Law","Sent from Maury Shenk to Monroe Leigh and including contact information for U.S. delegation in Rome,","Includes \"Law Without Borders: The Constitutionality of an International Criminal Court\" by Paul D. Marquardt, Columbia Journal of Transnatianal Law, 33:73, 1995, Handwritten notes and copies of relevant cases attached","Report on the Proposed ICC by The Committee on International Law and the Committee on International Human Rights, \"Current Developments\" by James C. O'Brien, separate summary by Peter Bekker, and \"Proposal for an International Criminal Court\" by Quincy Wright from American Journal of Int'l Law.","Forwarded to law firm librarian for distribution by Marion A Ott, Administrative Office of the U.S. Courts","April 4, 1998 draft by Maury Shenk re: Jurisdiction of International Criminal Court Over U.S. Persons, February 11,1998 draft re: Constitutional objection to International Criminal Court","With handwritten edits and comments","Contains checkmarks","Response to questions on collaboration for ICC Rules of Procedure and Evidence","Enclosures: Paper Presented by Michael P. Scharf (\"The ICC's Jurisdiction Over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" at August 1999 ABA Section of International Law and Practice, Letter from Monroe Leigh to Samuel Burger regarding acceptance of Rome treaty establishing ICC (with attachments)","Enclosures: ABA Resolution as approved February 1998, August 1998 Report to ABA Section of International Law and Practice","Attachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998","With handwritten notes and edits from Maury D. Shenk","No indication of what document was forwarded","Noting that U.S. would not sign the ICC Treaty and attaching October 20, 1999 Statement Before U.N. General Assembly Sixth Committee re: The Rome Treaty on the International Criminal Court","With some handwritten notes/markings","Post-it attached indicating forwarded from David Aaronson to Monroe Leigh on July 14, 1999","Page flagged","Handwritten notes and highlighting and page flagged","Handwritten notes and markings, Extensive notes on back","1) \"The Case for a Permanent War Crimes Court\", 2) \"Fiddling in Rome: America and the International Criminal Court\", 3) \"The International Criminal Court: An American View\", 4) \"Achieving a Wider Consensus Through the 'Ithaca Package,\", 5) \"Courting Disaster: The U.S. Takes a Stand\"","Attaching \"International Criminal Tribunals: An Institution the United States Can Support\" by Diane F. Orentlicher","Handwritten notes and markings","Handwritten notes and markings","Signature: Monroe Leigh","Enclosures, both with markings as photocopied: \"The ICC's Jurisdiction over the Nationals of Non-Party States: A Reply to Ambassador Scheffer\" by Michael P. Scharf, as presented October 28, 1999 at Natioanl Security Law in a Changing World: The Ninth Annual Review of the Field, and DRAFT of \"High Crimes and Misconceptions: The ICC and Non-Party States\" by Madeline Morris","Duplicate of article in Series I: ICC, Subseries A: ABA, Box 2 Folder 8","With note from David","With handwritten markings, flagged and note attached - \"The Institute for Global Legal Studies Inaugural Colloqium: The UN and the Protection of Human Rights: Introduction\" by Stephen H. Legomsky for the Washington University Journal of Law \u0026,amp, Policy, \"International Court Should Try Defendants\" by Leila Sadat, St. Louis-Post Dispatch, \"ICC Establishment Pushed by Experts\" for BusinessWorld, \"International Court is Not 'War Menace' \" by Stephen Rickard as letter to the editor, Washington Times, \"The Need for Global Justice\" by Rob Gaudet, The Stanford Daily, \"Fate of bin Laden Strengthens Case for Permanet UN Court\" for Agence France Presse, \"Our Opinion: Even Superpowers Still Need Friends\" editorial for The Atlanta Journal and Constitution, \"A New International Spirit, If the U.S. Can Combat Terrorism, It Can Cooperate to Pursue Justice\" by Diane Marie Amann, The San Francisco Chronicle, \"Court Order\" by David J. Scheffer, letter to the editor, Foreign Affairs, \"Time to Recognise Courts Not Bombs\" by Rob Bennett, Morning Star","With highlighting","Forwarding information from the World Federalist on Washington Post announcement","Forwarding June 14, 1998 article from the New York Times, \"An Old Scourage fo War Becomes Its Latest Crime\" by Barbara Crossette","Forwarding information on 2 articles in The Economist, June 13, 1998 on ICC","Photocopy, \"U.S. Argues Against Strongly Independent War Crimes Prosecutor\" by Alessandra Stanley, \"A Strong International Court\" editorial","Photocopy, \"Clout Without a Country: The Power of International Lobbies\" by Charles Trueheart, brief, \"U.S. at Odds with Allies Over Court\"","Forwarding June 22, 1998 press information from U.N. Court Watch","Photocopy, \"U.S. Presses Allies to Rein in Proposed War Crimes Court\" by Alessandra Stanley, brief, \"Undermining an International Court\"","\"Clinton Urges Others to Give Ground on Court\" and \"War Crimes Conference Remains Divided\"","\"Torch-Light March\", \"Treaty? What Treaty\",","\"U.N. War Crimes Court Agreed\" by James Blitz, July 18, \"U.S. Faces Test on War Crimes Court\" by James Blitz, July 16, with highlighting - \"Diplomats Deliver Judgments on New War Crimes Court\" by James Blitz, July 20","\"America Avoids the Stand\" by Thomas Lippman, Op-Ed, \"The Trouble with the War Crimes Court\" by Fred Hiatt","\"Sorry isn't enough\", \"A challenge to impunity\", \"Latin lessons for Asian banks\"","Forwarding with comment International Institute for Strategic Studies article \"Creating an International Criminal Court\" and other assorted articles from July 27 and 28","Forwarding July 31, 1998 letter to the editor by Jeff Laurenti","With copy of article attached","post-it attached indicating \"Do not send this letter to Ed Dick\"","Contains handwritten markup","Contains handwritten markup","[Copy available at Law INT38.R4253]","1. to Washington Post, 2. to NYTimes (with penciled edits), 3. to Wall Street Journal","Attached letters: November 29, 2000 letter from Lawrence EagleBurger, former Secretary of State, Brent Scowcroft, formder National Security Advisor, Caspar WeinBurger, former Secretary of Defense, Zbigniew Brezezinski, former National Security Advisor, R. James Woolsey, former Director of Central Intelligence, Jeane Kirkpatrick, former Ambassador to the UN, Henry Kissinger, former Secretary of State, Donald Rumsfeld, former Secretary of Defense, Richard V. Allen, former National Security Advisor, George Shultz, former Secretary of State, James A. Baker III, former Secretary of State, and Robert M. Gates, former Director of Central Intelligence, December 22, 2000 letter to Secretary of Defense William S. Cohen and Chairman of the Joint Chiefs of Staff GEneral Henry H. Shelton from Senators Jesse Helms, Chairman of Committee on Foreign Relations and John Warner, Chariman of Committee on Armed Services","Signed by Senators Patrick Leahy, Dianne Feinstein, Allen Specter, Daniel Patrick Moynihan, Christopher Dodd, John F. Kerry, Joseph I. Lieberman, James M. Jeffords, Richard J. Durbin, Tom Harkin, Herb Kohl, Charles E. Schumer, Frank R. Lautenberg, Paul Wellstone, Barbara Boxer, Patty Murray, Edward M. Kennedy, Paul S. Sarbanes","Signees include Rev. Michael Dodd, Columban Fathers' Justice \u0026,amp, Peace Office, Rev. Lonnie Turner, Cooperativer (sic) Baptist Fellowship Washington Office, Rabbi David Saperstein, Co-Director of Commission on Social Action of Reform Judaism, Gary Baldridge, Co-Coordinator of Global Missions for the Cooperative Bapatist Fellowship, and Rev. David O. Selzer (Chair), Janey G. Chisholm (Vice Chair), Verna M. Fausey (Secretary), Christopher Pottle (Treasurer), Mary H. MIller (Executive Secretary) of the Episcopal Peace Fellowship","Signees: Patrick J. Kennedy, Sam Farr, Michael Capuano, Pete Stark, Dennis Kucinich, James McGovern, Sherrod Brown, Albert Wynn, Bill Parscrell, Jr., Jan Schakowsky, Barbara Lee, Barney Frank, Maurice Hinchey, Maxine Waters, Carolyn Maloney, Jesse Jackson, Jr., William Delahunt, Shelia Jackson Lee, Tim Holden, Nancy Pelosi, Eddie Bernice Johnson, Chaka Fattah, Edolphus Towns, Tammy Baldwin, Lucille Royball-Allard, Donald Payne, Major Owens, John Lewis, Jerrold Nalder, John Tierney, Bobby Rush, Lynn Woolsey","Signees: Rear Admiral Eugene J. Carroll, Jr., Lieutenant General Robert G. Gard, Jr., Lieutenant Robert O. Muller, Chaplain (Major General) Kermit D. Johnson, Colonel Daniel Smith, Major General John B. Kidd, and Vice Admiral John J. Shanahan","With handwritten notes","(contains flags and handwritten notes), 1. Memo from Lee Caplan re: The Right to Trial by Jury in US Military Courts - Martial, August 11, 2000, 2. 727 Military Triers of Fact: Needless Deprivation of Constitutional Protections? By Gary Michael Heil in Hastings College of the Law 1982, 3. 103 The Court-Martial Panel Selection Process: A Critical Analysis by Major Stephen A. Lamb in Military Law Review, Summer 1992, 4. 1 He Called ofr his Pipe, and he called for his bowl, and he called for his members three - selection of military juries by the sovereign: Impediment to Military Justice by Major Guy P. Glazier in Military Law Revew, October 1998, 5. Citations list, Database JLR","Correspondents include: Monroe Leigh, Brian Newquist, Lea Browning, Barbara L. Stone, Cynthia Price, David Stoelting, John Washburn, Martha W. Barnett, Bruce Swartz, contains numerous handwritten notes, markup, edits, and personal correspondence regarding drafts","1. ML to ICTY Office of Public Information Services, The Hague, re: Request for Copy of ICTY Judges' Submission to the Fourth Session of the U.N. Preparatory Commission for the International Criminal Court Regarding Rules of Evidence and Procedue, April 12, 2000, 2. ML to Lloyd N. Cutler re: Barbara Crossette's NYTimes article on Pres. signing treaty before end of year, December 11, 2000, 3. Samuel Burger to David Stoelting re: US policy towards ICC and the Rome Treaty, November 9, 2000, 4. ML to Samuel Burger re: ABA adn ICC and US acceptance of Rome Treaty, October 13, 1999","1. Daniel Magraw to [cc. ML], 2. ML to Edison Dick","1. Rona Mears to Thoams Allen, 2. Rona Mears to ML","Handwritten in blue ink","Handwritten comments on some, highlights,","Not all of the documents appear to be extra copies","Contains markup, post-it notes, and notations","Contains notations, 1. Part 6 of the Rome Statute, 2. ABA Recommendation re: ICC, 3. Australian Rule 92, 4. Proposed Rules of Procedure and Evidence for the ICC, 5. Rules of Procedure and Evidence of the ICC (Australian Draft)","1. Re: ICC: Rules of Procedure and Evidence, 2. Re: Proposed Rules for Siracusa Meeting","Copies cc'd with notes sent to: Michael Johnson \u0026,amp, Neal Sonnett, David Stoelting, James Silkenat, Gerold Libby, William Hannay","Contains handwritten notations and markup","Contains markup, notations, post-its, 1. ABA Section of Interantional Law and Practice Report to the House of Delegates Recommenation, 2. Proposed ABA Resolution concerning participation by the United Staets, 3. Report to Section, Re: draft report on the PrepCom, 4. Minutes of the Meeting of the Council of the ABA Section of International Law and Practice, 5. Revised Rules on Part 6, 6. Proposed rules for Special proceedings to Protect a Victim, Witness, or Accused, 7. Draft Basic Principles and Guidelines on the Right to a Remedy and Reparations for Victims of Violations of International Human Rights and Humanitarian Law, 8. ICC Rules of Procedure and Evidence comments, 9. July 12 draft rules on in camera evidence and electronic testimony, 10. In Camera Proceedings and Testimony by Electronic Means: Proposed Revised Rules, 11. Revised rules to replace ABA Rule 72 as well as Australian Rules 88 \u0026,amp, 89 and French Rule 38.1, 12. Subsection 2. Rules of Evidence, 13. International Seminar on victim's access to the ICC, 14. Discussion Paper on Rules for PArt 6, 15. Draft Resolution for Consideration by the Section of International Law adn Practice at the Toronto Meeting","Contains post-it notes, highlights, notations, Correspondents include: Monroe Leigh, WICC group, Robert Stein, M. Cherif Bassiouni, Bruce Swartz, Barbara M.G. Lynn, William Hannay, Lea Browning, Jerome Shestack, Greg Stanton, David Stoelting, Edison Dick","Contains handwritten notes, markup, notations","1. Rules relating to defense counsel, victims and witnesses, 2. Remarks made by Judge Gabrielle Kirk McDonald, Pres. Of the International Criminal Tirbunal for the former Yugoslavia, to the Perparatory Commission for the ICC","Contains handwritten notes, Correspondencts include: Thomas Allen, Rhona Mears, Monroe Leigh, James Silkenat, Karin Calvo-Goller, Greg Stanton, Roland Homet, Bruce Swartz,","Contains markup, handwritten notes and post-it notes, Safeguards for US Personnel under the Rome Treaty for the ICC, ABA Recommendation on ICC (multiple versions), Draft Statement (Dec. 8, 2000), Report on the Proposed ICC (multiple versions)","Contains markup and notes, ASPA draft bill text, APA Model Code of Judicial Conduct, Policy fo the Nixon Administration as Revealed in Public Statements, Expropriation in International Law, Ratification of the Rome Statue of the International Criminal Court by Germany Statement, ABA Recommendation on ICC, Fall 2000 Retreat ICC Report with Recommendation, Ambassador Scheffer's Statement at the Human Rights Caucus, State of Monroe Leigh re: HR 4654, Panel on Foreign Policy Gridlock at Annual Meeting of Association, WICC group contacts, Remarks at House of Delegates Meeting Nashville,","From: DefenseNews.com, Cato Institute, Diplomat, Foreign Affairs, Military Law Review, American Society of International Law, Federal News Service, American Journal of International Law, Wall Street Journal, Washington Times, Reuters, New Yrok times, Congressional Testimony, The International Lawyer","Correspondents include: Monroe Leigh, Cynthia Price, WICC email list, Benmamin Ferencz, Carl Christol, Heather Hamilton, Stephen Rickard, Michael Capuano, Henry Hyde, Burns Weston, David Stoelting, Jerome Shestack, Jackson Diehl, Keithe Nelson, Enid Adler, John Washburn, Daniel Magraw, Willaim Hannay, David Scheffer","Contains handwritten notes and post-it notes. 1. 893 F. Supp.65, 1995 US Dist., Civil Action No. 95-1097 (RCL), August 31, 1995, 2. 1996 US App., Docket No. 95-2462, Decided August 29, 1996","Handwritten notes in pencil and ink","Contains post-it notes","Contains highlights and post-it notes","Contains handwritten post-it notes and notations","Contains markup, post-it notes, and notations","1. Reservation Confirmation, 2. Provisional Work Plan, 3. Predicted Ratified Dates, 4. Programme: Independent Defence before the ICC, 5.1999 Human Rights Day Community Awards Luncheon, 6. ABA Reps on Preparatory Comm.","Contains some markup, 1. PCNICC/1999/DP.8/Add.2/Rev.1, 2. PCNICC/1999/WGRPE(4)/DP.2, 3. PCNICC/1999/L.4, 4. PCNICC/1999/L.4, 5. PCNICC/1999/WGRPE/RT.5/Rev.1, 6. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.1/Corr.1, 7. PCNICC/1999/WGRPE/RT.5/Rev.1/Add.2, 8. PCNICC/1999/WGRPE/RT.7, 9. PCNICC/1999/WGRPE(4)/Rt.1, 10. PCNICC/1999/WGRPE(4)/DP.3/Rev.1, 11. PCNICC/1999/WGEC/INF/3, 12. PCNICC/1999/WGEC/DP.27","Contains markup, 1. PCNICC/1999/L.4/Add.1, 2. US Statement before the UN General Assembly Sixth Committee, The Rome Treaty on the ICC, October 21, 1999, 3. (same as 2 w/different markup), 4. Senate Foreign Relations Comm Hearing, October 20, 1999, 5. PCNICC/1999/L.4, 6. Activity Report 1997-1999 Conference on Independent Defence before the ICC, 1-2 November 1999, The Hague, Netherlands, 7. A Strong Defense Before the International Criminal Court, Presentation for the ABA, August 10, 1999, by Elise Groulx","1. Excerpt from \"The Price of Terror: One bomb. One Plane. 