{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=2\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=3680\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":3680,"limit_value":10,"offset_value":0,"total_count":36796,"first_page?":true,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_687_c09_c22","type":"Item","attributes":{"title":"0953 - Morning Star","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c09_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c09_c22","ref_ssm":["viw_repositories_2_resources_687_c09_c22"],"id":"viw_repositories_2_resources_687_c09_c22","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c09","parent_ssi":"viw_repositories_2_resources_687_c09","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c09"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c09"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 9 (Oversize)"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 9 (Oversize)"],"text":["Julius J. Lankes Collection","Box 9 (Oversize)","0953 - Morning Star","box 9","Oversize Folder 73"],"title_filing_ssi":"0953 - Morning Star ","title_ssm":["0953 - Morning Star"],"title_tesim":["0953 - Morning Star"],"unitdate_other_ssim":["1937-09-30"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["0953 - Morning Star"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":289,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1937],"containers_ssim":["box 9","Oversize Folder 73"],"_nest_path_":"/components#8/components#21","timestamp":"2026-05-21T08:11:04.885Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:11:04.885Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c09_c22"}},{"id":"vaallhs_repositories_2_resources_162_c04_c03_c09","type":"File","attributes":{"title":"100 Block of N. Fayette","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_162_c04_c03_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_162_c04_c03_c09","ref_ssm":["vaallhs_repositories_2_resources_162_c04_c03_c09"],"id":"vaallhs_repositories_2_resources_162_c04_c03_c09","ead_ssi":"vaallhs_repositories_2_resources_162","_root_":"vaallhs_repositories_2_resources_162","_nest_parent_":"vaallhs_repositories_2_resources_162_c04_c03","parent_ssi":"vaallhs_repositories_2_resources_162_c04_c03","parent_ssim":["vaallhs_repositories_2_resources_162","vaallhs_repositories_2_resources_162_c04","vaallhs_repositories_2_resources_162_c04_c03"],"parent_ids_ssim":["vaallhs_repositories_2_resources_162","vaallhs_repositories_2_resources_162_c04","vaallhs_repositories_2_resources_162_c04_c03"],"parent_unittitles_ssm":["McKenney-Mills Collection (MS413)","Series IV: Photographs","Sub-Series III: Fires"],"parent_unittitles_tesim":["McKenney-Mills Collection (MS413)","Series IV: Photographs","Sub-Series III: Fires"],"text":["McKenney-Mills Collection (MS413)","Series IV: Photographs","Sub-Series III: Fires","100 Block of N. Fayette","box 5","folder 9"],"title_filing_ssi":"100 Block of N. Fayette","title_ssm":["100 Block of N. Fayette"],"title_tesim":["100 Block of N. Fayette"],"unitdate_other_ssim":["May 4, 1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["100 Block of N. Fayette"],"component_level_isim":[3],"repository_ssim":["Alexandria Library"],"collection_ssim":["McKenney-Mills Collection (MS413)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":91,"date_range_isim":[1937],"containers_ssim":["box 5","folder 9"],"_nest_path_":"/components#3/components#2/components#8","timestamp":"2026-05-21T03:59:04.928Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_162","ead_ssi":"vaallhs_repositories_2_resources_162","_root_":"vaallhs_repositories_2_resources_162","_nest_parent_":"vaallhs_repositories_2_resources_162","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_162.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/162","title_ssm":["McKenney-Mills Collection (MS413)"],"title_tesim":["McKenney-Mills Collection (MS413)"],"unitdate_ssm":["2000"],"unitdate_other_ssim":["2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS413"],"text":["MS413","McKenney-Mills Collection (MS413)","Fire departments -- Virginia -- Alexandria","Fires -- Virginia -- Alexandria","Railroad trains.","Fire engines.","Fire departments -- Officials and employees.","Fire fighting equipment industry","Fire stations.","Train stations","Photographs.","The arrangement of this collection is based on two categories:  Subject and fire company.  The first half of the sub-series of mostly group photographs and is arranged by fire company, keeping the Hook and Ladder No. 1, Engine and Truck No. 1, Potomac, Columbia No. 4, and Relief No. 5 together.  The rest of the sub-series is arranged by subject, including funerals for specific firemen, Christmas celebrations, and portraits of members of the AFD.","Ashton \"Mike\" McKenney was a long time member of the Alexandria Volunteer Fire Department, starting in 1940.  