{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=14","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=13","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=15","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026page=3690"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":3690,"limit_value":10,"offset_value":130,"total_count":36897,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","type":"File","attributes":{"title":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c11_c06"],"id":"viw_repositories_2_resources_9853_c01_c01_c11_c06","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c11","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c11"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas"],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1897-1914: Early Strips, Richard Outcault, Billy Marriner, Jimmy Swinnerton. 1915-1929: J.P. Alley \u0026 Son, Thomas A. Dorgan, Radical Artists, M. Covarrublas","\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","Box 11","folder 31"],"title_filing_ssi":"\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\"","title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"title_tesim":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"unitdate_inclusive_ssm":["1914-2008"],"normalized_date_ssm":["1914/2008"],"normalized_title_ssm":["\"1915-1929 WWI \u0026 Twenties and Black Northern Migration\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":44,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 11","folder 31"],"_nest_path_":"/components#0/components#0/components#10/components#5","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c11_c06"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c06","type":"Item","attributes":{"title":"#191 - Walker, Alex","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13_c06","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c13_c06"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c06","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_unittitles_ssm":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194"],"parent_unittitles_tesim":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194"],"text":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#186-194","#191 - Walker, Alex"],"title_filing_ssi":"#191 - Walker, Alex","title_ssm":["#191 - Walker, Alex"],"title_tesim":["#191 - Walker, Alex"],"unitdate_inclusive_ssm":["1918-1960, n.d."],"normalized_date_ssm":["1918/1960"],"normalized_title_ssm":["#191 - Walker, Alex"],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":339,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"_nest_path_":"/components#2/components#0/components#12/components#5","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"text":["Ms.1982.002","Bailey-Law Collection","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. ","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"unitid_tesim":["Ms.1982.002"],"normalized_title_ssm":["Bailey-Law Collection"],"collection_title_tesim":["Bailey-Law Collection"],"collection_ssim":["Bailey-Law Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's  The Birds of Florida  were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e\n","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e\n","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e\n","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e\n","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e\n","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e\n","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e\n","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e\n","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e\n","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e\n","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e\n","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e\n","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e\n","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\n\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e\n","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e\n","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c06"}},{"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","type":"File","attributes":{"title":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ref_ssm":["viw_repositories_2_resources_9853_c01_c01_c12_c01"],"id":"viw_repositories_2_resources_9853_c01_c01_c12_c01","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssi":"viw_repositories_2_resources_9853_c01_c01_c12","parent_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9853","viw_repositories_2_resources_9853_c01","viw_repositories_2_resources_9853_c01_c01","viw_repositories_2_resources_9853_c01_c01_c12"],"parent_unittitles_ssm":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"parent_unittitles_tesim":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\""],"text":["Richard Wright Collection of Graphic Images of African Americans","Series 1: Research files","\"Clean Fun: Blacks in Comics\"","\"Clean Fun: Blacks in Comics, 1930-1945, Animated Movies, The Comic Book, Tarzan, Mandrake, Sunflower St., Will Eisner, Al Hirschfeld\"","\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","Box 12","folder 36"],"title_filing_ssi":"\"1930-1945, Depression \u0026 WWII and the Urbanization continues\"","title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"title_tesim":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"unitdate_inclusive_ssm":["1929-2008"],"normalized_date_ssm":["1929/2008"],"normalized_title_ssm":["\"1930-1945, Depression \u0026 WWII and the Urbanization continues\""],"component_level_isim":[4],"repository_ssim":["College of William and Mary"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["Box 12","folder 36"],"_nest_path_":"/components#0/components#0/components#11/components#0","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c12_c01"}},{"id":"viw_repositories_2_resources_1709_c01_c195","type":"Item","attributes":{"title":"1930 Preliminary Survey and Dormitory Annex Boundary Plan","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1709_c01_c195#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eScope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1709_c01_c195#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1709_c01_c195","ref_ssm":["viw_repositories_2_resources_1709_c01_c195"],"id":"viw_repositories_2_resources_1709_c01_c195","ead_ssi":"viw_repositories_2_resources_1709","_root_":"viw_repositories_2_resources_1709","_nest_parent_":"viw_repositories_2_resources_1709_c01","parent_ssi":"viw_repositories_2_resources_1709_c01","parent_ssim":["viw_repositories_2_resources_1709","viw_repositories_2_resources_1709_c01"],"parent_ids_ssim":["viw_repositories_2_resources_1709","viw_repositories_2_resources_1709_c01"],"parent_unittitles_ssm":["Facilities Management Records","Series 1: Blueprints and Other Drawings"],"parent_unittitles_tesim":["Facilities Management Records","Series 1: Blueprints and Other Drawings"],"text":["Facilities Management Records","Series 1: Blueprints and Other Drawings","1930 Preliminary Survey and Dormitory Annex Boundary Plan","Scope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537."],"title_filing_ssi":"1930 Preliminary Survey and Dormitory Annex Boundary Plan","title_ssm":["1930 Preliminary Survey and Dormitory Annex Boundary Plan"],"title_tesim":["1930 Preliminary Survey and Dormitory Annex Boundary Plan"],"unitdate_inclusive_ssm":["June 1928 and June 28, 1938"],"normalized_date_ssm":["1928/1938"],"normalized_title_ssm":["1930 Preliminary Survey and Dormitory Annex Boundary Plan"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Facilities Management Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":196,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"scopecontent_html_tesm":["\u003cp\u003eScope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Scope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537."],"_nest_path_":"/components#0/components#194","timestamp":"2026-05-21T05:13:24.347Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1709","ead_ssi":"viw_repositories_2_resources_1709","_root_":"viw_repositories_2_resources_1709","_nest_parent_":"viw_repositories_2_resources_1709","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1709.xml","title_filing_ssi":"Facilities Management Records","title_ssm":["Facilities Management Records"],"title_tesim":["Facilities Management Records"],"unitdate_ssm":["1678, 1900-2003"],"unitdate_inclusive_ssm":["1678, 1900-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 29","/repositories/2/resources/1709"],"text":["UA 29","/repositories/2/resources/1709","Facilities Management Records","Buildings and Grounds","Wren Building (Williamsburg, Va.)","Blueprints (reprographic copies)","Design drawings","Drawings and graphics","Flags","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Accruals are expected on an ongoing basis from this office and other sources.","Arranged by series.","The mission of the Deparment of Facilities Management is to create and maintain an environment that facilitates accomplishment of the College's academic and research programs. As of 2007, Robert P. Dillman was Associate Vice President Facilities Management. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","A portion of this collection was previously part of the University Archives Publications Collection.","Acc. 1988.09 is housed in the SCRC's offsite storage facility and advance notice is required to use these materials. Contact a staff member for details.","The collection includes a number of accessions and groups of records directly from the Office of Facilities Management including publications, administrative records, blueprints, and other documents as well as blueprints and other architectural drawings that come under the administrative responsibility of the office, but may have been transferred from miscellaneous sources.","This series includes a variety of architectural drawings of various formats of College of William and Mary buildings and properties including blueprints, artistic renderings of proposed buildings, and other works loosely classified as drawings. Each item has been assigned an individual accession number to facilitate description and access. Note that some blueprints have been flattened, yet many remained in the rolled state in which they were transferred to the archives.","Acc. 1988.60. 4 pages.","Acc. 1988.47","Blueprints for Physics Laboratory addition in William Small Hall. Acc. 1999.50.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 15 (pages 1-15). Size: 43\" x 34\". Condition Fair with torn edges. Acc. 1999.49.001.","Acc. 1999.6","Acc. 1999.5. 7 pages.","Proposed law school addition site plans by Guernseyl Tingle, Architects. Acc. 1999.2.","Two copies of blue line drawings detailing installation of fire extinguishing system in basement computer room. Acc. 1991.76","Outline drawings of Swem Library showing how the addition fits onto the original building. These are not working drawings, but were done later at the library's request. Acc. 1991.75.","Five blueprints showing placement of scenery and large props for the campus theater production of 'Mary of Scotland'. Acc. 1990.67.","Plan for trailer, detail shows specs, paint trays, wheels, door. Acc. 1989.81., Acc 1989.80","Includes site plans, floor plans for maintenance shops and offices, exterior elevators, and plans for laundry building and portion of Trinkle Hall. 18 pages. Acc. 1989.78., Acc 1989.79","Scope and Contents Copy of large field map, plot plans for Matoaka State Park. Sheets: 1. Size: 42\" x 106\". Condition Good with some torn edges. Acc. 1989.77.","Scope and Contents Suggested subdivision of William and Mary property,. Architect: Charles F. Gilette. Sheets: 2. Size: 42\" 105\". Condition: Good with some torn edges. Acc. 1989.76.","Site map for placement of fraternity houses (Old Lodges), 4 copies of one page. Acc. 1989.75.","Proposed layout for Matoaka Court Subdivision. Acc. 1989.74.","Plan for area between Swem Library and rear of Phi Beta Kappa Hall, 2 pages. Acc. 1989.73.","Includes layout, grading and drawings, outside lighting. Acc. 1989.71.","Plans for landscaping the library site, 3 pages. Acc. 1989.65.001","5 sheets. Acc. 1989.64.","Acc. 1989.63.","Location unknown, 3 pages. Acc. 1989.62.","Acc. 1989.61.","Seating plan, tract, etc. for stadium. Acc. 1989.60.","Layout of platforms for seating of choir, faculty, and guests at graduation; 5 pages. Acc. 1989.58.","Includes site plan and floor plan; plans resemble present Marshall-Wythe Law School, but were likely an early set of drawings which were later modified. 5 pages. Acc. 1989.57.","Scope and Contents Includes site plan; exterior design; floor plans; and layout of basketball arena. Architects: Wright, Jones and Wilkerson. Sheets: 6., bound. Size 26\" x 33\". Condition: Very Good. Acc. 1989.56.","Plans for tennis court and softball field from the area behind William and Mary Hall. Acc. 1989.55.","Boiler shed for Yates Hall, temporary structure; 1 page. Acc. 1989.54.","Recreation room; foundation plan; 1st floor dormitory furniture layout; 2 pages. Acc. 1989.53.","4 pages. Acc. 1989.52.","Map of Waller Reservoir, 1965, showing College Airport boundaries; 1977 survey map of Tilmouth Tract; 1952 site map of Tilmouth Tract; 1945 airport building plans; runway plans, 1955; 1967 proposed baseball field on airport site. Acc. 1989.51.","Scope and Contents Drawn from a map by Bolton, Clark, and Pratt. Scale 1\" to 600'. Looks like some kind of thermographic paper. Acc. 1989.45.","Acc. 1989.42.","Proposed cable crossing campus property and r.r. spur of U.S. government. Acc. 1989.41.","Acc. 1989.40.","Proposed substation and power line through campus. Acc. 1989.39.","Acc. 1989.38.","Renovations, 1980; demolition plan, site plan, landscape plan, courtyard plan, landscape details, Kappa Delta, Pi Beta Phi, Delta Delta Delta, Chi Omega, Alpha Chi Omega, Kappa Alpha Theta, Phi Mu, Gamma Phi Beta, Kappa Kappa Gamma (floor plans and mechanical) 1955 bathroom; Phi Mu House. Acc. 1989.37.","Campus plan for sidewalk curb ramps, building entry ramps, bathroom modifications, also ramp for Ewell and the Campus Center. Acc. 1989.36.","Floor plans showing placement of lab benches and other furnishings. Acc. 1989.35.","Acc. 1989.34.","General plans; floor, electrical, plumbing, heating, ventilation. Acc. 1989.32.","Floors 1-3 floor plan; addition to restroom, elevation (1928). Addition to conservatory, 1 p. Restroom adjoining (1926); first floor plan, foundation plan, 2nd floor plan, elevations. Additions to restroom, and details. Acc. 1989.31.","Acc. 1989.30.","One blueline drawing and another set of drawings of the Swem Library floorplan as it looked after the addition. Acc. 1989.14.","Plan set of blueline drawings and photocopy showing placement of compact shelving; used by workmen who installed space-saving shelving. Acc. 1989.12.","Acc. 1989.4.","Plot plan for development of College Terrace, prepared by architect Charles M. Robinson. Acc. 1988.74.","Showing additional street names. Acc. 1988.74.","Scope and Contents Showing present buildings, current construction, buildings being planned, site of use for future buildings; by Walford and Wright, architects. Sheets: 1; 35\" x46\". Condition: Fair, with torn sections. Acc. 1988.73.","Acc. 1988.72.","Acc. 1988.72.","Preliminary study blueprint showing typical floor plan for Old Dominion Hall by architect Charles M. Robinson. Acc. 1988.71.","Acc. 1988.71.","Shows entire campus, present construction, authorized buildings under construction, placement and future use of future buildings; and one sheet showing layout of proposed future buildings by C. M. Robinson. Acc. 1988.70.","Two alterations each for entry level and upper level of museum, showing pavement plan, and plan of entrance sign. Acc. 1988.63.","Acc. 1988.62.","One floor depicted. Acc. 1988.61.","Scope and Contents Map of Lake Matoaka Park and Forrest at the College of William and Mary--Emergency Conservation Work under the National Park Service. Sheets: 1; 36\" x 42\". Condition: Good. Acc. 1988.60.001","Scope and Contents Plans for landscaping of the College including detailed garden plans from 1923. Landscape Architect\" Charles Gillete. Sheets: 1; size 32.5\" x 42\". Condition Poor with several torn sections. Acc. 1988.59.001","Scope and Contents Plans for landscaping the South Campus of the College 1949; landscaping plans 1931; Plans for Grounds 1923. Architect: Chales M. Robinson. Landscape Architect: Arthur Schurcliff. Sheets: 5; 27.5\" x37\"(2); 40\" x 42\"(1); 49\" x 34.5\" (2). Condition Poor to good with several torn sections. Acc. 1988.59.003.","Design details of walks (1925); plans of walls and walks, location and design, two sheets (1925); wall and walk plans to May 1925 (1925); treatment of walks and walls at entrance to the college, two sheets (1929); details of Sunken Garden wall (1926); proposed curbs and drains near President's House (1931); Crim Dell pedestrian walk (1978). Acc. 1988.58","Two sheets showing site of present buildings, buildings under construction, authorized buildings, and proposed placement and use of future buildings. Prepared by Charles M. Robinson, architects. Acc. 1988.57.","Seven pages showing proposed student house (never built). Acc. 1988.56.","17 pages showing water, steam, sewer, and electric extension plans. 1 page showing proposed water system plan. Acc. 1988.55.","11 pages. Acc. 1988.54.","37 pages. Acc. 1988.52.","8 pages. Acc. 1988.51","4 pages. Acc. 1988.50.","6 pages. Acc. 1988.49.","7 pages. Acc. 1988.48.","Scope and Contents Proposed layout plan for a Matoaka Amphitheater under auspices of the National Park Service. Sheets: 1; 34.5\" x 50\". Condition: Fair with numerous small holes. Acc. 1988.47.","Proposed grounds layout plan, incomplete (1923); 2 sets of grounds layout plans (1924); and 2 worksheets for grounds layout. Acc. 1988.46.","2 sets of the floor plan for the new women's dormitory, Chandler Hall. Acc. 1988.45.","Renovation plans, 3 pages (1973); renovation plans, including structural, plumbing, electrical, and mechanical, 26 pages (1977). Acc. 1988.45 addition.","3rd floor plan of the Brafferton, kitchen plan of the Brafferton, Northwest Outbuilding, and the President's House, 4 pages. Acc. 1988.43.","4 sets of plans showing the general plan for centralization of heating, lighting, power, and water supply. Acc. 1988.42.","2 sets of 6-page blueprints showing the floor plan of the Kappa Kappa Gamma House, one complete set, one incomplete set. Acc. 1988.41.","Proposed design plan for a Proscenium Arch on the Sunken Garden, 3 pages. Acc. 1988.40.","Proposed drainage system plan for the athletic field. Acc. 1988.39.","2 blueprints showing alterations to the water system and plans for a connecting hospital and college mains. Acc. 1988.38.","9 blueprints showing proposed changes in floor plan and exterior, details for new kneelers, details shelves in Wren Chapel. Acc. 1988.37.","1.\tChristopher Wren Building, First Floor Plan, Revised March 25, 1927, #2\n2.\tChristopher Wren Building, Second Floor Plan, Revised March 25, 1927, #3\n3.\tChristopher Wren Building, Attic Floor Plan, March 25, 1927, #4\n4.\tChristopher Wren Building, Sketch of East Elevation, March 11, 1927, #5\n5.\tChristopher Wren Building, Sketch of East Elevation \"B\", March 25, 1927, #5A\n6.\tChristopher Wren Building, Sketch of West Elevation, Revised March 25, 1927, #6\n7.\tChristopher Wren Building, Sketch of South Elevation, March 29, 1927, #7\n8.\tFull Size Section Thru Shelves, Block XVI, Bldg. 3, #287, Undated\n9.\tDetails for New Kneelers in Chapel of College Building, #285. Williamsburg Restoration for the Williamsburg Holding Co. Perry, Shaw, \u0026 Hepburn, Architects. 1931.","Foundation plan for the restoration of the Wren Building, drawn by Perry Shaw and Hepburn. Acc. 1988.37 addition.\nMarch 14, 1929 Revision, Number: Job 107, S-1.","14 blueprints showing additions to Trinkle Hall and kitchen. 1 box. Acc. 1988.36.","Renovations of Trinkle Hall, The Wigwam and The Pub. Acc. 1988.36 addition.","29 blueprints showing basement floor plans and first, second, and third floor; renovation plans (1965) and alterations to building; specifications for alterations (1922). 1 box. Acc. 1988.35.","8 drawings for the library, done by Gay [sic] and See, architects; showing cellar plan, roof framing plan; front, rear, and side elevations; and longitudinal and cross sections. Acc. 1988.35 addition.","Alterations and additions to Tucker Hall; 12 pages of drawings detailing renovation of the old law school; and other concerning Tucker Hall. Acc. 1988.35 addition.","Plans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architect Charles M. Robinson, 6 sheets. Acc. 1988.34.1","Plans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architects J. Binford Walford, 4 sheets. Acc. 1988.34.2","Plans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages. Architects: Charles M. Major; J. Bindford Walford and O. Pendleton Wright. Condition: Good. 1 box. Acc. 1988.33.001.","Revisions to President's Office Suite (1967); and alterations and additions (1954-57); 2 copies, 1 box. Acc. 1988.33 addition.","Plans showing exterior and floor plans for Blow Gymnasium, including a plan for the memorial plaque, 16 pages, 1 box. Acc. 1988.32.","Plans of alterations and additions to Blow Gymnasium, includes Squash Court (1938); renovations (1940); wire screen partition shower room renovation (1947); plot plan for Blow Gym area (undated); and shower room-locker renovation (1976). Acc. 1988.32 addition.","Plans showing exterior and floor plans of William Barton Rogers Hall. Also includes specifications. 2 plan sets (1926) and 1 box. Acc. 1988.31.","Plans showing stair alterations, 5 pages and 1 box. Acc. 1988.31 addition.","Plans showing planned exterior and floor plans for Barrett Hall, 13 pages. Acc. 1988.30.","Blueprints showing planned exterior and floor plans for Jefferson Hall, 5  rolled sets of blueprints. Acc. 1988.29.","Building modifications (1965, in box 2); proposed renovation (1973); renovations (1975) including floor plans, plumbing, electrical, fire sprinklers, heating, telephone, and TV (in box 3); and overview of 1920 plans. 3 boxes. Acc. 1988.29 addition.","Plans showing the design and floor plans for the library to be built at William and Mary Norfolk Division campus; 1 box, 28 blueprints. Acc. 1988.28.","Plans showing proposed library to be built at the end of the Sunken Garden. Includes preliminary sketches and miscellaneous plans. 1 box, 51 blueprints. Acc. 1988.27.","Progress schedules, 1 box. Acc. 1988.26.","Dedicated at the Opening of the Addition; 1 box, 1 blueprint. Acc. 1988.25.","Scope and Contents Blueprint showing modifications to be made for a new aluminum entrance to Swem Library. Architects: Wright, Jones and Wilkerson. Sheets: 2; 34.5\" x 43.5\". Condition: Good. Acc. 1988.24.","Set of 5 blueprints showing the floor plan for Swem Library, including placement of stack ranges. 2 complete sets. Acc. 1988.23.","Set of 6 blueprints showing the layout of the ventilation system in the Swem Library basement. Acc. 1988.22.","Set of 4 blueprints showing the floor plans for Swem Library, 2 complete sets. Acc. 1988.21.","Set of 9 blueprints showing the revised site plan and floor plan for Swem Library, 2 complete sets. Acc. 1988.20.","Set of 8 blueprints showing the site plan and the floor plans for Swem Library; also showing the facades. 2 complete sets. Acc. 1988.19.","Set of 19 blueprints giving faculty office and carrel specifications and elevations; 4 complete sets. Acc. 1988.18.","Set of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.001.","Set of 7 blueprints showing the plumbing system for Swem Library, 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.001","Set of 7 blueprints showing placement of types of bookshelves and other furnishings for Swem Library; 2 complete sets. Acc. 1988.15.","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 1). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.001","Scope and Contents Set of blueprints showing the heating and ventilation systems of Swem Library. Sheets: 14. M1-M12 and 2 M-2. Size: 36\" x 42\" (12); 34\" x 38(1)\"; 34\" x 38\"(1).Condition: Fair with torn sections and some evidence of water damage. 2 of 3 sets. Acc. 1988.13.001","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 24. Size: 34\" x 42\". 1 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.001.","Blueprint showing a full-scale model for the baton carried by the Faculty Marshalls of the College in formal academic processions. Acc. 1984.29.","2 blueprints; 1 blueprint (9 July 1926) showing walks and grading to be done between Wren, Ewell, and St. George Tucker Halls; 1 blueprint (21 June 1926) showing details of garden walls. Acc. 1983.37.","5 blueprints, with offices marked, showing registration procedures. Acc. 1980.27","Complete set of blueprints, 29 pages. Includes notations by architect R. G. Richardson. Acc. 2007.60.","Ten sheets of blueprints with detailed drawings of Sunken Garden projects in 1935 at William and Mary. Blueprints were made by J. Binford Walford and Charles F. Gillette of Richmond, Virginia. Includes details on elevation, brick walkways and steps, retaining wall, and campus buildings near the Sunken Garden in 1935. Acc. 2009.032","One sheet detailing the development plan for the College of William and Mary. The plan shows the entire William and Mary campus, the Law School site, and the James Blair Terrace Campus, later the Dillard Complex off Ironbound Rd. The plan also includes proposed buildings, such as the future Muscarelle Museum of Art and a proposed athletic field that would become Busch Field. Acc. 2009.243","Scope and Contents Traced or copied blueprint of Phi Beta Kappa Memorial Hall. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 36.5\"x25\". Condition: fair. Acc. 2009.406","Scope and Contents Plot plans of the College of William and Mary in Virginia printed on mylar. Surveyor: M.W. Thomas. Sheets: 2. Dimensions: 48\"x27\". Condition: excellent. Acc. 2009.407","Scope and Contents Blueprint of a swimming pool. Architect: Charles Major. Sheets: 2. Dimensions: 32\"x20\". Condition: good. Acc. 2009.408","Scope and Contents Traced blueprint of a renovation to William Barton Rogers Memorial Science Hall. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 32\"x22\". Condition: fair. Acc. 2009.409","Scope and Contents Blueprint of additions to the Library Building. Architect: J. Binford Walford Architects. Sheets: 3. Dimensions: 21.5\"x15.5\". Condition: Fair --including tears. Acc. 2009.410","Scope and Contents Traced or copied blueprint of women's dormitory #1. Architect: Charles M. Robinson Architects. Sheets: 14. Dimensions: 36.5\"x15\". Condition: good with discoloration. Acc. 2009.411","Scope and Contents Copy of a blueprint of alterations and additions to George Preston Blow Memorial Gymnasium. Architect: J. Binford Walford Architects. Sheets: 20. Dimensions: For sheets 1, 1A, 1B, 2, 3, 1A-R, 4, 5, 6, 7, 8, 9, 10, 11, 12, and 13: 31\"x20.5\"; For sheet 14: 38\"x20.5\"; For other sheets: 30.5\"x15\" and 34\"x14\". Condition: good with tears and tape. Acc. 2009.412","Scope and Contents Three copied sketches of the plan of the first floor of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 3. Dimensions: 24\"x18\". Condition: excellent. Acc. 2009.413","Scope and Contents Furniture layouts of 4 buildings on Ironbound Road (Dillard Complex). Architect: Bill Turner III, AIBD. Sheets: 4. Dimensions: 36\"x24\". Condition: excellent. Acc. 2009.414","Scope and Contents Second floor plan of the electrical and lighting renovation of the Dillard Compled. Architect: Williams, Tazwell and Associates, Architects. Sheets: 1. Dimensions: 42\"x30\". Condition: excellent. Acc. 2009.415","Scope and Contents Photo copy a map of property formerly belonging to the Williamsburg Power Company, but is now belongs to the College of William and Mary. Architect: W.W. Lo Prode and Bros., Architects. Sheets: 2. Dimensions: 28\"x18\". Condition: good. Notes: There is residue from a sticker on the second sheet, and a descriptive note was taped to the second sheet before it arrived in Special Collections. Acc. 2009.416","Scope and Contents Copy or Tracing of a survey of two parcels of Land owned by the College of William and Mary. It is the residue of the Tilmouth Tract in Bruton District, York County. Architect: Spearman and Associates (Land Surveying). Sheets: 1. Dimensions: 36\"x24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.417","Scope and Contents Blueprint of Renovations and additions to the Library Building. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 24\"x18\". Condition: poor with tape, tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.418","Scope and Contents Diagram of the ventilating and air conditioning system for the population laboratories in the Dairy Bar on the old Eastern State Hospital site. Architect: Commonwealth of Virginia Governor's Office Division of Engineering and Buildings. Sheets: 1. Dimensions: 35\"x24\". Condition: good with tears and discoloration. Acc. 2009.419","Scope and Contents Diagram of a proposed addition to Cary Field Stadium at the College of William and Mary. Shown in the sketch are the existing dormitories near the stadium, parking lot, and where the new stands are going to be at the stadium. Architects: Wright, Jones and Wilkerson of Richmond, Virginia. Sheets: 1. Dimensions: 11\" x 14\". Condition: good. Acc. 2009.496","Scope and Contents Tables and plans for water heating systems and the HVAC demolition plans for the renovation of Hughes Hall and Munford Hall. Architects: Hankins and Anderson, Inc. Sheets: 10. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.420","Scope and Contents Blueprints for the second and third floors of Marshall Wythe Hall, now named Reverend James Blair Hall. Architects: J. Binford Walford, Architect. Sheets: 3. Dimensions: 30\" x 23\". Condition: fair. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.421","Scope and Contents Copies of blueprints for the Continued Treatment Group and Disturbed Patients Building number 22 as part of Eastern State Hospital. Architects: Rudolph, Cooke, and Van Leeuwen, Inc., General Architects. Sheets: 4. Dimensions: 30\" x 46\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.422","Scope and Contents Blueprints of two different alterations to the Library Building, present day Tucker Hall. Architects: Charles M. Robinson, Architects (1928); J. Binford Walford Architect (1940). Sheets: 10. Dimensions: 30\" x 22\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.423","Scope and Contents Block Diagram of electrical communication system for single employees' buildings numbered 42 and 43 at Eastern State Hostpital. Architects: J. Peghiny. Sheets: 2. Dimensions: 36\" x 18\". Condition: fair with creases. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.424","Scope and Contents Photocopy of a schematic plan for the Facilities Management Complex at the Dillard Campus on Ironbound Road. Architects: Wilson, Moreth, Connock LTD. Sheets: 1. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.425","Scope and Contents Blueprint for one half side of the stage, buildings layout and four faces of the Eastern Tower of the Common Glory Amphitheater, where the Lake Matoaka Amphitheater now sits. Architects: Charles M. Major, Architect. Sheets: 2. Dimensions: Sheet 1: 20\" x 33\"; Sheet 2: 16\" x 30\" . Condition: good. Notes: Two descriptive notes were taped to the item before it arrived in Special Collections Acc. 2009.426","Scope and Contents Plans for the electrical systems for the renovation of Hughes Hall and Munford Hall on the Dillard Campus. Architects: Hankins and Anderson, Inc. Sheets: 6. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.427","Scope and Contents Photocopy of the blueprints for four acute convalescent buildings at Eastern State Hospital at the Dunbar Site. Architects: Bernard B. Spigel, Architect. Sheets: 2. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.428","Scope and Contents Blueprint for electrical and lighting renovations to the Dillard Complex on Ironbound Road. Architects: Williams, Tazwell and Associates. Sheets: 7. Dimensions: 30\" x 42\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.429","Scope and Contents Blueprints and facilities plans for the renovation of four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc. Sheets: 16. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.430","Scope and Contents A copy of the plans and schedules for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Hawkins and Anderson, Inc.. Sheets: 10. Dimensions: 24\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.431","Scope and Contents Print of three furniture layouts for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Ballou, Justice, Upton Associates, Architects. Sheets: 3. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.432","Scope and Contents Schematic diagram of the wiring for the annunciator in Building 20 at Eastern State Hospital. Architects: J. Tusinski. Sheets: 1. Dimensions: 36\" x 58\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.433","Scope and Contents Print of a site plan for four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc.. Sheets: 1. Dimensions: 24\" x 34\". Condition: good, with tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.434","Scope and Contents Print of a property map of the Virginia Associated Research Center. Architects: E.E.R. and E.B.R. Jr.. Sheets: 1. Dimensions: 12\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.435","Scope and Contents Blueprints of the Infirmary for the College. The building is now called Hunt Hall. Architects: Charles Robinson. Sheets: 8. Dimensions: 19.5\" x 29\". Condition: good with tears. Notes: There is a piece of backing stapled to the blueprints Acc. 2009.436","Scope and Contents A map of campus detailing sewers present and to be built. Details of new catch basins and manholes are included. Architect: J. Binford Walford. Sheets: 1. Dimensions: 33\" x 43\". Condition: good with tears. Acc. 2009.437","Scope and Contents Copies of blueprints for alterations and additions to Blow Gymnasium, now Blow Memorial Hall. Architect: J. Binford Walford. Sheets: 20. Dimensions: 17\" x 24\". Condition: excellent. Acc. 2009.438","Scope and Contents Blueprint of the heating plan for the Lodges. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: good with tears. Acc. 2009.439","Scope and Contents Blueprint of a plat of Strawberry Plains with Subdivisions. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: poor with tears, tape, attempted rebacking and an attached descriptive note. Acc. 2009.440","Scope and Contents Blueprint and elevations of Barrett Hall. Architect: Charles Robinson. Sheets: 3. Dimensions: 20\" x 40\". Condition: poor with tears, tape and a descriptive note. Acc. 2010.060","Scope and Contents Copy of blueprint, elevations and detail of Monroe Hall. Architect: Charles Robinson. Sheets: 13. Dimensions: 16\" x 36\". Condition: good with tears and tape. Acc. 2010.062","Scope and Contents Blueprint, elevations and detail of Chandler Hall. Architect: Charles Robinson. Sheets: 11. Dimensions: 36\" x 15\". Condition: good with tears. Acc. 2010.061","Scope and Contents Blueprint, elevations and detail of Old Dominion Hall. Architect: Charles Robinson. Sheets: 12. Dimensions: 36\" x 16\". Condition: good with tears, tape, and a descriptive note. Acc. 2010.063","Scope and Contents Plans for renovation of the Wren Buildings storm drain system. Architect: Perry Shaw Hepburn Architects (Boston and Williamsburg). Sheets: 1. Dimensions: 40\" x 36\". Condition: good. Acc. 2010.064","Contains 71 sheets of blueprints of the second phase of renovations at Williamsburg Community Hospital. Included in the sheets are architectural (floor plans, millwork, etc.), plumbing (demolition plans and new work plans), mechanical (duct work, piping, controls), and electrical plans (lighting plan, power plan, demolition plan) for the hospital. The architects for the project were Peterson Associates (Charlotte, North Carolina) with the help of Pace Collaborations (Virginia Beach, Virginia) and Interior Planners (Richmond, Virginia). Acc. 2009.576","Scope and Contents Sketch of the first floor plan of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 8. Dimensions: 24\" x 18\". Condition: excellent. Acc. 2010.065","Scope and Contents Photos, schematics and schedules for upgrading the lights in Andrews Hall. Architect: Rancorn Wildman Architects PLC. Sheets: 4. Dimensions: 43\" x 30\". Condition: excellent. Acc. 2010.066","Scope and Contents Floor plans of the ground, first, second, and third floors of an addition to Swem Library. Architect: Perry, Dean, Rogers, and Partners Architects. Sheets: 3. Dimensions: 36\" x 24\" and 42\" x 30\". Condition: excellent. Notes: sticky notes with clarifications were removed from this document. Acc. 2010.067","Scope and Contents A plan for the placement of trees, shrubs, ivy and other plants along the southern half of Campus. Architects: J. Binford Walford, and Charels F. Gillett - Landscape Architect. Sheets: 1. Dimensions: 65\" x 42\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.069","Williamsburg area drawing showing location of the KKK flagpole on Jamestown Rd. and Boundary St. Removed from the University Archives Subject File Collection, Flags folder. Acc. 2010.127","Scope and Contents Topographic Map and Grading Plan for landscaping of the Sunken Gardens, the Crim Dell Meadow, and Crim Dell. Architects: W. W. La Prada Bros. Sheets: 2. Dimensions: 65\" x 42\" and 42\"x 36\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.068","Scope and Contents Plans for foundation, elevations, plumbing plans, heating plans, and details of Marshall-Wythe Hall, now called James Blair Hall. Architect: J. Binford Walford Sheets: 27. Dimensions: 32\" x 21\" Condition: fair with rips, holes, and informational notes. Acc. 2010.070","Scope and Contents Photocopy of plans for alterations and additions to the Old Library, now Tucker Hall. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.071","Scope and Contents Floor plans for Moncure Cottage, now (rebuilt) as Moncure House. Architect: Charles M. Robinson. Sheets: 2. Dimensions: 14\" x 14\" Condition: good with wax crayon markings. Acc. 2010.072","Scope and Contents Blueprints and copies of schedules and floor plans for Women's Dormitory Number 3, now called Chandler Hall. Architect: Charles M. Robinson. Sheets: 13. Dimensions: 36\" x 16\" Condition: good with wax crayon markings. Acc. 2010.073","Scope and Contents Preliminary design submission for the renovation of the Wren Building. Mainly updating electrical, plumbing, fire safety, and HVAC equipment. Architect: Quinn Evans Architects. Sheets: 78. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.074","Scope and Contents Blueprint, \"Map of Hospital Buildings and Grounds, Eastern State Hospital,\" prepared by A.F. Brown, engr, Reidsville, N.C., September 11, 1929. The blueprint was printed by R.T. Sunday Co. Blue Printers, located in Richmond, Virginia. It is approximately 27 1/2\" x 33\". Acc. 2008.212","Scope and Contents Copy of a blueprint of storage buildings plot plan layout with sewer and manhole schedules. Handwritten note on back of blueprint: Plot of Warehouses A, B, C \u0026 D, 3-26-47. Architect: Charles Major. Sheet: 1. Dimensions: 27\" x 20.5\". Condition: good with torn edges. Acc. 2010.520","Scope and Contents Reverse black and white on paper for alterations and to Library Building. Copies of pages 1,2 \u00263. Architect: J. Binford Walford Architects. Sheets: 6. Dimensions: 22\"x15.75\" bound. Copies: Sheets: 3.Dimensions: 24\"x18\" bound. Condition: Very good with some handwritten notations. Acc. 2010.521","Scope and Contents Paper Drawing of Dining Hall Alterations and Additions; Basement foundation and First floor. Architect: Charles M. Robinson Architects, Richmond. Sheets: 6. Dimensions: 24.25\"x16.5\"; Condition: Very good. Acc. 2010.522","Scope and Contents Blueprints for Women's Dormitory #1 Floor Plans; First Floor; Second Floor and Third Floor. Typed Notes on Back; Handwritten notation: Jefferson. Architect: Charles Robinson. Sheets: 3. Dimensions: 36\"x15\". Condition: good with frayed edges and tape; portion glued. Acc. 2010.523","Scope and Contents Copies of blueprints for Women's Dormitory #1; Basement Floor and revision; First Floor; Second Floor; Third Floor; Attic and roof Plan; and Elevations. Architect: Charles M. Robinson and Wright Jones and Wilkerson. Sheets: 14. Dimensions: 16.5x22\". Condition: Very Good. Acc. 2010.524","Scope and Contents Copies of blueprints for the Dining Hall: Addition of Alcove to Kitchen; Basement, First Floor, Elevations. Handwritten notation: 10-19-1928. Architect: Chales M. Robinson Architects. Sheets: 6. Dimensions: 24\"x17\". Condition: Very Good. Acc. 2010.525","Scope and Contents Copies of Blueprints for Wiliam Barton Rogers Memorial Science Hall; First, Second and Third Floor Plans. Handwritten notation of file number. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 24.5\"x 36\". Condition: Very Good. Acc. 2010.526","Scope and Contents Plans for Brafferton Alterations; two random pages for Basement, First, Second and Third Floors; Typed Notation: Drawings 8 and 9. November 15, 1949. Architect: Colonial Williamsburg Architectural Department. Sheets: 2. Dimensions: 22\"x35.5\". Condition: Good, edges torn. Acc. 2010.527","Scope and Contents Copies of blueprints for additions to Phi Beta Kappa Hall; plans for basement, first and second floor, and longitudinal plan. Architect: J. Binford Walford Architect . Sheets:4. Dimensions: 24\"x18\". Condition: Excellent. Notes: File numbers before it arrived in Special Collections. Acc. 2010.528","Scope and Contents Topographical Survey Map for Proposed Runway for the College of William and Mary produced by the Division of the Budget of the Governor's Office by the Division of Engineering. Control: B. W. Calkley. Sheets: 1. Dimensions: 58.25\"x42.25\". Condition: Good with tears at edges and at folds. Note: Stamped on back before it arrived in Special Collections. Acc. 2010.529.","Scope and Contents Blueprints for Men's Dormitory Number 1 at The College of William and Mary; Detailed plans for the foundation; first, second, and third floors; attic and roof plans and elevations. Plans 1-8; 10 and 12. Architect: Charles M. Robinson Architects and later stamped Wright, Jones \u0026 Wilkerson. Sheets: 10. Dimensions: 15.5\" x 36\". Condition: Good with some slight tears. Notes: Handwritten notation on back: Monroe; file numbers indicated before arrival in Special Collections. Acc. 2010.530","Scope and Contents Blueprints for the property Envelopment Plan of Williamsburg indicating Colonial Williamsburg and surrounding area. Revised March 1948 and April 1951. Architect: Colonial Williamsburg Architectural Depatment. Sheets: 1. Dimensions: 34\"x25\". Condition: Good with some torn edges. Notes: Typed note on back and stamped date December 9, 1958 before it arrived in Special Collections. Acc. 2010.531","Scope and Contents Blueprints for an addition to Blow Gym; plans present Foundation Plan, Basement , First Floor and Balcony. Roof sections and elevations also included. Plans estimated to be from 1940's. Architect: J. Binford Walford Architects. Sheets: 10. Dimensions: 20\"x30.5\". Condition: Good with some tape and tears; some pages stapled. notations made on front of first page before it arrived in Special Collections. Acc. 2010.532","Scope and Contents Blueprint for Part Plan of Washington Hall First Floor - Greenhouse side. Architect: Charles M. Major. Sheets: 1. Dimensions: 19.25\"x25.5\". Condition: Good with tape and some tears. Notes: Descriptive notes typed on back before it arrived in Special Collections. Acc. 2010.533","Scope and Contents Reverse Black and White copies of blueprints for the Swimming Pool at the College of William and Mary; Elevation and Longitudinal Section Plans. Architect: Charles M. Major. Sheets: 2. Dimensions: 24\"x36. Condition: Excellent. Acc. 2010.534","Scope and Contents Copies(large and small) of blueprint s for the Alcove addition to the Commons Dining Hall at the College of William and Mary,; Plans for foundation; elevations, main cornice and porch corner. Separate plan for Seating Section dated October 20, 1925. Revisions dated December 29, 1925 Architect: Charles M. Robinson Architects. Sheets: 8. Dimensions:Seating Section 16.75\"x11\"; Medium plans(4) 16.5\"x24\"; Large Plans(3) 36\"x24\". Condition: Very Good. Notes: Handwrittten notations and file numbers before it arrived in Special Collections. Acc. 2010.535","Scope and Contents Blueprints for Webster Heating System Plans for the Cheatham House Apartments; Basement piping and First, Second and Third Floor Plans. Architect: Charles M. Major Architects. Sheets: 4. Dimensions: 20.25\"x23.75\". Condition: Good with some frayed edges; pages stapled. Notes:Handwritten notations on the back before item arrived in Special Collections. Acc. 2010.536","Scope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537.","Scope and Contents Plans for the Bozarth Duke House; Two copies of page 1 \u00262. Architect: Charles M. Major. Sheets: 4. Dimensions: Pages 1,2 \u0026 4. 19\"x19.25\"; page 3, 17x22.25\". Stapled. Condition: Good; tears and tape on edges and typed label on back page before it arrived in Special Collections. Acc. 2010.538.","Scope and Contents Development Plan for Eastern State Hospital at Dunbar, Virginia and Map of the Williamsburg Tract. Engineer: La Prada Bros. Sheets: 2. Dimensions: Page 1, 24\"x36\"; page 2, 25\"x36\". Condition: Very Good. Some tears and tape on edges; handwritten notes on back of page 1 before it arrived in Special Collections. Acc. 2010.539.","Scope and Contents Plans for Sections AA and BB (Doors, Stairs and Roof) for the Main Building (Wren) of the College of William and Mary. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 1. Dimensions: 30.75x40.5\".  Condition:  Good, torn section in upper right hand corner and some tape and tears. Date noted on back before it arrived in Special Collections. Acc. 2010.540.","Scope and Contents Map showing property owners for the block in Williamsburg, Virginia bounded by Richmond Road, Boundary Road, Prince George Street and Harris or Cromwell Streets. Engineer: J. Temple Waddill, Inc. Sheets: 1. Dimensions: 36.75\"x28\". Condition: Good with some tears and tape. Typed stickers and notes on back before it arrived in Special Collections. Acc. 2010.547.","Scope and Contents Plans for alterations to Bright House: Page 1-Basement Plan; Page 7R-Detail of Stairs; Page 8-Entrance Loop; Page RH1-Basement Heating plan; Page H2- First Floor Heating Plan; Page H3-Second Floor Heating Plan; and Page 101-Three Beams and Columns. Architect: J. Binford Waldford and P. Padleton Wright. Sheets: 7. Dimensions: Page 101, 12.75\"x18.5\"; page 8, 13.75x21.25\"; pages 7R, RH1, H2,H3, 21\"x30.25\". Condition: Very Good, with a few worn edges and several handwritten notations on back. Acc. 2010.548","Scope and Contents Plans for Steam and Hot Water Distribution System Improvements: Page 1-General Layout; Page 2-Steam Conduits and Drain Lines; Page 3-Manhole and Conduit Details; Page 4-Manhole Details; Page 5-Manhole and conduit Details; Pages 6, 7 \u0026 8- Details of Building Work; Page 9-Drip Trap Details. Consulting Engineers: Wiley \u0026 Wilson. Sheets: 9. Dimensions: 36\"x24\". Stapled. Condition: Very Good with some worn/torn edges; typed notations on back. Acc. 2010.549.","Scope and Contents Plans for Washington Hall: Page 8-Sections AA,BB,CC; Unnumbered Sheet -Front and East Elevations; Page 1-Foundation Plan; Page 2-First Floor Plan; Page 3-Second Floor Plan; and Pages 4 with Copy-Third Floor Plan .Architect: Charles M. Robinson. Sheets: 7. Dimensions: Page 8: 36\"x24\"; remaining pages 22.25\"x31.5\". Condition: Overall-Good; copy of page 4 poor--torn. Notes: File numbers on front and stamped notations on back before it arrived in Special Collections. Acc. 2010.550.","Scope and Contents Dormitory Annex General Development Plan; Soroities between Prince George Street and Richmond Road. Landscape Architect: Charles Gillette. Sheets: 1. Dimensions: 27.75\"x42.25\". Condition: Very Good with only a few small tears on edges. Notes: File numbers on front and stamp on back before it arrived in Special Collections. Acc. 2010.551.","Scope and Contents Plans for Brafferton Hall Kitchen Plumbing and Heating. Sheet P-1-Plan of second floor new plumbing fixtures and Sheet H-1- Basement and First Floor Heating Plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 2. Dimensions: 18\"x24\". Condition: Very Good. Notes: File numbers and date(February 21, 1951) stamped on front before it arrived in Special Collections. Acc. 2010.552.","Scope and Contents Plans for replacing the Kitchen Floor in the Dining Hall. Sheet 1-Plan for Alterations to the Basement; Sheet 2-Plan for Movement of Equipment. Architect: Charles M. Robinson. Sheets: 2; Dimensions: Page 1, 16\"x24.5; page 2, 17x24.5\". Bound. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.553.","Scope and Contents Copies of Blueprints for Taliaferro Hall. Sheet 1: Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor; Sheet 5 Center Portion of Roof; Sheet 6 Section FF; Sheet 7 Sections CC, DD, EE; Sheet 8 Section BB and South Elevation; Sheet 9 Section AA and North Elevvation; Sheet 10 East Elevation; Sheet 11 West Elevation; Sheet 12 Cornices and Dormers; Sheet 13 Cornices and Dormers at 45 degree pitch; Sheet 14 Doors and Windows; Sheet 16 Alternate F, elevations and schedule. Architect: Charles M. Robinson. Sheets: 15; Dimensions: 18\"x24. Bound. Condition: Excellent. Notes: File number on front before it arrived in Special Collections. Acc. 2010.554.","Scope and Contents Plans for Womens Dormitory Number Three. Sheet 1-Basement \u0026 Foundation; Sheet 2 First Floor; Sheet 3 Second and Third Floors; Sheet 4 Attic and Roof; Sheet 5 Section DD; Sheet 6 Sections AA, BB, CC East Elevations; Sheet 7 Campus Side(North ) Elevations; Sheet 8 Roadside(South) Elevations; Sheet 9 Dormers Windows, Cornices and Water Table; Sheet 10 Elevations from Road and Campus, Arch, entrances and cloister elevations; Sheet 11 Stairtowers. Architect: Charles M. Robinson. Sheets: 11; Dimensions: 24\"x36\". Bound. Condition: Very Good; File numbers and dates stamped on front. Acc. 2010.555.","Scope and Contents Plans for the Heating and Power Plant additions at the College of William and Mary. Sheet 1 Above Coal Bin; Sheet 2 Plan Taken near roof; Sheet 3 Roof Plan; Sheet 4 East, South and West Elevations; Sheet 5 Sections AA and BB; Sheet 6 Campus Map; Sheet 7 New Pipes in tunnels; Sheet 8 Longitudinal Section; Sheet 9 Boiler #6 Elevations. Architect: Charles M. Robinson. Sheets: 9; Dimensions: Page 1, 29.75\"x22.75\". Bound. Condition: Very Good. File numbers on front before it arrived in Special Collections. Acc. 2010.556.","Scope and Contents Revised plans for a new Underground Steam line to serve the garage and residence-General Layout. Consulting Engineers: Wiley and Wilson. Sheets: 1; Dimensions: 36\"x24. Condition: Good, tape with torn corner and edges. Typed Sticker (dated September 30, 1944 and noting 11 pages) on back before it arrived in Special Collections. Acc. 2010.557.","Scope and Contents Plans for the Ampitheater with seating capacity of 2340. Sheet 1 layout of halfside of stage and buildings; Sheet 2 \u0026 3 unlabeled; Sheets 4 \u0026 5 Public toilets and front elevation; Sheets 6\u00267 Floor Plan; Sheet 8 Boxes for electrical connections; Sheets 9, 10-12 Details of Mast and Shields at Gate,  page 9 is reversed. Architect: Charles M. Major and Finlay F. Ferguson, Jr.  Sheets: 12; Dimensions: Page 1, 34.75\"x20\"; page 2\u00263, 21\"x16\"; pages 4\u00265 10\"x25\",  Pages 6\u00267 21'X16\", Page 8 16.23\"x28.5\", pages 9-12 25'X18\". Partially stapled. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.558.","Scope and Contents Sanitary Sewerage System plans for the Fraternity Houses at the College of William and Mary. Sheet 1 General Layout; Sheet 2 Plot Plan, Manholes and Elevations; Sheet 3 Heating Plan for Lodges. Architects: J. Blanford Walford and O. Pendleton Wright. Consulting Engineers: Wiley \u0026 Wilson; Sheets: 3. Dimensions: pages 1\u00262: 36\"x24\"; page 3 21\"x29.75\". Condition: Good with some tape and torn edges, water marks and stamped notations on back. Acc. 2010.559","Scope and Contents Basement Floor Plan for Brafferton Hall Heating and Plumbing Systems including plot plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Consulting Engineer: George A. Wechsler. Sheets: 1. Dimensions: 30\"x24\". Condition: Very Good with slight tear. Acc. 2010.560.","Scope and Contents Plans for alterations to Bright House. Sheet 1 missing; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Front Elevation; Sheet 5 Rear Elevation; Sheet 6 Mantels; Sheet 7 Stairs and Landing Newels. Architects: J. Binford Walford and O. Pendleton Wright . Sheets: 6 Dimensions: 30.5\"x21\". Condition: Very Good with some worn/torn edges; stamped notations and marks on back. Acc. 2010.561.","Scope and Contents Plans for Marshall Wythe Hall (now James Blair Hall) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor'; Sheet 7 South Elevation and Section YY; Sheet 8 Longitudinal and Section XX, Transome; Sheet 9 Plumbing Risers; Sheet 15 Inaccessible Areas. Architects: J. Binford Walford successor to Chalres M. Robinson. . Sheets: 7 Dimensions: Pages 1-6: 36.75\"x24\".; Page 7 30\"x 20.5. Condition: Very Good Acc. 2010.562.","Scope and Contents Mechanical Layout (map) for the College of William and Mary. Architects: Charles M. Robinson and later J. Binford Walford and O. Pendleton Wright . Sheets:1 Dimensions: 51.75\"x 42.5\".  Condition: Good with some tears and folds. Acc. 2010.563.","Scope and Contents Plans for Women's Dormitory #3 (Landrum) with several sheets from Women's Dormitory #2. Sheet 1 Sections AA, BB, East Elevation; Sheets 2\u00264 First Floor; Sheet 3 North Elevation Women's Dormitory #2; Sheet 5-7 Second and Third Floors; Sheet 8\u00269 Left and Right Elevations, Sec. AA, BB, CC; Sheet 10\u002611 Road Side Elevation; Sheets 12\u002613 Doors; Sheet 14 Elevation of North Side of Women's Dormitory #2.  Architects: Charles M. Robinson. Sheets:  Dimensions: Sheets 1,3 30\"x41.5\"; Sheets 2,4-14 21\"x 36\".. Partially stapled. Condition: Good to fair with some missing sections and notes. Acc. 2010.564.","Scope and Contents Plans for alterations and additions to the library at the College of William and Mary. Sheets 1 \u0026 6-10 missing. Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Upper portion of Second floor; Sheet 5 Third floor and Dormer; Sheet 11 Section BB; Sheet 12 Section AA.. Architects: Charles M. Robinson. Sheets: 6 Dimensions: 23.75\"x 23\". Condition: Very Good with some worn/torn edges; stamped notations on back. Acc. 2010.565.","Scope and Contents Plans for water supply layout for Washington Hall together with full written description. Sheet 1 Foundation Planmissing; Sheet 2 Water supply layout \u0026 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan. Architects: J. Binford Walford. Sheets: 4  Dimensions: 30.75\"x22\". Pin-bound. Condition: Very Good sticker on back. Acc. 2010.566.","Scope and Contents Preliminary Survey fof the College of William and Mary. Sheet 1 East Side: Lake Matoaka to Boundary Street; Sheet 2 West Side: IronBound to old Jamestown Road. Surveyor: M.W. Thomas. Sheets: 2 Dimensions: 47.5\"x 27\". Condition: Very Good, stamped notations on back. Acc. 2010.567.","Scope and Contents Plans for Women's Dormitory #2.(Barrett Hall) and Alterations. Sheet 1 Details of Portico and Porte Cochere; Sheet 2 East Elevation and Sections AA, BB; Sheet 3 North (Campus) Elevation; Sheet 4 Attic and Roof Plan; Sheet 5 Third Floor Plan; Sheet 6 Second Floor Plan; Sheet 7 First Floor Plan ; Sheet 8 East Elevation \u0026 Sections AA, BB; Sheet 9 South elevation;Sheet 10 North Elevation; Sheet 11 Drawings for Alterations; Sheet 12 Foundation Plan. Architects: Charles M. Robinson..Sheets: 12 Dimensions: 42.5\"x 36\". Partially stapled. Condition: Good, some copies faded, worn edges. Acc. 2010.581.","Scope and Contents Topographical Map for the College of William and Mary showing building locations. Architects: J. Binford Walford and O. Pendleton Wright . Topography by J.H. Foster. Sheets: 1 Dimensions: 40\"x 49\".  Condition: Good with some torn edges and  notations on front and label on back. Acc. 2010.582.","Scope and Contents Topographical Survey for the Stadium, Lodges, and Phi Bet Kappa Area. Sheet 1 Stadium (Cary Field) and Tennis Courts; Sheet 2 Area between Richmond Road, Jamestown Road and Landrum Drive. Architects: Governor's Office Division of the Budget Institutional Engineers. Topography: B.W. Chalkey \u0026 W. H.Schremp. Sheets: 2. Dimensions: 43\"x59\". Condition: Poor with water damage and a lot of tape and many tears. Label on back. Acc. 2010.583.","Scope and Contents Topographical Map for the site for the Jamestown Drama. Architects: Governor's Office of the Budget Institutional Engineers. Topography: B.W. Chalkley. Sheets: 2. Dimensions: 38\"x 56\". Condition: Very Good with some worn edges and sticker with typed notations on back. Acc. 2010.584.","Scope and Contents Utility Plan Project under VA-44355 for Veteran's Housing at the College of William and Mary. Architects: Charles M. Major. Sheets: 1. Dimensions: 42.75\"x 16\". Condition: Very Good with evidence of previous sticker on edge; stamped on back with handwritten note - \"Matoaka Court.