270 Lives. The History-Making Struggle for Justice After Pan Am 103\" by Allan Gerson and Jerry Adler (HarperCollins Publishers), 2. \"The Constitution and Jrisdiction over Foreign States: The 1996 Amendments to the Foreign Sovereign Immunities Act in Perspective\" by Lee M. Caplan (contains flagged pages)","1. Testimoney of Jamison s. Borek before the subcommittee on Courts and Adminsitrative Practice of the Committee on the Judiciary United States Senate on S. 825, June 21, 1994 (contains post-it message from Mark Said and comments within text), 2. Fax re: Draft letter to Sen. Biden supporting FSIA aka S. 735, June 2, 1995","1. Mark S. Said correspondence, June 1, 1995 (contains business card), 2. Re: ILA, European Convention on State Immunity and FSIA., November 13, 2000, 3. Re: Proposed Amendments to FSIA, October 17, 2000 (contains markup)","1. Section Reports with Receommendations, Council Summary (contains inserts), 2. Draft Recommendation and Report on the US Foreign Sovereign Immunities Act, 2000 (contains Monroe Leigh signature)","Many photocopies, Contains post-it notes, handwritten notes, underlines","Handwritten notes in blue ink, Correspondent's include Monroe Leigh, William Reece Smith, Jr., Andrew Goodpasture, William Hannay, Brooksley Born, Leigh Middleditch, Jr., Mary Hoinkes, Diane Wood, Martha Barnett, Jerome Shestack, James Silkenat, Elizabeth Parker, David Stoelting, Keithe Nelson, Jennifer Dabson, Robert MacCrateLori Damrosch","Contains post-its and handwritten markup, 1. ABA Section of International Law and Practice Recommendation, 2. European Parliament Texts Adopted at the sitting of Thursday 18 January 2001, 3. Resolution of Section of Criminal Justice on ISS (Dec 21, 2000), 4. Report with Recommendation re: this country's becoming a part to the Rome Treaty to establish the ICC","Contains post-its, handwritten markup and notes, 1. ABA Criminal Justice Section, House of Delegates, Recommendation, 2. Relevant transcript parts of Colin Powell's confirmation hearin, 3. Substitute for paragraph 1 of the Resolution, 4. Talking points for House of Delegates debate on ICC, 5. Letters to House on misconceptions of proposed ICC, 6. Transcript (with penciled notes) of Colin Powell's confirmation hearing, 7. Prepared statement of Colin Powell for confirmation, 8. Talking points prepared for Martha Barnett on ICC, 9. Copies of letters re: ICC and upcoming House debate","Contains some notes, 1. Washington Times \"Proposed international court will protect civil liberties\" Dec 30, 2000, 2. Washington Times \"International court pressures and perils\" Dec 26, 2000, 3. Washington Post \"Powell Reverses Albright Choice of Judge\" Feb 4, 2001, 4. Letter to Martha Barnett re: two previous Washington Times articles and \"The United States and the Statute of Rome article in The American Journal of International Law\" (Vol. 95, 2001)","Contains handwritten markup","contains: press release \"Helms, GOP Offer Bill to Protect Ameircans From Prosecution by UN Court\", Statement by Senate Foreign Relations Committee Chairman Jesse Helms Hearing on \"The American Servicemen's Protection Act\", newspaper photocopies about hearing, letter from Helms to Louis Freeh (Dir, FBI) re: US officials traveling abroad","Contains handwritten markup","Contains highlighting","1. \"Helms 'Losing the Battle' on International Court\", 2. \"'Scare Tactics' on International Court Denounced\"","also contains a brief bio from American Enterprise Institute for Public Policy Research","Contains signature, tagged page, and handwritten edits in booklet","duplicates removed","removed as a duplicate","Handwritten in blue ink","removed as can be found in journal","Correspondents include: Rochelle Evans, David Stoelting, Myrna S. Raeder, Monroe Leigh, James Silkenat, William Hannay, Gerald Libby, Cynthia Price, Michael Johnson, Neal R. Sonnett, Jerome Shestack, Bruce Swartz, Lewis Morgan, contains numerous handwritten notes, markup, edits","1. To President William Clinton re: Rome Statute, 2. From James Silkenat re: Criminal Justice Section Resolutoin on ICC, 3. From Monroe Leigh re: President signing the ICC treaty, 4. From David Stoelting re: Section of Criminal Justice, R/R re ICC, 5. From Cynthia Price re: Section of Criminal Justice, R/R re ICC","1. Newsletter on Section of International Law and Practice, 2. AP article \"Campaign Launched Against UN Court\"","1. Votes and Comments on resolutions, 2. Report No. 105C, 3. Re: Section of Criminal Justice, Report with Recommendation on ICC, 4. Report ABA on ICC draft, 5. ABA Criminal Justice Section, House of Delegates Recommendation","note: \"my working copy\", includes revision from August 29, '00","duplicates removed","duplicates removed","duplicates removed","signed Monroe Leigh","Handwritten notes on all three statements: 1. David J. Scheffer, Ambassador-at-large for War Crimes Issues and Head of the US Delegation to the United Nations Preparatory Commission for the Internatioanl Criminal Court, 2. John R. Bolton, Senior Vice President, American Enterprise Institute, 3. Monroe Leigh","removed since its just a copy of the bill text","1. Letter to Monroe Leigh from John B. Anderson (signed) re: Washington Working Group 2000 meeting and HR 4654, July 28, 2000, 2. DRAFT statement re: ICC, 3. Washington Working Group on the ICC meeting Agenda, September 13, 2000, 4. Washington Working Group on hte ICC Information Packet American Servicemembers' Protection Act of 2000, 5. Washington Working Group on the ICC Directory","1. Candidate Responses to ICC Questions as fo 9/13/00, 2. Memo Re: CHRC Member's Briefing: International Criminal Court! From Hans Hogrefe, Septembr 12, 2000, 3. Lobbying letter from Represenatives… to Colleague re: \"Oppose the 'War Criminal Protection Act'\", 4. Handwritten notes about bill and language, 5. Letter from Monroe Leigh to Craig Stuart Powers re: Representative Constance A. Morella and HR 4654 (contains handwritten notes), September 11, 2000, 6. UN-USA Action Alert re: Communications to Congress Concerning the \"American Servicemembers' Protection Act\", August 2000, 7. Agenda for August 29, 2000 meetings with various Representatives","Handwritten post-it and comments on article","1. Letter to Jerome Shestack re: ABA resolutions draft letter to Ben Gilman, August 2, 2000, 2. Fax to Jerry Fowler re: Leigh statement on HR 4654, August 16, 2000, 3. Fax to John Washburn re: Leigh Testimony to committee, July 13, 2000, 4. Fax to John Washburn re: Draft Statement on Statute of Rome, December 8, 2000","Attachments: ABA House of Delegates, Nashville Resolution of Februrary 1998, ABA Section of International Law, Toronto Resolution of August 1998, Comparison table of Rome Treaty and U.S. Constitution","Handwritten notes","Handwritten comments and edits","Handwritten edits","Some contain highlighting","Pages flagged with post-it notes, March 3, 2000 email from Brian Newquist to Monroe Leigh re: anonymous witnesses and March 6, 2000 fax from Bruce Swartz, U.S. DOJ office of the Deputy Assistant Attorney General interspersed","signed Monroe Leigh","Contains handwritten post-it and notations","Pages flagged","Includes handwritten post it from Brian J. Newquist to Monroe Leigh","Handwritten post-it \"Monroe - FYI, Just Released - Brian\", includes pages of notes as well","1. To Jerome J. Shestack re: Rome language to Helms' bill, June 9, 1998, 2. From Pat Hanrahan re: International Criminal Court Conference Call, June 9, 1998, 3. From Jerome Shestack to Kofi Annan re: Representatives from ABA to Rome Conference, June 11, 1998, 4. From Pat Hanraham re: ICC Conference in Rome (info, news clippings, etc), June 18, 1998, 5. From Lea Browning re: letter re constitutionality of ICC, July 7, 1998 (contains post-it \u0026,amp, handwritten notes), 6. From Giovanni Nardulli re: ABA Representatives to the ICC Treaty Negotiations in Rome, June 18, 1998 (contains handwritten notes)7. To John Lane, Charles Renfrew, David Stoetling, Jerome Shestack re: International Criminal Court, July 20, 1998","1. Rome Statute of the ICC (A/Conf.183/9*) signed ML w/notations, 2. Non-Governmental Organizations Accredited to Participate in the Conference (A/Conf.183/INF/3, 3. Committee of the Whole Bureau Proposal, 4. Draft Statute for the ICC Compendium of Draft Articles referred to the drafting committee by the committee of the whole as of 9 July 1998, 5. Draft Statute: UN Diplomatic Conference of Plenipotentiaries on the Establishment of an International Criminal Court signed ML w/notations and post-its","1. Information for Participants, 2. Handwritten notes re: John Washburn, 3. News - Rome Diplomatic Conference for an International Criminal Court by Michael P. Scharf, 3. On the Record ICC Conference news","Another copy may be found in Box","Correspondents include: Monroe Leigh, Lea Browning, Bruce Swartz, Donald Munro, Maury Shenk, Thomas Wingfield, William Hannay, Robert Lutz, David Stoetling,","Handwritten edits and notes","Contains three pages of handwritten notes on looseleaf paper","Removed because all materials can be found online or in the library","Contains highlighting \u0026,amp, signature of Monroe Leigh","3 different versions, all contains markeup, edits, highlights, and notes","Contains some pencil markup","Contains handwritten notes, Monroe Leigh signature, markup and edits, highlights, Correspondents include: Monroe Leigh, David Stoelting, John F. Murphy, Louis B. Sohn, Timothy L. Dickinson, Harry Marshall, Peter H. F. Bekker","Contains handwritten notes, markup and edits, post-it note markers, Correspondents include: Monroe Leigh, David Stoelting, Michael A. Cardozo, Elizabeth Defeis, Joan Davis, John Murphy, Robert E. Lutz II, Louis B. Sohn, Peter H. F. Bekker, David J. Scheffer, Harry R. Marshall, Jr., Ken Harris","Contains \"ABA World Order Under Law Reporter, Vol. 5, No. 1, Summer / Fall 1997\" Newsletter, Draft UN Document: A/AC.249/1997/WG.3/CRP.2 13 August 1997","Contains handwritten notes, newspapers, journals, press releases, Amnesty International \"Establishing a Just, Fair, and Effective International Criminal Court\" October 1994, \"War Crimes and the Nuremberg Principle by Waldemar A. Solf\" International Security Law (Moore, Turner, \u0026,amp, Tipson, eds. 1990), \"The Need for an International Criminal Court in the New International World Order,\" by M. Cherif Bassiouni and Christopher L. Blakesley in 25 Vand. J. Transant'l L. 151, 1992, \"The Time Has Come for an International Criminal Court\" by M. Cherif Bassiouni in 1 INd. Int'l \u0026,amp, Comp. L. Rev. 1, 1991","Contains \"Testimony of Jamison S. Borek, Deputy Legal Adviser, U.S. Department of State, Before the Committee on Foreign Relations, U.S. Senate, September 15, 1998,\" Text of letter sent to President William J. Clinton on May 15, 1998 supporting ICC, Text of S. Con. Res. 78, 105th Congress, 2d Session","Contains handwritten edits","Contains Monroe Leigh signature, Correspondents include: Monroe Leigh, Jerome J. Shestack, John Murphy, M. Cherif Bassiouni, Maury Shenk, George E. Bushnell, Jr., Lucinda Low, Michael D. Sandler,","Correspondents include Monroe Leigh, Richard L. Gaines, George E. Bushnell, Jr., Christopher Keith Hall, Willaim M. Hannay, and Stuart H. Deming","Summaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC","Contains handwritten notes","Contains handwritten notes","Contains underlining, handwritten markup, background materials on interested lobbyists, congressional politicians, presidential administrators","Contains handwritten pages of notes, markup, remarks, post-it notes","Contains handwritten pages of notes, markup, correspondents including: Francisco Jose Aguilar-Urbina, Conrad K. Harper, H. E. Boutros Boutros-Ghali, Marvin E. Frankel, Michael Posner","Contains post-it markers and underlines, Includes: Text of Treaty: \"No. 1021. Convention on the Prevention and Punishment of the Crime of Genocide. Adopted by the General Assembly of the United Nations on 9 December 1948, UN Security Council Official Documents, ABA Reports with Recommendations to the House of Delegates of the Task Force on an International Criminal Court of the American Bar Association and the New York State Bar Association","Contains names, addressed, phone numbers","Contains handwritten notes, highlights, memos","Contains highlights and handwritten notes","Contains markup, handwritten notes, post-it notes, highlighting","Contains handwritten notes, post-its, highlighting, comments","Contains highlights and notes","Contains post-its and notations","Contains edits, highlights, underlining, post-it notes, looseleaf pages","Contains handwritten notes, looseleaf pages,","Contains post-its, notes, markings","Handwritten message","Contains handwritten looseleaf notes","Contains post-it note \"Master Copy\" \u0026,amp, Monroe Leigh signature","Contains post-it notes, handwritten edits, flags","Contains memo correspondence, handwritten notes, edits","Contains flags, handwritten notes, edits, correspondence page","Contains Leigh signature, handwritten edits","Contains memo correspondence","Correspondents include: Monroe Leigh, Mary M. Devlin, Willaim M. Hannay, Jonathan Gluck, contains flags, handwritten notes, post-it notes, penciled edits","Correspondents include: Monroe Leigh, Diane F. Orentlicher, Stuart H. Deming, Richard B. Lillich, Larry A. Hammond, Charles R. Norberg, Jeffrey M. Lindy, William Geary, William D. Denson, David A. Martin, John Jay Douglass, Martin C. Loesch, Sushan Demirjian, Contains highlights, Leigh signature, handwritten edits","Correspondents include: Monroe Leigh, Allen Ryan, Kenneth B. Reisenfeld, Jay Vogelson, Alaire Bretz Rieffel, Susan Bright, Contains handwritten edits","Correspondents include: Monroe Leigh, Marcia Warren, Antonio Cassesse, Douglas Stringer, Peter Lichtenbaum, Mark S. Ellis, Valerie Brion, Susan E. Magalhaes, Robert F. Drinan, Barbara Stone, Richard J. Goldstone, Larry A. Hammond, Stuart H. Deming, Alaire Bretz Rieffel, Jonathan Gluck, Elizabeth R. Rindskopf, Daniel B. Magraw, Jerome J. Shestack, Osborn Maledon, Contains highlights, post-it notes, handwritten edits, memos, Leigh signature, looseleaf pages of notes","Correspondents include: Monroe Leigh, Mark J. Hartwig, David N. Lindley, Susan A. Ehrlich, Larry Johnson, David G. Keyko, Hamid Sabi, Anna Ascher, Gonzalo Parra-Aranguren, Mary M. Devlin, Larry A. Hammond, Conrad Harper, Georg Ress, John Heffernan, Barbara Kagan, Michael D. Sandler, Louise Arbour, William Hannay, Sushan Demirjian, John Noyes, Barbara Stone, Contains highlights, looseleaf pages of notes, handwritten notes, post-its, flags, edits","Correspondents include: Monroe Leigh, Gabrielle Kirk McDonald, John Heffernan, Nina Bang-Jensen, Valerie Brion, Michael Scharf, Douglas Stringer, Marilou Righini, Alaire Bretz Rieffel, Bob Lutz, J. S. Weigand, Contains handwritten notes, business cards, memos, Leigh signature","Correspondents include: Monroe Leigh, Gabrielle Kirk McDonald, Willaim Hannay, Gary A. Marek, Professor Mischa Wladimiroff, Adrienne A. Cook, Contains handwritten messages, Leigh signature, annotations","Correspondents include: Monroe Leigh, Reid Bauman, Richard J. Goldstone, Barbara Stone, John Heffernan, David Roll, Contains: Leigh signature, handwritten memos, flags","Correspondents include: Monroe Leigh, Ramadan Gashi, Gerold W. Libby, John Crook, Louise Arbour, Graham T. Blewitt, Contains: Leigh signature, handwritten notes","Correspondents include: Monroe Leigh, Cristian M. DeFrancia, Contains: ICTY application paper \"The Use of Anonymous Witnesses in War Crimes Trials: the Legal Background\", Cristian M. DeFranica signature","Contains photocopies","Contains handwritten notations and comments","Contains handwritten notations","Contains post-its, handwritten comments, underlines","Contains post-it notes/markers, handwritten comments","Contains post-it notes/markers, handwritten comments, underlining, 3 1/2 floppy disk labelled \"Tadic decision re witnesses\"","Contains tabs","Contains post-it markes and pages of handwritten looseleaf comments","Contains fax message","Contains correspondence between Mornoe Leigh and David Stoelting, highlights, pencil comments","Contains highlights, notations, edits, post-it note markers","Includes: The Queen v. Secretary of State for the Home Department, ex parte: John Gerald Gallagher, Mobil Oil Libya Ltd. V Secretariat of Petroleum and the Governmnet of the Socialist People's Libyan Arab Jamahiriyah, \"Tadic, the Anonymous Witness and the Sources of International Procedural Law\" by Natasha A. Affolder, \"To 'Establish Incredible Events by Credible Evidence': The Use of Affidavit Testimony in Yugoslavia War Crimes Tribunal Proceedings\" by Patricia M. Wald","Contains decisions for Ontario High Court of Justice (06/26/1989, 07/10/1989), Ontario Court of Appeal (04/29/1992), Supreme Court of Canada (03/24/1994), Includes highlights, underlines, post-it markers, post-it notes with notations","Contains handwritten notes, memos, business card, newspaper clippings, and proceedings related to Doe v. Karadzic","Contains checkmarks, handwritten notes","Contains highlights, underlines, checkmarks, handwritten notations, edits","Contains edits, handwritten notations, post-it note markers","Contains highlights, personal notes, post-it markers","Contains highlights, underlines, checkmarks, handwritten notations, edits, post-it notes","Contains highlights, underlines, checkmarks, handwritten notations, edits, Monroe Leigh signature, Correspondents include: Monroe Leigh, Ted Meron, Detlav Vagts, Ian E. Davidson, Harry Marshall, Stephanos Stavros, Stanislaw Pomorski, David Bederman, Joseph Dellapenna, Daniel G. Partan, Andrew Vollmer, Larry A. Hammond, Stuart Deming, Jonathan Gluck, Jeremy McBride, Mary Devlin, Mark Zaid, David E. Aaronson, Alaire Rieffel, William L. Robinson, Lawrence Collins, Herbert Smith","Contains highlights, underlines, checkmarks, handwritten notations, edits, markers","Contains handwriting on copy of \"Human Rights Brief\" by the Center for Human Rights and Humanitarian Law newsletter, Volume 4, Number 1, Fall 1996","Contains highlights, markings, correspondence, handwritten notes, 1. Bulletin of Human Rights, Special Issue: Fortieth Anniversary of the Universal Declaration of Human Rights, Centre for Human Rights, United Nations, 1988, 2. \"Hearsay and the European Court of Human Rights, by Craig Osborne, The Criminal Law Review, 1993, 3. \"Constitutional Cooperation\" by Henry J. Reske, ABA Journal, October 1996, 4. \"Victims and Voyeurs at the Criminal Trial\" by Paul Gerwitz, Northwestern Univeristy Law Review, Spring 1996, 5. \"Emphasizing Victims' Rights at the Sentencing Phase of Criminal Proceedings\" by Ilana Subar, Maryland Law Review, 1996, 6. \"Constitutional Amendment for Crime Victims Urged\", The Wall Street Journal, June 26, 1996, 7. \"Rule of Law: A Bill of Rights for Crime Victims\" by Paul G. Cassell and Steven J. Twist, The Wall Street Journal, April 24, 1996, 8. \"Making Amends\" Transcript, Online News Hour, PBS, June 25, 1996, 9. \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confont Witnesses\" by Patricia Bennett, Wayne Law Review, 1993","Contains highlights, underlines, handwriting, correspondence, thank you card, memorandum re: \"The Right of a Defendant to Cross Examine Witnesses against him as articulated in the Senate Legislative History on Article 14 of the International Covenant on Civil and Political Rights\", brief on \"International Tribunal for the Prosecuction of Persons Responsible for Serious Violations of International Humanitarian Law