{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=8"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":8,"limit_value":10,"offset_value":0,"total_count":77,"first_page?":true,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_36_c01_c74","type":"File","attributes":{"title":"\"Actor Photographs by Carl Van Vechten\", 1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c74#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c01_c74","ref_ssm":["viur_repositories_4_resources_36_c01_c74"],"id":"viur_repositories_4_resources_36_c01_c74","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c01","parent_ssi":"viur_repositories_4_resources_36_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c01"],"title_filing_ssi":"\"Actor Photographs by Carl Van Vechten\"","title_ssm":["\"Actor Photographs by Carl Van Vechten\""],"title_tesim":["\"Actor Photographs by Carl Van Vechten\""],"normalized_title_ssm":["\"Actor Photographs by Carl Van Vechten\", 1939"],"text":["\"Actor Photographs by Carl Van Vechten\", 1939","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980","box 2 MS-1","folder 13","In Theatre Arts Monthly, Vol. XXIII, No. 4, pp. 271-278"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["April 1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":75,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 2 MS-1","folder 13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. 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Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. 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He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c74"}},{"id":"viur_repositories_4_resources_39_c01_c01_c04","type":"File","attributes":{"title":"A Home for Kitty-Kitty, 1939/1940","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c01_c01_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c01_c01_c04","ref_ssm":["viur_repositories_4_resources_39_c01_c01_c04"],"id":"viur_repositories_4_resources_39_c01_c01_c04","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c01_c01","parent_ssi":"viur_repositories_4_resources_39_c01_c01","parent_ssim":["Hazel Paris Cederborg Collection, 1893/1989","Series I: Short Stories, 1918/1989","Subseries IA: Unpublished Drafts and Notes, 1918/1989"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c01","viur_repositories_4_resources_39_c01_c01"],"title_filing_ssi":"A Home for Kitty-Kitty","title_ssm":["A Home for Kitty-Kitty"],"title_tesim":["A Home for Kitty-Kitty"],"normalized_title_ssm":["A Home for Kitty-Kitty, 1939/1940"],"text":["A Home for Kitty-Kitty, 1939/1940","Hazel Paris Cederborg Collection, 1893/1989","Series I: Short Stories, 1918/1989","Subseries IA: Unpublished Drafts and Notes, 1918/1989","box 1 MS-33","folder 4"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection, 1893/1989","Series I: Short Stories, 1918/1989","Subseries IA: Unpublished Drafts and Notes, 1918/1989"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection, 1893/1989","Series I: Short Stories, 1918/1989","Subseries IA: Unpublished Drafts and Notes, 1918/1989"],"normalized_date_ssm":["1939/1940"],"unitdate_inclusive_ssm":["1939-1940"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":6,"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"containers_ssim":["box 1 MS-33","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. 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Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940],"_nest_path_":"/components#0/components#0/components#3","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"normalized_date_ssm":["1893/1989"],"normalized_title_ssm":["Hazel Paris Cederborg Collection, 1893/1989"],"text":["Hazel Paris Cederborg Collection, 1893/1989","MS-33","/repositories/4/resources/39","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter.","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English\n      Turkish"],"collection_title_tesim":["Hazel Paris Cederborg Collection, 1893/1989"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English\n      Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c01_c01_c04"}},{"id":"viur_repositories_4_resources_39_c02_c02_c04","type":"File","attributes":{"title":"Articles about Emil Cederborg, 1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c02_c04","ref_ssm":["viur_repositories_4_resources_39_c02_c02_c04"],"id":"viur_repositories_4_resources_39_c02_c02_c04","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02_c02","parent_ssi":"viur_repositories_4_resources_39_c02_c02","parent_ssim":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIB: Personal papers and items, 1907/1974"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02","viur_repositories_4_resources_39_c02_c02"],"title_filing_ssi":"Articles about Emil Cederborg","title_ssm":["Articles about Emil Cederborg"],"title_tesim":["Articles about Emil Cederborg"],"normalized_title_ssm":["Articles about Emil Cederborg, 1939"],"text":["Articles about Emil Cederborg, 1939","Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIB: Personal papers and items, 1907/1974","box 5 MS-33","folder 7"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIB: Personal papers and items, 1907/1974"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIB: Personal papers and items, 1907/1974"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["1939","1944"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":74,"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"containers_ssim":["box 5 MS-33","folder 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1944],"_nest_path_":"/components#1/components#1/components#3","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"normalized_date_ssm":["1893/1989"],"normalized_title_ssm":["Hazel Paris Cederborg Collection, 1893/1989"],"text":["Hazel Paris Cederborg Collection, 1893/1989","MS-33","/repositories/4/resources/39","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter.","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English\n      Turkish"],"collection_title_tesim":["Hazel Paris Cederborg Collection, 1893/1989"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English\n      Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02_c04"}},{"id":"viur_repositories_4_resources_36_c02_c03_c10","type":"File","attributes":{"title":"Ballet Russe de Monte Carlo, 1939/1940","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c02_c03_c10","ref_ssm":["viur_repositories_4_resources_36_c02_c03_c10"],"id":"viur_repositories_4_resources_36_c02_c03_c10","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c02_c03","parent_ssi":"viur_repositories_4_resources_36_c02_c03","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02","viur_repositories_4_resources_36_c02_c03"],"title_filing_ssi":"Ballet