\". Acc. 2010.585.","Scope and Contents Plot layout for the 10 Acre additon to the Cedar Grove Cemetery in the City of Williamsburg, Virginia; plans also indicate lines from 1960. Surveyor: R.E. Davis. Sheets: 1 Dimensions: 16.25\"x23\". Condition: Very Good with some tape and tears and a sticker on back. Acc. 2010.586.","Scope and Contents Plans for the room layouts in Barrett Hall at the College of William and Mary. Seet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan. Architects: Charles M. Major. Sheets: 3. Dimensions: 7.5\"x18\". Pin-bound. Condition: Very Good with handwritten notations on back. Acc. 2010.587.","Scope and Contents Plot Layout Plan for the storage buildings, warehouses A, B, C, and D, as well as manhole schedule and sewer lines. Architects: Charles M. Major. Sheets: 1 Dimensions: 20.25\"x 27\". Condition: Good some tears and damaged edges; sticker on back. Acc. 2010.588.","Scope and Contents Survey for Tilmouth Section of the College of William and Mary in Bruton District, York County, Virginia. Addition boundaries outlined from 1939, 1943 and 1952. Surveyor: none listed. Sheets: 1. Dimensions: 24.5\"x 38\". Condition: Good, tissue paper with a number of tears and missing pieces. Acc. 2010.589.","Scope and Contents Plans Six Family Apartments at the College of William and Mary. Sheet 1 Basement and Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Elevations. Architects: Charles M. Major. Sheets: 4 Dimensions: Pages 1-3 21\"x 16.5\"; Page 4 16.5\" x26\". Pin-bound. Condition: Very Good, torn corner section, handwritten notation on back . Acc. 2010.590.","Scope and Contents Large scale drawing of the College of William and Mary. No architect or surveyor given. Sheets: 1 . Tissue. Dimensions: 36\"x 45\". Condition: Very Good, penciled notation on front. Acc. 2010.591.","Scope and Contents Large aerial photograph of the College of William and Mary dated March 1969. No further information or photographer indicated. Sheets: 1. Dimensions: 43.5\"x 34.5\". Condition: Very Good, edges bent or slightly torn. Acc. 2010.592.","Scope and Contents Plans for embracing the areas of Colonial Occupation in Williamsburg, Virginia. Revisions in red dated October 27, 1959. Architects: Colonial Williamsburg and Williamsburg Restoration. Sheets: 1 Dimensions: 40\"x 70\". Condition: Very Good, some frayed edges, handwritten notes on back and sticker attached. Acc. 2010.593.","Scope and Contents Plans for Women's Dormitory # 2, Barrett Hall. Page 1 \u0026 5 East Elevation, Sections AA, BB; page 2\u002610 North Elevation; page 3 South Elevation; page 4 Third Floor Plan; page 6 Attic and Roof Plan; page 7 Second Floor Plan; page 8 First Floor Plan; page 9 Foundation Plan; Page 11 Portico, Cornice \u0026 Columns. Architects: Charles M. Robinson. Sheets: 11  Dimensions: Page 1,3, 6\u00267 19.5\"x38.75\"; page 2 19.5\"x 36\", page 4, 8-11 19.5\"x37.5 page 5 19.5\" x 40.25\"  Condition: Poor with patches, tears and tape. Acc. 2010.594.","Scope and Contents Plans for an Aviary Addition at the College of William and Mary. Page 1 Title Sheet and location maps; Page 2 Site Plan; Page 3 Architectural Plans and Sections; Page 4 Elevations and Details; Page 5 Plumbing Plans; Page 6 Plumbing and Additive Bid; Page 7 Mechanical Plan; Page 8 Electrical Plan. Architects: McKinney and Company. Sheets: 8; stapled. Dimensions: 24.375\" x 36\" . Condition: Very Good; revisions in red ink and some worn edges. Acc. 2010.595.","Scope and Contents General Plan for a portion of the College of William and Mary from the Library to College Terrace. Architects: Charles F. Gillette. Sheets: 1 Dimensions: 42\" x 72\" Condition: Poor with folds, tape, and torn portions. Acc. 2010.596.","Scope and Contents Planting Plan for the area around the Fraternity Lodges at the College of William and Mary(Two copies). Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 37\" x 42\" Condition: Good with some tears, cuts, and sticker on back. Acc. 2010.597.","Scope and Contents Grading and layout plan for the area around Bright House at the College of William and Mary. Pages 1\u00262 Grading Plan 1947; Pages 3\u00264 Planting Plan for Bright House 1949. Architects: J. Binford Walford and O. Pendleton Wright. Landscape Architects: Charles F. Gillette. Sheets: 4 Dimensions: Pages 1 \u00262 39.5\" x 40.25\"; Pages 3\u00264 41\"x 41\". Condition: Good with some tears and stickers on back. Acc. 2010.598.","Scope and Contents Plans for the Ludwell Apartments at the College of William and Mary. Site plan, elevations, electrical, water, sewer, ventilation and other mechanical plans as well as typical floor plan and foundation plan, ventilation, entrance and window plans. Architects: Bernard Spigel; Civil Engineer: Jno. M. Baldwin. Sheets: 32. Bound and Stapled. Dimensions: 22.75\" x 36\" Condition: Good with some water damage apparent. Acc. 2010.599.","Scope and Contents Plan for the location of the Fraternity Houses at the College of William and Mary. Architects: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 55\" x 39\" . Condition: Very good with slight tears and tape and sticker on back. Acc.2010.600.","Scope and Contents Virginia Company Plans for Arrangement of Grounds and Parking Area Landscape Detail. Parking Lot - 370 Cars. Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 69\"x 36\". Condition: Good with rips and tears and notations on back. Acc. 2010.610.","Scope and Contents Plans for the Amphitheatre (Football Stadium) at the College of William and Mary. Situations plan, cross sections, elevations, pavillions, seating drainage and heating plans included. Architects: J. Binford Walford. Sheets: 13 Pin-bound. Dimensions: 55\" x 24\"; Condition: Very good with damaged and frayed edges. 2010.611.","Scope and Contents Plans for Steam and Hot Water Improvements at the College of William and Mary. Plans include general layout, conduits and drain lines, manhole details and alternate plan for concrete conduits. Construction Engineers: Wiley and Wilson. Sheets: 10 Dimensions: 24.75\"x 36\". Previously Stapled. Condition: Good, faded with some frayed edges, tape and notations on back sheet. Acc. 2010.612.","Scope and Contents Plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8. Dimensions: Pages 1-3,6 \u0026 8 27.5\"x 17.25\"; pages 4-5 \u0026 7 20.25\" x 17.25\". Pinned and bound. Condition: Very Good, stamped on back and notations on binding paper. Acc. 2010.613.","Scope and Contents Plans for building the Chi Omega Sorority House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor \u0026 Plot Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 21.5\"x 18\". Stapled. Condition: Excellent. Acc. 2010.614.","Scope and Contents Plans for building the Gamma Kappa Chapter House of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 First Floor(3 copies, two loose); Sheet 2 First Floor \u0026 Terrace Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architects: J. Binford Walford successor to Charles M. Robinson. Sheets: 9. Dimensions: Page 1(3 copies) 25.75\"x 17\"; pages 2-7 17.5\" x 16.5\". Pinned and bound. Condition: Good; red notations on binding and front sheet. Acc. 2010.615","Scope and Contents Plans (blueprints and copy) for building the Pi Beta Phi Court Dormitory House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5 (2 sets). Dimensions: 18\"x 16.75\". Stapled. Condition: Good with some discoloration; red pencil and ink notations on first three pages. Acc. 2010.616.","Scope and Contents Plans for alterations and additions to Taliaferro Hall at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan and Section BB; Sheet 5 South Elevation; Sheet 6Sections AA \u0026 CC; Sheet 7 East Elevation; Sheet 8 West Elevation; Sheet 9 North Elevation. Architect: Charles M. Robinson. Sheets: 9. Dimensions: 24\"x 15.5\". Pinned and bound. Condition: Good, some pages faded, notations on binding paper. Acc. 2010.617.","Scope and Contents Insurance Map for the College of William and Mary from the Engineering Department of South-Eastern Underwriters Association.  Engineer: R. K. Scott.  Sheets: 1.  Dimensions:  22\"x  16.5\".  Condition: Excellent. Acc. 2010.618.","Scope and Contents Blueprints and copies of plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary(see Acc. 2010.613) Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8.(2 sets) Dimensions: Pages 1-3,6 \u0026 8 27.75\"x 17.25\".; pages 4-5, 7 17.23\" x 20\". Stapled. Condition: Good, faded with notations on front page. Acc. 2010.619.","Scope and Contents Plans for alterations and additions to the Graham House at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 \u0026 7 Rear Elevation; Sheet 8 Section BB; Sheet 9 Section AA; Sheet 10 Section thru wall. Architect: Charles M. Robinson.  Sheets: 10.  Dimensions:  23\"x 18.25\".  Stapled and bound. Condition: Very Good, with some red notations on front page and binding paper. Acc. 2010.620.","Scope and Contents Plans for alterations to the Graham House, part 2. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor. Architect: Charles M. Robinson.  Sheets: 3.  Dimensions:  15.5\" x 24\".  Pinned and bound. Condition: Very Good, notations on binding paper. Acc. 2010.621.","Scope and Contents Plans for the Alpha Chi Omega House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.75\"x 18\". Bound and pinned. Condition: Very good with worn, bent edges. Acc. 2010.622.","Scope and Contents Blueprints for the Chi Omega  House at the College of William and Mary, 155 Richmond Road. Sheets 1\u00264  Second Floor Plan; Sheet 2\u00263  First Floor Plan. Architect: Charles M. Robinson.  Sheets: 4.  Dimensions:  19.5\"x 20\".  Bound and stapled. Condition: Good with some torn edges and stamp on back. Notations on binding.  Acc. 2010.623.","Scope and Contents Blueprints and copy(includes 3 pages of revisions in July 1929-see ACC.2010.625) of plans for the Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.624.","Scope and Contents Blueprints for additions to Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 revised First Floor Plan; Sheet 2 Rear Elevation; Sheet 3 Side Elevation. Architect: Charles M. Robinson. Sheets: 3. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.625.","Scope and Contents Blueprints for Sorority Houses at the College of W\u0026M. Pi Beta Phi House pages 1 \u0026 5 - First, Second and Third floor plans; pages 2 \u0026 3 the Kappa Delta House First, Second and Third floor plans; page 4 Phi Mu House: First, Second \u0026 Third floor plans. Architect: Charles M. Major.  Sheets: 5.  Dimensions:  12\"x 24.25\".  Stapled together. Condition: Good with some notations, tape and torn edges. Acc. 2010.626.","Scope and Contents Blueprint and copy for Kappa Alpha Theta. First and Second Floor plan with copy. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 12\"x 21.75\"; copy 12.25\" x 22. Very good with some notations on front. Acc. 2010.627.","Scope and Contents Blueprints and copy for improvements to the Phi Mu House at the College of William and Mary. Plans for the first, second and third floors. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 21.5\"x 12.25\"; copy 21.875 x 12.5\". Condition: Very good with red revisions and notation (Gamma Phi Beta) on front. Acc. 2010.628.","Scope and Contents Copies of blueprints for Women's Dormitory # 3 Annex - Delta Delta Delta at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Attic Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 Rear Elevation. Architect: Charles M. Robinson. Sheets: 6. Dimensions: Sheets 1\u00262 23.75\"x 18\"; Sheets 3\u00264 17.5\" x 22.25\"; Sheet 5 23.25\" x 17.5\"; Sheet 6 18.5\" x 23\". Stapled. Condition: Very good, notations of Delta Delta Delta on front page. Acc. 2010.629.","Scope and Contents Blueprints for the Morris House at the College of William \u0026 Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan. Architect: Charles M. Major. Sheets: 2. Dimensions: 12\"x 8.75\". Stapled. Condition: Very good, with some torn edges. Acc. 2010.630.","Scope and Contents Blueprints for the Old Sigma Mu House at the College of William and Mary. First \u0026 Second Floor Plan. Architect: Charles M. Major. Sheets: 1. Dimensions: 11.5\"x 10\". Condition: Very good, small tear in edge. Acc. 2010.648","Scope and Contents Blueprints for Kappa Kappa Gamma House at the College of William and Mary. Plans for the First and Second Floors. Architect: Charles M. Major. Sheets: 1. Dimensions: 16.75\"x 12\". Condition: Very good with tear and notations on front indicating possible changes. Acc. 2010.649.","Scope and Contents Botetourt Statue for the College of William and Mary. Sheet 1 Botetourt Statue; Sheet 2 Drawing of the Statue; Sheet 3 Diagram of the Pedestal for marble estimate. Architect: Colonial Williamsburg Architectural Department.  Sheets: 3.  Dimensions:  Sheet 1: 11.75\" x 14\"; Sheet 2 28.5\" x 20\"; Sheet 3 28\"x 34\".  Stapled. Condition: Very good.  Acc. 2010.650.","Scope and Contents Blueprints for the building for the Gamma Kappa Chapter of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 16\"x 17.25\". Pinned and bound . Condition: Good with numerous notations on drawings and binding. Acc. 2010.651.","Scope and Contents Blueprints and copy for the Infirmary (Hunt Hall) at the College of William and Mary. Sheet 1 Basement; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor and Plot Plan; Sheet 5 East (Boundary Street Elevation); Sheet 6 West ( Campus) Elevation \u0026 Alternate Porch Plan; Sheet 7 North Elevation, Section AA, Cornice and Dormers; Sheet 8 Section BB and Interior Doors. Architect: Charles M. Robinson. Sheets: 8 original and 8 copy. Dimensions: 19.25\"x 29\". Loose; copy stapled. Condition: Good with tape, worn edges and fading; some red ink revisions. Acc. 2010.652.","Scope and Contents Blueprints for Williams Barton Rogers Memorial Science Hall (Tyler Hall as of 1997) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan; Sheet 5 Roof Plan; Sheet 6 Sections AA, BB, CC; Sheet 7 South (Campus) and East and West Elevations; Sheet 8 West Elevation, Rear (North) Elevation, and Dormer Details; Sheet 9 Details for Vestibule, Corridor \u0026 Doors, Sections BB and CC; Sheet 10 Entrance Details; Sheets 11-13 Mechanical layouts for First, Second and Third floors; Sheets M1-M3 Utility Plans for First, Second, and Third Floors; Sheet M4 Reasearch Labs, 2nd \u0026 3rd Floors; Sheet M5 Physical and Organic Chemistry Labs; Sheet M6 Microscopy. Architect: Charles M. Robinson.  Sheets: 19.  Dimensions:  22.25\"x 30.5\".  Pinned, last page loose. Condition: Fair with frayed edges and wear; black ink notations on front.  Acc. 2010.653.","Scope and Contents Blueprints and copies for Washington Hall at the College of William and Mary. Sheet 1  Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor; Sheet 4 Third Floor Plan; Sheet 5 (with copy) Roof Plan, Sections AA, BB, FF and Plot Plan; Sheet 6 East and front Elevations; Sheet 7 Rear Elevation; Sheet 8 (with copy) Sections AA, BB, CC; Sheet 10 Section thru Wall, Circle Window and Gables; Sheet 11 Detail of Front Entrance Doors; Sheet 12 Side Entrance.  Architect: Charles M. Robinson.  Sheets: 14 .  Dimensions:  Originals 31.75\"x 22.5\"; copies 34.5\" x 24\".  Loose some originals, others paper and tissue. Condition: Fair to good, faded with markings on some pages, edges torn.  Acc. 2010.654.","Scope and Contents Copies of plans for alterations and additions to the Dining Hall at the College of William and Mary. Sheet 1 Basement Plan; Sheet 2 First Floor Plan; Sheet 3 Sections AA \u0026 BB; Sheet 4 North and West Elevations; Sheet 5 Rear and East Elevations; Sheet 6 Roof and ventilation plans. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 33.25\"x 23\". Five sheets staple; one loose. Condition: Very good; notation on back \"Trinkle Hall C3\". Acc. 2010.655.","Scope and Contents Plans and copies for the addition of a restroom to Tyler Hall. Sheet 1 Foundation and east elevation; Sheet 2 First Floor Plan and Section AA; Sheet 3 Copy of sheet 2; Sheet 4 North Elevation and Second Floor; Sheet Copy of sheet 4; Sheet 6 Doors, Windows, Section BB and Section CC. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 16.875\"x 24.5\". Stapled. Condition: Good; edges are worn; tear and tape and some pieces torn off. Notations on back. Acc. 2010.656.","Scope and Contents Site Development Plan for the James Blair Sculpture at the College of William and Mary. Architect: E. Pease. Sheets: 1 . Dimensions: 23.875\"x 36\". Condition: Very good. Acc. 2010.657.","Scope and Contents Preliminary Plans for the design of the Memorial Tablet for the Science Hall. Science Hall dedicated to \"The Memory of William Barton Rodgers.\". Architect: Charles M. Robinson. Sheets: 1 . Dimensions: 18.5\"x 14.75\". Condition: Very Good. Acc. 2010.658.","Scope and Contents Development Plan for the College of William and Mary. Work shows general outline of College properties with indications for proposed buildings. Architects: Wright, Jones \u0026 Wilkerson. Sheets: 1. Dimensions: 19\"x 22.5\". Condition: Very Good; brown spot on plan. Acc. 2010.659.","Scope and Contents Development Plans for the College of William and Mary. Sheet 1 Plans dated August 1960; Sheet 2 Plans dated February 1961. Architects: Walford and Wright. Sheets: 2 . Dimensions: Sheet 1 15.875\"x 15.5\"; Sheet 2 16\"x13.5\". Condition: Very good with some discoloration; sticker on back. Acc. 2010.660.","Scope and Contents Plans for the Lake Matoaka Amphitheatre at the College of William and Mary in Williamsburg, Virginia.  Architect: Charles M. Majors.  Sheets: 1.  Dimensions:  Plan 32.75\"x 19.25\"; cardboard 23\"x36.5\". Condition: Good; plan glued to cardboard backing.  Acc. 2010.661.","Scope and Contents Materials related to the fire of February 8, 1859 and plans for the restoration of the Wren building. Gazette Article dated March 2, 1859. Several plans and copies of plans for the reconstruction of the Wren Building (William and Mary College) on the exisiting walls. Architect: H. Exhall. Sheets: 10 . Dimensions: small 7\"x12\"(3); medium 19'x17.75\"; 22\"x21.5\"(2); 11\"x7.5\"(2); large 29.75\"x25\". Stapled. Condition: Worn, one torn in half. Acc. 2010.662.","Scope and Contents Materials related to the planning, bidding and construction of Eastern State Hospital. Sheet 1: Roads, Curbs, Gutters and Sidewalks as Constructed, September 25, 1950; Sheet 2 Road Profiles Side and rear; Sheet 3 Road Profiles Section AA. Architect: Rudolph, Cooke and Van Leeuwen.  Sheets: 3 .  Dimensions:  Page 1 34.5\"x49\");page 2 \u0026 3 22\"x49\".  Stapled and bound. Condition: Poor with large sections ripped and torn.  Acc. 2010.663.","Scope and Contents Plans for the construction of Building No. 42 on the property of Eastern State Hospital (Dillard complex). Sheet 1 (2) East \u0026 West Wings and End Elevation; Sheet 2(2)Doors \u0026 finish Schedule; Sheet 3 Section Details; Sheet 4 South and east Elevations; Sheet 5 Fixture and Electrical Schedule; Sheet 6 Heating and Ventilation; Sheet 7 Attic. Architect: Robert O . Leary. Sheets: 9; 2 loose, remaining bound. Dimensions: 30.25\"x14\". Stapled. Condition: Good with worn and torn edges. Acc. 2010.664.","Scope and Contents Plans for the construction of single Employees Building No. 42 \u0026 43 on the property of Eastern State Hospital (Dillard complex). Architects: Rudolph, Cooke and Van Leeuwen. Sheets: 1. Dimensions: 31.875\" x 21\". Condition: Good with worn and torn edges. Acc. 2010.665.","Scope and Contents Plans for the construction of Buildings No. 38, 46, 47, 48, 49. Doctor's residences. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architects: Rundolph, Cooke and Leeuwen; and Williams, Coile and Pipino. Sheets: 43; Pinned and bound. Dimensions: 36.5\"x18\"(40); 36.5\" x 15(3). Stapled. Condition: Good with some torn edges. Acc. 2010.666.","Scope and Contents As Built Drawings for Buildings No. 38, 46, 47, 48, 49, the Superintendent and Doctors' residences at Eastern State Hospital. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architect: Rundolph, Cooke and Leeuwen; and Williams, Coile and Blanchard. Sheets: 51; Pinned and bound. Dimensions: 36.5\"x18\"(49); 36.5\" x 15(2). Stapled. Condition: Very good with some torn edges. Acc. 2010.667.","Scope and Contents Development Plan for the College of William and Mary designed for the Capital Budget Outlay 1966-1968. Architects: Wright, Jones, and Wilkerson. Sheet: 1; Pinned and bound. Dimensions: 42.5\"x55\". Condition: Poor, ripped and torn with some tape. Acc. 2010.668.","Scope and Contents Plans for the development and landscaping of the area around the Wren Building as proposed by Williamsburg Restoration. Pages include plans by numerous different groups; construction detail, landscape and utility information included, as well as a plot plan. Architects: Perry, Shaw and Hephurn; and Colonial Williamsburg; Landscape Architect: Arthur A. Schurcliff; Consulting Engineers: Wiley and Wilson . Sheets: 72; Stapled, several pages loose.  Dimensions: 36\" x 48\". Stapled. Condition: Very Good.  Acc. 2010.669.","Scope and Contents Survey of the College of William and Mary-Plot Plan. Architects: Walford and Wright. Sheets: 1. Size: 35\" x 46\". Acc. 1989.66.","Scope and Contents Map of the College of William and Mary with insert map. Civil Engineers: La Prada Bros. Sheets: 2. Large 42\" x 72\"; small 8\" x 12\". Acc. 1989.65.002","Scope and Contents Map of the Campus of The College of William and Mary. Civil Engineers: La Prada Bros. Sheets: 1. Size: 20\" x 40\". Condition Fair, torn with tape. Acc.1989.67.","Scope and Contents Map of the College of William and Mary and Affiliated Organizations. Civil Engineers: La Prada Bros. Sheets: 1. Size: 40\" x 72\". Condition: Good. Acc.1989.68.","Scope and Contents Topographical Map of the College of Wiliam and Mary. Consulting Engineers: Austin Brockenbrough. Sheets: 2. Size 36\" x 72\". Condition: Good. Acc.1989.72.","Scope and Contents Maps of the College of William and Mary. Commonwealth of Virginia Divison of Engineers and Buildings. Sheets: 2. Size: 24\" x 26\" and 36\" x 48\". Condition: Good. Acc.1989.69.","Scope and Contents Map of the College of William and Mary indicating buildings by number--Master Development Plan for the 1976-1986 period. Sheets: 3 (original and two copies). Size: 42\" x 66\" and 36\" x 48\". Condition: Good with some tears on edges. Acc.1989.70.","Veterans Housing Plans for the subdivision of Matoaka Court adjacent to Williamsburg Hospital. Architect: Charles M. Major. Civil Engineers: La Prada. Also includes survey completed on May 21, 1958 by William M. Lewis. Sheets: 12. Condition: Good with some marks on survey. Acc. 1989.43","Drawings of the front campus of The College of William and Mary showing a layout for bleachers, perhaps for graduation. 2 Copies. Acc. 1989.46","Map of the Lafayette Street and North Henry Street portion of Williamsburg. Civil Engineers: La Prada Bros. Sheets: 1. Condition Good. Acc. 1989.44","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 20 (pages 16-24; S1-S11). Size: 43\" x 34\". Condition: Good with some small rips. Acc. 1999.49.002.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 12 (pages M1-M12). Size: 43\" x 34\". Condition: Good. Acc. 1999.49.003.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 16 (pages P1-7; E1-9). Size: 43\" x 34\". Condition: Good with some torn edges. Acc. 1999.49.004.","Scope and Contents General Plan for the Unification of the campus of the College of William and Mary and Lake Matoaka Park under the auspices of the National Park Service. Sheets: 1; 36\" x 72\". Condition: Good. Acc. 1988.60.002","Scope and Contents Map of Lake Matoaka State Park detailing adjacent areas, including forest land and water as well as other tracts and buildings. Sheets 1; 21\" x 28.25\". Condition: Good. Acc. 1988.60.003","Scope and Contents Plans for landscaping of the College including detailed garden plans from 1922. Sheets: 15; 17\" x16\"(6);17\" x22\" (5);28.5\" x 35\" (4).Condition Good. Acc. 1988.59.002.","Scope and Contents Map of College Grounds. Plans for tree planting on campus. Arrangement for the area between the Dining Hall and the Infirmary. Architect:Charles M. Robinson. Landscape Architect: Chales F. Gillette. Sheets: 4; 32\" x40\"(2); 38\" x 31\"(1); 40\" x 64.\" (1). Condition Poor to good with several folds and torn sections. Acc. 1988.59.004.","Scope and Contents Map of Old College Grounds with plans for tree plantings. Sheets: 1; 40\" x 70.\" Condition: Good. Acc. 1988.59.005.","Scope and Contents Plans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages; 31\" x 42\". Architects:  J. Bindford Walford and O. Pendleton Wright. Condition: Good. Some pages stapled. Acc. 1988.33.002.","Set of 7 blueprints showing the plumbing system for Swem Library. Architects: Wright, Jones and Wilkerson. 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.002","Set of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.002.","Scope and Contents Plans for the proposed physical education building--now know as Wiiliam and Mary Hall/Kaplan Center. Plans include elevations, layout and landscape information included. Architects: Wright, Jones and Wilkerson. Sheets: 7; Dimensions: 11\" x 14\". Condition: Very Good. Acc. 2010.670.","Scope and Contents Drawing showing the manner in which the Sunken Garden would be developed per the Board of Visitors. Architects: Binford Walford; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 36\" x 24\". Drawing on Illustrating Board. Condition: Very Good. Acc. 2010.747.","Scope and Contents Architect's drawing (in color) of Old Dominion Hall. Architect: Charles M. Robinson. Sheets: 1. Dimensions: 36\" x 21\". Condition: Very Good. Acc. 2010.748.","Scope and Contents Architect's drawing (in color) of Rogers Hall ( previously known as Chancellor's Hall). Architect: Charles M. Robinson. Sheets: 1. Dimensions: 30\" x 20\". Condition: Very Good. Acc. 2010.749.","Scope and Contents Plans for the development of the college. Architect: Walford and Wright. Sheets: 2. Dimensions: 15.25\" x 15.25; 15\" x.13.5\". Condition: Very Good. Acc. 2010.750.","Scope and Contents Photos of proposed plans for the development of Campus, April 1953 including copies. Original plans destroyed by fire in September 1986. Architect: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 3 (original and two copies). Dimensions: irregular-approximately 18.5\" x 28\". Condition: Good. Acc. 2010.751.","Scope and Contents Map of Campus in August 1953. Original rendering destroyed by fire in June 1986. Architect: Charles M. Major. Sheets: 3 ( original and two copies). Dimensions:  18.5\" x 19\"; 15\" x 11\"; 13.5\" x 11\". Condition: Poor, ripped  in half and glued onto backing.  Acc. 2010.752.","Scope and Contents Pen and Ink Drawings for proposed music building on the campus of William and Mary. Drawings include four side elevations; floor plans; site plan and external view. Architects: Odell Associates. Sheets: 4; pen and ink on boards. Dimensions: 20\" x 30\". Condition: Excellent. Acc. 2010.753.","Scope and Contents Map outling the exisiting and proposed buildings for the College of William and Mary. Architect: Walford and Wright.  Sheets: 1; folded and glued onto corrugated cardboard backing;  49\" x 36\". Condition: Fair.  Acc. 2010.754.","Scope and Contents Survey map of Campus for Improved Risk Mutuals. Survey: R.G.M.; revision by P.R.B. Sheets: 1. Dimensions: 62\" x 61\". Condition: Good, but rippped, taped and folded  Acc. 2010.755.","Scope and Contents Map of College lands off campus in King William County. Drawings completed by Elizabeth Ryland and Mr. Snell. Sheets: 2; one blueprint and one ink. Dimensions: 42\" x 18\"(ink on tissue); 45\" x 18\". Condition: Good, but folded  Acc. 2010.756.","Scope and Contents College lands in the St. John's Parish of King William County with tracts shown. Sheets: 4; original on tissue with one copy with two pieces and one partial. Original 18\" x 24; 17\" x 11\"; 8.5\" x 11.\" Condition: Good. Acc. 2010.757.","Scope and Contents Map of off campus lands in King William County with numerous owners and acres outlined around Manquin Mill Pond. Sheets: 6. Dimensions: 23.5\" x 19\" (1); 36\" x 48\"(5). Condition: Good. Acc. 2010.758.","Scope and Contents Picture on board of proposed library at The College of William and Mary drawn by G.C. Stone of Delaware. Sheets: 1 on board. Dimensions: 20\" x 16\". Condition: Very good. Acc. 2010.760.","Scope and Contents Letters and proposals for Library display tables. The first letter is dated November 25, 1929 to the attention of E.G. Swem at the College of William and Mary-three pages of pricing. Second letter is dated December 12,1929 from Donald P. Boyer of the Virginia School Supply Co. to Dr. E.G. Swem, Librarian at the College of William and Mary and includes drawings of library tables. A third letter to Dr. Swem from Boyer is dated January 3, 1930 with additional pricing proposals. A note from Swem to Boyer on January 6, 1930 acknowledges the receipt of that letter. Drawings were submitted by the Virginia School Supply Co. Sheets(12 ): 2 drawings; one sheet has three drawings with paper backing, dimensions: 14.75\" x 9.5\" (1); 30.5\" x 21.5\"(1); Letters (8 ) 8.5\" X 11\"; two small pictures, 5.5\" x 7.75\" and 6 x 3.75\". Condition: Good. Acc. 2010.761.","Scope and Contents Letter with itemized quotation for Library Equipment and blueprint for the suggested floor plan. Also includes a catalog of Commercial Maps and Map Cases, a catalog of library furniture and photos of library furniture and other items in Early American finish. Architects: Everett Waddey Company. Items: 17: 2 blueprint, 23\" x 31.75\" (1 blueprint); 11\" x 8.5\" (1 blueprint); letter, 8.5\" x 11\"(3); 6\" x 9\" (booklet- 16 pages); 8.5\" x 11\" (booklet- 16 pages);9.5\" x 8.75\" (photos-7); 8.5\" x 11\" (photos-3). Condition: Very good. Acc. 2010.762.","Scope and Contents Letter and blueprint proposals for Library furniture from the Leonard Peterson \u0026 Co. Letter is dated March 18, 1929 from Oscar L. Lethander, Vice President to Dr. J.A.C. Chandler, President of the College of William and Mary. Blueprints include many specific furniture and shelving designs as well as a proposal for the library layout. Sheets: 11. Letter: 8.5\" x 11\"; blueprint of library layout 35\" x 24.5; 12\" x 18\" (3); 11\" x 18\" (3);16.5\" x 11\" (1);11.5\" x 24\" (1); 18\" x 9\" (1). Condition: Good to fair; large blueprint is cut nearly in half. Acc. 2010. 763.","Scope and Contents Letter and blueprint proposals for Library shelving from the Virginia State Penitentiary. Letter is dated October 10, 1930 from H. E. Fitzgerald, Industrial Director to Mr. Swem of the College of William and Mary. Blueprints include layout and design of specific shelving. Sheets: 7. Letter: 8.5\" x 11\"; blueprints 22\" x 16(2) and 17\" x 22\"(4). Condition: Very good. Acc. 2010. 764.","Scope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill and Sons. Sheets: 26. Dimensions:  30\" x 55\". Condition: Very good.  Acc. 2010.082","Scope and Contents Blueprints for alterations and additions to Williamsburg Hospital Cardiopulmonary Unit. Architects and Engineers: Baskervill \u0026 Son. Sheets: 15.  Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2009.580","Scope and Contents Blueprints for the grading plan for the site of the Williamsburg Community Hospital. Architects: Baskervill \u0026 Son. Consulting Engineers: Hankins and Anderson  Sheets: 4.  Dimensions: 30\" x 55\". Condition: Very Good. Acc. 2009.578","Scope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill \u0026 Son.  Sheets: 50.  Dimensions: 30\" x 55\". Condition: Good.; several of the paper portions torn. Acc. 2009.577","Scope and Contents Blueprints for Phase 2 Rennovations to the Williamsburg Community Hospital. Architects: Peterson Associates.  Sheets: 70.  Dimensions: 30\" x 42\". Condition: Very good. Acc. 2009.576.","Blue prints and documents for the construction and design of the Williamsburg Community Hospital. Several documents detail the interior of the hospital. Architects:  Ballou and Justice. Numerous subcontractors. Sheets:83 These documents are severely water damaged in many sections and several pages are illegible. Documents in a variety of shapes and sizes.  ACC. 2009.579.","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 2). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.002","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 3). Dimensions:  33.5\" x 42\". Sheets.11 Condition: Fair with some water damage.  Acc. 1988.14.003","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 20; several sheets missing. Size: 34\" x 42\". 2 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.002.","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 18; several sheets missing. Size: 34\" x 42\". 3 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.003.","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 2, pages 19 \u0026 21. Size: 36.25\" x 42\". 4 of 4 sets. Condition: Good. Acc. 1988.12.004.","Scope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 7. Architects: Wright, Jones and Wilkerson. Size: 33\" x 42\". Condition: Poor, with tape and torn sections and severe water damage. 2 of 3 sets. Acc. 1988.13.002","Scope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 14. Architects: Wright, Jones and Wilkerson.  Size: 33\" x 42\". Condition: Some good, a few really poor, with tape and torn sections and severe water damage. 3 of 3 sets. Acc. 1988.13.003","Scope and Contents Plans for the preservation, Renewal and replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Working Drawings Submission. Architects: Quinn Evans. Sheets: 107. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.007.","Scope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 35%. Submission. Architects: Quinn Evans. Sheets: 41. Bound. Dimensions 24\" x 36\". Condition: Very good, some small tears. Acc.2011.008.","Scope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Survey of Existing Conditions. Architects: Quinn Evans. Sheets: 44. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.013.","Scope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Preliminary design Submission. 95% Working Drawings Submission. Architects: Quinn Evans. Sheets:85 . Bound. Dimensions 24\" x 36\". Condition: Very Good, a few rips. Acc.2011.030.","Scope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 95% Working Drawings Submission. (note on front indicates \"Review Set.\" Architects: Quinn Evans. Sheets: 95. Bound. Also includes 3 loose sheets, F2.4, E3.02, E3.03. Dimensions 24\" x 36\". Condition: Very Good, binding torn. Acc.2011.031.","Acc. 1983.014","Acc. 1988.064","Peninsula Fair, 1921 Acc. No. 1988.69","Boundry Street Block Development Acc. No. 1988.75","Organizational Plan Acc. No. 1988.91","Scope and Contents Swem Additions and Renovation: Basement Level Plan. Architects: Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 1. Dimensions 24\" x 36\". Condition: Very Good. Acc.2011.094.","Scope and Contents Swem Library: Additions and Renovation: Preliminary Plan 35%; S1-S9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 9. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.095.","Scope and Contents Swem Library: 1st Floor Furniture Plans. Architects: Shepley Bulfinch Richardson and Abbott. 1 orginal and copy for each date. Sheets: 4. Dimensions 18\" x 22.5\". Condition: Very Good. Acc. 2011.096.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.097.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans; Ground Floor West, 1st, 2nd, 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.098.","Scope and Contents Swem Library: Renovation and Expansion Basement Plan with smaller copy. Architects: Shepley Bulfinch Richardson and Abbott. Sheets: 2; one original and copy. Dimensions 24\" x 34.5\" and  11\" x 17\". Condition: Very Good. Acc. 2011.099.","Scope and Contents Earl Gregg Swem Library East -West Section Drawing. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 65.5\". Condition: Very Good; edges torn. Acc. 2011.100.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans with mechanical changes and memo indicating suggestions \u0026 changes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5 stapled; memo 5. Dimensions 36\" x 42.5\"; memo 8.5\" x 11\". Condition: Good, red ink and handwriting on front. Acc. 2011.101.","Scope and Contents Swem Library: Renovation and Expansion Mechanical Plans by Floor Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled. Dimensions 30\" x 42\". Condition: Good, edges show signs of water damage. Acc. 2011.102.","Scope and Contents Base Map for the rennovation and expansion of the Earl Gregg Swem Library at the College of William and Mary; elevations. Consulting Engineers: AES Consulting Engineers. Sheets: 13 copies. Dimensions 30\" x 42\". Condition: Good, edges show signs of exposure. Acc. 2011.103.","Scope and Contents Floor Plans and elevations Sections A1.0-A1.6 for the rennovation and expansion of the Earl Gregg Swem Library; also 3 separate pages Sections 4.1 \u0026 4.2 and Site and Utility Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 16; 13 bound; 3 loose. Dimensions 29.875\" x 42(13)  \u0026 30\" x 42(3) . Condition: Good, with some pencil notations on pages. Acc. 2011.104.","Scope and Contents Revision of Floor Plans A1.0-A1.4 for the rennovation of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5. Dimensions 30\" x 42. Condition: Very Good. Original date crossed off and replaced. Acc. 2011.105.","Scope and Contents Floor Plans  A1.0-A1.3 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, First and 2nd Floors. Memo dated October 10, 1996 with color coded key and copy of  plan with red and blue ink markings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 5.  Dimensions 30\" x 42(3); memo 8.5\" 11\"; copy 8.5\" x 14 . Condition: Good, with colored markings and some edges torn. Acc. 2011.106.","Scope and Contents Revised Floor Plans  A1.0-A1.4 for Swem Library; Ground, 1st, 2nd \u0026 3rd Floors dated October 10 to November 25, 1996. Ground Floor (3) First Floor(1) Second Floor (2 ) and 3rd Floor (2 ). Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 8.  Dimensions 30\" x 42(7); 30\" x 48\" (1). Condition: Good, with some edges torn. Acc. 2011.107.","Scope and Contents Site Plan for the rennovation and expansion of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42. Condition: Good, with green markings. Acc. 2011.108.","Scope and Contents Colored Drawings of North and South Elevations for the rennovation and expansion of the Earl Gregg Swem Library; dated October 23, 1996 on back. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 3.  Dimensions 24\" x 66. Condition: Excellent. Acc. 2011.109.","Scope and Contents Floor Plans  A1.1-A1.4 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, 1st , 2nd \u0026 3rd Floors. Stamped Progress Print. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4.  Dimensions 30\" x 42. Condition: Very Good. Acc. 2011.110.","Scope and Contents Black and White Ink Drawings of plans for the Roof and Floor Plans. Date in marker on each page. Drawsing of Roof, Basement, Ground Floor, 1st, 2nd and 3rd floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 36\" x 42. Condition: Very Good. Acc. 2011.111.","Scope and Contents Floor Plans M2.1-M3.1 for the Earl Gregg Swem Library; Ground, First and 2nd Floors.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled (2 sets). Dimensions 30.5\" x 42. Condition: Very Good., some edges worn. Acc. 2011.112.","Scope and Contents Topographical maps and base plan for the renovation of Swem Library; design work for the landscape and approximate work site location. Consulting Engineers: AES Consulting Engineers. Sheets: 3. Dimensions 30.25\" x 42(2); 30.25 X 36(1). Condition: Very Good, colored ink and pencil markings on site map. Acc. 2011.113.","Scope and Contents Variety of Preliminary Plans for the renovation of Swem Library; Elevations and Floors Plans.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 14 stapled. Dimensions 30\" x 42. Condition: Very Good, some red ink markings. Acc. 2011.156.","Scope and Contents Variety of Plans for the renovation of Swem Library; Mechanical Elevations and Floors Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 19, partiallly stapled. Dimensions: 30\" x 36\" (1); 30\" x 37\" (1);30.5\" x 42\" (9);30\" x 42(8); 30.25\" x 48\"(1). Condition: Good, some tears ink markings. Acc. 2011.157.","Scope and Contents Architectural Drawings for the renovation (1.0- E1.9) for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 90 Bound. Dimensions 30\" x 42. Condition: Very Good, some edges showing exposure. Acc. 2011.158.","Scope and Contents Plans for additions and renovations to Swem Library. Plans for ground, 1st, 2nd and 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 24\" x 36. Condition: Very Good, handwritten note and date on front page. Acc. 2011.171.","Scope and Contents Site and Floor Plans  A0.1-A1.6 for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 7 Bound.  Dimensions 30\" x 42. Condition: Very Goodwith some exposure. Acc. 2011.159.","Scope and Contents Plans for the Pavillion Section; Penthouse and Shafts; variety of plans for utilities, site plans, foundation, sections, floor plans and drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 31, partially Bound and stapled. Dimensions 30\" x 42. Condition: Very Good, some pencil notations. Acc. 2011.160.","Scope and Contents Cost estimate and evaluation tables regarding the renovation and expansion of Earl  Gregg Swem Library; includes recommendations. Sheets: 3. Dimensions 22\" x 36.(2); 24\"x34\"(1).  Condition: Very Good. Acc. 2011.161.","Scope and Contents Early plans for the addition and renovation of Swem by floors; set sets of plans with notations for Ground Floor-3rd floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions 24\" x 36. Condition: Very Good, some colored marker and ink/ pencil notations. Acc. 2011.162.","Scope and Contents Detailed plans for the casements in Swem Library. Plans A6.15-A6.18 Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 42. Condition: Very Good.  Acc. 2011.163.","Scope and Contents Renovation and Expansion plans detailing the Asbestos and Lead issues, Basement, Ground Floor and Floors 1-3.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Environmental Consultants: Work Environment Associates, Inc. Sheets: 6, Bound. Dimensions 15\" x 21.25\". Condition: Very Good.  Acc. 2011.164.","Scope and Contents Plans for mobile shelving layout in the renovation of Swem Library. Plans detailed by  floor, Ground, First, Second \u0026 Third.  Plans.  Produced: Spacesaver Corporation. Sheets: 4,  Bound. Dimensions 36\" x 47.5\". Condition: Very Good. Acc. 2011.165.","Scope and Contents Floor Plans for the renovation of Swem Library by floor. Original date is December 1997; revised April 1998. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  . Sheets: 4. Dimensions 30\" x 42. Condition: Good, some tape of edges.  Acc. 2011.166.","Scope and Contents Plans renovation and expansion of the Swem Library Phases 1-5; Volumne 4. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16, Bound. Dimensions 30\" x 42. Condition: Good, some torn edges. Acc. 2011.167.","Scope and Contents Furniture plans for Swem Library on the renovation and expansion for the east and west wings of the library, by phase. Architects: Cox, Kliewer \u0026 Company , Inc. Design Consultants: Michaels Associates. Sheets: 13, Bound . Dimensions 15\" x 21. Condition: Excellent. Acc. 2011.168.","Scope and Contents Plans for the Burger Office space including layout and temperature controls. Designer: Riggs Ward Design, L.C. Sheets: 5, Bound and 2 stapled onto page 2. Dimensions 15\" x 22\"(5); 8.5\"x11\"(2). Condition: Excellent. Acc. 2011.169.","Scope and Contents Plans for the Exhibit Cases A (freestanding) \u0026 B (wall) in Swem Library. Designer: Showcase Woodworking, Ltd.  Sheets: 2. Dimensions 17\" x 22\". Condition: Very Good. Handwritten note and date on front sheet. Acc. 2011.170.","Scope and Contents Plans for the Graphics Lab and Multimedia Theater in Swem Library. Architects: SDJG Inc. Sheets: 7. Dimensions 24.75\" x 36. Condition: Very Good. Acc. 2011.172.","Scope and Contents Final Carpet Plans for Swem Library renovation. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4, stapled. Dimensions 24\" x 36\". Condition: Good with some tears. Acc. 2011.173.","Scope and Contents Landscape Plans for the Renovation and Expansion of Swem Library. Includes letters outlining all of the significant details. John McFarlane, Department of Facilities Management. Sheets: 3 and letters 5, Letters and notes stapled. Dimensions 24\" x 36; letters 8.5\" x 11\". Condition: Very Good. Acc. 2011.174.","Scope and Contents Plans for the woodwork and Rotunda Cases added during the renovation of Swem Library. Produced by: Just Wood Industries and Blake Construction. Sheets: 10, stapled.  Dimensions 24\" x 36.  Condition: Very Good, some pencil notations.  Acc. 2011.175","Scope and Contents Furniture plans for the renovation and expansion of Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8, partially stapled. Dimensions 24\" x 36\". Condition: Fair with significant red ink markings. Acc. 2011.196.","Scope and Contents Plans for the various sections of the 3rd floor renovation of Swem Library, with revisions. Plans include mechanicals and HAZMAT . Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 4. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 197.","Scope and Contents Plans for the removal of asbestos from Swem Library during the renovation and expansion. Architects: Shepley Bulfinch Richardson; Abbott; Hanbury Evans Newill Vlattas; and Work Environment Associates, Inc. Sheets 6 bound. Dimensions: 30\" x 42\". Condition: Good with a few notations. Acc. 2011. 198.","Scope and Contents Plans for the various phases of Floor Plans for the Renovation and Expansion of Swem Library. Vol 4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 16 Bound. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 199.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated. Blake Construction Company, Inc. Sheets: 1. Dimensions: 30\" x 22\". Condition: Very Good. Acc. 2011.200.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated; June 30, 2000. Blake Construction Company, Inc. Architect: Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 3. Dimensions: 36\" x 22\". Condition: Very Good. Acc. 2011.201.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended March 31, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.202.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 28, 2002. Blake Construction Company, Inc.  Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.203.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.204.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 29, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.205.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31,2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.206.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.230.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended December 31, 2000. Blake Construction Company, Inc. Sheets: 2. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.231.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended May 31, 2001. Blake Construction Company, Inc. Sheets: 2of 4 Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.232.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31, 2001. Blake Construction Company, Inc. Sheets: #2 of set of 3. Dimensions: 36\" x 44\". Condition: Good, some pin pricks. Acc. 2011.233.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2003. Blake Construction Company, Inc. Sheets:1; #3 of set of 4. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.234.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended August 31, 2003. Blake Construction Company, Inc. Sheets: 1; sheet #3 of 3. Dimensions: 36\" x 44\". Condition: Good. a few pin pricks. Acc. 2011.235.","Scope and Contents Drawings for the proposed renovation of Earl Gregg Swem Library - Ground, First, Second Third floors and Roof. Architects: Shepley Bulfinch Richardson and Abott; Hanbury Evans Newll Vlattas. Sheets: 5. Dimensions: 36\" x 60\". Condition: Very Good. Acc. 2011.236.","Scope and Contents Blueprints for Phase II of the renovation and expansion of Swem Library - Floor Plans, Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 11. Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2011.237.","Scope and Contents Drawing for the Ground Floor furniture plan for Swem Library. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 1. Dimensions: 36\" x 72\". Condition: Very Good. Acc. 2011.238.","Scope and Contents Plans for final layout of furniture in Swem Library. Floor Plans by wing. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 6, tissue panels. Dimensions: 23.75\" x 36\"(1); 31\" x 36\"(5). Condition: Good, with some pencil markings on pages. Acc. 2011.239.","Scope and Contents Plans for Phase II of the furniture in Swem Library. F101-F112. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 13, tissue panels. Dimensions: 30\" x 40\". Condition: Good, with some worn edges. Acc. 2011.240.","Scope and Contents Partial Plans for furniture in Swem Library. East wing by floor. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 12, stapled. Dimensions: 31\" x 42\". Condition: Very Good, with some small ink markngs. Acc. 2011.247.","Scope and Contents Plans for the renovation and expansion of Swem Library - Volume IV; Phasing Plans by Floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evasn Newill Vlattas. Sheets: 15, bound and stapled. Dimensions: 18\" x 24\". Condition: Very Good. Acc. 2011.248.","Scope and Contents Plans for the power needs resulting from the renovation and expansion of Swem Library - Plans by wing and by floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions: 15\" x 24\". Condition: Very Good. Acc. 2011.249.","Scope and Contents Plans for the carpeting for floors following the renovation and expansion of Swem Library - Plans by floor and in phases.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 10 bound and stapled.  Dimensions: 42.5\" x 36\". Condition: Very Good.  Acc. 2011.250.","Scope and Contents Partial Floor Plans - Mechanciacl Demolition, M1.6 for the Earl Gregg Swem Library; Ground and 2nd Floors partials. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Good with ink markings. Acc. 2011.251.","Scope and Contents Plans for Power in the West and South wings of the First Floor of Swem Library; revision dates noted. Plan E3.5. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.252.","Scope and Contents Furniture plans for Swem Library, by floor and by wing; F1.0-F1.7. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.253.","Scope and Contents Pen and ink drawings for the Swem Library Renovation Layout - no details given. Date reflects that noted on the margins of pages. Drawings of Ground, first, second and third floors. Sheets: 4; tissue.  Dimensions 18.25\" x 32\"; 18.25\" x 29.25\" (2); 18.25\" x 30\". Condition: Very Good.  Acc. 2011.254.","Scope and Contents Plans for Suites 206-209, 8105 Richmond Road in Toano Virginia for housing of William and Mary Special Collections. Revised June 28, 2000 and September 26, 2000.  Architects: JNC Designs and Michael C. Brown, Ltd. Custom Home Designs. Sheets: 2.  Dimensions 24.25\" x 36\". Condition: Good but with a number of ink markings.  Acc. 2011.255.","Scope and Contents Plans for the West Wing of the First Floor of Swem Library. Plan A1.4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Very Good with some folds  Acc. 2011.256.","Scope and Contents Ground Floor Plan and Foundation Plan Pavillion \"B\" for Swem Library. Plan 2.0; revision date noted. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.257.","Scope and Contents Plans for the east and west wings of the Third Floor of Swem Library; revision dates noted. Plans A1.8-A1.9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 2. Dimensions 30\" x 42\". bound and stapled. Condition: Very Good. Acc. 2011.258.","Scope and Contents Plans for The Ground Floor and Foundation as well as the framing of floors 1-3 of Swem Library. Plans 2.0,3.0,4.0 \u0026 5.0.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4, stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.259.","Scope and Contents Final Furniture Plans for Swem Library by wing and by floor. Plans F105-F112. Architects: Cox, Kliewer \u0026 Compnay, P.C. Sheets:8. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.260.","Scope and Contents Plans for Security and CCTV Systems by wing and by floor for Swem Library. Plans OS1.0-OS1.12.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 12, bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.261.","Scope and Contents Plans for the mobile shelving systems in Swem Library at the College of William and Mary. Architects: Spacesaver. Sheets: 15 bound and stapled. Dimensions 24.5\" x 36\". Condition: Very Good. Acc. 2011.262.","Scope and Contents Plans for the special exhibit cases in the Special Collections area of Swem Library.  Architects: Riggs Ward Design and Showcase Woodworking. Sheets: 8; stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.263.","Scope and Contents Structural Notes for the external renovation of Swem Library. Plans S1-S5.  Architects: McPherson and Associates. Sheets: 5 bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.264.","Scope and Contents Floor Plans for the Security and CCTV following the renovation of Swem Library; Plans OS1.0-OS1.16. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 17, bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.265.","Scope and Contents Plans for the Final Furniture Layout  following the renovation of Swem Library; Plans F105-F112. Architects: Cox Kliewer \u0026 Co. PC.  Sheets: 8.  Dimensions 36\" x 42\". Condition: Very Good.  Acc. 2011.266.","Scope and Contents Floor Plan Layout for Swem Library Renovation; Plans OS1.0-OS1.16. Architects: Michaels and Associates; Cox Kliewer \u0026 Co. Sheets: 6. Dimensions 36\" x 48\". Condition: Very Good. Acc. 2011.302.","Scope and Contents Electrical Legends and schedules for the renovation of Swem Library, including demolition. Plans E0.1-E6.1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: Lanna, Dunlap and Spriggs. Sheets: 46, bound and stapled with a note attached. Dimensions 30\" x 42\". Condition: Good. Acc. 2011.303.","Scope and Contents Floor Plan Layout with notations and notes from Library Staff for usage of various areas of the library. Plans are not dated but the indicated dates from staff are January 10th and 11th 2001. Architects: Cox Kliewer \u0026 Co. Design Consultants: Michales and Associates. Sheets: 16. Dimensions 28\" x 36\"(15) and 36\" x 42\" (11). Condition: Fair with a lot of notes.  Acc. 2011.304.","Scope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, Third Floors and Roof. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 6. Dimensions 30\" x 42\". Condition: Fair with bent, torn edges. Acc. 2011.305.","Scope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, and Third Floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 30\" x 42\". Condition: Good with some watermarks.  Acc. 2011.306.","Scope and Contents Comprehensive Plans (Volume 1) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 118; bound and stapled. Dimensions 15.5\" x 21\". Condition: Very Good. Acc. 2011.309.","Scope and Contents Comprehensive Plans (Volume 1-Revision B) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 117; bound and stapled. Dimensions 18\" x 24.25\". Condition: Very Good. Acc. 2011.310.","Scope and Contents Letter and plans ( PH1.0-PH5.2) indicating the physical limits of the renovation phases. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Letter from Hanbury Evans Newill Vlattas. Sheets: 16; bound and stapled; letter attached. Dimensions 15\" x 21\"(15) and 8.5\" x 11 (1). Condition: Good with heavy pencil notations on back. Acc. 2011.311.","Scope and Contents Comprehensive Plans (Volume 2) for the renovation and expansion of Swem Library. Plans include Fire Protection Drawings, Sprinkler Systems, Plumbing Drawings, mechanical Drawings, Electrical Drawings and Project Notes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 130; bound and stapled. Dimensions 15\" x 21\". Condition: Very Good. Acc. 2011.312.","Scope and Contents HAZMAT Plans (Volume 3) for the renovation and expansion of Swem Library.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Environmental Consultants: Work Environment Associates, Inc.  Sheets: 6; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.313.","Scope and Contents Floor Plans (Volume 4) for the renovation and expansion of Swem Library. Plans by floor and by phase.