Committed in the Territory of Former Yugoslavia Since 1991\"","Contains highlights, handwritten notes, post-it notes, underlines, government documents from the U.S, Great Britain, New Zealand, Latin America, Japan","Contains intro correspondence, post-it markers, highlights, underlines, handwritten notes on Federal, State, and District court cases","Summaries discuss efficacy, progress, establishment, and jurisdiction of a permanent ICC","Contains cases and articles with highlights, underlines, comments, post-it markers","Contains articles and summaries with highlights, underlines, comments, looseleaf paper notes, post-it markers, Monroe Leigh signature","Contains correspondence with John W Heffernan, Thomas Warrick, Mark Levine, Monroe Leigh, handwritten notes","Contains correspondence with Professor Robert Lutz, Douglas Stringer, Monroe Leigh, Stuart Deming, references Human Rights cases and gives summaries","Contains handwritten notes, correspondence with Maury D. Shenk, Monroe Leigh, Michael Scharf, Joseph F. Murphy, post-it notes, business card, and notations","Contains hadnwritten notes, highlights, post-it notes, newspaper clippings","Contains correspondence with Nina Bang-Jensen, Kelly Goss, and Monroe Leigh","Contains handwritten memo, correspondence with Maury D. Shenk, Monroe Leigh, Kevin A. Doherty","Contains correspondence with David Stoelting and Monroe Leigh, Presentation of an Indictment for Review and Application for Warrants of Arrest and for Related Orders, Indictment, Decision on Review of Indictment and Application for Consequential Orders, Statement by Justice Arbour","Contains letter from Paul R. Williams","Contains Monroe Leigh signature","Contains index of authorities 1 - 9 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 10 - 16 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 17 - 25 (US Federal cases) related to War Crimes Adjudication, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 26 - 33 (International court cases, Tribunal materials, ABA materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 34 - 42 (UN materials) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 43 - 50 (International Agreements, Charters and Treaties) related to War Crimes Adjudication with highlights, underlines, and post-it markers, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 51 - 60 (International statutes, US Legislative - Federal statutes, US Legislative - State statutes, US Legislative History) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 61 - 75 (Books, Articles \u0026,amp, Pamphlets) related to War Crimes Adjudication with highlights, prepared by ABA Section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 76 - 85 (Books, Articles, Pamphlets, Statements, Addresses \u0026,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains index of authorities 86 - 93 (Books, Articles, Pamphlets, Statements, Addresses \u0026,amp, Press Releases, Miscellaneous) related to War Crimes Adjudication, prepared by ABA section of International Law and Practice: M. Leigh, P. Bloodgood, S. Deming, E. Echols","Contains letter from Inman Deming to Monroe Leigh, \"The Year In Review: International Criminal Tribunal for the Former Yugoslavia\" by Douglas Stringer, \"After White v. Illinois: Fundamental Guarantees to a Hollow Right to Confront Witnessess\" by Patricia W. Bennett, \"The Predicament of Peacekeeping in Bosnia\" by Tibor Varady","Contains highlights","Includes copies of following resolutions: H. Con. Res. 42, S. J. Res. 20, H. Res. 1368, H. Res. 103, S. J. Res. 12, H. Con. Res. 29, H. R. 647, S. 720","Contains letter from John Norton Moore to Monroe Leigh","Contains highlights","Contains handwritten notes on sheets of looseleaf","Contains index to Vol. 1 - Vol. 4, Annotated Agenda, Notice of meeting with questions, Meron article, US Proposal, Secretary General's Report, Membership List, Outline of ABA Report, Minutes of May 19, 1993 Meeting, Notices of Second Meeting of Task Force (Mary 24, 1993, May 27, 1993, June 1, 1993), Preliminary Draft Report, Minutes of June 2d Meeting, June 8 letter to Rashkow Re Chief Prosecutor Recommendations, Monroe Leigh signature, check marks, handwritten notations, post-it notes","Contains June 10 Memo on Meeting June 14 (bound separately) - Proposed agenda, Second draft including executive summary and red lined copy of report, Memo on role of federal judge in grand jury proceedings and military justice practice, Monroe Leigh signature, handwritten notations, edits","Contains June 17 memo on Meeting June 25 (Proposed Agenda, Revised Executive Summary of Report, Revised draft resolution), Minutes of June 14 meeting, June 22 memo transmitting final draft, Minutes of June 25 meeting, June 25 memo advising of further meeting on Monday, June 28 to finish report, Minutes of June 28 meeting, June 29 memo advising of meeting Thursday, July 1 to finalize report, Monroe Leigh signature, underlinds, handwritten edits, notations","Contains June 30 memo transmitting final draft and advising of meeting July 1 with agenda, June 30 memo transmitting Dod Draft of Procedural Rules for the Tribunal, June 30 memo listing recommendations for Judges of Tribunal, Minutes of July 1 meeting, June 12 memo enclosing final version of the Task Force Report and mintues for meetings of June 25, June 28 and July 1. (Final version is velo bound separate document), Monroe Leigh signature","Contains resumes of potential members of the task force, a copy of the New York Times Magazine April 21, 1991 Section 6 \"Capture of a Terrorist\" by Steven Emerson sent by Victoria Toensing to Monroe Leigh, highlights, edits, checkmarks, memos","Includes post-it indicated item is on disk","Handwritten comments and highlighting","no markup and can find online at: http://www.un.org/law/n9810105.pdf","Contains underlining, check marks, and Monroe Leigh's signature, notecard from M. Cherif Bassiouni","2 copies. 1 - Handwritten comments on a few pages, 2 - Different formatting and tabs","Handwritten notes and markup","including notes and addendum (duplicate copy has been removed)","includes newspaper clippings and Leigh's responses","1. \"Slay This Monster\" by Senator Jesse Helms, Financial Times, July 30, 1998, 2. \"For Clinton's Last Act\" by Robert S. McNamara \u0026,amp, Benajmin B. Ferencz, NYTimes Op-Ed, Dec. 12, 2000, 3. \"Internaitonal Court Pressures and Perils\" by Ted Galen Carpenter, Washington Times Od-Ed, Dec. 26, 2000, 4. \"Proposed International Court Will Protect Civil Liberties\" by Monroe Leigh, Washington Times, Dec. 30, 2000 [duplicate copies of 3 \u0026,amp,4 removed]","1. State Immunity Act 1978 (United Kingdom), 2. Foreign Sovereign Immunities Act of 1976 (United States)","Contains Stephen M. Schwebel signature","1. Sovereign Immunity, Act of State, OPEC, April 1980, 2. Draft Articles for a Convention on Sovereign Immunity, February 9, 1982","Contains Monroe Leigh signature","Contains October 9, 1980 letter inserted into pages from James Crawford to Monroe Leigh regarding previous correspondence on immunity","Contains Business Card of Beverly May Carl with handwritten message \"With best regards\"","From Najbee Samie, Contains handwritten memo to Najbee Samie with questions","Removed because all materials can be found online or in the library","Contains correspondence between Monroe Leigh and Myres S. McDougal, as well as edits","Contains highlights, Memo stationary from Najeeb Samie","Removed because all materials can be found online or in the library","Contains underlining","Contains memorandum to Monroe Leigh re: Comments on suitability for publication, edits","Contains note.","Note: \"With the compliments of the author\"","Removed because all materials can be found online or in the library","1. \"Decisions of British Courts During 1974-1975 Involving Questions of Public and Private Interntainal Law A. Public International Law\" by Dr. James Crawford, 2. \"Decisions of British Courts During 1974-1975 invovling Questions of Public and Private International Law A. Public International Law\" by James Crawford, 3. \"Decisions of British Courts During 1978 Involving Questions of Public and Private International Law\" by James Crawford, 4. \"Decisions of British Courts During 1980 Involving Questiosn of Public International Law\" by James Crawford","Contains note from James Crawford.","Contains note from James Crawford.","Contains letter from James Crawford to Monroe Leigh","Contains correspondence between Monroe Leigh and James Crawford.","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Contains note \u0026 business card from Michael Brandon","Contains memo note from William E. Hannaford to Monroe Leigh","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Removed because all materials can be found online or in the library","Contains Monroe Leigh signature","Contains business card and note from Michael Brandon to Monroe Leigh","Contains note \"With the Compliments of Michael Brandon\"","Contains correspondence between Stephen M. Schwebel and Monroe Leigh","Contains note \"With the Compliments of Michael Brandon\"","Contains memorandum, correspondence, post-it notes,","Contains looseleaf paper, notes","Contains handwritten memorandum, briefs, newspaper articles and transcripts of proceedings","Contains memrondum, brief, transcripts","Contains transcipts and newspaper articles","Contains transcripts and handwritten memos0000000000","Contains handwritten notes, underlines, articles","1. Brief of Plaintiff-Appellant, 2. Reply Brief of Plaintiff-Appellant, 3. Brief of Defendant-Appellee, 4. Joint Appendix","Contains handwritten notes and yellow pad pages, Agenda and Participants","1. Report on Developments in United States Sovereign Immunity Practice submitted by Monroe Leigh, September 28, 1989, 2. Interim Report Committee on State Immunity by Monroe Leigh, Draft June 17, 1988","1. AJIL International Decisions Section, 2. Summary of research on state immunity doctrine - case law, 3. Attachment and Execution of Property and Foreign Sovereign Immunity, 4. Foreign State Immunity: Summary of Law Review Articles Relevant to the American Experience with the Seven Questions Proposed in the Warsaw Report of the International Law Association Committee on State Immunity","Reports from: Georg Ress, Ajit Kumar Sengupta, Tara Kishore Prasad, Tibor Varady, Gamal Badr, Christopher H. Schreuer, C.C.A. Voskuil, Renata Sonnenfeld, Lady Fox, Giovanni de Sangro,","Contains pencil markup and comments","Contains Monroe Leigh signature","Contains notations","Contains pencil markup and comments","Contains pencil markup and comments","Contains handwritten notes and diagram of setting arrangement","Contains signature of Monroe Leigh","Contains post-it notes and handwritten comments, Correspondents include: Monroe Leigh, F. L. de May, Pierre Lalive, Ian Brownlie, B. Osorio, Ricardo R. Balestra, Silvia Maureen Williams, Georg Ress, Sueo Ikehara, Finn Syerstad, Tibor Varady, James Crawford, Rodney N. Purvis, Najeeb Samie, Edward Gordon, Gamal Badr, Kanae Taijudo, O. V. Bogdanov, Helmut SteinBurger, Ian Sinclair, Lars Hjerner, Michael M. Gondwe, K. M Ioannou","Contains handwritten note pages, post-it notes, comments","Contains post-it notes and instructions for Summer associates","1. Interim Report Committee on State Immunity, 6/15/88, 2. International Law Assoication Montreal Conference (1982) International Committee on State Immunity Report","Contains post-its and handwritten notes, Correspondents include: Monroe Leigh, Georg Ress, Barbara Osorio, Najeeb Samie, F. L. de May, K. W. Cuperus, Ian Brownlie,","1. 3 alternate resolutions for the Queensland Conference, 2. Review of Professor Ress's Preliminary Report on Developments in State Immunity (Montreal Draft Convention)","1. Report for the ILA Conference in Queensland, 2. Amendment to the Foreign Sovereign Immunities Act and the Berman Bill from the House of Representatives, 3. Injunctions under sovereign immunity law, 4. Summary of Law Review Articles relevant to the American Experience with the Seven Questions Proposed in teh Warsaw Report of the International Law Association Committee on State Immunity.","Contains handwritten notations","Signature: Monroe Leigh, Correspondents include: Jiri Zemanek, Monroe Leigh, Georg Ress, Christine De Witt,","List of Participants and Agenda for April 4 - 6, 1991 Meeting","Contains mark-up, post-its, handwritten notes","Contains diagrams of seating arrangment as well as notes about panels and discussions","Contains post-it, Participants for ILA Committee on State Immunity April 4-6, 1991, Cairo Conference 1992 Guidelines for Reports","Contains handwritten notes, markup, Correspondents include: Monroe Leigh, Raul Vinuesa, Georg Ress, P.J. O'Keefe, Jurgen Brohmer, Catherin Kessedjian, Christoph Schreuer, Jiri Zemanek, Tibor Varady,","Contains post-its, handwritten notes, edits, markup, 1. UN: International Law Commission Report on the Draft Aricles Adopted at its 43rd Session, 2. Committee on Cultural Heritage Law, ILA, Report and Draft Convention for Consideration at the 1992 Conference, 3. Montreal Draft Article I/ILC Draft Article 2 (versions and edits), 4. ILA, State Immunity - Dissenting opinion, 5. Jurisdictional Immunities of States and their Property (UN, A/CN.4/L.457)","Contains post-its, handwritten markup and notes","Contains post-its, handwritten markup and notes","Contains post-its, markup, notes, and handwritten comments","Contains signature of Monroe Leigh, handwritten notes, edits","Contains handwritten notes and highlights, Correspondents include: Alfred P. Rubin, Anthony D'Amato, Monroe Leigh, Jim Nafziger, Cynthia Lichtenstein, Michael Sandler, Jounral Articles (with notes): 1. \"What does Tel-Oren Tell Lawyers?\" By Anthony D'Amato in \"The American Journal of International Law,\" 79:1, January 1985, 2. \"Revising the Law of 'Piracy'\" by Alfred P. Ruin, California Western International Law Journal, 21:1, 1990-1991.","Contains business cards, letters, post-it notes, notations, highlights, underlines, markers, Includes: \"Report of the Task Force on an International Criminal Court of the American Bar Association\" 1994, Military Law Review, Vol. 149, Summer 1995 [including: \"Evaluating Present Options for an International Criminal Court\" by Monroe Leigh], \"The Proposed Permanent International Criminal Court: An Appraisal\" by Leila Sadat Wexler from the Cornell International Law Journal, Vol. 29, No. 3, 1996, \"From 'Kidnapped' Witness to Released Accused 'for Humanitarian Reasons': The Case of the Late General Djordje Djukic\" by Paul J.I.M. de Waart from the Leiden Journal of Internal Law 9, 1996, \"Surrender of Fugitives to the War Crimes Tribunals for Yugoslavia and Rwanda: Squaring International Legal Obligations with the U.S. Constitution\" by Kenneth J. Harris and Robert Kushen from Criminal Law Forum Vol. 7 No. 3, 1996, \"Promoting the right to reparation for survivors of torture: What role for a permanent international criminal court?\" publication from Redress, \"The Case for a Permanent International Truth Commission\" by Michael P. Scharf from Duke Journal of Comparative \u0026,amp, International Law, Vol. 7 No. 2, 1997, \"The International Criminal Court: Observations and Issues Before the 1997 - 98 Preparatory Committee, And Administrative adn Financial Implications\" a joint project of International Association of Penal Law, International Human Rights Law Institute, DePaul University, International Institute of Higher Studies in Criminal Sciences, International Law Association, American Branch, Committee on ICC, 1997","Contains correspondence from M. Cherif Bassiouni, draft guidelines for Combating Impunity for International Crimes, Joinet Report from UN on question of the impunity of perpetrators of human rights violations (civil and political)","Nothing of note (no markups or highlights), Removed because can be found through catalog","Contains underlines, highlights, handwritten notations","Contains Monroe Leigh signature, check marks and edits, highlights, handwritten revisions, post-it notes, draft program, draft list of participants","Contains highlights, Correspondence with Monroe Leigh, Jerome J. Shestack, Christopher Keith Hall, \"The ILC's Draft Statute for an International Criminal Tribunal\" by James Crawford in The American Jounral of Internaional Law, Vol. 88 No. 140, January 1994","Contains underlines, handwritten notations, handwritten pages of notes (including questions), highlights","Contains dividing markers","Contains post-it markers","Contains notation \"without common articles\"","Missing Articles 1 - 3","Contains checkmarks and pencilied notations","Handwritten edits included","Redline draft attached","Handwritten edits included","No edits, does not appear to be cited in AJIL article - keep?","Page marked with a post-it, Keep? Pin-cited in ICC Editorial Comment","Handwritten notes/edits by Monroe Leigh and edits by AJIL included","Draft of editorial comment attached","Attached revision of ICC Editorial Comment and noting recent proposal in policy, Handwritten edits marked with post-its","Includes handwritten edits","Includes handwritten edits","Includes handwritten markings","Includes handwritten markings","Printed November 29, 2000, includes highlighting","Printed November 29, 2000, includes highlighting and post-it note flagged page","Keep? No personal markings indicated (though some present as copied from original) and does not appear to be cited in his article","Attaching additional comments and edits on article \"International Law Societies and the Development of International Law\"","Requesting receipts for reimbursement purposes","Additional footnotes and consent to publication attached","Handwritten edits