Russe de Monte Carlo","title_ssm":["Ballet Russe de Monte Carlo"],"title_tesim":["Ballet Russe de Monte Carlo"],"normalized_title_ssm":["Ballet Russe de Monte Carlo, 1939/1940"],"text":["Ballet Russe de Monte Carlo, 1939/1940","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961","box 5 MS-1","folder 17","French"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"normalized_date_ssm":["1939/1940"],"unitdate_inclusive_ssm":["1939-1940"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":180,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 5 MS-1","folder 17"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["French"],"date_range_isim":[1939,1940],"_nest_path_":"/components#1/components#2/components#9","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03_c10"}},{"id":"viur_repositories_4_resources_36_c02_c03_c09","type":"File","attributes":{"title":"Ballets Russes de Monte Carlo, 1938/1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c02_c03_c09","ref_ssm":["viur_repositories_4_resources_36_c02_c03_c09"],"id":"viur_repositories_4_resources_36_c02_c03_c09","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c02_c03","parent_ssi":"viur_repositories_4_resources_36_c02_c03","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02","viur_repositories_4_resources_36_c02_c03"],"title_filing_ssi":"Ballets Russes de Monte Carlo","title_ssm":["Ballets Russes de Monte Carlo"],"title_tesim":["Ballets Russes de Monte Carlo"],"normalized_title_ssm":["Ballets Russes de Monte Carlo, 1938/1939"],"text":["Ballets Russes de Monte Carlo, 1938/1939","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961","box 5 MS-1","folder 16","French"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Mark Lutz, 1914/1968","Programs, 1914/1961"],"normalized_date_ssm":["1938/1939"],"unitdate_inclusive_ssm":["1938-1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":179,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 5 MS-1","folder 16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["French"],"date_range_isim":[1938,1939],"_nest_path_":"/components#1/components#2/components#8","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. 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Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03_c09"}},{"id":"viur_repositories_4_resources_6_c02_c04","type":"File","attributes":{"title":"Biennial Report of the Chief of Staff of the United States Army to the Secretary of War, 1939/1941","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_6_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_6_c02_c04","ref_ssm":["viur_repositories_4_resources_6_c02_c04"],"id":"viur_repositories_4_resources_6_c02_c04","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6_c02","parent_ssi":"viur_repositories_4_resources_6_c02","parent_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series II: Interwar Years Pamphlets, 1936/1941"],"parent_ids_ssim":["viur_repositories_4_resources_6","viur_repositories_4_resources_6_c02"],"title_filing_ssi":"Biennial Report of the Chief of Staff of the United States Army to the Secretary of War","title_ssm":["Biennial Report of the Chief of Staff of the United States Army to the Secretary of War"],"title_tesim":["Biennial Report of the Chief of Staff of the United States Army to the Secretary of War"],"normalized_title_ssm":["Biennial Report of the Chief of Staff of the United States Army to the Secretary of War, 1939/1941"],"text":["Biennial Report of the Chief of Staff of the United States Army to the Secretary of War, 1939/1941","World War I \u0026 II Pamphlet Collection, 1908/1947","Series II: Interwar Years Pamphlets, 1936/1941","box 1 MS-8","folder 14","W2.1:929-41"],"parent_unittitles_ssm":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series II: Interwar Years Pamphlets, 1936/1941"],"parent_unittitles_tesim":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series II: Interwar Years Pamphlets, 1936/1941"],"normalized_date_ssm":["1939/1941"],"unitdate_inclusive_ssm":["July 1, 1939 - June 30, 1941"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":16,"repository_ssim":["University of Richmond"],"collection_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"containers_ssim":["box 1 MS-8","folder 14"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1939,1940,1941],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_f79db32accb8440d88bb11347be470e8\"\u003eW2.1:929-41\u003c/materialspec\u003e"],"materialspec_tesim":["W2.1:929-41"],"_nest_path_":"/components#1/components#3","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_6","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_6.xml","title_ssm":["World War I \u0026 II Pamphlet Collection"],"title_tesim":["World War I \u0026 II Pamphlet Collection"],"unitdate_ssm":["1908-1947"],"unitdate_inclusive_ssm":["1908-1947"],"normalized_date_ssm":["1908/1947"],"normalized_title_ssm":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"text":["World War I \u0026 II Pamphlet Collection, 1908/1947","MS-8","/repositories/4/resources/6","United States -- Armed Forces -- Handbooks, manuals, etc.","United States Army in World War II","Armed Forces","Pamphlets","Periodicals","The Army Talks series has been digitized and is available online under America at War - Army Talks.","The GI Roundtable materials have been digitized and are available online under America at War – GI Roundtable.","Many other pamphlets have also been digitized and are available online under America at War - General Publications.","This collection is arranged into 6 series:","Series I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets\n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI: Army Talks","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.","Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".","This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The Army Talks Series, GI Roundtable materials, and other pamphlets have been digitized and are available online.","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","University of Richmond","U.S. Government","Seuss, Dr.","English"],"collection_title_tesim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"collection_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-8","/repositories/4/resources/6"],"unitid_tesim":["MS-8","/repositories/4/resources/6"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["United States -- Armed Forces -- Handbooks, manuals, etc."],"geogname_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"places_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"creator_ssm":["U.S. Government"],"creator_ssim":["U.S. Government"],"creator_persname_ssim":["Seuss, Dr."],"creator_corpname_ssim":["University of Richmond","U.S. Government"],"creators_ssim":["Seuss, Dr.","University of Richmond","U.S. Government"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was acquired by transfer from the Federal Depository materials within the circulating collection."],"access_subjects_ssim":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"access_subjects_ssm":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 7 archival boxes."],"extent_tesim":["4 Linear Feet 7 archival boxes."],"genreform_ssim":["Pamphlets","Periodicals"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"altformavail_html_tesm":["\u003cp\u003eThe \u003ci\u003eArmy Talks series\u003c/i\u003e has been digitized and is available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003eAmerica at War - Army Talks\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe \u003ci\u003eGI Roundtable\u003c/i\u003e materials have been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003eAmerica at War – GI Roundtable\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eMany other pamphlets have also been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eAmerica at War - General Publications\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The Army Talks series has been digitized and is available online under America at War - Army Talks.","The GI Roundtable materials have been digitized and are available online under America at War – GI Roundtable.","Many other pamphlets have also been digitized and are available online under America at War - General Publications."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 6 series:\u003c/p\u003e","\u003cp\u003e \tSeries I: Pre-War and World War I Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Interwar Years Pamphlets\u003cbr\u003e\n    Series III: World War II Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries IV: Post-War Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries V: Publications\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries VI: \u003cemph render=\"italics\"\u003eArmy Talks\u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 6 series:","Series I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets\n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI: Army Talks"],"bioghist_html_tesm":["\u003cp\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-8, World War I \u0026amp; II Pamphlet Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-8, World War I \u0026 II Pamphlet Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\"."],"scopecontent_html_tesm":["\u003cp\u003eThis collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003e\u003cemph render=\"italics\"\u003eArmy Talks Series\u003c/emph\u003e\u003c/a\u003e, \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003e\u003cemph render=\"italics\"\u003eGI Roundtable\u003c/emph\u003e\u003c/a\u003e materials, and \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eother pamphlets\u003c/a\u003e have been digitized and are available online. \u003c/p\u003e","\u003cp\u003ePamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The Army Talks Series, GI Roundtable materials, and other pamphlets have been digitized and are available online.","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f13b8ec5d333ba70283ac249fe81bae\" label=\"Summary/Abstract\"\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/abstract\u003e\n    "],"abstract_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"corpname_ssim":["University of Richmond","U.S. Government"],"persname_ssim":["Seuss, Dr."],"names_coll_ssim":["Seuss, Dr."],"names_ssim":["University of Richmond","U.S. Government","Seuss, Dr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":271,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_6_c02_c04"}},{"id":"viur_repositories_4_resources_163_c02_c14","type":"File","attributes":{"title":"Business Cards, 1937/1940","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_163_c02_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_163_c02_c14","ref_ssm":["viur_repositories_4_resources_163_c02_c14"],"id":"viur_repositories_4_resources_163_c02_c14","ead_ssi":"viur_repositories_4_resources_163","_root_":"viur_repositories_4_resources_163","_nest_parent_":"viur_repositories_4_resources_163_c02","parent_ssi":"viur_repositories_4_resources_163_c02","parent_ssim":["Fred Morgan III Collection, 1925/1974","Series 2: Road Trips, 1937/1953"],"parent_ids_ssim":["viur_repositories_4_resources_163","viur_repositories_4_resources_163_c02"],"title_filing_ssi":"Business Cards","title_ssm":["Business Cards"],"title_tesim":["Business Cards"],"normalized_title_ssm":["Business Cards, 1937/1940"],"text":["Business Cards, 1937/1940","Fred Morgan III Collection, 1925/1974","Series 2: Road Trips, 1937/1953","box 2","folder 8"],"parent_unittitles_ssm":["Fred Morgan III Collection, 1925/1974","Series 2: Road Trips, 1937/1953"],"parent_unittitles_tesim":["Fred Morgan III Collection, 1925/1974","Series 2: Road Trips, 1937/1953"],"normalized_date_ssm":["1937/1940"],"unitdate_inclusive_ssm":["1937-1940"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":41,"repository_ssim":["University of Richmond"],"collection_ssim":["Fred Morgan III Collection, 1925/1974"],"containers_ssim":["box 2","folder 8"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1937,1938,1939,1940],"_nest_path_":"/components#1/components#13","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_163","ead_ssi":"viur_repositories_4_resources_163","_root_":"viur_repositories_4_resources_163","_nest_parent_":"viur_repositories_4_resources_163","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_163.xml","title_ssm":["Fred Morgan III Collection"],"title_tesim":["Fred Morgan III Collection"],"unitdate_ssm":["1925-1974"],"unitdate_inclusive_ssm":["1925-1974"],"normalized_date_ssm":["1925/1974"],"normalized_title_ssm":["Fred Morgan III Collection, 1925/1974"],"text":["Fred Morgan III Collection, 1925/1974","MS-83","/repositories/4/resources/163","American Southwest","Mexico","Travel","There are no restrictions on accessing material in this collection.","This collection is organized into three series: (I) Books, (II) Road Trips, and (III) Advertisements and Correspondence.","Frederic Morgan III (Class of 1976) is a University of Richmond Alum and son of Frederic H. Morgan