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.314.","Scope and Contents Comprehensive Plans for the renovation and expansion of Swem Library. Plans Include Architectural Drawings, Civil Drawings, Structural Drawings, Mechanical drawings, Plumbing Drawings and Project Statistics. Plans: T1.0-E1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 85; bound and stapled.  Dimensions 30\" x 42\". Condition: Good with some wear marks.  Acc. 2011.315.","Scope and Contents Colored Photo on Board labeled \"Earl Gregg Swem Library, The College of William and Mary, Renovation and Expansion 2003.\" No other information.  Dimensions: 25\" x 28\". Condition: Very Good.  Acc. 2011.316.","Scope and Contents Display Board showing the proposed alterations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.317.","Scope and Contents Display Board showing the proposed alterations to the First Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.318.","Scope and Contents Display Board showing the proposed alterations to the Second Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.319.","Scope and Contents Display Board showing the proposed alterations to the Third Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.320.","Scope and Contents Display Board showing the proposed Site Plan, with some landscaping and topographical indications for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.321.","Scope and Contents Black \u0026 White Display Board showing the proposed Ground Floor Plan fo rthe additions and renovations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Handwritten Date \"10-23-96.\" Dimensions: 38\" x 28.25.\" Condition: Good, with slight rips on edges. Acc. 2011.322.","Scope and Contents Display Board showing the proposed Ground Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges. Acc. 2011.323.","Scope and Contents Display Board showing the proposed Second Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges and several blotches on front. Acc. 2011.324.","Scope and Contents Display Board showing the proposed fabrics, finishes and carpeting for the 24 Hour Study Area and Coffee Bar at the Earl Gregg Swem Library at The College of William and Mary. Architects:Cox, Kliewer \u0026 Company P.C. No date provided, but copyright indicated at 2003. Dimensions: 24\" x 18.25.\" Condition: Very Good. Acc. 2011.337.","Scope and Contents Display Board showing Phase 1 of the proposed Ground Level Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 23.75\" x 35.25.\" Condition: Good, with slight discoloration on the edges. Acc. 2011.338.","Scope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the Ground Floor Plan, color coded, of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003. Dimensions: 23.75\" x 36.\" Condition: Good, with some fading on edges. Acc. 2011.339.","Scope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the First Floor Plan, color coded, of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003.  Dimensions: 24\" x 36\". Condition: Good, with some fading and wrinkles on edges.  Acc. 2011.340.","Scope and Contents Black and White drawing on Display Board of the proposed Warren E. Burger Special Collections Library at the Earl Gregg Swem Library at The College of William and Mary. No additional information given. Dimensions: 17\" x 22.\" Condition: Very Good. Acc. 2011.341.","Scope and Contents Display Board folded in two pieces and taped together, outlining the proposed changes in the Ground Floor and First Floors of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: Unfolded at 35\" x40\"; folded 17.5\" x 40\". Condition: Good, with some fading on edges. Acc. 2011.342.","Scope and Contents Black and White Photo display of the proposed interior look (rotunda area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. No additional information provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.343.","Scope and Contents Black and White Photo display of the proposed interior look (Burger Office area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. Artist: W. Pace. No date provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.344.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Ground Level of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some fading, pencil notations and red ink markings on front. Acc. 2011.345.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.346.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan ( possible revision) of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with two stickers \"Charrette\"  on front.  Acc. 2011.347.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the  Level Two Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading and a piece of tape on back.  Acc. 2011.348.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level Three Plan for the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.349.","Scope and Contents Color Coded diagram on Display Board, outlining the First Floor Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some marks and damage on front. Acc. 2011.350.","Scope and Contents Color Coded diagram on Display Board, outlining the Third Floor Plan during the additions and renovations of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some marks on front and back.  Acc. 2011.351.","Scope and Contents Display Board showing Blueprint for the proposed Level Two Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Two additional sheets clipped to the board: 1. Basic blueprint of Second Floor with some handwritten and colored notations. No date. 2. Black and white blueprint for the Second Floor Plan showing greater detail. No date. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 36\"(Board); 24\"x 36.5.\" Condition: Good, with slight discoloration and tears on the edges. Acc. 2011.352.","Scope and Contents Blueprint of the Jones' Mill property at the College of William and Mary in Williamsburg, Virginia. Area encompasses 23.29 acres between the Williamsburg Jamestown Road and Old Jamestown Road, bordered by Lake Matoaka. Surveyor: M.W. Thomas. Sheets: 1. Dimensions: 28\" X 37 \" Condition: Fair with a number of tears around the edges and some tape affixed to blueprint. Acc. 2011.441.","Scope and Contents Blueprint for the plan of the William and Mary campus at Lake Road. Architect: C. M. Major. Sheets: 1.  Dimensions: 33.25\" x 30.875\".  Condition: Good with some tape on torn sections and sticker on back. Acc. 2011.442.","Scope and Contents Blueprints for the proposed alterations to Phi Beta Kappa Hall at the College of William and Mary; plans include basement, first and second floor as well as longitudinal section.  Architect: J. Binford Walford . Sheets: 4, bound.  Dimensions: 16.5\" x 24\".  Condition: Good with some notations on pages. Acc. 2011.443.","Scope and Contents Plans for additions to the Dining Alcoves at the College of William and Mary.  Architect: Charles M. Robinson. Sheets: 2, bound.  Dimensions: 17.5\" x 20\".  Condition: Poor, very faded and difficult to make out material.  Acc. 2011.444.","Scope and Contents Plans for replacing kitchen floors at the College of William and Mary; include plans for alteration of the basement under the kitchen as well as the kitchen floors. Architect: Charles M. Robinson. Sheets: 2 bound. Dimensions: 16.5\" x 18\". Condition: Good with some makings on front. Acc. 2011.445.","Scope and Contents Plans for aditions to the kitcehn and to the kitchen basement at the College of William and Mary; include plans for the basement under the kitchen as well as the kitchen; longitudinal and transverse sections; and West \u0026 South Elevations of Kitchen Brickwork. Architect: Charles M. Robinson. Sheets: 4 bound. Dimensions: 17.25\" x 22.25\". Condition: Fair; faded and some notations on front. Acc. 2011.446.","Scope and Contents Plans for Taliaferro Hall at the College of William and Mary; include plans for the foundation, first, second, third floors and roof. Plans also include elevations, dormers, exterior with alternate ; the Tearoom, and Sections AA, BB, CC, EE and FF. Architect: Charles M. Robinson. Sheets: 1-14 \u0026 16 bracketed. Dimensions: 15.5\" x 24\". Condition: Good with some makings on front. Acc. 2011.447.","Scope and Contents Plans for the addition of an Alcove to the exisiting Dining Hall at the College of William and Mary; include drawings for elevations, sections and detail work on cornices. Blueprint for first floor plans. Architect: Charles M. Robinson. Sheets: 3 and 1 blueprint, bracketed. Dimensions: 22.75\" x 32\"(3); blueprint 22.75\" x 30\". Condition: Poor with limited visibility. Acc. 2011.448.","Scope and Contents Blueprints for alterations and additions to the Library (Tucker Hall) at the College of William and Mary; include plans for the foundation, first, second,upper part of 2nd floor, third floor and roof. Also include elevations and Sections AA. Architect: Charles M. Robinson. Sheets: 7 loose. Dimensions: 23.5\" x 23\". Condition: Fair to Good with some fading. Acc. 2011.449.","Scope and Contents Blueprints for the boundary plan for the Dormitory Annex at the College of William and Mary; this area will beome the Sorority Court area. Architect: Charles F. Gillette/Landscape Architect. Sheets: 1. Dimensions: 25.5\" x 36\". Condition: Good with a number of tears and tape. Acc.2011.450.","Scope and Contents Blueprints for the addition of a Dining Alcove to the Dining Hall at the College of  William and Mary; include plans for the sections, west side elevations; north side elevations and Main cornice details.  Architect: Charles  M. Robinson. Sheets: 3, bracketed.  Dimensions: 23\" x  30\".  Condition: Good. Acc. 2011.451.","Scope and Contents Plans for additions and alterations to the Dining Hall at the College of William and Mary; include plans for the basement \u0026 foundation, first floor and roof. Plans also include elevations, sections AA, BB, and ventilation. Architect: Charles M. Robinson. Sheets: 6 bound and stapled. Dimensions: 23.5\" x 32\". Condition: Fair with dark patches and colored labels on back. Acc. 2011.452.","Scope and Contents Plans for the renovation and alteration of Hugh Jones Hall at the College of William and Mary, specifically rooms 301 and 302; include plans for demolition, new work, mechanical, electrical and related specifications. Architects: HBA Architects. Sheets: 7, bound. Dimensions: 30\" x 42\". Condition: Good with a tear and small hole in front two pages. Acc. 2011.453.","Scope and Contents Plans for interior repairs of room 102 in Tyler Hall at the College of William and Mary, include plans for demolition, new work, changes in elevations, ceiling plans, furniture and mechanical, electrical and related specifications. Architects: HBA Architects; Pace Collaborative, P.C. for plumbing, mechanical and electrical.. Sheets: 9, bound. Dimensions: 30\" x 42\". Condition: Good with some water damage along edges. Acc. 2011.454.","Plans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. Drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Drawings include site plan and location, basement and first floor plans, elevations, framing axonometric, moulding profiles, and conjectural plan evolution. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 7, bound. Dimensions: 18\" x 22\". Condition: Excellent, with a few measurements on some pages. Acc. 2011.455.","History and plans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Preliminary drawings and overlays of buildings and site plan, including landscaping. History of the property purchased by Monroe in 1793 compiled by Eldon F. Wood, A.I.A., of Charlottesvile, Virginia. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 16 some tissue and overlays. Dimensions: 9\"x8\"(1); 9\"x9.25\"(1); 9\"x10.5\"(1);14\" x 12\" (1); 12\"x17\" (3); 21\" x 14\"(1); 18\" x 24\" (5); 28\"x24\" (1); 24\"x 36\"(1); 36\"x48\"(1). Condition: Poor to good with folds, tape and writings on some of the pages. Acc. 2011.456.","Scope and Contents Preliminary drawings of Ash Lawn several of which were completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:12. Dimensions: 24\" x 36\". Condition: Fair to good with highlight and measurements on a number of pages. Acc. 2011.457.","Scope and Contents Blueprints and preliminary drawings of Ash Lawn bu University of Virginia Architecture students completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe.Drawings shown elevation, layout and design, numerous detail works, and out buildings on property. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:45.  Dimensions: 24\" x 18\".  Condition: Good with some measurements noted on several pages.  Acc. 2011.458.","Scope and Contents Preliminary drawings of Ash Lawn prepared by students at the University of Virginia School of Architecture. Plans inculde site pland and landscaping as well as drawings of the elevations, floor plands and sections. Sheets:15.  Dimensions: 24\" x 36\".  Condition: Good. Acc. 2011.459.","This series includes the as-built drawings and specifications for various College of William and Mary buildings in microfilm and microfiche format. Note that in addition to the items listed here, there are also some miscellaneous microforms. Transferred from Capital Outlay. Acc. 2002.35\nBoxes 1, 2, and 3.","SOE FILE #1.1 Microfiche","SOE FILE # 1.2 Microfiche","SOE FILE # 1.3 Microfiche","SOE FILE # 1.4 Microfiche","SOE FILE # 1.5 Microfiche","SOE FILE # 1.6 Microfiche","SOE FILE #1.7 Microfiche","SOE FILE #2.1 Microfiche","SOE FILE #2.2 Microfiche","SOE FILE #3.1 Microfiche","SOE FILE #3.3 Microfiche","SOE FILE #5.1 Microfiche","SOE FILE #5.2 Microfiche","SOE FILE #5.3 Microfiche","SOE FILE #5.4 Microfiche","SOE FILE #5.5 Microfiche","SOE FILE #6.1 Microfiche","SOE FILE #6.2 Microfiche","SOE FILE #12.2 Microfiche","SOE FILE #14.1 Microfiche","SOE FILE #14.1b Microfiche","SOE FILE #14.2 Microfiche","SOE FILE #16.1 Microfiche","SOE FILE #16.2 Microfiche","SOE FILE #16.4 Microfiche","SOE FILE #16.5 Microfiche","SOE FILE #17.2 Microfiche","SOE FILE #17.3 Microfiche","SOE FILE #17.4 Microfiche","SOE FILE #17.5 Microfiche","SOE FILE #18.1 Microfiche","SOE FILE #18.2 Microfiche","SOE FILE #20.1 Microfiche","SOE FILE #28.1 Microfiche","SOE FILE #29.1 Microfiche","SOE FILE #29.2 Microfiche","SOE FILE #29.3 Microfiche","SOE FILE #30.2 Microfiche","SOE FILE #30.3 Microfiche","SOE FILE #30.4 Microfiche","SOE FILE #30.5 Microfiche","SOE FILE #30.8 Microfiche","SOE FILE #30.9 Microfiche","SOE FILE #31.1 Microfiche","SOE FILE #34.1 Microfiche","SOE FILE #34.3 Microfiche","SOE FILE #34.4 Microfiche","SOE FILE #35.1 Microfiche","SOE FILE #35.2 Microfiche","SOE FILE #35.3 Microfiche","SOE FILE #35.6 Microfiche","SOE FILE #35.7 Microfiche","SOE FILE #35.8 Microfiche","SOE FILE #35.8a Microfiche","SOE FILE #36.1 Microfiche","SOE FILE #37.1 Microfiche","SOE FILE #38.1 Microfiche","SOE FILE #38.2 Microfiche","SOE FILE #39.2 Microfiche","SOE FILE #40.1 Microfiche","SOE FILE #40.2 Microfiche","SOE FILE #41.1 Microfiche","SOE FILE #41.3 Microfiche","SOE FILE #41.4 Microfiche","SOE FILE #41.5 Microfiche","SOE FILE #41.6 Microfiche","SOE FILE #42.1 Microfiche","SOE FILE #54.1 Microfiche","SOE FILE #54.2 Microfiche","SOE FILE #54.3 Microfiche","SOE FILE #54.5 Microfiche","SOE FILE #54.6 Microfiche","SOE FILE #56.2 Microfiche","SOE FILE #57.1 Microfiche","SOE FILE #57.2 Microfiche","SOE FILE #57.3 Microfiche","SOE FILE #60.1 Microfiche","SOE FILE #60.3 Microfiche","SOE FILE #61.1b Microfiche","SOE FILE #61.1c Microfiche","SOE FILE #61.2 Microfiche","Microfiche SOE FILE # 61.3","Microfiche SOE FILE #61.4","Microfiche SOE FILE #61.6","Microfiche SOE FILE #61.7","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.6","Microfiche SOE FILE #62.7","Microfiche SOE FILE #63.1","Microfiche SOE FILE #64.2","Microfiche SOE FILE #70.1","Microfiche SOE FILE #70.4","Microfiche SOE FILE #70.5","Microfiche SOE FILE #70.7","Microfiche SOE FILE #70.9","Microfiche SOE FILE #71.2","Microfiche SOE FILE #71.4","Microfiche SOE FILE #71.5","Microfiche SOE FILE #71.2","Microfiche SOE FILE #81.1","Microfiche SOE FILE #81.3","Microfiche SOE FILE #81.4","Microfiche SOE FILE #82.1","Microfiche SOE FILE #89.1","Microfiche SOE FILE #89.3","Microfiche SOE FILE #89.4","Microfiche SOE FILE #90.1","Microfiche SOE FILE #90.4","Microfiche SOE FILE #92.2","Microfiche SOE FILE #92.3","Microfiche SOE FILE #92.4","Microfiche SOE FILE #92.5","Microfiche SOE FILE #92.6","Microfiche SOE FILE #92.8","Microfiche SOE FILE #93.2","Microfiche SOE FILE #92.3","Microfiche SOE FILE #93.4","Microfiche SOE FILE #93.6","Microfiche SOE FILE #93.6","Microfiche SOE FILE #98.2","Microfiche SOE FILE #98.4","Microfiche SOE FILE #98.1","Microfiche SOE FILE #99.1","Microfiche SOE FILE #100.1","Microfiche SOE FILE #100.5","Microfiche SOE FILE #100.1b","Microfiche SOE FILE #102.1","Microfiche SOE FILE #102.3","Microfiche SOE FILE #102.4","Microfiche SOE FILE #103.1","Microfiche SOE FILE #103.2","Microfiche SOE FILE #103.6","Microfiche SOE FILE #104.1","Microfiche SOE FILE #104.2","Microfiche SOE FILE #104.5","Microfiche SOE FILE #104.6","Microfiche SOE FILE #105.1","Microfiche SOE FILE #105.2","Microfiche SOE FILE #105.3","Microfiche SOE FILE #110.2","Microfiche SOE FILE #117.1","Microfiche SOE FILE #117.1b","Microfiche SOE FILE #117.2","Microfiche SOE FILE #120.1","Microfiche SOE FILE #121.1b","Microfiche SOE FILE #120.2","Microfiche SOE FILE #122.1","Microfiche SOE FILE #122.2","Microfiche SOE FILE #123.1","Microfiche SOE FILE #123.2","Microfiche SOE FILE #123.3","Microfiche SOE FILE #123.7","Microfiche SOE FILE #124.1","Microfiche SOE FILE #124.3","Microfiche SOE FILE #124.4","Microfiche SOE FILE #125.1","Microfiche SOE FILE #125.3","Microfiche SOE FILE #130.1","Microfiche SOE FILE #130.1b","Microfiche SOE FILE #131.1","Microfiche SOE FILE #131.2","Microfiche SOE FILE #131.4","Microfiche SOE FILE #135.1","Microfiche SOE FILE #135.2","Microfiche SOE FILE #136.1","Microfiche SOE FILE #136.2","Microfiche SOE FILE #143.2","Microfiche SOE FILE #151.1","Microfiche SOE FILE #151.1a","Microfiche SOE FILE #151.1b","Microfiche SOE FILE #152.1","Microfiche SOE FILE #152.2","Microfiche SOE FILE #154.1","Microfiche SOE FILE #156.1","Microfiche SOE FILE #158.1","Microfiche SOE FILE #162.1","Microfiche SOE FILE #Not.1","Microfiche SOE FILE #155.2","Microfiche SOE FILE #H.2","Microfiche SOE FILE # H.3","Microfiche SOE FILE #H.5","Microfiche SOE FILE #H7.1","Microfiche SOE FILE #H9.1","Microfiche SOE FILE #H.11","Microfiche SOE FILE #H.16","Microfiche SOE FILE #Misc2","Microfiche SOE FILE #Misc 3","Microfiche SOE FILE #Misc 4","Microfiche SOE FILE #Misc 5","Microfiche SOE FILE #Misc 11","Microfiche SOE FILE #Misc 12","Microfiche SOE FILE #Misc 13","Microfiche SOE FILE #Misc 14","Microfiche SOE FILE #Misc 16","Microfiche SOE FILE #Misc 66","Microfiche SOE FILE #Misc 18","Microfiche SOE FILE #Misc 19","Microfiche SOE FILE #Misc 20","Microfiche SOE FILE #Misc 22","Microfiche SOE FILE #Misc 23","Microfiche SOE FILE #Misc 28","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm Project Code: 204-15406-02","Microfilm Project Code:204-14416-05","Microfilm Project Code:204-14735","Microfilm Project Code:204-15745-01","Microfilm Project Code:204-15368","Microfilm Project Code: 204-14416-03","Microfilm Project Code: 204-15406-01","Microfilm Project Code: 204-15683","Microfilm Project Code:204-15541-04","Microfilm Project Code:204-14735","Microfilm Project Code:204-15683","Microfilm Project Code: 204-15541-11","Microfilm Project Code: 20494004","Microfilm","Microfilm Project Code:204002","Microfilm","Microfilm Project Code:204-14096","Microfilm Project Code: 204-15541-06","Microfilm Project Code: 204-14462","Microfilm Project Code:204-15541-01","Acc. 2008.47 is microfilm of projects designed by the firm Wright Jones and Wilkerson for the College of William and Mary. They are believed to be the bid documents, not as-builts.","This series includes printed material classified as publications such as newsletters and brochures. Also included in this series is the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond and Jamestown Roads in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.","Scope and Contents \"What it is and how to use it\" booklet on maintenance procedures","November 27,1926 booklet: Programme of the day on the occasion of the dedication of the memorial hall to the fifty founders as part of the sesui-centennial celebration of the Phi Beta Kappa, College of William and Mary in Virginia. Schedule of events, speakers and delegates. December 5, 1936: Address at the unveiling of tablets on the Phi Beta Kappa Hall, College of William and Mary, by Dr Oscar M Voorhees. 1926 small booklet with history of Phi Beta Kappa, first members, photo of auditorium and Apollo Hall.","Dedication of new Phi Beta Kappa Hall booklets, May 18, 1957; order of exercise; history of PBK; invitations","1993 recycling brochure","Booklet on the dedication of Tercentenary Hall, October 27, 1995","Unofficial newsletter for, by, and about the employees of Facilities Management department, vol.1, numbers 1,2,5,6","invitation to Tyler Family Garden dedication on April 30, 2004","miscellaneous booklets on the Christopher Wren Building and its history. Article from Histori Preservation magazine. Tercentenary calendar","Contains the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond Road and Jamestown Rd. conducted in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.","Scope and Contents Document projecting the various phases of the work at Swem including capacity on site and off site.  Provides expectations for Phases 1-6.  Sheets: 12; stapled.  Dimensions 8.5\" x 11\". Condition: Very Good.   Acc. 2011.307.","Scope and Contents Report and Certification regarding the air quality of Swem Library with data and test results shown.  Architects: Shepley Bulfinch Richardson; Engineer: Lanna, Dunlap \u0026 Spriggs; Contractor: PBM-Limbach;. Certification: Arian TAB Services, Inc.  Sheets: 78.  Dimensions 8.5\" x 11\". Condition: Very Good.  Acc. 2011.308.","Acc. 1983.070 includes records associated with the alterations, renovations and reconstructions of various sites and buildings at the College of William and Mary, including the Alumni House, Brown Hall, Barksdale Field, Ash Lawn, Jefferson Hall, the Chemistry Building, Phi Beta Kappa Hall, Wildflower Refuge Amphitheater, the Women's Dormitory Complex and others.","Acc. 1988.09 includes office files about campus construction projects, asbestos removal, repairs, and other capital outlay projects for the period 1966-1982.","Acc. 1999.71 is the blueprints file note cards.","Scope and Contents Slides of construction and repair of buildings on W\u0026M campus and VIMS, 2006 and prior","Scope and Contents Acc 2011.176 Slides on 4 reels of construction and repair of buildings on W\u0026M campus and VIMS. Dates prior to 2006. Slides of Carl A Kroch Library at Cornell University, part of presentation for changes to Swem Library.","Slides of Carl A Kroch library","slides of Carl A Kroch library at Cornell","Slides: unidentified, Millington Hall, McCormack-Nagelson Tennis Center","Scope and Contents Slides of 1994 Dorm renovation; Morton Hall, W\u0026M Hall, Small Hall, Millington Hall, Barksdale field","Charles A Kroch Library at Cornell; Millington Hall; unidentified","unidentified; Adair Hall, interior Dupon Hall, 1996","Swem Library exterior and artist rendering; VIMS docks,Marshall-Wythe floor plan;","Acc. 2008.212 was accessioned as part of the backlog in manuscripts in May 2010 and was transferred to this collection in June 2010."," Plans and blueprints that were previously part of the University Archives Subject File Collection were transferred to this collection in November 2010.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Facilities Management Department","Office of the Vice President for Administration","College of William and Mary.","Eastern State Hospital (Va.)","Robinson, Charles M.","English"],"unitid_tesim":["UA 29","/repositories/2/resources/1709"],"normalized_title_ssm":["Facilities Management Records"],"collection_title_tesim":["Facilities Management Records"],"collection_ssim":["Facilities Management Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["College of William and Mary. Facilities Management Department","Office of the Vice President for Administration","Robinson, Charles M."],"creator_ssim":["College of William and Mary. Facilities Management Department","Office of the Vice President for Administration","Robinson, Charles M."],"creator_persname_ssim":["Robinson, Charles M."],"creator_corpname_ssim":["College of William and Mary. Facilities Management Department","Office of the Vice President for Administration"],"creators_ssim":["Robinson, Charles M.","College of William and Mary. Facilities Management Department","Office of the Vice President for Administration"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Buildings and Grounds","Wren Building (Williamsburg, Va.)","Blueprints (reprographic copies)","Design drawings","Drawings and graphics","Flags"],"access_subjects_ssm":["Buildings and Grounds","Wren Building (Williamsburg, Va.)","Blueprints (reprographic copies)","Design drawings","Drawings and graphics","Flags"],"has_online_content_ssim":["false"],"extent_ssm":["19.00 Linear Feet"],"extent_tesim":["19.00 Linear Feet"],"genreform_ssim":["Blueprints (reprographic copies)","Design drawings","Drawings and graphics","Flags"],"date_range_isim":[1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAccruals are expected on an ongoing basis from this office and other sources.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Accruals are expected on an ongoing basis from this office and other sources."],"arrangement_html_tesm":["\u003cp\u003eArranged by series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by series."],"bioghist_html_tesm":["\u003cp\u003eThe mission of the Deparment of Facilities Management is to create and maintain an environment that facilitates accomplishment of the College's academic and research programs. As of 2007, Robert P. Dillman was Associate Vice President Facilities Management. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/Facilities_Management_Department\" title=\"Facilities Management Department\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The mission of the Deparment of Facilities Management is to create and maintain an environment that facilitates accomplishment of the College's academic and research programs. As of 2007, Robert P. Dillman was Associate Vice President Facilities Management. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"custodhist_html_tesm":["\u003cp\u003eA portion of this collection was previously part of the University Archives Publications Collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History:"],"custodhist_tesim":["A portion of this collection was previously part of the University Archives Publications Collection."],"phystech_html_tesm":["\u003cp\u003eAcc. 1988.09 is housed in the SCRC's offsite storage facility and advance notice is required to use these materials. Contact a staff member for details.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Acc. 1988.09 is housed in the SCRC's offsite storage facility and advance notice is required to use these materials. Contact a staff member for details."],"prefercite_html_tesm":["\u003cp\u003eCollege of William and Mary Facilities Management Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["College of William and Mary Facilities Management Records, Special Collections Research Center, Earl Gregg Swem Library, College of William and Mary."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes a number of accessions and groups of records directly from the Office of Facilities Management including publications, administrative records, blueprints, and other documents as well as blueprints and other architectural drawings that come under the administrative responsibility of the office, but may have been transferred from miscellaneous sources.\u003c/p\u003e","\u003cp\u003eThis series includes a variety of architectural drawings of various formats of College of William and Mary buildings and properties including blueprints, artistic renderings of proposed buildings, and other works loosely classified as drawings. Each item has been assigned an individual accession number to facilitate description and access. Note that some blueprints have been flattened, yet many remained in the rolled state in which they were transferred to the archives.\u003c/p\u003e","\u003cp\u003eAcc. 1988.60. 4 pages.\u003c/p\u003e","\u003cp\u003eAcc. 1988.47\u003c/p\u003e","\u003cp\u003eBlueprints for Physics Laboratory addition in William Small Hall. Acc. 1999.50.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 15 (pages 1-15). Size: 43\" x 34\". Condition Fair with torn edges. Acc. 1999.49.001.\u003c/p\u003e","\u003cp\u003eAcc. 1999.6\u003c/p\u003e","\u003cp\u003eAcc. 1999.5. 7 pages.\u003c/p\u003e","\u003cp\u003eProposed law school addition site plans by Guernseyl Tingle, Architects. Acc. 1999.2.\u003c/p\u003e","\u003cp\u003eTwo copies of blue line drawings detailing installation of fire extinguishing system in basement computer room. Acc. 1991.76\u003c/p\u003e","\u003cp\u003eOutline drawings of Swem Library showing how the addition fits onto the original building. These are not working drawings, but were done later at the library's request. Acc. 1991.75.\u003c/p\u003e","\u003cp\u003eFive blueprints showing placement of scenery and large props for the campus theater production of 'Mary of Scotland'. Acc. 1990.67.\u003c/p\u003e","\u003cp\u003ePlan for trailer, detail shows specs, paint trays, wheels, door. Acc. 1989.81., Acc 1989.80\u003c/p\u003e","\u003cp\u003eIncludes site plans, floor plans for maintenance shops and offices, exterior elevators, and plans for laundry building and portion of Trinkle Hall. 18 pages. Acc. 1989.78., Acc 1989.79\u003c/p\u003e","\u003cp\u003eScope and Contents Copy of large field map, plot plans for Matoaka State Park. Sheets: 1. Size: 42\" x 106\". Condition Good with some torn edges. Acc. 1989.77.\u003c/p\u003e","\u003cp\u003eScope and Contents Suggested subdivision of William and Mary property,. Architect: Charles F. Gilette. Sheets: 2. Size: 42\" 105\". Condition: Good with some torn edges. Acc. 1989.76.\u003c/p\u003e","\u003cp\u003eSite map for placement of fraternity houses (Old Lodges), 4 copies of one page. Acc. 1989.75.\u003c/p\u003e","\u003cp\u003eProposed layout for Matoaka Court Subdivision. Acc. 1989.74.\u003c/p\u003e","\u003cp\u003ePlan for area between Swem Library and rear of Phi Beta Kappa Hall, 2 pages. Acc. 1989.73.\u003c/p\u003e","\u003cp\u003eIncludes layout, grading and drawings, outside lighting. Acc. 1989.71.\u003c/p\u003e","\u003cp\u003ePlans for landscaping the library site, 3 pages. Acc. 1989.65.001\u003c/p\u003e","\u003cp\u003e5 sheets. Acc. 1989.64.\u003c/p\u003e","\u003cp\u003eAcc. 1989.63.\u003c/p\u003e","\u003cp\u003eLocation unknown, 3 pages. Acc. 1989.62.\u003c/p\u003e","\u003cp\u003eAcc. 1989.61.\u003c/p\u003e","\u003cp\u003eSeating plan, tract, etc. for stadium. Acc. 1989.60.\u003c/p\u003e","\u003cp\u003eLayout of platforms for seating of choir, faculty, and guests at graduation; 5 pages. Acc. 1989.58.\u003c/p\u003e","\u003cp\u003eIncludes site plan and floor plan; plans resemble present Marshall-Wythe Law School, but were likely an early set of drawings which were later modified. 5 pages. Acc. 1989.57.\u003c/p\u003e","\u003cp\u003eScope and Contents Includes site plan; exterior design; floor plans; and layout of basketball arena. Architects: Wright, Jones and Wilkerson. Sheets: 6., bound. Size 26\" x 33\". Condition: Very Good. Acc. 1989.56.\u003c/p\u003e","\u003cp\u003ePlans for tennis court and softball field from the area behind William and Mary Hall. Acc. 1989.55.\u003c/p\u003e","\u003cp\u003eBoiler shed for Yates Hall, temporary structure; 1 page. Acc. 1989.54.\u003c/p\u003e","\u003cp\u003eRecreation room; foundation plan; 1st floor dormitory furniture layout; 2 pages. Acc. 1989.53.\u003c/p\u003e","\u003cp\u003e4 pages. Acc. 1989.52.\u003c/p\u003e","\u003cp\u003eMap of Waller Reservoir, 1965, showing College Airport boundaries; 1977 survey map of Tilmouth Tract; 1952 site map of Tilmouth Tract; 1945 airport building plans; runway plans, 1955; 1967 proposed baseball field on airport site. Acc. 1989.51.\u003c/p\u003e","\u003cp\u003eScope and Contents Drawn from a map by Bolton, Clark, and Pratt. Scale 1\" to 600'. Looks like some kind of thermographic paper. Acc. 1989.45.\u003c/p\u003e","\u003cp\u003eAcc. 1989.42.\u003c/p\u003e","\u003cp\u003eProposed cable crossing campus property and r.r. spur of U.S. government. Acc. 1989.41.\u003c/p\u003e","\u003cp\u003eAcc. 1989.40.\u003c/p\u003e","\u003cp\u003eProposed substation and power line through campus. Acc. 1989.39.\u003c/p\u003e","\u003cp\u003eAcc. 1989.38.\u003c/p\u003e","\u003cp\u003eRenovations, 1980; demolition plan, site plan, landscape plan, courtyard plan, landscape details, Kappa Delta, Pi Beta Phi, Delta Delta Delta, Chi Omega, Alpha Chi Omega, Kappa Alpha Theta, Phi Mu, Gamma Phi Beta, Kappa Kappa Gamma (floor plans and mechanical) 1955 bathroom; Phi Mu House. Acc. 1989.37.\u003c/p\u003e","\u003cp\u003eCampus plan for sidewalk curb ramps, building entry ramps, bathroom modifications, also ramp for Ewell and the Campus Center. Acc. 1989.36.\u003c/p\u003e","\u003cp\u003eFloor plans showing placement of lab benches and other furnishings. Acc. 1989.35.\u003c/p\u003e","\u003cp\u003eAcc. 1989.34.\u003c/p\u003e","\u003cp\u003eGeneral plans; floor, electrical, plumbing, heating, ventilation. Acc. 1989.32.\u003c/p\u003e","\u003cp\u003eFloors 1-3 floor plan; addition to restroom, elevation (1928). Addition to conservatory, 1 p. Restroom adjoining (1926); first floor plan, foundation plan, 2nd floor plan, elevations. Additions to restroom, and details. Acc. 1989.31.\u003c/p\u003e","\u003cp\u003eAcc. 1989.30.\u003c/p\u003e","\u003cp\u003eOne blueline drawing and another set of drawings of the Swem Library floorplan as it looked after the addition. Acc. 1989.14.\u003c/p\u003e","\u003cp\u003ePlan set of blueline drawings and photocopy showing placement of compact shelving; used by workmen who installed space-saving shelving. Acc. 1989.12.\u003c/p\u003e","\u003cp\u003eAcc. 1989.4.\u003c/p\u003e","\u003cp\u003ePlot plan for development of College Terrace, prepared by architect Charles M. Robinson. Acc. 1988.74.\u003c/p\u003e","\u003cp\u003eShowing additional street names. Acc. 1988.74.\u003c/p\u003e","\u003cp\u003eScope and Contents Showing present buildings, current construction, buildings being planned, site of use for future buildings; by Walford and Wright, architects. Sheets: 1; 35\" x46\". Condition: Fair, with torn sections. Acc. 1988.73.\u003c/p\u003e","\u003cp\u003eAcc. 1988.72.\u003c/p\u003e","\u003cp\u003eAcc. 1988.72.\u003c/p\u003e","\u003cp\u003ePreliminary study blueprint showing typical floor plan for Old Dominion Hall by architect Charles M. Robinson. Acc. 1988.71.\u003c/p\u003e","\u003cp\u003eAcc. 1988.71.\u003c/p\u003e","\u003cp\u003eShows entire campus, present construction, authorized buildings under construction, placement and future use of future buildings; and one sheet showing layout of proposed future buildings by C. M. Robinson. Acc. 1988.70.\u003c/p\u003e","\u003cp\u003eTwo alterations each for entry level and upper level of museum, showing pavement plan, and plan of entrance sign. Acc. 1988.63.\u003c/p\u003e","\u003cp\u003eAcc. 1988.62.\u003c/p\u003e","\u003cp\u003eOne floor depicted. Acc. 1988.61.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of Lake Matoaka Park and Forrest at the College of William and Mary--Emergency Conservation Work under the National Park Service. Sheets: 1; 36\" x 42\". Condition: Good. Acc. 1988.60.001\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for landscaping of the College including detailed garden plans from 1923. Landscape Architect\" Charles Gillete. Sheets: 1; size 32.5\" x 42\". Condition Poor with several torn sections. Acc. 1988.59.001\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for landscaping the South Campus of the College 1949; landscaping plans 1931; Plans for Grounds 1923. Architect: Chales M. Robinson. Landscape Architect: Arthur Schurcliff. Sheets: 5; 27.5\" x37\"(2); 40\" x 42\"(1); 49\" x 34.5\" (2). Condition Poor to good with several torn sections. Acc. 1988.59.003.\u003c/p\u003e","\u003cp\u003eDesign details of walks (1925); plans of walls and walks, location and design, two sheets (1925); wall and walk plans to May 1925 (1925); treatment of walks and walls at entrance to the college, two sheets (1929); details of Sunken Garden wall (1926); proposed curbs and drains near President's House (1931); Crim Dell pedestrian walk (1978). Acc. 1988.58\u003c/p\u003e","\u003cp\u003eTwo sheets showing site of present buildings, buildings under construction, authorized buildings, and proposed placement and use of future buildings. Prepared by Charles M. Robinson, architects. Acc. 1988.57.\u003c/p\u003e","\u003cp\u003eSeven pages showing proposed student house (never built). Acc. 1988.56.\u003c/p\u003e","\u003cp\u003e17 pages showing water, steam, sewer, and electric extension plans. 1 page showing proposed water system plan. Acc. 1988.55.\u003c/p\u003e","\u003cp\u003e11 pages. Acc. 1988.54.\u003c/p\u003e","\u003cp\u003e37 pages. Acc. 1988.52.\u003c/p\u003e","\u003cp\u003e8 pages. Acc. 1988.51\u003c/p\u003e","\u003cp\u003e4 pages. Acc. 1988.50.\u003c/p\u003e","\u003cp\u003e6 pages. Acc. 1988.49.\u003c/p\u003e","\u003cp\u003e7 pages. Acc. 1988.48.\u003c/p\u003e","\u003cp\u003eScope and Contents Proposed layout plan for a Matoaka Amphitheater under auspices of the National Park Service. Sheets: 1; 34.5\" x 50\". Condition: Fair with numerous small holes. Acc. 1988.47.\u003c/p\u003e","\u003cp\u003eProposed grounds layout plan, incomplete (1923); 2 sets of grounds layout plans (1924); and 2 worksheets for grounds layout. Acc. 1988.46.\u003c/p\u003e","\u003cp\u003e2 sets of the floor plan for the new women's dormitory, Chandler Hall. Acc. 1988.45.\u003c/p\u003e","\u003cp\u003eRenovation plans, 3 pages (1973); renovation plans, including structural, plumbing, electrical, and mechanical, 26 pages (1977). Acc. 1988.45 addition.\u003c/p\u003e","\u003cp\u003e3rd floor plan of the Brafferton, kitchen plan of the Brafferton, Northwest Outbuilding, and the President's House, 4 pages. Acc. 1988.43.\u003c/p\u003e","\u003cp\u003e4 sets of plans showing the general plan for centralization of heating, lighting, power, and water supply. Acc. 1988.42.\u003c/p\u003e","\u003cp\u003e2 sets of 6-page blueprints showing the floor plan of the Kappa Kappa Gamma House, one complete set, one incomplete set. Acc. 1988.41.\u003c/p\u003e","\u003cp\u003eProposed design plan for a Proscenium Arch on the Sunken Garden, 3 pages. Acc. 1988.40.\u003c/p\u003e","\u003cp\u003eProposed drainage system plan for the athletic field. Acc. 1988.39.\u003c/p\u003e","\u003cp\u003e2 blueprints showing alterations to the water system and plans for a connecting hospital and college mains. Acc. 1988.38.\u003c/p\u003e","\u003cp\u003e9 blueprints showing proposed changes in floor plan and exterior, details for new kneelers, details shelves in Wren Chapel. Acc. 1988.37.\u003c/p\u003e\n","\u003cp\u003e1.\tChristopher Wren Building, First Floor Plan, Revised March 25, 1927, #2\n2.\tChristopher Wren Building, Second Floor Plan, Revised March 25, 1927, #3\n3.\tChristopher Wren Building, Attic Floor Plan, March 25, 1927, #4\n4.\tChristopher Wren Building, Sketch of East Elevation, March 11, 1927, #5\n5.\tChristopher Wren Building, Sketch of East Elevation \"B\", March 25, 1927, #5A\n6.\tChristopher Wren Building, Sketch of West Elevation, Revised March 25, 1927, #6\n7.\tChristopher Wren Building, Sketch of South Elevation, March 29, 1927, #7\n8.\tFull Size Section Thru Shelves, Block XVI, Bldg. 3, #287, Undated\n9.\tDetails for New Kneelers in Chapel of College Building, #285. Williamsburg Restoration for the Williamsburg Holding Co. Perry, Shaw, \u0026amp; Hepburn, Architects. 1931.\u003c/p\u003e","\u003cp\u003eFoundation plan for the restoration of the Wren Building, drawn by Perry Shaw and Hepburn. Acc. 1988.37 addition.\nMarch 14, 1929 Revision, Number: Job 107, S-1.\u003c/p\u003e","\u003cp\u003e14 blueprints showing additions to Trinkle Hall and kitchen. 1 box. Acc. 1988.36.\u003c/p\u003e","\u003cp\u003eRenovations of Trinkle Hall, The Wigwam and The Pub. Acc. 1988.36 addition.\u003c/p\u003e","\u003cp\u003e29 blueprints showing basement floor plans and first, second, and third floor; renovation plans (1965) and alterations to building; specifications for alterations (1922). 1 box. Acc. 1988.35.\u003c/p\u003e","\u003cp\u003e8 drawings for the library, done by Gay [sic] and See, architects; showing cellar plan, roof framing plan; front, rear, and side elevations; and longitudinal and cross sections. Acc. 1988.35 addition.\u003c/p\u003e","\u003cp\u003eAlterations and additions to Tucker Hall; 12 pages of drawings detailing renovation of the old law school; and other concerning Tucker Hall. Acc. 1988.35 addition.\u003c/p\u003e","\u003cp\u003ePlans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architect Charles M. Robinson, 6 sheets. Acc. 1988.34.1\u003c/p\u003e","\u003cp\u003ePlans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architects J. Binford Walford, 4 sheets. Acc. 1988.34.2\u003c/p\u003e","\u003cp\u003ePlans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages. Architects: Charles M. Major; J. Bindford Walford and O. Pendleton Wright. Condition: Good. 1 box. Acc. 1988.33.001.\u003c/p\u003e","\u003cp\u003eRevisions to President's Office Suite (1967); and alterations and additions (1954-57); 2 copies, 1 box. Acc. 1988.33 addition.\u003c/p\u003e","\u003cp\u003ePlans showing exterior and floor plans for Blow Gymnasium, including a plan for the memorial plaque, 16 pages, 1 box. Acc. 1988.32.\u003c/p\u003e","\u003cp\u003ePlans of alterations and additions to Blow Gymnasium, includes Squash Court (1938); renovations (1940); wire screen partition shower room renovation (1947); plot plan for Blow Gym area (undated); and shower room-locker renovation (1976). Acc. 1988.32 addition.\u003c/p\u003e","\u003cp\u003ePlans showing exterior and floor plans of William Barton Rogers Hall. Also includes specifications. 2 plan sets (1926) and 1 box. Acc. 1988.31.\u003c/p\u003e","\u003cp\u003ePlans showing stair alterations, 5 pages and 1 box. Acc. 1988.31 addition.\u003c/p\u003e","\u003cp\u003ePlans showing planned exterior and floor plans for Barrett Hall, 13 pages. Acc. 1988.30.\u003c/p\u003e","\u003cp\u003eBlueprints showing planned exterior and floor plans for Jefferson Hall, 5  rolled sets of blueprints. Acc. 1988.29.\u003c/p\u003e","\u003cp\u003eBuilding modifications (1965, in box 2); proposed renovation (1973); renovations (1975) including floor plans, plumbing, electrical, fire sprinklers, heating, telephone, and TV (in box 3); and overview of 1920 plans. 3 boxes. Acc. 1988.29 addition.\u003c/p\u003e","\u003cp\u003ePlans showing the design and floor plans for the library to be built at William and Mary Norfolk Division campus; 1 box, 28 blueprints. Acc. 1988.28.\u003c/p\u003e","\u003cp\u003ePlans showing proposed library to be built at the end of the Sunken Garden. Includes preliminary sketches and miscellaneous plans. 1 box, 51 blueprints. Acc. 1988.27.\u003c/p\u003e","\u003cp\u003eProgress schedules, 1 box. Acc. 1988.26.\u003c/p\u003e","\u003cp\u003eDedicated at the Opening of the Addition; 1 box, 1 blueprint. Acc. 1988.25.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint showing modifications to be made for a new aluminum entrance to Swem Library. Architects: Wright, Jones and Wilkerson. Sheets: 2; 34.5\" x 43.5\". Condition: Good. Acc. 1988.24.\u003c/p\u003e","\u003cp\u003eSet of 5 blueprints showing the floor plan for Swem Library, including placement of stack ranges. 2 complete sets. Acc. 1988.23.\u003c/p\u003e","\u003cp\u003eSet of 6 blueprints showing the layout of the ventilation system in the Swem Library basement. Acc. 1988.22.\u003c/p\u003e","\u003cp\u003eSet of 4 blueprints showing the floor plans for Swem Library, 2 complete sets. Acc. 1988.21.\u003c/p\u003e","\u003cp\u003eSet of 9 blueprints showing the revised site plan and floor plan for Swem Library, 2 complete sets. Acc. 1988.20.\u003c/p\u003e","\u003cp\u003eSet of 8 blueprints showing the site plan and the floor plans for Swem Library; also showing the facades. 2 complete sets. Acc. 1988.19.\u003c/p\u003e","\u003cp\u003eSet of 19 blueprints giving faculty office and carrel specifications and elevations; 4 complete sets. Acc. 1988.18.\u003c/p\u003e","\u003cp\u003eSet of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.001.\u003c/p\u003e","\u003cp\u003eSet of 7 blueprints showing the plumbing system for Swem Library, 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.001\u003c/p\u003e","\u003cp\u003eSet of 7 blueprints showing placement of types of bookshelves and other furnishings for Swem Library; 2 complete sets. Acc. 1988.15.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 1). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.001\u003c/p\u003e","\u003cp\u003eScope and Contents Set of blueprints showing the heating and ventilation systems of Swem Library. Sheets: 14. M1-M12 and 2 M-2. Size: 36\" x 42\" (12); 34\" x 38(1)\"; 34\" x 38\"(1).Condition: Fair with torn sections and some evidence of water damage. 2 of 3 sets. Acc. 1988.13.001\u003c/p\u003e","\u003cp\u003eScope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 24. Size: 34\" x 42\". 1 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.001.\u003c/p\u003e","\u003cp\u003eBlueprint showing a full-scale model for the baton carried by the Faculty Marshalls of the College in formal academic processions. Acc. 1984.29.\u003c/p\u003e","\u003cp\u003e2 blueprints; 1 blueprint (9 July 1926) showing walks and grading to be done between Wren, Ewell, and St. George Tucker Halls; 1 blueprint (21 June 1926) showing details of garden walls. Acc. 1983.37.\u003c/p\u003e","\u003cp\u003e5 blueprints, with offices marked, showing registration procedures. Acc. 1980.27\u003c/p\u003e","\u003cp\u003eComplete set of blueprints, 29 pages. Includes notations by architect R. G. Richardson. Acc. 2007.60.\u003c/p\u003e","\u003cp\u003eTen sheets of blueprints with detailed drawings of Sunken Garden projects in 1935 at William and Mary. Blueprints were made by J. Binford Walford and Charles F. Gillette of Richmond, Virginia. Includes details on elevation, brick walkways and steps, retaining wall, and campus buildings near the Sunken Garden in 1935. Acc. 2009.032\u003c/p\u003e","\u003cp\u003eOne sheet detailing the development plan for the College of William and Mary. The plan shows the entire William and Mary campus, the Law School site, and the James Blair Terrace Campus, later the Dillard Complex off Ironbound Rd. The plan also includes proposed buildings, such as the future Muscarelle Museum of Art and a proposed athletic field that would become Busch Field. Acc. 2009.243\u003c/p\u003e","\u003cp\u003eScope and Contents Traced or copied blueprint of Phi Beta Kappa Memorial Hall. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 36.5\"x25\". Condition: fair. Acc. 2009.406\u003c/p\u003e","\u003cp\u003eScope and Contents Plot plans of the College of William and Mary in Virginia printed on mylar. Surveyor: M.W. Thomas. Sheets: 2. Dimensions: 48\"x27\". Condition: excellent. Acc. 2009.407\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of a swimming pool. Architect: Charles Major. Sheets: 2. Dimensions: 32\"x20\". Condition: good. Acc. 2009.408\u003c/p\u003e","\u003cp\u003eScope and Contents Traced blueprint of a renovation to William Barton Rogers Memorial Science Hall. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 32\"x22\". Condition: fair. Acc. 2009.409\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of additions to the Library Building. Architect: J. Binford Walford Architects. Sheets: 3. Dimensions: 21.5\"x15.5\". Condition: Fair --including tears. Acc. 2009.410\u003c/p\u003e","\u003cp\u003eScope and Contents Traced or copied blueprint of women's dormitory #1. Architect: Charles M. Robinson Architects. Sheets: 14. Dimensions: 36.5\"x15\". Condition: good with discoloration. Acc. 2009.411\u003c/p\u003e","\u003cp\u003eScope and Contents Copy of a blueprint of alterations and additions to George Preston Blow Memorial Gymnasium. Architect: J. Binford Walford Architects. Sheets: 20. Dimensions: For sheets 1, 1A, 1B, 2, 3, 1A-R, 4, 5, 6, 7, 8, 9, 10, 11, 12, and 13: 31\"x20.5\"; For sheet 14: 38\"x20.5\"; For other sheets: 30.5\"x15\" and 34\"x14\". Condition: good with tears and tape. Acc. 2009.412\u003c/p\u003e","\u003cp\u003eScope and Contents Three copied sketches of the plan of the first floor of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 3. Dimensions: 24\"x18\". Condition: excellent. Acc. 2009.413\u003c/p\u003e","\u003cp\u003eScope and Contents Furniture layouts of 4 buildings on Ironbound Road (Dillard Complex). Architect: Bill Turner III, AIBD. Sheets: 4. Dimensions: 36\"x24\". Condition: excellent. Acc. 2009.414\u003c/p\u003e","\u003cp\u003eScope and Contents Second floor plan of the electrical and lighting renovation of the Dillard Compled. Architect: Williams, Tazwell and Associates, Architects. Sheets: 1. Dimensions: 42\"x30\". Condition: excellent. Acc. 2009.415\u003c/p\u003e","\u003cp\u003eScope and Contents Photo copy a map of property formerly belonging to the Williamsburg Power Company, but is now belongs to the College of William and Mary. Architect: W.W. Lo Prode and Bros., Architects. Sheets: 2. Dimensions: 28\"x18\". Condition: good. Notes: There is residue from a sticker on the second sheet, and a descriptive note was taped to the second sheet before it arrived in Special Collections. Acc. 2009.416\u003c/p\u003e","\u003cp\u003eScope and Contents Copy or Tracing of a survey of two parcels of Land owned by the College of William and Mary. It is the residue of the Tilmouth Tract in Bruton District, York County. Architect: Spearman and Associates (Land Surveying). Sheets: 1. Dimensions: 36\"x24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.417\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of Renovations and additions to the Library Building. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 24\"x18\". Condition: poor with tape, tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.418\u003c/p\u003e","\u003cp\u003eScope and Contents Diagram of the ventilating and air conditioning system for the population laboratories in the Dairy Bar on the old Eastern State Hospital site. Architect: Commonwealth of Virginia Governor's Office Division of Engineering and Buildings. Sheets: 1. Dimensions: 35\"x24\". Condition: good with tears and discoloration. Acc. 2009.419\u003c/p\u003e","\u003cp\u003eScope and Contents Diagram of a proposed addition to Cary Field Stadium at the College of William and Mary. Shown in the sketch are the existing dormitories near the stadium, parking lot, and where the new stands are going to be at the stadium. Architects: Wright, Jones and Wilkerson of Richmond, Virginia. Sheets: 1. Dimensions: 11\" x 14\". Condition: good. Acc. 2009.496\u003c/p\u003e","\u003cp\u003eScope and Contents Tables and plans for water heating systems and the HVAC demolition plans for the renovation of Hughes Hall and Munford Hall. Architects: Hankins and Anderson, Inc. Sheets: 10. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.420\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the second and third floors of Marshall Wythe Hall, now named Reverend James Blair Hall. Architects: J. Binford Walford, Architect. Sheets: 3. Dimensions: 30\" x 23\". Condition: fair. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.421\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for the Continued Treatment Group and Disturbed Patients Building number 22 as part of Eastern State Hospital. Architects: Rudolph, Cooke, and Van Leeuwen, Inc., General Architects. Sheets: 4. Dimensions: 30\" x 46\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.422\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints of two different alterations to the Library Building, present day Tucker Hall. Architects: Charles M. Robinson, Architects (1928); J. Binford Walford Architect (1940). Sheets: 10. Dimensions: 30\" x 22\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.423\u003c/p\u003e","\u003cp\u003eScope and Contents Block Diagram of electrical communication system for single employees' buildings numbered 42 and 43 at Eastern State Hostpital. Architects: J. Peghiny. Sheets: 2. Dimensions: 36\" x 18\". Condition: fair with creases. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.424\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a schematic plan for the Facilities Management Complex at the Dillard Campus on Ironbound Road. Architects: Wilson, Moreth, Connock LTD. Sheets: 1. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.425\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint for one half side of the stage, buildings layout and four faces of the Eastern Tower of the Common Glory Amphitheater, where the Lake Matoaka Amphitheater now sits. Architects: Charles M. Major, Architect. Sheets: 2. Dimensions: Sheet 1: 20\" x 33\"; Sheet 2: 16\" x 30\" . Condition: good. Notes: Two descriptive notes were taped to the item before it arrived in Special Collections Acc. 2009.426\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the electrical systems for the renovation of Hughes Hall and Munford Hall on the Dillard Campus. Architects: Hankins and Anderson, Inc. Sheets: 6. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.427\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of the blueprints for four acute convalescent buildings at Eastern State Hospital at the Dunbar Site. Architects: Bernard B. Spigel, Architect. Sheets: 2. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.428\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint for electrical and lighting renovations to the Dillard Complex on Ironbound Road. Architects: Williams, Tazwell and Associates. Sheets: 7. Dimensions: 30\" x 42\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.429\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and facilities plans for the renovation of four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc. Sheets: 16. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.430\u003c/p\u003e","\u003cp\u003eScope and Contents A copy of the plans and schedules for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Hawkins and Anderson, Inc.. Sheets: 10. Dimensions: 24\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.431\u003c/p\u003e","\u003cp\u003eScope and Contents Print of three furniture layouts for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Ballou, Justice, Upton Associates, Architects. Sheets: 3. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.432\u003c/p\u003e","\u003cp\u003eScope and Contents Schematic diagram of the wiring for the annunciator in Building 20 at Eastern State Hospital. Architects: J. Tusinski. Sheets: 1. Dimensions: 36\" x 58\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.433\u003c/p\u003e","\u003cp\u003eScope and Contents Print of a site plan for four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc.. Sheets: 1. Dimensions: 24\" x 34\". Condition: good, with tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.434\u003c/p\u003e","\u003cp\u003eScope and Contents Print of a property map of the Virginia Associated Research Center. Architects: E.E.R. and E.B.R. Jr.. Sheets: 1. Dimensions: 12\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.435\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints of the Infirmary for the College. The building is now called Hunt Hall. Architects: Charles Robinson. Sheets: 8. Dimensions: 19.5\" x 29\". Condition: good with tears. Notes: There is a piece of backing stapled to the blueprints Acc. 2009.436\u003c/p\u003e","\u003cp\u003eScope and Contents A map of campus detailing sewers present and to be built. Details of new catch basins and manholes are included. Architect: J. Binford Walford. Sheets: 1. Dimensions: 33\" x 43\". Condition: good with tears. Acc. 2009.437\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for alterations and additions to Blow Gymnasium, now Blow Memorial Hall. Architect: J. Binford Walford. Sheets: 20. Dimensions: 17\" x 24\". Condition: excellent. Acc. 2009.438\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of the heating plan for the Lodges. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: good with tears. Acc. 2009.439\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of a plat of Strawberry Plains with Subdivisions. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: poor with tears, tape, attempted rebacking and an attached descriptive note. Acc. 2009.440\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint and elevations of Barrett Hall. Architect: Charles Robinson. Sheets: 3. Dimensions: 20\" x 40\". Condition: poor with tears, tape and a descriptive note. Acc. 2010.060\u003c/p\u003e","\u003cp\u003eScope and Contents Copy of blueprint, elevations and detail of Monroe Hall. Architect: Charles Robinson. Sheets: 13. Dimensions: 16\" x 36\". Condition: good with tears and tape. Acc. 2010.062\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint, elevations and detail of Chandler Hall. Architect: Charles Robinson. Sheets: 11. Dimensions: 36\" x 15\". Condition: good with tears. Acc. 2010.061\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint, elevations and detail of Old Dominion Hall. Architect: Charles Robinson. Sheets: 12. Dimensions: 36\" x 16\". Condition: good with tears, tape, and a descriptive note. Acc. 2010.063\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for renovation of the Wren Buildings storm drain system. Architect: Perry Shaw Hepburn Architects (Boston and Williamsburg). Sheets: 1. Dimensions: 40\" x 36\". Condition: good. Acc. 2010.064\u003c/p\u003e","\u003cp\u003eContains 71 sheets of blueprints of the second phase of renovations at Williamsburg Community Hospital. Included in the sheets are architectural (floor plans, millwork, etc.), plumbing (demolition plans and new work plans), mechanical (duct work, piping, controls), and electrical plans (lighting plan, power plan, demolition plan) for the hospital. The architects for the project were Peterson Associates (Charlotte, North Carolina) with the help of Pace Collaborations (Virginia Beach, Virginia) and Interior Planners (Richmond, Virginia). Acc. 2009.576\u003c/p\u003e","\u003cp\u003eScope and Contents Sketch of the first floor plan of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 8. Dimensions: 24\" x 18\". Condition: excellent. Acc. 2010.065\u003c/p\u003e","\u003cp\u003eScope and Contents Photos, schematics and schedules for upgrading the lights in Andrews Hall. Architect: Rancorn Wildman Architects PLC. Sheets: 4. Dimensions: 43\" x 30\". Condition: excellent. Acc. 2010.066\u003c/p\u003e","\u003cp\u003eScope and Contents Floor plans of the ground, first, second, and third floors of an addition to Swem Library. Architect: Perry, Dean, Rogers, and Partners Architects. Sheets: 3. Dimensions: 36\" x 24\" and 42\" x 30\". Condition: excellent. Notes: sticky notes with clarifications were removed from this document. Acc. 2010.067\u003c/p\u003e","\u003cp\u003eScope and Contents A plan for the placement of trees, shrubs, ivy and other plants along the southern half of Campus. Architects: J. Binford Walford, and Charels F. Gillett - Landscape Architect. Sheets: 1. Dimensions: 65\" x 42\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.069\u003c/p\u003e","\u003cp\u003eWilliamsburg area drawing showing location of the KKK flagpole on Jamestown Rd. and Boundary St. Removed from the University Archives Subject File Collection, Flags folder. Acc. 2010.127\u003c/p\u003e","\u003cp\u003eScope and Contents Topographic Map and Grading Plan for landscaping of the Sunken Gardens, the Crim Dell Meadow, and Crim Dell. Architects: W. W. La Prada Bros. Sheets: 2. Dimensions: 65\" x 42\" and 42\"x 36\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.068\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for foundation, elevations, plumbing plans, heating plans, and details of Marshall-Wythe Hall, now called James Blair Hall. Architect: J. Binford Walford Sheets: 27. Dimensions: 32\" x 21\" Condition: fair with rips, holes, and informational notes. Acc. 2010.070\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of plans for alterations and additions to the Old Library, now Tucker Hall. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.071\u003c/p\u003e","\u003cp\u003eScope and Contents Floor plans for Moncure Cottage, now (rebuilt) as Moncure House. Architect: Charles M. Robinson. Sheets: 2. Dimensions: 14\" x 14\" Condition: good with wax crayon markings. Acc. 2010.072\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copies of schedules and floor plans for Women's Dormitory Number 3, now called Chandler Hall. Architect: Charles M. Robinson. Sheets: 13. Dimensions: 36\" x 16\" Condition: good with wax crayon markings. Acc. 2010.073\u003c/p\u003e","\u003cp\u003eScope and Contents Preliminary design submission for the renovation of the Wren Building. Mainly updating electrical, plumbing, fire safety, and HVAC equipment. Architect: Quinn Evans Architects. Sheets: 78. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.074\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint, \"Map of Hospital Buildings and Grounds, Eastern State Hospital,\" prepared by A.F. Brown, engr, Reidsville, N.C., September 11, 1929. The blueprint was printed by R.T. Sunday Co. Blue Printers, located in Richmond, Virginia. It is approximately 27 1/2\" x 33\". Acc. 2008.212\u003c/p\u003e","\u003cp\u003eScope and Contents Copy of a blueprint of storage buildings plot plan layout with sewer and manhole schedules. Handwritten note on back of blueprint: Plot of Warehouses A, B, C \u0026amp; D, 3-26-47. Architect: Charles Major. Sheet: 1. Dimensions: 27\" x 20.5\". Condition: good with torn edges. Acc. 2010.520\u003c/p\u003e","\u003cp\u003eScope and Contents Reverse black and white on paper for alterations and to Library Building. Copies of pages 1,2 \u0026amp;3. Architect: J. Binford Walford Architects. Sheets: 6. Dimensions: 22\"x15.75\" bound. Copies: Sheets: 3.Dimensions: 24\"x18\" bound. Condition: Very good with some handwritten notations. Acc. 2010.521\u003c/p\u003e","\u003cp\u003eScope and Contents Paper Drawing of Dining Hall Alterations and Additions; Basement foundation and First floor. Architect: Charles M. Robinson Architects, Richmond. Sheets: 6. Dimensions: 24.25\"x16.5\"; Condition: Very good. Acc. 2010.522\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Women's Dormitory #1 Floor Plans; First Floor; Second Floor and Third Floor. Typed Notes on Back; Handwritten notation: Jefferson. Architect: Charles Robinson. Sheets: 3. Dimensions: 36\"x15\". Condition: good with frayed edges and tape; portion glued. Acc. 2010.523\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for Women's Dormitory #1; Basement Floor and revision; First Floor; Second Floor; Third Floor; Attic and roof Plan; and Elevations. Architect: Charles M. Robinson and Wright Jones and Wilkerson. Sheets: 14. Dimensions: 16.5x22\". Condition: Very Good. Acc. 2010.524\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for the Dining Hall: Addition of Alcove to Kitchen; Basement, First Floor, Elevations. Handwritten notation: 10-19-1928. Architect: Chales M. Robinson Architects. Sheets: 6. Dimensions: 24\"x17\". Condition: Very Good. Acc. 2010.525\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of Blueprints for Wiliam Barton Rogers Memorial Science Hall; First, Second and Third Floor Plans. Handwritten notation of file number. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 24.5\"x 36\". Condition: Very Good. Acc. 2010.526\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Brafferton Alterations; two random pages for Basement, First, Second and Third Floors; Typed Notation: Drawings 8 and 9. November 15, 1949. Architect: Colonial Williamsburg Architectural Department. Sheets: 2. Dimensions: 22\"x35.5\". Condition: Good, edges torn. Acc. 2010.527\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for additions to Phi Beta Kappa Hall; plans for basement, first and second floor, and longitudinal plan. Architect: J. Binford Walford Architect . Sheets:4. Dimensions: 24\"x18\". Condition: Excellent. Notes: File numbers before it arrived in Special Collections. Acc. 2010.528\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical Survey Map for Proposed Runway for the College of William and Mary produced by the Division of the Budget of the Governor's Office by the Division of Engineering. Control: B. W. Calkley. Sheets: 1. Dimensions: 58.25\"x42.25\". Condition: Good with tears at edges and at folds. Note: Stamped on back before it arrived in Special Collections. Acc. 2010.529.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Men's Dormitory Number 1 at The College of William and Mary; Detailed plans for the foundation; first, second, and third floors; attic and roof plans and elevations. Plans 1-8; 10 and 12. Architect: Charles M. Robinson Architects and later stamped Wright, Jones \u0026amp; Wilkerson. Sheets: 10. Dimensions: 15.5\" x 36\". Condition: Good with some slight tears. Notes: Handwritten notation on back: Monroe; file numbers indicated before arrival in Special Collections. Acc. 2010.530\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the property Envelopment Plan of Williamsburg indicating Colonial Williamsburg and surrounding area. Revised March 1948 and April 1951. Architect: Colonial Williamsburg Architectural Depatment. Sheets: 1. Dimensions: 34\"x25\". Condition: Good with some torn edges. Notes: Typed note on back and stamped date December 9, 1958 before it arrived in Special Collections. Acc. 2010.531\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for an addition to Blow Gym; plans present Foundation Plan, Basement , First Floor and Balcony. Roof sections and elevations also included. Plans estimated to be from 1940's. Architect: J. Binford Walford Architects. Sheets: 10. Dimensions: 20\"x30.5\". Condition: Good with some tape and tears; some pages stapled. notations made on front of first page before it arrived in Special Collections. Acc. 2010.532\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint for Part Plan of Washington Hall First Floor - Greenhouse side. Architect: Charles M. Major. Sheets: 1. Dimensions: 19.25\"x25.5\". Condition: Good with tape and some tears. Notes: Descriptive notes typed on back before it arrived in Special Collections. Acc. 2010.533\u003c/p\u003e","\u003cp\u003eScope and Contents Reverse Black and White copies of blueprints for the Swimming Pool at the College of William and Mary; Elevation and Longitudinal Section Plans. Architect: Charles M. Major. Sheets: 2. Dimensions: 24\"x36. Condition: Excellent. Acc. 2010.534\u003c/p\u003e","\u003cp\u003eScope and Contents Copies(large and small) of blueprint s for the Alcove addition to the Commons Dining Hall at the College of William and Mary,; Plans for foundation; elevations, main cornice and porch corner. Separate plan for Seating Section dated October 20, 1925. Revisions dated December 29, 1925 Architect: Charles M. Robinson Architects. Sheets: 8. Dimensions:Seating Section 16.75\"x11\"; Medium plans(4) 16.5\"x24\"; Large Plans(3) 36\"x24\". Condition: Very Good. Notes: Handwrittten notations and file numbers before it arrived in Special Collections. Acc. 2010.535\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Webster Heating System Plans for the Cheatham House Apartments; Basement piping and First, Second and Third Floor Plans. Architect: Charles M. Major Architects. Sheets: 4. Dimensions: 20.25\"x23.75\". Condition: Good with some frayed edges; pages stapled. Notes:Handwritten notations on the back before item arrived in Special Collections. Acc. 2010.536\u003c/p\u003e","\u003cp\u003eScope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Bozarth Duke House; Two copies of page 1 \u0026amp;2. Architect: Charles M. Major. Sheets: 4. Dimensions: Pages 1,2 \u0026amp; 4. 19\"x19.25\"; page 3, 17x22.25\". Stapled. Condition: Good; tears and tape on edges and typed label on back page before it arrived in Special Collections. Acc. 2010.538.\u003c/p\u003e","\u003cp\u003eScope and Contents Development Plan for Eastern State Hospital at Dunbar, Virginia and Map of the Williamsburg Tract. Engineer: La Prada Bros. Sheets: 2. Dimensions: Page 1, 24\"x36\"; page 2, 25\"x36\". Condition: Very Good. Some tears and tape on edges; handwritten notes on back of page 1 before it arrived in Special Collections. Acc. 2010.539.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Sections AA and BB (Doors, Stairs and Roof) for the Main Building (Wren) of the College of William and Mary. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 1. Dimensions: 30.75x40.5\".  Condition:  Good, torn section in upper right hand corner and some tape and tears. Date noted on back before it arrived in Special Collections. Acc. 2010.540.\u003c/p\u003e","\u003cp\u003eScope and Contents Map showing property owners for the block in Williamsburg, Virginia bounded by Richmond Road, Boundary Road, Prince George Street and Harris or Cromwell Streets. Engineer: J. Temple Waddill, Inc. Sheets: 1. Dimensions: 36.75\"x28\". Condition: Good with some tears and tape. Typed stickers and notes on back before it arrived in Special Collections. Acc. 2010.547.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations to Bright House: Page 1-Basement Plan; Page 7R-Detail of Stairs; Page 8-Entrance Loop; Page RH1-Basement Heating plan; Page H2- First Floor Heating Plan; Page H3-Second Floor Heating Plan; and Page 101-Three Beams and Columns. Architect: J. Binford Waldford and P. Padleton Wright. Sheets: 7. Dimensions: Page 101, 12.75\"x18.5\"; page 8, 13.75x21.25\"; pages 7R, RH1, H2,H3, 21\"x30.25\". Condition: Very Good, with a few worn edges and several handwritten notations on back. Acc. 2010.548\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Steam and Hot Water Distribution System Improvements: Page 1-General Layout; Page 2-Steam Conduits and Drain Lines; Page 3-Manhole and Conduit Details; Page 4-Manhole Details; Page 5-Manhole and conduit Details; Pages 6, 7 \u0026amp; 8- Details of Building Work; Page 9-Drip Trap Details. Consulting Engineers: Wiley \u0026amp; Wilson. Sheets: 9. Dimensions: 36\"x24\". Stapled. Condition: Very Good with some worn/torn edges; typed notations on back. Acc. 2010.549.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Washington Hall: Page 8-Sections AA,BB,CC; Unnumbered Sheet -Front and East Elevations; Page 1-Foundation Plan; Page 2-First Floor Plan; Page 3-Second Floor Plan; and Pages 4 with Copy-Third Floor Plan .Architect: Charles M. Robinson. Sheets: 7. Dimensions: Page 8: 36\"x24\"; remaining pages 22.25\"x31.5\". Condition: Overall-Good; copy of page 4 poor--torn. Notes: File numbers on front and stamped notations on back before it arrived in Special Collections. Acc. 2010.550.\u003c/p\u003e","\u003cp\u003eScope and Contents Dormitory Annex General Development Plan; Soroities between Prince George Street and Richmond Road. Landscape Architect: Charles Gillette. Sheets: 1. Dimensions: 27.75\"x42.25\". Condition: Very Good with only a few small tears on edges. Notes: File numbers on front and stamp on back before it arrived in Special Collections. Acc. 2010.551.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Brafferton Hall Kitchen Plumbing and Heating. Sheet P-1-Plan of second floor new plumbing fixtures and Sheet H-1- Basement and First Floor Heating Plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 2. Dimensions: 18\"x24\". Condition: Very Good. Notes: File numbers and date(February 21, 1951) stamped on front before it arrived in Special Collections. Acc. 2010.552.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for replacing the Kitchen Floor in the Dining Hall. Sheet 1-Plan for Alterations to the Basement; Sheet 2-Plan for Movement of Equipment. Architect: Charles M. Robinson. Sheets: 2; Dimensions: Page 1, 16\"x24.5; page 2, 17x24.5\". Bound. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.553.\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of Blueprints for Taliaferro Hall. Sheet 1: Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor; Sheet 5 Center Portion of Roof; Sheet 6 Section FF; Sheet 7 Sections CC, DD, EE; Sheet 8 Section BB and South Elevation; Sheet 9 Section AA and North Elevvation; Sheet 10 East Elevation; Sheet 11 West Elevation; Sheet 12 Cornices and Dormers; Sheet 13 Cornices and Dormers at 45 degree pitch; Sheet 14 Doors and Windows; Sheet 16 Alternate F, elevations and schedule. Architect: Charles M. Robinson. Sheets: 15; Dimensions: 18\"x24. Bound. Condition: Excellent. Notes: File number on front before it arrived in Special Collections. Acc. 2010.554.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Womens Dormitory Number Three. Sheet 1-Basement \u0026amp; Foundation; Sheet 2 First Floor; Sheet 3 Second and Third Floors; Sheet 4 Attic and Roof; Sheet 5 Section DD; Sheet 6 Sections AA, BB, CC East Elevations; Sheet 7 Campus Side(North ) Elevations; Sheet 8 Roadside(South) Elevations; Sheet 9 Dormers Windows, Cornices and Water Table; Sheet 10 Elevations from Road and Campus, Arch, entrances and cloister elevations; Sheet 11 Stairtowers. Architect: Charles M. Robinson. Sheets: 11; Dimensions: 24\"x36\". Bound. Condition: Very Good; File numbers and dates stamped on front. Acc. 2010.555.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Heating and Power Plant additions at the College of William and Mary. Sheet 1 Above Coal Bin; Sheet 2 Plan Taken near roof; Sheet 3 Roof Plan; Sheet 4 East, South and West Elevations; Sheet 5 Sections AA and BB; Sheet 6 Campus Map; Sheet 7 New Pipes in tunnels; Sheet 8 Longitudinal Section; Sheet 9 Boiler #6 Elevations. Architect: Charles M. Robinson. Sheets: 9; Dimensions: Page 1, 29.75\"x22.75\". Bound. Condition: Very Good. File numbers on front before it arrived in Special Collections. Acc. 2010.556.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised plans for a new Underground Steam line to serve the garage and residence-General Layout. Consulting Engineers: Wiley and Wilson. Sheets: 1; Dimensions: 36\"x24. Condition: Good, tape with torn corner and edges. Typed Sticker (dated September 30, 1944 and noting 11 pages) on back before it arrived in Special Collections. Acc. 2010.557.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Ampitheater with seating capacity of 2340. Sheet 1 layout of halfside of stage and buildings; Sheet 2 \u0026amp; 3 unlabeled; Sheets 4 \u0026amp; 5 Public toilets and front elevation; Sheets 6\u0026amp;7 Floor Plan; Sheet 8 Boxes for electrical connections; Sheets 9, 10-12 Details of Mast and Shields at Gate,  page 9 is reversed. Architect: Charles M. Major and Finlay F. Ferguson, Jr.  Sheets: 12; Dimensions: Page 1, 34.75\"x20\"; page 2\u0026amp;3, 21\"x16\"; pages 4\u0026amp;5 10\"x25\",  Pages 6\u0026amp;7 21'X16\", Page 8 16.23\"x28.5\", pages 9-12 25'X18\". Partially stapled. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.558.\u003c/p\u003e","\u003cp\u003eScope and Contents Sanitary Sewerage System plans for the Fraternity Houses at the College of William and Mary. Sheet 1 General Layout; Sheet 2 Plot Plan, Manholes and Elevations; Sheet 3 Heating Plan for Lodges. Architects: J. Blanford Walford and O. Pendleton Wright. Consulting Engineers: Wiley \u0026amp; Wilson; Sheets: 3. Dimensions: pages 1\u0026amp;2: 36\"x24\"; page 3 21\"x29.75\". Condition: Good with some tape and torn edges, water marks and stamped notations on back. Acc. 2010.559\u003c/p\u003e","\u003cp\u003eScope and Contents Basement Floor Plan for Brafferton Hall Heating and Plumbing Systems including plot plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Consulting Engineer: George A. Wechsler. Sheets: 1. Dimensions: 30\"x24\". Condition: Very Good with slight tear. Acc. 2010.560.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations to Bright House. Sheet 1 missing; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Front Elevation; Sheet 5 Rear Elevation; Sheet 6 Mantels; Sheet 7 Stairs and Landing Newels. Architects: J. Binford Walford and O. Pendleton Wright . Sheets: 6 Dimensions: 30.5\"x21\". Condition: Very Good with some worn/torn edges; stamped notations and marks on back. Acc. 2010.561.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Marshall Wythe Hall (now James Blair Hall) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor'; Sheet 7 South Elevation and Section YY; Sheet 8 Longitudinal and Section XX, Transome; Sheet 9 Plumbing Risers; Sheet 15 Inaccessible Areas. Architects: J. Binford Walford successor to Chalres M. Robinson. . Sheets: 7 Dimensions: Pages 1-6: 36.75\"x24\".; Page 7 30\"x 20.5. Condition: Very Good Acc. 2010.562.\u003c/p\u003e","\u003cp\u003eScope and Contents Mechanical Layout (map) for the College of William and Mary. Architects: Charles M. Robinson and later J. Binford Walford and O. Pendleton Wright . Sheets:1 Dimensions: 51.75\"x 42.5\".  Condition: Good with some tears and folds. Acc. 2010.563.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Women's Dormitory #3 (Landrum) with several sheets from Women's Dormitory #2. Sheet 1 Sections AA, BB, East Elevation; Sheets 2\u0026amp;4 First Floor; Sheet 3 North Elevation Women's Dormitory #2; Sheet 5-7 Second and Third Floors; Sheet 8\u0026amp;9 Left and Right Elevations, Sec. AA, BB, CC; Sheet 10\u0026amp;11 Road Side Elevation; Sheets 12\u0026amp;13 Doors; Sheet 14 Elevation of North Side of Women's Dormitory #2.  Architects: Charles M. Robinson. Sheets:  Dimensions: Sheets 1,3 30\"x41.5\"; Sheets 2,4-14 21\"x 36\".. Partially stapled. Condition: Good to fair with some missing sections and notes. Acc. 2010.564.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations and additions to the library at the College of William and Mary. Sheets 1 \u0026amp; 6-10 missing. Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Upper portion of Second floor; Sheet 5 Third floor and Dormer; Sheet 11 Section BB; Sheet 12 Section AA.. Architects: Charles M. Robinson. Sheets: 6 Dimensions: 23.75\"x 23\". Condition: Very Good with some worn/torn edges; stamped notations on back. Acc. 2010.565.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for water supply layout for Washington Hall together with full written description. Sheet 1 Foundation Planmissing; Sheet 2 Water supply layout \u0026amp; First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan. Architects: J. Binford Walford. Sheets: 4  Dimensions: 30.75\"x22\". Pin-bound. Condition: Very Good sticker on back. Acc. 2010.566.\u003c/p\u003e","\u003cp\u003eScope and Contents Preliminary Survey fof the College of William and Mary. Sheet 1 East Side: Lake Matoaka to Boundary Street; Sheet 2 West Side: IronBound to old Jamestown Road. Surveyor: M.W. Thomas. Sheets: 2 Dimensions: 47.5\"x 27\". Condition: Very Good, stamped notations on back. Acc. 2010.567.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Women's Dormitory #2.(Barrett Hall) and Alterations. Sheet 1 Details of Portico and Porte Cochere; Sheet 2 East Elevation and Sections AA, BB; Sheet 3 North (Campus) Elevation; Sheet 4 Attic and Roof Plan; Sheet 5 Third Floor Plan; Sheet 6 Second Floor Plan; Sheet 7 First Floor Plan ; Sheet 8 East Elevation \u0026amp; Sections AA, BB; Sheet 9 South elevation;Sheet 10 North Elevation; Sheet 11 Drawings for Alterations; Sheet 12 Foundation Plan. Architects: Charles M. Robinson..Sheets: 12 Dimensions: 42.5\"x 36\". Partially stapled. Condition: Good, some copies faded, worn edges. Acc. 2010.581.\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical Map for the College of William and Mary showing building locations. Architects: J. Binford Walford and O. Pendleton Wright . Topography by J.H. Foster. Sheets: 1 Dimensions: 40\"x 49\".  Condition: Good with some torn edges and  notations on front and label on back. Acc. 2010.582.\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical Survey for the Stadium, Lodges, and Phi Bet Kappa Area. Sheet 1 Stadium (Cary Field) and Tennis Courts; Sheet 2 Area between Richmond Road, Jamestown Road and Landrum Drive. Architects: Governor's Office Division of the Budget Institutional Engineers. Topography: B.W. Chalkey \u0026amp; W. H.Schremp. Sheets: 2. Dimensions: 43\"x59\". Condition: Poor with water damage and a lot of tape and many tears. Label on back. Acc. 2010.583.\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical Map for the site for the Jamestown Drama. Architects: Governor's Office of the Budget Institutional Engineers. Topography: B.W. Chalkley. Sheets: 2. Dimensions: 38\"x 56\". Condition: Very Good with some worn edges and sticker with typed notations on back. Acc. 2010.584.\u003c/p\u003e","\u003cp\u003eScope and Contents Utility Plan Project under VA-44355 for Veteran's Housing at the College of William and Mary. Architects: Charles M. Major. Sheets: 1. Dimensions: 42.75\"x 16\". Condition: Very Good with evidence of previous sticker on edge; stamped on back with handwritten note - \"Matoaka Court.\". Acc. 2010.585.\u003c/p\u003e","\u003cp\u003eScope and Contents Plot layout for the 10 Acre additon to the Cedar Grove Cemetery in the City of Williamsburg, Virginia; plans also indicate lines from 1960. Surveyor: R.E. Davis. Sheets: 1 Dimensions: 16.25\"x23\". Condition: Very Good with some tape and tears and a sticker on back. Acc. 2010.586.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the room layouts in Barrett Hall at the College of William and Mary. Seet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan. Architects: Charles M. Major. Sheets: 3. Dimensions: 7.5\"x18\". Pin-bound. Condition: Very Good with handwritten notations on back. Acc. 2010.587.\u003c/p\u003e","\u003cp\u003eScope and Contents Plot Layout Plan for the storage buildings, warehouses A, B, C, and D, as well as manhole schedule and sewer lines. Architects: Charles M. Major. Sheets: 1 Dimensions: 20.25\"x 27\". Condition: Good some tears and damaged edges; sticker on back. Acc. 2010.588.\u003c/p\u003e","\u003cp\u003eScope and Contents Survey for Tilmouth Section of the College of William and Mary in Bruton District, York County, Virginia. Addition boundaries outlined from 1939, 1943 and 1952. Surveyor: none listed. Sheets: 1. Dimensions: 24.5\"x 38\". Condition: Good, tissue paper with a number of tears and missing pieces. Acc. 2010.589.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans Six Family Apartments at the College of William and Mary. Sheet 1 Basement and Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Elevations. Architects: Charles M. Major. Sheets: 4 Dimensions: Pages 1-3 21\"x 16.5\"; Page 4 16.5\" x26\". Pin-bound. Condition: Very Good, torn corner section, handwritten notation on back . Acc. 2010.590.\u003c/p\u003e","\u003cp\u003eScope and Contents Large scale drawing of the College of William and Mary. No architect or surveyor given. Sheets: 1 . Tissue. Dimensions: 36\"x 45\". Condition: Very Good, penciled notation on front. Acc. 2010.591.\u003c/p\u003e","\u003cp\u003eScope and Contents Large aerial photograph of the College of William and Mary dated March 1969. No further information or photographer indicated. Sheets: 1. Dimensions: 43.5\"x 34.5\". Condition: Very Good, edges bent or slightly torn. Acc. 2010.592.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for embracing the areas of Colonial Occupation in Williamsburg, Virginia. Revisions in red dated October 27, 1959. Architects: Colonial Williamsburg and Williamsburg Restoration. Sheets: 1 Dimensions: 40\"x 70\". Condition: Very Good, some frayed edges, handwritten notes on back and sticker attached. Acc. 2010.593.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Women's Dormitory # 2, Barrett Hall. Page 1 \u0026amp; 5 East Elevation, Sections AA, BB; page 2\u0026amp;10 North Elevation; page 3 South Elevation; page 4 Third Floor Plan; page 6 Attic and Roof Plan; page 7 Second Floor Plan; page 8 First Floor Plan; page 9 Foundation Plan; Page 11 Portico, Cornice \u0026amp; Columns. Architects: Charles M. Robinson. Sheets: 11  Dimensions: Page 1,3, 6\u0026amp;7 19.5\"x38.75\"; page 2 19.5\"x 36\", page 4, 8-11 19.5\"x37.5 page 5 19.5\" x 40.25\"  Condition: Poor with patches, tears and tape. Acc. 2010.594.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for an Aviary Addition at the College of William and Mary. Page 1 Title Sheet and location maps; Page 2 Site Plan; Page 3 Architectural Plans and Sections; Page 4 Elevations and Details; Page 5 Plumbing Plans; Page 6 Plumbing and Additive Bid; Page 7 Mechanical Plan; Page 8 Electrical Plan. Architects: McKinney and Company. Sheets: 8; stapled. Dimensions: 24.375\" x 36\" . Condition: Very Good; revisions in red ink and some worn edges. Acc. 2010.595.\u003c/p\u003e","\u003cp\u003eScope and Contents General Plan for a portion of the College of William and Mary from the Library to College Terrace. Architects: Charles F. Gillette. Sheets: 1 Dimensions: 42\" x 72\" Condition: Poor with folds, tape, and torn portions. Acc. 2010.596.\u003c/p\u003e","\u003cp\u003eScope and Contents Planting Plan for the area around the Fraternity Lodges at the College of William and Mary(Two copies). Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 37\" x 42\" Condition: Good with some tears, cuts, and sticker on back. Acc. 2010.597.\u003c/p\u003e","\u003cp\u003eScope and Contents Grading and layout plan for the area around Bright House at the College of William and Mary. Pages 1\u0026amp;2 Grading Plan 1947; Pages 3\u0026amp;4 Planting Plan for Bright House 1949. Architects: J. Binford Walford and O. Pendleton Wright. Landscape Architects: Charles F. Gillette. Sheets: 4 Dimensions: Pages 1 \u0026amp;2 39.5\" x 40.25\"; Pages 3\u0026amp;4 41\"x 41\". Condition: Good with some tears and stickers on back. Acc. 2010.598.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Ludwell Apartments at the College of William and Mary. Site plan, elevations, electrical, water, sewer, ventilation and other mechanical plans as well as typical floor plan and foundation plan, ventilation, entrance and window plans. Architects: Bernard Spigel; Civil Engineer: Jno. M. Baldwin. Sheets: 32. Bound and Stapled. Dimensions: 22.75\" x 36\" Condition: Good with some water damage apparent. Acc. 2010.599.\u003c/p\u003e","\u003cp\u003eScope and Contents Plan for the location of the Fraternity Houses at the College of William and Mary. Architects: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 55\" x 39\" . Condition: Very good with slight tears and tape and sticker on back. Acc.2010.600.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Company Plans for Arrangement of Grounds and Parking Area Landscape Detail. Parking Lot - 370 Cars. Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 69\"x 36\". Condition: Good with rips and tears and notations on back. Acc. 2010.610.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Amphitheatre (Football Stadium) at the College of William and Mary. Situations plan, cross sections, elevations, pavillions, seating drainage and heating plans included. Architects: J. Binford Walford. Sheets: 13 Pin-bound. Dimensions: 55\" x 24\"; Condition: Very good with damaged and frayed edges. 2010.611.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Steam and Hot Water Improvements at the College of William and Mary. Plans include general layout, conduits and drain lines, manhole details and alternate plan for concrete conduits. Construction Engineers: Wiley and Wilson. Sheets: 10 Dimensions: 24.75\"x 36\". Previously Stapled. Condition: Good, faded with some frayed edges, tape and notations on back sheet. Acc. 2010.612.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026amp; 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8. Dimensions: Pages 1-3,6 \u0026amp; 8 27.5\"x 17.25\"; pages 4-5 \u0026amp; 7 20.25\" x 17.25\". Pinned and bound. Condition: Very Good, stamped on back and notations on binding paper. Acc. 2010.613.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for building the Chi Omega Sorority House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor \u0026amp; Plot Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 21.5\"x 18\". Stapled. Condition: Excellent. Acc. 2010.614.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for building the Gamma Kappa Chapter House of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 First Floor(3 copies, two loose); Sheet 2 First Floor \u0026amp; Terrace Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architects: J. Binford Walford successor to Charles M. Robinson. Sheets: 9. Dimensions: Page 1(3 copies) 25.75\"x 17\"; pages 2-7 17.5\" x 16.5\". Pinned and bound. Condition: Good; red notations on binding and front sheet. Acc. 2010.615\u003c/p\u003e","\u003cp\u003eScope and Contents Plans (blueprints and copy) for building the Pi Beta Phi Court Dormitory House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5 (2 sets). Dimensions: 18\"x 16.75\". Stapled. Condition: Good with some discoloration; red pencil and ink notations on first three pages. Acc. 2010.616.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations and additions to Taliaferro Hall at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan and Section BB; Sheet 5 South Elevation; Sheet 6Sections AA \u0026amp; CC; Sheet 7 East Elevation; Sheet 8 West Elevation; Sheet 9 North Elevation. Architect: Charles M. Robinson. Sheets: 9. Dimensions: 24\"x 15.5\". Pinned and bound. Condition: Good, some pages faded, notations on binding paper. Acc. 2010.617.\u003c/p\u003e","\u003cp\u003eScope and Contents Insurance Map for the College of William and Mary from the Engineering Department of South-Eastern Underwriters Association.  Engineer: R. K. Scott.  Sheets: 1.  Dimensions:  22\"x  16.5\".  Condition: Excellent. Acc. 2010.618.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copies of plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary(see Acc. 2010.613) Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026amp; 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8.(2 sets) Dimensions: Pages 1-3,6 \u0026amp; 8 27.75\"x 17.25\".; pages 4-5, 7 17.23\" x 20\". Stapled. Condition: Good, faded with notations on front page. Acc. 2010.619.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations and additions to the Graham House at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 \u0026amp; 7 Rear Elevation; Sheet 8 Section BB; Sheet 9 Section AA; Sheet 10 Section thru wall. Architect: Charles M. Robinson.  Sheets: 10.  Dimensions:  23\"x 18.25\".  Stapled and bound. Condition: Very Good, with some red notations on front page and binding paper. Acc. 2010.620.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for alterations to the Graham House, part 2. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor. Architect: Charles M. Robinson.  Sheets: 3.  Dimensions:  15.5\" x 24\".  Pinned and bound. Condition: Very Good, notations on binding paper. Acc. 2010.621.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Alpha Chi Omega House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.75\"x 18\". Bound and pinned. Condition: Very good with worn, bent edges. Acc. 2010.622.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the Chi Omega  House at the College of William and Mary, 155 Richmond Road. Sheets 1\u0026amp;4  Second Floor Plan; Sheet 2\u0026amp;3  First Floor Plan. Architect: Charles M. Robinson.  Sheets: 4.  Dimensions:  19.5\"x 20\".  Bound and stapled. Condition: Good with some torn edges and stamp on back. Notations on binding.  Acc. 2010.623.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copy(includes 3 pages of revisions in July 1929-see ACC.2010.625) of plans for the Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.624.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for additions to Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 revised First Floor Plan; Sheet 2 Rear Elevation; Sheet 3 Side Elevation. Architect: Charles M. Robinson. Sheets: 3. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.625.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Sorority Houses at the College of W\u0026amp;M. Pi Beta Phi House pages 1 \u0026amp; 5 - First, Second and Third floor plans; pages 2 \u0026amp; 3 the Kappa Delta House First, Second and Third floor plans; page 4 Phi Mu House: First, Second \u0026amp; Third floor plans. Architect: Charles M. Major.  Sheets: 5.  Dimensions:  12\"x 24.25\".  Stapled together. Condition: Good with some notations, tape and torn edges. Acc. 2010.626.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint and copy for Kappa Alpha Theta. First and Second Floor plan with copy. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 12\"x 21.75\"; copy 12.25\" x 22. Very good with some notations on front. Acc. 2010.627.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copy for improvements to the Phi Mu House at the College of William and Mary. Plans for the first, second and third floors. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 21.5\"x 12.25\"; copy 21.875 x 12.5\". Condition: Very good with red revisions and notation (Gamma Phi Beta) on front. Acc. 2010.628.\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of blueprints for Women's Dormitory # 3 Annex - Delta Delta Delta at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Attic Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 Rear Elevation. Architect: Charles M. Robinson. Sheets: 6. Dimensions: Sheets 1\u0026amp;2 23.75\"x 18\"; Sheets 3\u0026amp;4 17.5\" x 22.25\"; Sheet 5 23.25\" x 17.5\"; Sheet 6 18.5\" x 23\". Stapled. Condition: Very good, notations of Delta Delta Delta on front page. Acc. 2010.629.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the Morris House at the College of William \u0026amp; Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan. Architect: Charles M. Major. Sheets: 2. Dimensions: 12\"x 8.75\". Stapled. Condition: Very good, with some torn edges. Acc. 2010.630.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the Old Sigma Mu House at the College of William and Mary. First \u0026amp; Second Floor Plan. Architect: Charles M. Major. Sheets: 1. Dimensions: 11.5\"x 10\". Condition: Very good, small tear in edge. Acc. 2010.648\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Kappa Kappa Gamma House at the College of William and Mary. Plans for the First and Second Floors. Architect: Charles M. Major. Sheets: 1. Dimensions: 16.75\"x 12\". Condition: Very good with tear and notations on front indicating possible changes. Acc. 2010.649.\u003c/p\u003e","\u003cp\u003eScope and Contents Botetourt Statue for the College of William and Mary. Sheet 1 Botetourt Statue; Sheet 2 Drawing of the Statue; Sheet 3 Diagram of the Pedestal for marble estimate. Architect: Colonial Williamsburg Architectural Department.  Sheets: 3.  Dimensions:  Sheet 1: 11.75\" x 14\"; Sheet 2 28.5\" x 20\"; Sheet 3 28\"x 34\".  Stapled. Condition: Very good.  Acc. 2010.650.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the building for the Gamma Kappa Chapter of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 16\"x 17.25\". Pinned and bound . Condition: Good with numerous notations on drawings and binding. Acc. 2010.651.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copy for the Infirmary (Hunt Hall) at the College of William and Mary. Sheet 1 Basement; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor and Plot Plan; Sheet 5 East (Boundary Street Elevation); Sheet 6 West ( Campus) Elevation \u0026amp; Alternate Porch Plan; Sheet 7 North Elevation, Section AA, Cornice and Dormers; Sheet 8 Section BB and Interior Doors. Architect: Charles M. Robinson. Sheets: 8 original and 8 copy. Dimensions: 19.25\"x 29\". Loose; copy stapled. Condition: Good with tape, worn edges and fading; some red ink revisions. Acc. 2010.652.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Williams Barton Rogers Memorial Science Hall (Tyler Hall as of 1997) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan; Sheet 5 Roof Plan; Sheet 6 Sections AA, BB, CC; Sheet 7 South (Campus) and East and West Elevations; Sheet 8 West Elevation, Rear (North) Elevation, and Dormer Details; Sheet 9 Details for Vestibule, Corridor \u0026amp; Doors, Sections BB and CC; Sheet 10 Entrance Details; Sheets 11-13 Mechanical layouts for First, Second and Third floors; Sheets M1-M3 Utility Plans for First, Second, and Third Floors; Sheet M4 Reasearch Labs, 2nd \u0026amp; 3rd Floors; Sheet M5 Physical and Organic Chemistry Labs; Sheet M6 Microscopy. Architect: Charles M. Robinson.  Sheets: 19.  Dimensions:  22.25\"x 30.5\".  Pinned, last page loose. Condition: Fair with frayed edges and wear; black ink notations on front.  Acc. 2010.653.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and copies for Washington Hall at the College of William and Mary. Sheet 1  Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor; Sheet 4 Third Floor Plan; Sheet 5 (with copy) Roof Plan, Sections AA, BB, FF and Plot Plan; Sheet 6 East and front Elevations; Sheet 7 Rear Elevation; Sheet 8 (with copy) Sections AA, BB, CC; Sheet 10 Section thru Wall, Circle Window and Gables; Sheet 11 Detail of Front Entrance Doors; Sheet 12 Side Entrance.  Architect: Charles M. Robinson.  Sheets: 14 .  Dimensions:  Originals 31.75\"x 22.5\"; copies 34.5\" x 24\".  Loose some originals, others paper and tissue. Condition: Fair to good, faded with markings on some pages, edges torn.  Acc. 2010.654.\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of plans for alterations and additions to the Dining Hall at the College of William and Mary. Sheet 1 Basement Plan; Sheet 2 First Floor Plan; Sheet 3 Sections AA \u0026amp; BB; Sheet 4 North and West Elevations; Sheet 5 Rear and East Elevations; Sheet 6 Roof and ventilation plans. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 33.25\"x 23\". Five sheets staple; one loose. Condition: Very good; notation on back \"Trinkle Hall C3\". Acc. 2010.655.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans and copies for the addition of a restroom to Tyler Hall. Sheet 1 Foundation and east elevation; Sheet 2 First Floor Plan and Section AA; Sheet 3 Copy of sheet 2; Sheet 4 North Elevation and Second Floor; Sheet Copy of sheet 4; Sheet 6 Doors, Windows, Section BB and Section CC. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 16.875\"x 24.5\". Stapled. Condition: Good; edges are worn; tear and tape and some pieces torn off. Notations on back. Acc. 2010.656.\u003c/p\u003e","\u003cp\u003eScope and Contents Site Development Plan for the James Blair Sculpture at the College of William and Mary. Architect: E. Pease. Sheets: 1 . Dimensions: 23.875\"x 36\". Condition: Very good. Acc. 2010.657.\u003c/p\u003e","\u003cp\u003eScope and Contents Preliminary Plans for the design of the Memorial Tablet for the Science Hall. Science Hall dedicated to \"The Memory of William Barton Rodgers.\". Architect: Charles M. Robinson. Sheets: 1 . Dimensions: 18.5\"x 14.75\". Condition: Very Good. Acc. 2010.658.\u003c/p\u003e","\u003cp\u003eScope and Contents Development Plan for the College of William and Mary. Work shows general outline of College properties with indications for proposed buildings. Architects: Wright, Jones \u0026amp; Wilkerson. Sheets: 1. Dimensions: 19\"x 22.5\". Condition: Very Good; brown spot on plan. Acc. 2010.659.\u003c/p\u003e","\u003cp\u003eScope and Contents Development Plans for the College of William and Mary. Sheet 1 Plans dated August 1960; Sheet 2 Plans dated February 1961. Architects: Walford and Wright. Sheets: 2 . Dimensions: Sheet 1 15.875\"x 15.5\"; Sheet 2 16\"x13.5\". Condition: Very good with some discoloration; sticker on back. Acc. 2010.660.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Lake Matoaka Amphitheatre at the College of William and Mary in Williamsburg, Virginia.  Architect: Charles M. Majors.  Sheets: 1.  Dimensions:  Plan 32.75\"x 19.25\"; cardboard 23\"x36.5\". Condition: Good; plan glued to cardboard backing.  Acc. 2010.661.\u003c/p\u003e","\u003cp\u003eScope and Contents Materials related to the fire of February 8, 1859 and plans for the restoration of the Wren building. Gazette Article dated March 2, 1859. Several plans and copies of plans for the reconstruction of the Wren Building (William and Mary College) on the exisiting walls. Architect: H. Exhall. Sheets: 10 . Dimensions: small 7\"x12\"(3); medium 19'x17.75\"; 22\"x21.5\"(2); 11\"x7.5\"(2); large 29.75\"x25\". Stapled. Condition: Worn, one torn in half. Acc. 2010.662.\u003c/p\u003e","\u003cp\u003eScope and Contents Materials related to the planning, bidding and construction of Eastern State Hospital. Sheet 1: Roads, Curbs, Gutters and Sidewalks as Constructed, September 25, 1950; Sheet 2 Road Profiles Side and rear; Sheet 3 Road Profiles Section AA. Architect: Rudolph, Cooke and Van Leeuwen.  Sheets: 3 .  Dimensions:  Page 1 34.5\"x49\");page 2 \u0026amp; 3 22\"x49\".  Stapled and bound. Condition: Poor with large sections ripped and torn.  Acc. 2010.663.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the construction of Building No. 42 on the property of Eastern State Hospital (Dillard complex). Sheet 1 (2) East \u0026amp; West Wings and End Elevation; Sheet 2(2)Doors \u0026amp; finish Schedule; Sheet 3 Section Details; Sheet 4 South and east Elevations; Sheet 5 Fixture and Electrical Schedule; Sheet 6 Heating and Ventilation; Sheet 7 Attic. Architect: Robert O . Leary. Sheets: 9; 2 loose, remaining bound. Dimensions: 30.25\"x14\". Stapled. Condition: Good with worn and torn edges. Acc. 2010.664.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the construction of single Employees Building No. 42 \u0026amp; 43 on the property of Eastern State Hospital (Dillard complex). Architects: Rudolph, Cooke and Van Leeuwen. Sheets: 1. Dimensions: 31.875\" x 21\". Condition: Good with worn and torn edges. Acc. 2010.665.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the construction of Buildings No. 38, 46, 47, 48, 49. Doctor's residences. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architects: Rundolph, Cooke and Leeuwen; and Williams, Coile and Pipino. Sheets: 43; Pinned and bound. Dimensions: 36.5\"x18\"(40); 36.5\" x 15(3). Stapled. Condition: Good with some torn edges. Acc. 2010.666.\u003c/p\u003e","\u003cp\u003eScope and Contents As Built Drawings for Buildings No. 38, 46, 47, 48, 49, the Superintendent and Doctors' residences at Eastern State Hospital. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architect: Rundolph, Cooke and Leeuwen; and Williams, Coile and Blanchard. Sheets: 51; Pinned and bound. Dimensions: 36.5\"x18\"(49); 36.5\" x 15(2). Stapled. Condition: Very good with some torn edges. Acc. 2010.667.\u003c/p\u003e","\u003cp\u003eScope and Contents Development Plan for the College of William and Mary designed for the Capital Budget Outlay 1966-1968. Architects: Wright, Jones, and Wilkerson. Sheet: 1; Pinned and bound. Dimensions: 42.5\"x55\". Condition: Poor, ripped and torn with some tape. Acc. 2010.668.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the development and landscaping of the area around the Wren Building as proposed by Williamsburg Restoration. Pages include plans by numerous different groups; construction detail, landscape and utility information included, as well as a plot plan. Architects: Perry, Shaw and Hephurn; and Colonial Williamsburg; Landscape Architect: Arthur A. Schurcliff; Consulting Engineers: Wiley and Wilson . Sheets: 72; Stapled, several pages loose.  Dimensions: 36\" x 48\". Stapled. Condition: Very Good.  Acc. 2010.669.\u003c/p\u003e","\u003cp\u003eScope and Contents Survey of the College of William and Mary-Plot Plan. Architects: Walford and Wright. Sheets: 1. Size: 35\" x 46\". Acc. 1989.66.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of the College of William and Mary with insert map. Civil Engineers: La Prada Bros. Sheets: 2. Large 42\" x 72\"; small 8\" x 12\". Acc. 1989.65.002\u003c/p\u003e","\u003cp\u003eScope and Contents Map of the Campus of The College of William and Mary. Civil Engineers: La Prada Bros. Sheets: 1. Size: 20\" x 40\". Condition Fair, torn with tape. Acc.1989.67.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of the College of William and Mary and Affiliated Organizations. Civil Engineers: La Prada Bros. Sheets: 1. Size: 40\" x 72\". Condition: Good. Acc.1989.68.\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical Map of the College of Wiliam and Mary. Consulting Engineers: Austin Brockenbrough. Sheets: 2. Size 36\" x 72\". Condition: Good. Acc.1989.72.\u003c/p\u003e","\u003cp\u003eScope and Contents Maps of the College of William and Mary. Commonwealth of Virginia Divison of Engineers and Buildings. Sheets: 2. Size: 24\" x 26\" and 36\" x 48\". Condition: Good. Acc.1989.69.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of the College of William and Mary indicating buildings by number--Master Development Plan for the 1976-1986 period. Sheets: 3 (original and two copies). Size: 42\" x 66\" and 36\" x 48\". Condition: Good with some tears on edges. Acc.1989.70.\u003c/p\u003e","\u003cp\u003eVeterans Housing Plans for the subdivision of Matoaka Court adjacent to Williamsburg Hospital. Architect: Charles M. Major. Civil Engineers: La Prada. Also includes survey completed on May 21, 1958 by William M. Lewis. Sheets: 12. Condition: Good with some marks on survey. Acc. 1989.43\u003c/p\u003e","\u003cp\u003eDrawings of the front campus of The College of William and Mary showing a layout for bleachers, perhaps for graduation. 2 Copies. Acc. 1989.46\u003c/p\u003e","\u003cp\u003eMap of the Lafayette Street and North Henry Street portion of Williamsburg. Civil Engineers: La Prada Bros. Sheets: 1. Condition Good. Acc. 1989.44\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 20 (pages 16-24; S1-S11). Size: 43\" x 34\". Condition: Good with some small rips. Acc. 1999.49.002.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 12 (pages M1-M12). Size: 43\" x 34\". Condition: Good. Acc. 1999.49.003.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 16 (pages P1-7; E1-9). Size: 43\" x 34\". Condition: Good with some torn edges. Acc. 1999.49.004.\u003c/p\u003e","\u003cp\u003eScope and Contents General Plan for the Unification of the campus of the College of William and Mary and Lake Matoaka Park under the auspices of the National Park Service. Sheets: 1; 36\" x 72\". Condition: Good. Acc. 1988.60.002\u003c/p\u003e","\u003cp\u003eScope and Contents Map of Lake Matoaka State Park detailing adjacent areas, including forest land and water as well as other tracts and buildings. Sheets 1; 21\" x 28.25\". Condition: Good. Acc. 1988.60.003\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for landscaping of the College including detailed garden plans from 1922. Sheets: 15; 17\" x16\"(6);17\" x22\" (5);28.5\" x 35\" (4).Condition Good. Acc. 1988.59.002.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of College Grounds. Plans for tree planting on campus. Arrangement for the area between the Dining Hall and the Infirmary. Architect:Charles M. Robinson. Landscape Architect: Chales F. Gillette. Sheets: 4; 32\" x40\"(2); 38\" x 31\"(1); 40\" x 64.\" (1). Condition Poor to good with several folds and torn sections. Acc. 1988.59.004.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of Old College Grounds with plans for tree plantings. Sheets: 1; 40\" x 70.\" Condition: Good. Acc. 1988.59.005.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages; 31\" x 42\". Architects:  J. Bindford Walford and O. Pendleton Wright. Condition: Good. Some pages stapled. Acc. 1988.33.002.\u003c/p\u003e","\u003cp\u003eSet of 7 blueprints showing the plumbing system for Swem Library. Architects: Wright, Jones and Wilkerson. 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.002\u003c/p\u003e","\u003cp\u003eSet of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.002.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the proposed physical education building--now know as Wiiliam and Mary Hall/Kaplan Center. Plans include elevations, layout and landscape information included. Architects: Wright, Jones and Wilkerson. Sheets: 7; Dimensions: 11\" x 14\". Condition: Very Good. Acc. 2010.670.\u003c/p\u003e","\u003cp\u003eScope and Contents Drawing showing the manner in which the Sunken Garden would be developed per the Board of Visitors. Architects: Binford Walford; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 36\" x 24\". Drawing on Illustrating Board. Condition: Very Good. Acc. 2010.747.\u003c/p\u003e","\u003cp\u003eScope and Contents Architect's drawing (in color) of Old Dominion Hall. Architect: Charles M. Robinson. Sheets: 1. Dimensions: 36\" x 21\". Condition: Very Good. Acc. 2010.748.\u003c/p\u003e","\u003cp\u003eScope and Contents Architect's drawing (in color) of Rogers Hall ( previously known as Chancellor's Hall). Architect: Charles M. Robinson. Sheets: 1. Dimensions: 30\" x 20\". Condition: Very Good. Acc. 2010.749.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the development of the college. Architect: Walford and Wright. Sheets: 2. Dimensions: 15.25\" x 15.25; 15\" x.13.5\". Condition: Very Good. Acc. 2010.750.\u003c/p\u003e","\u003cp\u003eScope and Contents Photos of proposed plans for the development of Campus, April 1953 including copies. Original plans destroyed by fire in September 1986. Architect: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 3 (original and two copies). Dimensions: irregular-approximately 18.5\" x 28\". Condition: Good. Acc. 2010.751.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of Campus in August 1953. Original rendering destroyed by fire in June 1986. Architect: Charles M. Major. Sheets: 3 ( original and two copies). Dimensions:  18.5\" x 19\"; 15\" x 11\"; 13.5\" x 11\". Condition: Poor, ripped  in half and glued onto backing.  Acc. 2010.752.\u003c/p\u003e","\u003cp\u003eScope and Contents Pen and Ink Drawings for proposed music building on the campus of William and Mary. Drawings include four side elevations; floor plans; site plan and external view. Architects: Odell Associates. Sheets: 4; pen and ink on boards. Dimensions: 20\" x 30\". Condition: Excellent. Acc. 2010.753.\u003c/p\u003e","\u003cp\u003eScope and Contents Map outling the exisiting and proposed buildings for the College of William and Mary. Architect: Walford and Wright.  Sheets: 1; folded and glued onto corrugated cardboard backing;  49\" x 36\". Condition: Fair.  Acc. 2010.754.\u003c/p\u003e","\u003cp\u003eScope and Contents Survey map of Campus for Improved Risk Mutuals. Survey: R.G.M.; revision by P.R.B. Sheets: 1. Dimensions: 62\" x 61\". Condition: Good, but rippped, taped and folded  Acc. 2010.755.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of College lands off campus in King William County. Drawings completed by Elizabeth Ryland and Mr. Snell. Sheets: 2; one blueprint and one ink. Dimensions: 42\" x 18\"(ink on tissue); 45\" x 18\". Condition: Good, but folded  Acc. 2010.756.\u003c/p\u003e","\u003cp\u003eScope and Contents College lands in the St. John's Parish of King William County with tracts shown. Sheets: 4; original on tissue with one copy with two pieces and one partial. Original 18\" x 24; 17\" x 11\"; 8.5\" x 11.\" Condition: Good. Acc. 2010.757.\u003c/p\u003e","\u003cp\u003eScope and Contents Map of off campus lands in King William County with numerous owners and acres outlined around Manquin Mill Pond. Sheets: 6. Dimensions: 23.5\" x 19\" (1); 36\" x 48\"(5). Condition: Good. Acc. 2010.758.\u003c/p\u003e","\u003cp\u003eScope and Contents Picture on board of proposed library at The College of William and Mary drawn by G.C. Stone of Delaware. Sheets: 1 on board. Dimensions: 20\" x 16\". Condition: Very good. Acc. 2010.760.\u003c/p\u003e","\u003cp\u003eScope and Contents Letters and proposals for Library display tables. The first letter is dated November 25, 1929 to the attention of E.G. Swem at the College of William and Mary-three pages of pricing. Second letter is dated December 12,1929 from Donald P. Boyer of the Virginia School Supply Co. to Dr. E.G. Swem, Librarian at the College of William and Mary and includes drawings of library tables. A third letter to Dr. Swem from Boyer is dated January 3, 1930 with additional pricing proposals. A note from Swem to Boyer on January 6, 1930 acknowledges the receipt of that letter. Drawings were submitted by the Virginia School Supply Co. Sheets(12 ): 2 drawings; one sheet has three drawings with paper backing, dimensions: 14.75\" x 9.5\" (1); 30.5\" x 21.5\"(1); Letters (8 ) 8.5\" X 11\"; two small pictures, 5.5\" x 7.75\" and 6 x 3.75\". Condition: Good. Acc. 2010.761.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter with itemized quotation for Library Equipment and blueprint for the suggested floor plan. Also includes a catalog of Commercial Maps and Map Cases, a catalog of library furniture and photos of library furniture and other items in Early American finish. Architects: Everett Waddey Company. Items: 17: 2 blueprint, 23\" x 31.75\" (1 blueprint); 11\" x 8.5\" (1 blueprint); letter, 8.5\" x 11\"(3); 6\" x 9\" (booklet- 16 pages); 8.5\" x 11\" (booklet- 16 pages);9.5\" x 8.75\" (photos-7); 8.5\" x 11\" (photos-3). Condition: Very good. Acc. 2010.762.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter and blueprint proposals for Library furniture from the Leonard Peterson \u0026amp; Co. Letter is dated March 18, 1929 from Oscar L. Lethander, Vice President to Dr. J.A.C. Chandler, President of the College of William and Mary. Blueprints include many specific furniture and shelving designs as well as a proposal for the library layout. Sheets: 11. Letter: 8.5\" x 11\"; blueprint of library layout 35\" x 24.5; 12\" x 18\" (3); 11\" x 18\" (3);16.5\" x 11\" (1);11.5\" x 24\" (1); 18\" x 9\" (1). Condition: Good to fair; large blueprint is cut nearly in half. Acc. 2010. 763.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter and blueprint proposals for Library shelving from the Virginia State Penitentiary. Letter is dated October 10, 1930 from H. E. Fitzgerald, Industrial Director to Mr. Swem of the College of William and Mary. Blueprints include layout and design of specific shelving. Sheets: 7. Letter: 8.5\" x 11\"; blueprints 22\" x 16(2) and 17\" x 22\"(4). Condition: Very good. Acc. 2010. 