and notes from Monroe Leigh, Maury attached","With handwritten edits from Mohammed Z. Hafez","1999, Cornell International Law Journal article, \"The Amnesty Exception ot the Jurisdiction of the International Criminal Court\" by Michael P. Scharf, October 2000 offprint copy from International and Comparative Law Quarterly of UK House of Commons Foreign Affairs Committee Report, June 2000, 1987 publication by Council of Europe on Legal Affairs, \"Expression of consent by states to be bound by a treaty\"","Requesting copy of Cannon 2 of the ABA Model of Judicial Conduct, 1991 edition","Enclosing articles on ICC and humanitarian intervention","Includes newspaper excerpts, speech, attendance lists for ceremony, Monroe Leigh resume, press release, copy of section from congressional record daily digest when appointed, confidential statement of employment and financial interests, statement of nominee to the US Senate Committee on Foreign Relations, correspondence, booklet containing information for appointment, The International Telephone and Telegraph Company and Chile, 1970-71: Report to the Committee on Foreign Relations, United States Senate by the Subcommittee on Multinational Corporations -June 21, 1973, Declaration on Principles of International Law concerning Friendly Relations and Co-operation among States in accordance with the Charter of the United Nations brochure, The Constitution of the United States of America, Nomination of John R. Stevenson hearing before the Committee on Foreign Relations United States Senate - July 31, 1973","Contains correspondence, looseleaf notes, memos, documents with underlines, newspaper clippings, biographical and financial forms that are filled out by hand, confirmation hearing materials, campaign contribution information, hearing transcript, questions","Contains Press Release regarding appointment, numerous invitation lists, correspondence, speech, photograph of swearing in","Correspondents include: Monroe Leigh, Kenneth S. Levinson, Francis O. Wilcox, Malcolm Richard Wilkey, Seymour J. Rubin, James V. Dolan, Thomas M. Franck, Oscar Schachter, John LeMoyne Ellicott, Gordon Gray, Loy W. Henderson, Philip W. Buchen, William Lang, Edward J. Gerrity, Jr., Bradford Morse, Washington Opportunities for Women, Carl F. Salans, Hamilton Carothers, Cecil, David C. Acheson, Willis L. M. Reese, Timothy W. Stanley, Harry W. Fawcett, Steven Landon, Kenneth M. Spang, H. Lane Kneedler, Jane Sommerich, James E. O'Brien, George P. Armour, Dante B. Fascell, Oscar Victor, Abram Chayes, James C. McKay, Samuel R. Dorrance, Smith College, John N. Hazard, Harry A. Inman, Ralph W. Dorius, Richard B. Bilder, Richard C. Allison, Betty Posniak, Lester Nurick, Lyman M. Tondel, Jr., William J. Martin, Jr., John H. Riggs, Jr., Richard S. Lombard, John Hopkins Heires, Norma, Andreas F. Lowenfeld, Thomas E. Drumm, Jr., John B. Henderson, Lewis Hoffacker, Will E. Leonard, Jr., James T. Lynn, John Maktos, Myer Rashish, Walter Sterling Surrey, Frank M. Wozencraft, James R. Offutt, Isaac Shapiro, John F. Ryan, Alexander D. Calhoun, Jr., Douglas W. Laird, Raymond F. Conkling, G. W. Haight, Robert Murphy, Andrew R. Cecil, Mike Minder, H. A. H. Cortazzi, Mason Willrich, John S. Battle, Jr., Walter A. Slowinski, Jeffrey M. Lang, MAnsfield D. Sprague, Totton P. Heffelfinger, II","Correspondetns include: Monroe Leigh, William C. Olson, Francisco Orrego Vicuna, W. T. Mallison, Alwyn V. Freeman, Wilbur L. Fulgate, W. T. Ketcham, Jr., Hardy Dillard, Yehuda Blum, Amelito R. Mutuc, William W. Dunn, Robert S. Dillon, William H. Weiland, W. Gibson Harris, Willis L. M. Reese, John D. Epperly, Anthony A. Rascio, Adam Yarmolinsky, Paul A. Wolkin, David Sarre, Joseph Modeste Sweeney, Robert W. Lawson, Jr., Thomas S. Busha, Richard W. Edwards, Jr., Howard S. Levie, Miriam Theresa Rooney, Edward Dumbauld, Gordon H. Barrows, Covey T. Oliver, John P. Furman, Howard J. Taubenfeld, Michael F. Butler, Raymond L. Brittenham, Leslie A. Grant, Jose A. Cabranes, Cesar Sepulveda, Maxwell Cohen, John M. Howell, Thomas Ehrlich, Edward J. Lawler, Sidney Jacoby, Harry L. Freeman, Arthur R. Albrecht, F. Trowbridge vom Baur, Joseph H. Guttentag, Carl O. Christol, Maurice Wolf, Richard Young, John G. Kester, Charles S. Rhyne, Charles Robert Norberg, John M. Raymond, Gen Kajitani, Walter Sheble, George Yamaoka, Richard S. Reid, James N. Hyde, David D. Newsom, Alfred H. Von Klemperer, James A. R. Nafziger, John Scali, Herman Phleger, Eric Stein, Polly M. Lead, Bayless Manning, Edward D. Re, Stephen Hearst, Marshall V. Miller, Alan Wm. Wolff, H. Francis Shattuck, Jr., W. Tapley Bennett, Jr.","Includes transfer of records itemized listing, memos, brochures, appointment papers, newspaper clippings, travel itineraries and receipts for a trip to Brussels, correspondence, looseleaf notes, First Semiannual Report by the President to the Commission on Security and Cooperation in Europe: Report submitted to the Committee on International Relations - December 1976, Report of the Study Mission and Cooperation in Europe - Washington, DC - December 2, 1976","Includes earnings and leave statement, correspondence ,memos, contacts card, inventory of boxes sent to Steptoe \u0026 Johnson, photocopies of newspaper articles, notice of resignation","Includes: \"The Foreign Affairs Advice Privilege\" by Gordon B. Baldwin, Wisconsin Law Review, Vol. 1976, No. 1, pp16 - 46 (w/note: \"To Monroe: With Grateful appreciation for affording the opportunity, Gordon\"), Q\u0026A for Leigh from Pike Committee, Draft Report citing Henry A. Kissinger (State, 40 Committee, and SALT), Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Statement of the Facts, Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, Looseleaf notes, Memo from George H. Aldrich to Mr. Maw re: Pike Committee Hearings - Indications of White House Staff Attitudes, News reports, Memorandum re: Legislative History of 2 United States Code 192, Statement by Henry A. Kissinger Secretary of State before the Select Committee on Intelligence House of Representatives, October 31, 1975, Buchen Draft, 11/18/75, Memorandum to Phillip W. Buchen, Antonin Scalia, Carlyle E. Maw, 11/18/75, Memorandum to Phillip W. Buchen, Rex E. Lee, Antonin Scalia, 11/17/75, Pike Committee Proposed Resolutions on \"Contumacious Conduct\" of Henry A. Kissinger - Call's Draft, Alternative speeches, Chronology with Respect to State Department Subpoena, Summons to appear before Pike Committee, Alternative Draft - Suggested Paragraphs for Inclusion in Minority Report of House Select Committee on Intelligence, 11/17/75, Copy of public law 93 - 190, Copy of Title 2 - The Congress, Codes 190 - 198","Contains handwritten notes, signatures, underlines, Correspondents include: Monroe Leigh, D. Jeffrey Hirschberg, Michael D. Sandler, John Lewis Smith, Jr., George W. Calhoun, Harold R. Tyler, Jr., Carlyle E. Maw, Thomas Crocker, Peter W. Rodman, Tom Johnson, Edward S. Christenbury, Henry E. Petersen, George H. Aldirch,","Includes Motion of Plaintiffs for an order to permit public filing of their motion for summary judgment against the individual defendants, Memorandum of law in support of plaintiffs' motion for summary judgment against the individual defendants, photocopy of list of jobs of William A. K. Lake, Kissinger SFRC Testimony - July 10, 1974, Motion by Plaintiffs for summary judgment against the individual defendants","Includes: Petition for write of Ceriorari to the US Court of Appeals for the District of Columbia Circuit (w/letter from David Ginsburg and business card of James E. Wesner), Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Brief for Respondents Military Audi Project, et. al, Reply Brief for Petitioner and Cross-Respondent Henry A. Kissinger, Appendix, Syllabus (w/handwritten note, \"Thank you\"), Supreme Court Decisions","Contains handwritten notations, edits, underlines, signatures, Correspondents include: Monroe Leigh, Jeffrey H. Smith, Lawrence S. EagleBurger, John S. Pruden, James B. Rhoads, Henry R. Kissinger, Jack Brooks, Don Oberdorfer, Jock Covey, Donald P. Young, Helmut C. Sonnenfeldt, James E. Wesner, David Ginsberg","Contains newspaper clippings, journal articles, photocopies of newspapers","Includes materials regarding the donation of Kissinger's Papers to the Library of Congress, looseleaf notes, notations","Article re: Hedrick Smith v. Nixon case from \"The Daily Washington Law Reporter\" Vol. 106, No. 97, pg. 913 - 918","Correspondents include: Monroe Leigh, The Editor - Washington Post, Mike Sandler, David Ginsburg, James E. Wesner","Contains photocopies of docments: US Court of Appeals for DC Circuit list of relevant case numbers \u0026 memorandum, Proceedings transcript, delivered opinion (2 copies), Plaintiffs reply memorandum of points and authorities in support of their motion for a preliminary injunction, memorandum of points and authorities in support of plaintiffs' motions for summary judgment and, alternatively, a preliminary injunction, Affidavit of William E. Leuchtenburg, Affidavit of Nat Hentoff, Affidavit of William Safire, Affidavit of Donald G. Herzberg, Memorandum of points and authorities in opposition to plaintiffs' motions for summary judgment and in support of defendant Henry A. Kissinger's cross-motion for summary judgment, Opposition to plaintiffs' motions for summary judgment, Cross-motion for summary judgment by defendant Henry A. Kissinger, Memorandum of points and authorities in opposition to plaintiffs' motion for a preliminary injunction, Second Affidavit of Henry A. Kissinger, Order, Certificate of Service, Affidavit of Monroe Leigh, Memorandum of points and authorities in opposition to plaintiffs' motion for summary judgment and in support of defendant Henry A. Kissinger's cross motion for summary judgment, Complaint","Correspondents include: Monroe Leigh, George H. Aldrich, President Ronald Reagan, Sen. Arlen Specter, Henry A. Kissinger, Pamela B. Gann, Erwin N. Griswold, Mark R. Joelson, Stephen S. Rosenfeld,","Correspondents include: Monroe Leigh, Malcolm R. Wilkey, William W. Bishop, Jr., memorandum for Mary Lee re: Suggested Paragraph for Chairman Moore's Letter, John R. Stevenson","Correspondents include: Monroe Leigh, Geoffrey C. Hazard, Jr., Abraham D. Sofaer, Memorandum for Restatement File, Richard L. Fischer, Frank P. Jones, Jr., Jennifer L. Hall, John Norton Moore","Contains highlights, underlines, markers, newspaper photocopies, newspaper clippings, journal excerpts, articles","Excerpts from the American Journal of International Law re: The Permanent Court of Arbitration for 1961, 1963, 1969, \"Nomination of Thomas J. Meskill\" Report from the Committee on the Judiciary United States Senate together with Individual News, 1975, pamphlet: \"Standing Committee on the Federal Judiciary: What it is and How it Works\" American Bar Association, 1977, UN General Assembly Security Council A/33/223 S/12830 19 October 1978: Curricula vitae of candidates nominated by national groups Note by the Secretary General, text of EO 12059, 11 May 1978,","Contains 4 reports with Monroe Leigh signature, in French language, also includes UN Gen. Assembly Security Council A/33/223/Rev. 1, 25 October 1978: Curricula vitae of candidates nominated by national groups - Note by Secretary General","Contains correspondence, envelopes, memos, note cards, looseleaf notes, notations, table of U. S. members since 1938, Election of Judges to the International Court of Justice, 1981 - Sri Lanka's Candidate - Mr. H. W. Jayewardene, Correspondents include: Monroe Leigh, Cyrus Vance, Austin Pulle, Jorge A. Aja Espil, G. W. Haight, H. W. Jayewardene, Marshall Mays, Robert B. von Mehren, Roberts B. Owen, Willis L. M. Reese, Ernest A. Gross, Cecil J. Olmstead, Francis T. P. Plimpton, William W. Scranton, Stephen Schwebel, Hardy C. Dillard, Timothy B. Atekson, Marco C. E. J. Bronckers, Abram Chayes, William W. Bishop, Jr., Edison W. Dick, Richard C. Allison, Philip C. Jessup, Lyon L. Brinsmade","Contains signatures, memos, edits, notations, highlights, articles, looseleaf notes, newsletters, resumes, Correspondents include: Monroe Leigh, Herbert Brownwell, William W. Bishop, Jr., Carlyle E. Maw, Cecil J. Olmstead, Herbert W. Briggs, John R. Stevenson, Seymour Rubin, Warren E. Burger, Walter Sterling Surrey, Adrian W. De Wind, John N. Hazard, Robert Coulson, Eugene F. Scoles, Henry T. King, Jr., Austin Pulle, Richard (Dick) R. Baxter, Herbt J. Hansell, Cyrus R. Vance, Stephen M. Schwebel, Hardy C. Dillard, Erik Suy, Vanden Huevel, Millard H. Ruud, Norris Darrell, Howared M. Holtzmann, Kurt Waldheim","Contains memos, handwritten notes, eidts, looseleaf notes, articles, signatures, highlights, background information, reports, Correspondents include: Monroe Leigh, Carlyle E. Maw, Stephen M. Schwebel, William D. Rogers, Herbert Brownell, William W. Bishop, Jr., Herbert J. Hensell, Warren E. Burger, Cyrus Vance, Henry T. King, Jr., John Nolan, Alan Cranston, Joseph J. Sisco, Carole Smith, Millard H. Ruud, James O. Eastland, John R. Stevenson, E. Donald Shapiro, Don Wallace, Jr., Daniel P. Moynihan, Philip C. Jessup, Robert Coulson, Robert L. Trescher, W. M. Reisman, Hugo B. Margain, Eugene V. Rostow, Thomas M. Franck","Contains memos, handwritten notes, edits, underlines, table of US memebers since 1938, articles, Correspondents include: Monroe Leigh, Herbert J. Hansell, Kurt Waldheim, Cyrus Vance, Joseph S. Lord, III, Herbert Brownell, William W. Bishop, Jr., Alan M. Dershowitz, Richard (Dick) R. Baxter, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, Damon J. Keith, Walter J. Cummings, Maurice Copithorne, Carlyle E. Maw, Leonard C. Meeker, Timothy B. Atkeson, Henry T. King, Warren E. Burger, William D. Rogers","Contains various drafts of letters re: International Court of Justice and Cyrus R. Vance, supporting materials, notations, highlights, memos, table of U.S. members since 1946, table fo U.S. members since 1938, routing slips, and correspondence indicating that ML had requested materials be returned and then the returned copies are included, articles, Correspondents include: Monroe Leigh, Cyrus R. Vance, Henry T. King, Jr., Millard H. Ruud, Gerald Asken,","Contains transcripts, scripts, underlines, edits, comments, signatures, Who's Who in America excerpted photocopies, Who's Who in the World excerpted photocopies, Directory of American Scholars excerpted photocopies, The International Who's Who excerpted photocopies, newspaper clippings, Correspondents include: Monroe Leigh, Pegi McLaughlin, Arthur J. Goldberg","Materials for correspondence with Kurt Waldeim, Secretary General of the United Nations, from William W. Bishop, Jr., Herbert Brownell, Herbert J. Hansell, Monroe Leigh","Contains memos, signatures, photocopies of telegrams, handwritten letters, transcripts of speeches, resumes, draft press release, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, Herbert J. Hansell, Alan J. Kreczko, Leonard v. B. Sutton, Seymour J. Rubin, Adrian W. DeWind, John Scott, Hardy Dillard, John R. Stevenson, Stephen M. Schwebel, Warren E. Burger, John N Hazard, Robert Coulson, Henry T. King, Millard H. Ruud, William W. Bishop, Jr., Arthur J. Goldberg,","Contains handwritten notations, photocopies, agendas, correspondents include: Monroe Leigh, Robert H. Mundheim, Austin Pulle, J. Wallace Hopkins, Jr., Michael Bradfield, Carlyle E. Maw, Stephen M. Schwebel, Max Frankel, Richard R. Baxter, Cyrus Vance, Cecil J. Olmstead, Herbert J. Hansell","Contains index, memos, looseleaf notes, envelopes, markup, edits, mailing lists, messenger requests, Correspondents include: Monroe Leigh, J. Varekamp, Roberts B. Owen, Keith Highet, William W. Bishop, Jr., Edmund S. Muskie, Lyon L. Brinsmade, Hardy Dillard, Eric Stein, Richard L. McCall, John J. McCloy, Michael Reisman, R. Ammi Cutter, Daniel J. Boorstin, James E. O'Brien, Stephen M. Schwebel, Leonard C. Meeker, W. Graham Claytor, Jr., Seymour J. Rubin, Abdulloh El-Erain, Erik Suy, Abram Chayes, George J. Alexander, Richard H. Ullman, Michael I. Sovern, Adrian S. Fisher, Warren E. Burger, Herbert W. Briggs, Al Freeman, Oscar M. Ruebhausen, Robert M. von Mehren, Albert M. Sacks, Robert Coulson, Merrell E. Clark, Jr., Austin Pulle, Herb Hansell","Contains handwritten comments, notes, signature, underlines, Foreign Affairs Manual Circular, Vol. 3 - Personnel (1980 and 1981), Presidential Ranks - Score Sheet, Panel B, Correspondents include: Monroe Leigh, Joan M. Clark, John H. Rouse,","Contains pencil markup, \"Preliminary Summary of Support by Groups Consulted, for U. S. nominee to ICJ\"","Names include: Roberto Ago (Italy), Jiminez De Arechaga (Uruguay), Abdullah El-Erian (Egypt), Antonio Gomez Robledo (Mexico), L. Ignacio-Pinto (Benin), H. W. Jayewaredene (Sri Lanka), Eero J. Manner (Finland), Jose Sette Camara (Brazil)","b. May 26, 1907 according to original file container, Contains correspondence (2 letters) regarding Robert Ago of Italy between John R. Stevenson, Herbert W. Briggs, Don Wallace, Jr., Millard H. Rudd, includes highlights and notations","Contains correspondence (2 letters) regarding Jiminez De Arechaga (Uruguary) between Monroe Leigh, William D. Rogers, John R. Stevenson, Herbert W. Briggs","b. March 21, 1920 according to original file container, Contains resume, correspondence (1 letter) regarding Abdullah El-Erian between Monroe Leigh, Philip C. Jessup","b. November 17, 1908 according to original file container, Contains curriculum vitae, highlights, correspondence (3 letters) regarding Antonio Gomez Robledo (Mexico) between Hugo B. Margain, Monroe Leigh, the Department of State, John R. Stevenson, Herbert W. Briggs","b. 1916 according to original file container, Contains resume, highlights, pencil mark-up, correspondence