Jr. (Aug 30, 1923-Nov 28, 1988). Between 1937 and 1953, the Morgan Family (Mary, Frederic Sr., Frederic Jr., Edward) completed many road trips, travelling between Richmond, the American Southwest, and Mexico. While travelling, the Morgans amassed a large collection of artifacts and ephemera, including postcards, stickers, and business cards. Mary Morgan also kept logs of their journey and compiled them into scrapbooks. This collection, along with the artifacts from Mexico were donated to the University of Richmond Anthropology Department in 2024. The artifacts have since been repatriated back to Mexico. The donor of this collection, Fred Morgan III was not present on these road trips, as most of the colelction belonged to his father, Fred Jr, who was 13 years old when his family began travelling.","This collection is made up of three boxes, which contain books, scrapbooks, stickers, postcards, business cards, and other miscellaneous documents and correspondence relating to the Morgan Family and their roadtrips.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","University of Richmond","Morgan family","English\n      Spanish; Castilian"],"collection_title_tesim":["Fred Morgan III Collection, 1925/1974"],"collection_ssim":["Fred Morgan III Collection, 1925/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-83","/repositories/4/resources/163"],"unitid_tesim":["MS-83","/repositories/4/resources/163"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["American Southwest","Mexico"],"geogname_ssim":["American Southwest","Mexico"],"places_ssim":["American Southwest","Mexico"],"creator_ssm":["Morgan family"],"creator_ssim":["Morgan family"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["Morgan family"],"creators_ssim":["University of Richmond","Morgan family"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the University of Richmond Anthropology Department  through Frederic Morgan III, son of Frederic Morgan Jr."],"access_subjects_ssim":["Travel"],"access_subjects_ssm":["Travel"],"has_online_content_ssim":["false"],"extent_ssm":["2.27 Linear Feet"],"extent_tesim":["2.27 Linear Feet"],"genreform_ssim":["Travel"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series: (I) Books, (II) Road Trips, and (III) Advertisements and Correspondence.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series: (I) Books, (II) Road Trips, and (III) Advertisements and Correspondence."],"bioghist_html_tesm":["\u003cp\u003eFrederic Morgan III (Class of 1976) is a University of Richmond Alum and son of Frederic H. Morgan Jr. (Aug 30, 1923-Nov 28, 1988). Between 1937 and 1953, the Morgan Family (Mary, Frederic Sr., Frederic Jr., Edward) completed many road trips, travelling between Richmond, the American Southwest, and Mexico. While travelling, the Morgans amassed a large collection of artifacts and ephemera, including postcards, stickers, and business cards. Mary Morgan also kept logs of their journey and compiled them into scrapbooks. This collection, along with the artifacts from Mexico were donated to the University of Richmond Anthropology Department in 2024. The artifacts have since been repatriated back to Mexico. The donor of this collection, Fred Morgan III was not present on these road trips, as most of the colelction belonged to his father, Fred Jr, who was 13 years old when his family began travelling.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederic Morgan III (Class of 1976) is a University of Richmond Alum and son of Frederic H. Morgan Jr. (Aug 30, 1923-Nov 28, 1988). Between 1937 and 1953, the Morgan Family (Mary, Frederic Sr., Frederic Jr., Edward) completed many road trips, travelling between Richmond, the American Southwest, and Mexico. While travelling, the Morgans amassed a large collection of artifacts and ephemera, including postcards, stickers, and business cards. Mary Morgan also kept logs of their journey and compiled them into scrapbooks. This collection, along with the artifacts from Mexico were donated to the University of Richmond Anthropology Department in 2024. The artifacts have since been repatriated back to Mexico. The donor of this collection, Fred Morgan III was not present on these road trips, as most of the colelction belonged to his father, Fred Jr, who was 13 years old when his family began travelling."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-83, Morgan Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-83, Morgan Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of three boxes, which contain books, scrapbooks, stickers, postcards, business cards, and other miscellaneous documents and correspondence relating to the Morgan Family and their roadtrips.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of three boxes, which contain books, scrapbooks, stickers, postcards, business cards, and other miscellaneous documents and correspondence relating to the Morgan Family and their roadtrips."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"corpname_ssim":["University of Richmond"],"famname_ssim":["Morgan family"],"names_ssim":["University of Richmond","Morgan family"],"language_ssim":["English\n      Spanish; Castilian"],"total_component_count_is":50,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_163_c02_c14"}},{"id":"viur_repositories_4_resources_36_c01_c73","type":"File","attributes":{"title":"Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c73#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c01_c73","ref_ssm":["viur_repositories_4_resources_36_c01_c73"],"id":"viur_repositories_4_resources_36_c01_c73","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c01","parent_ssi":"viur_repositories_4_resources_36_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c01"],"title_filing_ssi":"Carl Van Vechten, \"Mamba's Daughters: A Review\"","title_ssm":["Carl Van Vechten, \"Mamba's Daughters: A Review\""],"title_tesim":["Carl Van Vechten, \"Mamba's Daughters: A Review\""],"normalized_title_ssm":["Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939"],"text":["Carl Van Vechten, \"Mamba's Daughters: A Review\", 1939","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980","box 2 MS-1","folder 12","English","In Opportunity: Journal of Negro Life, Vol. XVII, No. 2, pp. 46-47"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["February 1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":74,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 2 MS-1","folder 12"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["English"],"date_range_isim":[1939],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_8cbd03dec8ab919fd5d7872de12ffaaf\"\u003eIn \u003cemph render=\"italics\"\u003eOpportunity: Journal of Negro Life\u003c/emph\u003e, Vol. XVII, No. 2, pp. 46-47\u003c/materialspec\u003e"],"materialspec_tesim":["In Opportunity: Journal of Negro Life, Vol. XVII, No. 2, pp. 46-47"],"_nest_path_":"/components#0/components#72","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c73"}},{"id":"viur_repositories_4_resources_13_c37","type":"File","attributes":{"title":"Celastraceae, 1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c37#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c37","ref_ssm":["viur_repositories_4_resources_13_c37"],"id":"viur_repositories_4_resources_13_c37","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Celastraceae","title_ssm":["Celastraceae"],"title_tesim":["Celastraceae"],"normalized_title_ssm":["Celastraceae, 1939"],"text":["Celastraceae, 1939","W. H. Brown Botanical Drawings Collection, 1930/1939","Box 4","folder 2","Chris Mikolaitis","The only named artist is Chris Mikolaitis"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"normalized_date_ssm":["1939"],"unitdate_other_ssim":["1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":177,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["29 Items"],"extent_tesim":["29 Items"],"containers_ssim":["Box 4","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"famname_ssim":["Chris Mikolaitis"],"names_ssim":["Chris Mikolaitis"],"date_range_isim":[1939],"odd_html_tesm":["\u003cp\u003eThe only named artist is \u003cfamname\u003eChris Mikolaitis\u003c/famname\u003e\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The only named artist is Chris Mikolaitis"],"_nest_path_":"/components#36","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c37"}},{"id":"viur_repositories_4_resources_157_c05","type":"File","attributes":{"title":"Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_157_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_157_c05","ref_ssm":["viur_repositories_4_resources_157_c05"],"id":"viur_repositories_4_resources_157_c05","ead_ssi":"viur_repositories_4_resources_157","_root_":"viur_repositories_4_resources_157","_nest_parent_":"viur_repositories_4_resources_157","parent_ssi":"viur_repositories_4_resources_157","parent_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"parent_ids_ssim":["viur_repositories_4_resources_157"],"title_filing_ssi":"Collection of Civil Rights Era and Vietnam War Photojournalism Part 1","title_ssm":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1"],"title_tesim":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1"],"normalized_title_ssm":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979"],"text":["Collection of Civil Rights Era and Vietnam War Photojournalism Part 1, 1939/1979","Photojournalism Collection, 1800/1899, bulk 1870/1989","box 2","folder 1","English"],"parent_unittitles_ssm":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"parent_unittitles_tesim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"normalized_date_ssm":["1939/1979"],"unitdate_inclusive_ssm":["1939-1979"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":5,"repository_ssim":["University of Richmond"],"collection_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"containers_ssim":["box 2","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"language_ssim":["English"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"_nest_path_":"/components#4","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_157","ead_ssi":"viur_repositories_4_resources_157","_root_":"viur_repositories_4_resources_157","_nest_parent_":"viur_repositories_4_resources_157","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_157.xml","title_ssm":["Photojournalism Collection"],"title_tesim":["Photojournalism Collection"],"unitdate_ssm":["[circa 1870s]- 1989","Est. 19th Century","[circa 1800s]- 1989"],"unitdate_inclusive_ssm":["Est. 19th Century","[circa 1800s]- 1989"],"unitdate_bulk_ssim":["[circa 1870s]- 1989"],"normalized_date_ssm":["1800/1899, bulk 1870/1989"],"normalized_title_ssm":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"text":["Photojournalism Collection, 1800/1899, bulk 1870/1989","MS-81","/repositories/4/resources/157","United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs","The content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content.","Akg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#.","\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025).","\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025).","\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).","\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025).","\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025).","\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025).","\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025).","Wikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026oldid=1311559508 (accessed October 17, 2025).","Wikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026oldid=1242206314 (accessed October 17, 2025).","Wikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026oldid=1298058067 (accessed October 17, 2025).","Wikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026oldid=1315066063 (accessed October 17, 2025).","Wikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026oldid=1211602280 (accessed October 17, 2025).","Wikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026oldid=1306602494 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026oldid=1307824034 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026oldid=1315979719 (accessed October 17, 2025).","Wikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026oldid=1315892744 (accessed October 17, 2025).","Wikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026oldid=1283363423 (accessed October 17, 2025).","Paul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life.","Dmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II.","Leonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement.","Horst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.","Micha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance.","Denise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965.","Alfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light.","Paul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.","Harold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935.","Robert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career.","Philippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs.","Rene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas.","Florence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.","Gordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.","John Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959.","Max Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934.","Gisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977.","This collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund.","The collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime.","University of Richmond","Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun","English"],"collection_title_tesim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"collection_ssim":["Photojournalism Collection, 1800/1899, bulk 1870/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-81","/repositories/4/resources/157"],"unitid_tesim":["MS-81","/repositories/4/resources/157"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_persname_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun","University of Richmond"],"acqinfo_ssim":["Donation acquired from Isser Elishis."],"access_subjects_ssim":["United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs"],"access_subjects_ssm":["United States Army in World War II","Civil rights movements","Documentary photography","Social change","Photographers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["? Linear Feet 5 boxes."],"extent_tesim":["? Linear Feet 5 boxes."],"genreform_ssim":["Photographs"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThe content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The content of this collection is arranged in boxes by size and each folder is arranged by photographer or related historical content."],"bibliography_html_tesm":["\u003cp\u003eAkg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#. \u003c/p\u003e","\u003cp\u003e\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).  \u003c/p\u003e","\u003cp\u003e\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003e\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025). \u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026amp;oldid=1311559508 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026amp;oldid=1242206314 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026amp;oldid=1298058067 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026amp;oldid=1315066063 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026amp;oldid=1211602280 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026amp;oldid=1306602494 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026amp;oldid=1307824034 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026amp;oldid=1315979719 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026amp;oldid=1315892744 (accessed October 17, 2025).\u003c/p\u003e","\u003cp\u003eWikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026amp;oldid=1283363423 (accessed October 17, 2025).\u003c/p\u003e  "],"bibliography_heading_ssm":["Biographical Note Bibliography"],"bibliography_tesim":["Akg-Images London. \"The Liberation of Paris by Rene Zuber.\" Akg Images, April 19, 2024. https://akg-images.prezly.com/the-liberation-of-paris-by-rene-zuber#.","\"Briscoe Center Aquires Acclaimed Photographer John Bryson's Archive.\" Briscoe Center for American History. https://briscoecenter.org/about/news/briscoe-center-acquires-acclaimed-photographer-john-brysons-archive/ (accessed October 17, 2025).","\"Briscoe Center for American History: The University of Texas at Austin: John Bryson Archive, circa 1945-1995.\" Taro: Texas Archival Resources Online. https://txarchives.org/utcah/finding_aids/03502.xml (accessed October 17, 2025).","\"Florence Homolka (Museum Collection).\" Getty. https://www.getty.edu/art/collection/person/103KVH (accessed October 17, 2025).","\"Gordon Coster.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/gordon-coster (accessed October 17, 2025).","\"Harold Haliday Costain.\" Keith De Lellis Gallery. https://www.keithdelellisgallery.com/artists/harold-haliday-costain (accessed October 17, 2025).","\"Leonard Freed.\" Magnum Photos. https://www.magnumphotos.com/photographer/leonard-freed/ (accessed October 17, 2025).","\"Max Baur: German, 1898-1988.\" Artsy. https://www.artsy.net/artist/max-baur#:~:text=Max%20Baur%2C%20a%20native%20of,format%20and%20composed%20everything%20carefully. (accessed October 17, 2025).","Wikipedia contributors, \"Alfred Eisenstaedt,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Alfred_Eisenstaedt\u0026oldid=1311559508 (accessed October 17, 2025).","Wikipedia contributors, \"Denise Bellon,\" Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Denise_Bellon\u0026oldid=1242206314 (accessed October 17, 2025).","Wikipedia contributors, \"Dmitry Baltermants,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Dmitry_Baltermants\u0026oldid=1298058067 (accessed October 17, 2025).","Wikipedia contributors, \"Gisèle Freund,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Gis%C3%A8le_Freund\u0026oldid=1315066063 (accessed October 17, 2025).","Wikipedia contributors, \"Horst Tappe,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Horst_Tappe\u0026oldid=1211602280 (accessed October 17, 2025).","Wikipedia contributors, \"Micha Bar-Am,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Micha_Bar-Am\u0026oldid=1306602494 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Almásy,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Alm%C3%A1sy\u0026oldid=1307824034 (accessed October 17, 2025).","Wikipedia contributors, \"Paul Caponigro,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Paul_Caponigro\u0026oldid=1315979719 (accessed October 17, 2025).","Wikipedia contributors, \"Philippe Halsman,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Philippe_Halsman\u0026oldid=1315892744 (accessed October 17, 2025).","Wikipedia contributors, \"Robert Doisneau,\"  Wikipedia, The Free Encyclopedia, https://en.wikipedia.org/w/index.php?title=Robert_Doisneau\u0026oldid=1283363423 (accessed October 17, 2025)."],"bioghist_html_tesm":["\u003cp\u003ePaul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life. \u003c/p\u003e","\u003cp\u003eDmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II. \u003c/p\u003e","\u003cp\u003e\nLeonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement. \u003c/p\u003e","\u003cp\u003eHorst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.\u003c/p\u003e","\u003cp\u003eMicha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance. \u003c/p\u003e","\u003cp\u003eDenise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965. \u003c/p\u003e","\u003cp\u003eAlfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light. \u003c/p\u003e","\u003cp\u003e\nPaul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.