764.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill and Sons. Sheets: 26. Dimensions:  30\" x 55\". Condition: Very good.  Acc. 2010.082\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for alterations and additions to Williamsburg Hospital Cardiopulmonary Unit. Architects and Engineers: Baskervill \u0026amp; Son. Sheets: 15.  Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2009.580\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the grading plan for the site of the Williamsburg Community Hospital. Architects: Baskervill \u0026amp; Son. Consulting Engineers: Hankins and Anderson  Sheets: 4.  Dimensions: 30\" x 55\". Condition: Very Good. Acc. 2009.578\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill \u0026amp; Son.  Sheets: 50.  Dimensions: 30\" x 55\". Condition: Good.; several of the paper portions torn. Acc. 2009.577\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Phase 2 Rennovations to the Williamsburg Community Hospital. Architects: Peterson Associates.  Sheets: 70.  Dimensions: 30\" x 42\". Condition: Very good. Acc. 2009.576.\u003c/p\u003e","\u003cp\u003eBlue prints and documents for the construction and design of the Williamsburg Community Hospital. Several documents detail the interior of the hospital. Architects:  Ballou and Justice. Numerous subcontractors. Sheets:83 These documents are severely water damaged in many sections and several pages are illegible. Documents in a variety of shapes and sizes.  ACC. 2009.579.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 2). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.002\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 3). Dimensions:  33.5\" x 42\". Sheets.11 Condition: Fair with some water damage.  Acc. 1988.14.003\u003c/p\u003e","\u003cp\u003eScope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 20; several sheets missing. Size: 34\" x 42\". 2 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.002.\u003c/p\u003e","\u003cp\u003eScope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 18; several sheets missing. Size: 34\" x 42\". 3 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.003.\u003c/p\u003e","\u003cp\u003eScope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 2, pages 19 \u0026amp; 21. Size: 36.25\" x 42\". 4 of 4 sets. Condition: Good. Acc. 1988.12.004.\u003c/p\u003e","\u003cp\u003eScope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 7. Architects: Wright, Jones and Wilkerson. Size: 33\" x 42\". Condition: Poor, with tape and torn sections and severe water damage. 2 of 3 sets. Acc. 1988.13.002\u003c/p\u003e","\u003cp\u003eScope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 14. Architects: Wright, Jones and Wilkerson.  Size: 33\" x 42\". Condition: Some good, a few really poor, with tape and torn sections and severe water damage. 3 of 3 sets. Acc. 1988.13.003\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the preservation, Renewal and replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Working Drawings Submission. Architects: Quinn Evans. Sheets: 107. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.007.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 35%. Submission. Architects: Quinn Evans. Sheets: 41. Bound. Dimensions 24\" x 36\". Condition: Very good, some small tears. Acc.2011.008.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Survey of Existing Conditions. Architects: Quinn Evans. Sheets: 44. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.013.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Preliminary design Submission. 95% Working Drawings Submission. Architects: Quinn Evans. Sheets:85 . Bound. Dimensions 24\" x 36\". Condition: Very Good, a few rips. Acc.2011.030.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 95% Working Drawings Submission. (note on front indicates \"Review Set.\" Architects: Quinn Evans. Sheets: 95. Bound. Also includes 3 loose sheets, F2.4, E3.02, E3.03. Dimensions 24\" x 36\". Condition: Very Good, binding torn. Acc.2011.031.\u003c/p\u003e","\u003cp\u003eAcc. 1983.014\u003c/p\u003e","\u003cp\u003eAcc. 1988.064\u003c/p\u003e","\u003cp\u003ePeninsula Fair, 1921 Acc. No. 1988.69\u003c/p\u003e","\u003cp\u003eBoundry Street Block Development Acc. No. 1988.75\u003c/p\u003e","\u003cp\u003eOrganizational Plan Acc. No. 1988.91\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Additions and Renovation: Basement Level Plan. Architects: Hanbury Evans Newill Vlattas \u0026amp; Company. Sheets: 1. Dimensions 24\" x 36\". Condition: Very Good. Acc.2011.094.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Additions and Renovation: Preliminary Plan 35%; S1-S9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas \u0026amp; Company. Sheets: 9. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.095.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: 1st Floor Furniture Plans. Architects: Shepley Bulfinch Richardson and Abbott. 1 orginal and copy for each date. Sheets: 4. Dimensions 18\" x 22.5\". Condition: Very Good. Acc. 2011.096.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Renovation and Expansion Floor Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.097.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Renovation and Expansion Floor Plans; Ground Floor West, 1st, 2nd, 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.098.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Renovation and Expansion Basement Plan with smaller copy. Architects: Shepley Bulfinch Richardson and Abbott. Sheets: 2; one original and copy. Dimensions 24\" x 34.5\" and  11\" x 17\". Condition: Very Good. Acc. 2011.099.\u003c/p\u003e","\u003cp\u003eScope and Contents Earl Gregg Swem Library East -West Section Drawing. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 65.5\". Condition: Very Good; edges torn. Acc. 2011.100.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Renovation and Expansion Floor Plans with mechanical changes and memo indicating suggestions \u0026amp; changes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5 stapled; memo 5. Dimensions 36\" x 42.5\"; memo 8.5\" x 11\". Condition: Good, red ink and handwriting on front. Acc. 2011.101.\u003c/p\u003e","\u003cp\u003eScope and Contents Swem Library: Renovation and Expansion Mechanical Plans by Floor Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled. Dimensions 30\" x 42\". Condition: Good, edges show signs of water damage. Acc. 2011.102.\u003c/p\u003e","\u003cp\u003eScope and Contents Base Map for the rennovation and expansion of the Earl Gregg Swem Library at the College of William and Mary; elevations. Consulting Engineers: AES Consulting Engineers. Sheets: 13 copies. Dimensions 30\" x 42\". Condition: Good, edges show signs of exposure. Acc. 2011.103.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans and elevations Sections A1.0-A1.6 for the rennovation and expansion of the Earl Gregg Swem Library; also 3 separate pages Sections 4.1 \u0026amp; 4.2 and Site and Utility Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 16; 13 bound; 3 loose. Dimensions 29.875\" x 42(13)  \u0026amp; 30\" x 42(3) . Condition: Good, with some pencil notations on pages. Acc. 2011.104.\u003c/p\u003e","\u003cp\u003eScope and Contents Revision of Floor Plans A1.0-A1.4 for the rennovation of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5. Dimensions 30\" x 42. Condition: Very Good. Original date crossed off and replaced. Acc. 2011.105.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans  A1.0-A1.3 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, First and 2nd Floors. Memo dated October 10, 1996 with color coded key and copy of  plan with red and blue ink markings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 5.  Dimensions 30\" x 42(3); memo 8.5\" 11\"; copy 8.5\" x 14 . Condition: Good, with colored markings and some edges torn. Acc. 2011.106.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised Floor Plans  A1.0-A1.4 for Swem Library; Ground, 1st, 2nd \u0026amp; 3rd Floors dated October 10 to November 25, 1996. Ground Floor (3) First Floor(1) Second Floor (2 ) and 3rd Floor (2 ). Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 8.  Dimensions 30\" x 42(7); 30\" x 48\" (1). Condition: Good, with some edges torn. Acc. 2011.107.\u003c/p\u003e","\u003cp\u003eScope and Contents Site Plan for the rennovation and expansion of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42. Condition: Good, with green markings. Acc. 2011.108.\u003c/p\u003e","\u003cp\u003eScope and Contents Colored Drawings of North and South Elevations for the rennovation and expansion of the Earl Gregg Swem Library; dated October 23, 1996 on back. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 3.  Dimensions 24\" x 66. Condition: Excellent. Acc. 2011.109.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans  A1.1-A1.4 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, 1st , 2nd \u0026amp; 3rd Floors. Stamped Progress Print. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4.  Dimensions 30\" x 42. Condition: Very Good. Acc. 2011.110.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and White Ink Drawings of plans for the Roof and Floor Plans. Date in marker on each page. Drawsing of Roof, Basement, Ground Floor, 1st, 2nd and 3rd floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 36\" x 42. Condition: Very Good. Acc. 2011.111.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans M2.1-M3.1 for the Earl Gregg Swem Library; Ground, First and 2nd Floors.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled (2 sets). Dimensions 30.5\" x 42. Condition: Very Good., some edges worn. Acc. 2011.112.\u003c/p\u003e","\u003cp\u003eScope and Contents Topographical maps and base plan for the renovation of Swem Library; design work for the landscape and approximate work site location. Consulting Engineers: AES Consulting Engineers. Sheets: 3. Dimensions 30.25\" x 42(2); 30.25 X 36(1). Condition: Very Good, colored ink and pencil markings on site map. Acc. 2011.113.\u003c/p\u003e","\u003cp\u003eScope and Contents Variety of Preliminary Plans for the renovation of Swem Library; Elevations and Floors Plans.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 14 stapled. Dimensions 30\" x 42. Condition: Very Good, some red ink markings. Acc. 2011.156.\u003c/p\u003e","\u003cp\u003eScope and Contents Variety of Plans for the renovation of Swem Library; Mechanical Elevations and Floors Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 19, partiallly stapled. Dimensions: 30\" x 36\" (1); 30\" x 37\" (1);30.5\" x 42\" (9);30\" x 42(8); 30.25\" x 48\"(1). Condition: Good, some tears ink markings. Acc. 2011.157.\u003c/p\u003e","\u003cp\u003eScope and Contents Architectural Drawings for the renovation (1.0- E1.9) for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 90 Bound. Dimensions 30\" x 42. Condition: Very Good, some edges showing exposure. Acc. 2011.158.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for additions and renovations to Swem Library. Plans for ground, 1st, 2nd and 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 24\" x 36. Condition: Very Good, handwritten note and date on front page. Acc. 2011.171.\u003c/p\u003e","\u003cp\u003eScope and Contents Site and Floor Plans  A0.1-A1.6 for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 7 Bound.  Dimensions 30\" x 42. Condition: Very Goodwith some exposure. Acc. 2011.159.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Pavillion Section; Penthouse and Shafts; variety of plans for utilities, site plans, foundation, sections, floor plans and drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 31, partially Bound and stapled. Dimensions 30\" x 42. Condition: Very Good, some pencil notations. Acc. 2011.160.\u003c/p\u003e","\u003cp\u003eScope and Contents Cost estimate and evaluation tables regarding the renovation and expansion of Earl  Gregg Swem Library; includes recommendations. Sheets: 3. Dimensions 22\" x 36.(2); 24\"x34\"(1).  Condition: Very Good. Acc. 2011.161.\u003c/p\u003e","\u003cp\u003eScope and Contents Early plans for the addition and renovation of Swem by floors; set sets of plans with notations for Ground Floor-3rd floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions 24\" x 36. Condition: Very Good, some colored marker and ink/ pencil notations. Acc. 2011.162.\u003c/p\u003e","\u003cp\u003eScope and Contents Detailed plans for the casements in Swem Library. Plans A6.15-A6.18 Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 42. Condition: Very Good.  Acc. 2011.163.\u003c/p\u003e","\u003cp\u003eScope and Contents Renovation and Expansion plans detailing the Asbestos and Lead issues, Basement, Ground Floor and Floors 1-3.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Environmental Consultants: Work Environment Associates, Inc. Sheets: 6, Bound. Dimensions 15\" x 21.25\". Condition: Very Good.  Acc. 2011.164.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for mobile shelving layout in the renovation of Swem Library. Plans detailed by  floor, Ground, First, Second \u0026amp; Third.  Plans.  Produced: Spacesaver Corporation. Sheets: 4,  Bound. Dimensions 36\" x 47.5\". Condition: Very Good. Acc. 2011.165.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans for the renovation of Swem Library by floor. Original date is December 1997; revised April 1998. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  . Sheets: 4. Dimensions 30\" x 42. Condition: Good, some tape of edges.  Acc. 2011.166.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans renovation and expansion of the Swem Library Phases 1-5; Volumne 4. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16, Bound. Dimensions 30\" x 42. Condition: Good, some torn edges. Acc. 2011.167.\u003c/p\u003e","\u003cp\u003eScope and Contents Furniture plans for Swem Library on the renovation and expansion for the east and west wings of the library, by phase. Architects: Cox, Kliewer \u0026amp; Company , Inc. Design Consultants: Michaels Associates. Sheets: 13, Bound . Dimensions 15\" x 21. Condition: Excellent. Acc. 2011.168.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Burger Office space including layout and temperature controls. Designer: Riggs Ward Design, L.C. Sheets: 5, Bound and 2 stapled onto page 2. Dimensions 15\" x 22\"(5); 8.5\"x11\"(2). Condition: Excellent. Acc. 2011.169.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Exhibit Cases A (freestanding) \u0026amp; B (wall) in Swem Library. Designer: Showcase Woodworking, Ltd.  Sheets: 2. Dimensions 17\" x 22\". Condition: Very Good. Handwritten note and date on front sheet. Acc. 2011.170.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Graphics Lab and Multimedia Theater in Swem Library. Architects: SDJG Inc. Sheets: 7. Dimensions 24.75\" x 36. Condition: Very Good. Acc. 2011.172.\u003c/p\u003e","\u003cp\u003eScope and Contents Final Carpet Plans for Swem Library renovation. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4, stapled. Dimensions 24\" x 36\". Condition: Good with some tears. Acc. 2011.173.\u003c/p\u003e","\u003cp\u003eScope and Contents Landscape Plans for the Renovation and Expansion of Swem Library. Includes letters outlining all of the significant details. John McFarlane, Department of Facilities Management. Sheets: 3 and letters 5, Letters and notes stapled. Dimensions 24\" x 36; letters 8.5\" x 11\". Condition: Very Good. Acc. 2011.174.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the woodwork and Rotunda Cases added during the renovation of Swem Library. Produced by: Just Wood Industries and Blake Construction. Sheets: 10, stapled.  Dimensions 24\" x 36.  Condition: Very Good, some pencil notations.  Acc. 2011.175\u003c/p\u003e","\u003cp\u003eScope and Contents Furniture plans for the renovation and expansion of Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8, partially stapled. Dimensions 24\" x 36\". Condition: Fair with significant red ink markings. Acc. 2011.196.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the various sections of the 3rd floor renovation of Swem Library, with revisions. Plans include mechanicals and HAZMAT . Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 4. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 197.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the removal of asbestos from Swem Library during the renovation and expansion. Architects: Shepley Bulfinch Richardson; Abbott; Hanbury Evans Newill Vlattas; and Work Environment Associates, Inc. Sheets 6 bound. Dimensions: 30\" x 42\". Condition: Good with a few notations. Acc. 2011. 198.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the various phases of Floor Plans for the Renovation and Expansion of Swem Library. Vol 4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 16 Bound. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 199.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated. Blake Construction Company, Inc. Sheets: 1. Dimensions: 30\" x 22\". Condition: Very Good. Acc. 2011.200.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated; June 30, 2000. Blake Construction Company, Inc. Architect: Hanbury Evans Newill Vlattas \u0026amp; Company. Sheets: 3. Dimensions: 36\" x 22\". Condition: Very Good. Acc. 2011.201.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended March 31, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.202.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 28, 2002. Blake Construction Company, Inc.  Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.203.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.204.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 29, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.205.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31,2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.206.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.230.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended December 31, 2000. Blake Construction Company, Inc. Sheets: 2. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.231.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended May 31, 2001. Blake Construction Company, Inc. Sheets: 2of 4 Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.232.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31, 2001. Blake Construction Company, Inc. Sheets: #2 of set of 3. Dimensions: 36\" x 44\". Condition: Good, some pin pricks. Acc. 2011.233.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2003. Blake Construction Company, Inc. Sheets:1; #3 of set of 4. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.234.\u003c/p\u003e","\u003cp\u003eScope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended August 31, 2003. Blake Construction Company, Inc. Sheets: 1; sheet #3 of 3. Dimensions: 36\" x 44\". Condition: Good. a few pin pricks. Acc. 2011.235.\u003c/p\u003e","\u003cp\u003eScope and Contents Drawings for the proposed renovation of Earl Gregg Swem Library - Ground, First, Second Third floors and Roof. Architects: Shepley Bulfinch Richardson and Abott; Hanbury Evans Newll Vlattas. Sheets: 5. Dimensions: 36\" x 60\". Condition: Very Good. Acc. 2011.236.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for Phase II of the renovation and expansion of Swem Library - Floor Plans, Architects: Cox Kliewer \u0026amp; Company, Inc.; Michaels Associates. Sheets: 11. Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2011.237.\u003c/p\u003e","\u003cp\u003eScope and Contents Drawing for the Ground Floor furniture plan for Swem Library. Architects: Cox Kliewer \u0026amp; Company, Inc.; Michaels Associates. Sheets: 1. Dimensions: 36\" x 72\". Condition: Very Good. Acc. 2011.238.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for final layout of furniture in Swem Library. Floor Plans by wing. Architects: Cox Kliewer \u0026amp; Company, Inc.; Michaels Associates. Sheets: 6, tissue panels. Dimensions: 23.75\" x 36\"(1); 31\" x 36\"(5). Condition: Good, with some pencil markings on pages. Acc. 2011.239.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Phase II of the furniture in Swem Library. F101-F112. Architects: Cox Kliewer \u0026amp; Company, Inc.; Michaels Associates. Sheets: 13, tissue panels. Dimensions: 30\" x 40\". Condition: Good, with some worn edges. Acc. 2011.240.\u003c/p\u003e","\u003cp\u003eScope and Contents Partial Plans for furniture in Swem Library. East wing by floor. Architects: Cox Kliewer \u0026amp; Company, Inc.; Michaels Associates. Sheets: 12, stapled. Dimensions: 31\" x 42\". Condition: Very Good, with some small ink markngs. Acc. 2011.247.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the renovation and expansion of Swem Library - Volume IV; Phasing Plans by Floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evasn Newill Vlattas. Sheets: 15, bound and stapled. Dimensions: 18\" x 24\". Condition: Very Good. Acc. 2011.248.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the power needs resulting from the renovation and expansion of Swem Library - Plans by wing and by floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions: 15\" x 24\". Condition: Very Good. Acc. 2011.249.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the carpeting for floors following the renovation and expansion of Swem Library - Plans by floor and in phases.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 10 bound and stapled.  Dimensions: 42.5\" x 36\". Condition: Very Good.  Acc. 2011.250.\u003c/p\u003e","\u003cp\u003eScope and Contents Partial Floor Plans - Mechanciacl Demolition, M1.6 for the Earl Gregg Swem Library; Ground and 2nd Floors partials. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Good with ink markings. Acc. 2011.251.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Power in the West and South wings of the First Floor of Swem Library; revision dates noted. Plan E3.5. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.252.\u003c/p\u003e","\u003cp\u003eScope and Contents Furniture plans for Swem Library, by floor and by wing; F1.0-F1.7. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.253.\u003c/p\u003e","\u003cp\u003eScope and Contents Pen and ink drawings for the Swem Library Renovation Layout - no details given. Date reflects that noted on the margins of pages. Drawings of Ground, first, second and third floors. Sheets: 4; tissue.  Dimensions 18.25\" x 32\"; 18.25\" x 29.25\" (2); 18.25\" x 30\". Condition: Very Good.  Acc. 2011.254.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Suites 206-209, 8105 Richmond Road in Toano Virginia for housing of William and Mary Special Collections. Revised June 28, 2000 and September 26, 2000.  Architects: JNC Designs and Michael C. Brown, Ltd. Custom Home Designs. Sheets: 2.  Dimensions 24.25\" x 36\". Condition: Good but with a number of ink markings.  Acc. 2011.255.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the West Wing of the First Floor of Swem Library. Plan A1.4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Very Good with some folds  Acc. 2011.256.\u003c/p\u003e","\u003cp\u003eScope and Contents Ground Floor Plan and Foundation Plan Pavillion \"B\" for Swem Library. Plan 2.0; revision date noted. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.257.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the east and west wings of the Third Floor of Swem Library; revision dates noted. Plans A1.8-A1.9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 2. Dimensions 30\" x 42\". bound and stapled. Condition: Very Good. Acc. 2011.258.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for The Ground Floor and Foundation as well as the framing of floors 1-3 of Swem Library. Plans 2.0,3.0,4.0 \u0026amp; 5.0.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4, stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.259.\u003c/p\u003e","\u003cp\u003eScope and Contents Final Furniture Plans for Swem Library by wing and by floor. Plans F105-F112. Architects: Cox, Kliewer \u0026amp; Compnay, P.C. Sheets:8. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.260.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Security and CCTV Systems by wing and by floor for Swem Library. Plans OS1.0-OS1.12.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 12, bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.261.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the mobile shelving systems in Swem Library at the College of William and Mary. Architects: Spacesaver. Sheets: 15 bound and stapled. Dimensions 24.5\" x 36\". Condition: Very Good. Acc. 2011.262.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the special exhibit cases in the Special Collections area of Swem Library.  Architects: Riggs Ward Design and Showcase Woodworking. Sheets: 8; stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.263.\u003c/p\u003e","\u003cp\u003eScope and Contents Structural Notes for the external renovation of Swem Library. Plans S1-S5.  Architects: McPherson and Associates. Sheets: 5 bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.264.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans for the Security and CCTV following the renovation of Swem Library; Plans OS1.0-OS1.16. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 17, bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.265.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the Final Furniture Layout  following the renovation of Swem Library; Plans F105-F112. Architects: Cox Kliewer \u0026amp; Co. PC.  Sheets: 8.  Dimensions 36\" x 42\". Condition: Very Good.  Acc. 2011.266.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plan Layout for Swem Library Renovation; Plans OS1.0-OS1.16. Architects: Michaels and Associates; Cox Kliewer \u0026amp; Co. Sheets: 6. Dimensions 36\" x 48\". Condition: Very Good. Acc. 2011.302.\u003c/p\u003e","\u003cp\u003eScope and Contents Electrical Legends and schedules for the renovation of Swem Library, including demolition. Plans E0.1-E6.1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: Lanna, Dunlap and Spriggs. Sheets: 46, bound and stapled with a note attached. Dimensions 30\" x 42\". Condition: Good. Acc. 2011.303.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plan Layout with notations and notes from Library Staff for usage of various areas of the library. Plans are not dated but the indicated dates from staff are January 10th and 11th 2001. Architects: Cox Kliewer \u0026amp; Co. Design Consultants: Michales and Associates. Sheets: 16. Dimensions 28\" x 36\"(15) and 36\" x 42\" (11). Condition: Fair with a lot of notes.  Acc. 2011.304.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, Third Floors and Roof. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 6. Dimensions 30\" x 42\". Condition: Fair with bent, torn edges. Acc. 2011.305.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, and Third Floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 30\" x 42\". Condition: Good with some watermarks.  Acc. 2011.306.\u003c/p\u003e","\u003cp\u003eScope and Contents Comprehensive Plans (Volume 1) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 118; bound and stapled. Dimensions 15.5\" x 21\". Condition: Very Good. Acc. 2011.309.\u003c/p\u003e","\u003cp\u003eScope and Contents Comprehensive Plans (Volume 1-Revision B) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 117; bound and stapled. Dimensions 18\" x 24.25\". Condition: Very Good. Acc. 2011.310.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter and plans ( PH1.0-PH5.2) indicating the physical limits of the renovation phases. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Letter from Hanbury Evans Newill Vlattas. Sheets: 16; bound and stapled; letter attached. Dimensions 15\" x 21\"(15) and 8.5\" x 11 (1). Condition: Good with heavy pencil notations on back. Acc. 2011.311.\u003c/p\u003e","\u003cp\u003eScope and Contents Comprehensive Plans (Volume 2) for the renovation and expansion of Swem Library. Plans include Fire Protection Drawings, Sprinkler Systems, Plumbing Drawings, mechanical Drawings, Electrical Drawings and Project Notes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 130; bound and stapled. Dimensions 15\" x 21\". Condition: Very Good. Acc. 2011.312.\u003c/p\u003e","\u003cp\u003eScope and Contents HAZMAT Plans (Volume 3) for the renovation and expansion of Swem Library.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Environmental Consultants: Work Environment Associates, Inc.  Sheets: 6; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.313.\u003c/p\u003e","\u003cp\u003eScope and Contents Floor Plans (Volume 4) for the renovation and expansion of Swem Library. Plans by floor and by phase.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.314.\u003c/p\u003e","\u003cp\u003eScope and Contents Comprehensive Plans for the renovation and expansion of Swem Library. Plans Include Architectural Drawings, Civil Drawings, Structural Drawings, Mechanical drawings, Plumbing Drawings and Project Statistics. Plans: T1.0-E1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 85; bound and stapled.  Dimensions 30\" x 42\". Condition: Good with some wear marks.  Acc. 2011.315.\u003c/p\u003e","\u003cp\u003eScope and Contents Colored Photo on Board labeled \"Earl Gregg Swem Library, The College of William and Mary, Renovation and Expansion 2003.\" No other information.  Dimensions: 25\" x 28\". Condition: Very Good.  Acc. 2011.316.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed alterations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.317.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed alterations to the First Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.318.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed alterations to the Second Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.319.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed alterations to the Third Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.320.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed Site Plan, with some landscaping and topographical indications for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.321.\u003c/p\u003e","\u003cp\u003eScope and Contents Black \u0026amp; White Display Board showing the proposed Ground Floor Plan fo rthe additions and renovations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. Handwritten Date \"10-23-96.\" Dimensions: 38\" x 28.25.\" Condition: Good, with slight rips on edges. Acc. 2011.322.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed Ground Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges. Acc. 2011.323.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed Second Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges and several blotches on front. Acc. 2011.324.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing the proposed fabrics, finishes and carpeting for the 24 Hour Study Area and Coffee Bar at the Earl Gregg Swem Library at The College of William and Mary. Architects:Cox, Kliewer \u0026amp; Company P.C. No date provided, but copyright indicated at 2003. Dimensions: 24\" x 18.25.\" Condition: Very Good. Acc. 2011.337.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing Phase 1 of the proposed Ground Level Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 23.75\" x 35.25.\" Condition: Good, with slight discoloration on the edges. Acc. 2011.338.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the Ground Floor Plan, color coded, of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003. Dimensions: 23.75\" x 36.\" Condition: Good, with some fading on edges. Acc. 2011.339.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the First Floor Plan, color coded, of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003.  Dimensions: 24\" x 36\". Condition: Good, with some fading and wrinkles on edges.  Acc. 2011.340.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and White drawing on Display Board of the proposed Warren E. Burger Special Collections Library at the Earl Gregg Swem Library at The College of William and Mary. No additional information given. Dimensions: 17\" x 22.\" Condition: Very Good. Acc. 2011.341.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board folded in two pieces and taped together, outlining the proposed changes in the Ground Floor and First Floors of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. Dimensions: Unfolded at 35\" x40\"; folded 17.5\" x 40\". Condition: Good, with some fading on edges. Acc. 2011.342.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and White Photo display of the proposed interior look (rotunda area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. No additional information provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.343.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and White Photo display of the proposed interior look (Burger Office area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. Artist: W. Pace. No date provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.344.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Ground Level of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some fading, pencil notations and red ink markings on front. Acc. 2011.345.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.346.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan ( possible revision) of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with two stickers \"Charrette\"  on front.  Acc. 2011.347.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the  Level Two Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading and a piece of tape on back.  Acc. 2011.348.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level Three Plan for the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.349.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the First Floor Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some marks and damage on front. Acc. 2011.350.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Coded diagram on Display Board, outlining the Third Floor Plan during the additions and renovations of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some marks on front and back.  Acc. 2011.351.\u003c/p\u003e","\u003cp\u003eScope and Contents Display Board showing Blueprint for the proposed Level Two Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Two additional sheets clipped to the board: 1. Basic blueprint of Second Floor with some handwritten and colored notations. No date. 2. Black and white blueprint for the Second Floor Plan showing greater detail. No date. Architects: Hanbury Evans Newell Vlattas \u0026amp; Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 36\"(Board); 24\"x 36.5.\" Condition: Good, with slight discoloration and tears on the edges. Acc. 2011.352.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint of the Jones' Mill property at the College of William and Mary in Williamsburg, Virginia. Area encompasses 23.29 acres between the Williamsburg Jamestown Road and Old Jamestown Road, bordered by Lake Matoaka. Surveyor: M.W. Thomas. Sheets: 1. Dimensions: 28\" X 37 \" Condition: Fair with a number of tears around the edges and some tape affixed to blueprint. Acc. 2011.441.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprint for the plan of the William and Mary campus at Lake Road. Architect: C. M. Major. Sheets: 1.  Dimensions: 33.25\" x 30.875\".  Condition: Good with some tape on torn sections and sticker on back. Acc. 2011.442.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the proposed alterations to Phi Beta Kappa Hall at the College of William and Mary; plans include basement, first and second floor as well as longitudinal section.  Architect: J. Binford Walford . Sheets: 4, bound.  Dimensions: 16.5\" x 24\".  Condition: Good with some notations on pages. Acc. 2011.443.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for additions to the Dining Alcoves at the College of William and Mary.  Architect: Charles M. Robinson. Sheets: 2, bound.  Dimensions: 17.5\" x 20\".  Condition: Poor, very faded and difficult to make out material.  Acc. 2011.444.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for replacing kitchen floors at the College of William and Mary; include plans for alteration of the basement under the kitchen as well as the kitchen floors. Architect: Charles M. Robinson. Sheets: 2 bound. Dimensions: 16.5\" x 18\". Condition: Good with some makings on front. Acc. 2011.445.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for aditions to the kitcehn and to the kitchen basement at the College of William and Mary; include plans for the basement under the kitchen as well as the kitchen; longitudinal and transverse sections; and West \u0026amp; South Elevations of Kitchen Brickwork. Architect: Charles M. Robinson. Sheets: 4 bound. Dimensions: 17.25\" x 22.25\". Condition: Fair; faded and some notations on front. Acc. 2011.446.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for Taliaferro Hall at the College of William and Mary; include plans for the foundation, first, second, third floors and roof. Plans also include elevations, dormers, exterior with alternate ; the Tearoom, and Sections AA, BB, CC, EE and FF. Architect: Charles M. Robinson. Sheets: 1-14 \u0026amp; 16 bracketed. Dimensions: 15.5\" x 24\". Condition: Good with some makings on front. Acc. 2011.447.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the addition of an Alcove to the exisiting Dining Hall at the College of William and Mary; include drawings for elevations, sections and detail work on cornices. Blueprint for first floor plans. Architect: Charles M. Robinson. Sheets: 3 and 1 blueprint, bracketed. Dimensions: 22.75\" x 32\"(3); blueprint 22.75\" x 30\". Condition: Poor with limited visibility. Acc. 2011.448.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for alterations and additions to the Library (Tucker Hall) at the College of William and Mary; include plans for the foundation, first, second,upper part of 2nd floor, third floor and roof. Also include elevations and Sections AA. Architect: Charles M. Robinson. Sheets: 7 loose. Dimensions: 23.5\" x 23\". Condition: Fair to Good with some fading. Acc. 2011.449.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the boundary plan for the Dormitory Annex at the College of William and Mary; this area will beome the Sorority Court area. Architect: Charles F. Gillette/Landscape Architect. Sheets: 1. Dimensions: 25.5\" x 36\". Condition: Good with a number of tears and tape. Acc.2011.450.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints for the addition of a Dining Alcove to the Dining Hall at the College of  William and Mary; include plans for the sections, west side elevations; north side elevations and Main cornice details.  Architect: Charles  M. Robinson. Sheets: 3, bracketed.  Dimensions: 23\" x  30\".  Condition: Good. Acc. 2011.451.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for additions and alterations to the Dining Hall at the College of William and Mary; include plans for the basement \u0026amp; foundation, first floor and roof. Plans also include elevations, sections AA, BB, and ventilation. Architect: Charles M. Robinson. Sheets: 6 bound and stapled. Dimensions: 23.5\" x 32\". Condition: Fair with dark patches and colored labels on back. Acc. 2011.452.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for the renovation and alteration of Hugh Jones Hall at the College of William and Mary, specifically rooms 301 and 302; include plans for demolition, new work, mechanical, electrical and related specifications. Architects: HBA Architects. Sheets: 7, bound. Dimensions: 30\" x 42\". Condition: Good with a tear and small hole in front two pages. Acc. 2011.453.\u003c/p\u003e","\u003cp\u003eScope and Contents Plans for interior repairs of room 102 in Tyler Hall at the College of William and Mary, include plans for demolition, new work, changes in elevations, ceiling plans, furniture and mechanical, electrical and related specifications. Architects: HBA Architects; Pace Collaborative, P.C. for plumbing, mechanical and electrical.. Sheets: 9, bound. Dimensions: 30\" x 42\". Condition: Good with some water damage along edges. Acc. 2011.454.\u003c/p\u003e","\u003cp\u003ePlans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. Drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Drawings include site plan and location, basement and first floor plans, elevations, framing axonometric, moulding profiles, and conjectural plan evolution. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 7, bound. Dimensions: 18\" x 22\". Condition: Excellent, with a few measurements on some pages. Acc. 2011.455.\u003c/p\u003e","\u003cp\u003eHistory and plans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Preliminary drawings and overlays of buildings and site plan, including landscaping. History of the property purchased by Monroe in 1793 compiled by Eldon F. Wood, A.I.A., of Charlottesvile, Virginia. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 16 some tissue and overlays. Dimensions: 9\"x8\"(1); 9\"x9.25\"(1); 9\"x10.5\"(1);14\" x 12\" (1); 12\"x17\" (3); 21\" x 14\"(1); 18\" x 24\" (5); 28\"x24\" (1); 24\"x 36\"(1); 36\"x48\"(1). Condition: Poor to good with folds, tape and writings on some of the pages. Acc. 2011.456.\u003c/p\u003e","\u003cp\u003eScope and Contents Preliminary drawings of Ash Lawn several of which were completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:12. Dimensions: 24\" x 36\". Condition: Fair to good with highlight and measurements on a number of pages. Acc. 2011.457.\u003c/p\u003e","\u003cp\u003eScope and Contents Blueprints and preliminary drawings of Ash Lawn bu University of Virginia Architecture students completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe.Drawings shown elevation, layout and design, numerous detail works, and out buildings on property. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:45.  Dimensions: 24\" x 18\".  Condition: Good with some measurements noted on several pages.  Acc. 2011.458.\u003c/p\u003e","\u003cp\u003eScope and Contents Preliminary drawings of Ash Lawn prepared by students at the University of Virginia School of Architecture. Plans inculde site pland and landscaping as well as drawings of the elevations, floor plands and sections. Sheets:15.  Dimensions: 24\" x 36\".  Condition: Good. Acc. 2011.459.\u003c/p\u003e","\u003cp\u003eThis series includes the as-built drawings and specifications for various College of William and Mary buildings in microfilm and microfiche format. Note that in addition to the items listed here, there are also some miscellaneous microforms. Transferred from Capital Outlay. Acc. 2002.35\nBoxes 1, 2, and 3.\u003c/p\u003e","\u003cp\u003eSOE FILE #1.1 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE # 1.2 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE # 1.3 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE # 1.4 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE # 1.5 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE # 1.6 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #1.7 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #2.1 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #2.2 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #3.1 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #3.3 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #5.1 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #5.2 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #5.3 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #5.4 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #5.5 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #6.1 Microfiche\u003c/p\u003e","\u003cp\u003eSOE FILE #6.2 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Code:204-14096\u003c/p\u003e","\u003cp\u003eMicrofilm Project Code: 204-15541-06\u003c/p\u003e","\u003cp\u003eMicrofilm Project Code: 204-14462\u003c/p\u003e","\u003cp\u003eMicrofilm Project Code:204-15541-01\u003c/p\u003e","\u003cp\u003eAcc. 2008.47 is microfilm of projects designed by the firm Wright Jones and Wilkerson for the College of William and Mary. They are believed to be the bid documents, not as-builts.\u003c/p\u003e","\u003cp\u003eThis series includes printed material classified as publications such as newsletters and brochures. Also included in this series is the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond and Jamestown Roads in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What it is and how to use it\" booklet on maintenance procedures\u003c/p\u003e","\u003cp\u003eNovember 27,1926 booklet: Programme of the day on the occasion of the dedication of the memorial hall to the fifty founders as part of the sesui-centennial celebration of the Phi Beta Kappa, College of William and Mary in Virginia. Schedule of events, speakers and delegates. December 5, 1936: Address at the unveiling of tablets on the Phi Beta Kappa Hall, College of William and Mary, by Dr Oscar M Voorhees. 1926 small booklet with history of Phi Beta Kappa, first members, photo of auditorium and Apollo Hall.\u003c/p\u003e","\u003cp\u003eDedication of new Phi Beta Kappa Hall booklets, May 18, 1957; order of exercise; history of PBK; invitations\u003c/p\u003e","\u003cp\u003e1993 recycling brochure\u003c/p\u003e","\u003cp\u003eBooklet on the dedication of Tercentenary Hall, October 27, 1995\u003c/p\u003e","\u003cp\u003eUnofficial newsletter for, by, and about the employees of Facilities Management department, vol.1, numbers 1,2,5,6\u003c/p\u003e","\u003cp\u003einvitation to Tyler Family Garden dedication on April 30, 2004\u003c/p\u003e","\u003cp\u003emiscellaneous booklets on the Christopher Wren Building and its history. Article from Histori Preservation magazine. Tercentenary calendar\u003c/p\u003e","\u003cp\u003eContains the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond Road and Jamestown Rd. conducted in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.\u003c/p\u003e","\u003cp\u003eScope and Contents Document projecting the various phases of the work at Swem including capacity on site and off site.  Provides expectations for Phases 1-6.  Sheets: 12; stapled.  Dimensions 8.5\" x 11\". Condition: Very Good.   Acc. 2011.307.\u003c/p\u003e","\u003cp\u003eScope and Contents Report and Certification regarding the air quality of Swem Library with data and test results shown.  Architects: Shepley Bulfinch Richardson; Engineer: Lanna, Dunlap \u0026amp; Spriggs; Contractor: PBM-Limbach;. Certification: Arian TAB Services, Inc.  Sheets: 78.  Dimensions 8.5\" x 11\". Condition: Very Good.  Acc. 2011.308.\u003c/p\u003e","\u003cp\u003eAcc. 1983.070 includes records associated with the alterations, renovations and reconstructions of various sites and buildings at the College of William and Mary, including the Alumni House, Brown Hall, Barksdale Field, Ash Lawn, Jefferson Hall, the Chemistry Building, Phi Beta Kappa Hall, Wildflower Refuge Amphitheater, the Women's Dormitory Complex and others.\u003c/p\u003e","\u003cp\u003eAcc. 1988.09 includes office files about campus construction projects, asbestos removal, repairs, and other capital outlay projects for the period 1966-1982.\u003c/p\u003e","\u003cp\u003eAcc. 1999.71 is the blueprints file note cards.\u003c/p\u003e","\u003cp\u003eScope and Contents Slides of construction and repair of buildings on W\u0026amp;M campus and VIMS, 2006 and prior\u003c/p\u003e","\u003cp\u003eScope and Contents Acc 2011.176 Slides on 4 reels of construction and repair of buildings on W\u0026amp;M campus and VIMS. Dates prior to 2006. Slides of Carl A Kroch Library at Cornell University, part of presentation for changes to Swem Library.\u003c/p\u003e","\u003cp\u003eSlides of Carl A Kroch library\u003c/p\u003e","\u003cp\u003eslides of Carl A Kroch library at Cornell\u003c/p\u003e","\u003cp\u003eSlides: unidentified, Millington Hall, McCormack-Nagelson Tennis Center\u003c/p\u003e","\u003cp\u003eScope and Contents Slides of 1994 Dorm renovation; Morton Hall, W\u0026amp;M Hall, Small Hall, Millington Hall, Barksdale field\u003c/p\u003e","\u003cp\u003eCharles A Kroch Library at Cornell; Millington Hall; unidentified\u003c/p\u003e","\u003cp\u003eunidentified; Adair Hall, interior Dupon Hall, 1996\u003c/p\u003e","\u003cp\u003eSwem Library exterior and artist rendering; VIMS docks,Marshall-Wythe floor plan;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes a number of accessions and groups of records directly from the Office of Facilities Management including publications, administrative records, blueprints, and other documents as well as blueprints and other architectural drawings that come under the administrative responsibility of the office, but may have been transferred from miscellaneous sources.","This series includes a variety of architectural drawings of various formats of College of William and Mary buildings and properties including blueprints, artistic renderings of proposed buildings, and other works loosely classified as drawings. Each item has been assigned an individual accession number to facilitate description and access. Note that some blueprints have been flattened, yet many remained in the rolled state in which they were transferred to the archives.","Acc. 1988.60. 4 pages.","Acc. 1988.47","Blueprints for Physics Laboratory addition in William Small Hall. Acc. 1999.50.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 15 (pages 1-15). Size: 43\" x 34\". Condition Fair with torn edges. Acc. 1999.49.001.","Acc. 1999.6","Acc. 1999.5. 7 pages.","Proposed law school addition site plans by Guernseyl Tingle, Architects. Acc. 1999.2.","Two copies of blue line drawings detailing installation of fire extinguishing system in basement computer room. Acc. 1991.76","Outline drawings of Swem Library showing how the addition fits onto the original building. These are not working drawings, but were done later at the library's request. Acc. 1991.75.","Five blueprints showing placement of scenery and large props for the campus theater production of 'Mary of Scotland'. Acc. 1990.67.","Plan for trailer, detail shows specs, paint trays, wheels, door. Acc. 1989.81., Acc 1989.80","Includes site plans, floor plans for maintenance shops and offices, exterior elevators, and plans for laundry building and portion of Trinkle Hall. 18 pages. Acc. 1989.78., Acc 1989.79","Scope and Contents Copy of large field map, plot plans for Matoaka State Park. Sheets: 1. Size: 42\" x 106\". Condition Good with some torn edges. Acc. 1989.77.","Scope and Contents Suggested subdivision of William and Mary property,. Architect: Charles F. Gilette. Sheets: 2. Size: 42\" 105\". Condition: Good with some torn edges. Acc. 1989.76.","Site map for placement of fraternity houses (Old Lodges), 4 copies of one page. Acc. 1989.75.","Proposed layout for Matoaka Court Subdivision. Acc. 1989.74.","Plan for area between Swem Library and rear of Phi Beta Kappa Hall, 2 pages. Acc. 1989.73.","Includes layout, grading and drawings, outside lighting. Acc. 1989.71.","Plans for landscaping the library site, 3 pages. Acc. 1989.65.001","5 sheets. Acc. 1989.64.","Acc. 1989.63.","Location unknown, 3 pages. Acc. 1989.62.","Acc. 1989.61.","Seating plan, tract, etc. for stadium. Acc. 1989.60.","Layout of platforms for seating of choir, faculty, and guests at graduation; 5 pages. Acc. 1989.58.","Includes site plan and floor plan; plans resemble present Marshall-Wythe Law School, but were likely an early set of drawings which were later modified. 5 pages. Acc. 1989.57.","Scope and Contents Includes site plan; exterior design; floor plans; and layout of basketball arena. Architects: Wright, Jones and Wilkerson. Sheets: 6., bound. Size 26\" x 33\". Condition: Very Good. Acc. 1989.56.","Plans for tennis court and softball field from the area behind William and Mary Hall. Acc. 1989.55.","Boiler shed for Yates Hall, temporary structure; 1 page. Acc. 1989.54.","Recreation room; foundation plan; 1st floor dormitory furniture layout; 2 pages. Acc. 1989.53.","4 pages. Acc. 1989.52.","Map of Waller Reservoir, 1965, showing College Airport boundaries; 1977 survey map of Tilmouth Tract; 1952 site map of Tilmouth Tract; 1945 airport building plans; runway plans, 1955; 1967 proposed baseball field on airport site. Acc. 1989.51.","Scope and Contents Drawn from a map by Bolton, Clark, and Pratt. Scale 1\" to 600'. Looks like some kind of thermographic paper. Acc. 1989.45.","Acc. 1989.42.","Proposed cable crossing campus property and r.r. spur of U.S. government. Acc. 1989.41.","Acc. 1989.40.","Proposed substation and power line through campus. Acc. 1989.39.","Acc. 1989.38.","Renovations, 1980; demolition plan, site plan, landscape plan, courtyard plan, landscape details, Kappa Delta, Pi Beta Phi, Delta Delta Delta, Chi Omega, Alpha Chi Omega, Kappa Alpha Theta, Phi Mu, Gamma Phi Beta, Kappa Kappa Gamma (floor plans and mechanical) 1955 bathroom; Phi Mu House. Acc. 1989.37.","Campus plan for sidewalk curb ramps, building entry ramps, bathroom modifications, also ramp for Ewell and the Campus Center. Acc. 1989.36.","Floor plans showing placement of lab benches and other furnishings. Acc. 1989.35.","Acc. 1989.34.","General plans; floor, electrical, plumbing, heating, ventilation. Acc. 1989.32.","Floors 1-3 floor plan; addition to restroom, elevation (1928). Addition to conservatory, 1 p. Restroom adjoining (1926); first floor plan, foundation plan, 2nd floor plan, elevations. Additions to restroom, and details. Acc. 1989.31.","Acc. 1989.30.","One blueline drawing and another set of drawings of the Swem Library floorplan as it looked after the addition. Acc. 1989.14.","Plan set of blueline drawings and photocopy showing placement of compact shelving; used by workmen who installed space-saving shelving. Acc. 1989.12.","Acc. 1989.4.","Plot plan for development of College Terrace, prepared by architect Charles M. Robinson. Acc. 1988.74.","Showing additional street names. Acc. 1988.74.","Scope and Contents Showing present buildings, current construction, buildings being planned, site of use for future buildings; by Walford and Wright, architects. Sheets: 1; 35\" x46\". Condition: Fair, with torn sections. Acc. 1988.73.","Acc. 1988.72.","Acc. 1988.72.","Preliminary study blueprint showing typical floor plan for Old Dominion Hall by architect Charles M. Robinson. Acc. 1988.71.","Acc. 1988.71.","Shows entire campus, present construction, authorized buildings under construction, placement and future use of future buildings; and one sheet showing layout of proposed future buildings by C. M. Robinson. Acc. 1988.70.","Two alterations each for entry level and upper level of museum, showing pavement plan, and plan of entrance sign. Acc. 1988.63.","Acc. 1988.62.","One floor depicted. Acc. 1988.61.","Scope and Contents Map of Lake Matoaka Park and Forrest at the College of William and Mary--Emergency Conservation Work under the National Park Service. Sheets: 1; 36\" x 42\". Condition: Good. Acc. 1988.60.001","Scope and Contents Plans for landscaping of the College including detailed garden plans from 1923. Landscape Architect\" Charles Gillete. Sheets: 1; size 32.5\" x 42\". Condition Poor with several torn sections. Acc. 1988.59.001","Scope and Contents Plans for landscaping the South Campus of the College 1949; landscaping plans 1931; Plans for Grounds 1923. Architect: Chales M. Robinson. Landscape Architect: Arthur Schurcliff. Sheets: 5; 27.5\" x37\"(2); 40\" x 42\"(1); 49\" x 34.5\" (2). Condition Poor to good with several torn sections. Acc. 1988.59.003.","Design details of walks (1925); plans of walls and walks, location and design, two sheets (1925); wall and walk plans to May 1925 (1925); treatment of walks and walls at entrance to the college, two sheets (1929); details of Sunken Garden wall (1926); proposed curbs and drains near President's House (1931); Crim Dell pedestrian walk (1978). Acc. 1988.58","Two sheets showing site of present buildings, buildings under construction, authorized buildings, and proposed placement and use of future buildings. Prepared by Charles M. Robinson, architects. Acc. 1988.57.","Seven pages showing proposed student house (never built). Acc. 1988.56.","17 pages showing water, steam, sewer, and electric extension plans. 1 page showing proposed water system plan. Acc. 1988.55.","11 pages. Acc. 1988.54.","37 pages. Acc. 1988.52.","8 pages. Acc. 1988.51","4 pages. Acc. 1988.50.","6 pages. Acc. 1988.49.","7 pages. Acc. 1988.48.","Scope and Contents Proposed layout plan for a Matoaka Amphitheater under auspices of the National Park Service. Sheets: 1; 34.5\" x 50\". Condition: Fair with numerous small holes. Acc. 1988.47.","Proposed grounds layout plan, incomplete (1923); 2 sets of grounds layout plans (1924); and 2 worksheets for grounds layout. Acc. 1988.46.","2 sets of the floor plan for the new women's dormitory, Chandler Hall. Acc. 1988.45.","Renovation plans, 3 pages (1973); renovation plans, including structural, plumbing, electrical, and mechanical, 26 pages (1977). Acc. 1988.45 addition.","3rd floor plan of the Brafferton, kitchen plan of the Brafferton, Northwest Outbuilding, and the President's House, 4 pages. Acc. 1988.43.","4 sets of plans showing the general plan for centralization of heating, lighting, power, and water supply. Acc. 1988.42.","2 sets of 6-page blueprints showing the floor plan of the Kappa Kappa Gamma House, one complete set, one incomplete set. Acc. 1988.41.","Proposed design plan for a Proscenium Arch on the Sunken Garden, 3 pages. Acc. 1988.40.","Proposed drainage system plan for the athletic field. Acc. 1988.39.","2 blueprints showing alterations to the water system and plans for a connecting hospital and college mains. Acc. 1988.38.","9 blueprints showing proposed changes in floor plan and exterior, details for new kneelers, details shelves in Wren Chapel. Acc. 1988.37.","1.