regarding H. W. Jayewaredene (Sri Lanka) between Cyrus R. Vance, A. C. S. Hameed, the Department of State, the Permanent Mission of Sri Lanka to the U.N.","b. June 21, 1903 according to original file container, Contains handwritten memo, correspondence (1 letter) regarding Louis Ignacio-Pinto (Benin) between Monroe Leigh, William D. Rogers","b. July 16, 1913 according to original file container, Contains curriculum vitae, correspondence (2 letters) regarding Eero J. Manner (Finland) between John R. Stevenson, Herbert W. Briggs, the Department of State, the Embassy of Finland","b. April 14, 1920 according to original file container, Contains highlights, resume, Correspondence (3 letters) regarding Jose Sette Camara (Brazil) between the Department of State, the Permanent Mission of Brazil to the U. N., Vanden Huevel, John R. Stevenson, Herbert W. Briggs","Names include: Richard R. Baxter, Nathan R. Berke, Hardy C. Dillard, Walter Ely, Arthur J. Goldberg, Leo Gross, Louis Henkin, Myres S. McDougal, Robert B. McKay, Carlyle E. Maw, Russell D. Niles, Covey T. Oliber, Oscar Schachter, Bernard G. Segal, Louis B. Sohn, William B. Spong, Jr., John R. Stevenson","Contains highlights, letter from Warren E. Burger to Monroe Leigh","Contains highlights, letter from Henry T. King, Jr., to Monroe Leigh","Contains highlights, press release and letter (dated 29 June 1978) from William D. Rogers to Monroe Leigh","Contains highlights, letter from Carlyle E. Maw to Monroe Leigh","Contains highlights, letter from Millard H. Ruud to Monroe Leigh","Contains highlights, personal note, letter from Herbert Brownell to Monroe Leigh","Contains highlights, letter from Robert Coulson to Monroe Leigh","b. February 14, 1921 according to original file container, contains highlights, correspondence regarding Richard R. Baxter, background information, bibliographies, letters of support, resume, Correspondents include: Monroe Leigh, Herbert J. Hansell, Millard H. Ruud, Don Wallace, Jr., Carlyle E. Maw, William D. Rogers, Robert Coulson, Thomas M. Franck, Henry T. King, Jr.,","Contains correspondence (2 letters) regarding Nathan R. Berke between Monroe Leigh, Alan Cranston, Douglas J. Bennet, Jr., President Jimmy Carter","Contains highlights, letter regarding Hardy C. Dillard between Monroe Leigh and Warren E. Burger","Contains highlights, correspondence (2 letters) regarding Walter Ely between Herbert Brownell, Robert L. Trescher, Shirley M. Hufstedler","b. August 8, 1908 according to original file container, contains highlights, underlines, resume, biographical information, correspondence regarding Arthur J. Goldberg, Correspondents include: Herbert J. Hansell, Fred J. Cassibry, Alfonso J. Zirpoli, Julius J. Hoffman, James B. Parsons, Walter E. Craig, Joseph S. Lord, III, Alan M. Dershowitz, Frank J. McGarr, Robert A. Sprecher, Albert Branson Maris, Stephen G. Breyer, William J. Campbell, Hubert H. Humphrey, Howard H. Baker, Frank Church, President Jimmy Carter, Damon J. Keith, Walter J. Cummings, Leonard C. Meeker, Joseph J. Sisco","b. April 6, 1903 according to original file container, contains highlights, resume, biographical information, correspondence regarding Leo Gross, Correspondents include: Millard H. Ruud, Edward Gordon, Daniel P. Moynihan, Monroe Leigh","Contains highlights, letter regarding Louis Henkin between Leonard C. Meeker and Monroe Leigh","Contains highlights, letter regarding Carlyle E. Maw between Herbert Brownwell and Monroe Leigh","b. November 23. 1906 according to original file container, contains highlights, biographical and bibliographical information, correspondence regarding Myres S. McDougal, Correspondents include: Elliott Goldstein, Herbert J. Hansell, President Jimmy Carter, John C. Stennis, James O. Eastland, Monroe Leigh, W. M. Reisman, Eugene V. Rostow, William W. Bishop, Jr., E. Donald Shapiro, Millard H. Ruud, Edward Gordon, Emerson G. Spies, Frank Moore,","Contains highlights, letter regarding Robert B. McKay between Monroe Leigh and Herbert Brownwell","Contains highlights, letter regarding Russell D. Niles between Monroe Leigh and Warren E. Burger","b. April 21, 1913 according to original file container, contains highlights, AALS Directory of Law Teachers excerpt, Who's Who in America excerpt, letter dated 9 June 1978 regarding Covey T. Oliver between Monroe Leigh and Millard H. Ruud","Contains highlights, correspondence (2 letters) regarding Oscar Schachter between John R. Stevenson, Herbert W. Briggs, Millard H. Ruud, Edward Gordon","Contains highlights, letter regarding Bernard G. Segal between Monroe Leigh and Warren E. Burger","b. March 1, 1974 according to original file container, contains highlights, biographical and bibliographical information, correspondence regaridng Louis B. Sohn, Correspondents include: Herbt J. Hansell, Henry T. King, Jr., Monroe Leigh, Robert Coulson","Contains highlights, letter regarding William B. Spong, Jr. between Monroe Leigh and Warren E. Burger","Contains highlights, letter regarding John R. Stevenson between Monroe Leigh and Herbt Brownwell","Contains supporting documents, underlines, Correspondents include: Monroe Leigh, Austin Pulle, Arthur J. Goldberg, William W. Bishop, Jr.","Contains underlines, handwritten notations, PCA reports starting in 1900","Contains underlines, handwritten notations, articles about the PCA","Index: Statute of the International Court of Justice, Present Members of the International Court of Justice, Procedure for Election of Judges, American Candidates, Foreign Candidates (Ambassador El-Erian (Egypt), Mr. Razafindralambro (Madagascar), Ambassador Sette Camara (Brazil), Dr. Gomez Robledo (Mexico), Professor Robert Ago (Italy), Judge Manner (Finland), Mr. Jayawardene (Sri Lanka)), Past Nominations by the US National Group","Contains \"Guide for National Red Cross Societies on their Role as Auxiliaries of the Army Medical and Civil Defence Services\" - Geneva, 1952 and Memorandum re: Summary of Participation and Probable Voting Position of Governments and National Red Cross Societies as of October 18, 1957","Contains notations, signatures, Correspondents include: U. S. Delegation, Orlando Pedragosa Nadal (Delegate of Uruguay), Dr. Muhlenhover (Delgate of Germany, Amrit Kaur (Chairman, XIXth International Red Cross Conference), General Gruenther, James T. Nicholson, Mr. Boissier, Ellsworth Bunker, Robert McClintock (Delegate of USA), George M. Elsey, John Foster Dulles","Contains notations, schedules for each day of the Conference (28 Oct - 7 Nov), list of delegates, governing rules","Contians notations, edits, markup, copies of various drafts and resolutions proposed by different countries in attendance at the Conference","Removed to collections in library because there were no markings","Removed because all materials can be found online or in the library [Law Basement - Oceans 13.6.I6146P","Issued by the Embassy of Pakistan, Washington, D.C.","Contains inked edits and markings in the footnotes, Leigh signature","Contains Leigh signature, minor edits and markup","Contains edits, markup, notations","Contains edits, markup, notations, attached notes","Contains markup, notations, looseleaf notes, briefs","Contains markup, notations","Contains 1 document with two attachments, including 1 - The Development of the Murray River and 2 - Synopsis of Report of the Inter-State Royal Commission on the River Murray (1902)","Contains 1 document titled: \"Recommendations of International Joint Commission on Diversion from Watershed in Its Final Report on the Lake of the Woods Reference\"","Contains markup, handwritten notations, circled areas regarding the relevant aspects to international water rights vis-à-vis the St. Lawrence Seaway between Canada and the US. Includes Public Law 358, 83d Congress, Chapter 201, 2d Session, S. 2150 (July 1957), \"Report on the Committee on Public Works on S.2150: A Bill providing for creation of the St. Lawrence Seaway Development Corporation to Construct part of the St. Lawrence Seaway in United States Territory and for other purposes,\" House Report No. 1215, 83d Congress, 2d Session (February 19, 1954), Senate Report No. 441 (same name House Report No. 1215), 83d Congress, 1st Session (June 16, 1953)","Contains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions","Contains copies of treaties, memos, drafts, relevant background/precedent materials, notes, handwritten notations, edits, markup, revisions","Contains initials ML","Contains cases American Hawaiian Steamship Co. v. United States, Baltimore Steam Packet v. United States, Cors v. United States","Contains cases Eastern Steamship Lines v. United States, Kendall v. United States, Lex Laboratories, Inc. v. United States","Contains cases National Bulk Carriers v. United States, North American Shipping Company v. United States, Olive J. Olson \u0026 Company v. United States, Ozanic v. United States, Petition of Grace Lines, Smith-Douglass Company v. United States, Trailerships Inc. v. United States, Wilson Lines v. United States","Contains an overview of legislation and cases related to Just Compensation","Contains summary of compromise settlement offer of just compensation for five Danish vessels requisitioned July 12, 1941, including the Alssund, Brosund, Columbia, Lundby, Olympia","Contains draft \"Report for H. Graham Morison, Assistant Attorney General, Claims Division, Department of Justice","Contains memorandum for Mr. Bressor, Message for Mr. Howard, Memorandum for Mr. Laylin","Contains memorandum for Conference with Paul Umoff, Memorandum of Conference with J. G. Comyn, Memorandum of Conference with H. A. Stevenson, Memorandum of Conference with George Davies","Contains Deposition of Hans Christian Brodersen and the Deposition of Hugo Lund for Dampskibsselskabet \"Haffnia\" Aktieselskab, et al vs. The United States in the United States Court of Claims","Binder with 16 sections regarding \"Christiani Visa Matter\" that deals with citizenship and whether or not Henning Christiani was a collaborator with the Germans during World War II. Sections include: Memorandum for Mr. Laylin, 1. Christiani and Nielsen Memorandum, 2. letter to Henning Christiani, 3. Memo of a conversation between Mr. Steger and Mr. Hyde at the U.S. Consulate on 12th January 1948, 4. Telephone conversation of December 11, 1947 with Francis Cunningham of State Department, concerning visas, 5. Translation of Depostition made by former Prime Minister Erik Scavenius before the investigating committee of hte Engineering Society in the matter of the investigation of the conduct of its member, Dr. Rud. Christiani, during the late war, 6. \"Danish Saboteurs Wreck Nazi Plants\" text from New York Times article dated Sunday, February 21, 1943, 7. \"Nazis Hinted Giving Up Norway and Denmark\" text from New York World-Telegram article dated Thursday, February 3, 1944, 8. \"Nazis Plan to Leave Norway, Denmark\" text from The London Daily Sketch artcled dated Thursday, February 3, 1944, 9. Statement (from Christiani?), 10. Translation of Memorandum on the Work of Ardal, 11. Translation of Letter of Auugst 19, 1949, from Dr. Christiani to Mr. Henning O. Christiani, New York, in excerpt, 12. Translation of memorandum from Mr. C. L. David, barrister to the Supreme Court, to Mr. Steglich-Petersen, barrister to the Supreme Court, regarding Dr. Rud. Christiani vs. The Danish Engineering Society dated August 15, 1949, in excerpt, 13. Translation of letter of April 20, 1949, from the Ministry of Justice to Mr. Steglich-Petersen, attorney for Dr. Rud Christiani, informing Mr. Steglich-Petersen that the Ministry of Justice has written the Attorney General that they accept his recommendation that hte Ministry not take up again the matter of violation of hte ex post facto laws relating to association with the enemy during the occupation of which Dr. Christiani was absolved of February 7, 1947, -- in spite of additional relevant data extracted by the investigating committee of the Danish Engineering Society, 14. Translation Royal Danish Legation letter, 15. Translation of letter of June 13, 1949, from Dr. Rud. Christiani to Mr. Henning O. Christiani, care of Christiani \u0026 Nielsen Ltda, Bogota, Colombia, in excerpt, 16. Translation of letter between Henning O. Christiani and Christiani \u0026 Nielsen / Rud Christiani","Contains facts of the case, memorandum, notes, supplemental memorandum, Brief of Claimant on Motion to Dismiss, H.R. 5200 (80th Congress, 2d Session), markup, looseleaf handwritten notes, edits [Case revolves around the question of \"whether an individual who is an American citizen by American law and at the same time a German citizen by German law, may recover property seized by the Alien Property Custodian during WWII\"]","Contains handwritten looseleaf notes, drafts, edits, markup","Contains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945","Contains brief overviews of sales contracts involving shipping via water (ocean/sea), including Name, D.W.T., Age, Date of Sale, Seller, Buyer, Consideration, Price per D.W.T., Terms of Payment, Port of Delivery, and Conditions, from July 1940 to October 1945","Contains orders, memorandum, handwritten notations, looseleaf notes,","Contains handwritten looseleaf notes, drafts, edits, markup","Involves rights of ships and the Federal Government, contains Abstracts of Cases for Cors Argument, memorandum, handwritten notations, looseleaf notes, edits, discussions on the authority of \"the Maritime Commission to requisition ships of foreign registry lying idle in American ports,\" the \"enhancement clause,\" Report: Inquiry into operations, policies, and affairs of United States shipping board and emergency fleet corporation by the House of Representatives, 69th Congress, 1st Sesstion (Report No. 2)","Contains printed proceedings of case, court documents (both for the Court of Claims phase and the US Supreme Court phase), includes markup, handwritten notations","Includes copies of 5 wills for Adda M. Allen, Janet H. C. Meade, Jane Kelley Caskey, Howard T. Karsner, Frank R. Jelleff,","Contains memoranda, court documents, depositions, handwritten notes, looseleaf notes, edits, markup, drafts, discussion of \"whether the Commissioner of Baseball may not be deemed a one-man voluntary association,\" national law of unfair competition, piracy complaint in connection with world series broadcast, copyright problems involved in televising the Cinema","Contains memoranda, index cards, handwritten notations, looseleaf notes, discusses questions re: \"whether the President proceeding under his executive powers may cancel the certificates of public convenience and necessity issued to certain domestic air carriers authorizing them to fly to Mexico City.\"","Contains drafts, edits, markup, looseleaf handwritten notes, newspaper clippings","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains drafts, edits, looseleaf handwritten notes, handwritten notations","Contains 27 index cards with summaries of relevant cases for precedent purposes under the headings of arbitration, Condemnation, Contract, Fiscal Year, Lease, Reimbursement,","Contains notes by Monroe Leigh, Orem W. Ketchum, J. K. M., H. R. S., W. S. S., D. V. H., Jr., C. J. S., includes markup, adites, handwritten notes, looseleaf notes, index card","Contains \"Progress of Bankruptcy\" framed cartoon (n.d.), University of London Presentation Ceremony for Recipients fo Higher Degrees and Reception by the Vice-Chancellor program (21 March 1952), \"Law Notes\" notebook that lists persons met/present at social functions and those who sent Monroe Leigh Christmas Cards, The University of Virginia and the Spirit of Honor by Robert K. Gooch, An address to the entering students, 19 Sept 1955","Contains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, Gerald I. A. D. Draper, Dietrich Oehler, Howard E. Hensleigh, Old Ivy Inn, Robert Hubbard, Jr., Raymond F. Loving, Farmington Country Club, John R. Dykema, Hardy C. Dillard, Arthur J. Walters, Bumpus Book Store, Richard (Dick) R. Baxter, Donald P. Ray, Helen M. Hill, Roger Fisher, Lindsey Cowen, R. D. G. Ribble, Marjorie Merritt, Channing Harrison, E. Ham. Welbourn, John S. Voorhees, Michael H. Cardozo, Adam Yarmolinsky, Davidson Sommers, Walter H. Glass, Louis Henkin, Department of Motor Vehicles, Alan Burroughs, Klemens von Klemperer, William H. Smith, Robert W. Tucker, Charles T. Berry, Evans B. Brasfield, F. Aley Allan, Reverend Daniel E. Power, Comptroller of the Treasury, Office of the Assessor, District Collector of Internal Revenue, Henry Saunders, F. A. Cardman, Joseph Burchenal, London Life Association Ltd, Robert Haydock","Contains looseleaf notes, Conclusions in response document, French Republic in the Name of the French People document, handwritten notations and edits in french, Correspondents include: Jane Lang McGrew, Norman Frauenheim, F. A. Mann, Monroe Leigh, Trustee Department - General Accident, Fire and Life Assurance Corporation, Ltd.,","Contains note cards, newspaper clippings, handwritten letters, letter drafts, envelopes, Correspondents include: Monroe Leigh, U. S. Department of Commerce, Vincent Burke, John N. Irwin II, George W. Hickman, Nugroho, Joseph C. Robert, Robert H. Knight, David Bruce, Paul Kaplowitz, Wilmington Trust Company, Donald E. Claudy, Robert Dechert, Manhattan Traffic Court, Robert Fearey, Paul A. Wolkin, John R. Dykema, Heyward Isham, Totton P. Heffelfinger II, Union Trust Company, Her Majesty's Stationary Office, Belgian Consul General, Tom W. Leigh, Roy D. Russell, Benjamin Forman, Regal Shoe Shop, Nicholas deB. Katzenbach, R. E. Booker, G. Vernon Leopold, R. E. Bauer, Howard Hensleigh, John D. Epperly, Walter, Glass, Superintendent of Documents, John N. Bathrick, Leonard