Later in his career, he worked as the historian for the AFD and wrote  A History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department (1788-1958) . In 1956, Mike moved in with close friend Thomas Mills, Jr. and his family. He retired in 1972 from the Dulles International Airport Fire Department, and lived out his days with the Mills family in Colonial Beach where he was a charter member of the Colonial Yacht Club.","Thomas Mills III was a firefighter with the Alexandria Fire Department.  Both he and his father had a penchant for grabbing their camera while headed to a fire, in order to capture the efforts of the fire companies.  Tom also loved fire trucks and engines and documented that love with research and photographs, while both Mills and McKenney collected photos that documented the history of the AFD.","This collection contains research materials, ephemora, and photographs collected by or created by Mike McKenney, Thomas Mills Jr., and Thomas Mills III, that document the Alexandria Fire Department.","Folder contains various notes and writings on the Alexandria Relief Fire Company written by Mike McKenney.  Much of this material led to the publishing of his book on the subject.","This folder contains many various photocopies of newspapers taken from microfilm, from 1855-1935 newspapers.  The subject matter collected by McKenney is anything fire department related.","Folder contains photocopies of portions of  Seaport in Virginia  by Gay Montague Moore, along with a letter from her nephew, F. Breckenridge Montague, granting permission to use portions of the article.","This folder contains photocopied newspapers from 1855-1856, along with correspondence between McKenney and Harold J. Seibert, and photographic negatives surrounding the firefighters memorial at Ivy Hill Cemetery.","Folder contains handwritten notes and photocopies of an unidentified publication on the Great Fire of 1827 in Alexandria.","Folder contains various notes and transcriptions related to the history of the Alexandria Fire Department.","Folder contains notes on fire department state conventions in the nineteenth century.","Folder contains photocopied newspapers and notes about the injury and death of the \"Baby Fireman\" George Whalen, who was severly injured in a fall while fighting a fire.","Folder contains a photocopied article written by Ashton \"Mike\" McKenney.","This folder contains several mock-ups of the program for the 200th anniversary of the Relief Truck and Engine Company No. 1, in 1988.","Folder contains several newspaper articles about whether or not the AFD should be able to utilize volunteers in the fire department.","This folder contains several small articles from the Alexandria Gazette's \"Years Ago\" series.  These were compiled by Ashton \"Mike\" McKenney and mostly focus on the Alexandria Fire Department's history.  These articles were kept in the order they appeared in McKenney's notebook, along with the black sheets that some of them are still taped to.","This folder contains miscellaneous newspaper clippings curated by Ashton \"Mike\" McKenney.","This folder contains several miscellaneous items including a ticket to the Annual Escursion of the Columbia Engine and Motor Co. No. 4 on July 26, 1921, a constitution and by-laws of the Friendship Veteran Fire Association, newspaper clippings of articles written by J. H. Mansfield, programs for the first annual retirement banquet from December 10, 1970, and stamps from 1981 commemorating the 1860 fire pumpers.","This folder contains various note and research materials about fire trucks, especially in the Alexandria fire department.  It also contains 3 larger photographs of Alexandria fire trucks.","This folder contains letters written by and to Thomas Mills III, regarding his research on fire trucks.","This folder contains football programs and tickets along with a program for a play called  Crew Follies .","This folder contains a ticket for a play called  Out of the Stillness , a football schedule for the 1928 season, programs for a play called  A Dweller in the Darkness  and a play called  When the Clock Strikes Twelve , and several issues of  The Last Lap  Alexandria High School newsletter dating frmo October 12, 1928 to April 16, 1930.","This series consists of a scrapbook, pamphlets, brochures, copies of Ashton McKenney's book, and a Bible donated to the fire department by the Ku Klux Klan.","Folder contains two operator's manuals and a small booklet on the history of America-LaFrance.","This folder contains 3 convention booklets.  One is for the 41st Annual Convention and Tournament of the Virginia State Firemen's Association from August, 1927.  Another is for the Annual Convention of Virginia State and Cumberland Valley Firemen's Associations, the Lady's Auxiliary to Virginia State Firemen's Assocation, and the State Fire Chiefs' Assocation of Virgina from 1932.  The third is one for the same 3 conventions in 1958.","This folder contains several programs from past ceremonies of the Friendship Veterans Fire Association, often signed by the guest speaker of each ceremony.  