\tChristopher Wren Building, First Floor Plan, Revised March 25, 1927, #2\n2.\tChristopher Wren Building, Second Floor Plan, Revised March 25, 1927, #3\n3.\tChristopher Wren Building, Attic Floor Plan, March 25, 1927, #4\n4.\tChristopher Wren Building, Sketch of East Elevation, March 11, 1927, #5\n5.\tChristopher Wren Building, Sketch of East Elevation \"B\", March 25, 1927, #5A\n6.\tChristopher Wren Building, Sketch of West Elevation, Revised March 25, 1927, #6\n7.\tChristopher Wren Building, Sketch of South Elevation, March 29, 1927, #7\n8.\tFull Size Section Thru Shelves, Block XVI, Bldg. 3, #287, Undated\n9.\tDetails for New Kneelers in Chapel of College Building, #285. Williamsburg Restoration for the Williamsburg Holding Co. Perry, Shaw, \u0026 Hepburn, Architects. 1931.","Foundation plan for the restoration of the Wren Building, drawn by Perry Shaw and Hepburn. Acc. 1988.37 addition.\nMarch 14, 1929 Revision, Number: Job 107, S-1.","14 blueprints showing additions to Trinkle Hall and kitchen. 1 box. Acc. 1988.36.","Renovations of Trinkle Hall, The Wigwam and The Pub. Acc. 1988.36 addition.","29 blueprints showing basement floor plans and first, second, and third floor; renovation plans (1965) and alterations to building; specifications for alterations (1922). 1 box. Acc. 1988.35.","8 drawings for the library, done by Gay [sic] and See, architects; showing cellar plan, roof framing plan; front, rear, and side elevations; and longitudinal and cross sections. Acc. 1988.35 addition.","Alterations and additions to Tucker Hall; 12 pages of drawings detailing renovation of the old law school; and other concerning Tucker Hall. Acc. 1988.35 addition.","Plans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architect Charles M. Robinson, 6 sheets. Acc. 1988.34.1","Plans showing exterior and floor plans for proposed student activities centers (never built). Includes specifications for general conditions of project and specific materials to be used. The plan is by architects J. Binford Walford, 4 sheets. Acc. 1988.34.2","Plans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages. Architects: Charles M. Major; J. Bindford Walford and O. Pendleton Wright. Condition: Good. 1 box. Acc. 1988.33.001.","Revisions to President's Office Suite (1967); and alterations and additions (1954-57); 2 copies, 1 box. Acc. 1988.33 addition.","Plans showing exterior and floor plans for Blow Gymnasium, including a plan for the memorial plaque, 16 pages, 1 box. Acc. 1988.32.","Plans of alterations and additions to Blow Gymnasium, includes Squash Court (1938); renovations (1940); wire screen partition shower room renovation (1947); plot plan for Blow Gym area (undated); and shower room-locker renovation (1976). Acc. 1988.32 addition.","Plans showing exterior and floor plans of William Barton Rogers Hall. Also includes specifications. 2 plan sets (1926) and 1 box. Acc. 1988.31.","Plans showing stair alterations, 5 pages and 1 box. Acc. 1988.31 addition.","Plans showing planned exterior and floor plans for Barrett Hall, 13 pages. Acc. 1988.30.","Blueprints showing planned exterior and floor plans for Jefferson Hall, 5  rolled sets of blueprints. Acc. 1988.29.","Building modifications (1965, in box 2); proposed renovation (1973); renovations (1975) including floor plans, plumbing, electrical, fire sprinklers, heating, telephone, and TV (in box 3); and overview of 1920 plans. 3 boxes. Acc. 1988.29 addition.","Plans showing the design and floor plans for the library to be built at William and Mary Norfolk Division campus; 1 box, 28 blueprints. Acc. 1988.28.","Plans showing proposed library to be built at the end of the Sunken Garden. Includes preliminary sketches and miscellaneous plans. 1 box, 51 blueprints. Acc. 1988.27.","Progress schedules, 1 box. Acc. 1988.26.","Dedicated at the Opening of the Addition; 1 box, 1 blueprint. Acc. 1988.25.","Scope and Contents Blueprint showing modifications to be made for a new aluminum entrance to Swem Library. Architects: Wright, Jones and Wilkerson. Sheets: 2; 34.5\" x 43.5\". Condition: Good. Acc. 1988.24.","Set of 5 blueprints showing the floor plan for Swem Library, including placement of stack ranges. 2 complete sets. Acc. 1988.23.","Set of 6 blueprints showing the layout of the ventilation system in the Swem Library basement. Acc. 1988.22.","Set of 4 blueprints showing the floor plans for Swem Library, 2 complete sets. Acc. 1988.21.","Set of 9 blueprints showing the revised site plan and floor plan for Swem Library, 2 complete sets. Acc. 1988.20.","Set of 8 blueprints showing the site plan and the floor plans for Swem Library; also showing the facades. 2 complete sets. Acc. 1988.19.","Set of 19 blueprints giving faculty office and carrel specifications and elevations; 4 complete sets. Acc. 1988.18.","Set of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.001.","Set of 7 blueprints showing the plumbing system for Swem Library, 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.001","Set of 7 blueprints showing placement of types of bookshelves and other furnishings for Swem Library; 2 complete sets. Acc. 1988.15.","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 1). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.001","Scope and Contents Set of blueprints showing the heating and ventilation systems of Swem Library. Sheets: 14. M1-M12 and 2 M-2. Size: 36\" x 42\" (12); 34\" x 38(1)\"; 34\" x 38\"(1).Condition: Fair with torn sections and some evidence of water damage. 2 of 3 sets. Acc. 1988.13.001","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 24. Size: 34\" x 42\". 1 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.001.","Blueprint showing a full-scale model for the baton carried by the Faculty Marshalls of the College in formal academic processions. Acc. 1984.29.","2 blueprints; 1 blueprint (9 July 1926) showing walks and grading to be done between Wren, Ewell, and St. George Tucker Halls; 1 blueprint (21 June 1926) showing details of garden walls. Acc. 1983.37.","5 blueprints, with offices marked, showing registration procedures. Acc. 1980.27","Complete set of blueprints, 29 pages. Includes notations by architect R. G. Richardson. Acc. 2007.60.","Ten sheets of blueprints with detailed drawings of Sunken Garden projects in 1935 at William and Mary. Blueprints were made by J. Binford Walford and Charles F. Gillette of Richmond, Virginia. Includes details on elevation, brick walkways and steps, retaining wall, and campus buildings near the Sunken Garden in 1935. Acc. 2009.032","One sheet detailing the development plan for the College of William and Mary. The plan shows the entire William and Mary campus, the Law School site, and the James Blair Terrace Campus, later the Dillard Complex off Ironbound Rd. The plan also includes proposed buildings, such as the future Muscarelle Museum of Art and a proposed athletic field that would become Busch Field. Acc. 2009.243","Scope and Contents Traced or copied blueprint of Phi Beta Kappa Memorial Hall. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 36.5\"x25\". Condition: fair. Acc. 2009.406","Scope and Contents Plot plans of the College of William and Mary in Virginia printed on mylar. Surveyor: M.W. Thomas. Sheets: 2. Dimensions: 48\"x27\". Condition: excellent. Acc. 2009.407","Scope and Contents Blueprint of a swimming pool. Architect: Charles Major. Sheets: 2. Dimensions: 32\"x20\". Condition: good. Acc. 2009.408","Scope and Contents Traced blueprint of a renovation to William Barton Rogers Memorial Science Hall. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 32\"x22\". Condition: fair. Acc. 2009.409","Scope and Contents Blueprint of additions to the Library Building. Architect: J. Binford Walford Architects. Sheets: 3. Dimensions: 21.5\"x15.5\". Condition: Fair --including tears. Acc. 2009.410","Scope and Contents Traced or copied blueprint of women's dormitory #1. Architect: Charles M. Robinson Architects. Sheets: 14. Dimensions: 36.5\"x15\". Condition: good with discoloration. Acc. 2009.411","Scope and Contents Copy of a blueprint of alterations and additions to George Preston Blow Memorial Gymnasium. Architect: J. Binford Walford Architects. Sheets: 20. Dimensions: For sheets 1, 1A, 1B, 2, 3, 1A-R, 4, 5, 6, 7, 8, 9, 10, 11, 12, and 13: 31\"x20.5\"; For sheet 14: 38\"x20.5\"; For other sheets: 30.5\"x15\" and 34\"x14\". Condition: good with tears and tape. Acc. 2009.412","Scope and Contents Three copied sketches of the plan of the first floor of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 3. Dimensions: 24\"x18\". Condition: excellent. Acc. 2009.413","Scope and Contents Furniture layouts of 4 buildings on Ironbound Road (Dillard Complex). Architect: Bill Turner III, AIBD. Sheets: 4. Dimensions: 36\"x24\". Condition: excellent. Acc. 2009.414","Scope and Contents Second floor plan of the electrical and lighting renovation of the Dillard Compled. Architect: Williams, Tazwell and Associates, Architects. Sheets: 1. Dimensions: 42\"x30\". Condition: excellent. Acc. 2009.415","Scope and Contents Photo copy a map of property formerly belonging to the Williamsburg Power Company, but is now belongs to the College of William and Mary. Architect: W.W. Lo Prode and Bros., Architects. Sheets: 2. Dimensions: 28\"x18\". Condition: good. Notes: There is residue from a sticker on the second sheet, and a descriptive note was taped to the second sheet before it arrived in Special Collections. Acc. 2009.416","Scope and Contents Copy or Tracing of a survey of two parcels of Land owned by the College of William and Mary. It is the residue of the Tilmouth Tract in Bruton District, York County. Architect: Spearman and Associates (Land Surveying). Sheets: 1. Dimensions: 36\"x24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.417","Scope and Contents Blueprint of Renovations and additions to the Library Building. Architect: Charles M. Robinson Architects. Sheets: 1. Dimensions: 24\"x18\". Condition: poor with tape, tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections. Acc. 2009.418","Scope and Contents Diagram of the ventilating and air conditioning system for the population laboratories in the Dairy Bar on the old Eastern State Hospital site. Architect: Commonwealth of Virginia Governor's Office Division of Engineering and Buildings. Sheets: 1. Dimensions: 35\"x24\". Condition: good with tears and discoloration. Acc. 2009.419","Scope and Contents Diagram of a proposed addition to Cary Field Stadium at the College of William and Mary. Shown in the sketch are the existing dormitories near the stadium, parking lot, and where the new stands are going to be at the stadium. Architects: Wright, Jones and Wilkerson of Richmond, Virginia. Sheets: 1. Dimensions: 11\" x 14\". Condition: good. Acc. 2009.496","Scope and Contents Tables and plans for water heating systems and the HVAC demolition plans for the renovation of Hughes Hall and Munford Hall. Architects: Hankins and Anderson, Inc. Sheets: 10. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.420","Scope and Contents Blueprints for the second and third floors of Marshall Wythe Hall, now named Reverend James Blair Hall. Architects: J. Binford Walford, Architect. Sheets: 3. Dimensions: 30\" x 23\". Condition: fair. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.421","Scope and Contents Copies of blueprints for the Continued Treatment Group and Disturbed Patients Building number 22 as part of Eastern State Hospital. Architects: Rudolph, Cooke, and Van Leeuwen, Inc., General Architects. Sheets: 4. Dimensions: 30\" x 46\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.422","Scope and Contents Blueprints of two different alterations to the Library Building, present day Tucker Hall. Architects: Charles M. Robinson, Architects (1928); J. Binford Walford Architect (1940). Sheets: 10. Dimensions: 30\" x 22\". Condition: fair with tears. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.423","Scope and Contents Block Diagram of electrical communication system for single employees' buildings numbered 42 and 43 at Eastern State Hostpital. Architects: J. Peghiny. Sheets: 2. Dimensions: 36\" x 18\". Condition: fair with creases. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.424","Scope and Contents Photocopy of a schematic plan for the Facilities Management Complex at the Dillard Campus on Ironbound Road. Architects: Wilson, Moreth, Connock LTD. Sheets: 1. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.425","Scope and Contents Blueprint for one half side of the stage, buildings layout and four faces of the Eastern Tower of the Common Glory Amphitheater, where the Lake Matoaka Amphitheater now sits. Architects: Charles M. Major, Architect. Sheets: 2. Dimensions: Sheet 1: 20\" x 33\"; Sheet 2: 16\" x 30\" . Condition: good. Notes: Two descriptive notes were taped to the item before it arrived in Special Collections Acc. 2009.426","Scope and Contents Plans for the electrical systems for the renovation of Hughes Hall and Munford Hall on the Dillard Campus. Architects: Hankins and Anderson, Inc. Sheets: 6. Dimensions: 36\" x 24\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.427","Scope and Contents Photocopy of the blueprints for four acute convalescent buildings at Eastern State Hospital at the Dunbar Site. Architects: Bernard B. Spigel, Architect. Sheets: 2. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.428","Scope and Contents Blueprint for electrical and lighting renovations to the Dillard Complex on Ironbound Road. Architects: Williams, Tazwell and Associates. Sheets: 7. Dimensions: 30\" x 42\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.429","Scope and Contents Blueprints and facilities plans for the renovation of four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc. Sheets: 16. Dimensions: 30\" x 36\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.430","Scope and Contents A copy of the plans and schedules for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Hawkins and Anderson, Inc.. Sheets: 10. Dimensions: 24\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.431","Scope and Contents Print of three furniture layouts for Hughes and Munford Hall in the Dillard Complex on Ironbound Road. Architects: Ballou, Justice, Upton Associates, Architects. Sheets: 3. Dimensions: 30\" x 42\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.432","Scope and Contents Schematic diagram of the wiring for the annunciator in Building 20 at Eastern State Hospital. Architects: J. Tusinski. Sheets: 1. Dimensions: 36\" x 58\". Condition: good. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.433","Scope and Contents Print of a site plan for four student residences in the Dillard Complex on Ironbound Road. Architects: Wiley and Wilson, Inc.. Sheets: 1. Dimensions: 24\" x 34\". Condition: good, with tears and holes. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.434","Scope and Contents Print of a property map of the Virginia Associated Research Center. Architects: E.E.R. and E.B.R. Jr.. Sheets: 1. Dimensions: 12\" x 36\". Condition: excellent. Notes: A descriptive note was taped to the item before it arrived in Special Collections Acc. 2009.435","Scope and Contents Blueprints of the Infirmary for the College. The building is now called Hunt Hall. Architects: Charles Robinson. Sheets: 8. Dimensions: 19.5\" x 29\". Condition: good with tears. Notes: There is a piece of backing stapled to the blueprints Acc. 2009.436","Scope and Contents A map of campus detailing sewers present and to be built. Details of new catch basins and manholes are included. Architect: J. Binford Walford. Sheets: 1. Dimensions: 33\" x 43\". Condition: good with tears. Acc. 2009.437","Scope and Contents Copies of blueprints for alterations and additions to Blow Gymnasium, now Blow Memorial Hall. Architect: J. Binford Walford. Sheets: 20. Dimensions: 17\" x 24\". Condition: excellent. Acc. 2009.438","Scope and Contents Blueprint of the heating plan for the Lodges. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: good with tears. Acc. 2009.439","Scope and Contents Blueprint of a plat of Strawberry Plains with Subdivisions. Architect: J. Binford Walford. Sheets: 1. Dimensions: 21\" x 30\". Condition: poor with tears, tape, attempted rebacking and an attached descriptive note. Acc. 2009.440","Scope and Contents Blueprint and elevations of Barrett Hall. Architect: Charles Robinson. Sheets: 3. Dimensions: 20\" x 40\". Condition: poor with tears, tape and a descriptive note. Acc. 2010.060","Scope and Contents Copy of blueprint, elevations and detail of Monroe Hall. Architect: Charles Robinson. Sheets: 13. Dimensions: 16\" x 36\". Condition: good with tears and tape. Acc. 2010.062","Scope and Contents Blueprint, elevations and detail of Chandler Hall. Architect: Charles Robinson. Sheets: 11. Dimensions: 36\" x 15\". Condition: good with tears. Acc. 2010.061","Scope and Contents Blueprint, elevations and detail of Old Dominion Hall. Architect: Charles Robinson. Sheets: 12. Dimensions: 36\" x 16\". Condition: good with tears, tape, and a descriptive note. Acc. 2010.063","Scope and Contents Plans for renovation of the Wren Buildings storm drain system. Architect: Perry Shaw Hepburn Architects (Boston and Williamsburg). Sheets: 1. Dimensions: 40\" x 36\". Condition: good. Acc. 2010.064","Contains 71 sheets of blueprints of the second phase of renovations at Williamsburg Community Hospital. Included in the sheets are architectural (floor plans, millwork, etc.), plumbing (demolition plans and new work plans), mechanical (duct work, piping, controls), and electrical plans (lighting plan, power plan, demolition plan) for the hospital. The architects for the project were Peterson Associates (Charlotte, North Carolina) with the help of Pace Collaborations (Virginia Beach, Virginia) and Interior Planners (Richmond, Virginia). Acc. 2009.576","Scope and Contents Sketch of the first floor plan of Swem Library. Architect: Perry, Dean, Rogers and Partners Architects. Sheets: 8. Dimensions: 24\" x 18\". Condition: excellent. Acc. 2010.065","Scope and Contents Photos, schematics and schedules for upgrading the lights in Andrews Hall. Architect: Rancorn Wildman Architects PLC. Sheets: 4. Dimensions: 43\" x 30\". Condition: excellent. Acc. 2010.066","Scope and Contents Floor plans of the ground, first, second, and third floors of an addition to Swem Library. Architect: Perry, Dean, Rogers, and Partners Architects. Sheets: 3. Dimensions: 36\" x 24\" and 42\" x 30\". Condition: excellent. Notes: sticky notes with clarifications were removed from this document. Acc. 2010.067","Scope and Contents A plan for the placement of trees, shrubs, ivy and other plants along the southern half of Campus. Architects: J. Binford Walford, and Charels F. Gillett - Landscape Architect. Sheets: 1. Dimensions: 65\" x 42\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.069","Williamsburg area drawing showing location of the KKK flagpole on Jamestown Rd. and Boundary St. Removed from the University Archives Subject File Collection, Flags folder. Acc. 2010.127","Scope and Contents Topographic Map and Grading Plan for landscaping of the Sunken Gardens, the Crim Dell Meadow, and Crim Dell. Architects: W. W. La Prada Bros. Sheets: 2. Dimensions: 65\" x 42\" and 42\"x 36\" Condition: fair with rips, creases, holes, and tape. Acc. 2010.068","Scope and Contents Plans for foundation, elevations, plumbing plans, heating plans, and details of Marshall-Wythe Hall, now called James Blair Hall. Architect: J. Binford Walford Sheets: 27. Dimensions: 32\" x 21\" Condition: fair with rips, holes, and informational notes. Acc. 2010.070","Scope and Contents Photocopy of plans for alterations and additions to the Old Library, now Tucker Hall. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.071","Scope and Contents Floor plans for Moncure Cottage, now (rebuilt) as Moncure House. Architect: Charles M. Robinson. Sheets: 2. Dimensions: 14\" x 14\" Condition: good with wax crayon markings. Acc. 2010.072","Scope and Contents Blueprints and copies of schedules and floor plans for Women's Dormitory Number 3, now called Chandler Hall. Architect: Charles M. Robinson. Sheets: 13. Dimensions: 36\" x 16\" Condition: good with wax crayon markings. Acc. 2010.073","Scope and Contents Preliminary design submission for the renovation of the Wren Building. Mainly updating electrical, plumbing, fire safety, and HVAC equipment. Architect: Quinn Evans Architects. Sheets: 78. Dimensions: 36\" x 24\" Condition: excellent. Acc. 2010.074","Scope and Contents Blueprint, \"Map of Hospital Buildings and Grounds, Eastern State Hospital,\" prepared by A.F. Brown, engr, Reidsville, N.C., September 11, 1929. The blueprint was printed by R.T. Sunday Co. Blue Printers, located in Richmond, Virginia. It is approximately 27 1/2\" x 33\". Acc. 2008.212","Scope and Contents Copy of a blueprint of storage buildings plot plan layout with sewer and manhole schedules. Handwritten note on back of blueprint: Plot of Warehouses A, B, C \u0026 D, 3-26-47. Architect: Charles Major. Sheet: 1. Dimensions: 27\" x 20.5\". Condition: good with torn edges. Acc. 2010.520","Scope and Contents Reverse black and white on paper for alterations and to Library Building. Copies of pages 1,2 \u00263. Architect: J. Binford Walford Architects. Sheets: 6. Dimensions: 22\"x15.75\" bound. Copies: Sheets: 3.Dimensions: 24\"x18\" bound. Condition: Very good with some handwritten notations. Acc. 2010.521","Scope and Contents Paper Drawing of Dining Hall Alterations and Additions; Basement foundation and First floor. Architect: Charles M. Robinson Architects, Richmond. Sheets: 6. Dimensions: 24.25\"x16.5\"; Condition: Very good. Acc. 2010.522","Scope and Contents Blueprints for Women's Dormitory #1 Floor Plans; First Floor; Second Floor and Third Floor. Typed Notes on Back; Handwritten notation: Jefferson. Architect: Charles Robinson. Sheets: 3. Dimensions: 36\"x15\". Condition: good with frayed edges and tape; portion glued. Acc. 2010.523","Scope and Contents Copies of blueprints for Women's Dormitory #1; Basement Floor and revision; First Floor; Second Floor; Third Floor; Attic and roof Plan; and Elevations. Architect: Charles M. Robinson and Wright Jones and Wilkerson. Sheets: 14. Dimensions: 16.5x22\". Condition: Very Good. Acc. 2010.524","Scope and Contents Copies of blueprints for the Dining Hall: Addition of Alcove to Kitchen; Basement, First Floor, Elevations. Handwritten notation: 10-19-1928. Architect: Chales M. Robinson Architects. Sheets: 6. Dimensions: 24\"x17\". Condition: Very Good. Acc. 2010.525","Scope and Contents Copies of Blueprints for Wiliam Barton Rogers Memorial Science Hall; First, Second and Third Floor Plans. Handwritten notation of file number. Architect: Charles M. Robinson Architects. Sheets: 3. Dimensions: 24.5\"x 36\". Condition: Very Good. Acc. 2010.526","Scope and Contents Plans for Brafferton Alterations; two random pages for Basement, First, Second and Third Floors; Typed Notation: Drawings 8 and 9. November 15, 1949. Architect: Colonial Williamsburg Architectural Department. Sheets: 2. Dimensions: 22\"x35.5\". Condition: Good, edges torn. Acc. 2010.527","Scope and Contents Copies of blueprints for additions to Phi Beta Kappa Hall; plans for basement, first and second floor, and longitudinal plan. Architect: J. Binford Walford Architect . Sheets:4. Dimensions: 24\"x18\". Condition: Excellent. Notes: File numbers before it arrived in Special Collections. Acc. 2010.528","Scope and Contents Topographical Survey Map for Proposed Runway for the College of William and Mary produced by the Division of the Budget of the Governor's Office by the Division of Engineering. Control: B. W. Calkley. Sheets: 1. Dimensions: 58.25\"x42.25\". Condition: Good with tears at edges and at folds. Note: Stamped on back before it arrived in Special Collections. Acc. 2010.529.","Scope and Contents Blueprints for Men's Dormitory Number 1 at The College of William and Mary; Detailed plans for the foundation; first, second, and third floors; attic and roof plans and elevations. Plans 1-8; 10 and 12. Architect: Charles M. Robinson Architects and later stamped Wright, Jones \u0026 Wilkerson. Sheets: 10. Dimensions: 15.5\" x 36\". Condition: Good with some slight tears. Notes: Handwritten notation on back: Monroe; file numbers indicated before arrival in Special Collections. Acc. 2010.530","Scope and Contents Blueprints for the property Envelopment Plan of Williamsburg indicating Colonial Williamsburg and surrounding area. Revised March 1948 and April 1951. Architect: Colonial Williamsburg Architectural Depatment. Sheets: 1. Dimensions: 34\"x25\". Condition: Good with some torn edges. Notes: Typed note on back and stamped date December 9, 1958 before it arrived in Special Collections. Acc. 2010.531","Scope and Contents Blueprints for an addition to Blow Gym; plans present Foundation Plan, Basement , First Floor and Balcony. Roof sections and elevations also included. Plans estimated to be from 1940's. Architect: J. Binford Walford Architects. Sheets: 10. Dimensions: 20\"x30.5\". Condition: Good with some tape and tears; some pages stapled. notations made on front of first page before it arrived in Special Collections. Acc. 2010.532","Scope and Contents Blueprint for Part Plan of Washington Hall First Floor - Greenhouse side. Architect: Charles M. Major. Sheets: 1. Dimensions: 19.25\"x25.5\". Condition: Good with tape and some tears. Notes: Descriptive notes typed on back before it arrived in Special Collections. Acc. 2010.533","Scope and Contents Reverse Black and White copies of blueprints for the Swimming Pool at the College of William and Mary; Elevation and Longitudinal Section Plans. Architect: Charles M. Major. Sheets: 2. Dimensions: 24\"x36. Condition: Excellent. Acc. 2010.534","Scope and Contents Copies(large and small) of blueprint s for the Alcove addition to the Commons Dining Hall at the College of William and Mary,; Plans for foundation; elevations, main cornice and porch corner. Separate plan for Seating Section dated October 20, 1925. Revisions dated December 29, 1925 Architect: Charles M. Robinson Architects. Sheets: 8. Dimensions:Seating Section 16.75\"x11\"; Medium plans(4) 16.5\"x24\"; Large Plans(3) 36\"x24\". Condition: Very Good. Notes: Handwrittten notations and file numbers before it arrived in Special Collections. Acc. 2010.535","Scope and Contents Blueprints for Webster Heating System Plans for the Cheatham House Apartments; Basement piping and First, Second and Third Floor Plans. Architect: Charles M. Major Architects. Sheets: 4. Dimensions: 20.25\"x23.75\". Condition: Good with some frayed edges; pages stapled. Notes:Handwritten notations on the back before item arrived in Special Collections. Acc. 2010.536","Scope and Contents 1930 Preliminary Survey and Dormitory Annex Boundary Plan. Architect: Charles Gillette; Surveyor: M.W. Thomas. Sheets: 5. Dimensions: Pages 1-4, 17\"x24.5\"; page 5, 17x22.5\". Bound. Condition: Very Good. Notes: File numbers on front before it arrived in Special Collections. Acc. 2010.537.","Scope and Contents Plans for the Bozarth Duke House; Two copies of page 1 \u00262. Architect: Charles M. Major. Sheets: 4. Dimensions: Pages 1,2 \u0026 4. 19\"x19.25\"; page 3, 17x22.25\". Stapled. Condition: Good; tears and tape on edges and typed label on back page before it arrived in Special Collections. Acc. 2010.538.","Scope and Contents Development Plan for Eastern State Hospital at Dunbar, Virginia and Map of the Williamsburg Tract. Engineer: La Prada Bros. Sheets: 2. Dimensions: Page 1, 24\"x36\"; page 2, 25\"x36\". Condition: Very Good. Some tears and tape on edges; handwritten notes on back of page 1 before it arrived in Special Collections. Acc. 2010.539.","Scope and Contents Plans for Sections AA and BB (Doors, Stairs and Roof) for the Main Building (Wren) of the College of William and Mary. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 1. Dimensions: 30.75x40.5\".  Condition:  Good, torn section in upper right hand corner and some tape and tears. Date noted on back before it arrived in Special Collections. Acc. 2010.540.","Scope and Contents Map showing property owners for the block in Williamsburg, Virginia bounded by Richmond Road, Boundary Road, Prince George Street and Harris or Cromwell Streets. Engineer: J. Temple Waddill, Inc. Sheets: 1. Dimensions: 36.75\"x28\". Condition: Good with some tears and tape. Typed stickers and notes on back before it arrived in Special Collections. Acc. 2010.547.","Scope and Contents Plans for alterations to Bright House: Page 1-Basement Plan; Page 7R-Detail of Stairs; Page 8-Entrance Loop; Page RH1-Basement Heating plan; Page H2- First Floor Heating Plan; Page H3-Second Floor Heating Plan; and Page 101-Three Beams and Columns. Architect: J. Binford Waldford and P. Padleton Wright. Sheets: 7. Dimensions: Page 101, 12.75\"x18.5\"; page 8, 13.75x21.25\"; pages 7R, RH1, H2,H3, 21\"x30.25\". Condition: Very Good, with a few worn edges and several handwritten notations on back. Acc. 2010.548","Scope and Contents Plans for Steam and Hot Water Distribution System Improvements: Page 1-General Layout; Page 2-Steam Conduits and Drain Lines; Page 3-Manhole and Conduit Details; Page 4-Manhole Details; Page 5-Manhole and conduit Details; Pages 6, 7 \u0026 8- Details of Building Work; Page 9-Drip Trap Details. Consulting Engineers: Wiley \u0026 Wilson. Sheets: 9. Dimensions: 36\"x24\". Stapled. Condition: Very Good with some worn/torn edges; typed notations on back. Acc. 2010.549.","Scope and Contents Plans for Washington Hall: Page 8-Sections AA,BB,CC; Unnumbered Sheet -Front and East Elevations; Page 1-Foundation Plan; Page 2-First Floor Plan; Page 3-Second Floor Plan; and Pages 4 with Copy-Third Floor Plan .Architect: Charles M. Robinson. Sheets: 7. Dimensions: Page 8: 36\"x24\"; remaining pages 22.25\"x31.5\". Condition: Overall-Good; copy of page 4 poor--torn. Notes: File numbers on front and stamped notations on back before it arrived in Special Collections. Acc. 2010.550.","Scope and Contents Dormitory Annex General Development Plan; Soroities between Prince George Street and Richmond Road. Landscape Architect: Charles Gillette. Sheets: 1. Dimensions: 27.75\"x42.25\". Condition: Very Good with only a few small tears on edges. Notes: File numbers on front and stamp on back before it arrived in Special Collections. Acc. 2010.551.","Scope and Contents Plans for Brafferton Hall Kitchen Plumbing and Heating. Sheet P-1-Plan of second floor new plumbing fixtures and Sheet H-1- Basement and First Floor Heating Plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Sheets: 2. Dimensions: 18\"x24\". Condition: Very Good. Notes: File numbers and date(February 21, 1951) stamped on front before it arrived in Special Collections. Acc. 2010.552.","Scope and Contents Plans for replacing the Kitchen Floor in the Dining Hall. Sheet 1-Plan for Alterations to the Basement; Sheet 2-Plan for Movement of Equipment. Architect: Charles M. Robinson. Sheets: 2; Dimensions: Page 1, 16\"x24.5; page 2, 17x24.5\". Bound. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.553.","Scope and Contents Copies of Blueprints for Taliaferro Hall. Sheet 1: Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor; Sheet 5 Center Portion of Roof; Sheet 6 Section FF; Sheet 7 Sections CC, DD, EE; Sheet 8 Section BB and South Elevation; Sheet 9 Section AA and North Elevvation; Sheet 10 East Elevation; Sheet 11 West Elevation; Sheet 12 Cornices and Dormers; Sheet 13 Cornices and Dormers at 45 degree pitch; Sheet 14 Doors and Windows; Sheet 16 Alternate F, elevations and schedule. Architect: Charles M. Robinson. Sheets: 15; Dimensions: 18\"x24. Bound. Condition: Excellent. Notes: File number on front before it arrived in Special Collections. Acc. 2010.554.","Scope and Contents Plans for Womens Dormitory Number Three. Sheet 1-Basement \u0026 Foundation; Sheet 2 First Floor; Sheet 3 Second and Third Floors; Sheet 4 Attic and Roof; Sheet 5 Section DD; Sheet 6 Sections AA, BB, CC East Elevations; Sheet 7 Campus Side(North ) Elevations; Sheet 8 Roadside(South) Elevations; Sheet 9 Dormers Windows, Cornices and Water Table; Sheet 10 Elevations from Road and Campus, Arch, entrances and cloister elevations; Sheet 11 Stairtowers. Architect: Charles M. Robinson. Sheets: 11; Dimensions: 24\"x36\". Bound. Condition: Very Good; File numbers and dates stamped on front. Acc. 2010.555.","Scope and Contents Plans for the Heating and Power Plant additions at the College of William and Mary. Sheet 1 Above Coal Bin; Sheet 2 Plan Taken near roof; Sheet 3 Roof Plan; Sheet 4 East, South and West Elevations; Sheet 5 Sections AA and BB; Sheet 6 Campus Map; Sheet 7 New Pipes in tunnels; Sheet 8 Longitudinal Section; Sheet 9 Boiler #6 Elevations. Architect: Charles M. Robinson. Sheets: 9; Dimensions: Page 1, 29.75\"x22.75\". Bound. Condition: Very Good. File numbers on front before it arrived in Special Collections. Acc. 2010.556.","Scope and Contents Revised plans for a new Underground Steam line to serve the garage and residence-General Layout. Consulting Engineers: Wiley and Wilson. Sheets: 1; Dimensions: 36\"x24. Condition: Good, tape with torn corner and edges. Typed Sticker (dated September 30, 1944 and noting 11 pages) on back before it arrived in Special Collections. Acc. 2010.557.","Scope and Contents Plans for the Ampitheater with seating capacity of 2340. Sheet 1 layout of halfside of stage and buildings; Sheet 2 \u0026 3 unlabeled; Sheets 4 \u0026 5 Public toilets and front elevation; Sheets 6\u00267 Floor Plan; Sheet 8 Boxes for electrical connections; Sheets 9, 10-12 Details of Mast and Shields at Gate,  page 9 is reversed. Architect: Charles M. Major and Finlay F. Ferguson, Jr.  Sheets: 12; Dimensions: Page 1, 34.75\"x20\"; page 2\u00263, 21\"x16\"; pages 4\u00265 10\"x25\",  Pages 6\u00267 21'X16\", Page 8 16.23\"x28.5\", pages 9-12 25'X18\". Partially stapled. Condition: Very Good. Notes: File numbers, stamped and handwritten on front before it arrived in Special Collections. Acc. 2010.558.","Scope and Contents Sanitary Sewerage System plans for the Fraternity Houses at the College of William and Mary. Sheet 1 General Layout; Sheet 2 Plot Plan, Manholes and Elevations; Sheet 3 Heating Plan for Lodges. Architects: J. Blanford Walford and O. Pendleton Wright. Consulting Engineers: Wiley \u0026 Wilson; Sheets: 3. Dimensions: pages 1\u00262: 36\"x24\"; page 3 21\"x29.75\". Condition: Good with some tape and torn edges, water marks and stamped notations on back. Acc. 2010.559","Scope and Contents Basement Floor Plan for Brafferton Hall Heating and Plumbing Systems including plot plan. Architect: Williamsburg Restoration for the Williamsburg Holding Company. Consulting Engineer: George A. Wechsler. Sheets: 1. Dimensions: 30\"x24\". Condition: Very Good with slight tear. Acc. 2010.560.","Scope and Contents Plans for alterations to Bright House. Sheet 1 missing; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Front Elevation; Sheet 5 Rear Elevation; Sheet 6 Mantels; Sheet 7 Stairs and Landing Newels. Architects: J. Binford Walford and O. Pendleton Wright . Sheets: 6 Dimensions: 30.5\"x21\". Condition: Very Good with some worn/torn edges; stamped notations and marks on back. Acc. 2010.561.","Scope and Contents Plans for Marshall Wythe Hall (now James Blair Hall) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Third Floor'; Sheet 7 South Elevation and Section YY; Sheet 8 Longitudinal and Section XX, Transome; Sheet 9 Plumbing Risers; Sheet 15 Inaccessible Areas. Architects: J. Binford Walford successor to Chalres M. Robinson. . Sheets: 7 Dimensions: Pages 1-6: 36.75\"x24\".; Page 7 30\"x 20.5. Condition: Very Good Acc. 2010.562.","Scope and Contents Mechanical Layout (map) for the College of William and Mary. Architects: Charles M. Robinson and later J. Binford Walford and O. Pendleton Wright . Sheets:1 Dimensions: 51.75\"x 42.5\".  Condition: Good with some tears and folds. Acc. 2010.563.","Scope and Contents Plans for Women's Dormitory #3 (Landrum) with several sheets from Women's Dormitory #2. Sheet 1 Sections AA, BB, East Elevation; Sheets 2\u00264 First Floor; Sheet 3 North Elevation Women's Dormitory #2; Sheet 5-7 Second and Third Floors; Sheet 8\u00269 Left and Right Elevations, Sec. AA, BB, CC; Sheet 10\u002611 Road Side Elevation; Sheets 12\u002613 Doors; Sheet 14 Elevation of North Side of Women's Dormitory #2.  Architects: Charles M. Robinson. Sheets:  Dimensions: Sheets 1,3 30\"x41.5\"; Sheets 2,4-14 21\"x 36\".. Partially stapled. Condition: Good to fair with some missing sections and notes. Acc. 2010.564.","Scope and Contents Plans for alterations and additions to the library at the College of William and Mary. Sheets 1 \u0026 6-10 missing. Sheet 2 First Floor; Sheet 3 Second Floor; Sheet 4 Upper portion of Second floor; Sheet 5 Third floor and Dormer; Sheet 11 Section BB; Sheet 12 Section AA.. Architects: Charles M. Robinson. Sheets: 6 Dimensions: 23.75\"x 23\". Condition: Very Good with some worn/torn edges; stamped notations on back. Acc. 2010.565.","Scope and Contents Plans for water supply layout for Washington Hall together with full written description. Sheet 1 Foundation Planmissing; Sheet 2 Water supply layout \u0026 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan. Architects: J. Binford Walford. Sheets: 4  Dimensions: 30.75\"x22\". Pin-bound. Condition: Very Good sticker on back. Acc. 2010.566.","Scope and Contents Preliminary Survey fof the College of William and Mary. Sheet 1 East Side: Lake Matoaka to Boundary Street; Sheet 2 West Side: IronBound to old Jamestown Road. Surveyor: M.W. Thomas. Sheets: 2 Dimensions: 47.5\"x 27\". Condition: Very Good, stamped notations on back. Acc. 2010.567.","Scope and Contents Plans for Women's Dormitory #2.(Barrett Hall) and Alterations. Sheet 1 Details of Portico and Porte Cochere; Sheet 2 East Elevation and Sections AA, BB; Sheet 3 North (Campus) Elevation; Sheet 4 Attic and Roof Plan; Sheet 5 Third Floor Plan; Sheet 6 Second Floor Plan; Sheet 7 First Floor Plan ; Sheet 8 East Elevation \u0026 Sections AA, BB; Sheet 9 South elevation;Sheet 10 North Elevation; Sheet 11 Drawings for Alterations; Sheet 12 Foundation Plan. Architects: Charles M. Robinson..Sheets: 12 Dimensions: 42.5\"x 36\". Partially stapled. Condition: Good, some copies faded, worn edges. Acc. 2010.581.","Scope and Contents Topographical Map for the College of William and Mary showing building locations. Architects: J. Binford Walford and O. Pendleton Wright . Topography by J.H. Foster. Sheets: 1 Dimensions: 40\"x 49\".  Condition: Good with some torn edges and  notations on front and label on back. Acc. 2010.582.","Scope and Contents Topographical Survey for the Stadium, Lodges, and Phi Bet Kappa Area. Sheet 1 Stadium (Cary Field) and Tennis Courts; Sheet 2 Area between Richmond Road, Jamestown Road and Landrum Drive. Architects: Governor's Office Division of the Budget Institutional Engineers. Topography: B.W. Chalkey \u0026 W. H.Schremp. Sheets: 2. Dimensions: 43\"x59\". Condition: Poor with water damage and a lot of tape and many tears. Label on back. Acc. 2010.583.","Scope and Contents Topographical Map for the site for the Jamestown Drama. Architects: Governor's Office of the Budget Institutional Engineers. Topography: B.W. Chalkley. Sheets: 2. Dimensions: 38\"x 56\". Condition: Very Good with some worn edges and sticker with typed notations on back. Acc. 2010.584.","Scope and Contents Utility Plan Project under VA-44355 for Veteran's Housing at the College of William and Mary. Architects: Charles M. Major. Sheets: 1. Dimensions: 42.75\"x 16\". Condition: Very Good with evidence of previous sticker on edge; stamped on back with handwritten note - \"Matoaka Court.\". Acc. 2010.585.","Scope and Contents Plot layout for the 10 Acre additon to the Cedar Grove Cemetery in the City of Williamsburg, Virginia; plans also indicate lines from 1960. Surveyor: R.E. Davis. Sheets: 1 Dimensions: 16.25\"x23\". Condition: Very Good with some tape and tears and a sticker on back. Acc. 2010.586.","Scope and Contents Plans for the room layouts in Barrett Hall at the College of William and Mary. Seet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan. Architects: Charles M. Major. Sheets: 3. Dimensions: 7.5\"x18\". Pin-bound. Condition: Very Good with handwritten notations on back. Acc. 2010.587.","Scope and Contents Plot Layout Plan for the storage buildings, warehouses A, B, C, and D, as well as manhole schedule and sewer lines. Architects: Charles M. Major. Sheets: 1 Dimensions: 20.25\"x 27\". Condition: Good some tears and damaged edges; sticker on back. Acc. 2010.588.","Scope and Contents Survey for Tilmouth Section of the College of William and Mary in Bruton District, York County, Virginia. Addition boundaries outlined from 1939, 1943 and 1952. Surveyor: none listed. Sheets: 1. Dimensions: 24.5\"x 38\". Condition: Good, tissue paper with a number of tears and missing pieces. Acc. 2010.589.","Scope and Contents Plans Six Family Apartments at the College of William and Mary. Sheet 1 Basement and Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Elevations. Architects: Charles M. Major. Sheets: 4 Dimensions: Pages 1-3 21\"x 16.5\"; Page 4 16.5\" x26\". Pin-bound. Condition: Very Good, torn corner section, handwritten notation on back . Acc. 2010.590.","Scope and Contents Large scale drawing of the College of William and Mary. No architect or surveyor given. Sheets: 1 . Tissue. Dimensions: 36\"x 45\". Condition: Very Good, penciled notation on front. Acc. 2010.591.","Scope and Contents Large aerial photograph of the College of William and Mary dated March 1969. No further information or photographer indicated. Sheets: 1. Dimensions: 43.5\"x 34.5\". Condition: Very Good, edges bent or slightly torn. Acc. 2010.592.","Scope and Contents Plans for embracing the areas of Colonial Occupation in Williamsburg, Virginia. Revisions in red dated October 27, 1959. Architects: Colonial Williamsburg and Williamsburg Restoration. Sheets: 1 Dimensions: 40\"x 70\". Condition: Very Good, some frayed edges, handwritten notes on back and sticker attached. Acc. 2010.593.","Scope and Contents Plans for Women's Dormitory # 2, Barrett Hall. Page 1 \u0026 5 East Elevation, Sections AA, BB; page 2\u002610 North Elevation; page 3 South Elevation; page 4 Third Floor Plan; page 6 Attic and Roof Plan; page 7 Second Floor Plan; page 8 First Floor Plan; page 9 Foundation Plan; Page 11 Portico, Cornice \u0026 Columns. Architects: Charles M. Robinson. Sheets: 11  Dimensions: Page 1,3, 6\u00267 19.5\"x38.75\"; page 2 19.5\"x 36\", page 4, 8-11 19.5\"x37.5 page 5 19.5\" x 40.25\"  Condition: Poor with patches, tears and tape. Acc. 2010.594.","Scope and Contents Plans for an Aviary Addition at the College of William and Mary. Page 1 Title Sheet and location maps; Page 2 Site Plan; Page 3 Architectural Plans and Sections; Page 4 Elevations and Details; Page 5 Plumbing Plans; Page 6 Plumbing and Additive Bid; Page 7 Mechanical Plan; Page 8 Electrical Plan. Architects: McKinney and Company. Sheets: 8; stapled. Dimensions: 24.375\" x 36\" . Condition: Very Good; revisions in red ink and some worn edges. Acc. 2010.595.","Scope and Contents General Plan for a portion of the College of William and Mary from the Library to College Terrace. Architects: Charles F. Gillette. Sheets: 1 Dimensions: 42\" x 72\" Condition: Poor with folds, tape, and torn portions. Acc. 2010.596.","Scope and Contents Planting Plan for the area around the Fraternity Lodges at the College of William and Mary(Two copies). Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 37\" x 42\" Condition: Good with some tears, cuts, and sticker on back. Acc. 2010.597.","Scope and Contents Grading and layout plan for the area around Bright House at the College of William and Mary. Pages 1\u00262 Grading Plan 1947; Pages 3\u00264 Planting Plan for Bright House 1949. Architects: J. Binford Walford and O. Pendleton Wright. Landscape Architects: Charles F. Gillette. Sheets: 4 Dimensions: Pages 1 \u00262 39.5\" x 40.25\"; Pages 3\u00264 41\"x 41\". Condition: Good with some tears and stickers on back. Acc. 2010.598.","Scope and Contents Plans for the Ludwell Apartments at the College of William and Mary. Site plan, elevations, electrical, water, sewer, ventilation and other mechanical plans as well as typical floor plan and foundation plan, ventilation, entrance and window plans. Architects: Bernard Spigel; Civil Engineer: Jno. M. Baldwin. Sheets: 32. Bound and Stapled. Dimensions: 22.75\" x 36\" Condition: Good with some water damage apparent. Acc. 2010.599.","Scope and Contents Plan for the location of the Fraternity Houses at the College of William and Mary. Architects: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 55\" x 39\" . Condition: Very good with slight tears and tape and sticker on back. Acc.2010.600.","Scope and Contents Virginia Company Plans for Arrangement of Grounds and Parking Area Landscape Detail. Parking Lot - 370 Cars. Landscape Architects: Charles F. Gillette. Sheets: 2 Dimensions: 69\"x 36\". Condition: Good with rips and tears and notations on back. Acc. 2010.610.","Scope and Contents Plans for the Amphitheatre (Football Stadium) at the College of William and Mary. Situations plan, cross sections, elevations, pavillions, seating drainage and heating plans included. Architects: J. Binford Walford. Sheets: 13 Pin-bound. Dimensions: 55\" x 24\"; Condition: Very good with damaged and frayed edges. 2010.611.","Scope and Contents Plans for Steam and Hot Water Improvements at the College of William and Mary. Plans include general layout, conduits and drain lines, manhole details and alternate plan for concrete conduits. Construction Engineers: Wiley and Wilson. Sheets: 10 Dimensions: 24.75\"x 36\". Previously Stapled. Condition: Good, faded with some frayed edges, tape and notations on back sheet. Acc. 2010.612.","Scope and Contents Plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8. Dimensions: Pages 1-3,6 \u0026 8 27.5\"x 17.25\"; pages 4-5 \u0026 7 20.25\" x 17.25\". Pinned and bound. Condition: Very Good, stamped on back and notations on binding paper. Acc. 2010.613.","Scope and Contents Plans for building the Chi Omega Sorority House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor \u0026 Plot Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 21.5\"x 18\". Stapled. Condition: Excellent. Acc. 2010.614.","Scope and Contents Plans for building the Gamma Kappa Chapter House of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 First Floor(3 copies, two loose); Sheet 2 First Floor \u0026 Terrace Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architects: J. Binford Walford successor to Charles M. Robinson. Sheets: 9. Dimensions: Page 1(3 copies) 25.75\"x 17\"; pages 2-7 17.5\" x 16.5\". Pinned and bound. Condition: Good; red notations on binding and front sheet. Acc. 2010.615","Scope and Contents Plans (blueprints and copy) for building the Pi Beta Phi Court Dormitory House at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5 (2 sets). Dimensions: 18\"x 16.75\". Stapled. Condition: Good with some discoloration; red pencil and ink notations on first three pages. Acc. 2010.616.","Scope and Contents Plans for alterations and additions to Taliaferro Hall at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan and Section BB; Sheet 5 South Elevation; Sheet 6Sections AA \u0026 CC; Sheet 7 East Elevation; Sheet 8 West Elevation; Sheet 9 North Elevation. Architect: Charles M. Robinson. Sheets: 9. Dimensions: 24\"x 15.5\". Pinned and bound. Condition: Good, some pages faded, notations on binding paper. Acc. 2010.617.","Scope and Contents Insurance Map for the College of William and Mary from the Engineering Department of South-Eastern Underwriters Association.  Engineer: R. K. Scott.  Sheets: 1.  Dimensions:  22\"x  16.5\".  Condition: Excellent. Acc. 2010.618.","Scope and Contents Blueprints and copies of plans for building the Beta Delta Chapter House of the Alpha Chi Omega Fraternity at the College of William and Mary(see Acc. 2010.613) Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Section AA; Sheet 5 Front Elevation; Sheet 6 \u0026 8 Side Elevation; Sheet 7 Rear Elevation. Architect: Charles M. Robinson. Sheets: 8.(2 sets) Dimensions: Pages 1-3,6 \u0026 8 27.75\"x 17.25\".; pages 4-5, 7 17.23\" x 20\". Stapled. Condition: Good, faded with notations on front page. Acc. 2010.619.","Scope and Contents Plans for alterations and additions to the Graham House at the College of William and Mary. Sheet 1 Foundation; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 \u0026 7 Rear Elevation; Sheet 8 Section BB; Sheet 9 Section AA; Sheet 10 Section thru wall. Architect: Charles M. Robinson.  Sheets: 10.  Dimensions:  23\"x 18.25\".  Stapled and bound. Condition: Very Good, with some red notations on front page and binding paper. Acc. 2010.620.","Scope and Contents Plans for alterations to the Graham House, part 2. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor. Architect: Charles M. Robinson.  Sheets: 3.  Dimensions:  15.5\" x 24\".  Pinned and bound. Condition: Very Good, notations on binding paper. Acc. 2010.621.","Scope and Contents Plans for the Alpha Chi Omega House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.75\"x 18\". Bound and pinned. Condition: Very good with worn, bent edges. Acc. 2010.622.","Scope and Contents Blueprints for the Chi Omega  House at the College of William and Mary, 155 Richmond Road. Sheets 1\u00264  Second Floor Plan; Sheet 2\u00263  First Floor Plan. Architect: Charles M. Robinson.  Sheets: 4.  Dimensions:  19.5\"x 20\".  Bound and stapled. Condition: Good with some torn edges and stamp on back. Notations on binding.  Acc. 2010.623.","Scope and Contents Blueprints and copy(includes 3 pages of revisions in July 1929-see ACC.2010.625) of plans for the Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Third Floor; Sheet 4 Front Elevation; Sheet 5 Side Elevation. Architect: Charles M. Robinson. Sheets: 5. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.624.","Scope and Contents Blueprints for additions to Kappa Delta House Court Dormitory at the College of William and Mary. Sheet 1 revised First Floor Plan; Sheet 2 Rear Elevation; Sheet 3 Side Elevation. Architect: Charles M. Robinson. Sheets: 3. Dimensions: 16.5\"x 18.25\". Pinned and bound; copy stapled. Condition: Very good, notations on binding. Acc. 2010.625.","Scope and Contents Blueprints for Sorority Houses at the College of W\u0026M. Pi Beta Phi House pages 1 \u0026 5 - First, Second and Third floor plans; pages 2 \u0026 3 the Kappa Delta House First, Second and Third floor plans; page 4 Phi Mu House: First, Second \u0026 Third floor plans. Architect: Charles M. Major.  Sheets: 5.  Dimensions:  12\"x 24.25\".  Stapled together. Condition: Good with some notations, tape and torn edges. Acc. 2010.626.","Scope and Contents Blueprint and copy for Kappa Alpha Theta. First and Second Floor plan with copy. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 12\"x 21.75\"; copy 12.25\" x 22. Very good with some notations on front. Acc. 2010.627.","Scope and Contents Blueprints and copy for improvements to the Phi Mu House at the College of William and Mary. Plans for the first, second and third floors. Architect: Charles M. Major. Sheets: 2. Dimensions: Original 21.5\"x 12.25\"; copy 21.875 x 12.5\". Condition: Very good with red revisions and notation (Gamma Phi Beta) on front. Acc. 2010.628.","Scope and Contents Copies of blueprints for Women's Dormitory # 3 Annex - Delta Delta Delta at the College of William and Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan; Sheet 3 Attic Plan; Sheet 4 Front Elevation; Sheet 5 Side Elevation; Sheet 6 Rear Elevation. Architect: Charles M. Robinson. Sheets: 6. Dimensions: Sheets 1\u00262 23.75\"x 18\"; Sheets 3\u00264 17.5\" x 22.25\"; Sheet 5 23.25\" x 17.5\"; Sheet 6 18.5\" x 23\". Stapled. Condition: Very good, notations of Delta Delta Delta on front page. Acc. 2010.629.","Scope and Contents Blueprints for the Morris House at the College of William \u0026 Mary. Sheet 1 First Floor Plan; Sheet 2 Second Floor Plan. Architect: Charles M. Major. Sheets: 2. Dimensions: 12\"x 8.75\". Stapled. Condition: Very good, with some torn edges. Acc. 2010.630.","Scope and Contents Blueprints for the Old Sigma Mu House at the College of William and Mary. First \u0026 Second Floor Plan. Architect: Charles M. Major. Sheets: 1. Dimensions: 11.5\"x 10\". Condition: Very good, small tear in edge. Acc. 2010.648","Scope and Contents Blueprints for Kappa Kappa Gamma House at the College of William and Mary. Plans for the First and Second Floors. Architect: Charles M. Major. Sheets: 1. Dimensions: 16.75\"x 12\". Condition: Very good with tear and notations on front indicating possible changes. Acc. 2010.649.","Scope and Contents Botetourt Statue for the College of William and Mary. Sheet 1 Botetourt Statue; Sheet 2 Drawing of the Statue; Sheet 3 Diagram of the Pedestal for marble estimate. Architect: Colonial Williamsburg Architectural Department.  Sheets: 3.  Dimensions:  Sheet 1: 11.75\" x 14\"; Sheet 2 28.5\" x 20\"; Sheet 3 28\"x 34\".  Stapled. Condition: Very good.  Acc. 2010.650.","Scope and Contents Blueprints for the building for the Gamma Kappa Chapter of the Kappa Kappa Gamma Fraternity at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Transverse Section; Sheet 5 West Elevation; Sheet 6 South Elevation; Sheet 7 East Elevation. Architect: Charles M. Robinson. Sheets: 7. Dimensions: 16\"x 17.25\". Pinned and bound . Condition: Good with numerous notations on drawings and binding. Acc. 2010.651.","Scope and Contents Blueprints and copy for the Infirmary (Hunt Hall) at the College of William and Mary. Sheet 1 Basement; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor and Plot Plan; Sheet 5 East (Boundary Street Elevation); Sheet 6 West ( Campus) Elevation \u0026 Alternate Porch Plan; Sheet 7 North Elevation, Section AA, Cornice and Dormers; Sheet 8 Section BB and Interior Doors. Architect: Charles M. Robinson. Sheets: 8 original and 8 copy. Dimensions: 19.25\"x 29\". Loose; copy stapled. Condition: Good with tape, worn edges and fading; some red ink revisions. Acc. 2010.652.","Scope and Contents Blueprints for Williams Barton Rogers Memorial Science Hall (Tyler Hall as of 1997) at the College of William and Mary. Sheet 1 Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor Plan; Sheet 4 Third Floor Plan; Sheet 5 Roof Plan; Sheet 6 Sections AA, BB, CC; Sheet 7 South (Campus) and East and West Elevations; Sheet 8 West Elevation, Rear (North) Elevation, and Dormer Details; Sheet 9 Details for Vestibule, Corridor \u0026 Doors, Sections BB and CC; Sheet 10 Entrance Details; Sheets 11-13 Mechanical layouts for First, Second and Third floors; Sheets M1-M3 Utility Plans for First, Second, and Third Floors; Sheet M4 Reasearch Labs, 2nd \u0026 3rd Floors; Sheet M5 Physical and Organic Chemistry Labs; Sheet M6 Microscopy. Architect: Charles M. Robinson.  Sheets: 19.  Dimensions:  22.25\"x 30.5\".  Pinned, last page loose. Condition: Fair with frayed edges and wear; black ink notations on front.  Acc. 2010.653.","Scope and Contents Blueprints and copies for Washington Hall at the College of William and Mary. Sheet 1  Foundation Plan; Sheet 2 First Floor Plan; Sheet 3 Second Floor; Sheet 4 Third Floor Plan; Sheet 5 (with copy) Roof Plan, Sections AA, BB, FF and Plot Plan; Sheet 6 East and front Elevations; Sheet 7 Rear Elevation; Sheet 8 (with copy) Sections AA, BB, CC; Sheet 10 Section thru Wall, Circle Window and Gables; Sheet 11 Detail of Front Entrance Doors; Sheet 12 Side Entrance.  Architect: Charles M. Robinson.  Sheets: 14 .  Dimensions:  Originals 31.75\"x 22.5\"; copies 34.5\" x 24\".  Loose some originals, others paper and tissue. Condition: Fair to good, faded with markings on some pages, edges torn.  Acc. 2010.654.","Scope and Contents Copies of plans for alterations and additions to the Dining Hall at the College of William and Mary. Sheet 1 Basement Plan; Sheet 2 First Floor Plan; Sheet 3 Sections AA \u0026 BB; Sheet 4 North and West Elevations; Sheet 5 Rear and East Elevations; Sheet 6 Roof and ventilation plans. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 33.25\"x 23\". Five sheets staple; one loose. Condition: Very good; notation on back \"Trinkle Hall C3\". Acc. 2010.655.","Scope and Contents Plans and copies for the addition of a restroom to Tyler Hall. Sheet 1 Foundation and east elevation; Sheet 2 First Floor Plan and Section AA; Sheet 3 Copy of sheet 2; Sheet 4 North Elevation and Second Floor; Sheet Copy of sheet 4; Sheet 6 Doors, Windows, Section BB and Section CC. Architect: Charles M. Robinson. Sheets: 6 . Dimensions: 16.875\"x 24.5\". Stapled. Condition: Good; edges are worn; tear and tape and some pieces torn off. Notations on back. Acc. 2010.656.","Scope and Contents Site Development Plan for the James Blair Sculpture at the College of William and Mary. Architect: E. Pease. Sheets: 1 . Dimensions: 23.875\"x 36\". Condition: Very good. Acc. 2010.657.","Scope and Contents Preliminary Plans for the design of the Memorial Tablet for the Science Hall. Science Hall dedicated to \"The Memory of William Barton Rodgers.