J. Ganse, John Haskell, Bumpus Book Store, George Hsu \u0026 Company, Blackwell's, Sheldon Z. Kaplan, Philip O'Neill, Jimmy, John McGlynn, Sherman Baldwin, Catharine Gallaher, Wilson E. Schmidt, Jere H. Dkyema, John D. Epperly, Henry W. Sawyer, III, Joseph M. Snee, Edwin G. Schuck, Luke Marbury, Carl, Z. Lewis Dalby, J. W. Lentz, Jack Osborne, Charles Davis, Folger, Nolan, Fleming - W. B. Hibbs \u0026 Co., Inc., Gerald I. A. D. Draper, Mansfield D. Sprague, William Gallaher, Arthur H. Phillips, Frank Shakelford, O. M. Scott, Robert G. Harper, David Bruce, Edwin McElwain, Lyttleton Fox, Myres S. McDougal, H. M. Stationary Office, Don V. Harris, Jr., Marshal, Stephen Hearst, Roland, John B. Henderson, Edward Lee Arapian, Dillard Crinkley, William W. Arbuckle, Thomas Armat, Jr., Mrs. Hugh Gallaher, Gianni (Johnny) Manca, Robert (Bob) Haydock, Ammi Cutter, H. Marshall Peter, Charlie Maechling, Father James F. Cunningham,","Contains signatures, handwritten comments, enclosures, looseleaf notes, pamphlets, brochures, Correspondents include: Monroe Leigh, Daingerfield L. Ashton, Benjamin Forman, Marjorie Merritt, John D. Randall, Richard R. Baxter, Stephen Hearst, Jackson Martindell, Tracy S. Voorhees, The Ronald Press Company, M. W. Oettershagen, Little Falls Swimming Club, Thomas P. Peardon, Nugroho, Michael H. Cardozo, Gerald I. A. D. Draper, Howard E. Hensleigh, John F. Furman, Blackwell's Music Shop, F. Warrington Dawson, J. Vincent Burke, Jr., F. J. Dymond, Leonard C. Meeker, Irving Lipkowitz, J. W. Iliff, Wallace Dempsey, Lybrand, Ross Brothers \u0026 Montgomery, Walter Herzfeld, Ercole Graziadei, Mrs. McCannon, E. Earl Pugh, Robert W. Berry, Siesta Motel, Louis C. Krauthoff, Byron S. Adams, Simeon B. Dunlap Smith, Rene-Jean Wilhelm, Joseph Burchenal, T. A. Grillo, Tyler Thompson, Phillip I.Blumberg, I. Austin Heyman, Lyttleton Fox, Brockenbrough Lamb, The Old Ivy Inn, George W. Hickman, Jr., Jackson K. Judy, Jerome P. Facher, George R. Fetter, Robert M. Scott, Sam Clammer, L. L. Lemnitzer, Sidney Morton, Ernest A. Jaffray, E. Hambleton Welbourn, Jr., Hugh Gallaher, Theodore C. Achilles, Alan S. Boyd, Anna Barringer, Henry W. Sawyer, III, Harvard Law Review, William Leigh Taylor, Walter Glass, Edwin Martin, W. T. M. Beale, Jr., James Fulton, Joseph Barbash, Ben Bruce Blakeney, Leonard J. Saccio, Vester T. Hughes, Jr., Conrad Philos, G. Gale Roberson, Jr., Frank Boas, Chase Manhattan Bank, J \u0026 E Bumpus, Ltd., John Cheeseright, Charles Foster Moore,","Contains signatures, handwritten comments, underlines, Correpondents include: Monroe Leigh, Warrington Dawson, Walton Folk, Marjorie G. McCannon, Elliott B. Strauss, Lewis H. Van Dusen, John B. Rehm, John G. Burnett, K. H. Friedman, Charles Rhyne, Norman P. Seagrave, Herbert F. Goodrich, Leslie A. Boosey, E. J. O'Donnell, J. Vincent Burke, Jr., Benjamin Forman, John B. Henderson, Roger Ernst, Richard R. Baxter, William E. Perdew, Samuel L. Eggleston, Herman C. Marshall, Gerald Draper, Bill, Blackwell's Book Store, Tracy S. Voorhees, A. W. H. Nicholson, Lewis H. Van Dusen, Jr., Thomas P. Peardon, William McC. Martin, Jr., D. Webster, Mansfield Sprague, Lynn Ungoed-Thomas, Bankers Trust Company, Stephen Hearst, G. I. A. D. Draper, Comptroller of the Treasury, Joseph T. Trotter, A. E. Kraus, Madeleine Provinzano, Lyman L. Lemintzer, Max G. Coulson, Doubleday Book Shop, Union Trust Company, Rene-Jean Wilhelm, Howard E. Hensleigh, H \u0026 P Manufacturing Company, F. Trowbridge vom Bauer, Herbert J. Blitz, Lyttleton Fox, E. Hambleton Welbourn, Jr.","Contains underlines, handwritten notations, signatures, Correspondents include: Julia and Gerald I. A. D. L. Al Forge, Draper, Monroe Leigh,","Contains handwritten letters, looseleaf pages, envelopes, enclosures, resumes, newspaper clippings, Correspondents include: Sidney Morton, SCM, Mr. Guiher, Mr. Morris, Charles Donahue, Donald J. Hardenbrook, William C. Bauknight, Julius Kaplan, Richard C. Bergen, Walter H. Glass, Charles H. Shuff, Robert A. Marmet, John N. Regan, Dumond Peck Hill, Market Tire Company, Macon M. Arthur, Gustave M. Hauser, Adam Yarmolinsky, Union Trust Company, Perkins McGuire, Aley Allan, Joel Barlow, Edward D. Re, Nicholas Katzenbach, John E. Hayes, Wallace G. Dempsey, Arthur H. Phillips, Stanley Surrey, John Dykema, Robert W. Lawson, Jr., Edward S. Smith, J. W. Weaver, Samuel Efron, Eastern Airlines, K. H. Friedman, Tracy S. Voorhees, Peter von Teufenstein, John Stuart Higgins Jr., Martin Domke, Alfred von Klemperer, Helen Claggett, John B. Huffaker, Dan Marquarder, H. F. Arps, William J. Schrenk, Jr., John Carey, Mansfield D. Sprague, Federal Trade Commission, Better Business Bureau, Washington Post, Department of Licenses \u0026 Inspection, William H. Watts, Stephen C. Reville, Jr., George C. Denney, Clovis E. Byers, Lawrence Hargie, Philip D. Saxon, Marjorie Merritt, Dick van Wagener, Philip D. Saxony, Richard (Dick) R. Baxter, John Stewart Higgins, Jr., Richard M. Buxbaum, Seymour J. Rubin, Hubert A. Schneider, Herbert Briggs, William Roy Vallance, Clovis Byers, John D. Epperly, Howard S. Levie, Charles R. Norberg, George Farah, Jacob L. Holtzmann, Irving Lipkowitz, Gerald I. A. D. Draper, Rev. Oscar deWolf Randolph, Phillip I. Blumberg, Jefferson B. Fordham, Robert Dechert, R. Granville Curry, Alan G. Kirk II, Bernard G. Heinzen, L. Niederlehner, Frank M. Wozencraft, Michael Cardozo, E. Fontaine Broun, C. Severin Buschmann, Jr., James C. Sargent, Alan S. Boyd, Daggett (Bud) Howard, Her Majesty's Stationary Office, Benjamin Forman, Charles L. Decker, Virginia Law Review Association, Collins Denny, III, Conrad Philos, Old Ivy Inn, Max Lehrer, L. Addison Lanier, Hudon's, J. Jacobs Shannen, Fisher Radio Warehouse, Georg Hukman, Z. Lewis Dalby, Glenn R. Winters, Alfred H. Von Klemperer, Brentano's, Blackwell's, John G. Burnett, Frank L. Dennis, A. Rushton, George W. Hickman, Lewis H. Van Dusen, George M. Coburn, Paul Nitze,","Contains handwritten letters, envelopes, enclosures, invitations, Correspondents include: Monroe Leigh, David I. Johnston, Rodrigo Llorente, James R. Patton, Jr., Virginia Law Review Association, Henry Dolz, Allen Communications, Lindsey Cowen, Walter Sterling Surrey, John B. Henderson, J. de Tender, Hugh Calkins, Richard (Dick) R. Baxter, Samuel B. Sterrett, James R. Patton, Tatlana Guldberg, Robert H. Knight, E. Hambleton (Ham) Welbourn, Jr., Norman Seagrave, Epsilon of Chi Phi, Secretary to General Gruenther, K. H. Friedman, Ralph Immell, Edwin Martin, Alfred M. Gruenther, Howard S. Levie, Sweet \u0026 Maxwell Ltd., A. Moreni, Robert H. Haden, Abram Chayes, Stevens and Sons, Vada Horsch, Wagons-Lits, American Airlines, Richard Swift, Messrs. Guiher and Morris, Walter H. Glass, Royal Little, Russell Baird Adams, F. Aley Allan, Douglass Cater, G. O. J. van Tets, Hubert A. Schneider, Mr. William Merriam, Henry F. Butler, Ralph Wesley Golby, Secretary - Metropolitan Club, Maxwell M. Caskie, Jr., Jerome P. Facher, Roger Fisher, Noyes Thompson (Tom) Powers, Stanley V. Malcuit, Guerin Todd, Wallace G. Dempsey, Gertrude C. Whitaker, Lewis Matacia, James Sargent, C. Richard Locke, Juraj L. J. Slavik, John Andrews King, Jr., Bourke B. Hickenloper, Rufus King, Ina Walker, Nugroho, Sidney Morton, Jack H. Pender, Frank Shackelford, John B. Henderson, Daggett (Bud) H. Howard, Ray Brittinham, The Treasurer - Metropolitan Club, Stephen C. Hopkins, Sr., Stephen Reville, George M. Pavia, Leon Lipson, John P. Furman, James P. Sullivan, Cecil J. Olmstead, Herman Finkelstein, John King, Jr., Louis C. Krauthoff, Nicholas deB. Katzenbach, John DeHardit, Chesapeake \u0026 Potomac Telephons, Harvard Business Review, Judson T. Vaughan, Jr., Phillip D. Jackson, Hart Perry, Warren Lee Pierson, Palmer S. Rutherford, Jr., John Emerson, Chris Nolde, Irving Lipkowitz, William Barron, Harry Catlin, Mrs. Hugh Gallaher, Ed Stern, Ken Hadow, Robert H. Haden, Henry Dolz","Contains invitations, notecards, envelopes,newspaper clippings, Correspendents include: Monroe Leigh, Riggs National Bank, Robert Haydock, First National City Bank, Michael H. Cardozo, George W. Ray, Jr., District Director of Internal Revenue, Sidney E. King, Vester T. Hughes, Jr., Herman Marshall, Raymond O. Mulvany, John Richardson, John Langstaff, Don V. Harris, Jr., Morgan Guaranty Trust Company of New York, Rita E. Hauser, Philip I. Blumberg, Clive L. DuVal, II, Walter H. Glass, Elbert Cox, Thomas E. Gilmer, Robert Dechert, Stephen Reville, Jr., James E. Edmunds, The Strad Office, Chase Manhattan Bank, Allan E. Walker, Jr., W. Taylor Reveley, Jr., William Thomas, Walter A. Willson, III, Robert Anthoine, Howard Marshall Holtzmann, R. M. Eager, Cecil J. Olmstead, Janet H. C. Mead, Ed Fish, Jesse Guy Benson, Philip S. Bowie, Vincent J. Hearing, Frank Shackelford, Benjamin Montmorency Tench, Jr., Carol Sue Richard, John W. Leatherman, Fannie J. Klein, Richard Baxter, Aunt Bee, Robert A. Falise, Henry B. Smythe, John H. Fanning, Phillip Blumberg, William Bryan, Mrs. William Denson, Controller of the Treasury, Messrs F. Trobridge vom Baur, Spencer M. Beresford \u0026 George M. Coburn, Howard Hensleigh, Charles L. Decker, Hugh Calkins, Eugene B. Thomas, Romer McPhee, David Johnston, Richard Young, Alfred M. Gruenther","Contains handwritten notes, Gen Kajitani resume, signatures, underlines, comments, Memorandum - Reform of the AntiDumping Act in 1965, Correspondents include: Monroe Leigh, Gen Kajitani, Richard O. Duvall, Andrew R. Cecil, G. W. Capley, The Harvard Law Review Association, Mr. Guiher, Mr. Lawson, Dean and Mrs. Allan F. Smith, Willis O. S., Louis A. Johnson, Frank E. Samuel, Alexander D. Calhoun, Jr., James Lee Kauffman, Takeo Kajitani, Richard R. Baxter, Graham James \u0026 Rolph, LaForest E. Phillips, Jr., Charles G. Williamson, Jr.,","Includes envelopes, notecards, invitations, resumes, receipts, bills, Correspondents include: Mornoe Leigh, John Warden, Secretary of Agriculture, Mansfield (Mannie) D. Sprague, Edgar Stedman, Wallace Holbrook, George W. Ray, Jr., Sidney Kramer, Carl Norden, Richard (Dick) Baxter, E. Ross Adair, Ray Dickey, Coutnry Club of Virginia, Inc., Mrs. L. F. Leigh (Mother), Thomas Leigh, J. Purcell Jones, Miss Donna Smith, Gerald Draper, E. Barrett Prettyman, Jr., Mrs. Nicholson, Howard Tucker, William R. Merriam, Lloyd N. Cutler, James C. Sargent, Philip W. Amram, Macon M. Arthur, Louis Henkin, F. Allan Kelly, Louis B. Sohn, Kenneth B. Wentzel, Mrs. Harry Catlin, George H. Long, Myers S. McDougal, Miss Louise Savage, Cesare Sclarandis, Harrison Hancock, Chase Manhattan Bank, The Univesity Club, John H. Calhoun, William G. Moore, Virginia Journal of International Law, Edward D. re, John S. Higgins, Jr., George S. Buschmann, Phillip I. Blumberg, Virginia P. Trenka, Robert (Bob) McCaw, Willis L. M. Reese, Georgia Pinnick, Andrew R. Cecil, Velma H. LeRoy, W. C. (Bill) Mott, Bernard G. Heinzen, Stanley C. Morris, Sr., C. R. Locke, Veterans Administration, New York Historical Society, William A. Lashley, Edward M. Smith, Bernard J. Wald, William E. Miller, University Club, Messrs. Lear \u0026 Scoutt, Riggs National Bank, Guerin Todd,","Includes envelopes, notecards, invitations, receipts, bills, Correspondents include: Stanley Surrey, Robert Dechert, Roger Fisher, Stephen T. Bolmer, Texaco Ind., Robert F. Grabb, Cecil J. Olmstead, Raymond L. Brittenham, Hardy C. Dillard, Henry T. Wickham, Stephen R. Tisa, Richard B. Lillich, Marvin J. Colangelo, Najeeb Halaby, Capital Map Company, Jerome P. Facher, Robert Huntington Knight, John G. Buchanan, William B. Spong Jr., Parvez Hassan, H. Dudley Ives, Mrs. Fletcher Plumley, Maxwell M. Caskie, Jr., Virginia Department of Conservation and Economic Development, John Laylin, S. A. Gersten, Herman Marshall, Jasper S. Baker, Leonard C. Meeker, John McCoid, Vester J. Huges, Jr., Nicholas deB. Katzenbach, Techbuilt, Inc., Mrs. Velma H. LeRoy, Helen Newman, Covey T. Oliver","Materials related to Edward D. Re's consideration for appointment as a Federal Judge in the Eastern Distict of New York, handwritten notes, form, biographical clipping, Correspondents include: Monroe Leigh, Ernest C. Friesen, Jr., Robert F. Kennedy, Nicholas de B. Katzenbach, Committee on Membership - The American Law Institute, Warren E. Buger, Francis M. Bird,","Includes Western Union telegram photocopy, envelopes, wedding invitation, signatures, Western Union telegram, memos, Buschlinger resume, handwritten comments, Correspondents include: Monroe Leigh, Gerold Buschlinger, William A. Sackman, Conner, Lyman Hamilton, Richard A. Whiting,","Includes envelopes, notecards, invitations, programs, recipts, bills, Wilton Park 1966 Conference materials, newspaper clippings, Correspondents include: Monroe Leigh, Columbia Kennels and Pet Center, Mr. Claudy, G. C. Harcourt, William C. Olson, American Security \u0026 Trust Company, The Clerk - Putnam County Court, Appeal Printing Company, Inc., K. Westrick, Don Bagwell, Tom Farmer, Sleep Center, Don E. Burch, Egbert Giles Leigh, III, Richard B. Lillich, Vada Horsch, Sears, Roebuck \u0026 Co., Mason Willrich, Alan Boyd, Harry Catlin, Riccardo Dalla Vedova, William E. Miller, S. Frisa, Marvin J. Colangelo, Thomas Tuttle, K. H. Friedmann, Rawle Deland, Daggett H. Howard, A. C. Epps, Stephen Reville, Jr., Charles K. Hepner, Richard Whiting, Edward J. Gerrity, Jr., Carol Laise, Francis J. Larkin, Nellie R. Bair, Sam D. Eggleston, Jr., Manhattan Laundry \u0026 Dry Cleaning, H. C. L. Merillat, C. Kriss, Goodspeed's Book Store, William B. Spong, Jr., Craig Colgate, Jr., The Recording Laboratory - Library of Congress, George C. Rawlings, Jr., W. Leigh Taylor, John W. Tuthill, James N. Wilson, Walter Herzfeld, Hastings Keith, Murray Camarow, Myres S. McDougal, Donald C. Alexander, Richard (Dick) Baxter, Jacob D. Beam, Howard Aibel, Larry L. Skeen, The Heckman Bindery, Inc., Hechinger, Jerome P. Lipper, Matthew Hale, John P. Furman, Franklin Federal Savings and Loan Association, Comptroller of the Treasury, District Director Internal Revenue Service, Virginia Law Weekly, R. W. Rose, Robert H. Knight, Fontaine Broun, Lowell Davis, Mrs. Hugh Gallaher, Jack P. Jefferies, Howard S. Levie, Ralph Gilbert, Fred B. Smith, Revelation, Norman Seagrave, W. E. Griffin, Frank M. Wozencraft, L. Roger Williams, Peggy Cole, Columbia Broadcasting System, Inc., Stephen R. Tisa, F. Taylor Ostrander, Superintendent of Documents - US Government Printing Office, E. P. Geibig, University of Virginia - Legal Research Group, Morse Dial, Wallace Dempsey, William Moore, Robert D. Thorington, William C. Hill, Allen W. Dulles, S. L. Simmons, Pat Monroe, Wilson Anderson, James H. Pipkin, C. R. Locke","Contains personal receipts of Monroe Leigh from various companies","Includes materials related to Atkeson's application to appear before the Supreme Court, copy of US Court of Appeals for 2d Circuit Docket No. 30341 case, Resume of Timothy B. Atkeson, signatures, handwritten notations, newspaper clippings, Correspondents include: Timothy B. Atkeson, Monroe Leigh, Franklin Davis, Elliot L. Richardson, Arthur H. Dean, Thomas M. Franck, Lewis Kimball,","Contains The Department of State Bulletin, Vol. LXII, No. 1599, February 16, 1970, a copy of the Mayo Diet - 2 weeks, envelopes, newspaper clippings, invitations, receipts, bills, Correspondents include: Monroe Leigh, Norman P. Seagrave, Edward M. Harris, Seymour St. John, Howard Tucker, John M. Raymond, Gerold H. Buschlinger, Gardner Defoe, Helen T. McDonald, Logan Fulrath, Mary S. Churchill, George W. Haight, Franklin Federal Savings and Loan Association, Howard Tucker, Darby Bowman, Stanley D. Metzger, John C. Bullitt, Outward Bound, Inc., Lucien Wulsin, Riccardo Gor-Montanelli, Hechinger, Virginia Law Weekly, Hyman Zimmerman, William R. Felts, Mr. Beale, Christopher H. Phillips, John S. Tennant, John A. Wise, Donald G. Agger, Austin P. Montgomery, Dnaiel M. Federman, Mary Fry, John G. Tritsch, David Rice, Henry S. Villard, Jere H. Dykema, Alan Boyd, John E. Stephen, E. Hambleton Welbourn, Jr., Donald G. Agger, Walter D. Sohier, Harvard Law Review Association, Vada Horsch, Joan Fulton, William H. Draper, Jr., John Shelton Bair, Robert Matteson, William A. Sackmann, M. Z. Khaiser, Francis O. Wilcox, Jerry H. Weiss","Contains envelopes, invitations, receipts, bills, newspaper clippings, Correspondents include: Monroe Leigh, Robert Murphy, Governmetn Employees Insurance Co., John B. Rehm, State Planters Bank, J. C. Clatterbuck, Potomac School, Harold Johnson, W. E. Griffin, Jerry H. Weiss, Chevy Chase Club, Keyboard Immortals, Oscar Schachter, Irving Lipkowitz, Derzy Michalowski, Totton P. Heffelfinger, Chariman - Joint Economic Comimttee, J. William Doolittle, University Club, Franklin Federal Savings and Loan Association, Stephen Hearst, Douglas Cater, John Warner, Stanley D. Metzger, Women's National Democratic Club, Phillippe Bodin, Miguel Gomez Guerra, Riccardo Dalla Vedova, Ward C. Humphreys, John A. Wise, Jr., Herman F. Scheurer, Richard Falk, James L. Billinger, Govert van Tets, Herbert R. Stokes, Robert Krause, Colonel B. Jablonski, Jan Chowaniec, Westerly Marine Construction, Hechinger's, John M. Raymond, Phyllis T. Piotrow, Michael H. Cardozo, Leonard Unger, Mason Willrich, Harry W. Geiglein, Hardy C. Dillard, Alden R. Kuhlthau, Frank S. Phillips, Inc., Warren M. Christopher, Gardner Defoe, Gerold H. Buschlinger, John R. Garson, Judith Gellert, Richard B. Lillich, Edward M. Harris, Hnery S. Palau","Contains handwritten notes, memorandum, meeting minutes, IRS and Organizational forms, Articles of Incorporation document, agendas, Correspondents include: Monroe Leigh, Carl F. Norden, Wallace (Wally) E. Whitmore, Ellen H. Norden,","Contains invitations, notecards, envelopes, looseleaf paper, Correspondents include: Monroe Leigh, Robert B. McCaw, Jerry H. Weiss, Lucien Wulsin, Monrad G. Paulsen, Ralph Cunningham, Richard B. Lillich, Leonard v. B. Sutton, Lewis H. Van Dusen, Jr., LIndsey Cowen, Stanley D. Heckman, D. R. Mummery, Richard R. Baxter, Joseph M. Sweeney, Hotel Tarabya, Hotel Istanbul Hilton, American Wood Council, Luke W. Finlay, Mason Willrich, Jeremiah D. Lambert, William H. Draper, Jr., Chalres B. Ruttenberg, Scott Heuer, Jr., Hardy C. Dillard, William C. Battle, Alexandre Kafka, Robert J. Muscat, Alexis I. duPont Bayard, Myres S. McDougal, Mrs. Hugh Gallaher, Superintendent of Documents, F. Bradford Morse, Vester T. Hughes, Jr., Francis O. Wilcox, John B. Rhinelander, Eric E. Bergsten, Carrington Williams, Linda K. Lee, Edwin M. Zimmerman, J. T. C. Hewison, George M. Coburn, Lewis J. Moorman, Jr., John S. Voorhees, Marie J. Pampley, Neil Carothers III, Thomas W. Leigh, Monard G. Paulsen, Robert Hadock, Jr., Horizon Books, Hal J. Wright, Charles Donahue, C. Burke Elbrick, Addison Lanier, Maurice Flynn, William W. Lancaster, Jack Baranson, C. R. Locke, Frances Farmer, Clarence J. Galligan, Alan S. Boyd, Norman Frauenheim, Marvin J. Colangelo, Walter Wadlington, Betty C. Armstrong, Marshall Green, Information Officer - Foreign Claims Settlement Commission, David Rapaport, Dante Fascell, Mrs. Littleton Fox, L. L. LeBlanc, Howard Tucker, Edwin S. Cohen, Rita E. Hauser, Edward D. Re, Stowe Area Association, John G. Wall, Peter Low, Virginia Law Review Association, Russell E. Train, Joseph W. Bartlett, Robert Lawson, Adrian S. Fisher, Edward J. Grenier, Jr., Tracy S. Vooorhees, Betty C. Lynch, Meredith's, Hudson's, Herman Marshall, John Washburn, William Howell, Gen Kajitani, Gerald P. Johnston, Robert Krones, Jacques Futrelle, Elliot L. Richardson, William P. Macht, Frank Jones, Ron Romines,","Contains program and supporting materials for the Regional Meeting of the American Society of International Law, March 13 - 14, 1970 at the University of Virginia School of Law, Co-Sponsored by the John Bassett Moore Society of International Law, titled \"Foreign Investment in Latin America: Past Policies and Future Trends.