Signatures included are Gov. Mills E. Goodwin, Senator and astronaut John Glenn, Jeff Bostic, Bobby Beathard, and one signed by some of the people released in the Iran Hostage Crisis in 1981.","Folder contains several copies of  A History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department , written by Ashton \"Mike\" McKenney.","This folder contains a Bible donated by the Alexandria Ku Klux Klan No. 47 to the No 1. Relief Engine Company.","This sub-series of photographs features photos of firefighting apparatuses such as fire engines, hose wagons, steam pumps, fire trucks, and rescue vehicles.  The separation of these materials from other photos was based on Thomas Mills III's study of these machines.  On some photos in the collection, he would name everyone in the photo.  Others, he would describe the apparatus, including the date in which it was ordered, the date in which it was shipped, the model and serial number, and which unit utilized it.  If it was clear that the notation on the back was aimed at the apparatus, then it was placed in this sub-series.","This sub-series of photographs covers photos relevant to the history of the Alexandria Fire Department.  They were arranged this way, due to their focus on the people of the department.","300 Block of S. Patrick","500 Block of Montgomery","Corner of King and Lee Streets.","Corner of Prince and Royal Streets.","618 S. Columbus and 620 S. Columbus Street.","Local History and Special Collections Branch, Alexandria Library","McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966","Ogden, Kenneth W. (Kenneth William), 1884-1925","English \n.    "],"unitid_tesim":["MS413"],"normalized_title_ssm":["McKenney-Mills Collection (MS413)"],"collection_title_tesim":["McKenney-Mills Collection (MS413)"],"collection_ssim":["McKenney-Mills Collection (MS413)"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"creator_ssm":["McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966"],"creator_ssim":["McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966"],"creator_persname_ssim":["McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966"],"creators_ssim":["McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966"],"access_subjects_ssim":["Fire departments -- Virginia -- Alexandria","Fires -- Virginia -- Alexandria","Railroad trains.","Fire engines.","Fire departments -- Officials and employees.","Fire fighting equipment industry","Fire stations.","Train stations","Photographs."],"access_subjects_ssm":["Fire departments -- Virginia -- Alexandria","Fires -- Virginia -- Alexandria","Railroad trains.","Fire engines.","Fire departments -- Officials and employees.","Fire fighting equipment industry","Fire stations.","Train stations","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["3 Cubic Feet"],"extent_tesim":["3 Cubic Feet"],"genreform_ssim":["Photographs."],"date_range_isim":[2000],"arrangement_html_tesm":["\u003cp\u003eThe arrangement of this collection is based on two categories:  Subject and fire company.  The first half of the sub-series of mostly group photographs and is arranged by fire company, keeping the Hook and Ladder No. 1, Engine and Truck No. 1, Potomac, Columbia No. 4, and Relief No. 5 together.  The rest of the sub-series is arranged by subject, including funerals for specific firemen, Christmas celebrations, and portraits of members of the AFD.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The arrangement of this collection is based on two categories:  Subject and fire company.  The first half of the sub-series of mostly group photographs and is arranged by fire company, keeping the Hook and Ladder No. 1, Engine and Truck No. 1, Potomac, Columbia No. 4, and Relief No. 5 together.  The rest of the sub-series is arranged by subject, including funerals for specific firemen, Christmas celebrations, and portraits of members of the AFD."],"bioghist_html_tesm":["\u003cp\u003eAshton \"Mike\" McKenney was a long time member of the Alexandria Volunteer Fire Department, starting in 1940.  Later in his career, he worked as the historian for the AFD and wrote \u003ci\u003eA History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department (1788-1958)\u003c/i\u003e. In 1956, Mike moved in with close friend Thomas Mills, Jr. and his family. He retired in 1972 from the Dulles International Airport Fire Department, and lived out his days with the Mills family in Colonial Beach where he was a charter member of the Colonial Yacht Club.\u003cbr\u003e\u003c/p\u003e\n","\u003cp\u003eThomas Mills III was a firefighter with the Alexandria Fire Department.  Both he and his father had a penchant for grabbing their camera while headed to a fire, in order to capture the efforts of the fire companies.  Tom also loved fire trucks and engines and documented that love with research and photographs, while both Mills and McKenney collected photos that documented the history of the AFD.