\". Architect: Charles M. Robinson. Sheets: 1 . Dimensions: 18.5\"x 14.75\". Condition: Very Good. Acc. 2010.658.","Scope and Contents Development Plan for the College of William and Mary. Work shows general outline of College properties with indications for proposed buildings. Architects: Wright, Jones \u0026 Wilkerson. Sheets: 1. Dimensions: 19\"x 22.5\". Condition: Very Good; brown spot on plan. Acc. 2010.659.","Scope and Contents Development Plans for the College of William and Mary. Sheet 1 Plans dated August 1960; Sheet 2 Plans dated February 1961. Architects: Walford and Wright. Sheets: 2 . Dimensions: Sheet 1 15.875\"x 15.5\"; Sheet 2 16\"x13.5\". Condition: Very good with some discoloration; sticker on back. Acc. 2010.660.","Scope and Contents Plans for the Lake Matoaka Amphitheatre at the College of William and Mary in Williamsburg, Virginia.  Architect: Charles M. Majors.  Sheets: 1.  Dimensions:  Plan 32.75\"x 19.25\"; cardboard 23\"x36.5\". Condition: Good; plan glued to cardboard backing.  Acc. 2010.661.","Scope and Contents Materials related to the fire of February 8, 1859 and plans for the restoration of the Wren building. Gazette Article dated March 2, 1859. Several plans and copies of plans for the reconstruction of the Wren Building (William and Mary College) on the exisiting walls. Architect: H. Exhall. Sheets: 10 . Dimensions: small 7\"x12\"(3); medium 19'x17.75\"; 22\"x21.5\"(2); 11\"x7.5\"(2); large 29.75\"x25\". Stapled. Condition: Worn, one torn in half. Acc. 2010.662.","Scope and Contents Materials related to the planning, bidding and construction of Eastern State Hospital. Sheet 1: Roads, Curbs, Gutters and Sidewalks as Constructed, September 25, 1950; Sheet 2 Road Profiles Side and rear; Sheet 3 Road Profiles Section AA. Architect: Rudolph, Cooke and Van Leeuwen.  Sheets: 3 .  Dimensions:  Page 1 34.5\"x49\");page 2 \u0026 3 22\"x49\".  Stapled and bound. Condition: Poor with large sections ripped and torn.  Acc. 2010.663.","Scope and Contents Plans for the construction of Building No. 42 on the property of Eastern State Hospital (Dillard complex). Sheet 1 (2) East \u0026 West Wings and End Elevation; Sheet 2(2)Doors \u0026 finish Schedule; Sheet 3 Section Details; Sheet 4 South and east Elevations; Sheet 5 Fixture and Electrical Schedule; Sheet 6 Heating and Ventilation; Sheet 7 Attic. Architect: Robert O . Leary. Sheets: 9; 2 loose, remaining bound. Dimensions: 30.25\"x14\". Stapled. Condition: Good with worn and torn edges. Acc. 2010.664.","Scope and Contents Plans for the construction of single Employees Building No. 42 \u0026 43 on the property of Eastern State Hospital (Dillard complex). Architects: Rudolph, Cooke and Van Leeuwen. Sheets: 1. Dimensions: 31.875\" x 21\". Condition: Good with worn and torn edges. Acc. 2010.665.","Scope and Contents Plans for the construction of Buildings No. 38, 46, 47, 48, 49. Doctor's residences. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architects: Rundolph, Cooke and Leeuwen; and Williams, Coile and Pipino. Sheets: 43; Pinned and bound. Dimensions: 36.5\"x18\"(40); 36.5\" x 15(3). Stapled. Condition: Good with some torn edges. Acc. 2010.666.","Scope and Contents As Built Drawings for Buildings No. 38, 46, 47, 48, 49, the Superintendent and Doctors' residences at Eastern State Hospital. Extensive and detailed plans outling the plot plan, utilities and construction aspects of all of these individual buildings. Architect: Rundolph, Cooke and Leeuwen; and Williams, Coile and Blanchard. Sheets: 51; Pinned and bound. Dimensions: 36.5\"x18\"(49); 36.5\" x 15(2). Stapled. Condition: Very good with some torn edges. Acc. 2010.667.","Scope and Contents Development Plan for the College of William and Mary designed for the Capital Budget Outlay 1966-1968. Architects: Wright, Jones, and Wilkerson. Sheet: 1; Pinned and bound. Dimensions: 42.5\"x55\". Condition: Poor, ripped and torn with some tape. Acc. 2010.668.","Scope and Contents Plans for the development and landscaping of the area around the Wren Building as proposed by Williamsburg Restoration. Pages include plans by numerous different groups; construction detail, landscape and utility information included, as well as a plot plan. Architects: Perry, Shaw and Hephurn; and Colonial Williamsburg; Landscape Architect: Arthur A. Schurcliff; Consulting Engineers: Wiley and Wilson . Sheets: 72; Stapled, several pages loose.  Dimensions: 36\" x 48\". Stapled. Condition: Very Good.  Acc. 2010.669.","Scope and Contents Survey of the College of William and Mary-Plot Plan. Architects: Walford and Wright. Sheets: 1. Size: 35\" x 46\". Acc. 1989.66.","Scope and Contents Map of the College of William and Mary with insert map. Civil Engineers: La Prada Bros. Sheets: 2. Large 42\" x 72\"; small 8\" x 12\". Acc. 1989.65.002","Scope and Contents Map of the Campus of The College of William and Mary. Civil Engineers: La Prada Bros. Sheets: 1. Size: 20\" x 40\". Condition Fair, torn with tape. Acc.1989.67.","Scope and Contents Map of the College of William and Mary and Affiliated Organizations. Civil Engineers: La Prada Bros. Sheets: 1. Size: 40\" x 72\". Condition: Good. Acc.1989.68.","Scope and Contents Topographical Map of the College of Wiliam and Mary. Consulting Engineers: Austin Brockenbrough. Sheets: 2. Size 36\" x 72\". Condition: Good. Acc.1989.72.","Scope and Contents Maps of the College of William and Mary. Commonwealth of Virginia Divison of Engineers and Buildings. Sheets: 2. Size: 24\" x 26\" and 36\" x 48\". Condition: Good. Acc.1989.69.","Scope and Contents Map of the College of William and Mary indicating buildings by number--Master Development Plan for the 1976-1986 period. Sheets: 3 (original and two copies). Size: 42\" x 66\" and 36\" x 48\". Condition: Good with some tears on edges. Acc.1989.70.","Veterans Housing Plans for the subdivision of Matoaka Court adjacent to Williamsburg Hospital. Architect: Charles M. Major. Civil Engineers: La Prada. Also includes survey completed on May 21, 1958 by William M. Lewis. Sheets: 12. Condition: Good with some marks on survey. Acc. 1989.43","Drawings of the front campus of The College of William and Mary showing a layout for bleachers, perhaps for graduation. 2 Copies. Acc. 1989.46","Map of the Lafayette Street and North Henry Street portion of Williamsburg. Civil Engineers: La Prada Bros. Sheets: 1. Condition Good. Acc. 1989.44","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 20 (pages 16-24; S1-S11). Size: 43\" x 34\". Condition: Good with some small rips. Acc. 1999.49.002.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 12 (pages M1-M12). Size: 43\" x 34\". Condition: Good. Acc. 1999.49.003.","Scope and Contents Blueprints for the construction of Swem Library in 1963. Architect: Wright, Jones and Wilkerson. Sheets: 16 (pages P1-7; E1-9). Size: 43\" x 34\". Condition: Good with some torn edges. Acc. 1999.49.004.","Scope and Contents General Plan for the Unification of the campus of the College of William and Mary and Lake Matoaka Park under the auspices of the National Park Service. Sheets: 1; 36\" x 72\". Condition: Good. Acc. 1988.60.002","Scope and Contents Map of Lake Matoaka State Park detailing adjacent areas, including forest land and water as well as other tracts and buildings. Sheets 1; 21\" x 28.25\". Condition: Good. Acc. 1988.60.003","Scope and Contents Plans for landscaping of the College including detailed garden plans from 1922. Sheets: 15; 17\" x16\"(6);17\" x22\" (5);28.5\" x 35\" (4).Condition Good. Acc. 1988.59.002.","Scope and Contents Map of College Grounds. Plans for tree planting on campus. Arrangement for the area between the Dining Hall and the Infirmary. Architect:Charles M. Robinson. Landscape Architect: Chales F. Gillette. Sheets: 4; 32\" x40\"(2); 38\" x 31\"(1); 40\" x 64.\" (1). Condition Poor to good with several folds and torn sections. Acc. 1988.59.004.","Scope and Contents Map of Old College Grounds with plans for tree plantings. Sheets: 1; 40\" x 70.\" Condition: Good. Acc. 1988.59.005.","Scope and Contents Plans for additions to the exterior and floor plans for Phi Beta Kappa Memorial Hall, 6 pages; 31\" x 42\". Architects:  J. Bindford Walford and O. Pendleton Wright. Condition: Good. Some pages stapled. Acc. 1988.33.002.","Set of 7 blueprints showing the plumbing system for Swem Library. Architects: Wright, Jones and Wilkerson. 2 complete sets. 2 rolls, 19 blueprints. Acc. 1988.16.002","Set of 9 blueprints diagramming the electrical wiring for Swem Library. 2 rolls. 18 blueprints. Acc. 1988.17.002.","Scope and Contents Plans for the proposed physical education building--now know as Wiiliam and Mary Hall/Kaplan Center. Plans include elevations, layout and landscape information included. Architects: Wright, Jones and Wilkerson. Sheets: 7; Dimensions: 11\" x 14\". Condition: Very Good. Acc. 2010.670.","Scope and Contents Drawing showing the manner in which the Sunken Garden would be developed per the Board of Visitors. Architects: Binford Walford; Landscape Architect: Charles F. Gillette. Sheets: 1. Dimensions: 36\" x 24\". Drawing on Illustrating Board. Condition: Very Good. Acc. 2010.747.","Scope and Contents Architect's drawing (in color) of Old Dominion Hall. Architect: Charles M. Robinson. Sheets: 1. Dimensions: 36\" x 21\". Condition: Very Good. Acc. 2010.748.","Scope and Contents Architect's drawing (in color) of Rogers Hall ( previously known as Chancellor's Hall). Architect: Charles M. Robinson. Sheets: 1. Dimensions: 30\" x 20\". Condition: Very Good. Acc. 2010.749.","Scope and Contents Plans for the development of the college. Architect: Walford and Wright. Sheets: 2. Dimensions: 15.25\" x 15.25; 15\" x.13.5\". Condition: Very Good. Acc. 2010.750.","Scope and Contents Photos of proposed plans for the development of Campus, April 1953 including copies. Original plans destroyed by fire in September 1986. Architect: Walford and Wright; Landscape Architect: Charles F. Gillette. Sheets: 3 (original and two copies). Dimensions: irregular-approximately 18.5\" x 28\". Condition: Good. Acc. 2010.751.","Scope and Contents Map of Campus in August 1953. Original rendering destroyed by fire in June 1986. Architect: Charles M. Major. Sheets: 3 ( original and two copies). Dimensions:  18.5\" x 19\"; 15\" x 11\"; 13.5\" x 11\". Condition: Poor, ripped  in half and glued onto backing.  Acc. 2010.752.","Scope and Contents Pen and Ink Drawings for proposed music building on the campus of William and Mary. Drawings include four side elevations; floor plans; site plan and external view. Architects: Odell Associates. Sheets: 4; pen and ink on boards. Dimensions: 20\" x 30\". Condition: Excellent. Acc. 2010.753.","Scope and Contents Map outling the exisiting and proposed buildings for the College of William and Mary. Architect: Walford and Wright.  Sheets: 1; folded and glued onto corrugated cardboard backing;  49\" x 36\". Condition: Fair.  Acc. 2010.754.","Scope and Contents Survey map of Campus for Improved Risk Mutuals. Survey: R.G.M.; revision by P.R.B. Sheets: 1. Dimensions: 62\" x 61\". Condition: Good, but rippped, taped and folded  Acc. 2010.755.","Scope and Contents Map of College lands off campus in King William County. Drawings completed by Elizabeth Ryland and Mr. Snell. Sheets: 2; one blueprint and one ink. Dimensions: 42\" x 18\"(ink on tissue); 45\" x 18\". Condition: Good, but folded  Acc. 2010.756.","Scope and Contents College lands in the St. John's Parish of King William County with tracts shown. Sheets: 4; original on tissue with one copy with two pieces and one partial. Original 18\" x 24; 17\" x 11\"; 8.5\" x 11.\" Condition: Good. Acc. 2010.757.","Scope and Contents Map of off campus lands in King William County with numerous owners and acres outlined around Manquin Mill Pond. Sheets: 6. Dimensions: 23.5\" x 19\" (1); 36\" x 48\"(5). Condition: Good. Acc. 2010.758.","Scope and Contents Picture on board of proposed library at The College of William and Mary drawn by G.C. Stone of Delaware. Sheets: 1 on board. Dimensions: 20\" x 16\". Condition: Very good. Acc. 2010.760.","Scope and Contents Letters and proposals for Library display tables. The first letter is dated November 25, 1929 to the attention of E.G. Swem at the College of William and Mary-three pages of pricing. Second letter is dated December 12,1929 from Donald P. Boyer of the Virginia School Supply Co. to Dr. E.G. Swem, Librarian at the College of William and Mary and includes drawings of library tables. A third letter to Dr. Swem from Boyer is dated January 3, 1930 with additional pricing proposals. A note from Swem to Boyer on January 6, 1930 acknowledges the receipt of that letter. Drawings were submitted by the Virginia School Supply Co. Sheets(12 ): 2 drawings; one sheet has three drawings with paper backing, dimensions: 14.75\" x 9.5\" (1); 30.5\" x 21.5\"(1); Letters (8 ) 8.5\" X 11\"; two small pictures, 5.5\" x 7.75\" and 6 x 3.75\". Condition: Good. Acc. 2010.761.","Scope and Contents Letter with itemized quotation for Library Equipment and blueprint for the suggested floor plan. Also includes a catalog of Commercial Maps and Map Cases, a catalog of library furniture and photos of library furniture and other items in Early American finish. Architects: Everett Waddey Company. Items: 17: 2 blueprint, 23\" x 31.75\" (1 blueprint); 11\" x 8.5\" (1 blueprint); letter, 8.5\" x 11\"(3); 6\" x 9\" (booklet- 16 pages); 8.5\" x 11\" (booklet- 16 pages);9.5\" x 8.75\" (photos-7); 8.5\" x 11\" (photos-3). Condition: Very good. Acc. 2010.762.","Scope and Contents Letter and blueprint proposals for Library furniture from the Leonard Peterson \u0026 Co. Letter is dated March 18, 1929 from Oscar L. Lethander, Vice President to Dr. J.A.C. Chandler, President of the College of William and Mary. Blueprints include many specific furniture and shelving designs as well as a proposal for the library layout. Sheets: 11. Letter: 8.5\" x 11\"; blueprint of library layout 35\" x 24.5; 12\" x 18\" (3); 11\" x 18\" (3);16.5\" x 11\" (1);11.5\" x 24\" (1); 18\" x 9\" (1). Condition: Good to fair; large blueprint is cut nearly in half. Acc. 2010. 763.","Scope and Contents Letter and blueprint proposals for Library shelving from the Virginia State Penitentiary. Letter is dated October 10, 1930 from H. E. Fitzgerald, Industrial Director to Mr. Swem of the College of William and Mary. Blueprints include layout and design of specific shelving. Sheets: 7. Letter: 8.5\" x 11\"; blueprints 22\" x 16(2) and 17\" x 22\"(4). Condition: Very good. Acc. 2010. 764.","Scope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill and Sons. Sheets: 26. Dimensions:  30\" x 55\". Condition: Very good.  Acc. 2010.082","Scope and Contents Blueprints for alterations and additions to Williamsburg Hospital Cardiopulmonary Unit. Architects and Engineers: Baskervill \u0026 Son. Sheets: 15.  Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2009.580","Scope and Contents Blueprints for the grading plan for the site of the Williamsburg Community Hospital. Architects: Baskervill \u0026 Son. Consulting Engineers: Hankins and Anderson  Sheets: 4.  Dimensions: 30\" x 55\". Condition: Very Good. Acc. 2009.578","Scope and Contents Blueprints for alterations and additions to the Williamsburg Community Hospital. Architects: Baskervill \u0026 Son.  Sheets: 50.  Dimensions: 30\" x 55\". Condition: Good.; several of the paper portions torn. Acc. 2009.577","Scope and Contents Blueprints for Phase 2 Rennovations to the Williamsburg Community Hospital. Architects: Peterson Associates.  Sheets: 70.  Dimensions: 30\" x 42\". Condition: Very good. Acc. 2009.576.","Blue prints and documents for the construction and design of the Williamsburg Community Hospital. Several documents detail the interior of the hospital. Architects:  Ballou and Justice. Numerous subcontractors. Sheets:83 These documents are severely water damaged in many sections and several pages are illegible. Documents in a variety of shapes and sizes.  ACC. 2009.579.","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 2). Dimensions: 33.5\" x 42\". Sheets.11 Condition: good. Acc. 1988.14.002","Scope and Contents Blueprints showing the plans for the foundation, placement of beams, and other structural supports for Swem Library. Architect: Wright, Jones and Wilkerson. 3 sets (set 3). Dimensions:  33.5\" x 42\". Sheets.11 Condition: Fair with some water damage.  Acc. 1988.14.003","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 20; several sheets missing. Size: 34\" x 42\". 2 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.002.","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 18; several sheets missing. Size: 34\" x 42\". 3 of 4 sets. Condition: Good with some small rips. Acc. 1988.12.003.","Scope and Contents Set blueprints for Swem Library, including site plan, floor plan, elevations, and details of various parts of the building. Architects: Wright, Wilkersons, and Jones. Sheets: 2, pages 19 \u0026 21. Size: 36.25\" x 42\". 4 of 4 sets. Condition: Good. Acc. 1988.12.004.","Scope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 7. Architects: Wright, Jones and Wilkerson. Size: 33\" x 42\". Condition: Poor, with tape and torn sections and severe water damage. 2 of 3 sets. Acc. 1988.13.002","Scope and Contents Set of blueprints showing mechanical plans by floor for Swem Library. Sheets: 14. Architects: Wright, Jones and Wilkerson.  Size: 33\" x 42\". Condition: Some good, a few really poor, with tape and torn sections and severe water damage. 3 of 3 sets. Acc. 1988.13.003","Scope and Contents Plans for the preservation, Renewal and replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Working Drawings Submission. Architects: Quinn Evans. Sheets: 107. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.007.","Scope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 35%. Submission. Architects: Quinn Evans. Sheets: 41. Bound. Dimensions 24\" x 36\". Condition: Very good, some small tears. Acc.2011.008.","Scope and Contents Plans for the Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Survey of Existing Conditions. Architects: Quinn Evans. Sheets: 44. Bound. Dimensions 24\" x 36\". Condition: Excellent. Acc.2011.013.","Scope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. Preliminary design Submission. 95% Working Drawings Submission. Architects: Quinn Evans. Sheets:85 . Bound. Dimensions 24\" x 36\". Condition: Very Good, a few rips. Acc.2011.030.","Scope and Contents Plans for the Preservation, Renewal and Replacement of The Sir Christopher Wren Building on the College of William and Mary Campus in Virginia. 95% Working Drawings Submission. (note on front indicates \"Review Set.\" Architects: Quinn Evans. Sheets: 95. Bound. Also includes 3 loose sheets, F2.4, E3.02, E3.03. Dimensions 24\" x 36\". Condition: Very Good, binding torn. Acc.2011.031.","Acc. 1983.014","Acc. 1988.064","Peninsula Fair, 1921 Acc. No. 1988.69","Boundry Street Block Development Acc. No. 1988.75","Organizational Plan Acc. No. 1988.91","Scope and Contents Swem Additions and Renovation: Basement Level Plan. Architects: Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 1. Dimensions 24\" x 36\". Condition: Very Good. Acc.2011.094.","Scope and Contents Swem Library: Additions and Renovation: Preliminary Plan 35%; S1-S9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 9. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.095.","Scope and Contents Swem Library: 1st Floor Furniture Plans. Architects: Shepley Bulfinch Richardson and Abbott. 1 orginal and copy for each date. Sheets: 4. Dimensions 18\" x 22.5\". Condition: Very Good. Acc. 2011.096.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.097.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans; Ground Floor West, 1st, 2nd, 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 43\". Condition: Very Good. Acc. 2011.098.","Scope and Contents Swem Library: Renovation and Expansion Basement Plan with smaller copy. Architects: Shepley Bulfinch Richardson and Abbott. Sheets: 2; one original and copy. Dimensions 24\" x 34.5\" and  11\" x 17\". Condition: Very Good. Acc. 2011.099.","Scope and Contents Earl Gregg Swem Library East -West Section Drawing. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 65.5\". Condition: Very Good; edges torn. Acc. 2011.100.","Scope and Contents Swem Library: Renovation and Expansion Floor Plans with mechanical changes and memo indicating suggestions \u0026 changes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5 stapled; memo 5. Dimensions 36\" x 42.5\"; memo 8.5\" x 11\". Condition: Good, red ink and handwriting on front. Acc. 2011.101.","Scope and Contents Swem Library: Renovation and Expansion Mechanical Plans by Floor Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled. Dimensions 30\" x 42\". Condition: Good, edges show signs of water damage. Acc. 2011.102.","Scope and Contents Base Map for the rennovation and expansion of the Earl Gregg Swem Library at the College of William and Mary; elevations. Consulting Engineers: AES Consulting Engineers. Sheets: 13 copies. Dimensions 30\" x 42\". Condition: Good, edges show signs of exposure. Acc. 2011.103.","Scope and Contents Floor Plans and elevations Sections A1.0-A1.6 for the rennovation and expansion of the Earl Gregg Swem Library; also 3 separate pages Sections 4.1 \u0026 4.2 and Site and Utility Plan. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 16; 13 bound; 3 loose. Dimensions 29.875\" x 42(13)  \u0026 30\" x 42(3) . Condition: Good, with some pencil notations on pages. Acc. 2011.104.","Scope and Contents Revision of Floor Plans A1.0-A1.4 for the rennovation of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 5. Dimensions 30\" x 42. Condition: Very Good. Original date crossed off and replaced. Acc. 2011.105.","Scope and Contents Floor Plans  A1.0-A1.3 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, First and 2nd Floors. Memo dated October 10, 1996 with color coded key and copy of  plan with red and blue ink markings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 5.  Dimensions 30\" x 42(3); memo 8.5\" 11\"; copy 8.5\" x 14 . Condition: Good, with colored markings and some edges torn. Acc. 2011.106.","Scope and Contents Revised Floor Plans  A1.0-A1.4 for Swem Library; Ground, 1st, 2nd \u0026 3rd Floors dated October 10 to November 25, 1996. Ground Floor (3) First Floor(1) Second Floor (2 ) and 3rd Floor (2 ). Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 8.  Dimensions 30\" x 42(7); 30\" x 48\" (1). Condition: Good, with some edges torn. Acc. 2011.107.","Scope and Contents Site Plan for the rennovation and expansion of the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42. Condition: Good, with green markings. Acc. 2011.108.","Scope and Contents Colored Drawings of North and South Elevations for the rennovation and expansion of the Earl Gregg Swem Library; dated October 23, 1996 on back. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 3.  Dimensions 24\" x 66. Condition: Excellent. Acc. 2011.109.","Scope and Contents Floor Plans  A1.1-A1.4 for the rennovation and expansion of the Earl Gregg Swem Library; Ground, 1st , 2nd \u0026 3rd Floors. Stamped Progress Print. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4.  Dimensions 30\" x 42. Condition: Very Good. Acc. 2011.110.","Scope and Contents Black and White Ink Drawings of plans for the Roof and Floor Plans. Date in marker on each page. Drawsing of Roof, Basement, Ground Floor, 1st, 2nd and 3rd floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 36\" x 42. Condition: Very Good. Acc. 2011.111.","Scope and Contents Floor Plans M2.1-M3.1 for the Earl Gregg Swem Library; Ground, First and 2nd Floors.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 stapled (2 sets). Dimensions 30.5\" x 42. Condition: Very Good., some edges worn. Acc. 2011.112.","Scope and Contents Topographical maps and base plan for the renovation of Swem Library; design work for the landscape and approximate work site location. Consulting Engineers: AES Consulting Engineers. Sheets: 3. Dimensions 30.25\" x 42(2); 30.25 X 36(1). Condition: Very Good, colored ink and pencil markings on site map. Acc. 2011.113.","Scope and Contents Variety of Preliminary Plans for the renovation of Swem Library; Elevations and Floors Plans.Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 14 stapled. Dimensions 30\" x 42. Condition: Very Good, some red ink markings. Acc. 2011.156.","Scope and Contents Variety of Plans for the renovation of Swem Library; Mechanical Elevations and Floors Plans. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 19, partiallly stapled. Dimensions: 30\" x 36\" (1); 30\" x 37\" (1);30.5\" x 42\" (9);30\" x 42(8); 30.25\" x 48\"(1). Condition: Good, some tears ink markings. Acc. 2011.157.","Scope and Contents Architectural Drawings for the renovation (1.0- E1.9) for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 90 Bound. Dimensions 30\" x 42. Condition: Very Good, some edges showing exposure. Acc. 2011.158.","Scope and Contents Plans for additions and renovations to Swem Library. Plans for ground, 1st, 2nd and 3rd floors. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 24\" x 36. Condition: Very Good, handwritten note and date on front page. Acc. 2011.171.","Scope and Contents Site and Floor Plans  A0.1-A1.6 for the Earl Gregg Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 7 Bound.  Dimensions 30\" x 42. Condition: Very Goodwith some exposure. Acc. 2011.159.","Scope and Contents Plans for the Pavillion Section; Penthouse and Shafts; variety of plans for utilities, site plans, foundation, sections, floor plans and drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: AES Consulting Engineers. Sheets: 31, partially Bound and stapled. Dimensions 30\" x 42. Condition: Very Good, some pencil notations. Acc. 2011.160.","Scope and Contents Cost estimate and evaluation tables regarding the renovation and expansion of Earl  Gregg Swem Library; includes recommendations. Sheets: 3. Dimensions 22\" x 36.(2); 24\"x34\"(1).  Condition: Very Good. Acc. 2011.161.","Scope and Contents Early plans for the addition and renovation of Swem by floors; set sets of plans with notations for Ground Floor-3rd floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions 24\" x 36. Condition: Very Good, some colored marker and ink/ pencil notations. Acc. 2011.162.","Scope and Contents Detailed plans for the casements in Swem Library. Plans A6.15-A6.18 Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4. Dimensions 30\" x 42. Condition: Very Good.  Acc. 2011.163.","Scope and Contents Renovation and Expansion plans detailing the Asbestos and Lead issues, Basement, Ground Floor and Floors 1-3.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Environmental Consultants: Work Environment Associates, Inc. Sheets: 6, Bound. Dimensions 15\" x 21.25\". Condition: Very Good.  Acc. 2011.164.","Scope and Contents Plans for mobile shelving layout in the renovation of Swem Library. Plans detailed by  floor, Ground, First, Second \u0026 Third.  Plans.  Produced: Spacesaver Corporation. Sheets: 4,  Bound. Dimensions 36\" x 47.5\". Condition: Very Good. Acc. 2011.165.","Scope and Contents Floor Plans for the renovation of Swem Library by floor. Original date is December 1997; revised April 1998. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  . Sheets: 4. Dimensions 30\" x 42. Condition: Good, some tape of edges.  Acc. 2011.166.","Scope and Contents Plans renovation and expansion of the Swem Library Phases 1-5; Volumne 4. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16, Bound. Dimensions 30\" x 42. Condition: Good, some torn edges. Acc. 2011.167.","Scope and Contents Furniture plans for Swem Library on the renovation and expansion for the east and west wings of the library, by phase. Architects: Cox, Kliewer \u0026 Company , Inc. Design Consultants: Michaels Associates. Sheets: 13, Bound . Dimensions 15\" x 21. Condition: Excellent. Acc. 2011.168.","Scope and Contents Plans for the Burger Office space including layout and temperature controls. Designer: Riggs Ward Design, L.C. Sheets: 5, Bound and 2 stapled onto page 2. Dimensions 15\" x 22\"(5); 8.5\"x11\"(2). Condition: Excellent. Acc. 2011.169.","Scope and Contents Plans for the Exhibit Cases A (freestanding) \u0026 B (wall) in Swem Library. Designer: Showcase Woodworking, Ltd.  Sheets: 2. Dimensions 17\" x 22\". Condition: Very Good. Handwritten note and date on front sheet. Acc. 2011.170.","Scope and Contents Plans for the Graphics Lab and Multimedia Theater in Swem Library. Architects: SDJG Inc. Sheets: 7. Dimensions 24.75\" x 36. Condition: Very Good. Acc. 2011.172.","Scope and Contents Final Carpet Plans for Swem Library renovation. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 4, stapled. Dimensions 24\" x 36\". Condition: Good with some tears. Acc. 2011.173.","Scope and Contents Landscape Plans for the Renovation and Expansion of Swem Library. Includes letters outlining all of the significant details. John McFarlane, Department of Facilities Management. Sheets: 3 and letters 5, Letters and notes stapled. Dimensions 24\" x 36; letters 8.5\" x 11\". Condition: Very Good. Acc. 2011.174.","Scope and Contents Plans for the woodwork and Rotunda Cases added during the renovation of Swem Library. Produced by: Just Wood Industries and Blake Construction. Sheets: 10, stapled.  Dimensions 24\" x 36.  Condition: Very Good, some pencil notations.  Acc. 2011.175","Scope and Contents Furniture plans for the renovation and expansion of Swem Library. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8, partially stapled. Dimensions 24\" x 36\". Condition: Fair with significant red ink markings. Acc. 2011.196.","Scope and Contents Plans for the various sections of the 3rd floor renovation of Swem Library, with revisions. Plans include mechanicals and HAZMAT . Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 4. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 197.","Scope and Contents Plans for the removal of asbestos from Swem Library during the renovation and expansion. Architects: Shepley Bulfinch Richardson; Abbott; Hanbury Evans Newill Vlattas; and Work Environment Associates, Inc. Sheets 6 bound. Dimensions: 30\" x 42\". Condition: Good with a few notations. Acc. 2011. 198.","Scope and Contents Plans for the various phases of Floor Plans for the Renovation and Expansion of Swem Library. Vol 4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets 16 Bound. Dimensions: 30\" x 42\". Condition: Very good. Acc. 2011. 199.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated. Blake Construction Company, Inc. Sheets: 1. Dimensions: 30\" x 22\". Condition: Very Good. Acc. 2011.200.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period indicated; June 30, 2000. Blake Construction Company, Inc. Architect: Hanbury Evans Newill Vlattas \u0026 Company. Sheets: 3. Dimensions: 36\" x 22\". Condition: Very Good. Acc. 2011.201.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended March 31, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.202.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 28, 2002. Blake Construction Company, Inc.  Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.203.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 1. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.204.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended February 29, 2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.205.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31,2000. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.206.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2001. Blake Construction Company, Inc. Sheets: 3. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.230.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended December 31, 2000. Blake Construction Company, Inc. Sheets: 2. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.231.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended May 31, 2001. Blake Construction Company, Inc. Sheets: 2of 4 Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.232.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended October 31, 2001. Blake Construction Company, Inc. Sheets: #2 of set of 3. Dimensions: 36\" x 44\". Condition: Good, some pin pricks. Acc. 2011.233.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended April 30, 2003. Blake Construction Company, Inc. Sheets:1; #3 of set of 4. Dimensions: 36\" x 44\". Condition: Very Good. Acc. 2011.234.","Scope and Contents Graphic displaying the progress of each part of the Swem Renovation-depicted in a bar graph format. Chart displays Early Progress Bar; Progress Bar; and Critical Activity for the period ended August 31, 2003. Blake Construction Company, Inc. Sheets: 1; sheet #3 of 3. Dimensions: 36\" x 44\". Condition: Good. a few pin pricks. Acc. 2011.235.","Scope and Contents Drawings for the proposed renovation of Earl Gregg Swem Library - Ground, First, Second Third floors and Roof. Architects: Shepley Bulfinch Richardson and Abott; Hanbury Evans Newll Vlattas. Sheets: 5. Dimensions: 36\" x 60\". Condition: Very Good. Acc. 2011.236.","Scope and Contents Blueprints for Phase II of the renovation and expansion of Swem Library - Floor Plans, Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 11. Dimensions: 30\" x 42\". Condition: Very Good. Acc. 2011.237.","Scope and Contents Drawing for the Ground Floor furniture plan for Swem Library. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 1. Dimensions: 36\" x 72\". Condition: Very Good. Acc. 2011.238.","Scope and Contents Plans for final layout of furniture in Swem Library. Floor Plans by wing. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 6, tissue panels. Dimensions: 23.75\" x 36\"(1); 31\" x 36\"(5). Condition: Good, with some pencil markings on pages. Acc. 2011.239.","Scope and Contents Plans for Phase II of the furniture in Swem Library. F101-F112. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 13, tissue panels. Dimensions: 30\" x 40\". Condition: Good, with some worn edges. Acc. 2011.240.","Scope and Contents Partial Plans for furniture in Swem Library. East wing by floor. Architects: Cox Kliewer \u0026 Company, Inc.; Michaels Associates. Sheets: 12, stapled. Dimensions: 31\" x 42\". Condition: Very Good, with some small ink markngs. Acc. 2011.247.","Scope and Contents Plans for the renovation and expansion of Swem Library - Volume IV; Phasing Plans by Floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evasn Newill Vlattas. Sheets: 15, bound and stapled. Dimensions: 18\" x 24\". Condition: Very Good. Acc. 2011.248.","Scope and Contents Plans for the power needs resulting from the renovation and expansion of Swem Library - Plans by wing and by floor. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 9. Dimensions: 15\" x 24\". Condition: Very Good. Acc. 2011.249.","Scope and Contents Plans for the carpeting for floors following the renovation and expansion of Swem Library - Plans by floor and in phases.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 10 bound and stapled.  Dimensions: 42.5\" x 36\". Condition: Very Good.  Acc. 2011.250.","Scope and Contents Partial Floor Plans - Mechanciacl Demolition, M1.6 for the Earl Gregg Swem Library; Ground and 2nd Floors partials. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Good with ink markings. Acc. 2011.251.","Scope and Contents Plans for Power in the West and South wings of the First Floor of Swem Library; revision dates noted. Plan E3.5. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.252.","Scope and Contents Furniture plans for Swem Library, by floor and by wing; F1.0-F1.7. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 8 bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.253.","Scope and Contents Pen and ink drawings for the Swem Library Renovation Layout - no details given. Date reflects that noted on the margins of pages. Drawings of Ground, first, second and third floors. Sheets: 4; tissue.  Dimensions 18.25\" x 32\"; 18.25\" x 29.25\" (2); 18.25\" x 30\". Condition: Very Good.  Acc. 2011.254.","Scope and Contents Plans for Suites 206-209, 8105 Richmond Road in Toano Virginia for housing of William and Mary Special Collections. Revised June 28, 2000 and September 26, 2000.  Architects: JNC Designs and Michael C. Brown, Ltd. Custom Home Designs. Sheets: 2.  Dimensions 24.25\" x 36\". Condition: Good but with a number of ink markings.  Acc. 2011.255.","Scope and Contents Plans for the West Wing of the First Floor of Swem Library. Plan A1.4.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 1.  Dimensions 30\" x 42\". Condition: Very Good with some folds  Acc. 2011.256.","Scope and Contents Ground Floor Plan and Foundation Plan Pavillion \"B\" for Swem Library. Plan 2.0; revision date noted. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 1. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.257.","Scope and Contents Plans for the east and west wings of the Third Floor of Swem Library; revision dates noted. Plans A1.8-A1.9. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 2. Dimensions 30\" x 42\". bound and stapled. Condition: Very Good. Acc. 2011.258.","Scope and Contents Plans for The Ground Floor and Foundation as well as the framing of floors 1-3 of Swem Library. Plans 2.0,3.0,4.0 \u0026 5.0.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 4, stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.259.","Scope and Contents Final Furniture Plans for Swem Library by wing and by floor. Plans F105-F112. Architects: Cox, Kliewer \u0026 Compnay, P.C. Sheets:8. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.260.","Scope and Contents Plans for Security and CCTV Systems by wing and by floor for Swem Library. Plans OS1.0-OS1.12.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 12, bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.261.","Scope and Contents Plans for the mobile shelving systems in Swem Library at the College of William and Mary. Architects: Spacesaver. Sheets: 15 bound and stapled. Dimensions 24.5\" x 36\". Condition: Very Good. Acc. 2011.262.","Scope and Contents Plans for the special exhibit cases in the Special Collections area of Swem Library.  Architects: Riggs Ward Design and Showcase Woodworking. Sheets: 8; stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.263.","Scope and Contents Structural Notes for the external renovation of Swem Library. Plans S1-S5.  Architects: McPherson and Associates. Sheets: 5 bound and stapled.  Dimensions 30\" x 42\". Condition: Very Good.  Acc. 2011.264.","Scope and Contents Floor Plans for the Security and CCTV following the renovation of Swem Library; Plans OS1.0-OS1.16. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 17, bound and stapled. Dimensions 30\" x 42\". Condition: Very Good. Acc. 2011.265.","Scope and Contents Plans for the Final Furniture Layout  following the renovation of Swem Library; Plans F105-F112. Architects: Cox Kliewer \u0026 Co. PC.  Sheets: 8.  Dimensions 36\" x 42\". Condition: Very Good.  Acc. 2011.266.","Scope and Contents Floor Plan Layout for Swem Library Renovation; Plans OS1.0-OS1.16. Architects: Michaels and Associates; Cox Kliewer \u0026 Co. Sheets: 6. Dimensions 36\" x 48\". Condition: Very Good. Acc. 2011.302.","Scope and Contents Electrical Legends and schedules for the renovation of Swem Library, including demolition. Plans E0.1-E6.1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Consulting Engineers: Lanna, Dunlap and Spriggs. Sheets: 46, bound and stapled with a note attached. Dimensions 30\" x 42\". Condition: Good. Acc. 2011.303.","Scope and Contents Floor Plan Layout with notations and notes from Library Staff for usage of various areas of the library. Plans are not dated but the indicated dates from staff are January 10th and 11th 2001. Architects: Cox Kliewer \u0026 Co. Design Consultants: Michales and Associates. Sheets: 16. Dimensions 28\" x 36\"(15) and 36\" x 42\" (11). Condition: Fair with a lot of notes.  Acc. 2011.304.","Scope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, Third Floors and Roof. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 6. Dimensions 30\" x 42\". Condition: Fair with bent, torn edges. Acc. 2011.305.","Scope and Contents Floor Plans for the renovation of Swem Library. Basement, Ground Floor, First, Second, and Third Floors.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 6.  Dimensions 30\" x 42\". Condition: Good with some watermarks.  Acc. 2011.306.","Scope and Contents Comprehensive Plans (Volume 1) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 118; bound and stapled. Dimensions 15.5\" x 21\". Condition: Very Good. Acc. 2011.309.","Scope and Contents Comprehensive Plans (Volume 1-Revision B) for the renovation and expansion of Swem Library. Plans include Civil Drawings, Boring Logs, Architectural Drawings and Structural Drawings. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 117; bound and stapled. Dimensions 18\" x 24.25\". Condition: Very Good. Acc. 2011.310.","Scope and Contents Letter and plans ( PH1.0-PH5.2) indicating the physical limits of the renovation phases. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Letter from Hanbury Evans Newill Vlattas. Sheets: 16; bound and stapled; letter attached. Dimensions 15\" x 21\"(15) and 8.5\" x 11 (1). Condition: Good with heavy pencil notations on back. Acc. 2011.311.","Scope and Contents Comprehensive Plans (Volume 2) for the renovation and expansion of Swem Library. Plans include Fire Protection Drawings, Sprinkler Systems, Plumbing Drawings, mechanical Drawings, Electrical Drawings and Project Notes. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Sheets: 130; bound and stapled. Dimensions 15\" x 21\". Condition: Very Good. Acc. 2011.312.","Scope and Contents HAZMAT Plans (Volume 3) for the renovation and expansion of Swem Library.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas. Environmental Consultants: Work Environment Associates, Inc.  Sheets: 6; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.313.","Scope and Contents Floor Plans (Volume 4) for the renovation and expansion of Swem Library. Plans by floor and by phase.  Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 16; bound and stapled.  Dimensions 15\" x 21\". Condition: Very Good.  Acc. 2011.314.","Scope and Contents Comprehensive Plans for the renovation and expansion of Swem Library. Plans Include Architectural Drawings, Civil Drawings, Structural Drawings, Mechanical drawings, Plumbing Drawings and Project Statistics. Plans: T1.0-E1. Architects: Shepley Bulfinch Richardson and Abbott; Hanbury Evans Newill Vlattas.  Sheets: 85; bound and stapled.  Dimensions 30\" x 42\". Condition: Good with some wear marks.  Acc. 2011.315.","Scope and Contents Colored Photo on Board labeled \"Earl Gregg Swem Library, The College of William and Mary, Renovation and Expansion 2003.\" No other information.  Dimensions: 25\" x 28\". Condition: Very Good.  Acc. 2011.316.","Scope and Contents Display Board showing the proposed alterations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.317.","Scope and Contents Display Board showing the proposed alterations to the First Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.318.","Scope and Contents Display Board showing the proposed alterations to the Second Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.319.","Scope and Contents Display Board showing the proposed alterations to the Third Floor of Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.320.","Scope and Contents Display Board showing the proposed Site Plan, with some landscaping and topographical indications for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 38\" x 28.25.\" Condition: Good, with slight bend. Acc. 2011.321.","Scope and Contents Black \u0026 White Display Board showing the proposed Ground Floor Plan fo rthe additions and renovations to Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Handwritten Date \"10-23-96.\" Dimensions: 38\" x 28.25.\" Condition: Good, with slight rips on edges. Acc. 2011.322.","Scope and Contents Display Board showing the proposed Ground Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges. Acc. 2011.323.","Scope and Contents Display Board showing the proposed Second Floor Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 34.\" Condition: Good, with slight bends in edges and several blotches on front. Acc. 2011.324.","Scope and Contents Display Board showing the proposed fabrics, finishes and carpeting for the 24 Hour Study Area and Coffee Bar at the Earl Gregg Swem Library at The College of William and Mary. Architects:Cox, Kliewer \u0026 Company P.C. No date provided, but copyright indicated at 2003. Dimensions: 24\" x 18.25.\" Condition: Very Good. Acc. 2011.337.","Scope and Contents Display Board showing Phase 1 of the proposed Ground Level Plan, color coded, for the proposed changes in the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 23.75\" x 35.25.\" Condition: Good, with slight discoloration on the edges. Acc. 2011.338.","Scope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the Ground Floor Plan, color coded, of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003. Dimensions: 23.75\" x 36.\" Condition: Good, with some fading on edges. Acc. 2011.339.","Scope and Contents Display Board and two blueprints (attached with clips) outlining the proposed changes in the First Floor Plan, color coded, of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. August 17, 2003.  Dimensions: 24\" x 36\". Condition: Good, with some fading and wrinkles on edges.  Acc. 2011.340.","Scope and Contents Black and White drawing on Display Board of the proposed Warren E. Burger Special Collections Library at the Earl Gregg Swem Library at The College of William and Mary. No additional information given. Dimensions: 17\" x 22.\" Condition: Very Good. Acc. 2011.341.","Scope and Contents Display Board folded in two pieces and taped together, outlining the proposed changes in the Ground Floor and First Floors of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: Unfolded at 35\" x40\"; folded 17.5\" x 40\". Condition: Good, with some fading on edges. Acc. 2011.342.","Scope and Contents Black and White Photo display of the proposed interior look (rotunda area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. No additional information provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.343.","Scope and Contents Black and White Photo display of the proposed interior look (Burger Office area) of the Special Collections wing of the Earl Gregg Swem Library at The College of William and Mary. Artist: W. Pace. No date provided. Dimensions: 23.75\" x 36.\" Condition: Very Good. Acc. 2011.344.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Ground Level of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some fading, pencil notations and red ink markings on front. Acc. 2011.345.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.346.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level One Plan ( possible revision) of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with two stickers \"Charrette\"  on front.  Acc. 2011.347.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the  Level Two Plan for  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading and a piece of tape on back.  Acc. 2011.348.","Scope and Contents Color Coded diagram on Display Board, outlining the proposed changes in the Level Three Plan for the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some fading.  Acc. 2011.349.","Scope and Contents Color Coded diagram on Display Board, outlining the First Floor Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. Dimensions: 35\" x 24.\" Condition: Good, with some marks and damage on front. Acc. 2011.350.","Scope and Contents Color Coded diagram on Display Board, outlining the Third Floor Plan during the additions and renovations of  the  Earl Gregg Swem Library at The College of William and Mary. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott.  Dimensions: 35\" x 24.\" Condition: Good, with some marks on front and back.  Acc. 2011.351.","Scope and Contents Display Board showing Blueprint for the proposed Level Two Plan during the additions and renovations of the Earl Gregg Swem Library at The College of William and Mary. Two additional sheets clipped to the board: 1. Basic blueprint of Second Floor with some handwritten and colored notations. No date. 2. Black and white blueprint for the Second Floor Plan showing greater detail. No date. Architects: Hanbury Evans Newell Vlattas \u0026 Company; Shepley Bulfinch Richardson and Abbott. No date provided. Dimensions: 24\" x 36\"(Board); 24\"x 36.5.\" Condition: Good, with slight discoloration and tears on the edges. Acc. 2011.352.","Scope and Contents Blueprint of the Jones' Mill property at the College of William and Mary in Williamsburg, Virginia. Area encompasses 23.29 acres between the Williamsburg Jamestown Road and Old Jamestown Road, bordered by Lake Matoaka. Surveyor: M.W. Thomas. Sheets: 1. Dimensions: 28\" X 37 \" Condition: Fair with a number of tears around the edges and some tape affixed to blueprint. Acc. 2011.441.","Scope and Contents Blueprint for the plan of the William and Mary campus at Lake Road. Architect: C. M. Major. Sheets: 1.  Dimensions: 33.25\" x 30.875\".  Condition: Good with some tape on torn sections and sticker on back. Acc. 2011.442.","Scope and Contents Blueprints for the proposed alterations to Phi Beta Kappa Hall at the College of William and Mary; plans include basement, first and second floor as well as longitudinal section.  Architect: J. Binford Walford . Sheets: 4, bound.  Dimensions: 16.5\" x 24\".  Condition: Good with some notations on pages. Acc. 2011.443.","Scope and Contents Plans for additions to the Dining Alcoves at the College of William and Mary.  Architect: Charles M. Robinson. Sheets: 2, bound.  Dimensions: 17.5\" x 20\".  Condition: Poor, very faded and difficult to make out material.  Acc. 2011.444.","Scope and Contents Plans for replacing kitchen floors at the College of William and Mary; include plans for alteration of the basement under the kitchen as well as the kitchen floors. Architect: Charles M. Robinson. Sheets: 2 bound. Dimensions: 16.5\" x 18\". Condition: Good with some makings on front. Acc. 2011.445.","Scope and Contents Plans for aditions to the kitcehn and to the kitchen basement at the College of William and Mary; include plans for the basement under the kitchen as well as the kitchen; longitudinal and transverse sections; and West \u0026 South Elevations of Kitchen Brickwork. Architect: Charles M. Robinson. Sheets: 4 bound. Dimensions: 17.25\" x 22.25\". Condition: Fair; faded and some notations on front. Acc. 2011.446.","Scope and Contents Plans for Taliaferro Hall at the College of William and Mary; include plans for the foundation, first, second, third floors and roof. Plans also include elevations, dormers, exterior with alternate ; the Tearoom, and Sections AA, BB, CC, EE and FF. Architect: Charles M. Robinson. Sheets: 1-14 \u0026 16 bracketed. Dimensions: 15.5\" x 24\". Condition: Good with some makings on front. Acc. 2011.447.","Scope and Contents Plans for the addition of an Alcove to the exisiting Dining Hall at the College of William and Mary; include drawings for elevations, sections and detail work on cornices. Blueprint for first floor plans. Architect: Charles M. Robinson. Sheets: 3 and 1 blueprint, bracketed. Dimensions: 22.75\" x 32\"(3); blueprint 22.75\" x 30\". Condition: Poor with limited visibility. Acc. 2011.448.","Scope and Contents Blueprints for alterations and additions to the Library (Tucker Hall) at the College of William and Mary; include plans for the foundation, first, second,upper part of 2nd floor, third floor and roof. Also include elevations and Sections AA. Architect: Charles M. Robinson. Sheets: 7 loose. Dimensions: 23.5\" x 23\". Condition: Fair to Good with some fading. Acc. 2011.449.","Scope and Contents Blueprints for the boundary plan for the Dormitory Annex at the College of William and Mary; this area will beome the Sorority Court area. Architect: Charles F. Gillette/Landscape Architect. Sheets: 1. Dimensions: 25.5\" x 36\". Condition: Good with a number of tears and tape. Acc.2011.450.","Scope and Contents Blueprints for the addition of a Dining Alcove to the Dining Hall at the College of  William and Mary; include plans for the sections, west side elevations; north side elevations and Main cornice details.  Architect: Charles  M. Robinson. Sheets: 3, bracketed.  Dimensions: 23\" x  30\".  Condition: Good. Acc. 2011.451.","Scope and Contents Plans for additions and alterations to the Dining Hall at the College of William and Mary; include plans for the basement \u0026 foundation, first floor and roof. Plans also include elevations, sections AA, BB, and ventilation. Architect: Charles M. Robinson. Sheets: 6 bound and stapled. Dimensions: 23.5\" x 32\". Condition: Fair with dark patches and colored labels on back. Acc. 2011.452.","Scope and Contents Plans for the renovation and alteration of Hugh Jones Hall at the College of William and Mary, specifically rooms 301 and 302; include plans for demolition, new work, mechanical, electrical and related specifications. Architects: HBA Architects. Sheets: 7, bound. Dimensions: 30\" x 42\". Condition: Good with a tear and small hole in front two pages. Acc. 2011.453.","Scope and Contents Plans for interior repairs of room 102 in Tyler Hall at the College of William and Mary, include plans for demolition, new work, changes in elevations, ceiling plans, furniture and mechanical, electrical and related specifications. Architects: HBA Architects; Pace Collaborative, P.C. for plumbing, mechanical and electrical.. Sheets: 9, bound. Dimensions: 30\" x 42\". Condition: Good with some water damage along edges. Acc. 2011.454.","Plans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. Drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Drawings include site plan and location, basement and first floor plans, elevations, framing axonometric, moulding profiles, and conjectural plan evolution. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 7, bound. Dimensions: 18\" x 22\". Condition: Excellent, with a few measurements on some pages. Acc. 2011.455.","History and plans for Ash Lawn, the home of President James Monroe, as drawn by students from the University of Virginia School of Architecture under the direction of K. Edward Lay and as measured in the Fall of 1979. drawings were done by Glenn R. MacCullough and Stuart N. Siegel. Preliminary drawings and overlays of buildings and site plan, including landscaping. History of the property purchased by Monroe in 1793 compiled by Eldon F. Wood, A.I.A., of Charlottesvile, Virginia. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets: 16 some tissue and overlays. Dimensions: 9\"x8\"(1); 9\"x9.25\"(1); 9\"x10.5\"(1);14\" x 12\" (1); 12\"x17\" (3); 21\" x 14\"(1); 18\" x 24\" (5); 28\"x24\" (1); 24\"x 36\"(1); 36\"x48\"(1). Condition: Poor to good with folds, tape and writings on some of the pages. Acc. 2011.456.","Scope and Contents Preliminary drawings of Ash Lawn several of which were completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:12. Dimensions: 24\" x 36\". Condition: Fair to good with highlight and measurements on a number of pages. Acc. 2011.457.","Scope and Contents Blueprints and preliminary drawings of Ash Lawn bu University of Virginia Architecture students completed under the auspices of the National Park Service, Department of Interior. Ash Lawn was the home of President James Monroe.Drawings shown elevation, layout and design, numerous detail works, and out buildings on property. Survey completed by Historic American Buildings Survey. This property is owned by the College of William and Mary. Sheets:45.  Dimensions: 24\" x 18\".  Condition: Good with some measurements noted on several pages.  Acc. 2011.458.","Scope and Contents Preliminary drawings of Ash Lawn prepared by students at the University of Virginia School of Architecture. Plans inculde site pland and landscaping as well as drawings of the elevations, floor plands and sections. Sheets:15.  Dimensions: 24\" x 36\".  