\u003c/p\u003e","\u003cp\u003eHarold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935. \u003c/p\u003e","\u003cp\u003eRobert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career. \u003c/p\u003e","\u003cp\u003ePhilippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs. \u003c/p\u003e","\u003cp\u003eRene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas. \u003c/p\u003e","\u003cp\u003eFlorence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.\u003c/p\u003e","\u003cp\u003eGordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.\u003c/p\u003e","\u003cp\u003eJohn Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959. \u003c/p\u003e","\u003cp\u003eMax Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934. \u003c/p\u003e","\u003cp\u003eGisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Paul Almasy was born on 29 May 1906 in Budapest and passed away 23 September 2003 in Jouars-Pontchartrain. He was a famous, Hungarian-born Swiss photographer and journalist, well known for his portrait and documentary photography. He grew up in Budapest in a family of artists and at 17, he left Hungary to pursue a political science degree in Vienna, Munich, and Heidelberg in 1924. Although he originally planned for a diplomatic career, he was drawn to journalism and photography in the 1930s. Particularly famous for his portraits of famous artists and intellectuals such as Pablo Picasso and Albert Camus, Almasy was most recognized for his dedication to capturing people from all walks of life.","Dmitri Baltermants was born on 13 May 1912 in Warsaw and passed away 11 June 1990. He was a prominent Soviet photojournalist who was most famous for his image titled \"Grief\" which depicts a Nazi massacre of Jewish people in Kerch in 1942. Having graduated from the Moscow State University and apprenticed under Vladimir Musinov, he became an official Kremlin photographer and worked for Izvestia and Ogonyok. Most of Baltermants' work focuses on the Red Army in Russia and Ukraine during World War II.","Leonard Freed was born on 23 October 1929 in Brooklyn, NY and passed away 30 November 2006. He was an American documentary photojournalist and maintained a longtime membership of Magnum Photos. Having attended The New School and studied with Alexey Brodovitch, Freed worked as a traveling freelance photojournalist for many years. Freed completed various publications, books, films, and received the New York State Grant for the Arts in 1978 and the National Endowment for the Arts in 1980. His career went to the next level when he traveled the country with Martin Luther King Jr. during the American Civil Rights Movement.","Horst Tappe was born on 13 May 1938 in Germany and passed away 21 August 2005 in Switzerland. Tappe interned at the Hamburg School of Photography, studied at the School of Experimental Photography in Hofheim am Taunus, and studied as the School of Photography in Vevey. He was a German photographer, famous for his portraits of various creative artists, writers, scientists, and philosophers.","Micha Bar-Am, a German-born Israeli photographer, was born in 1930 in Berlin. He is a founding member of Malkia kibbutz, a founding member of the International Center of Photography, a recipient of the Israel Prize for Visual Arts, the author of various publications, and one of Israel's most senior photographers. Bar-Am has worked for Bamahane magazine, Magnum Photos, and The New York Times. His photography has played a crucial role in the shaping of Israel's cultural memory and worldwide image through his documentation of various milestones such as immigration, international affairs, the Six Day War, and many other events of public importance.","Denise Bellon was born 20 September 1902 in Paris, France and passed away on 31 October 1999 in Paris, France. She was a French photographer closely connected to the Surrealist movement and she studied psychology at the University of Paris. She worked with Pierre Boucher, was a photographer at the Alliance-Photo agency, and she was the photographer for the International Exhibitions of Surrealism in 1939, 1947, 1959, and 1965.","Alfred Eisenstaedt was born on 6 December 1898 in Dirschau, West Prussia and passes away on 23 August 1995 in Oak Bluffs, Massachusetts. He was a very successful German-born American photographer and photojournalist; he received the National Medal of Arts in 1989, The Digital Journalist chose him as the 'Photojournalist of the Century' in 1999, and Eisenstaedt was inducted into the International Photography Hall of Fame and Museum in 2020. Most notable for his cover photograph of V-J Day in Times Square, he worked for various publications such as the Associated Press office in Germany, Illustrierte Zeitung, and Life magazine. Eisenstaedt's preferred method for photography was using small 35 mm film cameras like the Leica camera to capture candid photos of people in natural light.","Paul John Jerome Caponingo was born on 7 December 1932 in Boston, Massachusetts and passed away on 10 November 2024 in Cushing, Maine. Caponingo was an American photographer, writer, and pianist, most famous for his landscape and still life photographs such as Running White Deer. He attended Boston University College of Music in 1950 and California School of Fine Arts, and he received various awards such as the Guggenheim Fellowship in 1966 and 1975, the Royal Photographic Society's Centenary Medal and Honorary Fellowship in 2001, and three grants from the NEA. Caponingo's work is held in nine permanent collections around the United States.","Harold Haliday Costain was born in 1897 and passed away in 1994. He was a famous photographer who studied at the Arts Students League in New York and served in the Navy on the U.S.S. Leviathan. Costain's specialty was color photography and printing and he specialized in advertising, architectural, and narrative forms of photography. Having received various awards from annual conventions like the Photographers Association of America, the International Exposition Salon, the Preston Scientific Society Salon, and he received three Pictorial Photographs of America trophies from 1933-1935.","Robert Doisneau was born on 14 April 1912 in Gentilly, France and passed away on 1 April 1994 in Montrouge, France. He was a French photographer who studied at Ecole Estienne in 1929 and received many awards including the Kodak Prize in 1947, the Niepce Prize in 1965, and the Balzac Prize in 1986. Doisneau's photography consisted of amusing