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ashton \"Mike\" McKenney was a long time member of the Alexandria Volunteer Fire Department, starting in 1940.  Later in his career, he worked as the historian for the AFD and wrote  A History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department (1788-1958) . In 1956, Mike moved in with close friend Thomas Mills, Jr. and his family. He retired in 1972 from the Dulles International Airport Fire Department, and lived out his days with the Mills family in Colonial Beach where he was a charter member of the Colonial Yacht Club.","Thomas Mills III was a firefighter with the Alexandria Fire Department.  Both he and his father had a penchant for grabbing their camera while headed to a fire, in order to capture the efforts of the fire companies.  Tom also loved fire trucks and engines and documented that love with research and photographs, while both Mills and McKenney collected photos that documented the history of the AFD."],"prefercite_html_tesm":["\u003cp\u003e[item identification], McKenney-Mills Collection, MS413, Alexandria Library, Local History and Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[item identification], McKenney-Mills Collection, MS413, Alexandria Library, Local History and Special Collections, Alexandria, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains research materials, ephemora, and photographs collected by or created by Mike McKenney, Thomas Mills Jr., and Thomas Mills III, that document the Alexandria Fire Department.\u003c/p\u003e","\u003cp\u003eFolder contains various notes and writings on the Alexandria Relief Fire Company written by Mike McKenney.  Much of this material led to the publishing of his book on the subject.\u003c/p\u003e","\u003cp\u003eThis folder contains many various photocopies of newspapers taken from microfilm, from 1855-1935 newspapers.  The subject matter collected by McKenney is anything fire department related.\u003c/p\u003e","\u003cp\u003eFolder contains photocopies of portions of \u003ci\u003eSeaport in Virginia\u003c/i\u003e by Gay Montague Moore, along with a letter from her nephew, F. Breckenridge Montague, granting permission to use portions of the article.\u003c/p\u003e","\u003cp\u003eThis folder contains photocopied newspapers from 1855-1856, along with correspondence between McKenney and Harold J. Seibert, and photographic negatives surrounding the firefighters memorial at Ivy Hill Cemetery.\u003c/p\u003e","\u003cp\u003eFolder contains handwritten notes and photocopies of an unidentified publication on the Great Fire of 1827 in Alexandria.\u003c/p\u003e","\u003cp\u003eFolder contains various notes and transcriptions related to the history of the Alexandria Fire Department.\u003c/p\u003e","\u003cp\u003eFolder contains notes on fire department state conventions in the nineteenth century.\u003c/p\u003e","\u003cp\u003eFolder contains photocopied newspapers and notes about the injury and death of the \"Baby Fireman\" George Whalen, who was severly injured in a fall while fighting a fire.\u003c/p\u003e","\u003cp\u003eFolder contains a photocopied article written by Ashton \"Mike\" McKenney.\u003c/p\u003e","\u003cp\u003eThis folder contains several mock-ups of the program for the 200th anniversary of the Relief Truck and Engine Company No. 1, in 1988.\u003c/p\u003e","\u003cp\u003eFolder contains several newspaper articles about whether or not the AFD should be able to utilize volunteers in the fire department.\u003c/p\u003e","\u003cp\u003eThis folder contains several small articles from the Alexandria Gazette's \"Years Ago\" series.  These were compiled by Ashton \"Mike\" McKenney and mostly focus on the Alexandria Fire Department's history.  These articles were kept in the order they appeared in McKenney's notebook, along with the black sheets that some of them are still taped to.\u003c/p\u003e","\u003cp\u003eThis folder contains miscellaneous newspaper clippings curated by Ashton \"Mike\" McKenney.\u003c/p\u003e","\u003cp\u003eThis folder contains several miscellaneous items including a ticket to the Annual Escursion of the Columbia Engine and Motor Co. No. 4 on July 26, 1921, a constitution and by-laws of the Friendship Veteran Fire Association, newspaper clippings of articles written by J. H. Mansfield, programs for the first annual retirement banquet from December 10, 1970, and stamps from 1981 commemorating the 1860 fire pumpers.\u003c/p\u003e","\u003cp\u003eThis folder contains various note and research materials about fire trucks, especially in the Alexandria fire department.  It also contains 3 larger photographs of Alexandria fire trucks.\u003c/p\u003e","\u003cp\u003eThis folder contains letters written by and to Thomas Mills III, regarding his research on fire trucks.\u003c/p\u003e","\u003cp\u003eThis folder contains football programs and tickets along with a program for a play called \u003ci\u003eCrew Follies\u003c/i\u003e.