\" Monroe Leigh was a participant. These materials cover supporting documentation for his role, background information, and relevant materials for this subject matter.","Contains envelopes, resumes, invitations, receipts, bills, Correspondents include: Monroe Leigh, Hugh Calkins, Richard L. Fischer, Mr. Charles M. and Mrs. Sydney Spofford, William P. Macht, Irving Lipkowitz, Malcolm Richard Wilkey, Kenneth R. Mason, Jerry H. Weiss, Helen and Ed Cohen, John Norton Moore, John A. Wise, Jr., Philip Elman, John A. McVickar, Charles Kent, Jerome Lipper, Edward D. Re, Bray \u0026 Scarff Sales, Inc., Marshall T. Mays, Covey T. Oliver, Richard R. Baxter, Downs, Mason Willrich, Stephen R. Tisa, Edd Hyde, David Fleming, G. O. J. van Tets, Ruth Eggleston, Mrs. Maxwell M. Caskie, Jr., Thomas Leigh Williams, Robert Dechert, Don Wallace, Jr., Alastair K. Maxwell, Barry Sullivan, William Harvey Reeves, The New Yorker Magazine, Gustave M. Hauser, Mr. and Mrs. Jan Chowaniec, Joseph H. McConnell, Senator Byrd, Senator Spong, E. W. Hackett, Stanley J. Glod, Elliott L. Richardson, Mrs. Philip Levy, Ball \u0026 Ball, Sturbridge Yankee Workshop, United Virginia Bank/State Planters, Tracy Voorhees, David M. Gooder, Murray J. Belman, The Virginia Law Weekly, David I. Granger, Don V. Harris, Jr., BP Oil Corporation, Grinnell Morris, George Kovacs, Mrs. John (Florence) Riley, Virginia Law Review Association, Hardy C. Dillard, Dallas W. Smythe, C. R. Locke, Markham Ball, Monrad G. Paulsen, James E. Edmunds, Donald E. Claudy, Lyle S. Garlock, Rodger W. Klein, Richard L. Fischer","Contains transcript of remarks, looseleaf notes, program, photocopy of newspaper clippings, schedule, Correspondents include: Monroe Leigh, Robert K. Goldman, Richard B. Lillich","Contains handwritte notes, underlines, correspondence re: Robert College, outline for prospective teachers and information regarding Trinity College for his son Edward M. Leigh, Jr., Correspondents include: Monroe Leigh, Catherin Scott Rose, Lloyd E. Smail, W. Howie Muir, Del A. Shilkret, Elenor G. Reid","Contains envelopes, invitations, receipts, bills, resumes, Correspondents include: Monroe Leigh, The Musical Review, Jerry H. Weiss, Mr. Edmund and Mrs. Helen Cohen, Richard L. Fischer, Jon Pickel, Ralph Cunningham, Hardy Dillard, Alastair K. Maxwell, Benjamin P Labmerton, Jay Norris Corp., Carrington Williams, Livingston Hartley, R. Dennis McArver, Stephen M. Schwebel, Rosemary G. Conley, Eastern Federal Savings and Loan Association, John N. Plakias, Ed A. Evanson, Benjamin Forman, Jerry R. Goldstein, Frederick S. Hill, L. Thomas Galloway, R. D. Plant, C. Richard Locke, Mr. and Mrs. Ralph P. Cunningham, John A. Hartman, Jr., Minnesota Outward Bound, Della Sullivan, John A. McVickar, Alexander D. Calhoun, Jr., Tractor Supply Company, National Symphony Orchestra, Herbert P. Fales, Justice and Mrs. R. Ammi Cutter, Herbert Rubin, Myres S. McDougal, Mrs. Hugh (Anne) Calkins, Bob McNeil, Covey T. Oliver, James A. Dixon, Dumond Peck Hill, Norman Frauenheim, Beltsville Forest Insect Laboratory, G. Schirmer, Inc., Helga Ruof, Kitty? Guy, Richard Baxter, Phillip I. Blumberg, Russell N. Shewmaker, John Shugars, Richard L. Tavrow, Robert Chira, F. Gerald Toye, Marshall T. Mays, Robert Brown Glenn, Jr., Thomas Galloway, Photo Duplication Service, Ed Burns, W. Graham Claytor, Jr., Joseph P. Downer, William H. Taylor, Robert F. Dobbin, Keyboard Immortals, Zeltz Fish Hatcheries, Lewis E. Kimball, Jr., The Virginia Law Review Association, Mason Willrich, Michael J. Deutch, Farmington Country Club, Marshall V. Miller, Eric R. Fox, James E. Edmunds, Karl E. Bakke, Dickson Phillips, Gustave M. Hauser, Frank P. Jones, Jr.","Contains signatures, envelopes, handwritten notes, Correspondents include: Monroe Leigh, Stephen Ailes, Jonathan Moore, Elliot L. Richardson, Pierre Lalive, John H. Jackson, Norman Frauenheim, Phillip I. Blumberg, Hardy, Mozelle Archer, Fesco, Inc., R. Jordan, Percy W. Aycock, Frank M. Wozencraft, Andrew R. Cecil, R. Bruce MacWhorter, John Edwards, Mrs. Edward [Bertie] G. Howard, Frederick S. Hill, Ted Stevens, W. H. Booth, Walter W. Regirer, Ronald S. Katz, Lucien Wulsin, John B. Rhinelander, Catherine Scott Rose, Mario Beltramo, Riccardo Gori-Montanelli, Francisco Orrego Vicuna, Lester Nurik, Newell W. Ellison, Gianni Manca, William H. Howell, Eli Lauterpacht, Hugh Calkins, The Homestead - Hot Springs, Virginia, Sigmund Timberg, Michael Sandler, John A. McVickar, Michael Reisman, Malcolm L. Monroe, Vester T. Hughes, Jr., Linda K. Lee, John B. Rehm, Guido Brosio, The Editor and Managing Board - The Virginia Law Review Association, Monrad G. Paulsen, James C. Conner, William P. Macht,","Correspondents include: Monroe Leigh, Mr. Nugroho (3 letters)","Includes envelopes, personal letters, Correspondents include: Monroe Leigh, Richard (Dick) R. Baxter, John N. Irwin, III,","Contains Foreign Service Journal, October 1973, Department of State Newsletter, January 1974, No. 152, looseleaf notes, pay charts, Department of Agriculture rates of pay memorandum to all employees, Department of State Newsletter January 1974 photocopy, Correspondents include: Monroe Leigh, Samuel O. Ruff,","Contains invitations, signatures, envelopes, programs, article photocopies, looseleaf notes, press releases, invitations, Correspondents include: Kazys Skirpa, Monroe Leigh, Legal Directories Publishing Company, F. David Lake, Jr., David Small, Ronald S. Katz, Gerard R. Aquilina, John A. McVickar, Rosemary G. Conley, Harold J. Berman, William B. Beirce, Robert A. Rabbino, Jr., Oscar Schachter, Joseph Barbash, J. Dapray Muir, James R. Offutt, Office fo Noise Abatement attn: Mr. Purnell, William D. Rogers, G. Richard Dunnells, John M. Hennessy, Mason Willrich, Tracy S. Voorhees, Leonard B. Terr, Jose A. Cabranes, Adrian S. Fisher, Gustave M. Hauser, Robertogod Goldman, Edwin G. Schuck, John Jay Douglass, James C. Conner, Michael Bradfield, Mr. Kenneth, and Mrs. Hebe Redden, Martin R. Hoffman, Horace J. DePodwin, Howard S. Levie, Paul A. Wolkin, Jerry H. Weiss, R. S. Katz, DAvid Gregg, III, David H. Popper, James L. Wolf, David D. Newsom, Arthur A. Hartman, Bob D. Mannis, Frank P. Jones, Jr., James N. Hyde, Lic. Cesar Sepulveda, Alwyn V. Freeman, Yehuda Z. Blum, Barbara M. Rossotti, William H. Morris, G. Richard Dunnells, Richard B. Lillich, Lewis H. Van Dusen, Jr., John Hopkins Heires, Stanley Nehmer, Alan Wm. Wolff, Mark R. Finkelstein, Secretary - U. S. Tariff Commission, Albert J. Beveridge, III, George P. Armour, E. Thomas Sullivan, Carl F. Salans, Scott H. Marston, Joseph E. Toochin, Gaetano Arangio-Ruiz, Theodore R. Gates, Mary Lou Richini, Murray J. Belman, Michael Waelbroeck, Barbara M. Rossotti, David A. Walsh, Lindsey Cowen, Ibrahim F. I. Shihata, Ewell E. Murphy, Jr., William C. Gifford, Jr.,","Contains signatures, handwritten notes, Correspondents include: Monroe Leigh, Richard L. Fischer, Frank P. Jones, Jr., James C. Conner, Irving Lipkowitz, James F. Lawrence, Virginia Dunmire, Mr. Henry w. and Mrs. Grace Sawyer, Mrs. John [Nicky] Emerson, Wardeen P. P. [Paul] Streeten, Thomas W. Leigh, The Epsilon Chapter - Chi Phi Fraternity - Hampden-Sydney College, Riccardo Gori-Montanelli, Mozelle Archer, Secretary - R. J. Reynolds Industries, Inc., Mrs. Vernon E. [Elizabeth] Reynolds, Norman Frauenheim, Charles McC. Mathias, Jr., Stephen M. Schwebel, Carrington Williams, Jerry H. Weiss, William J. Flather, III,","Contains Yale Law Report, Spring 1973, FacultyProfile","Contains signatures, handwritten notes, looseleaf notes, business cards, resume, Correspondents include: Monroe Leigh, Eli Lauterpacht, Ammi Cutter, Frank P. Jones, Jr., Jasper S. Baker, Jerry H. Weiss, Carl F. Norden, Richard L. Fischer, New York Review of Books, Judith Bello, Robert A. Fearey, Louis Lefkowitz, Epsilon Chapter of Chi Phi, Carlyle E. Maw, Mays Behrman, Peter Lemell, Sir William Hawthorne, John N. Irwin, Henry W. Sawyer, III, F. L. P. White, Ted Stevens, George C. Denney, Jr, Whittet \u0026 Shepperson, Dover Publications, Mrs. Conley - American Society of International Law, Shopsmith, Inc., Lucien Wulsin,","Contains numerous iterations and versions of his resume with edits, revisions, markup, as well as other articles and documentation about his biography (including Who's Who in the South and Southwest excerpt)","Contains signatures, note cards, Christmas cards, invitations, handwritten notations, newspaper articles photocopies, resumes, envelopes, Correspondents include: Christian A. Herter, Jr., Mornoe Leigh, John Hardin Young, John M. Raymond, Maurice D. Capithorne, Gerald Aksen, Malcolm Richard Wilkey, Harry Tyson Carter, Betty Esau, William C. Brewer, Jr., Edward D. Re, Rita E. Hauser, Eva C. Domke, Elliot L. Richardson, Henry P. de Vries, David Gill, Noor Mohammad, K. Scott Gudgeon, World Champion Horse Equipment, Inc., Michael J. Hershman, J. Peter A. Bernhardt, Robert MacCrate, Jack P. Jefferies, Morris H. Wolff, Charles Hopkins, Andres Cuneo Macchiavello, Henry A. Kissinger, Timothy W. Stanley, Lawrence S. Eagleburger, Donald E. deKieffer, Circulation Manager - Horseman Magazine, Joseph P. Downer, Betty Calambokidis, Michael Sandler, Dr. Kalliopi Koufa, Michael J. Glennon, Richard Williams, R. Ammi Cutter, Jim McHugh, Howard S. Levie, Andrew R. Cecil, John Norton Moore, John O. Marsh, Jr., Charles E. Barnett, III, Hardy C. Dillard, Mr. Carlyle E. and Mrs. Margo Maw, Deborah M. Levy, Roger McCollester, John Hertz, Marshall V. Miller, Emerson G. Spies, Richard L. Fisher, Frank P. Jones, Jr., Sheikh Salah Al-Hejailan, Robert J. Lipshutz, C. L. Haslam, A. M. Reynolds, P.Y. M. Hartog, John A. Washington, Edward Gordon, Charles Maechling, Jr., Michael K. Wyatt, Robert L. Keuch, Mason Willrich, John E. Howell, Wallace L. Timmeny, Leonard H. W. van Sandick, William W. Bishop, Jr., Irwin M. Stelzer, Takashi Watanabe, Steven L. Meltzer, John E. Howell","Contains signatures, handwritten notations, newspaper article photocopies, looseleaf notes, invitations, Correspondents include: G. P. Thukov, Monroe Leigh, Robert J. Corber, Geoverts O. J. Van Tets, C. Euguene Webb, Willis L. M. Reese, Paul A. Pavlis, Richard Combs, John R. Cooke, Jr., U.S. Department of Transportation, George W. Coombe, Jr., Samuel D. Engle, Michael H. Cardozo, C. Barrie Cook, Mr. and Mrs. Heribert Golsong, Edward Gordon, Toby S. Myerson, Franz M. Oppenheimer, Yale Club Library,Mr. Gerals and Mrs. Julia Draper, Louis S. Emery, John Hannaway, John Heinz, J. Howard Settle, Howard Holtzmann, Lindsey Cowen, Hart Perry, Edward Dumbauld, Philip C. Jessup, Lawrence Collins, Peter C. Manson, Malcolm R. Pfunder, John A Westberg, Malcolm R. Wilkey, Ms. Haas - Circle 8 Ranch, Joseph P. Griffin, James E. Edmunds, Mary Gardiner Jones, Robert M. Flanagan, Robert Womack, Hardy C. Dillard, Davis R. Robinson, William R. Bailey, Aron Broches, Paul J. Stadtler, William R. Bailey, Terry L. Leitzell, Department of Highways, Robert Womack, John C. Roots, Betty Esau, Ignaz Seidl-Hohenveldern, Rosalyn Higgins, Mark B. Feldman, David Schachter, Robert O. Blake, Joseph A. Greenwald, Pierce McCrary, Mrs. E. Miles Herter, John Lehman, Adele Herter Seroude, Walter J. Stoessel, Jr., John D. Epperly, John O. Marsh, Jr., Phillip R. Trimble, Jerry H. Weiss, Tariq Hassan, John Lehman, Christian A. Herter, Jr., Harold H. Saunders, Roberts B. Owen, Michael Brnadon, J. Peter A. Bernhard, Maurice D. Copithorne, Takashi Watanabe, Mason Willrich","Contains signatures, handwritten notations, post-it notes, article photocopies, envelopes, invitations, draft article letter responses resumes, correspondents include: Monroe Leigh, Comptroller of the Treasury - Income Tax Division, M. D. Copithorne, Richard M. Hammer, Frank W. Swacker, Juk H. van Maanen, Jerry H. Weiss, Orm Ketcham, Sidney Picker, Jr., Mustafa Sayid, Board of Directors - Hamlet Place Owners, Inc., Harry Tyson Carter, Robert B. Oakley, Byron Farwell, Virginia M. Dondy, C. Karen Troy, Aron (Ronnie) Broches, James M. Michel, Fomad? Riad?, Mr. Riddle, Kempton B. Jenkins, Walking Horse Report, Voice of the Tennessee Walking Horse, Walking Horse Report, Arthur R. Albrecht, Francis A. Boyle, Daivd A. Greenburg, William T. England, Chevy Chase Chevrolet, Elisabeth Zoller, Roland de Kergorlay, William R. Felts, Chester H. Brandon, Charles G. Williamson, Jr., Dante B. Fascell, Jacqueline A. McCard, Scott Heuer, Jr., William W. Dunn, John D. Epperly, Michio Mizoguchi, Internal Revenue Service Center, Maryland Income Tax Division, Harry W. Fawcett, Paul Brothers, Inc., Justice Lewis F. Powell, Jr., Bruno A. Ristau, Ronald S. Katz, Sam Eggleston, Jr., Arthur J. Rothkopf, Henry A. Kissinger, Kathleen Sylvester, John R. Cooke, Department of Parking and Transportation Services, J. Stewart McClendon, Peter Auery, Chevrolet Motor Division, Timothy W. Stanley, Herbert D. Spivack, R. W. Munro, Interstate Federal Savings and Loan Association, Mr. and Mrs. Joseph Prendergast, Kanenori Oshikiri, Geico","Contains signatures, handwritten notations, looseleaf notes, invitations, resumes, newspaper clippings, post-it notes, Correspondents include: Monroe Leigh, Gamal M. Badr, William J. Flather, III, Yukio Takeuchi, Kanenori Oshikiri, Margo Grant, David Gregg, III, Phillip I. Blumberg, Walter W. Brooks, Jr., Morris I. Leibman, Joseph E. Lombardi, Michael A. Daniels, Toby S. Myerson, Howard B. Hill, Father Joseph Snee, Craig Mathews, Franz M. Oppenheimer, George H. and Rosemary Aldrich, Dan S. Cross, John R. Stevenson, Nan Oldham, George P. Armour, Bob Jordan, Gerald and Julia Draper, Jeswald W. Salacuse, Colonial Parking, Inc., Victoria E. Marmorstein, Arthur R. Albrecht, Gustave M. Hauser, Edward G. Aldrich, Philip Kinkaid, Barbara Anderson - Flather \u0026 Hayes Company, K. Martin Worthy, Arthur W. Rovine, Guido Brosio, M. D. Cppithorne, Edward D. Re, Dean Koerth, Pascale Abdelmour, Roy Hamlin Johnson, H. James Conaway, Irene Savanis, Richard (Pokie) Edmunds, Virginia State Highway Commission, Stefan A. Riesenfeld, Werner Hein, Derek M. D. Thomas, James H. Michel, Eugene V. Rostow, Mrs. Wilson (Peggy) Anderson, W. E. Mussman, James C. Conner, Elisabeth Zoller, Julius Kaplan, Marvin J. Colangelo, John F. Murphy, R. Shuman,","Contains signatures, looseleaf notes, handwritten notations, newspaper clippings/photocopies, envelopes, highlights, pamphlets, Correspondents include: Hernan Felipe Errazuriz, Monroe Leigh, William J. Flather, III, George H. Aldrich, Parking and Traffic - American University, W. Richard Mason, Photoduplication Service - Library of Congress, Sidney Picker, Jr., John Hanley, Henry A. Kissinger, S. L. Gidden, Ronald A. Jacks, Brice M. Clagett, Richard Wilberforce, Peter D. Trooboff, Michael Axelrod, Marsha T. Rogers, Holly A. Nelson, Mark E. Ellis, Dante B. Fascell, Friedrich Schwank, Wally Brooks, Gillian Jones, John Ritchie, Gerald M. Finkel, Phillip I. Blumberg, William H. Berman, Heribert Golsong, Jeffrey H. Smith, Raymond J. Waldmann, Rodric Braithwaite, Hitchcock Shoes, Inc.","Contains signatures, photocopies, revisions, Correspondents include: Mark Warner, Monroe Leigh, Chris T. Antoniou, Henry T. King, Jr., Stuart H. Deming, Richard C. Allison, Sabine Schlemmer-Schulte, Transamerica Occidental Life Insurance Company, Ted Meron, Jennifer Schwebel, Lowell Satler, Aetna Life Insurance Co., Glenn Sedam, Liza Phillips, Budget Rent-A-Car, Roger Warin, Mary Keane, Euro-Motor, Nations Bank","Contains handwritten notes, signatures, markup, post-it notes, photocopies, Correspondents include: Monroe Leigh, William H. Webster, Sir Adam Bulter DL, Alex Morrison, William C. Mott, Howell Raines, Antonio