juxtapositions, mingling of social classes, and eccentrics in contemporary Paris environments. He produced many publications and exhibitions throughout his career.","Philippe Halsman was born in May of 1906 in Riga and passed away on 25 June 1979 in New York City. Halsman was an American portrait photographer who was renowned as one of the best because of his images that were sharp and closely cropped. In September 1928, he was accused of his father's murder, sentenced to four years in prison based on circumstantial evidence but only spent two there, pardoned by the President of Austria, Wilhelm Miklas, and later, his letters from prison were published as a book in 1930 titled Briefe aus der Halt an eine Freundin. Halsman photographed many famous individuals like Albert Einstein and Constance Ford as part of his portrait photographs.","Rene Zuber was a published author, photographer, and film maker born in 1902 in France and passed away in 1979. Zuber's photography captured various parts of Paris and French civilians during the Liberation of Paris. He discovered a mode of photography called New Objectivity while he was studying at the Academy of Graphic Arts and Book Trade in Leipzig, Germany. Some of his most notable accomplishments was the founding of the Studio Zuber in 1932, his co-founding of Alliance Photo Agency, starting an advertising photography agency in Paris in 1929, and his founding of Les Films du Compas.","Florence Homolka was a successful American photographer born in 1911 and passed away in 1962. She was known for her portraits of numerous celebrities and intellectuals including Judy Garland and Charles Chaplin. Homolka, originally Florence Meyer, was constantly surrounded by prominent cultural figures and improved her career with the help of hid husband, Oscar Homolka.","Gordon Coster was an American photographer born in 1906 and passed in 1988. Coster was known for his multi-faceted and resourceful approach to his work; often, Coster would cross between various genres and such as photography documenting labor strife and photography innovative advertising. He is most well-known for his extensive projects dedicated to American life in the Midwest during World War II, the Tennessee Valley Authority Dam Project, and many more. Coster rose in fame as he worked for various publications such as Time, Fortune, Holiday, Ladies Home Journal, and Scientific American.","John Bryson was a photojournalist born in 1923 in Brownwood, Texas and passed away in 2005 in Brookings, Oregon. He served in the Army Air Force during World War II then enrolled at the University of Texas at Austin. He worked for Life magazine as a correspondent, bureau chief, and picture editor before freelancing for Life, Look, Holiday, and various other publications. Bryson is most known for his years photographing Hollywood celebrities including individuals like Frank Sinatra and even capturing Ernest Hemmingway in 1959.","Max Baur was a self-taught German photographer born in 1898 in Gunzburg, Germany and passed away in 1988. Baur called himself a \"lichtbildner\" or light picture maker instead of a photographer because he worked in a large format and was very detail oriented. He was well-known for his landscape photography but also his industrial and architectural photographs. Baur opened his first photo studio in 1928 and was admitted to the Society of German Photographers in 1934.","Gisele Freund was born 19 December 1908 in Berlin, Germany and passed away 31 March 2000 in Paris, France. She was a German-born French photographer and photojournalist who studied at University of Freiburg and University of Frankfurt Sorbonne. She is well-known for her portraits, documentary photography, various exhibitions, and many books. Freund used the Leica Camera with 35 mm rolls and used Kodachrome and Agfacolor positive film for color portraits. She received many honors including being named a Officier des Arts et Lettres in 1982 and Chevalier de la Legion d'honneur in 1983, and she came the president of the French Union of Photographers in 1977."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-81, Photojournalism Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-81, Photojournalism Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the work of various photographers and photojournalists from 1935-1989. With portraits, photos of landscapes, and documentary photography, social movements are highlighted as a key aspect of life in the 1900s. This collection captures important moments in U.S. history such as World War II, the Vietnam War, and the Civil Rights Movement. In addition to U.S. history, there are various graphic materials from Japan and 19th century Italy. The photographers and photojournalists showcased in this collection are Paul Almasy, Dmitri Baltermants, Leonard Freed, Micha Bar-Am, Horst Tappe, Alfred Eisenstaedt, Denise Bellon, Paul Caponingo, Harold Costain, Robert Doisneau, Philippe Halsman, Rene Zuber, Florence Homolka, Gordon Coster, John Bryson, Max Baur, and Gisele Freund."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d49bb7321f650541019f18ada0a472ae\"\u003eThe collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime.\u003c/abstract\u003e\n    "],"abstract_tesim":["The collection documents various photographs from World War II, the Vietnam War, and the Civil Rights Era. Although there are many photographers involved in this collection, most notable are Paul Almasy, Leonard Freed, Dmitri Baltermants, and Horst Tappe. The focus of this collection is on what life looked like around the world during this period and the various hardships that were endured during wartime."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"names_ssim":["University of Richmond","Kusakabe Kimbei","Suzanne Zuber","Fratelli Alinari","Aldophe Braun"],"language_ssim":["English"],"total_component_count_is":24,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_157_c05"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":77},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","value":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Carl+Van+Vechten+-+Mark+Lutz+Collection%2C+1881%2F1980\u0026f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Earl and Jewell Ratliff Collection, 1860/2013, bulk 1920/1990","value":"Earl and Jewell Ratliff Collection, 1860/2013, bulk 1920/1990","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Earl+and+Jewell+Ratliff+Collection%2C+1860%2F2013%2C+bulk+1920%2F1990\u0026f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Edward H. 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