\u003c/p\u003e","\u003cp\u003eThis folder contains a ticket for a play called \u003ci\u003eOut of the Stillness\u003c/i\u003e, a football schedule for the 1928 season, programs for a play called \u003ci\u003eA Dweller in the Darkness\u003c/i\u003e and a play called \u003ci\u003eWhen the Clock Strikes Twelve\u003c/i\u003e, and several issues of \u003ci\u003eThe Last Lap\u003c/i\u003e Alexandria High School newsletter dating frmo October 12, 1928 to April 16, 1930.\u003c/p\u003e","\u003cp\u003eThis series consists of a scrapbook, pamphlets, brochures, copies of Ashton McKenney's book, and a Bible donated to the fire department by the Ku Klux Klan.\u003c/p\u003e","\u003cp\u003eFolder contains two operator's manuals and a small booklet on the history of America-LaFrance.\u003c/p\u003e","\u003cp\u003eThis folder contains 3 convention booklets.  One is for the 41st Annual Convention and Tournament of the Virginia State Firemen's Association from August, 1927.  Another is for the Annual Convention of Virginia State and Cumberland Valley Firemen's Associations, the Lady's Auxiliary to Virginia State Firemen's Assocation, and the State Fire Chiefs' Assocation of Virgina from 1932.  The third is one for the same 3 conventions in 1958.\u003c/p\u003e","\u003cp\u003eThis folder contains several programs from past ceremonies of the Friendship Veterans Fire Association, often signed by the guest speaker of each ceremony.  Signatures included are Gov. Mills E. Goodwin, Senator and astronaut John Glenn, Jeff Bostic, Bobby Beathard, and one signed by some of the people released in the Iran Hostage Crisis in 1981.\u003c/p\u003e","\u003cp\u003eFolder contains several copies of \u003ci\u003eA History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department\u003c/i\u003e, written by Ashton \"Mike\" McKenney.\u003c/p\u003e","\u003cp\u003eThis folder contains a Bible donated by the Alexandria Ku Klux Klan No. 47 to the No 1. Relief Engine Company.\u003c/p\u003e","\u003cp\u003eThis sub-series of photographs features photos of firefighting apparatuses such as fire engines, hose wagons, steam pumps, fire trucks, and rescue vehicles.  The separation of these materials from other photos was based on Thomas Mills III's study of these machines.  On some photos in the collection, he would name everyone in the photo.  Others, he would describe the apparatus, including the date in which it was ordered, the date in which it was shipped, the model and serial number, and which unit utilized it.  If it was clear that the notation on the back was aimed at the apparatus, then it was placed in this sub-series.\u003c/p\u003e","\u003cp\u003eThis sub-series of photographs covers photos relevant to the history of the Alexandria Fire Department.  They were arranged this way, due to their focus on the people of the department.\u003c/p\u003e","\u003cp\u003e300 Block of S. Patrick\u003c/p\u003e","\u003cp\u003e500 Block of Montgomery\u003c/p\u003e","\u003cp\u003eCorner of King and Lee Streets.\u003c/p\u003e","\u003cp\u003eCorner of Prince and Royal Streets.\u003c/p\u003e","\u003cp\u003e618 S. Columbus and 620 S. Columbus Street.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains research materials, ephemora, and photographs collected by or created by Mike McKenney, Thomas Mills Jr., and Thomas Mills III, that document the Alexandria Fire Department.","Folder contains various notes and writings on the Alexandria Relief Fire Company written by Mike McKenney.  Much of this material led to the publishing of his book on the subject.","This folder contains many various photocopies of newspapers taken from microfilm, from 1855-1935 newspapers.  The subject matter collected by McKenney is anything fire department related.","Folder contains photocopies of portions of  Seaport in Virginia  by Gay Montague Moore, along with a letter from her nephew, F. Breckenridge Montague, granting permission to use portions of the article.","This folder contains photocopied newspapers from 1855-1856, along with correspondence between McKenney and Harold J. Seibert, and photographic negatives surrounding the firefighters memorial at Ivy Hill Cemetery.","Folder contains handwritten notes and photocopies of an unidentified publication on the Great Fire of 1827 in Alexandria.","Folder contains various notes and transcriptions related to the history of the Alexandria Fire Department.","Folder contains notes on fire department state conventions in the nineteenth century.","Folder contains photocopied newspapers and notes about the injury and death of the \"Baby Fireman\" George Whalen, who was severly injured in a fall while fighting a fire.","Folder contains a photocopied article written by Ashton \"Mike\" McKenney.","This folder contains several mock-ups of the program for the 200th anniversary of the Relief Truck and Engine Company No. 1, in 1988.","Folder contains several newspaper articles about whether or not the AFD should be able to utilize volunteers in the fire department.","This folder contains several small articles from the Alexandria Gazette's \"Years Ago\" series.  