Condition: Good. Acc. 2011.459.","This series includes the as-built drawings and specifications for various College of William and Mary buildings in microfilm and microfiche format. Note that in addition to the items listed here, there are also some miscellaneous microforms. Transferred from Capital Outlay. Acc. 2002.35\nBoxes 1, 2, and 3.","SOE FILE #1.1 Microfiche","SOE FILE # 1.2 Microfiche","SOE FILE # 1.3 Microfiche","SOE FILE # 1.4 Microfiche","SOE FILE # 1.5 Microfiche","SOE FILE # 1.6 Microfiche","SOE FILE #1.7 Microfiche","SOE FILE #2.1 Microfiche","SOE FILE #2.2 Microfiche","SOE FILE #3.1 Microfiche","SOE FILE #3.3 Microfiche","SOE FILE #5.1 Microfiche","SOE FILE #5.2 Microfiche","SOE FILE #5.3 Microfiche","SOE FILE #5.4 Microfiche","SOE FILE #5.5 Microfiche","SOE FILE #6.1 Microfiche","SOE FILE #6.2 Microfiche","SOE FILE #12.2 Microfiche","SOE FILE #14.1 Microfiche","SOE FILE #14.1b Microfiche","SOE FILE #14.2 Microfiche","SOE FILE #16.1 Microfiche","SOE FILE #16.2 Microfiche","SOE FILE #16.4 Microfiche","SOE FILE #16.5 Microfiche","SOE FILE #17.2 Microfiche","SOE FILE #17.3 Microfiche","SOE FILE #17.4 Microfiche","SOE FILE #17.5 Microfiche","SOE FILE #18.1 Microfiche","SOE FILE #18.2 Microfiche","SOE FILE #20.1 Microfiche","SOE FILE #28.1 Microfiche","SOE FILE #29.1 Microfiche","SOE FILE #29.2 Microfiche","SOE FILE #29.3 Microfiche","SOE FILE #30.2 Microfiche","SOE FILE #30.3 Microfiche","SOE FILE #30.4 Microfiche","SOE FILE #30.5 Microfiche","SOE FILE #30.8 Microfiche","SOE FILE #30.9 Microfiche","SOE FILE #31.1 Microfiche","SOE FILE #34.1 Microfiche","SOE FILE #34.3 Microfiche","SOE FILE #34.4 Microfiche","SOE FILE #35.1 Microfiche","SOE FILE #35.2 Microfiche","SOE FILE #35.3 Microfiche","SOE FILE #35.6 Microfiche","SOE FILE #35.7 Microfiche","SOE FILE #35.8 Microfiche","SOE FILE #35.8a Microfiche","SOE FILE #36.1 Microfiche","SOE FILE #37.1 Microfiche","SOE FILE #38.1 Microfiche","SOE FILE #38.2 Microfiche","SOE FILE #39.2 Microfiche","SOE FILE #40.1 Microfiche","SOE FILE #40.2 Microfiche","SOE FILE #41.1 Microfiche","SOE FILE #41.3 Microfiche","SOE FILE #41.4 Microfiche","SOE FILE #41.5 Microfiche","SOE FILE #41.6 Microfiche","SOE FILE #42.1 Microfiche","SOE FILE #54.1 Microfiche","SOE FILE #54.2 Microfiche","SOE FILE #54.3 Microfiche","SOE FILE #54.5 Microfiche","SOE FILE #54.6 Microfiche","SOE FILE #56.2 Microfiche","SOE FILE #57.1 Microfiche","SOE FILE #57.2 Microfiche","SOE FILE #57.3 Microfiche","SOE FILE #60.1 Microfiche","SOE FILE #60.3 Microfiche","SOE FILE #61.1b Microfiche","SOE FILE #61.1c Microfiche","SOE FILE #61.2 Microfiche","Microfiche SOE FILE # 61.3","Microfiche SOE FILE #61.4","Microfiche SOE FILE #61.6","Microfiche SOE FILE #61.7","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.2","Microfiche SOE FILE #62.6","Microfiche SOE FILE #62.7","Microfiche SOE FILE #63.1","Microfiche SOE FILE #64.2","Microfiche SOE FILE #70.1","Microfiche SOE FILE #70.4","Microfiche SOE FILE #70.5","Microfiche SOE FILE #70.7","Microfiche SOE FILE #70.9","Microfiche SOE FILE #71.2","Microfiche SOE FILE #71.4","Microfiche SOE FILE #71.5","Microfiche SOE FILE #71.2","Microfiche SOE FILE #81.1","Microfiche SOE FILE #81.3","Microfiche SOE FILE #81.4","Microfiche SOE FILE #82.1","Microfiche SOE FILE #89.1","Microfiche SOE FILE #89.3","Microfiche SOE FILE #89.4","Microfiche SOE FILE #90.1","Microfiche SOE FILE #90.4","Microfiche SOE FILE #92.2","Microfiche SOE FILE #92.3","Microfiche SOE FILE #92.4","Microfiche SOE FILE #92.5","Microfiche SOE FILE #92.6","Microfiche SOE FILE #92.8","Microfiche SOE FILE #93.2","Microfiche SOE FILE #92.3","Microfiche SOE FILE #93.4","Microfiche SOE FILE #93.6","Microfiche SOE FILE #93.6","Microfiche SOE FILE #98.2","Microfiche SOE FILE #98.4","Microfiche SOE FILE #98.1","Microfiche SOE FILE #99.1","Microfiche SOE FILE #100.1","Microfiche SOE FILE #100.5","Microfiche SOE FILE #100.1b","Microfiche SOE FILE #102.1","Microfiche SOE FILE #102.3","Microfiche SOE FILE #102.4","Microfiche SOE FILE #103.1","Microfiche SOE FILE #103.2","Microfiche SOE FILE #103.6","Microfiche SOE FILE #104.1","Microfiche SOE FILE #104.2","Microfiche SOE FILE #104.5","Microfiche SOE FILE #104.6","Microfiche SOE FILE #105.1","Microfiche SOE FILE #105.2","Microfiche SOE FILE #105.3","Microfiche SOE FILE #110.2","Microfiche SOE FILE #117.1","Microfiche SOE FILE #117.1b","Microfiche SOE FILE #117.2","Microfiche SOE FILE #120.1","Microfiche SOE FILE #121.1b","Microfiche SOE FILE #120.2","Microfiche SOE FILE #122.1","Microfiche SOE FILE #122.2","Microfiche SOE FILE #123.1","Microfiche SOE FILE #123.2","Microfiche SOE FILE #123.3","Microfiche SOE FILE #123.7","Microfiche SOE FILE #124.1","Microfiche SOE FILE #124.3","Microfiche SOE FILE #124.4","Microfiche SOE FILE #125.1","Microfiche SOE FILE #125.3","Microfiche SOE FILE #130.1","Microfiche SOE FILE #130.1b","Microfiche SOE FILE #131.1","Microfiche SOE FILE #131.2","Microfiche SOE FILE #131.4","Microfiche SOE FILE #135.1","Microfiche SOE FILE #135.2","Microfiche SOE FILE #136.1","Microfiche SOE FILE #136.2","Microfiche SOE FILE #143.2","Microfiche SOE FILE #151.1","Microfiche SOE FILE #151.1a","Microfiche SOE FILE #151.1b","Microfiche SOE FILE #152.1","Microfiche SOE FILE #152.2","Microfiche SOE FILE #154.1","Microfiche SOE FILE #156.1","Microfiche SOE FILE #158.1","Microfiche SOE FILE #162.1","Microfiche SOE FILE #Not.1","Microfiche SOE FILE #155.2","Microfiche SOE FILE #H.2","Microfiche SOE FILE # H.3","Microfiche SOE FILE #H.5","Microfiche SOE FILE #H7.1","Microfiche SOE FILE #H9.1","Microfiche SOE FILE #H.11","Microfiche SOE FILE #H.16","Microfiche SOE FILE #Misc2","Microfiche SOE FILE #Misc 3","Microfiche SOE FILE #Misc 4","Microfiche SOE FILE #Misc 5","Microfiche SOE FILE #Misc 11","Microfiche SOE FILE #Misc 12","Microfiche SOE FILE #Misc 13","Microfiche SOE FILE #Misc 14","Microfiche SOE FILE #Misc 16","Microfiche SOE FILE #Misc 66","Microfiche SOE FILE #Misc 18","Microfiche SOE FILE #Misc 19","Microfiche SOE FILE #Misc 20","Microfiche SOE FILE #Misc 22","Microfiche SOE FILE #Misc 23","Microfiche SOE FILE #Misc 28","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Camera Negatives","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm","Microfilm Project Code: 204-15406-02","Microfilm Project Code:204-14416-05","Microfilm Project Code:204-14735","Microfilm Project Code:204-15745-01","Microfilm Project Code:204-15368","Microfilm Project Code: 204-14416-03","Microfilm Project Code: 204-15406-01","Microfilm Project Code: 204-15683","Microfilm Project Code:204-15541-04","Microfilm Project Code:204-14735","Microfilm Project Code:204-15683","Microfilm Project Code: 204-15541-11","Microfilm Project Code: 20494004","Microfilm","Microfilm Project Code:204002","Microfilm","Microfilm Project Code:204-14096","Microfilm Project Code: 204-15541-06","Microfilm Project Code: 204-14462","Microfilm Project Code:204-15541-01","Acc. 2008.47 is microfilm of projects designed by the firm Wright Jones and Wilkerson for the College of William and Mary. They are believed to be the bid documents, not as-builts.","This series includes printed material classified as publications such as newsletters and brochures. Also included in this series is the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond and Jamestown Roads in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.","Scope and Contents \"What it is and how to use it\" booklet on maintenance procedures","November 27,1926 booklet: Programme of the day on the occasion of the dedication of the memorial hall to the fifty founders as part of the sesui-centennial celebration of the Phi Beta Kappa, College of William and Mary in Virginia. Schedule of events, speakers and delegates. December 5, 1936: Address at the unveiling of tablets on the Phi Beta Kappa Hall, College of William and Mary, by Dr Oscar M Voorhees. 1926 small booklet with history of Phi Beta Kappa, first members, photo of auditorium and Apollo Hall.","Dedication of new Phi Beta Kappa Hall booklets, May 18, 1957; order of exercise; history of PBK; invitations","1993 recycling brochure","Booklet on the dedication of Tercentenary Hall, October 27, 1995","Unofficial newsletter for, by, and about the employees of Facilities Management department, vol.1, numbers 1,2,5,6","invitation to Tyler Family Garden dedication on April 30, 2004","miscellaneous booklets on the Christopher Wren Building and its history. Article from Histori Preservation magazine. Tercentenary calendar","Contains the sketchbook of Charles M. Robinson Architects of Richmond, Virginia surveying the property of the College of William and Mary between Richmond Road and Jamestown Rd. conducted in 1923. Included in the book are sketches of the historic campus, sewer system drawings, other buildings and athletic fields, and handwritten notes by the architect about the project.","Scope and Contents Document projecting the various phases of the work at Swem including capacity on site and off site.  Provides expectations for Phases 1-6.  Sheets: 12; stapled.  Dimensions 8.5\" x 11\". Condition: Very Good.   Acc. 2011.307.","Scope and Contents Report and Certification regarding the air quality of Swem Library with data and test results shown.  Architects: Shepley Bulfinch Richardson; Engineer: Lanna, Dunlap \u0026 Spriggs; Contractor: PBM-Limbach;. Certification: Arian TAB Services, Inc.  Sheets: 78.  Dimensions 8.5\" x 11\". Condition: Very Good.  Acc. 2011.308.","Acc. 1983.070 includes records associated with the alterations, renovations and reconstructions of various sites and buildings at the College of William and Mary, including the Alumni House, Brown Hall, Barksdale Field, Ash Lawn, Jefferson Hall, the Chemistry Building, Phi Beta Kappa Hall, Wildflower Refuge Amphitheater, the Women's Dormitory Complex and others.","Acc. 1988.09 includes office files about campus construction projects, asbestos removal, repairs, and other capital outlay projects for the period 1966-1982.","Acc. 1999.71 is the blueprints file note cards.","Scope and Contents Slides of construction and repair of buildings on W\u0026M campus and VIMS, 2006 and prior","Scope and Contents Acc 2011.176 Slides on 4 reels of construction and repair of buildings on W\u0026M campus and VIMS. Dates prior to 2006. Slides of Carl A Kroch Library at Cornell University, part of presentation for changes to Swem Library.","Slides of Carl A Kroch library","slides of Carl A Kroch library at Cornell","Slides: unidentified, Millington Hall, McCormack-Nagelson Tennis Center","Scope and Contents Slides of 1994 Dorm renovation; Morton Hall, W\u0026M Hall, Small Hall, Millington Hall, Barksdale field","Charles A Kroch Library at Cornell; Millington Hall; unidentified","unidentified; Adair Hall, interior Dupon Hall, 1996","Swem Library exterior and artist rendering; VIMS docks,Marshall-Wythe floor plan;"],"separatedmaterial_html_tesm":["\u003cp\u003eAcc. 2008.212 was accessioned as part of the backlog in manuscripts in May 2010 and was transferred to this collection in June 2010.\u003c/p\u003e\n","\u003cp\u003e Plans and blueprints that were previously part of the University Archives Subject File Collection were transferred to this collection in November 2010.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Acc. 2008.212 was accessioned as part of the backlog in manuscripts in May 2010 and was transferred to this collection in June 2010."," Plans and blueprints that were previously part of the University Archives Subject File Collection were transferred to this collection in November 2010."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary.","Eastern State Hospital (Va.)"],"names_ssim":["Special Collections Research Center","College of William and Mary. Facilities Management Department","Office of the Vice President for Administration","College of William and Mary.","Eastern State Hospital (Va.)","Robinson, Charles M."],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Facilities Management Department","Office of the Vice President for Administration","College of William and Mary.","Eastern State Hospital (Va.)"],"persname_ssim":["Robinson, Charles M."],"language_ssim":["English"],"total_component_count_is":962,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:13:24.347Z","acqinfo_ssim":["Acc. 1980.27 was received prior to 3/4/1980; Acc. 1983.37 was transferred prior to 09/01/1983; Acc. 1984.29 was transferred by Thad Tate and Wane Kernodle (Acting Chief Marshall and Chief Marshall) on 12/15/1983; Acc. 1988.4 was transferred from Facilities on 1/26/1989; Acc. 1988.09 was transferred by Antoinette Lomax of Facilities on 1/27/1988; Acc. 1988.12, Acc. 1988.13, Acc. 1988.14, Acc. 1988.15, Acc. 1988.16, Acc. 1988.17, Acc. 1988.18, Acc. 1988.19, Acc. 1988.20, Acc. 1988.21, Acc. 1988.22, Acc. 1988.23, and Acc. 1988.24 were received prior to 3/10/1988; Acc. 1988.25 was received from Dr. Haskel on 2/9/1988; Acc. 1988.26 was received on 10/19/1987; Acc. 1988.28 and Acc. 1988.27 were received prior to 3/12/1988; Acc. 1988.29 addition was transferred from Facilities on 06/1/1988; Acc. 1988.31 addition was transferred from Facilities during the summer of 1888; Acc. 1988.29, Acc. 1988.30, Acc. 1988.31, Acc. 1988.32, Acc. 1988.33, Acc. 1988.34, Acc. 1988.35, Acc. 1988.36, Acc. 1988.37, Acc. 1988.38, Acc. 1988.39, Acc. 1988.40, Acc. 1988.41, Acc. 1988.42, Acc. 1988.43, Acc. 1988.45, Acc. 1988.45 addition, Acc. 1988.46, and Acc. 1988.47, were transferred from Facilities prior to 3/14/88; Acc. 1988.32 addition, Acc. 1988.33 addition, Acc. 1988.35 addition were received 4/22/1988; Acc. 1988.35 addition and Acc. 1988.36 addition were transferred from Facilities on 1/24/1989; Acc. 1988.37 addition was received 4/25/1989; Acc. 1988.48, Acc. 1988.49, Acc. 1988.50, Acc. 1988.51, and Acc. 1988.52 were transferred from Library Administration Services in the fall of 1986; Acc. 1988.54, Acc. 1988.55, Acc. 1988.56, Acc. 1988.57, Acc. 1988.58, Acc. 1988.59, Acc. 1988.60, Acc. 1988.61, and Acc. 1988.62 were transferred from Library Administration Services in the fall of 1986; Acc. 1988.63 was received in the fall of 1986 and in June 1985; Acc. 1988.70, Acc. 1988.71, Acc. 1988.72, Acc. 1988.73, and Acc. 1988.74 were transferred from facilities on 4/4/1988; Acc. 1988.72 addition and Acc. 1988.74 addition were transferred from Facilities on 1/24/1989; Acc. 1989.12 and Acc. 1989.14 were transferred by Ailene Bartlett of Library Management Services on 3/17/1989; Acc. 1989.30, Acc. 1989.31, and Acc. 1989.32 were transferred from Facilities prior to 5/25/1989; Acc. 1989.34, Acc. 1989.35, Acc. 1989.36, Acc. 1989.37, Acc. 1989.38, Acc. 1989.39, Acc. 1989.40, Acc. 1989.41, Acc. 1989.42, and Acc. 1989.45 were transferred from Facilities prior to 6/1/1989; Acc. 1989.51, Acc. 1989.52, Acc. 1989.53, Acc. 1989.54, Acc. 1989.55, Acc. 1989.56, Acc. 1989.57, and Acc. 1989.58 were transferred from Facilities prior to 6/3/1989; Acc. 1989.60, Acc. 1989.61, Acc. 1989.62, Acc. 1989.63, Acc. 1989.64, and Acc. 1989.65 were transferred from Facilities prior to 6/7/1989; Acc. 1989.71, Acc. 1989.73, Acc. 1989.74, Acc. 1989.75, Acc. 1989.76, Acc. 1989.78, and Acc. 1989.81 were transferred from Facilities prior to 6/8/1989; Acc. 1990.67 was transferred by David Dudley of the Theater and Speech Department in Oct. 1990; Acc. 1991.75 was transferred by Ailene Bartlett of Library Management Services on 6/8/1991; Acc. 1991.76 was transferred by Andrew Magpantey of the System's Office on 8/9/1991; Acc. 1996.6 was transferred prior to 1996; Acc. 1999.2 was transferred in 1993; Acc. 1999.2 addition was transferred from the President's Office in 1996; Acc. 1999.49 received 4/4/1996; Acc. 1999.50 was transferred by Karen Berquist from the Physics Lab on 12/12/1996; Acc. 2002.35 was transferred by Denise Patesel on 6/24/2002; Acc. 2007.011 received 5/31/2007 from Denise Patesel of FPDC and all blueprints and plans received prior to 2007 and not previously given an accession number are included under this accession number; Acc. 2007.60 received 8/1/2007 from William Clark Fielden who inherited the blueprints from his material grandfather; Acc. 2008.47 transferred from the Facilities Planning, Design, and Construction Division on 4/28/2008; Acc. 2009.032 transferred from the Facilities, Planning, Design, and Construction Division prior to 2007; Acc. 2009.243 was received prior to 2007. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1709_c01_c195"}},{"id":"viu_repositories_3_resources_1030_c03_c04","type":"Subseries","attributes":{"title":"1930s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c04","ref_ssm":["viu_repositories_3_resources_1030_c03_c04"],"id":"viu_repositories_3_resources_1030_c03_c04","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1930s"],"title_filing_ssi":"1930s","title_ssm":["1930s"],"title_tesim":["1930s"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["1930s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":207,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":537,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice."],"parent_access_terms_tesm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"_nest_path_":"/components#2/components#3","timestamp":"2026-05-28T16:05:34.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_1030","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1030.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/121246","title_filing_ssi":"Robinson, Charles M. and Principals Architectural Records","title_ssm":["Charles M. Robinson and Principals Architectural Records"],"title_tesim":["Charles M. Robinson and Principals Architectural Records"],"unitdate_ssm":["Circa 1855-2012"],"unitdate_inclusive_ssm":["Circa 1855-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030"],"text":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030","Charles M. Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford","English"],"unitid_tesim":["MSS 16518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1030"],"normalized_title_ssm":["Charles M. Robinson and Principals Architectural Records"],"collection_title_tesim":["Charles M. Robinson and Principals Architectural Records"],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["Robinson, Charles  M. (Morrison), 1867-1932"],"creator_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"creator_persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"creators_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"access_terms_ssm":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e\n","\u003cp\u003eFolder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c04"}},{"id":"viblbv_repositories_2_resources_3018_c05_c05_c02","type":"Subseries","attributes":{"title":"1930s-1950s playbills","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3018_c05_c05_c02","ref_ssm":["viblbv_repositories_2_resources_3018_c05_c05_c02"],"id":"viblbv_repositories_2_resources_3018_c05_c05_c02","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssi":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_unittitles_ssm":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"parent_unittitles_tesim":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"text":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills","1930s-1950s playbills"],"title_filing_ssi":"1930s-1950s playbills","title_ssm":["1930s-1950s playbills"],"title_tesim":["1930s-1950s playbills"],"unitdate_inclusive_ssm":["1932-1956"],"normalized_date_ssm":["1932/1956"],"normalized_title_ssm":["1930s-1950s playbills"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John Barnes Performing Arts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":84,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"_nest_path_":"/components#4/components#4/components#1","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c02"}},{"id":"vilxv_repositories_3_resources_726_c01_c195","type":"Item","attributes":{"title":"1930's Football film footage (no sound) [dvd]","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c195#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_726_c01_c195","ref_ssm":["vilxv_repositories_3_resources_726_c01_c195"],"id":"vilxv_repositories_3_resources_726_c01_c195","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726_c01","parent_ssi":"vilxv_repositories_3_resources_726_c01","parent_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_ids_ssim":["vilxv_repositories_3_resources_726","vilxv_repositories_3_resources_726_c01"],"parent_unittitles_ssm":["Video Collections","VMI topics and events DVD collection"],"parent_unittitles_tesim":["Video Collections","VMI topics and events DVD collection"],"text":["Video Collections","VMI topics and events DVD collection","1930's Football film footage (no sound) [dvd]","Football","Virginia Military Institute—Athletics","DVDs","English","box 04","Media Case/Sleeve 197"],"title_filing_ssi":"1930's Football film footage (no sound) [dvd]","title_ssm":["1930's Football film footage (no sound) [dvd]"],"title_tesim":["1930's Football film footage (no sound) [dvd]"],"unitdate_other_ssim":["1938"],"normalized_date_ssm":["1938"],"normalized_title_ssm":["1930's Football film footage (no sound) [dvd]"],"component_level_isim":[2],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Video Collections"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":196,"parent_access_restrict_tesm":["There are no restrictions"],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1938],"access_subjects_ssim":["Football","Virginia Military Institute—Athletics","DVDs"],"access_subjects_ssm":["Football","Virginia Military Institute—Athletics","DVDs"],"language_ssim":["English"],"containers_ssim":["box 04","Media Case/Sleeve 197"],"_nest_path_":"/components#0/components#194","timestamp":"2026-05-21T00:10:42.873Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_726","ead_ssi":"vilxv_repositories_3_resources_726","_root_":"vilxv_repositories_3_resources_726","_nest_parent_":"vilxv_repositories_3_resources_726","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_726.xml","title_ssm":["Video Collections"],"title_tesim":["Video Collections"],"unitdate_ssm":["1930's - [ongoing]; bulk after 1980"],"unitdate_inclusive_ssm":["1930's - [ongoing]; bulk after 1980"],"level_ssm":["collection"],"level_ssim":["Subgroup","Collection"],"unitid_ssm":["AV.Video","/repositories/3/resources/726"],"text":["AV.Video","/repositories/3/resources/726","Video Collections","Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes","This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion.","There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions.","An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive","This collection is arranged chronologically by year.","30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.","3 copies","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format.","Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report.","A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Archives Stacks, Audio/Video","Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S.","English"],"unitid_tesim":["AV.Video","/repositories/3/resources/726"],"normalized_title_ssm":["Video Collections"],"collection_title_tesim":["Video Collections"],"collection_ssim":["Video Collections"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Office of Communications and Marketing"],"creator_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creator_corpname_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"creators_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"access_terms_ssm":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"access_subjects_ssm":["Virginia Military Institute—Special events","Virginia Military Institute -- Finals -- 21st century","Virginia Military Institute—History—20th century","Virginia Military Institute—History—21st century","DVDs","Videotapes"],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection includes various formats, including film, VHS videotape and dvd. Some formats are not accessible at this time and are awaiting digital conversion."],"extent_ssm":["40 c.f. cubic feet"],"extent_tesim":["40 c.f. cubic feet"],"genreform_ssim":["DVDs","Videotapes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003clegalstatus id=\"aspace_333329e77d302b687ff227e2dd4140dd\"\u003eThis material is copyrighted.\u003c/legalstatus\u003e","\u003clegalstatus id=\"aspace_fb226dea4d219feb4db4f0467530df52\"\u003eContains copyright protected material. This material may not be copied or redistributed.\u003c/legalstatus\u003e","\u003cp\u003eThere are no restrictions\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","There are no restrictions.","This material is copyrighted.","Contains copyright protected material. This material may not be copied or redistributed.","There are no restrictions","There are no restrictions."],"altformavail_html_tesm":["\u003cp\u003eAn MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["An MP4 format file has been created from the DVD file and is located on  Archives electronic files preservation network drive"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically by year.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically by year."],"bioghist_html_tesm":["\u003cp\u003e30th Commandant, U. S. Marine Corps\u003c/p\u003e","\u003cp\u003eThis was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.\u003c/p\u003e","\u003cp\u003eOn the occasion of the VMI vs. Liberty football game\u003c/p\u003e","\u003cp\u003eStephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eVMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.\u003c/p\u003e","\u003cp\u003eLt. Terry Plunk was killed in action during Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eMark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.\u003c/p\u003e","\u003cp\u003eThe U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.\u003c/p\u003e","\u003cp\u003eLouis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["30th Commandant, U. S. Marine Corps","This was the first VMI commencement exercise to include female graduates. The first group of women to matriculate in 1997 included a few transfer students who were able to graduate after two years because of advanced academic standing at enrollment.","On the occasion of the VMI vs. Liberty football game","Stephen L. Carter is the William Nelson Cromwell Professor of Law at Yale, where he has taught since 1982.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","VMI Bugler Wilbur Swihart, known as \"Bill the Bugler\". He was the subject of a CBS news \"On the Road with Charles Kuralt\" story.","Lt. Terry Plunk was killed in action during Operation Desert Storm.","Mark Alexander Milley is a United States Army officer. A four-star general, he is the 39th Chief of Staff of the Army.","The U. S. Supreme Court ruled against the Institute's all male admission policy in 1996, and the first women were enrolled at VMI in the fall of 1997.","Louis S. Welker (Class of 1972) produced the film during his third and second class years (1970-1971).  David Hall (Class of 1972) wrote the narration and narrated the film.  The film was subsequently used for several years by the VMI Admissions Office to assist with cadet recruiting."],"odd_html_tesm":["\u003cp\u003e3 copies\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["3 copies"],"prefercite_html_tesm":["\u003cp\u003e[Name of collection/item], Virginia Military Institute Archives.\u003c/p\u003e"],"prefercite_tesim":["[Name of collection/item], Virginia Military Institute Archives."],"processinfo_html_tesm":["\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis item has been converted to .mp4 format.\u003c/p\u003e","\u003cp\u003eThis collection was originally in VHS videotape format and has been converted to DVD format.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This item has been converted to .mp4 format.","This collection was originally in VHS videotape format and has been converted to DVD format."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll7/id/4201\"\u003ePhotograph of Ambassador Young receiving the Daniels Award\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eBackground information about the Tick Rover Robot project is found online in the \u003ca href=\"http://digitalcollections.vmi.edu/cdm/ref/collection/p15821coll1/id/3097\"\u003eSeptember 2013 issue of the Institute Report.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Photograph","Related Materials"],"relatedmaterial_tesim":["Photograph of Ambassador Young receiving the Daniels Award","Background information about the Tick Rover Robot project is found online in the  September 2013 issue of the Institute Report."],"scopecontent_html_tesm":["\u003cp\u003eA collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.\u003c/p\u003e","\u003cp\u003eJohn O. Marsh, Jr. receives the New Market Medal.\u003c/p\u003e","\u003cp\u003eThe graduation speaker was Donald H. Rumsfeld, Secretary of Defense.\u003c/p\u003e","\u003cp\u003eVideo of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.\u003c/p\u003e","\u003cp\u003eAmbassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006\u003c/p\u003e","\u003cp\u003eEvents of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner\u003c/p\u003e","\u003cp\u003eCadets whose articles were published in volume 1 of New Horizons talk about their research\u003c/p\u003e","\u003cp\u003eCeremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.\u003c/p\u003e","\u003cp\u003eOfficial breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.\u003c/p\u003e","\u003cp\u003eVarious speeches to cadets and other VMI audiences from 19-200x. 2 disks.\u003c/p\u003e\n","\u003cp\u003eDisk 1 Content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 1 content\u003c/head\u003e\n\u003citem\u003eCadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003\u003c/item\u003e\u003citem\u003eCOL Eric Hutchings Keydet Club speech, June 2000\u003c/item\u003e\u003citem\u003eSGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001\u003c/item\u003e\u003citem\u003eBG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004\u003c/item\u003e\u003citem\u003eAddress by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eDisk 2 content\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003chead\u003eDisk 2 content\u003c/head\u003e\n\u003citem\u003eHon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003\u003c/item\u003e\u003citem\u003eAddress by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004\u003c/item\u003e\u003citem\u003eHon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991\u003c/item\u003e\u003citem\u003eCadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000\u003c/item\u003e\u003citem\u003eAddress of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eLocal PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  \u003c/p\u003e\n","\u003cp\u003eSee separate dvd for full recording of full panel discussion.\u003c/p\u003e","\u003cp\u003eEvents from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs\u003c/p\u003e","\u003cp\u003eIncludes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939\u003c/p\u003e","\u003cp\u003eOrientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.\u003c/p\u003e","\u003cp\u003eThis collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.\u003c/p\u003e","\u003cp\u003eABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.\u003c/p\u003e","\u003cp\u003eNews conference held at VMI, introducing General Peay as VMI's 14th Superintendent.\u003c/p\u003e","\u003cp\u003eNews videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.\u003c/p\u003e","\u003cp\u003eColor film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.\u003c/p\u003e","\u003cp\u003eSweat party, Fall 1987\u003c/p\u003e","\u003cp\u003eAddress to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.\u003c/p\u003e","\u003cp\u003eHighlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.\u003c/p\u003e","\u003cp\u003eIncludes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.\u003c/p\u003e","\u003cp\u003eIncludes New Market Day ceremony, parade, and bible presentation\u003c/p\u003e","\u003cp\u003eIn December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.\u003c/p\u003e","\u003cp\u003eGood Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC\u003c/p\u003e","\u003cp\u003eGeneral James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.\u003c/p\u003e","\u003cp\u003eInclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill\u003c/p\u003e","\u003cp\u003eVideo created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.\u003c/p\u003e","\u003cp\u003eUnveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.\u003c/p\u003e","\u003cp\u003eSupreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.\u003c/p\u003e","\u003cp\u003eA collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.\u003c/p\u003e","\u003cp\u003eBinder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.\u003c/p\u003e","\u003cp\u003eThis collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.\u003c/p\u003e","\u003cp\u003eDuration [00:08:13]\u003c/p\u003e","\u003cp\u003eDuration [00:28:27]; Produced by William Henricks Associates\u003c/p\u003e","\u003cp\u003eDuration [01:28:26]\u003c/p\u003e","\u003cp\u003e4 parts; total duration [02:01:01]\u003c/p\u003e","\u003cp\u003eDuration [01:55:58]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of videos (some amateur, some professional) documenting special events such as matriculation, Ring Figure, graduation, speeches, and other topics relating to VMI activities and cadet life.  The bulk of this collection dates from the 1980's forward, although a few date from an earlier period.","John O. Marsh, Jr. receives the New Market Medal.","The graduation speaker was Donald H. Rumsfeld, Secretary of Defense.","Video of speech about Civil Rights activist Jonathan M. Daniels by Ruby Sales, given in Lexington, Virginia at the Robert E. Lee Episcopal Church. Daniels saved Sale's life in 1965.","Ambassador Andrew Young receives the second Jonathan M. Daniels '61 Humanitarian Award at VMI on March 23, 2006","Events of the weekend honoring football coach John McKenna. Includes members of his winning teams who returned to VMI for the event; McKenna and others speaking during celebratory dinner","Cadets whose articles were published in volume 1 of New Horizons talk about their research","Ceremony honoring Daniels.  Speakers include Superintendent Josiah Bunting III; E. Cabell Brand, who presents a painting and book to the Promaji Club; and the Dean of the Canterbury Cathedral the Very Reverend John A. Simpson.","Official breakout video for Class of 2004.  Includes significant events in the months prior to Breakout, including matriculation, new cadet oath at New Market and speech by John O. Marsh Jr., football game.  Breakout scenes follow, including marches and other activities and climb up muddy hill (a practice since discontinued).  Video culminates with ceremony in Barracks courtyard.","Various speeches to cadets and other VMI audiences from 19-200x. 2 disks.","Disk 1 Content","Disk 1 content Cadre member Cadet Anthony Peters (Class of 2004) addresses incoming Rats, August 2003 COL Eric Hutchings Keydet Club speech, June 2000 SGT MAJ Al Hockaday addresses the Class of 2004 at Breakout, Feb 2001 BG Alan Farrell addresses Class of 2005 at their Ring Figure dinner, November 2004 Address by Roanoke Times sportswriter Bill Brill at the Keydet Club Reunion for the 1975 and 1976 VMI Basketball teams.","Disk 2 content","Disk 2 content Hon. Steven J. McAuliffe '70 addresses the Class of 1994 at their Ring presentation, 2003 Address by Ms. Donzaleigh Abernathy at the Jonathan Daniels Courtyard Dedication, March 25, 2004 Hon. Julian Hirst '41 address the Class of 1941 at their 50th reunion, April 1991 Cadet Charles Bunting '01 addresses Rats of the Class of 2004 during Cadre Week, August 2000 Address of MG James Morgan, Jr. '45 at the dedication of the Jackson Hope Medal Memorial, May 15, 2003","Local PBS television special marking the 21st anniversary of the admission of the first black cadets at VMI.  Also includes excerpts from a panel discussion held at VMI.  ","See separate dvd for full recording of full panel discussion.","Events from Black History Month celebration, including Jonathan Daniels ceremony and panel discussion about Daniels.  2 discs","Includes film of ROTC cavalry drill and horsemanship practice on Parade Ground, including jumping; Barracks scenes; cadet orchestra; other scenes from cadet life ca. 1939","Orientation and convocations held during the Spring of 1997 to prepare the Corps for the beginning of coeducation.","This collection contains marketing commercials produced for local television broadcasts and off air news story for VMI events.","ABC network television show Good Morning America show.! Diane Sawyer and Charlie Gibson broadcast live from Crozet Hall during breakfast on Founders Day, November 11, 2002.","News conference held at VMI, introducing General Peay as VMI's 14th Superintendent.","News videos produced by the VMI Office of Communication and Marketing during the period 2012-2014. Topics: Inaugural Parade, Virginia Governor McAuliffe; Air Force ROTC flight incentive final; Battle of New Market 150th anniversary; soaring; reveille and Retreat; Army ROTC FTX (10-12-2012); Corps Physical Training Building groundbreaking; Founders Day, 2013; Heritage Exhibit VMI Museum; Presidential Inaugural Parades History; NCAA Athletes Rats (Soccer and football) drill.","Color film footage depicting cadet life in 1941.  Includes scenes of ROTC cavalry unit, horses, and stables; parades; football games, including Thanksgiving game against Virginia Tech; social life (cadets with their dates), and buildings.","Sweat party, Fall 1987","Address to the Friends of Preston Library by VMI alumnus Michael A. Burke, Class of 1973, on the origin of VMI slang.  This speech was based on research the Burke did for graduate coursework in linguistics.","Highlights of Coach John McKenna.  Includes reflections by McKenna, his family, and Gens. Bunting and Peay; footage from games.","Includes New Market battle reenactment, ceremony at Arlington National Cemetery,  Willard Scott interview, Hee Haw TV program salute.","Includes New Market Day ceremony, parade, and bible presentation","In December 1994 Preston Library collections and staff moved out the building while it was being renovated.  The project was completed in the Spring of 1996.  During this time the bulk of the books were stored in a local unoccupied building (known as \"the Roses building\" after a department store that once occupied it); other storage locations were Cocke Hall, Smith Hall, and misc. other local locations. Library reference and circulation services were provided out of old Lejeune Hall (which was torn down in 2006).  Other staff occupied offices in Nichols, Smith Hall, and Crozet Hall.","Good Morning America television program presents interview with VMI Cadet Jon R. Milner regarding ROTC","General James Jones, Commandant of the Marine Corps, dedicates display in VMI Museum's Hall of Valor.","Inclues: 2014 Virginia gubernatorial inaugural parade; Air Force ROTC flight incentive; 150th anniversary of Battle of New Market; soaring; reveille and retreat; Army ROTC FTX Oct. 2012; Corps Physical Training Facility groundbreaking. May 2014; Founders Day 2013; Heritage Exhibit at Museum; Ppresidential inaugural parades history; NCAA soccer and football Rats drill","Video created to coincide with the dedication of Third Barracks, November 2008.  It includes use of historical images from the VMI Archives along with film footage from 2008.  Keith Gibson, VMI Museum director, provides some commentary.","Unveiling of the mMemorial marker dedicated to Civil Rights movement martyr Jonathan Daniels, VMI Class of 1961, in Hayneville Alabama.  The monument was sponsored by VMI.","Supreme Court Justice Ruth Bader Ginsburg appeared at VMI on February 1, 2017.  This event was co-sponsored by the Washington and Lee University School of Law.  The format was an interview conducted by two of her biographers.  The event took place in Cameron Hall.","A collection of video footage collected by the Office of Communications and Marketing relating to the VMI coeducation court case (United States v. Virginia), concerning coeducation, assimilation planning, and the matriculation of the first female cadets. Includes news clips from national and local news.","Binder containing digital copy of a film produced by Louis S.Welker (VMI Class of 1972) along with correspondence and other material that explains the history of the film. The film, which Welker called \"When We Were Keydets\", documents cadet life from a cadet's point of view during a 15 month period in 1970 - 1971.","This collection of born digital .mp4 files was transferred from the VMI Communications and Marketing Department. The videos showcase VMI special events (e.g., matriculation, Ring Figure, graduation, and speeches), and other topics that relate to VMI activities and cadet life.","Duration [00:08:13]","Duration [00:28:27]; Produced by William Henricks Associates","Duration [01:28:26]","4 parts; total duration [02:01:01]","Duration [01:55:58]"],"userestrict_html_tesm":["\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eThere are no restrictions.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e","\u003cp\u003eItem is copyright protected.  Video can be viewed in person, but we do not provide copies.\u003c/p\u003e","\u003cp\u003eUse of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.\u003c/p\u003e","\u003cp\u003eThis material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.\u003c/p\u003e","\u003cp\u003eThis collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.\u003c/p\u003e","\u003cp\u003eContact Archives to view this material.\u003c/p\u003e","\u003cp\u003eAudiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","There are no restrictions.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Item is copyright protected.  Video can be viewed in person, but we do not provide copies.","Use of this copyrighted item is restricted. This item may be viewed by individual researchers in-person, but may not be reproduced.","This material is copyrighted.  Discs may  not be reproduced.  Researchers must view in person; contact the VMI Archives staff for a viewing appointment.","This collection is available for on-site use only. Researchers should contact the Archives for a viewing appointment.","Contact Archives to view this material.","Audiovisual collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may not be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d96a804d049d7fd69b55a50bb62f86b\"\u003eArchives Stacks, Audio/Video\u003c/physloc\u003e"],"physloc_tesim":["Archives Stacks, Audio/Video"],"names_coll_ssim":["Virginia Military Institute. Office of Communications and Marketing"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library","Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"corpname_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Office of Communications and Marketing","Virginia Military Institute. Department of Economics and Business","Virginia Military Institute. Department of Electrical and Computer Engineering","Virginia Military Institute. Department of Mechanical Engineering","Virginia Military Institute. Alumni Association","Virginia Military Institute. Office of Admissions","Virginia Military Institute. Department of Physical Education","Virginia Military Institute. Office of the Superintendent.","VMI Center for Undergraduate Research. VCUR","VMI Foundation","United States. Marine Corps.","Virginia Military Institute. Department of Chemistry","Virginia Military Institute. Department of Civil and Environmental Engineering","Virginia Military Institute. Library"],"persname_ssim":["Marsh, John O., Jr.","Rumsfeld, Donald H. (Donald Henry), 1932-2021","Sales, Ruby","Daniels, Jonathan Myrick, 1939-1965","Young, Andrew J., Jr.","Carter, Jimmy","McKenna, John","Kaine, Timothy M.","Hammond, Leroy D.","Warner, Mark R. (Mark Robert)","Myers, Richard B., General","Morgan, James M., Jr. (James Markus), 1923-2021","Foster, P. Wesley, Jr. (Paul Wesley)","Baliles, Gerald L.","Peay, J. H. Binford, III, 1940-","OConnor, Sandra Day","Gray, Elmon T. (Elmon Taylor), 1925-2011","Knapp, John W. (John Williams), 1932-","Humes, James","Puller, Chesty, 1898-1971","Haskins, Thomas A., Jr.","Dabney, William H. (William Howard), 1934-2012","Carrico, Harry Lee","Ambrose, Stephen E.","Bryan, Charles F., Jr.","Bunting, Josiah, III, 1939-","Kissinger, Henry, 1923-","Jordan, John H., Jr.","Simpson, John A., Very Reverend","Brand, E. Cabell (Edward Cabell), 1923-2015","Thatcher, Margaret","Walker, Sam S., 1925-2015","Ross, Bobby (Robert J.)","Allen, George, 1952-","Patterson, Robert H., Jr.","Gottwald, Thomas E.","Liddy, G. Gordon","Carter, Ronald, Jr.","McCain, John, 1936-","Hutchings, Eric D.","Farrell, Alan F., 1945-","McAuliffe, Steven J.","Hirst, Julian F.","Abernathy, Donzaleigh","Savage, Joseph L, Jr.","Nunn, Sam","Gibson, Keith E.","Crozet, Claudius, 1790-1864","Shell, George R. E., 1908-1996","Hebert, Paul V.","Louthan, Frank G., Jr.","Carter, Stephen L.","Greenfield, Jeff","Bush, George W. (George Walker), 1946-","Bush, George H. W., President (George Herbert Walker)","Plunk, Terry L.","Zeugner, Thomas C.","Turman, Solon B.","DiMaggio, Joe, 1914-1999","Coffman, Michael","Ferebee, J. Smith (James Smith), 1906-1988","Swihart, Wilbur W.","Jackson, Stonewall, 1824-1863","Morgan, John L.","Powell, Colin L.","Hightower, George B. (George Bedney), 1911-?","Heath, Edward","Luttrell, Marcus","Blumenson, Martin","Patton, George S. (George Smith), 1885-1945","Cheney, Richard B.","Elmore, Gay, Jr. (Otmer Gay)","Bennett, William J.","Schmidt, Helmut, 1918-2015","Marshall, George C. (George Catlett), 1880-1959","Marston, Robert Q.","Jones, James L.","Jumper, John P.","Ginsburg, Ruth Bader","Milley, Mark A., General","Welker, Louis S."],"language_ssim":["English"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:10:42.873Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_726_c01_c195"}},{"id":"vifgm_repositories_2_resources_331_c03_c01_c892","type":"File","attributes":{"title":"1935","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c892#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c892#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c03_c01_c892","ref_ssm":["vifgm_repositories_2_resources_331_c03_c01_c892"],"id":"vifgm_repositories_2_resources_331_c03_c01_c892","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c03_c01","parent_ssi":"vifgm_repositories_2_resources_331_c03_c01","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"text":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts","1935","box 213","folder 7","by Arthur Arent; A Living Newspaper Play, photocopy"],"title_filing_ssi":"1935","title_ssm":["1935"],"title_tesim":["1935"],"unitdate_other_ssim":["January 1938"],"normalized_date_ssm":["1938"],"normalized_title_ssm":["1935"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1540,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1938],"containers_ssim":["box 213","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["by Arthur Arent; A Living Newspaper Play, photocopy"],"_nest_path_":"/components#2/components#0/components#891","timestamp":"2026-05-24T23:36:53.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los 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Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:36:53.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c892"}},{"id":"vifgm_repositories_2_resources_331_c03_c01_c894","type":"File","attributes":{"title":"1935 (2 copies)","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c894#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c894#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c03_c01_c894","ref_ssm":["vifgm_repositories_2_resources_331_c03_c01_c894"],"id":"vifgm_repositories_2_resources_331_c03_c01_c894","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c03_c01","parent_ssi":"vifgm_repositories_2_resources_331_c03_c01","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c03","vifgm_repositories_2_resources_331_c03_c01"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts"],"text":["Federal Theatre Project collection","Series 3: Library Records","Subseries 3.1: Playscripts","1935 (2 copies)","box 213","folder 9","by Arthur Arent; A Living Newspaper Play"],"title_filing_ssi":"1935  (2 copies)","title_ssm":["1935 (2 copies)"],"title_tesim":["1935 (2 copies)"],"unitdate_other_ssim":["January 1938"],"normalized_date_ssm":["1938"],"normalized_title_ssm":["1935 (2 copies)"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1542,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1938],"containers_ssim":["box 213","folder 9"],"scopecontent_html_tesm":["\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents note"],"scopecontent_tesim":["by Arthur Arent; A Living Newspaper Play"],"_nest_path_":"/components#2/components#0/components#893","timestamp":"2026-05-24T23:36:53.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. Williams\u003c/p\u003e","\u003cp\u003eby William R. Randall\u003c/p\u003e","\u003cp\u003eby Anna Friedman; A Roosevelt Play, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries, photocopy\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby F. L. Russell\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Bernard Szold and E. P. O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los 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Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents 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and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:36:53.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c03_c01_c894"}},{"id":"vifgm_ftpphoto_c04_c610","type":"File","attributes":{"title":"1935 98,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_ftpphoto_c04_c610#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_ftpphoto_c04_c610#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_ftpphoto_c04_c610","ref_ssm":["vifgm_ftpphoto_c04_c610"],"id":"vifgm_ftpphoto_c04_c610","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto_c04","parent_ssi":"vifgm_ftpphoto_c04","parent_ssim":["vifgm_ftpphoto","vifgm_ftpphoto_c04"],"parent_ids_ssim":["vifgm_ftpphoto","vifgm_ftpphoto_c04"],"parent_unittitles_ssm":["Federal Theatre Project photograph collection","Series 4: Microfiche,"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection","Series 4: Microfiche,"],"text":["Federal Theatre Project photograph collection","Series 4: Microfiche,","1935 98,","Box 101","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"title_filing_ssi":"1935 98,","title_ssm":["1935 98,"],"title_tesim":["1935 98,"],"unitdate_other_ssim":["Circa 1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["1935 98,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3341,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1936,1937,1938,1939],"containers_ssim":["Box 101"],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"_nest_path_":"/components#3/components#609","timestamp":"2026-05-21T06:42:20.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_ftpphoto","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto","ead_source_url_ssi":"data/gmu/ftpphoto.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftpphoto.html","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205"],"text":["C0205","Federal Theatre Project photograph collection","Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits.","There are no access restrictions.","The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.","Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man","3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.","2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.","2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes: 1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".","There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0205"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"access_subjects_ssm":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"has_online_content_ssim":["true"],"extent_ssm":["47.0 linear feet (112 boxes)"],"extent_tesim":["47.0 linear feet (112 boxes)"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"FTP digital collection\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/ftpp/ftpp.shtml\"\u003e\u003c/extptr\u003e. There are photographs from this collection and other FTP collections in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eThis series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003e11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.\u003c/p\u003e","\u003cp\u003eBanquo and Fleance. \"How goes the night, boy.\"\u003c/p\u003e","\u003cp\u003eMaterials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eThis series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eThis series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026amp; 222 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".\u003c/p\u003e","\u003cp\u003e2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003ePortraits of leads Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003eThis series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eZinc plates and mats created out of the plates to use in print production.\u003c/p\u003e","\u003cp\u003eMatrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".\u003c/p\u003e","\u003cp\u003e4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.\u003c/p\u003e","\u003cp\u003eZinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion\u003c/p\u003e","\u003cp\u003eLarge irregularly shaped zinc plate for The Farmers Takes a Wife\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"\u003c/p\u003e","\u003cp\u003eZinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.\u003c/p\u003e","\u003cp\u003e7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"\u003c/p\u003e","\u003cp\u003eZinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"\u003c/p\u003e","\u003cp\u003eZinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"\u003c/p\u003e","\u003cp\u003e4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003e4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003eMat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"\u003c/p\u003e","\u003cp\u003e7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man\u003c/p\u003e","\u003cp\u003e44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.\u003c/p\u003e","\u003cp\u003e26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.\u003c/p\u003e","\u003cp\u003eZinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u0026gt;\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Run Little Chillun\u003c/p\u003e","\u003cp\u003e4 envelopes: 1 \u0026amp; 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026amp; AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"\u003c/p\u003e","\u003cp\u003e5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.\u003c/p\u003e","\u003cp\u003e5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"\u003c/p\u003e","\u003cp\u003e4 mats\u003c/p\u003e","\u003cp\u003eZinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".\u003c/p\u003e","\u003cp\u003e26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"\u003c/p\u003e","\u003cp\u003eZinc plate of George Bratt. Etched on the back is \"George Bratt\"\u003c/p\u003e","\u003cp\u003e47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".\u003c/p\u003e","\u003cp\u003eZinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.\u003c/p\u003e","\u003cp\u003e8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"\u003c/p\u003e","\u003cp\u003eZinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"\u003c/p\u003e","\u003cp\u003e4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"\u003c/p\u003e","\u003cp\u003esee Karyl, Sandra\u003c/p\u003e","\u003cp\u003e14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.\u003c/p\u003e","\u003cp\u003e7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.\u003c/p\u003e","\u003cp\u003eZinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"\u003c/p\u003e","\u003cp\u003eWoodblocks with zinc (and a few copper) plates. These were used for printing.\u003c/p\u003e","\u003cp\u003eMedium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.\u003c/p\u003e","\u003cp\u003eMedium rectangular shaped woodblock for Her Majesty the Widow.\u003c/p\u003e","\u003cp\u003eSquare woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".\u003c/p\u003e","\u003cp\u003eMedium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eSmall rectangular wood block for the play \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003e4 Medium rectangular woodblocks for \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eIrregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eSmall square woodblock for the play \"Post Road\". On back there is a \"2\".\u003c/p\u003e","\u003cp\u003eMedium square woodblock for \"Prologue to Glory\"\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003e2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.\u003c/p\u003e","\u003cp\u003e1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Helene Bush.\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.\u003c/p\u003e","\u003cp\u003eMimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.\u003c/p\u003e","\u003cp\u003e3 Mimeographs for \"The Best Cure\"\u003c/p\u003e","\u003cp\u003eMimeograph for Dixieland Minstrels.\u003c/p\u003e","\u003cp\u003eTwo engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".\u003c/p\u003e","\u003cp\u003ePrologue to Glory- Mimeograph\u003c/p\u003e","\u003cp\u003e2 mimeographs for Room Service. There are two other outlines used for printing as well.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man","3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.","2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.","2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes: 1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well."],"separatedmaterial_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials note"],"separatedmaterial_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\"."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2653\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. 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