Cassese, Conrad K. Harper, Selena J. Linde, Elizabeth A. Snodgrass, Eugene H. Matthews, Frank W. Swacker, University Press of Virginia, Daniel J. Meador, Lawrence Collins, Marcia Warren, David C. Gill","Contains handwritten notes, highlights, photocopies, transcriptions, signatures, appraisal of applicant for Georgetown University Law Center, Correspondents include: Alan K. Simpson, Edward M. Kennedy, Monroe Leigh, Timothy Clancy, David Ibbeken, Admissions Club - Cosmos Club, Fiona A. Brophy, Francisco Orrego Vicuna, Ernest C. Mead, Jr., Mr. Klemens and Mrs. Betty von Klemperer, Paul Ure, James Crawford, John Norton Moore, Albert R. Turnball, James Milligan, Jennifer Schwebel, John Wesley, Malcolm R. Wilkey, University of Virginia - Printing and Copying Services, Joseph M. Sweeney, John W. Heffernan, Hume Boggis-Rolfe, Stephen M. Schwebel, Marco C.E.J. Bronckers, Thomas J. Nicastro","Contains signatures, handwritten notes, Correspondents include: Monroe Leigh, Theodor Meron, Detlev Vagts, John J. Dugard, James Crawford, Wolfson College Cambridge Properties Limited, Charles N. Brower, Mr. John and Mrs. Barbara Moore, Roberts B. Owen, Charles M. Mathias, Marco C.E.J. Bronckers, Gerog Ress, Yuji Iwasawa, Hannah Scott, Gordon Johnson, Eli Lauterpacht, Anna Ascher, Chairman - Membership Committee - American Law Institute, Judah Best, Robert H. Craft, Jr., Sebastian Alegrett, Elliot L. Richardson, Andy Mayer, Jennifer Schwebel, Dean of Admissions - Harvard Law School, Dean of Admissions - New York University School of Law, Dean of Admissions - National Law Center - The George Washington University, Dean of Admissions - The Washington College of Law - The American University, Dean of Admissions - Vanderbilt University - School of Law, Louis Henkin, Thomas M. Franck, Louis Sohn, Robert K. Goldman, Jonathan Charney, Edith Brown-Weiss, John N. Moore, Dean of Admissions - College of Arts and Sciences - University of Virginia","Contains signatures, handwritten notes, notifications, Correspondents include: Monroe Leigh, Rollin Amore, Theodor Meron, Detlev Vagts, Charles Brower, Walter and Sara - Wolfson College, Lise - Hewlett-Packard, Professor J. Dugard, Andrew C. Mayer - Woflson College, Helene Cohen - The American Law Institute, Branch Manager - Citicorp, George C. Freeman, Visa First Card, Geico - Auto Insurance Renewal Questionnaire, David, Elizabeth F. Leigh, Auto Rental Insurance, Ms. Snyder, Department of Financial Services - County of Loudoun, Hower Bowie, Lawrence Collins, Marco C.E.J. Bronckers, Edward M. Leigh, Jr., G. E. Capital Insurance Services Group, Al Rubin, Delta Skymiles Center, Kevin Olivera, Howard E. Hensleigh, Richard Lillich, Maija S. Blauberga","Contains signatures, newspaper photocopies, Correspondents include: Monroe Leigh, Dr. A. Vaughan and Sally Lowe, Fadi Makki, Jack L. Goldsmith, Lord Richard Wilberforce, Denis Dejersey-Lowney, Rolan Amore, Thomas N. Connally, Jennifer Raney, Mary Druce, Carol Rhees, Paul H. Dulaney, Jr., James E. Edmunds, Brussells Family, Theodor Meron, Wolfson College, Edward M. Leigh, Jr., Thomas P. Nigra, Mrs. Glen Howard, Henry McFarland, Malcolm N. Shaw, Frank Dawson, Clive DuVal, Social Security Administration, Treasurer - Loudoun County, Paul Lovejoy, Marion Barry, Catherine Kessedjian, John Dugard, James Crawford, Cambridge Friends of Development Office, VISA World Access Service Corporation, GE Capital Insurance Services Group, Charlene Barshefsky, Frank Griffith Dawson, Clint N. Smith, State Street Bank \u0026 Trust Company","Contains signatures, newspaper photocopies, tax and revenue information, handwritten notes, registration photocopies, Who's Who in America photocopy, Correspondents include: Madeline K. Albright, Monroe Leigh, Mary Leigh, Edward M. Leigh, Jr., The New York Review of Books, Moore, Clemens \u0026 Co., Inc., Roland Amore, Todd Kern, Charles Jones, Stephen M. Schwebel, Harry G. Barnes, Jr., Eli Lauterpacht, Department of Financial Services - County of Loudoun, John F. Murphy, Bob Jones, Ted Meron, Virginia G. Watkin, The Admissions Committee - Cosmos Club, Patrick Coyne, Roy Hamlin Johnson, Time Life Books, Mileage Plus First Card, Jennifer L. Krieger, Hertz International, Forte-Agip Hotel, Eleanor D. Acheson, Shara L. Aranoff, Dr. A. Vaughn and Mrs. Sally Lowe, Michael Scharf, Jeremy P. Carver, Lord and Lady Wilberforce, Julia Draper, Patricia McGinnis, David T. Link, Thomas D. Grant, Barbara Stone, Cairo Robb, Raymond Shafer, Gianni Manca, Andrew C. Mayer, Amerigas, Misha Meijers, Calvin H. Cobb, Jr., Meineke Hotel, Verena Weinstabl, Christopher R. Wall, Secretary - Board of Governors - Metropolitan Club, Michael D. Sandler, Thelma Guerra, Dr. h. c. M. Necati Munir Ertekun, Jessica T. Matthews, Denis Dejersey-Lowney, Francisco Orrego Vicuna, John Waters, Douglass C. Crummett, Christian R. Bartholomew, Christina M. Deane, Jonathan M .Beart, Leslie Douglas, John Shattuck, Brice Clagett, Heffers Booksellers, Jane Edmonds Penner, Ernest C. Mead, Jr, M. Cherif Bassiouni, Cally Jordan, William Fugate, Ian Brownlie, James Crawford, William D. Denson, Mr. Hillen, Jennifer Raney, Charles Maechling, Jr.,","Contains signatures, newspaper photocopies, Correspondents include: Frank Sieverts, Monroe Leigh, Mrs. William D. [Huschi] Denson, Constance A. Morella, Lord Richard Wilbeforce, Edwin Williamson, Charles L. McCormick, III, James [Jimmie] and Sylvia Symington, E. Ralph Coon, Jr., Malcolm R. Wilkey, The Washington Institute of Foreign Affairs, F.L.P. [Peter] and Jeanne White, Edward M. Leigh, Jr., Charles Jones, Edgar A. Prichard, Thomas N. Connally, Rollin Amore, Lawrence S. Eagleburger, Bartram S. Brown, Robert Scott, Secretary - Board of Governors - Chevy Chase Club, James E. Edmunds, Jennifer Raney, Michael C. G. Dunner, Yuji Iwasawa, Henry A. Kissinger, Nicholas Grace, William Brewer, Sara Marley, Tedson J. Meyers, Admissions Committee - Cosmos Club, Charles Jones, Moore Clemens \u0026 Company, Inc., Jack Chorowsky, Alexander Leigh","Sensitive material - Grades, contains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 13 students including R. P. Borsody, D. F. Carlson, W. M. Dickey, B. H. Hill, E. P. Humann, R. W. Klein, B. L. Lau, W. P. Maloney, J. T. Martin, R. Minshall, J. H. Riggs, R. K. Rudolph, Meemmery, Correspondents include: Edward A. Mearns, Jr., Monroe Leigh, Hardy C. Dillard, Virginia Haith, N. Thompson Powers, John Rehm, L. H. Rhinelander, Christopher A. Leventis, Frances Farmer, Lindsey Cowen, Paul J. Jenkins, Weldon Cooper, Edgar F. Shannon, Jr.","Contains roster (handwritten) with attendance, course materials and outlines, correspondence, looseleaf notes, newspaper clippings, handwritten notations, 12 students including Beard, Bruce, Crawford, Garofalo, Haskell, Hemschoot, Lamberton, Logan, McAllister, Piassick, Raiser, Ranom, Correspondents include: The West Publishing Company, C. Victor Raiser, II, Paul J. Hemschoot, Jr., Claude Crawford, Virginia Haigh, W. Robert Beard, Galbreath E. Palmer, Richard E. Speidel, Hardy C. Dillard, Mason Willrich, Frances Farmer, Roger F. Noreen, Peter W. Low, Edgar F. Shannon, Jr., Thomas S. Currier, Bevin Alexander, Murray Belman, L. H. Rhinelander, Izaak Glasser, Edward A. Mearns, Jr.,","Sensitive material - Grades, Contains roster (handwritten) with attendance, course materials and outlines, handwritten notations, correspondence, 7 students including Deddish, Haith, Hsia, Kennedy, Lang, Perce, Hausen, Correspondents include: Charles R. Titus, Monroe Leigh, Mason Willrich, Robert H. Knight, Murray Belman, Robert Perce, Frank L. Hereford, Jr., Hardy C. Dillard, Michael R. Deddish, Jr., James C. Conner","contains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, 12 students including R. E. Bresler, G. G. Davis, R. S. Davis, D. M. DeWilde, S. S. Dye, D. S. Fitzpatrick, W. P. Macht, G. Palmer, G. K. Stewart, M. Sullivan, F. T. Tuttle, T. C. Williams, correspondents include: Frances Farmer, Monroe Leigh, Hardy C. Dillard, Virginia Haigh, David M. DeWilde, Murray Belman, Peter Manson, Robert S. Davis, Carrol D. Hammer, William P. Macht, Stuart S. Dye, D. S. Fitzpatrick, G. G. Davis, G. Palmer, R. F. Loving, William E. Miller, David E. Plymire, Peter W. Low","Sensitive material - Grades, contains roster (handwritten) with attendance, correspondence, course materials and outlines, handwritten notations, newspaper clippings, looseleaf notes, 13 students including G. D. Best, Ralph C. Bresler, S. W. Faber, L. Goetz, J. S. Hannon, W. W. Kirtley, E. A. Kratovil, S. Lengthaisong, J. D. Mollica, W. R. Pearson, W. Taylor Reveley, III, K. T. Watson, Sheppard, Correspondents include: Monroe Leigh, Taylor Reveley, III, Virginia Haigh, Ralph C. Bresler, Murray J. Belman, James Evans, William H. Weiland, Mason Willrich, David E. Plymire, G. D. Best, Peter C. Manson, Board Head Inn, William E. Miller, R. F. Loving, James C. Conner, James G. Evans, Jr., Frances Farmer, Peter Low, Frank L. Hereford, Jr.,","Sensitive Material - Grades, contains roster with attendance, correspondence, course materials and outlines, handwritten notations, looseleaf notes, 9 students including W. J. Beerworth, M. R. Bromley, H. E. Jennings, J. L. McDougal, Miss Susan M. Sharpley, Randolph W. Urmston, William H. Weiland, Maj. Stanley J. Glod, P. T. Zieman, Correspondents include: Monroe Leigh, H. Lane Kneedler, Virginia Haigh, Roy G. Bowman, Alexandre Kafka, Susan Sharpley, Jan Chowaniec, R. F. Loving, Randolph W. Urmston, William H. Weiland, Shelby J. Conley, John Rhinelander, Harry E. Jennings, Jr., Hazel Key, William C. Hill, Farmington Country Club, William E. Miller, Frances Farmer, Jerome Stone, Peter W. Low, Little Brown and Company, Maj. Stanley J. Glod, Mason Willrich, Frank L. Hereford, Jr., Monrad G. Paulsen, Hardy C. Dillard","Contains roster with attendance, correspondence, course materials and outlines, handwritten notations, 9 students including R. M. Glenn, W. H. Heritage, L. E. Leonoff, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, J. A. Mullins, J. M. Naboco, R. C. White, Correspondents include Virginia Haigh, S. B. MacDonald, Alastair K. Maxwell, Marshall V. Miller, Frances Farmer, William G. Christopher, H. Lane Kneedler, Monrad G. Paulsen, Peter C. Manson","Contains roster with attendance, correspondence, newspaper clippings, looseleaf notes, course materials and outlines, handwritten notations, 12 students including Beninati, Boswell, Cowles, Gearhart, Harper, Holland, Lemmer, Macleod, John A. McVickar, L. Thomas Galloway, Nicklin, Correspondents include: Virginia Haigh, Monroe Leigh, L. Thomas Galloway, William D. Broderick, John A. McVickar, William V. Lawson, Robert D. Wallick, William E. Miller, Alice Crane, The Colonnade Club, H. Lane Kneedler, The Dean's Office, Monrad G. Paulsen","Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 9 students including Capt. Royal Daniel, Col. John Jay Douglass, Dennis Fenwick, David Goodman, Roger H. Hull, Louis Verbeke, John Hardin Young, Leonard L. McCants, Mrs. Dulcey Fowler, Correspondents include: John H. Young, Monroe Leigh, Roger H. Hull, Stanley D. Metzger, Virginia Haigh, Leonard L. McCants, Charles Runyon, III, Col. John Jay Douglass, Capt. Royal Daniel, Louis Verbeke, Frances Farmer, Alexandre Kafka, Monrad G. Paulsen","Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, newspaper clippings, 7 students including Margaret Ashby, P. B. Fitzpatrick, J. E. Hadley, David Patton Parker, A. Pillet, John M. Skonberg, Patrick Vaghi, Correspondents include: John Skonberg, Monroe Leigh, Virginia Haigh, Frank G. Robertson, H. Lane Kneedler, J. Dapray Muir, J. E. Hadley, Paul P. Streeten, David Patton Parker, Alice Crane, William E. Miller, J. M. Skonberg, R. F. Loving, S. Margeton, B. Esau, Margaret S. Taylor, Monrad G. Paulsen","Sensitive material - Grades, Contains roster with attendance, course materials and outlines, correspondence, looseleaf notes, handwritten notations, 7 students including Barry, Halkyard, Raymond Hanzlik, Kyld, Wayne Smith, Whitman, Richard de Wilde, correspondents include: Virginia Haigh, Richard (Dick) de Wilde, Murray J. Belman, H. Lane Kneedler, Betty Esaue, Monroe Leigh, Farmington Country Club attn: Alice Crane, William E. Miller, Mary Frye, Frances Farmer, Henry C. Ikenberry, Richard Frank, Rayburn Hanzlik, Alexandre Kafka, R. F. Loving, Mrs. Barnett, Marian R. Macbeth, Ray C. Hunt, Jr., Monrad G. Paulsen","Contains memos, course materials and outlines, Correspondents include Monrad Paulsen, Morton Pomeranz, Monroe Leigh, Mr. Mickey, Mr. Cunningham, Mr. Plaine, Timothy Atkeson, H. Lane Kneedler, Chester R. Titus","Sensitive material - Grades, taught with Royal Daniel, correspondence, roster with attendance, memos, course materials and outlines, looseleaf notes, handwritten notations, 12 students including Ann Marie Anawaty, Robert Arkin, Debra Bowen, David Brown, M. C. Cramer, Daniel Duval, Patrick Hamilton, Helen Kelley, Randall Kirk, Vicki Marmostein, Kenneth Peoples, Henry Stopford, Correspondents include: Royal Daniel, Monroe Leigh, Richard B. Lillich, Virginia Haigh, Vicki E. Marmorstein, Debra L. Bowen, Daniel Duval, Carole Smith, David S. Brown, Jon Hines, Lane Kneedler, Robert D. Arkin, Betty Esau, Philip Stopford, Henry C. Ikenberry, Alice Crane, Colonnade Club, Chester R. Titus, Larry B. Wenger","Sensitive material - Grades, taught with Alexandre Kafka, Contains Harvard Law School pamphlet and letter re: Functions and Procedures of the Visiting Committees (1975 - 76), photocopies, articles, roster with attendance, correspondence, memos, course materials and outlines, evaluations, envelopes, looseleaf notes, handwritten notations, 13 students including Anthony Anderson, Wild Chang, G. Rich Eiselt, Peter Hartog, Frances Henderson, Orlan Lee, Tom McDonald, Bryan Parker, Daniel Rhoads, Gilles Sion, Charles Tribbett, Tim Woodhouse, Douglas Woodworth, Correspondents include: Monroe Leigh, Detlev F. Vagts, Peter Hartog, Alexandre Kafka, Dean Spies, Robert Lillich, Paul Johnson, Betty Esau, H. Lane Kneedler, Virginia Haigh, Orlan Lee, Douglas C. Woodworth, Mary Jo White, Gilles Sion, Royal Daniel, Debra L. Bowen, Larry B. Wenger, Carole Smith, Colonnade Club, West Publishing Company","Sensitive material - Grades, taught with Alexandre Kafka, Contains roster with attendance, memos, course materials and outlines, signatures, handwritten notations, correspondence with faculty and students, looseleaf notes, 11 Students including: Ziad A. Al-Sudairy, David J. Carol, Jon P. Cramer, Milan Ganik, Michael M. Gondwe, Jo Ann Miles, Frederic C. Rich, Dennis Bisong Tambe, W. Gary Vause, Roger B. Wagner, Daniel Zavala, Correspondents include: Monroe Leigh, Hugh Smith, Virginia Haigh, Lane Kneedler, David Carol, Milan Ganik, Law Council, Elizabeth Lowe, Jo Ann Miles, Roger Wagner, Colonnade Club, Daniel Zavala","Offered Spring 1981 with Alexandre Kafka of the IMF, Contains memos, course planning materials, handwritten notes, Correspondents include: Monroe Leigh, Alexandre Kafka, Elizabeth B. Lowe, Lane Kneedler, Royal Daniel, Bettie Hall","Sensitive material - Grades, Contains memos, roster with attendance, course materials and outlines, signatures, handwritten notations, looseleaf notes, evaluations, envelopes, correspondence with faculty and students, newspaper articles photocopies, 13 students including: Ellen Cone, Jim Croker, Michael Dalton, Hazen Dempster, Joyce Elden, Amelia C. Fawcett, Edmond M. Ianni, Ken Lee, Wendell Maddrey, Richard P. Merski, Elizabeth Springer, D. Karen Troy, Peter Adler, Correspondents include: Elizabeth B. Lowe, Lane Kneedler, Monroe Leigh, Paul Stephan, Ed Ianni, S. S. Reddy, Virginia Haigh, Kenneth Lee, Hazen H. Dempster, Richard Merski, Carole Milks, Alexandre Kafka, Bettie H. Hall, John H. Jackson","Contains a couple of pages of handwritten notes. Added to collection / Donated in 2005."],"names_coll_ssim":["American Bar Association","International Criminal Court","Permanent Court of Arbitration","Leigh, Monroe, 1919-2001"],"names_ssim":["Arthur J. Morris Law Library Special Collections","American Bar Association","International Criminal Court","Permanent Court of Arbitration","Leigh, Monroe, 1919-2001"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","American Bar Association","International Criminal Court","Permanent Court of Arbitration"],"persname_ssim":["Leigh, Monroe, 1919-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":736,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:27:31.849Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_93_c01_c02_c62"}},{"id":"viu_repositories_7_resources_157_c01_c20","type":"Item","attributes":{"title":"1-20 Two coronal sections through the brain,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c20","ref_ssm":["viu_repositories_7_resources_157_c01_c20"],"id":"viu_repositories_7_resources_157_c01_c20","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","1-20 Two coronal sections through the brain,","box 1","folder 20"],"title_filing_ssi":"1-20 Two coronal sections through the brain,","title_ssm":["1-20 Two coronal sections through the brain,"],"title_tesim":["1-20 Two coronal sections through the brain,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["1-20 Two coronal sections through the brain,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":21,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 1","folder 20"],"_nest_path_":"/components#0/components#19","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library."],"bioghist_html_tesm":["\u003cp\u003eSince its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c20"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":280},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and 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