These were compiled by Ashton \"Mike\" McKenney and mostly focus on the Alexandria Fire Department's history.  These articles were kept in the order they appeared in McKenney's notebook, along with the black sheets that some of them are still taped to.","This folder contains miscellaneous newspaper clippings curated by Ashton \"Mike\" McKenney.","This folder contains several miscellaneous items including a ticket to the Annual Escursion of the Columbia Engine and Motor Co. No. 4 on July 26, 1921, a constitution and by-laws of the Friendship Veteran Fire Association, newspaper clippings of articles written by J. H. Mansfield, programs for the first annual retirement banquet from December 10, 1970, and stamps from 1981 commemorating the 1860 fire pumpers.","This folder contains various note and research materials about fire trucks, especially in the Alexandria fire department.  It also contains 3 larger photographs of Alexandria fire trucks.","This folder contains letters written by and to Thomas Mills III, regarding his research on fire trucks.","This folder contains football programs and tickets along with a program for a play called  Crew Follies .","This folder contains a ticket for a play called  Out of the Stillness , a football schedule for the 1928 season, programs for a play called  A Dweller in the Darkness  and a play called  When the Clock Strikes Twelve , and several issues of  The Last Lap  Alexandria High School newsletter dating frmo October 12, 1928 to April 16, 1930.","This series consists of a scrapbook, pamphlets, brochures, copies of Ashton McKenney's book, and a Bible donated to the fire department by the Ku Klux Klan.","Folder contains two operator's manuals and a small booklet on the history of America-LaFrance.","This folder contains 3 convention booklets.  One is for the 41st Annual Convention and Tournament of the Virginia State Firemen's Association from August, 1927.  Another is for the Annual Convention of Virginia State and Cumberland Valley Firemen's Associations, the Lady's Auxiliary to Virginia State Firemen's Assocation, and the State Fire Chiefs' Assocation of Virgina from 1932.  The third is one for the same 3 conventions in 1958.","This folder contains several programs from past ceremonies of the Friendship Veterans Fire Association, often signed by the guest speaker of each ceremony.  Signatures included are Gov. Mills E. Goodwin, Senator and astronaut John Glenn, Jeff Bostic, Bobby Beathard, and one signed by some of the people released in the Iran Hostage Crisis in 1981.","Folder contains several copies of  A History of the Relief Truck and Engine Company No. 1 of the Alexandria Fire Department , written by Ashton \"Mike\" McKenney.","This folder contains a Bible donated by the Alexandria Ku Klux Klan No. 47 to the No 1. Relief Engine Company.","This sub-series of photographs features photos of firefighting apparatuses such as fire engines, hose wagons, steam pumps, fire trucks, and rescue vehicles.  The separation of these materials from other photos was based on Thomas Mills III's study of these machines.  On some photos in the collection, he would name everyone in the photo.  Others, he would describe the apparatus, including the date in which it was ordered, the date in which it was shipped, the model and serial number, and which unit utilized it.  If it was clear that the notation on the back was aimed at the apparatus, then it was placed in this sub-series.","This sub-series of photographs covers photos relevant to the history of the Alexandria Fire Department.  They were arranged this way, due to their focus on the people of the department.","300 Block of S. Patrick","500 Block of Montgomery","Corner of King and Lee Streets.","Corner of Prince and Royal Streets.","618 S. Columbus and 620 S. Columbus Street."],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966","Ogden, Kenneth W. (Kenneth William), 1884-1925"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library"],"persname_ssim":["McKenney, Ashton N. (Mike), 1921-2005","Mills, Thomas E., III (Thomas Edward), 1935-","Mills, Thomas E., Jr. (Thomas Edward), 1912-1999","Moore, C. Bennett (Charles Bennett), 1904-1966","Ogden, Kenneth W. (Kenneth William), 1884-1925"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":158,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:59:04.928Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_162_c04_c03_c09"}},{"id":"viu_repositories_7_resources_157_c01_c297","type":"Item","attributes":{"title":"10-10 Temporal bone. Course of the descending and transverse facial canal,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c297#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c297","ref_ssm":["viu_repositories_7_resources_157_c01_c297"],"id":"viu_repositories_7_resources_157_c01_c297","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","10-10 Temporal bone. 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The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. 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Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. 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Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c297"}},{"id":"viu_repositories_7_resources_157_c01_c298","type":"Item","attributes":{"title":"10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c298#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_157_c01_c298","ref_ssm":["viu_repositories_7_resources_157_c01_c298"],"id":"viu_repositories_7_resources_157_c01_c298","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157_c01","parent_ssi":"viu_repositories_7_resources_157_c01","parent_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_ids_ssim":["viu_repositories_7_resources_157","viu_repositories_7_resources_157_c01"],"parent_unittitles_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"parent_unittitles_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,"],"text":["The University of Virginia Anatomy Laboratory Lantern Slides collection","Series I: Keystone View Company anatomy slides ,","10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,","box 6","folder 47"],"title_filing_ssi":"10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,","title_ssm":["10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,"],"title_tesim":["10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,"],"unitdate_inclusive_ssm":["circa 1920-1950"],"normalized_date_ssm":["1920/1950"],"normalized_title_ssm":["10-11 Temporal bone. Relation of lateral sinus bulb to descending facial canal,"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":299,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 6","folder 47"],"_nest_path_":"/components#0/components#297","timestamp":"2026-05-20T23:50:48.709Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_157","ead_ssi":"viu_repositories_7_resources_157","_root_":"viu_repositories_7_resources_157","_nest_parent_":"viu_repositories_7_resources_157","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_157.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/128880","title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"unitdate_ssm":["1920-1965"],"unitdate_inclusive_ssm":["1920-1965"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"text":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157","The University of Virginia Anatomy Laboratory Lantern Slides collection","7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches","Collection is open to research.","Materials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. Materials in the second series \"Cephalophagus presentation slides\" are arranged according to their original order at the time of the collection's acquisition by the Claude Moore Health Sciences Library.","Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n","Processed by: Historical Collections Staff","This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.","\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.55","Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/157"],"normalized_title_ssm":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_title_tesim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"collection_ssim":["The University of Virginia Anatomy Laboratory Lantern Slides collection"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"acqinfo_ssim":["Dr. John Herr found the collection in a University of Virginia School of Medicine Anatomy Laboratory and transferred it to the Claude Moore Health Sciences Library in 2014."],"has_online_content_ssim":["false"],"physdesc_tesim":["7 boxes with the dimensions of 4.5 inches x 3.5 inches x 10.5 inches"],"extent_ssm":["6.4 Linear Feet"],"extent_tesim":["6.4 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the first series \"Keystone View Company anatomy slides\" are arranged in numerical order according to numbers assigned to the slides by their manufacturer. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. 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The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c298"}},{"id":"viu_repositories_7_resources_157_c01_c299","type":"Item","attributes":{"title":"10-12 Shows mastoidectomy. 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The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. 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The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). 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Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c300"}},{"id":"viu_repositories_7_resources_157_c01_c301","type":"Item","attributes":{"title":"10-14 Temporal bone. 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It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.\u003c/p\u003e","\u003cp\u003e\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n\u003c/p\u003e","\u003cp\u003e\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n\u003c/p\u003e","\u003cp\u003e\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n\u003c/p\u003e","\u003cp\u003e\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information for Anatomy Education at the University of Virginia","Historical Information for the Keystone View Company"],"bioghist_tesim":["Since its first session in 1825, the University of Virginia has included the study of human anatomy in its medical curriculum. The University has constructed a number of anatomical theatres and laboratories to support this study. It also has purchased educational tools and media for use in anatomy classrooms. During the early twentieth century, lantern slides produced by the Keystone View Company and other manufacturers were one kind of educational media that was used to support the instruction of human anatomy at the University of Virginia.","\nThe Keystone View Company, established in 1892 by amateur photographer B.L. Singley, was a distributor of stereographic images and lantern slides. At the height of its success, the Keystone View Company dominated the stereographic image market, operated branch offices in multiple cities, and sent photographers to all corners of the globe.\n","\nB.L. Singley initially founded the Keystone View Company in Meadville, Pennsylvania as a vehicle for mass producing and distributing prints of his own photographic works. Six years after the company's founding, Keystone began to produce stereographic images and would rapidly become a leader in this form of media.\n","\nBy 1905, the Keystone View Company had become a world leader in stereoscopic imagery and sold nearly 20,000 views depicting a wide range of subjects. However, company leaders recognized that popular demand for stereoscopic images would decline as motion pictures became more widely available to the public and sought a new market for their product. Ultimately, the Keystone View Company decided to enter the educational products market. Between 1905 and 1963, the company produced hundreds of educational lantern slide and stereograph sets and aggressively marketed them directly to schools including the University of Virginia.\n","\nIn 1963, the Keystone View Company, plagued by declining sales, was bought by the Mast Development Company. The Mast Development Company later donated the archives of the Keystone View Company, which consists of over 350,000 photographic and print items, to the University of California Riverside, where they reside today.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eUniversity of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va.\u003c/p\u003e"],"prefercite_tesim":["University of Virginia Anatomy Laboratory Lantern Slides Collection, Accession #MS-55, Historical Collections, Claude Moore Health Sciences Library, University of Virginia, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is divided into two series. The first series, \"Keystone View Company anatomy slides\", is a nearly complete set of 3 x 5 inch lantern slides that depict black-and-white photographic images showing various parts of human anatomy. The Keystone View Company most likely produced and sold this slide set sometime between 1920 and 1950. The second series, \"Cephalapagus presentation slides\", consists of 3 x 5 inch lantern slides that were used in a presentation at an academic conference. The presentation was titled, \"Dissection of a Human Craniopagus Parietalis\". The presentation was given by Robert B. Moore and Arthur H. Wasser of the University of Virginia School of Medicine in 1959 at the annual meeting of the Virginia Academy of Science."],"userestrict_html_tesm":["\u003cp\u003e\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n\u003c/p\u003e","\u003cp\u003e\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n\u003c/p\u003e","\u003cp\u003e\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["\nCopyright for materials in Series I: Keystone View Company anatomy slides, has been assigned to the University of California Regents and is administered by University of California Riverside-California Museum of Photography (UCR-CMP). All requests for permission to publish reproductions from photographs or quote from manuscripts must be submitted in writing to UCR-CMP.\n","\nThe reproduction rights for materials in Series II: Cephalopagus presentation slides, are owned by an unknown individual, group, or institution. The University of Virginia does not have the right to publish or grant permission to publish these materials.\n","\nCopyright restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research and educational purposes.\n"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:50:48.709Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_157_c01_c304"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":292},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Brepository%5D%5B%5D=Alexandria+Library\u0026view=compact"}},{"attributes":{"label":"College of William and Mary","value":"College of William and 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